BronzeLens Film Festival Announces Fest Awards

Six of the Nations Most Provocative Filmmakers Receive 2012 BronzeLens Film Festival Awards

Top Honors given in Short Film, Documentary and Feature Categories

ATLANTA--(BUSINESS WIRE)--The third annual BronzeLens Film Festival (BronzeLens) was host to over 3000 attendees from across the United States, Europe, the Caribbean and Africa. During the course of four days 50 films in the Feature, Narrative Fiction, Documentary and Shorts categories November 8th-11th were screened at Georgia Pacific Center, Atlanta Marriott Marquis, World of Coca-Cola, Morehouse College, Morehouse School of Medicine and Georgia Power Auditorium. A total of six films received prestigious BronzeLens Awards top honors in the following categories:

Best Documentary Short, Best Overall Film and Winner of the Panavision $50,000 Camera Equipment Prize

Colored My Mind: Diagnosis Director: Nia T. Hill
The synopsis: In this powerful Short Docu-Drama by award-winning writer and director Nia T. Hill, an educator, an actress, a lawyer, a music manager, and a homemaker are our guides as we explore the overlooked world of autism. Intercut in the documentary Nicole Ari Parker and Blair Underwood dramatize how a couple faces the reality of their autistic child.

Best Documentary

The Contradictions of Fair Hope Director: S. Epatha Merkerson and Rockell Metcalf
The synopsis: The documentary sets the stage in rural Alabama, prior to Emancipation, and traces the development, struggles, contributions and gradual loss of tradition of one of the last remaining African American benevolent societies, known as "The Fair Hope Benevolent Society" in Uniontown, Alabama. Through gripping human stories the film provides an unprecedented look at the complex and morally ambiguous world of Fair Hope juxtaposed against the worldly pleasures of what has become known as the annual "Foot Wash" celebration.

Best Feature Film

An Oversimplification of Her Beauty Director: Terence Nance
The synopsis: A quixotic artist explores his life after getting stood up by a mystery girl.

Best Short

Barbasol Director: Ralph K. Scott
The synopsis: A man has a desire to bond with his aging father that is suffering with dementia. He comes to realize he needs to turn that attention toward his own son.

Best International

Otelo Burning Director: Sara Blecher
The synopsis: Based on true events, three teenage friends from a South African township discover freedom through the joy of surfing. Otelo Burning is a strikingly dynamic portrait of hope and growth for a group of proud adolescents and a nation at the end of apartheid.

Audience Award Winner

Kunta Kinteh Island: Coming Home Without Shackles Director: Elvin Ross
The synopsis: Kunta Kinteh Island: Coming Home Without Shackles chronicles the pride, strength and journey of the most celebrated captive African, Kunta Kinteh, who was enslaved and brought to the New World during the West African Slave Trade. Recently Dr. Yahya Abul-Aziz Jemus Junnkung Jammeh, President of the Republic of The Gambia, reclaimed and renamed the old British Fortress from James Island to KUNTA KINTEH ISLAND to honor his legacy during the Roots Festival in February 2011.

Honorable Mentions

Features: Homecoming, Director: Eugene Ashe, Documentary: Color Outside the Lines, Director: Artemus Jenkins and Short: The Christmas Tree, Director: Angel Kristi Williams, International Short Documentary, On Our Land: Being Garifuna in Honduras,

Directors: Neal Dixon, James Frazier, Erica Harding

Other BronzeLens Award honorees were legendary film, television and theater director Kenny Leon who received the BronzeLens Trailblazer Award and television and film producer/director Roger Bobb received the BronzeLens Film Advocate Award. Also noted Atlanta community advocate W. Imara Canady received the BronzeLens Faith Award.


About the BronzeLens Film Festival
Founded in 2009, The BronzeLens Film Festival of Atlanta, Georgia is a non-profit organization dedicated to bringing national and worldwide attention to Atlanta as a center for film and film production for people of color. Its mission is twofold: to promote Atlanta as the new film Mecca for people of color; and to showcase films and provide networking opportunities that will develop the next generation of filmmakers. Since its inception the BronzeLens Film Festival has evolved as one of the most comprehensive film festivals for filmmakers of color in the United States. Visit www.bronzelensfilmfestival.com for more information regarding the BronzeLens Film Festival.

