Negromancer News Bits and Bites from June 11th to 17th, 2023 - Update #18

By Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

TELEVISION - From Deadline:  NBC has passed on a third season of its sitcom, "American Auto."

MOVIES - From Deadline:  Martyn Ford is among four new cast members added to New Line's "Mortal Kombat 2."

SCANDAL - From THR:  Oscar-winning actor Kevin Spacey says that if he is found "not guilty" in his U.K. sexual assault trial people are ready to hire him again.  He is set to appear in court June 16th and he is facing four counts of sexual assault against three men.

DISNEY - From Deadline: Director and Oscar-winning screenwriter, Sarah Polley, is in early talks to direct a live-action version of Disney's legendary animated feature film, "Bambi."

DISNEY - From Variety:  Disney has shaken up its release date schedules, announcing delays and date changes for its Marvel Studios and "Avatar" films, with the final Avatar film, "Avatar 5," not arriving until 2031.

POLITICS - From TheAP:  Billionaire investor turned philanthropist George Soros is ceding control of his $25 billion empire to a younger son, Alexander "Alex" Soros.  Soros, who is Jewish, is frequently the target of right wing conspiracies because his donations to human rights causes and to organizations promoting democracy around the world.  The 37-year-old Alex plans to continues his father's work, but be "more policital" and also to broaden his father's "liberal aims" to include issues such as voting rights and abortion rights.

TELEVISION - From Deadline:  Fox News has sent a "cease and desist" letter to its former property, Tucker Carlson."  Although Fox fired him, he is still under contract through the end of 2024, and they don't want him doing a show on Twitter.  He has already completed at least two episodes of his "Tucker on Twitter" show.

TONY AWARDS - From Deadline:   The winners at the 2023 / 76th annual Tony Awards have been announced.  "Kimberly Akimbo" was the big winner, taking five awards, including "Best Musical" and "Lead Actress" for Victoria Clark.  "Leopoldstadt" won four Tonys, including "Best Play."

BOX OFFICE - From BoxOfficePro:  The winner of the 6/9 to 6/11/2023 weekend box office is Paramount Pictures' "Transformers: Rise of the Beasts" with an estimated take of 60.5 million dollars.

From Here:  A review of "Transformers: Rise of the Beasts" by Leroy Douresseaux.

TELEVISION - From Deadline:  Actor Kelsey Grammar explains his choice of a British co-star, actor Nicholas Lyndhurst, for his reboot of his long-running, Emmy-winning NBC TV series, "Frasier."  The series is set for Paramount+ later this year.

MOVIES - From Variety:  In a new documentary about his career, actor Arnold Schwarzenegger says that he was embarrassed by the flop that was his 1993 action-fantasy-comedy film, "The Last Action Hero." In a phone call, his friend, director James Cameron, said Arnold sounded like he wanted to cry over the film's reception.

MUSIC/LGBTQ+ - From Deadline:  Grammy Award-winning country music legend, Garth Brooks, says that he will serve all beers, including "Bud Light," which is the subject of backlash and boycotts, at his new Nashville bar, "Friends in Low Places Bar & Honky Tonk."  Brooks says the bar will be welcoming to everyone and will be a safe space.

ANIMATION - From BloodyDisgusting:  Eli Roth and author James Frey are teaming up with DreamWorks Animation on a new 2D animated series for "older teens" entitled "Fright Krewe."  Still early in development, the series will focus on a group of misfits teens in charge of saving New Orleans from a great demonic threat.  The first season of 10 episodes will debut on Hulu and Peacock.

OBITS:

From WashPost:  Former U.S. military analyst and American political activist and whistleblower, Daniel Ellsberg, has died at the age of 92, Friday, June 16, 2023.  Ellsberg is best known for leaking the "Pentagon Papers," a top-secret study and history commissioned by the U.S. Pentagon and concerning the U.S. government's decision-making in relation to the Vietnam War. He leaked the study first to "The New York Times" and then, to "The Washington Post."  Ellsberg's activities were the subject on the Oscar-nominated documentary film, "The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers," which also won a Peabody Award.  Ellsberg also appears in the 1974 Oscar-winning documentary film, "Hearts and Minds."

From Deadline:  English actress and politician, Glenda Jackson, has died at the age of 87, Thursday, June 15, 2023.  Jackson won two "Best Actress" Oscars, for "Women in Love" (1969) and "A Touch of Class" (1973), and was nominated twice more.  She also won two Primetime Emmy Awards and one Tony Award.  Jackson was also a member of the British Parliament from 1992 to 2015 as a member of the Labour Party.

From Variety:  American author, Cormac McCarthy, has died at the age of 89, Tuesday, June 13, 2023.  He is best known for his novels, "All the Pretty Horses" (1992), "No Country for Old Me," (2005), and "The Road" (2006), all of which were adapted into film.  The 2007 film adaptation of "No Country for Old Me" won four Academy Awards," including "Best Picture."  "The Road" won the 2007 "Pulitzer Prize for Fiction."

From Variety:  Stage, film, and television actor, Treat Williams, has died at the age of 71, Monday, June 12, 2023. Williams died as the result of motor vehicle accident near Dorset, Vermont.  Williams is best known for his roles in such films as the musical, "Hair" (1979), Steven Spielberg's WWII comedy, "1941" (1979), "Prince of the City" (1981), and the cult film, "Deep Rising" (1998), to name a few.  He played the lead road in The WB drama, "Everwood" (2002-06).  He received a Primetime Emmy nominations for his work in the 1996 TV movie, "The Late Shift" (HBO).

From Deadline:  The family of actor the late actor Treat Williams has released a statement regarding his passing.  Williams died Monday evening (Mon., June 12th) when a car hit the motorcycle he was riding.

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WRITERS STRIKE:

From THR:  Studios won't give writers better pay, and now, are laying off janitors.

From Deadline:  The Directors Guild of America (DGA) has reached a tentative new three-year deal with the Alliance of Motion Picture and Television Producers (AMPTP). So what does the Writers Guild (WGA), currently on strike and negotiating with the AMPTP, think of that deal.

From Deadline:  Netflix shareholders declined to support the 2023 pay packages of top executives during a non-binding vote at the company’s annual shareholder meeting on Thursday.  The vote won't prevent these execs from getting their loot (an total of $166 million), but this is a rare public rebuke.  The Writers Guild of America (WGA) has urged shareholders to vote "No" because the pay was "inappropriate" at this time.

From Deadline:  Warner Bros Discovery chief David Zaslav gave the commencement address at Boston University. There he was met with jeers and also chants of "pay your writers" from picketers and from some in the audience.

From Deadline:   President Joe Biden speaks on the Writers Guild of America strike.

From Deadline:  Retaliation! The studios have starting informing writer-producers who have "overall" and "first-look" deals that such deals are being suspended.

From Deadline:  Retaliation!  Prolific HBO creator, David Simon, who is best known for "The Wire," is one of the many writers who have had their overall deals suspended the studios due to the WGA strike.  Simon has been with HBO for 25 years.

From Deadline:  The Writers Guild of America (WGA) is on strike.

From Deadline:  Disney, HBO/HBO Max, and CBS have sent letters to showrunners (the TV equivalent of film directors) instructing them to return to work, inspite of the writer's strike.

From Deadline:  The WGA's chief negotiator, Ellen Stutzman, talks about the state of the writers' strike, including the lack of engagement on the part of the strike's other party, AMPTP.

From Deadline:  What went wrong between the WGA and AMPTP? What could they not agree on that led to a strike?

From Deadline:  The site explains the WGA strike: the issues, the stakes, movies and TV shows affected, and how long it might last.

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Review: Riveting "WOMEN TALKING" is a Film That Speaks Directly, Even to Us

TRASH IN MY EYE No. 19 of 2023 (No. 1908) by Leroy Douresseaux

Women Talking (2022)

Running time:  104 minutes (1 hour, 44 minutes)

MPA – PG-13 for mature thematic content including sexual assault, bloody images, and some strong language

DIRECTOR:  Sarah Polley

WRITER:  Sarah Polley (based upon the book by Miriam Toews)

PRODUCERS:  Dede Gardner, Jeremy Kleiner, and Frances McDormand

CINEMATOGRAPHER:  Luc Montpellier

EDITORS:  Christopher Donaldson and Roslyn Kalloo

COMPOSER:  Hildur Guðnadottir

Academy Award winner

DRAMA/RELIGION

Starring:  Rooney Mara, Claire Foy, Jessie Buckley, France McDormand, Judith Ivey, Emily Mitchell, Kate Hallet, Liv McNeil, Shelia McCarthy, Michelle McLeod, Kira Guloien, Shayla Brown, Vivien Endicott-Douglas, August Winter, and Ben Whishaw

Women Talking is a 2022 drama film from writer-director Sarah Polley. The film is based on Miriam Towes' 2018 Canadian novel, Women Talking.  Both the film and the novel are inspired by real-life events.  Women Talking the film focuses on a group of women who must decide if they should do nothing, stay and fight, or leave their isolated religious community where sexual abuse of girls and women is common.

Women Talking opens in the year 2010 in an unnamed, isolated Mennonite colony.  The colony's women and girls have discovered that some of the men in the colony have been using livestock tranquilizer to subdue them in order to rape them.  Although other men in the colony have had these attackers arrested and imprisoned in a nearby city, they are also seeking bail for the attackers.

The men have left the women by themselves for two days in order for the women to determine what they will do going forward.  However, the men expect the women to forgive their attackers or be expelled from the colony.  The women gather in a barn to discuss and to vote.  They have a young man named August (Ben Whishaw) sit in the meeting in order to take the minutes.  When he was a boy, Ben's mother was expelled from the colony.  Ben returned to become the colony's sole teacher, but he only teaches the boys because women are not allowed to attend school.

Elders like Agata (Judith Ivey) and Greta (Sheila McCarthy) lead the discussion, but young women like Ona (Rooney Mara), Salome (Claire Foy), Mariche (Jessie Buckley), and Mejal (Michelle McLeod) have strong opinions.  Should the women do nothing... forgive... stay and fight... or leave the colony?  As they grapple with the brutal reality of their faith, the time to decide is running out.

