As Ever, Queen Latifah is "Just Wright"

TRASH IN MY EYE No. 34 (of 2010) by Leroy Douresseaux


Just Wright (2010)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – PG for some suggestive material and brief language
DIRECTOR: Sanaa Hamri
WRITER: Michael Elliot
PRODUCERS: Shakim Compere and Queen Latifah
CINEMATOGRAPHER: Terry Stacey
EDITOR: Melissa Kent
COMPOSERS: Lisa Coleman and Wendy Melvoin

ROMANCE/DRAMA/SPORTS

Starring: Queen Latifah, Common, Paula Patten, James Pickens Jr., Phylicia Rashad, Pam Grier, Laz Alonzo, Mechad Brooks, Michael Landes, Dwight Howard, Dwayne Wade, Jalen Rose, Kenny Smith, Mike Fratello, and Marv Albert

At first glance, the romantic sports drama, Just Wright, is special because it is a screen romance in which both the female and male leads are African-American actors. What makes Just Wright extra special is that it is a Queen Latifah movie. The Queen, with her lovely, open, and joyous film persona, always delivers a good time – even if she has to carry the movie, and she is indeed the leading scorer in this basketball love story.

The film focuses on Leslie Wright (Queen Latifah), a straight-shooting physical therapist; with her, what you see is what you get. Everyone thinks that Leslie is just the bee’s knees, even the men Leslie dates, but none of them will commit to her beyond just being a friend. A diehard fan of the professional basketball team, the New Jersey Nets, Leslie has a chance encounter with the Nets’ NBA All-Star, Scott McKnight (Common). The two surprisingly strike up a friendship, and Scott invites Leslie to his birthday party. At the party, however, Scott is immediately attracted to Leslie’s gorgeous cousin, Morgan Alexander (Paul Patten), who has her sights set on being an NBA trophy wife.

Then, Scott tears ligaments in his knee, threatening the future of his NBA career, and Scott becomes frustrated and withdrawn. Leslie eventually takes the job of helping Scott rehab his knee, but it is a full time job. Leslie begins to have strong feelings for Scott and he for her, but is Leslie destined to be a “best friend” or Scott’s true love?

Just Wright is a formulaic romantic drama. It is kind of a Cinderella story with Queen Latifah’s Leslie Wright as Cinderella, and Paul Patten’s Morgan as Cinderella’s stepsisters wrapped into one radiantly beautiful body. In this scenario, Cinderella is everybody’s best friend, but no one’s true love. The handsome prince is the rich, basketball star, Scott McKnight, who is dazzled by the beauty of the conniving Morgan.

Of course, Just Wright is selling Leslie Wright as being “just right” for Scott, and the film’s script, written by Michael Elliot (Brown Sugar), does everything to make Leslie look better and better as the narrative unfurls and to make Morgan look like a vacuous gold-digger who seems almost sociopathic. Morgan’s character would be a joke except for the fact that the underrated Paula Patten gives the kind of high-quality performance that will make the audience want to see more of Morgan. On the other hand, the script doesn’t do much with Scott McKnight other than make him a good catch as a husband – rich, loyal, and kind-hearted. Even Common, in an awkward and uneven performance, doesn’t make McKnight seem like much more than something nice for a girl to have.

Maybe it is Queen Latifah’s fault. Compared to many rapper-turned-actors, Common is usually good in the movies in which he appears, but screen presence of Queen Latifah (another rapper-turned-actor) often overwhelms her costars’ presence. Whenever she is on television or the big screen, Latifah seems to have a natural sunniness about her, and in comedies, she radiates cheer and poise. She carries herself with confidence and projects that she is comfortable in her own skin. Latifah is Just Wright; the movie clearly exists for her to entertain us. Even Paula Patten and appearances from two wonderful sisters like Phylicia Rashad and Pam Grier cannot change the fact that this is all Latifah, all the time.

When a formula works, it reminds us of why it is a formula; we can rely on it. Just Wright uses the romantic formula with decent if not always good results. But in the end, the lovable Queen Latifah makes it all right.