Sponsors of the BronzeLens Film Festival are Coca-Cola Company, Georgia Lottery Corp., Atlanta Convention and Visitors Bureau, Turner, Atlanta Marriott Marquis, Panavision, Delta Air Lines, HBO Documentary Films, The Levy Group, Georgia Pacific, Macys, AT& T, Morehouse College, France Atlanta 2012, National Center for Civil and Human Rights, The Sai Sai Group, Inc., White Oak Restaurant, Organix Food Lounge Hartsfield-Jackson Atlanta International Airport, MHR International, Movie Magic and Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council. Media Partners Include: 11Alive/WXIA-TV, WCLK-FM, Atlanta DAYBOOK, Modern Luxury and Oz Magazine

2012 BronzeLens Film Festival Opens Nov. 8th in Atlanta

Entertainment Industry Leaders Reuben Cannon, S. Epatha Merkerson, Stephanie Allain, Kathie Fong Yoneda, Roger Bobb and Pearl Cleage Headline 3rd Annual BronzeLens Film Festival November 8-11, 2012

BronzeLens 2012 to Screen 50 Feature Films, Narrative Fiction, Documentaries and Shorts November 8th-11th at Georgia Pacific Center, Atlanta Marriott Marquis, World of Coca-Cola, Morehouse School of Medicine and Georgia Power Auditorium

ATLANTA--(BUSINESS WIRE)--Filmmakers representing the United States, Africa, Canada, the Caribbean and Europe comprise the more than 50 films to be screened for BronzeLens 2012. Now in its third year, the BronzeLens Film Festival (BronzeLens) continues to be one the nation’s most anticipated film festival events. The festival takes place November 8-11, 2012 and will offer content for filmmakers, industry professionals, students and the general public. Attendees may choose from a variety of BronzeLens expert signature panels, workshops, domestic and international film screenings and get a taste of unique southern hospitality.

BronzeLens Festival Highlights

Legendary casting director and producer Reuben Cannon will host “The Producers Roundtable” a groundbreaking session that brings together high-level entertainment executives to share their strategies for producing successful film and television projects. Award-winning author and playwright Pearl Cleage will discuss her newest project in “From Novel to Screen: The Pearl Cleage Film Project.” And, NAACP Image Award winning producer Roger Bobb will conduct a new workshop “Creating Comedy Shows with Roger Bobb.”

This year, the Women Superstars Luncheon, which has become a BronzeLens favorite for local corporations as a means of exposing employees and clients to the BronzeLens experience, will take place on Friday, November 9, 2012 at the Atlanta Marriott Marquis Hotel. Accomplished women of color in the film and television industry S. Epatha Merkerson, Stephanie Allain, Kathie Fong Yoneda, Deborah Riley Draper and Emayatzy Corinealdi will be honored at this signature event. This year at the BronzeLens Awards on Saturday, November 10, 2012, the best of the festival filmmakers in their perspective categories will be honored. Legendary film, television and theater director Kenny Leon will receive the BronzeLens Trailblazer Award and television producer/director Roger Bobb will receive the BronzeLens Film Advocate Award. Cinema and Social Justice Sunday, which takes place on Sunday, November 11, 2012, will be produced in conjunction with Center for Civil and Human Rights remains a unique and critical component of the festival.

A total of nine international films will be screened at the BronzeLens Film Festival (BronzeLens) November 8th and 10th. Film selections represent works from South Africa, Namibia, Trinidad, Honduras, Dominican Republic, Guadeloupe, The Gambia, Senegal and France/Martinique. Also, for the second year as a key international film component BronzeLens re-joins France Atlanta in collaboration to present films from the Francophone world at what is titled “France-Atlanta at the BronzeLens Film Festival.”

BronzeLens Panels and Films at a Glance

All BronzeLens onsite registration November 8-10, 2012 from 8:00 am until 5:00 pm will take place at the Festival’s headquarters hotel, the magnificent Atlanta Marriott Marquis. All juried screenings are shown at the Georgia Pacific Auditorium, Atlanta Marriott Marquis, Morehouse College Sale Hall, Morehouse School of Medicine and Georgia Power Auditorium.