Almost four days out from watching Women Talking, and I find myself still thinking about it, dear readers.  In the wake of the of the U.S. Supreme Court's ruling in the case of Dobbs v. Jackson Women's Health Organization, it feels like a supernaturally timely film.  The “Dobbs decision” held that the Constitution of the United States did not confer a right to abortion.  It is just the latest in a more than three-decade assault on women's rights to reproductive freedom and choice.

Women Talking effectively delivers a valuable message.  The women of the Mennonite colony that this film depicts must confront not only the violence against them, but also a religion designed down to its bones to give men all the power over women.  Their faith essentially renders women and girls indentured servants and non-citizens.

I quibble that writer-director Sarah Polley's direction and Oscar-winning screenplay bury the actresses of Women Talking beneath the scenario and story.  There is a lot of genuine talent here, and I wanted to see more of them, in a broader sense, although no one can really keep Rooney Mara from shining.  In a way, however, that is good thing.  The way Polley presents this makes Women Talking as timeless as it is timely.

Women Talking is truly an exceptional and spectacular film because the women at the heart of its story are talking.  What they say crosses over into our real world.  Because what is depicted in this film is real, it matters.  Women Talking is based on something that happened not that long ago, in this century, so women struggling for equality and human rights must keep talking.  And this movie, Women Talking, is entertainment, educational, and hopefully, inspiration for future generations.

9 of 10

A+

★★★★+ out of 4 stars

Thursday, May 4, 2023

NOTES:

2023 Academy Awards, USA:  1 win: “Best Adapted Screenplay” (Sarah Polley) and 1 nomination: “Best Motion Picture of the Year” (Jeremy Kleiner, Dede Gardner, and Frances McDormand – producers)

2023 Golden Globes, USA:  2 nominations: “Best Original Score - Motion Picture” (Hildur Guðnadóttir) and “Best Screenplay-Motion Picture” (Sarah Polley)

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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35th Annual Scripter Awards Honor Film "Women Talking" and Apple TV+'s "Slow Horses"

Writers of ‘Women Talking,’ ‘Slow Horses’ Win 35th-annual Scripter Awards

Scripter emcee Glenn Sonnenberg, screenwriter Will Smith, writer Miriam Toews, writer Mick Herron, screenwriter Sarah Polley (Photo: Business Wire)

LOS ANGELES--(BUSINESS WIRE)--The writers behind the film “Women Talking” and the series “Slow Horses” received the 35th-annual USC Libraries Scripter Awards at USC’s Doheny Memorial Library.

“You remained engaged, committed, and invested during a time of uncertainty and change, and I thank you for staying so connected to our libraries.”

The Scripter Awards recognize the year’s most accomplished adaptations of the written word for the big screen and episodic series.

Glenn Sonnenberg, who co-founded the Scripter Awards in 1988 with Marjorie Lord Volk, served as master of ceremonies. In his opening remarks, Sonnenberg acknowledged that this was the first year the Scripters were presented in person since January 2020, shortly before the COVID-19 pandemic upended normal life.

“I’m grateful for the support of the Scripter community, particularly since 2020,” Sonnenberg said. “You remained engaged, committed, and invested during a time of uncertainty and change, and I thank you for staying so connected to our libraries.”

In the episodic series category, novelist Mick Herron and screenwriter Will Smith took home Scripters for the episode “Failure’s Contagious,” from the Apple TV+ series “Slow Horses,” which Smith adapted from Herron’s book of the same name.

“It’s an absolute privilege to be on the short list tonight,” Mick Herron said, “these are some of the best books you’ll ever read, made into some of the best TV you’ll ever see.”

“The only real test for me in fiction is do I believe it,” Will Smith said, “I love it when I read a book and feel the characters have a life before and after, and I always feel that with Mick’s writing.”

In the film category, the winners were screenwriter Sarah Polley and novelist Miriam Toews for “Women Talking.”

“There’s not another person, another writer, another filmmaker, that I would entrust my book to other than Sarah Polley,” Toews said.

Sarah Polley described Toews’s work as “searing, uncompromising, funny, and wise,” commenting that “with this book she offered the world an offramp from grief and rage toward what true democracy might look like.”

Earlier in the evening, longtime USC Libraries Board of Councilors member Jim Childs received the Ex Libris Award, which honored his exceptional commitment to the libraries.

In-kind donors included Andrew Murray Vineyards, Bloomsbury Publishing and Penguin Random House.

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35th Annual Script Awards Announces Nominations

USC Libraries Name Finalists for 35th-Annual Scripter Awards

LOS ANGELES--(BUSINESS WIRE)--The USC Libraries named the finalists for the 35th-annual USC Libraries Scripter Award, which honors the writers of the year’s most accomplished film and episodic series adaptations, as well as the writers of the works on which they are based.

The finalist writers for film adaptation are, in alphabetical order by film title:

-- Guillermo del Toro, Patrick McHale, and Matthew Robbins for “Guillermo del Toro’s Pinocchio” based on the fairy tale “The Adventures of Pinocchio” by Carlo Collodi

-- Kazuo Ishiguro for “Living” based on the novella “The Death of Ivan Ilyich” by Leo Tolstoy

-- Rebecca Lenkiewicz for “She Said” based on the nonfiction book “She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement” by Jodi Kantor and Megan Twohey

-- Peter Craig, Ehren Kruger, Justin Marks, Christopher McQuarrie, and Eric Warren for “Top Gun: Maverick” based on characters from the 1983 “California” magazine article “Top Guns” by Ehud Yonay

-- Screenwriter Sarah Polley and novelist Miriam Toews for “Women Talking”

The finalist writers for episodic series are, in alphabetical order by series title:

-- Peter Morgan, for the episode “Couple 31,” from “The Crown,” based on his stage play “The Audience”

-- Taffy Brodesser-Akner for the episode “The Liver,” from “Fleishman Is in Trouble,” based on her book of the same name

-- Will Smith for the episode “Failure’s Contagious,” from “Slow Horses,” based on the novel by Mick Herron

-- J. T. Rogers for the episode “Yoshino” from “Tokyo Vice,” based on the memoir “Tokyo Vice: An American Reporter on the Police Beat in Japan” by Jake Adelstein

-- Dustin Lance Black for the episode “When God Was Love,” from “Under the Banner of Heaven” based on the nonfiction work by Jon Krakauer

The 2023 Scripter selection committee selected the finalists from a field of 101 film and 67 television adaptations. Howard Rodman, USC professor and past president of the Writers Guild of America, West, chairs the 2023 committee.

Serving on the selection committee, among many others, are film critics Leonard Maltin and Anne Thompson; authors Walter Mosley and Michael Ondaatje; and screenwriters Eric Roth and Erin Cressida Wilson.

The studios distributing the finalist films and current publishers of the printed works are:

“Guillermo del Toro's Pinocchio”—Netflix and Penguin Classics

“Living”—Sony Pictures Classics and Penguin Classics

“She Said”—Universal Pictures and Penguin Press

“Top Gun: Maverick”—Paramount Pictures and “California” magazine

“Women Talking”—Orion/MGM and Bloomsbury

The networks and streaming platforms broadcasting the finalist episodic series and current publishers of the printed works are:

“The Crown”—Netflix and Dramatists Play Service Inc.

“Fleishman Is in Trouble”—FX and Random House

“Slow Horses”—Apple TV+ and Soho Crime

“Tokyo Vice”—HBO Max and Knopf Doubleday

“Under the Banner of Heaven”—FX and Anchor Books

The USC Libraries will announce the winning authors and screenwriters at a black-tie ceremony on Saturday, Mar. 4, 2023, in the historic Edward L. Doheny Jr. Memorial Library at the University of Southern California. After being held in a virtual format the past two years amid the continuing coronavirus pandemic, the Scripter Awards are returning to an in-person event subject to up-to-date COVID-19 safety protocols.

Since 1988, Scripter has honored the authors of printed works alongside the screenwriters who adapt their stories. In 2016, the USC Libraries inaugurated a new Scripter award, for episodic series adaptation. For more information about Scripter—including ticket availability, additional sponsorship opportunities, and an up-to-date list of sponsors—please email scripter@usc.edu or visit scripter.usc.edu.

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30th Annual USC Libraries Scripter Award Nominees Announced

USC Libraries Name Finalists for 30th-Annual Scripter Awards

LOS ANGELES--(BUSINESS WIRE)--The USC Libraries have named the finalists for the 30th-annual USC Libraries Scripter Award. In this particularly competitive year, voting resulted in ties for the film and television categories.

    USC Libraries release finalists for the 30th-annual Scripter Awards, honoring the best adapted film and TV show.

Due to a three-way tie in the nomination round, the writers of seven films and the works on which the films are based will compete for the honors this year. The finalist writers for film adaptation are, in alphabetical order by film title:

    --Author André Aciman and screenwriter James Ivory for “Call Me By Your Name”

   --Screenwriters Scott Neustadter and Michael H. Weber for “The Disaster Artist,” and authors Greg Sestero and Tom Bissell for their nonfiction book “The Disaster Artist: My Life Inside ‘The Room,’ the Greatest Bad Movie Ever Made”

    --Screenwriters Scott Frank, Michael Green, and James Mangold, and authors Roy Thomas, Len Wein, and John Romita, Sr., for “Logan”

   - Screenwriter James Gray and author David Grann for “The Lost City of Z”

    --Screenwriter Aaron Sorkin and author Molly Bloom for “Molly’s Game”

    --Screenwriters Dee Rees and Virgil Williams and author Hillary Jordan for “Mudbound”

    --Screenwriter Allan Heinberg and author William Moulton Marston for “Wonder Woman”

Writers of six television shows and their printed source material will vie for the Scripter Award this year. The finalist writers—including for the first time a single author with nominations for two series in a single year—for television are, in alphabetical order by series title:

    --Screenwriter Sarah Polley and author Margaret Atwood for “Alias Grace”

    --David E. Kelley, for the episode “You Get What You Need” from “Big Little Lies,” and author Liane Moriarty

    --Noah Pink and Ken Biller for the episode “Einstein: Chapter One” from “Genius,” and author Walter Isaacson for his book “Einstein: His Life and Word”

    --Bruce Miller for the episode “Offred” from “The Handmaid’s Tale” and author Margaret Atwood

    --Peter Landesman, George C. Wolfe, and Alexander Woo for the television film “The Immortal Life of Henrietta Lacks,” and author Rebecca Skloot

    --Joe Penhall and Jennifer Haley for “Episode 10” of “Mindhunter” and authors John Douglas and Mark Olshaker for their nonfiction book “Mindhunter: Inside the FBI’s Elite Serial Crime Unit”

Chaired by USC professor and past president of the Writers Guild of America, West, Howard Rodman, the 2018 Scripter selection committee selected the finalists from a field of 91 film and 28 television adaptations.