6 of 10
B

Monday, May 17, 2010

"Something New" is Quite Cool

TRASH IN MY EYE No. 135 (of 2006) by Leroy Douresseaux


Something New (2006)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – PG-13 for sexual references
DIRECTOR: Sanaa Hamri
WRITER: Kriss Turner
PRODUCER: Stephanie Allain
CINEMATOGRAPHER: Shane Hurlbut
EDITOR: Melissa Kent
Black Reel Award winner

COMEDY/DRAMA/ROMANCE

Starring: Sanaa Lathan, Simon Baker, Wendy Raquel Robinson, Mike Epps, Taraji P. Henson, Donald Faison, Alfre Woodard, Blair Underwood, Golden Brooks, Earl Billings, and Matt Malloy

Kenya Denise McQueen (Sanaa Lathan) has carefully calculated her professional life, and the young African-American accounting executive is up for partner at the firm for which she works. Still, she’s concerned that her personal life doesn’t measure up to her professional success. She accepts a blind date coordinated by a colleague, but the blind date turns out to be a white man named Brian Kelly (Simon Baker). She brushes him off, but that’s not the last she hears from Brian. He also turns out to be the sexy, free-spirited landscape architect a friend recommends. A relationship develops between Kenya and Brian, but though he’s comfortable with her, she can’t get past the fact that he is a white man. She’s later meets the IBM, the Ideal Black Man, a tax attorney named Mark (Blair Underwood), and they seemingly hit it off. Although Mark seems like her dream come true, Kenya’s heart might be somewhere else – regardless of what her friends, family, and the rest of society have to say.

Something New is the latest film about interracial (an absurd term) dating. The best-known recent examples include Spike Lee’s infamous Jungle Fever and the Julia Stiles hit, Save the Last Dance. Something New is not as incendiary as the former, nor does it have the youthful passion of the latter. The film by director Sanaa Hamri and writer Kriss Turner (a TV scribe whose credits include “Whoopi” and “Everybody Hates Chris”) is rather tame, but gets its energy from a willing cast. We know what the film is supposed to be about – unexpected love, but we know what this film is really about – a black girl dating a white guy. The actors grapple with that, and all they have to work with is Turner’s screenplay, which doesn’t know if it’s a love story or a lesson planner. Everything seems a little too loose, in a subject matter that demands structure (although I may be wrong) Still, what Turner’s script and Hamri’s directing offer would be enough to make this a good film. The actors make Something New a little better than just “good.”

One really impressive thing about this is that it showcases so many talented Black actors, whom we’d normally not see, at least not more than once a year. Alfre Woodard is fantastic as Kenya’s mother, Joyce McQueen, and one can only assume that being a Black actress has more often than not been an impediment to her career. Here, she shines as a woman madly wedded to her social status and to the idea that her children should live up to it – or so it seems. Wendy Raquel Robinson is equally good as the friend/voice of reason, Cheryl.

Leads Sanaa Lathan and Simon Baker do have screen chemistry, mostly because they play their characters so well, knowing exactly what to give their characters respective to the needs of the story. It’s their performances, in particularly Sanaa Lathan’s that gives this film its juice. Lathan practically emanates career obsession and embodies the hard-working, professional black woman tightly holding it together in all the ways it takes to climb the corporate ladder. At times, it is uncanny how true she makes Kenya’s reactions to people and situations. Her acting in the Starbucks’ scene when Kenya first meets Brian is uncommonly good – the art of verisimilitude with an attention to detail that gives this scene a documentary feel. It’s everything she does. Kenya’s vainly subtle ticks when she’s in public with Brian seem like painful compromises with strangers so that they won’t sneer at her for being with a white man. Those things that Lathan does make this a genuinely moving picture.

Baker is perfect as the laid-back, free spirit who just won’t hide his disdain for social hang-ups. In the end, he tips the balance and makes this movie seem, if not quite real, honest in its intentions. Something New makes its points in a gentle way while offering several entertaining supporting characters and then occasionally gives the viewer a hard nudge thanks to fine situational acting. Something New is the good choice for those wishing to either make that leap to the other side or just see how cool things could be if we all just got along… or at least the few of us who get along no matter what the hell the others have to say

7 of 10
B+

Saturday, June 24, 2006