Thursday, November 8, 2012

Panels at the Atlanta Marriott Marquis
•Opening Plenary: Production in Georgia : Status Report

•Real Time Opportunities in Financing Film Production featuring Wade Bradley, Founder/CEO of Media Society

•Distribution Options for the Indie Filmmaker

•Creating in the Digital Age

•Kathie Fong Yoneida: Getting your Script to The Screen

Films screened concurrently at Georgia Pacific Center:
Foot Soldiers: Class of 1964, directed by Alvelyn Sanders, Second Time Around, directed by Jessica M. Young, Color Outside the Lines, directed by Artemus Jenkins and Probable Cause

Opening Night Feature Film 8:00 pm at the World of Coca Cola

Otelo Burning, Directed by Sara Blecher http://youtu.be/gek4b3x0TTQ

Awards and highlights include, 13 nominations at the African Movie Academy Awards (more than any other film)- winner Best Cinematography and Best Child Actor, 16th Annual Busan International Film Festival (Korea), Drama Award-24th Annual One World Media Awards in London, 2011 Durban International Film Festival-Official Selection & Opening Night Film, BFI London International Film Festival, 2011 Dubai International Film Festival, Lille Film Festival France-Official Selection,

Cinenerma BC Brazil-Official Selection, US Debut, at Seattle International Film Festival- Official Selection & Nominated Golden Needle Award, Special Screening at American Black Film Festival and the Chicago International Film Festival

Friday, November 9, 2012

•How to Pitch Your Film to the Media sponsored by the African American Film Critics Association

•Think Global: International Opportunities For Entertainment Projects

•From Novel to Screen : The Pearl Cleage Film Project: Pearl Cleage and Ayoka Chenzira

All Shorts, All Day Films screened concurrently at Georgia Pacific Center

Feeding Freedom, Sweet Auburn, The Last/First Kiss, Their Eyes Were Watching Gummy Bears, What About Us?, 4-1-9, The Bluest Note, Aide de Camp, State of Mind, The Voice, The Christmas Tree, The Collegians, Bunny, Barbasol, In This Corner, and Keeper of the Flame

Friday Night Feature Film at Georgia Pacific Center

8:00 pm
The Contradictions of Fair Hope, directed by S. Epatha Merkerson and Rockell Metcalf

The Contradictions of Fair Hope is narrated by Whoopi Goldberg with music by Christian McBride. The film has received the following awards: Philadelphia Independent Film Festival- Best Documentary, Newark Black Film Festival-Paul Robeson Best Documentary, Festival International Du Film Panafricain-Dikalo Award Best Documentary, San Diego Black Film Festival-Best Documentary and Roxbury International Film Festival-Henry Hampton Award

Saturday, November 10, 2012 at the Atlanta Marriott Marquis

•Bus Tour of Movie Locations in the ATL / Limited Seating

•Reuben Cannon and The Producer’s Roundtable

•Producer’s Luncheon

•Commercial Production Workshop on Film and Advertising: The Madison and Vine Intersection, presented by Georgia Lottery Corp.

•Music for Film.TV, Gaming: From Scoring to Licensing

•Creating Comedy Shows with Roger Bobb

International Films Day Screenings at the Atlanta Marriott Marquis

My Beautiful Nightmare (Namibia), The Merikins (Trinidad), On Our land, Being Garifuna in Honduras (Honduras), Hibana (Dominican Republic), Kunta Kinteh: Coming Home without Shackles (The Gambia), Elza (Guadeloupe) and Inside Story (South Africa)

Morehouse College, Sale Hall

Tey, starring Saul Williams (Senegal)

Film Screenings at Georgia Pacific Center

Still Standing, Homecoming, An Oversimplification of Her Beauty and 30 Degree Couleur (Martinique)

Roundtable on African and Caribbean Cinema sponsored by France-Atlanta 2012 at Georgia Pacific Center

2012 BronzeLens Awards: Ray Charles Performing Arts Center on the campus of Morehouse College at 8:00 pm

This is the awards ceremony is for the BronzeLens films selected for the International, Shorts, Features and Documentary and Best of Festival categories.