Serving on the selection committee, among many others, are film critics Leonard Maltin, Anne Thompson and Kenneth Turan; authors Lisa Belkin, Michael Chabon and Michael Ondaatje; screenwriters Geoffrey Fletcher and Erin Cressida Wilson; producers Suzanne Todd and Mike Medavoy; and USC deans Elizabeth Daley of the School of Cinematic Arts and Catherine Quinlan of the USC Libraries.

The studios distributing the finalist films and current publishers of the printed works are:

    “Call Me By Your Name”—Sony Pictures Classics and Picador
    “The Disaster Artist”—A24 and Simon & Schuster
    “Logan”—20th Century Fox and Marvel Comics
    “The Lost City of Z”—Amazon Studios and Simon & Schuster
    “Molly’s Game”—STX Entertainment and Dey Street Books
    “Mudbound”—Netflix and Algonquin Books
    “Wonder Woman”—Warner Bros. and DC Comics

The networks airing the finalist television series and current publishers of the original printed works are:

    “Alias Grace”—Netflix and Anchor
    “Big Little Lies”—HBO and Berkley
    “Genius”—National Geographic and Simon & Schuster
    “The Handmaid’s Tale”—Hulu and Anchor
    “The Immortal Life of Henrietta Lacks”— HBO and Broadway Books
    “Mindhunter”—Netflix and Gallery Books

The USC Libraries will announce the winning authors and screenwriters at a black-tie ceremony on Saturday, Feb. 10, 2018 in the historic Edward L. Doheny Jr. Memorial Library on the University Park campus of the University of Southern California. Since 1988, Scripter has honored the authors of printed works alongside the screenwriters who adapt their stories. In 2016, the USC Libraries inaugurated a new Scripter award, for television adaptation. Television and film finalists compete in separate categories.

For more information about Scripter—including ticket availability, additional sponsorship opportunities, and an up-to-date list of sponsors—please email scripter@usc.edu or visit scripter.usc.edu.

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2013 Women Film Critics Circle Awards - Complete List

The Women Film Critics Circle (WFCC) is an association of women film critics, who are involved in print, radio, online and TV broadcast media.  Founded in 2004, this group is the first women critics’ organization in the United States.

2013 Women Film Critics Circle Awards:

BEST MOVIE ABOUT WOMEN: Philomena
RUNNER UP: Mother Of George

BEST MOVIE BY A WOMAN: Enough Said, Nicole Holofcener
RUNNER UP: Inch' Allah, Anaïs Barbeau-Lavalette

BEST WOMAN STORYTELLER [Screenwriting Award]: Julie Delpy: Before Midnight
RUNNER UP: Nicole Holofcener, Enough Said

BEST ACTRESS: Judi Dench: Philomena
RUNNER UP: Barbara Sukowa: Hannah Arendt

BEST ACTOR: Chiwetel Ejiofor: 12 Years A Slave
RUNNER UP: Michael B. Jordan: Fruitvale Station

BEST YOUNG ACTRESS: Onata Aprile: What Maisie Knew
RUNNER UP: Waad Mohammed: Wadjda

BEST COMEDIC ACTRESS: Melissa McCarthy: The Heat
RUNNER UP: Greta Gerwig, Frances Ha

BEST FOREIGN FILM BY OR ABOUT WOMEN: Wadjda
RUNNER UP: Inch' Allah

BEST FEMALE IMAGES IN A MOVIE: Philomena
RUNNER UP: Girls In The Band

WORST FEMALE IMAGES IN A MOVIE: The Bling Ring
RUNNER UP: Machete Kills

BEST MALE IMAGES IN A MOVIE: 12 years A Slave: Chiwetel Ejiofor
RUNNER UP: Enough Said: James Gandolfini

WORST MALE IMAGES IN A MOVIE: Only God Forgives
RUNNER UP: Out Of The Furnace

BEST DOCUMENTARY BY OR ABOUT WOMEN: Stories We Tell
RUNNER UP: Girls In The Band

BEST SCREEN COUPLE: Before Midnight: Julie Delpy and Ethan Hawke

BEST THEATRICALLY UNRELEASED MOVIE BY OR ABOUT WOMEN: Hellen Mirren in Phil Spector
RUNNER UP: Pussy Riot: A Punk Prayer

BEST EQUALITY OF THE SEXES: Before Midnight
RUNNER UP: Enough Said

BEST ANIMATED FEMALES: Frozen
RUNNER UP: The Croods

BEST FAMILY FILM: The Wind Rises
RUNNER UP: Black Nativity

WOMEN'S WORK/BEST ENSEMBLE: Ginger & Rosa
RUNNER UP TIE: Winnie Mandela and August: Osage County

*SPECIAL MENTION AWARDS*

LIFETIME ACHIEVEMENT AWARD
EMMA THOMPSON: For her eclecticism in switching from period films to fantasy genre, to contemporary settings. And embodying all kinds of women with raw and pure interpretations.

ACTING AND ACTIVISM AWARD
CHARLIZE THERON: For her work for The Global Fund, and for starting the Charlize Theron Africa Outreach Project. Which educates young people about HIV/AIDS

COURAGE IN FILMMAKING
LAURA POITRAS: For bringing the Edward Snowden NSA revelations to light, driven into exile in Germany for doing so, and currently making a documentary about it.

*ADRIENNE SHELLY AWARD: (A film that most passionately opposes violence against women): Augustine
RUNNER UP: Lovelace

*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: 12 Years A Slave
RUNNER UP: Go For Sisters

*KAREN MORLEY AWARD: For best exemplifying a woman’s place in history or society, and a courageous search for identity: Winnie Mandela
RUNNER UP: Wadjda

COURAGE IN ACTING: [Taking on unconventional roles that radically redefine the images of women on screen]: Soko: Augustine

THE INVISIBLE WOMAN AWARD [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]
Sandra Bullock: Gravity

BEST SONG: “Would You Bleed For Love” Jennifer Hudson, Winnie Mandela

MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR AWARD:
*Kristin Scott Thomas - Only God Forgives

JUST KIDDING AWARD: Best Male Images In A Movie: Last Vegas

*WFCC HALL OF SHAME*

Blue is the Warmest Color: I went in knowing almost nothing except general buzz but I hated the sex scenes which were way too long and midway thru I couldn’t wait to flee the theater. Coming out I read how many takes Kechiche required and I was thoroughly repulsed. Who was this for? Then I read the graphic novel and discovered that critical plot points were deleted. Like the fact that Adele’s parents find her in bed with Emma which is why she has to move out — and I was enraged. A three hour movie, and Kechiche is so busy salivating over his actresses that he can’t bother telling a coherent story. Hype for this film makes me nauseous!

Blue is the Warmest Color: It's so obvious a dude with a fetish directed this, it's not only unappealing, it's creepy. His overcompensating hubris isn't worth the praise this is receiving.

The Canyons: Women depicted as powerless and manipulative. Plus, the acting is horrid.

Captain Phillips: The whole might of the USA coming down on 3 starving Somalis?! Repulsive. When the obscenely beefy SEALS arrived and the audience started to cheer, I felt I was watching a “macho” director brainwash audience members into blindly accepting the worst stereotypes of jingoistic male behavior.

Dallas Buyers Club: Shame on Dallas Buyers Club for completely ignoring the LGBT as a group who drove the fight against AIDS to the forefront. The only time gays were mentioned was to let Matthew McConaughey's homophobic redneck character get a laugh at the expense of Jared Leto's transsexual character. The film made it seem as if the whole AIDS community stood on the shoulders of Ron Woodruff when in fact, groups like Act Up were starting the war for proper testing and more drugs way before Ron entered into the picture. It completely demeaned the backdrop Dallas Buyers Club was utilizing for their own characterizing "hero" agenda. Also the film took an extreme opinion against the AZT drug in favor for a plot line when in fact it was helping some patients. The only saving grace was Jared Leto's fantastic performance but unfortunately it wasn't enough.

Enough Already: Why is it that when actresses and even screen goddesses hit a certain age, they're all cast as nags, loons and shrews. No matter how accomplished any of these films may be, the tally of older actress shrewish nags on board is really high this year, as usual. Including Oprah Winfrey in The Butler, Meryl Streep and Julia Roberts in August: Osage County, Cate Blanchett and Sally Hawkins in Blue Jasmine, June Squibb in Nebraska, Kristin Scott Thomas in Only God Forgives, and Julianne Moore in Carrie. Refreshing exceptions being Judi Dench in Philomena, Yolonda Ross in Go For Sisters, and Mary Steenburgen in Last Vegas.

Gravity: The women in this group make meaningful choices each year so they speak for me in these areas, the lone exception being Sandra Bullock's performance in Gravity. She's a fine actress, but I found the character to be whiny, cowardly, and full of the wrong stuff - a damsel in distress who needed a man (even if it was just her imagination) to pull her out of danger. I can hardly believe they'd send someone so panicky into space. Give me Sigourney Weaver any day.

Les Salauds [Bastards]: All of the women in this film are depicted as complicit in their own oppression and exploitation. Though it’s a patriarchal system that they exist within, they refuse to fight for themselves or each other, even when a minor is involved. The indictment then is not of the men but of the women. I found this problematic and disappointing from Denis.

Spring Breakers: No depth, little plot and a pitiful depiction of today's college kids. Gratuitous in nothing more than flesh and violence. A grossly and dangerously skewed depiction of young women and their values in today's America.

*Please Note: The WFCC Top Ten Hall Of Shame represents the ‘don’t tell me to shut up’ sidebar contribution of individual members, and does not necessarily reflect the opinions of the entire Circle. Or may even dissent from an awarded nomination. Also, members may be objecting to particular characters in a film, and not the entire movie. Clarification: If an aspect of the movie is intentionally negative to make a point, rather than offensive, that is not under consideration for this category.

*ADRIENNE SHELLY AWARD: Adrienne Shelly was a promising actress and filmmaker who was brutally strangled in her apartment in 2006 at the age of forty by a construction worker in the building, after she complained about noise. Her killer tried to cover up his crime by hanging her from a shower rack in her bathroom, to make it look like a suicide. He later confessed that he was having a “bad day.” Shelly, who left behind a baby daughter, had just completed her film Waitress, which she also starred in, and which was honored at Sundance after her death.

*JOSEPHINE BAKER AWARD: The daughter of a laundress and a musician, Baker overcame being born black, female and poor, and marriage at age fifteen, to become an internationally acclaimed legendary performer, starring in the films Princess Tam Tam, Moulin Rouge and Zou Zou. She also survived the race riots in East St. Louis, Illinois as a child, and later expatriated to France to escape US racism. After participating heroically in the underground French Resistance during WWII, Baker returned to the US where she was a crusader for racial equality. Her activism led to attacks against her by reporter Walter Winchell who denounced her as a communist, leading her to wage a battle against him. Baker was instrumental in ending segregation in many theaters and clubs, where she refused to perform unless integration was implemented.

*KAREN MORLEY AWARD: Karen Morley was a promising Hollywood star in the 1930s, in such films as Mata Hari and Our Daily Bread. She was driven out of Hollywood for her leftist political convictions by the Blacklist and for refusing to testify against other actors, while Robert Taylor and Sterling Hayden were informants against her. And also for daring to have a child and become a mother, unacceptable for female stars in those days. Morley maintained her militant political activism for the rest of her life, running for Lieutenant Governor on the American Labor Party ticket in 1954. She passed away in 2003, unrepentant to the end, at the age of 93.

http://wfcc.wordpress.com/

-------------------------------------

"Her" and "Captain Phillips" Win at 2014 Writers Guild Awards

by Leroy Douresseaux

The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) honored outstanding achievement in writing during the year 2013 with the 2014 Writers Guild Awards.  The winners of the 2014 Writers Guild Awards were announced on Saturday, February 1, 2014, during simultaneous ceremonies held in both Los Angeles and New York.

A complete list of 2014 Writers Guild Award nominees and winners can be found here: http://www.wga.org/wga-awards/nominees-winners.aspx.

The 2014 Writers Guild Award winners (for the year in film and TV 2013):

SCREEN WINNERS

ORIGINAL SCREENPLAY:
Her, Written by Spike Jonze; Warner Bros. - WINNER

ADAPTED SCREENPLAY:
Captain Phillips, Screenplay by Billy Ray; Based on the book A Captain’s Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea by Richard Phillips with Stephan Talty; Columbia Pictures - WINNER

DOCUMENTARY SCREENPLAY:
Stories We Tell, Written by Sarah Polley; Roadside Attractions - WINNER

TV-NEW MEDIA-RADIO WINNERS

DRAMA SERIES
Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC - WINNER

COMEDY SERIES:
"Veep," Written by Simon Blackwell, Roger Drew, Sean Gray, Armando Iannucci, Ian Martin, Georgia Pritchett, David Quantick, Tony Roche, Will Smith; HBO - WINNER

NEW SERIES:
"House of Cards," Written by Kate Barnow, Rick Cleveland, Sam Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix - WINNER

EPISODIC DRAMA:
“Confessions” (Breaking Bad), Written by Gennifer Hutchison; AMC - WINNER

EPISODIC COMEDY:
“Hogcock!” (30 Rock), Written by Jack Burditt & Robert Carlock; NBC - WINNER

LONG FORM – ADAPTED:
Muhammad Ali’s Greatest Fight, Written by Shawn Slovo, Based on the book by Howard Bingham and Max Wallace; HBO - WINNER

SHORT FORM NEW MEDIA – ORIGINAL:
“Episode 4: The Collected Sylvia” (Sylvia Plath: Girl Detective), Written by Mike Simses; sylviaplathgirldetective.com - WINNER

ANIMATION:
“A Test Before Trying” (The Simpsons), Written by Joel H. Cohen; Fox - WINNER

COMEDY / VARIETY (INCLUDING TALK) – SERIES:
"The Colbert Report," Writers: Stephen Colbert, Tom Purcell, Michael Brumm, Nate Charny, Rich Dahm, Paul Dinello, Eric Drysdale, Rob Dubbin, Glenn Eichler, Gabe Gronli, Dan Guterman, Barry Julien, Jay Katsir, Frank Lesser, Opus Moreschi, Bobby Mort, Meredith Scardino, Max Werner; Comedy Central - WINNER

COMEDY / VARIETY – MUSIC, AWARDS, TRIBUTES – SPECIALS:
"Blake Shelton’s Not So Family Christmas," Head Writers: Jay Martel, Ian Roberts; Writers: Alex Rubens, Charlie Sanders; NBC - WINNER

QUIZ AND AUDIENCE PARTICIPATION:
"Jeopardy!", Written by John Duarte, Harry Friedman, Mark Gaberman, Debbie Griffin, Michele Loud, Robert McClenaghan, Jim Rhine, Steve D. Tamerius, Billy Wisse; ABC - WINNER

DAYTIME DRAMA:
"Days of Our Lives," Written by Lorraine Broderick, David Cherrill, Carolyn Culliton, Richard Culliton, Rick Draughon, Christopher Dunn, Janet Iacobuzio, David A. Levinson, Ryan Quan, Dave Ryan, Melissa Salmons, Christopher J. Whitesell; NBC - WINNER

CHILDREN'S – EPISODIC & SPECIALS:
“influANTces” (A.N.T. Farm), Written by Vincent Brown; Disney Channel - WINNER

DOCUMENTARY – CURRENT EVENTS:
“Egypt in Crisis” (Frontline), Written by Marcela Gaviria & Martin Smith; PBS - WINNER

DOCUMENTARY – OTHER THAN CURRENT EVENTS: (TIE)
“The Choice 2012” (Frontline), Written by Michael Kirk; PBS - WINNER - TIE

“Silicon Valley” (American Experience), Telescript by Randall MacLowry and Michelle Ferrari; Story by Randall MacLowry; PBS - WINNER - TIE

NEWS – REGULARLY SCHEDULED, BULLETIN, OR BREAKING REPORT:
“Tragedy at Newtown” Special Edition (ABC World News with Diane Sawyer), Written by Lisa Ferri and Matt Negrin; ABC - WINNER

NEWS – ANALYSIS, FEATURE, OR COMMENTARY:
“Lethal Medicine” (60 Minutes), Written by Michael Rey, Oriana Zill de Granados, Michael Radutzky; CBS – WINNER

RADIO WINNERS

DOCUMENTARY:
“2012 Year in Review,” Written by Gail Lee; CBS Radio News - WINNER

NEWS – REGULARLY SCHEDULED OR BREAKING REPORT:
“Afternoon Drive,” Written by Bill Spadaro; CBS Radio/1010 WINS - WINNER

NEWS – ANALYSIS, FEATURE OR COMMENTARY:
“Remembering C. Everett Koop,” Written by Scott Saloway; CBS Radio News - WINNER

PROMOTIONAL WRITING AND GRAPHIC ANIMATION NOMINEES
ON-AIR PROMOTION (TELEVISION, NEW MEDIA OR RADIO):
“The Crazy Ones – Building a Better Comedy,” Written by Erial Tompkins; CBS - WINNER

TELEVISION GRAPHIC ART AND ANIMATION:
CBS News Animations: “Brain Injury,” “Pills,” “Bionic Leg,” “Midland Parade,” “Concordia Salvage;” Animation by David Rosen; CBS News - WINNER

(*WGA Note: There were no nominees in Long Form – Original, Short Form New Media – Adapted, or Children’s – Long Form or Special awards categories this year.)

VIDEOGAME WINNER:
The Last of Us, Written by Neil Druckmann; Sony Computer Entertainment - WINNER


-----------------

Women Dominate 2014 DGA Awards Documentary Nominations

by Amos Semien

The Directors Guild of America recently announced the nominations in the category of "DGA Award for Outstanding Directorial Achievement in Documentaries for 2013."  Three of the five nominations went to women filmmakers, including Sarah Polley for her much-honored 2012 Canadian doc, Stories We Tell.

The Directors Guild of America (DGA) is the entertainment labor union that represents film and television directors.  The DGA gives out the Directors Guild of America Award each year to honor outstanding achievement.

The 66th Annual DGA Awards Dinner will be held on Saturday, January 25, 2014 at the Hyatt Regency Century Plaza in Los Angeles

DGA Award for Outstanding Directorial Achievement in Documentaries for 2013

ZACHARY HEINZERLING
Cutie and the Boxer
(Radius TWC, Ex Lion Tamer, Cine Mosaic)

This is Mr. Heinzerling’s first DGA Award nomination.

JEHANE NOUJAIM
The Square
(Netflix, Participant Media, Noujaim Films, Maktube Productions, WorldView, Roast Beef Productions

This is Ms. Noujaim’s third DGA Award nomination.  She won the DGA Award for Outstanding Directorial Achievement in Documentary for Startup.com in 2001 (together with Chris Hegedus) and was also nominated in this category in 2004 for Control Room.

JOSHUA OPPENHEIMER
The Act of Killing
(Final Cut for Real APS, Drafthouse Films, Piraya Films, Novaya Zemlya Ltd., Spring Films Ltd.)

This is Mr. Oppenheimer’s first DGA Award nomination.

SARAH POLLEY
Stories We Tell
(Roadside Attractions, The National Film Board of Canada)

This is Ms. Polley’s first DGA Award nomination.