Sunday, November 11, 2012

Studio 11 Films historic premiere of The 11Eleven11 Project™Films, Location Georgia Public Broadcasting at 11:00 am

BronzeLens will screen the films of this prestigious groundbreaking and revolutionary filmmaker's program for aspiring and emergent writers, directors and producers. The ambitious and aggressive training program ended its first season by successfully completing the 11 Short Films it promised in record time under at times adverse conditions. Celebrity mentors LisaRaye McCoy and Carl Payne will debut their directorial skill on films like The Promise and Rhythm at the festival. In addition to McCoy and Payne, other mentors included Miguel A. Nunez, Jr., Rockmond Dunbar, Terri J. Vaughn, Leon, Tatyana Ali, Christopher Pearman and Tommy Ford. Immediately after the screening, Studio 11 Films will host its’ “Premiere Party” where guests who will have an opportunity to meet and greet the filmmakers and their casts.

Cinema and Social Justice Sunday, co-sponsored by the National Center for Civil and Human Rights, Location Morehouse School of Medicine at 2:00 pm

The Savoy King: Chick Webb and the Music that Changed America and WITNESS: SOUTH SUDAN, presented by HBO Documentary Films

Closing Night Film, Location Georgia Power Auditorium at 7:00 pm

Echo at 11 Oak Drive, Directed/Written by Crystle Clear Roberson and Produced by Dianne Ashford of Symmetry Entertainment

Echo at 11 Oak Drive' was filmed on location in Atlanta GA. Trailer Music by Rico Wade of Organized Noize. Starring Rockmond Dunbar and Adam Fristoe, Quynh Thi Le, Eric Mendenhall, TJ Hassan, Shayla Love, Shannon Mayers, Danielle Patrick, Rico Ball. Edited by Deanna Nowell of The Edit Factor. Cinematography by Ross Sebek.


About the BronzeLens Film Festival
Founded in 2009, The BronzeLens Film Festival of Atlanta, Georgia is a non-profit organization dedicated to bringing national and worldwide attention to Atlanta as a center for film and film production for people of color. Its mission is twofold: to promote Atlanta as the new film Mecca for people of color; and to showcase films and provide networking opportunities that will develop the next generation of filmmakers. Since its inception the BronzeLens Film Festival has evolved as one of the most comprehensive film festivals for filmmakers of color in the United States. Visit www.bronzelensfilmfestival.com for more information regarding the BronzeLens Film Festival and for registration information.

Sponsors of the BronzeLens Film Festival are Coca-Cola Company, Georgia Lottery Corp., Atlanta Convention and Visitors Bureau, Turner, Atlanta Marriott Marquis, Panavision, Delta Air Lines, HBO Documentary Films, The Levy Group, Georgia Pacific, Macys, AT& T, Morehouse College, France Atlanta 2012, National Center for Civil and Human Rights, The Sai Sai Group, Inc., White Oak Restaurant, Organix Food Lounge Hartsfield-Jackson Atlanta International Airport, MHR International, Movie Magic and Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council. Media Partners Include: 11Alive/WXIA-TV, Atlanta DAYBOOK, Modern Luxury and Oz Magazine

Review: "Mother and Child" Honest and Real

TRASH IN MY EYE No. 25 (of 2011) by Leroy Douresseaux

Mother and Child (2009/2010)
Running time: 127 minutes (2 hour, 7 minutes)
MPAA – R for sexuality, brief nudity, and language
WRITER/DIRECTOR: Rodrigo García
PRODUCERS: Lisa Maria Falcone and Julie Lynn
CINEMATOGRAPHER: Xavier Pérez Grobet (D.o.P.)
EDITOR: Steven Weisberg
Image Award winner

DRAMA

Starring: Naomi Watts, Annette Bening, Kerry Washington, Jimmy Smits, Samuel L. Jackson, S. Epatha Merkerson, Cherry Jones, Elpidia Carrillo, Shareeka Epps, David Morse, Eileen Ryan, Amy Brenneman, and David Ramsey

Mother and Child is an ensemble drama film released in 2010, after premiering at the 2009 Toronto International Film Festival. Focusing on the complications and complexities of motherhood and adoption, the film is poignant, powerful, and even beautiful. It is also sometimes grueling to watch.

Mother and Child opens almost 40 years earlier on a scene in which a 14-year-old girl prepares to have sex with a teen boy. She gets pregnant and later gives up her baby for adoption. 37 years later, we learn that the baby is Elizabeth Joyce (Naomi Watts), a high-powered attorney returning to Los Angeles, the place of her birth. Elizabeth takes a job at a law firm owned by a man named Paul (Samuel L. Jackson). Elizabeth begins an affair with Paul, but this is but one affair of many for a woman who uses her sex appeal to have the upper hand in situations in which she does not have control.