LUCY WALKER
The Crash Reel
(HBO Documentary Films, KP Rides Again, LLC, Impact Partners, Tree Tree Tree Production)

This is Ms. Walker’s first DGA Award nomination.


http://www.dga.org/

----------------------------------------------

Review: "The Weight of Water" is a Heavy Drama (Happy B'day, Sarah Polley)

TRASH IN MY EYE No. 81 (of 2007) by Leroy Douresseaux

The Weight of Water (2000)
Running time:  114 minutes (1 hour, 54 minutes)
MPAA – R for violence, sexuality/nudity, and brief language
DIRECTOR:  Kathryn Bigelow
WRITERS:  Alice Arlen and Christopher Kyle (based upon the novel by Anita Shreve)
PRODUCERS:  Janet Yang, Sigurjon Sighvatsson, and A. Kitman Ho
CINEMATOGRAPHER:  Adrian Biddle
EDITOR:  Howard E. Smith
COMPOSER:  David Hirschfelder

DRAMA/MYSTERY with elements of a thriller

Starring:  Sean Penn, Catherine McCormack, Josh Lucas, Elizabeth Hurley, Sarah Polley, Ciarán Hinds, Ulrich Thomsen, Anders W. Berthelsen, and Katrin Cartlidge

The subject of this movie review is The Weight of Water, a 2000 drama and mystery film from director Kathryn Bigelow.  The film made its debut in 2000, but did not receive a U.S. release until November 2002.  The film is based on the 1997 novel, The Weight of Water, by author Anita Shreve.  The novel, which is historical fiction, is based in part on a real-life 19th century American murder case.  The Weight of Water the movie focuses on a newspaper photographer who is researching the lurid and sensational axe murder of two women in 1873, while dealing with her own marital problems.

Two couples: Thomas and Jean Janes (Sean Penn and Catherine McCormack) and Thomas’ brother, Rich Janes (Josh Lucas), and his girlfriend, Adaline Gunne (Elizabeth Hurley) take a boat trip to the island of Smuttynose, off the New Hampshire coast.  Jean is conducting a personal investigation of the double murder of two women back in 1873.  Having unearthed an eyewitness account of the murders, Jane seeks to prove that the Louis Wagner (Ciarán Hinds), the man executed for the crimes, was innocent, and that his accuser, Maren Hontvedt (Sarah Polley), was instead the murderer.  The film moves back and forth between the present day and the past, dredging up the incidents surrounding the murders and also the troubles in Thomas and Jean’s marriage.

After making films that fit one way or another in the action genre, director Kathryn Bigelow tackled dysfunctional marriages, dark family secrets, and murder in the film, The Weight of Water.  Quite skilled at creating mood and atmosphere (as shown in her earlier works), Bigelow constructs a movie in which disappointment and resignation saturate the story and anger boils mightily beneath the surface.

The jumps in time, between the present and 1973, aren’t really a distraction; rather they build up tension and allow the stronger half of the film, Maren Hontvedt’s story and the murders in 1873, to support the weaker half, the Janes’ boat trip.  Watching the film, one gets the idea that Bigelow was enamored with Maren Hontvedt’s half of the film and not as interested the present day half featuring the tense dynamic between Thomas, Jean, Rich, and Adaline.  Connection with the present day sub-plots isn’t fun; at times, Bigelow handles them a little clumsily.  On the other hand, she uses the riveting and bloody tale of 1873 to carry the past and present to an ending that is both gut wrenching and heavy.  Here, through Sarah Polley as Maren, Bigelow makes her strongest case that the mistakes of the past, like insistent ghosts, never leave.  They will drown the future if they aren’t guarded against – even in a small moment of weakness when the mind, body and soul lapse into rage.

6 of 10
B

Wednesday, May 23, 2007

Update:  Wednesday, January 08, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

2014 Writers Guild Award Nominations - Feature Film Categories

by Amos Semien

On Friday, January 3, 2014, the Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) announced nominations for outstanding achievement in writing during the year 2013 – the 2014 Writers Guild Awards.  The winners will be honored at the 2014 Writers Guild Awards on Saturday, February 1, 2014, during simultaneous ceremonies held in both Los Angeles and New York.

The Writers Guild of America is a labor union representing film, television, radio, video game, and new media writers.  The Writers Guild of America Award acknowledges outstanding achievements in film, television, and radio and has been presented annually by the Writers Guild of America, East and Writers Guild of America, West since 1949.

A complete list of 2014 Writers Guild Award nominations can be found here: http://www.wga.org/wga-awards/nominees-winners.aspx.

SCREEN NOMINEES:

ORIGINAL SCREENPLAY
American Hustle, Written by Eric Warren Singer and David O. Russell; Columbia Pictures

Blue Jasmine, Written by Woody Allen; Sony Pictures Classics

Dallas Buyers Club, Written by Craig Borten & Melisa Wallack; Focus Features

Her, Written by Spike Jonze; Warner Bros.

Nebraska, Written by Bob Nelson; Paramount Pictures

ADAPTED SCREENPLAY
August: Osage County, Screenplay by Tracy Letts; Based on his play; The Weinstein Company

Before Midnight, Written by Richard Linklater & Julie Delpy & Ethan Hawke; Based on characters created by Richard Linklater & Kim Krizan; Sony Classics

Captain Phillips, Screenplay by Billy Ray; Based on the book A Captain’s Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea by Richard Phillips with Stephan Talty; Columbia Pictures

Lone Survivor, Written by Peter Berg; Based on the book by Marcus Lutrell with Patrick Robinson; Universal Pictures

The Wolf of Wall Street, Screenplay by Terence Winter; Based on the book by Jordan Belfort; Paramount Pictures

DOCUMENTARY SCREENPLAY
Dirty Wars, Written by Jeremy Scahill & David Riker; Sundance Selects

Herblock – The Black & The White, Written by Sara Lukinson & Michael Stevens; The Stevens Company

No Place on Earth, Written by Janet Tobias & Paul Laikin; Magnolia Pictures

Stories We Tell, Written by Sarah Polley; Roadside Attractions

We Steal Secrets: The Story of Wikileaks; Written by Alex Gibney; Focus Features

END

Alliance of Women Film Journalists Chooses "12 Years a Slave"

by Amos Semien

The Alliance of Women Film Journalists, Inc. (AWFJ) present the annual EDA Awards “in recognition of outstanding accomplishments (the best and worst) by and about women in the movies.”

The AWFJ named director Steve McQueen's 12 Years a Slave the "Best Film" of 2013, for which McQueen also won "Best Director."  On the "women only" side of the awards, Nicole Holofcener won for directing and writing her film, Enough Said.

2013 EDA Award Winners
[ Statement from the AWFJ:  With sincerest appreciation for all the great work that’s been done in film this year, the Alliance of Women Film Journalists is pleased to announce the winners of the 2013 EDA Awards. Congrats to all!]

AWFJ EDA ‘BEST OF’ AWARDS

Best Film
•12 Years a Slave

Best Director (Female or Male)
•Steve McQueen - 12 Years a Slave

Best Screenplay, Original
•Her – Spike Jonze

Best Screenplay, Adapted
•John Ridley - 12 Years a Slave

Best Documentary
•Stories We Tell – Sarah Polley

Best Animated Film
•The Wind Rises - Hayao Miyazaki

Best Actress
•Cate Blanchett - Blue Jasmine

Best Actress in a Supporting Role
•Lupita Nyong’o - 12 Years a Slave

Best Actor
•Matthew McConaughey - Dallas Buyers Club

Best Actor in a Supporting Role
•Jared Leto - Dallas Buyers Club

Best Ensemble Cast
•American Hustle

Best Editing
•Gravity - Alfonso Cuaron and Mark Sanger

Best Cinematography
•Gravity - Emmanuel Lubezki

Best Film Music Or Score
•Inside Llewyn Davis – T-Bone Burnett

Best Non-English-Language Film
•The Hunt – Thomas Vinterberg – Denmark

EDA FEMALE FOCUS AWARDS – These awards honor WOMEN only.

Best Woman Director
•Nicole Holofcener - Enough Said

Best Woman Screenwriter
•Nicole Holofcener - Enough Said

Kick Ass Award For Best Female Action Star
•Sandra Bullock – Gravity

Best Animated Female
•Anna (Kristen Bell) in Frozen

Best Breakthrough Performance
•Lupita Nyong’o - 12 Years A Slave

Actress Defying Age and Ageism
•Sandra Bullock – Gravity

AWFJ EDA Female Icon Award – (Presented to an actress for the portrayal of the most positive female role model, or for a role in which she takes personal and/or career risks to plumb the female psyche and therefore gives us courage to plumb our own, and/or for putting forth the image of a woman who is heroic, accomplished, persistent, demands her rights and/or the rights of others.)
•Angelina Jolie for continued commitments to humanitarian causes, and for promoting awareness about breast cancer.

This Year’s Outstanding Achievement By A Woman In The Film Industry – (Presented only when warranted to a female who has had a banner-making, record-breaking, industry-changing achievement during any given year.)
•Haaifa Al-Mansour for challenging the limitations placed on women within her culture by making the film Wadjda.

EDA SPECIAL MENTION AWARDS

AWFJ Hall Of Shame Award
•The Counselor – Ridley Scott

Actress Most in Need Of A New Agent
•Cameron Diaz for The Counselor

Movie You Wanted To Love But Just Couldn’t Award
•The Counselor

Unforgettable Moment Award
•12 Years A Slave – Solomon Northrup hanging

Best Depiction Of Nudity, Sexuality, or Seduction Award
•Her - Scarlett Johansson and Joaquin Phoenix for their digital lovemaking.

Sequel or Remake That Shouldn’t Have Been Made Award (Tie)
•Carrie
•Oz, Great and Powerful

Most Egregious Age Difference Between The Leading Man and The Love Interest Award
•Last Vegas – Michael Douglas and Bre Blair

END

Detroit Film Critics Choose "Her" as "Best Film" of 2013

by Amos Semien

The Detroit Film Critics Society was founded in Spring 2007 and currently consists of a group of 20 Michigan film critics (as December 2013) who write or broadcast in the Detroit area as well as other major cities within a 150-mile radius of the city including Ann Arbor, Grand Rapids, Kalamazoo, Lansing, and Flint, Michigan.

American Hustle and Short Term 12 led the pack with five nominations apiece for the 2013 Detroit Film Critics Society Awards, in nominations announced December 9. 2013.  However, when the winners were announced Friday, December 13, 2013, Spike Jonze’s Her was named “Best Film.”

The Best of 2013 as picked by the Detroit Film Critics Society:

BEST FILM
WINNER: Her
Before Midnight
Gravity
Short Term 12
12 Years a Slave

BEST DIRECTOR
WINNER: Alfonso Cuaron, Gravity
Paul Greengrass, Captain Phillips
Spike Jonze, Her
David O. Russell, American Hustle
Martin Scorsese, The Wolf of Wall Street

BEST ACTOR
WINNER: Matthew McConaughey, Dallas Buyers Club
Leonardo DiCaprio, The Wolf of Wall Street
Chiwetel Ejiofor, 12 Years a Slave
Tom Hanks, Captain Phillips
Robert Redford, All Is Lost

BEST ACTRESS
WINNER: Brie Larson, Short Term 12
Amy Adams, American Hustle
Julie Delpy, Before Midnight
Adele Exarchopoulos, Blue is the Warmest Color
Meryl Streep, August: Osage County

BEST SUPPORTING ACTOR
WINNER: Jared Leto, Dallas Buyers Club
Barkhad Abdi, Captain Phillips
James Franco, Spring Breakers
Matthew McConaughey, Mud
Stanley Tucci, The Hunger Games: Catching Fire

BEST SUPPORTING ACTRESS
WINNER: Scarlett Johansson, Her
Jennifer Lawrence, American Hustle
Lupita Nyong’o, 12 Years a Slave
Julia Roberts, August: Osage County
June Squibb, Nebraska

BEST ENSEMBLE
WINNER: American Hustle
August: Osage County
Blue Jasmine
12 Years a Slave
The Wolf of Wall Street

BREAKTHROUGH
WINNER: Brie Larson, Short Term 12 (actress)
Lake Bell, In a World (actress, screenplay, director)
Ryan Coogler, Fruitvale Station (screenplay, director)
Destin Cretton, Short Term 12 (screenplay, director)
Michael B. Jordan, Fruitvale Station (actor)

BEST SCREENPLAY
WINNER: Spike Jonze, Her
Destin Cretton, Short Term 12
Richard Linklater, Julie Delpy, and Ethan Hawke, Before Midnight
Eric Singer and David O. Russell, American Hustle
Terence Winter, The Wolf of Wall Street

BEST DOCUMENTARY
WINNER: Stories We Tell
The Act of Killing
Blackfish
The Square
The Unknown Known

http://detroitfilmcritics.com/

END

15 Vie for Five 2014 Best Documentary Oscar Nominations

15 Documentary Features Advance in 2013 Oscar® Race

BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences today announced that 15 films in the Documentary Feature category will advance in the voting process for the 86th Oscars® . One hundred forty-seven films had originally qualified in the category.

The 15 films are listed below in alphabetical order by title, with their production companies:

   "The Act of Killing," Final Cut for Real

   "The Armstrong Lie," A Kennedy/Marshall Production in Association with Jigsaw Productions and Matt Tolmach Productions

   "Blackfish," Our Turn Productions

   "The Crash Reel," KP Rides Again

   "Cutie and the Boxer," Ex Lion Tamer and Cine Mosaic

   "Dirty Wars," Civic Bakery

   "First Cousin Once Removed," Experiments in Time, Light & Motion

   "God Loves Uganda," Full Credit Productions and Motto Pictures

   "Life According to Sam," Fine Films

   "Pussy Riot: A Punk Prayer," Roast Beef Productions

   "The Square," Noujaim Films and Maktube Productions

   "Stories We Tell," National Film Board of Canada

   "Tim’s Vermeer," High Delft Pictures

   "20 Feet from Stardom," Gil Friesen Productions and Tremolo Productions

   "Which Way Is the Front Line from Here? The Life and Time of Tim Hetherington," Tripoli Street

The Academy’s Documentary Branch determined the shortlist in a preliminary round of voting.  Documentary Branch members will now select the five nominees from among the 15 titles.

The Oscars nominations will be announced live on Thursday, January 16, 2014, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards® for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre® at Hollywood & Highland Center®, and televised live on the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

"War Witch" Tops 2013 Canadian Screen Awards

by Leroy Douresseaux

War Witch was named the “Best Motion Picture” of 2012 at the 2013 Canadian Screen Awards. Kim Nguyen, director of War Witch, won “Achievement in Direction.”

This was the inaugural Canadian Screen Awards, which honor achievements in Canadian film and television production, as well as achievements in digital media. In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.

War Witch, which is also known by its French-language name, Rebelle, swept away nearly all competition at the inaugural Canadian Screen Awards broadcast gala Sunday night (March 3, 2013). The Congo-set drama about child soldiers won in 10 of the 12 categories for which it was nominated.

War Witch’s teen star, Rachel Mwanza, won “Actress in a Leading Role.” Mwanza once lived on the streets of Kinshasa (the capital of the Democratic Republic of the Congo). Now, she is earning accolades internationally for her performance as Komona, a child forced to kill her parents and join a local warlord’s band of soldiers

The 2013 Canadian Screen Award winners:

Film categories:

Best Motion Picture: War Witch

Achievement in Direction: Kim Nguyen, War Witch

Actor in a Leading Role: James Cromwell, Still Mine.

Actress in a Leading Role: Rachel Mwanza, War Witch.

Actor in a Supporting Role: Serge Kanyinda, War Witch.

Actress in a Supporting Role: Seema Biswas, Midnight’s Children

Original Screenplay: Kim Nguyen, War Witch

Adapted Screenplay: Salman Rushdie, Midnight’s Children

Art Direction/Production Design: Emmanuel Frechette and Josée Arsenault, War Witch.

Make-Up: Colleen Quinton, Kathy Kelson, Michelle Cote, and Martin LaPointe, Laurence Anyways.

Costume Design: Xavier Dolan and François Barbeau, Laurence Anyways.

Cinematography: Nicolas Bolduc, War Witch.

Editing: Richard Comeau, War Witch.

Music - Original Score: Howard Shore, Cosmopolis.

Music - Original Song: Howard Shore, Emily Haines, James Shaw, “Long to Live” (from Cosmopolis)

Overall Sound: Claude La Haye, Daniel Bisson, Bernard Gariepy Stroble, War Witch.

Sound Editing: Martin Pinsonnault, Jean-Francois, B. Sauve, Simon Meilleur, and Claire Pochon, War Witch.

Feature Length Documentary Award: Sarah Polley and Anita Lee, Stories We Tell.

Short Documentary: Ariel Nasr and Annette Clarke, The Boxing Girls of Kabul.

Live Action Short Drama: Miranda de Pencier and Stacey Aglok MacDonald, Throat Song.

Animated Short: Dominic Étienne Simard and Julie Roy, Paula.

Visual Effects: Dennis Beradi, Jason Edwardh, Matt Glover, Trey Harrell, Leann Harvey, Jo Hughes, Ethan Lee, Scott Riopelle, Eric Robinson, and Kyle Yoneda, Resident Evil: Retribution.

Television categories:

Dramatic Series: Flashpoint.

Comedy Program/Series: Less Than Kind.

International Drama: The Borgias.

Lead Actor in a Dramatic Role: Enrico Colantoni, Flashpoint.

Lead Actress in a Dramatic Role: Meg Tilly, Bomb Girls.

Lead Actor in a Comedic Role: Gerry Dee, Mr. D.

Lead Actress in a Comedic Role: Wendel Meldrum, Less Than Kind.

Reality/Competition Program: Dragon’s Den.

News Anchor: Peter Mansbridge, CBC News The National.

Sports Host or Analyst: Brian Williams, London 2012 Olympic Games.

Host in a Variety, Lifestyle, Reality/Competition, Performing Arts or Talk Program: George Stroumboulopoulos, George Stroumboulopoulos Tonight.

Previously announced awards:

Claude Jutra Award for Best First Feature Film: Jason Buxton, Blackbird.

Cineplex Golden Reel Award: Resident Evil: Retribution

Academy Special Film Award: Victor Loewy, former head of Alliance and Vivafilm.

2013 Canadian Screen Awards - Film Nominees

by Leroy Douresseaux

The Canadian Screen Awards honor achievements in Canadian film and television production, as well as achievements in digital media. In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.

The 2013 Canadian Screen Awards are scheduled to be held on March 3, 2013, to honor achievements in Canadian film and television production in 2012. This will be the first-ever Canadian Screen Awards ceremony. In addition, the new Canadian Screen Awards will include awards for achievements in digital media.

The 2013 Canadian Screen Award nominations were announced on January 15, 2013. The awards ceremony will be hosted by Martin Short.

I am posting the nominations in the feature film, documentary film, and short film categories. Visit the Canadian Screen Awards website for a complete list of nominees.


FEATURE FILMS: NOMINATIONS BY CATEGORY
BEST MOTION PICTURE / MEILLEUR FILM (Sponsor / Commanditaire : Comweb Group / William F. White International Inc.)
L'AFFAIRE DUMONT - Nicole Robert
INCH'ALLAH - Luc Déry, Kim McCraw
LAURENCE ANYWAYS - Lyse Lafontaine
MIDNIGHT'S CHILDREN - David Hamilton
REBELLE / WAR WITCH - Pierre Even, Marie-Claude Poulin
STILL MINE - Tamara Deverell, Jody Colero, Avi Federgreen, Michael McGowan

ACHIEVEMENT IN DIRECTION / MEILLEURE RÉALISATION (Sponsor / Commanditaire : Pinewood Toronto Studios)
MICHAEL DOWSE - Goon
XAVIER DOLAN - Laurence Anyways
DEEPA MEHTA - Midnight's Children
KIM NGUYEN - Rebelle / War Witch
BERNARD ÉMOND - Tout ce que tu possèdes / All That You Possess

PERFORMANCE BY AN ACTOR IN A LEADING ROLE / INTERPRÉTATION MASCULINE DANS UN PREMIER RÔLE
JAMES CROMWELL – Still Mine
PATRICK DROLET - Tout ce que tu possèdes / All That You Possess
MARC-ANDRÉ GRONDIN - L'affaire Dumont
DAVID MORSE - Collaborator
MELVIL POUPAUD - Laurence Anyways

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE / INTERPRÉTATION FÉMININE DANS UN PREMIER RÔLE
EVELYNE BROCHU - Inch'Allah
GENEVIÈVE BUJOLD – Still Mine
MARILYN CASTONGUAY - L'affaire Dumont
SUZANNE CLÉMENT - Laurence Anyways
RACHEL MWANZA - Rebelle / War Witch