Meanwhile, her birth mother, Karen (Annette Bening), is a 50-something physical therapist still riddled by the guilt of giving up her baby. Although initially resistant, she begins a relationship with Paco (Jimmy Smits), a co-worker who seems to be therapeutic for Karen. At the same time, a small businesswoman, Lucy (Kerry Washington), and her husband, Joseph (David Ramsey), begin the process of adoption. However, the birthmother, a difficult young woman named Ray (Shareeka Epps), interrogates Lucy and seems hostile to Joseph.

Top to bottom, Mother and Child is filled with splendid acting, and there isn’t an actor, regardless of the size of his or her part, who does not deliver the kind of first-class performance that a professional actor should always give. Naomi Watts, Annette Bening, Sam Jackson, and Shareeka Epps give distinctive performances that add both surprising nuance to a film that rages with dark emotions and strong feelings (particularly anger, bitterness, and regret).

Writer and director Rodrigo García composed a sumptuous screenplay rich with characters and vivid characterizations. It is Garcia’s directing, however, that is the star here, as he gives his actors the space they need to develop these characters and to deliver on the characters’ promise without slowing the film.

Still, there are moments in Mother and Child that feel contrived and overwrought, as if Garcia doesn’t trust his cast to deliver or his audience to understand his film, which is as spiritual as it is dramatic. Garcia captures how vulnerable people are when they open themselves to relationships, and he accurately depicts the bitterness people feel over perceived betrayals. Sometimes the raw emotions are too much to bear (or watch). As good as this film is, and Mother and Child is exceptionally good, I sometimes got a feeling or a notion that things were a little overdone. But don’t let that keep you from seeing one of 2010’s very best films.

8 of 10
A

NOTES:
2011 Black Reel Awards: 2 nominations: “Best Supporting Actor” (Samuel L. Jackson) and “Best Supporting Actress” (Shareeka Epps)

2011 Image Awards: 1 win: “Outstanding Supporting Actor in a Motion Picture” (Samuel L. Jackson); 2 nominations: “Outstanding Independent Motion Picture” and “Outstanding Writing in a Motion Picture-Theatrical or Television” (Rodrigo García)

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2011 NAACP Image Award Winners in Television Categories

42ND NAACP Image Awards Television Winners List:

Outstanding Comedy Series: “Tyler Perry’s House of Payne”
Outstanding Actor in a Comedy Series: David Mann – “Meet the Browns”
Outstanding Actress in a Comedy Series: Vanessa Williams – “Desperate Housewives”
Outstanding Supporting Actor in a Comedy Series: Ice Cube – “Are We There Yet?”
Outstanding Supporting Actress in a Comedy Series: Sofia Vergara – “Modern Family”
Outstanding Directing in a Comedy Series: Kevin Rodney Sullivan – “Modern Family” (Game Changer)
Outstanding Writing in a Comedy Series: Aaron McGruder – “The Boondocks”

Outstanding Drama Series: “Grey’s Anatomy”
Outstanding Actor in a Drama Series: LL Cool J – “NCIS: Los Angeles”
Outstanding Actress in a Drama Series: Regina King – “Southland”
Outstanding Supporting Actor in a Drama Series: Terrence Howard – “Law & Order: Los Angeles”
Outstanding Supporting Actress in a Drama Series: S. Epatha Merkerson – “Law & Order”
Outstanding Writing in a Dramatic Series: Shonda Rhimes – “Private Practice” – (Did You Hear What Happened to Charlotte King?)
Outstanding Directing in a Dramatic Series: Millicent Shelton – “Men of a Certain Age” (Go with the Flow)

Outstanding TV Movie, Mini-Series or Dramatic Special: “Sins of the Mother”
Outstanding Actor in a TV Movie, Mini-Series or Dramatic Special: Idris Elba – “Luther”
Outstanding Actress in a TV Movie, Mini-Series or Dramatic Special: Jill Scott – “Sins of the Mother”