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE / INTERPRÉTATION MASCULINE DANS UN RÔLE DE SOUTIEN
JAY BARUCHEL - Goon
KIM COATES - Goon
STEPHAN JAMES - Home Again
SERGE KANYINDA - Rebelle
ELIAS KOTEAS - Winnie

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE / INTERPRÉTATION FÉMININE DANS UN RÔLE DE SOUTIEN
SEEMA BISWAS - Midnight's Children
FEFE DOBSON - Home Again
ALICE MOREL MICHAUD – Les Pee Wee 3D
GABRIELLE MILLER - Moving Day
SABRINA OUAZANI - Inch'Allah

ORIGINAL SCREENPLAY / MEILLEUR SCÉNARIO (Sponsor / Commanditaire : Astral’s Harold Greenberg Fund)
JASON BUXTON - Blackbird
XAVIER DOLAN - Laurence Anyways
KIM NGUYEN - Rebelle / War Witch
MICHAEL MCGOWAN - Still Mine
BERNARD ÉMOND - Tout ce que tu possèdes / All That You Possess

ADAPTED SCREENPLAY / MEILLEURE ADAPTATION
DAVID CRONENBERG - Cosmopolis
JAY BARUCHEL, EVAN GOLDBERG - Goon
ANITA DORON - The Lesser Blessed
MARTIN VILLENEUVE - Mars et Avril
SALMAN RUSHDIE - Midnight's Children

ACHIEVEMENT IN ART DIRECTION/PRODUCTION DESIGN / MEILLEURE DIRECTION ARTISTIQUE
EMMANUEL FRECHETTE, JOSÉE ARSENAULT - Rebelle / War Witch
ARVINDER GREWAL - Antiviral
ANDRÉ GUIMOND - L'affaire Dumont
DILIP MEHTA - Midnight's Children
ANNE PRITCHARD - Laurence Anyways

ACHIEVEMENT IN CINEMATOGRAPHY / MEILLEURES IMAGES (Sponsor / Commanditaire : Christie Digital)
NICOLAS BOLDUC - Rebelle / War Witch
PHILIPPE LAVALETTE - Inch'Allah
GILES NUTTGENS - Midnight's Children
BOBBY SHORE - Goon
BRENDAN STEACY – Still Mine

ACHIEVEMENT IN COSTUME DESIGN / MEILLEURS COSTUMES
XAVIER DOLAN, FRANÇOIS BARBEAU - Laurence Anyways
PATRICIA HENDERSON - Mad Ship
WENDY PARTRIDGE - Resident Evil: Retribution
WENDY PARTRIDGE - Silent Hill: Revelation 3D
ÉRIC POIRIER - Rebelle / War Witch

ACHIEVEMENT IN EDITING / MEILLEUR MONTAGE
RICHARD COMEAU - Rebelle / War Witch
RODERICK DEOGRADES – Still Mine
VALÉRIE HÉROUX - L'affaire Dumont
SOPHIE LEBLOND - Inch'Allah
KIMBERLEE MCTAGGART – Blackbird

ACHIEVEMENT IN MAKE-UP / MEILLEURS MAQUILLAGES (Sponsor / Commanditaire : Lancôme)
KATIE BRENNAN, KAROLA DIRNBERGER, PAUL JONES - Silent Hill: Revelation 3D
BRENDA MAGALAS, LORI CAPUTI - Goon
CATHERINE DAVIES-IRVINE, TRASON FERNANDES - Antiviral
MARLÈNE ROULEAU, ANDRÉ DUVAL - L'affaire Dumont
COLLEEN QUINTON, KATHY KELSO, MICHELLE CÔTÉ, MARTIN LAPOINTE - Laurence Anyways

ACHIEVEMENT IN MUSIC - ORIGINAL SCORE / MEILLEURE MUSIQUE ORIGINALE
NOIA - Laurence Anyways
BENOIT CHAREST - Mars et Avril
DON ROOKE, HUGH MARSH, MICHELLE WILLIS – Still Mine
HOWARD SHORE - Cosmopolis
E.C. WOODLEY - Antiviral

ACHIEVEMENT IN MUSIC - ORIGINAL SONG / MEILLEURE CHANSON ORIGINALE (Sponsor / Commanditaire : Slaight Music)
EMILY HAINES, JAMES SHAW, HOWARD SHORE - Cosmopolis - Long to Live
ERLAND & THE CARNIVAL - Rufus - Wanting
ERLAND & THE CARNIVAL - Rufus - Out of Sight

ACHIEVEMENT IN OVERALL SOUND / MEILLEUR SON D'ENSEMBLE (Sponsor / Commanditaire : Deluxe Toronto Ltd.)
SYLVAIN ARSENEAULT, STEPH CARRIER, LOU SOLAKOFSKI, DON WHITE - Midnight's Children
OLIVIER CALVERT, PASCAL BEAUDIN, LUC BOUDRIAS, DANIEL BISSON - Mars et Avril
CLAUDE LA HAYE, DANIEL BISSON, BERNARD GARIÉPY STROBL - Rebelle / War Witch
PHILIP STALL, IAN RANKIN, LOU SOLAKOFSKI, JACK HEEREN - Antiviral
ZANDER ROSBOROUGH, ALLAN SCARTH - The Disappeared

ACHIEVEMENT IN SOUND EDITING / MEILLEUR MONTAGE SONORE
• PIERRE-JULES AUDET, MICHELLE CLOUTIER, THIERRY BOURGAULT D'AMICO, NATHALIE FLEURANT, CÉDRICK MARIN, NICOLAS GAGNON - L'affaire Dumont

• MARTIN PINSONNAULT, JEAN-FRANCOIS B. SAUVÉ, SIMON MEILLEUR, CLAIRE POCHON - Rebelle / War Witch

• STEPHEN BARDEN, STEVE BAINE, KEVIN BANKS, ALEX BULLICK, JILL PURDY - Resident Evil: Retribution

• SYLVAIN BRASSARD, STÉPHANE CADOTTE, ISABELLE FAVREAU, PHILIPPE RACINE - Laurence Anyways

• ALLAN SCARTH, BOB MELANSON, ZANDER ROSBOROUGH, CORY TETFORD - The Disappeared

ACHIEVEMENT IN VISUAL EFFECTS / MEILLEURS EFFETS VISUELS
• DENNIS BERARDI, KEITH ACHESON, MICHAEL BORRETT, WILSON CAMERON, MICHAEL DICARLO, TOM NAGY, BRITTON PLEWES, SCOTT RIOPELLE, MATT WHELAN, WOJCIECH ZIELINSKI - Silent Hill: Revelation 3D

• CARLOS MONZON, MARTIN BELLEAU, DOMINIC DAIGLE, NATHALIE DUPONT, GAËL HOLLARD, BENOÎT LADOUCEUR, VIVIANE LEVESQUE BOUCHARD, JÉRÉMIE LODOMEZ, ANNIE NORMANDIN, ALEXANDRA VAILLANCOURT - Mars et Avril

• DENNIS BERARDI, JASON EDWARDH, MATT GLOVER, TREY HARRELL, LEANN HARVEY, JO HUGHES, ETHAN LEE, SCOTT RIOPELLE, ERIC ROBINSON, KYLE YONEDA - Resident Evil: Retribution

• ÈVE BRUNET, MARC MORISSETTE, ALEXANDRA VAILLANCOURT - Rebelle / War Witch

• RALPH MAIERS, DEBORA DUNPHY, JOHN FUKUSHIMA, PATRICK KAVANAUGH, BILL MARTIN, CHRIS PHILIPS, JEREMY PRICE, KENTON RANNIE, LAUREN WEIDEL - Midnight's Children

THEATRICAL DOCUMENTARIES & SHORT FILMS: NOMINATIONS BY CATEGORY

TED ROGERS BEST FEATURE LENGTH DOCUMENTARY AWARD / PRIX TED ROGERS POUR LE MEILLEUR LONG MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire : Rogers Group of Funds)
ALPHÉE DES ÉTOILES - Hugo Latulippe, Eric De Gheldere, Colette Loumède
INDIE GAME: THE MOVIE - Lisanne Pajot, James Swirsky
OVER MY DEAD BODY - Brigitte Poupart, Virginie Dubois, Stéphanie Morissette
STORIES WE TELL - Sarah Polley, Anita Lee
THE WORLD BEFORE HER - Nisha Pahuja, Ed Barreveld, Cornelia Principe

BEST SHORT DOCUMENTARY / MEILLEUR COURT MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire : Hot Docs)
THE BOXING GIRLS OF KABUL - Ariel Nasr, Annette Clarke
THE FUSE: OR HOW I BURNED SIMON BOLIVAR - Igor Drljaca
KEEP A MODEST HEAD / NE CRÂNE PAS SOIS MODESTE - Deco Dawson, Catherine Chagnon, Craig Trudeau
LET THE DAYLIGHT INTO THE SWAMP - Jeffrey St. Jules, Anita Lee
THREE WALLS - Zaheed Mawani, Andrea Bussmann

BEST LIVE ACTION SHORT DRAMA / MEILLEUR COURT MÉTRAGE DRAMATIQUE
CHEF DE MEUTE - Chloé Robichaud, Fanny-Laure Malo, Sarah Pellerin
FROST - Jeremy Ball, Lauren Grant, Robert Munroe
LE FUTUR PROCHE / THE NEAR FUTURE - Sophie Goyette
PREMIÈRE NEIGE / FIRST SNOW - Michaël Lalancette
THROAT SONG - Miranda de Pencier, Stacey Aglok MacDonald

BEST ANIMATED SHORT / MEILLEUR COURT MÉTRAGE D'ANIMATION
BYDLO - Patrick Bouchard, Julie Roy
DEMONI - Theodore Ushev
EDMOND WAS A DONKEY - Franck Dion, Richard Van Den Boom, Julie Roy
PAULA - Dominic Étienne Simard, Julie Roy

2013 Claude Jutra Award (best feature film by a first-time film director):
Jason Buxton, Blackbird

2013 Golden Reel Award (presented to the Canadian film with the biggest box office gross of the year):
Resident Evil: Retribution

http://www.academy.ca/awards/

Toronto Film Critics Choose Paul Thomas Anderson and Sarah Polley

by Leroy Douresseaux

The Toronto Film Critics Association named The Master as the "Best Picture of 2012" with the film's director, Paul Thomas Anderson, winning "Best Director."  Sarah Polley's film, Stories We Tell,won two honors, as best documentary and as best Canadian film, the latter of which came with a $100,000 prize.

The Toronto Film Critics Association was established in 1997 and is comprised of Toronto based journalists and broadcasters who specialize in film criticism and commentary. All major dailies, weeklies and a variety of other print and electronic outlets are represented.

Under the TFCA’s guidelines, contenders eligible for the awards include films released in Canada in 2012 plus films that qualify for the 2012 Oscars and have Canadian distribution scheduled by the end of February 2013.

The full list of Toronto Film Critics Association Awards winners and runners-up:

BEST PICTURE
“The Master” (eOne)

Runners-up:
“Amour” (Mongrel Media)
“Zero Dark Thirty” (Alliance Films)

BEST DIRECTOR
Paul Thomas Anderson, “The Master”

Runners-up:
Kathryn Bigelow, “Zero Dark Thirty”
Leos Carax, “Holy Motors”

BEST ACTOR
Denis Lavant, “Holy Motors”

Runners-up:
Daniel Day-Lewis, “Lincoln”
Joaquin Phoenix, “The Master”

BEST ACTRESS
Rachel Weisz, “The Deep Blue Sea”

Runners-up:
Jessica Chastain, “Zero Dark Thirty”
Emmanuelle Riva, “Amour”

BEST SUPPORTING ACTOR
Philip Seymour Hoffman, “The Master”

Runners-up:
Javier Bardem, “Skyfall”
Tommy Lee Jones, “Lincoln”

BEST SUPPORTING ACTRESS
Gina Gershon, “Killer Joe”

Runners-up:
Amy Adams, “The Master”
Ann Dowd, “Compliance”
Anne Hathaway, “Les Miserable”

BEST SCREENPLAY, ADAPTED OR ORIGINAL
“The Master”, written by Paul Thomas Anderson

Runners-up:
“Lincoln”, written by Tony Kushner, based on the book “Team of Rivals” by Doris Kearns Goodwin
“Zero Dark Thirty”, written by Mark Boal

BEST FIRST FEATURE - TIE
“Beasts of the Southern Wild”, directed by Benh Zeitlin
“Beyond the Black Rainbow”, directed by Panos Cosmatos

Runner-up:
“The Cabin in the Woods”, directed by Drew Goddard

BEST ANIMATED FEATURE
“ParaNorman” (Alliance Films)

Runners-up:
“Brave” (Disney*Pixar)
“Frankenweenie” (Disney)

BEST FOREIGN-LANGUAGE FILM
“Amour”(Mongrel Media) from Austrai

Runners-up:
“Holy Motors” (Mongrel Media) from France
“Tabu” (filmswelike) from Portugal

ALLAN KING DOCUMENTARY AWARD
“Stories We Tell” (Mongrel Media)

Runners-up:
“The Queen of Versailles” (Mongrel Media)
“Searching for Sugar Man” (Mongrel Media)

ROGERS BEST CANADIAN FILM AWARD:
“Stories We Tell”, directed by Sarah Polley ($100,000 prize)

The other finalists:
“Bestiaire”, directed by Denis Côté ($5,000 prize)
“Goon”, directed by Michael Dowse ($5,000 prize)

www.torontofilmcritics.com

Review: "eXistenZ" is as Crazy as Ever (Happy B'day, Jude Law)

TRASH IN MY EYE No. 32 (of 2004) by Leroy Douresseaux


eXistenZ (1999)
COUNTRY OF ORIGIN: Canada/UK
Running time: 97 minutes (1 hour, 37 minutes)
MPAA – R for strong sci-fi violence and gore, and for language
WRITER/DIRECTOR: David Cronenberg
PRODUCERS: David Cronenberg, Andras Hamori, and Robert Lantos
CINEMATOGRAPHER: Peter Suschitzky
EDITOR: Ronald Sanders
COMPOSER: Howard Shore
Genie Award winner

SCI-FI/CRIME/DRAMA/THRILLER

Starring: Jennifer Jason Leigh, Jude Law, Ian Holm, Willem Dafoe, Don McKellar, Callum Keith Rennie, Christopher Eccleston, Sarah Polley and Oscar Hsu

eXistenZ is a 1999 Canadian/British science fiction film from director David Cronenberg. The film is set in the near-future and involves advanced video games and organic virtual realities. When Cronenberg, a surrealist and master filmmaker, tests the bounds of imagination, he makes you wonder if there really are any boundaries to imagination, or at least to his. With a filmography full of movies that are trippy experiences, it’s hard to pick out the craziest Cronenberg picture, but I’d say eXistenZ is safe bet.

Allegra Geller (Jennifer Jason Leigh) is the world’s best game designer, and her new game, eXistenZ, is a virtual-reality masterpiece. During a demonstration or, perhaps, beta testing, of eXistenZ, a crazed fan makes a peculiar attempt on her life. Ted Pikul (Jude Law), a marketing intern at the company for whom Allegra designs games, spirits her away from the scene, but though they escape the murderous attempt on her life, this is just the beginning of a strange trip that takes them both to worlds real, unreal, and maybe real.

The usual Cronenberg themes: bodily invasion, altered states of perception, and what is real are much in evidence, but like some of his best work, eXistenZ questions what effect technology has on the human body, mind, and spirit. Cronenberg also seems to question whether humans should change their bodies and the way they live to accommodate a technology that is of only the most frivolous use – entertainment-based technology. That question permeates almost every frame of the film, and adds weight to the drama.

Many of the performances are stiff, although deliberately so, but still it’s a bit too wooden and too cold. Sometimes the acting is all a bit too affected and too smart for its own good. Jude Law and Jennifer Jason Leigh, however, give, wildly spirited and inspired performances; even their odd and taut moments have a vivacious air to them. They’re fun to watch, and the pair has a screen chemistry the just screams that this is a mismatched matched pair. For some reason it works, and they look gorgeous on the screen, making this truly odd tale fun to watch.

The best way to describe this story is too say that it deals with virtual worlds and computer generated realities like The Matrix did. eXistenZ, however, is not about cardboard philosophy, wire-fu fight scenes, and pyrotechnics and special effects as sexy eye candy. This is The Matrix for smart people.

8 of 10
A

2000 Genie Awards: 1 win: “Best Achievement in Editing” (Ronald Sanders); 2 nominations: “Best Achievement in Art Direction/Production Design” (Carol Spier and Elinor Rose Galbraith) and “Best Motion Picture” (Robert Lantos, David Cronenberg, and Andras Hamori)

Review: Go Have Fun with Pulp Fiction-Inspired "Go" (Happy B'day, Sarah Polley)

TRASH IN MY EYE No. 47 (of 2003) by Leroy Douresseaux

Go (1999)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – R for strong drug content, sexuality, language and some violence
DIRECTOR/CINEMATOGRAPHER: Doug Liman
WRITER: John August
PRODUCERS: Matt Freeman Mickey Liddell, and Paul Rosenberg
EDITOR: Stephen Mirrione
COMPOSER: BT and Moby

COMEDY/CRIME/DRAMA

Starring: Sarah Polley, Jay Mohr, Scott Wolf, Desmond Askew, Timothy Olyphant, William Fichtner, Breckin Meyer, and Taye Diggs

Some have compared it to Pulp Fiction, and Go, a film from Doug Liman (Swingers), certainly bears some similarities to Quentin Tarantino’s Oscar-winning film. Go is alternately a dark, teen comedy, a delirious action movie, a snarky crime caper, and a candy coated Tarantino movie for the late teen/early 20’s set.

On first glance, Go seems to tell the story of the events that happen after a drug deal. The real launching point is simply the changing of work shifts between two young working stiffs at a small grocery store. From there, Go is three interconnected short movies, in which many of the characters from each short movie encounter one another. In that sense, it is similar to Pulp Fiction, but only stylistically and superficially.

In one story, Ronna Martin (Sarah Polley) tries to raise rent money by selling ecstasy to two men (Jay Mohr and Scott Wolf) looking to buy from her co-worker, Simon Baines (Desmond Askew), who normally deals drugs. When Ronna is forced to ditch the drugs, she has to scam Simon’s supplier, a nasty little thug named, Todd (Timothy Olyphant), to whom she now owes some drug money.

Meanwhile, in the second story, Simon tears through Las Vegas with four buds. Simon and one of his pals, Marcus (Taye Diggs), find themselves in an awful mess at a strip club and on the fun from the owners.

In the third story, Adam (Wolf) and Zack (Mohr) find themselves in a predicament over drugs with the police. Their situation becomes more precarious when an undercover officer shows special interests in the two buddies, and the drama doesn’t let up when the two later become involved in a hit and run.

Go is a comedy, although there are times when it seems too dangerous to be funny, but even those tense moments unravel and reveal themselves to be uproarious situations. John August’s script is filled with over the top moments that make sense in a strange way instead of simply being over the top or just too much. It’s outlandish and absurd, but stunningly well put together. The movie plays at being very violent, but it’s mostly cartoonish, as if the film won’t quite acknowledge how painful violence can be. Or maybe, this is just part of the hedonistic life the film portrays. It’s all done in fun, and at the end of the day, all the players get to walk away from their various little “car wrecks,” though maybe an occasional fatal mistake would teach them all a lesson. Well, maybe not. They’d be slacking, doing drugs, and playing with guns the very day after burying a homie who shot himself playing with a gun or overdosing on ecstasy.

I give Liman much credit for directed this very funny film. It’s slick and glossy, but incredibly well executed. On the surface, it might seem like a rave culture version of Pulp Fiction, though it does owe more than a nodding acknowledgement to that film. However, it’s a modern, violent physical comedy where each actor and filmmaker has to hit his marks. Liman plays with incredible timing, and most of the time he gets it right. One misstep, and the film falls apart. Luckily, the film doesn’t begin to shake to pieces until the very end, but up until the closing scenes, Go is near flawless and near perfect. I’ve rarely laughed so hard at something so obviously meant to be eye candy. But Liman’s film is gourmet candy, thoughtfully concocted by a director determined to give his audience a good show. Most Tarantino clones were content simply to copy, whereas Liman and screenwriter John August were determined to give us a lurid taste of pulp fiction made from their own very best recipe.

7 of 10
B+