Outstanding Actor in a Daytime Drama Series: Rodney Saulsberry – “The Bold and the Beautiful”
Outstanding Actress in a Daytime Drama Series: Tatyana Ali – “The Young and the Restless”
Outstanding News/Information (Series or Special): “Unsung”
Outstanding Talk Series: “The View”
Outstanding Reality Series: “Sunday Best”
Outstanding Variety (Series or Special): “UNCF An Evening of Stars Tribute to Lionel Richie”
Outstanding Children’s Program: “True Jackson, VP”
Outstanding Performance in a Youth/Children’s Program (Series or Special): Keke Palmer – “True Jackson, VP”
Outstanding Documentary (Theatrical or Television): “For Love of Liberty: The Story of America’s Black Patriots”

Review: "Black Snake Moan" Shameless and Sultry

TRASH IN MY EYE No. 46 (of 2007) by Leroy Douresseaux


Black Snake Moan (2006)
Opening date: Friday, March 2, 2007
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – R for strong sexual content, language, some violence, and drug use
WRITER/DIRECTOR: Craig Brewer
PRODUCERS: John Singleton and Stephanie Allain
CINEMATOGRAPHER: Amelia Vincent, ASC
EDITOR: Billy Fox, A.C.E.

DRAMA/MUSIC

Starring: Samuel L. Jackson, Christina Ricci, Justin Timberlake, S. Epatha Merkerson, John Cochran, David Banner, and Michael Raymond-James

From the writer/director of the Academy Award-winning Hustle & Flow, Craig Brewer, comes the new film, Black Snake Moan. Named after a Blind Lemon Jefferson song (“black snake” was the darkness coming over him), the film follows an embittered black man and a loose white woman coming together for some healing. In spite of the title, this pulp fiction is a blues-drenched tale featuring the kind of ordinary poor folks who stay out of sight and out of mind in our pop culture, but their pain and longing is familiar.

Blues musician Lazarus (Samuel L. Jackson) finds a white girl: half naked, beaten unconscious, and left for dead on the side of a road near his house. After taking her in, Lazarus learns that the young woman’s name is Rae (Christina Ricci) and that she is the town tramp from the small Tennessee town where they live. Lazarus nurses Rae back to health, but also decides to cure Rae of her wicked ways. He chains her to his radiator in an attempt to get her to slow down and contemplate the future. Desperate to resume her wicked ways of sex and drugs, Rae offers her body to Lazarus if he sets her free. He won’t, and she’s unrepentant. Now, who breaks first?

With the dark, throbbing beat of north Mississippi blues and Scott Bomar’s aching score behind it, Black Snake Moan is a sensational film about sin, redemption, and human imperfection. It glorifies nothing, but proudly says that “it is what it is.” The movie is as odd as many classic 70’s exploitation films. Moan’s characters are like real people. They are fallen and sin often, but they certainly have a God-given right to redemption – to seek it and to attain it.

Brewer’s scandalous and audacious concept aside, he’s smart enough to write inventive, unique scenarios set in poor, rural communities, but even smarter to allow his actors to take these impoverished characters, setting, and plot to bring out the richness of their lives. Samuel L. Jackson is a dangerous, dark, bitter chocolate soul as Lazarus, who is righteous and is nursing a need to get some male vengeance. Christina Ricci is outrageous as Rae, a former abused child beset by a relentless, urgent demon that gives her a hard lust for copulation. Both make outrageous characters familiar because at their core, they just want honest love and friendship just as we all do.

In fact, the supporting cast is quite good. Justin Timberlake as Rae’s soldier boyfriend, Ronnie, shows a felicity for emotion and vulnerability; he reveals so much of the character in his eyes and through his emotive facial expressions. John Cothran as the Lazarus’ preacher friend, R.L., makes a nice God-fearing balance to Lazarus.

Brewer and his director of photography, Amelia Vincent, compose the film is a very deliberate fashion. This unconventional film is shot in a precise manner, which grounds the story and gives it an air of authenticity and realism. In the end, Black Snake Moan’s classical look allows the viewer to focus on this peculiar drama. By skillfully directing his cast and getting the best of his creative staff, Craig Brewer, makes the audacious, the unacceptable, and the forbidden palatable. The blues soundtrack and bluesy score also parallels the film’s intense yearnings and longings. You might find yourself laughing, but this tale of love, betrayal, sex, and liberation from pain is unforgettable because at the heart of the scandal is a familiar tale of wounded humanity.

8 of 10
A

Tuesday, March 6, 2007