Negromancer News Bits and Bites from August 7th to 13th, 2022 - Update #15

by Leroy Douresseaux a.k.a. "I Reads You"

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ENTERTAINMENT AND CULTURE NEWS:

BREAKING NEWS - From Deadline:  Emmy-winning actress Anne Heche has been taken off life support.  She suffered grave injuries in a fiery car crash last Friday, August 5th.

From Variety:  Anne Heche has reportedly been declared "legally dead" in the state of California.  Her heart remains beating and she may not have been taken off life support.  Heche was an organ donor, and the waiting may be the result of determining the viability of her organs for donation.

MOVIES - From Deadline:  Sienna Miller and Sam Worthington are the leads in "Horizon," the passion project that Kevin Costner will direct, produce, and finance.

DOCUMENTARIES - From Deadline:  Production is underway on a feature documentary inspired by "New York Times" columnist Charles Blow’s book "The Devil You Know: A Black Power Manifesto." The book suggests a "reverse great migration," in which Black people would migrate from the north back to the south.

From Deadline:  Director Sam Pollard is working on a documentary about recently deceased pro basketball and NBA legend, Bill Russell, for Netflix.

MOVIES - From Deadline:  France’s Why Not Productions has unveiled a playful first teaser image of Johnny Depp in the role of King Louis XV in French director Maïwenn’s historical love story "Jeanne du Barry."

MOVIES - From Deadline:  The superstar team of actor-producer Tom Cruise and writer-director-producer Christopher McQuarrie are working on "Mission: Impossible 8" and art planning three new projects.  One of them is a song-and-dance-like musical in which Cruise would star.

BREAKING - From Deadline:  Emmy-winning actress Anne Heche is far worse off than initially reported in the wake of her fiery car crash on Friday, Aug. 5th.  She is in a coma and has not regained consciousness, according a statement from her representative.

MOVIES - From BloodyDisgusting:  Horror film producer Roy Lee of Vertigo Entertainment says that there will be some big news near the end of the year about a return of the "Friday the 13th" film franchise.  The last film was released in 2009, and there is currently a disagreement over rights issues between the series first screenwriter, Victor Miller, and director Sean Cunningham.

BOX OFICE - From BoxOfficePro:   The winner of the 8/5 to 8/7/2022 weekend box office is Sony Pictures' "Bullet Train" (starring Brad Pitt) with an estimated take of 30.1 million dollars.

From BoxOfficePro:  The site has an interview with "Bullet Train" director, David Leitch."

CELEBRITY - From TMZ:  Actress Anne Heche was involved in a car crash in the Mar Vista area of Los Angeles in which she crashed her vehicle into a house and caused a blaze on Fri., Aug. 5th. Just moments earlier, Heche reportedly crashed into the garage of an apartment complex before driving away and crashing into the house.

AMAZON - From THR:  Peter Jackson, the Oscar-winning director of "The Lord of the Rings" film series says that Amazon asked him to be involved with its megabudget "Lord of the Rings" streaming TV series and then cut off contact with him.  Amazon suggests the story isn't quite so simple.

OBITS:

From Deadline:  Actor, stuntman, martial artist, and professional wrestler, Gene LeBell, has died at the age of 89, Tuesday, August 9, 2022.  He worked on over 1000 films and television shows.  LeBell fought Bruce Lee, Chuck Norris, and Steven Seagal, to name a few, and his fight with Seagal had a notorious conclusion not in Seagal's favor.  LeBell was one of the inspirations for Brad Pitt's character, "Cliff Booth," in Quentin Tarantino's 2019 film, "Once Upon a Time in Hollywood."

From Variety:  Australian singer-songwriter and actress, Olivia Newton-John, has died at the age of 73, August 8, 2022.  She famously starred in the 1978 musical film, "Grease," and the film's soundtrack, which is still one of the best-selling musical albums of all time, included two hits songs featuring Newton-John and her Grease co-star, John Travolta.  She was the top female pop vocalist of the 1970s and continued to have "Billboard Top 10" hits into 1983.  She also starred in the 1980 film, "Xanadu," which yielded three more hits singles for her, and the 1983 film, "Two of a Kind," which yielded another hit single for her. Newton-John won four Grammy Awards and received eight other nominations.

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BRITTNEY GRINER:

From Vox:  Vox's Jonathan Guyer talks the Brittney Griner case with Danielle Gilbert, a Dartmouth professor who is writing a book about states and rogue actors that take hostages.

From ESPN:   A Russian court sentenced WNBA star Brittney Griner to nine years in prison Thursday, Aug. 4th.  Griner was arrested Feb. 17 for bringing cannabis into the country and pleaded guilty July 7, though the case continued under Russian law.

From ESPN:  The Biden administration has offered a deal to Russia aimed at bringing home WNBA star Brittney Griner and another jailed American, Paul Whelan, Secretary of State Antony Blinken said Wednesday.

From RSN:  "Will Support From LeBron James, Joe Rogan, Kim Kardashian, and Other Celebrities Help Free Brittney Griner From a Russian Prison?" by Kareem Abdul-Jabbar via Substack

From ESPN:  Detained WNBA star Brittney Griner pleaded guilty on Thursday to bringing hashish oil into Russia, telling a judge that she had done so "inadvertently" while asking the court for mercy.

From CBSSports:  The Brittney Griner situation explained.

From RSN:  According to The Washington Post Editorial Board: "Brittney Griner is a hostage, plain and simple.

Review: "Last House on the Left" (Remembering Wes Craven)

TRASH IN MY EYE No. 156 (of 2003) by Leroy Douresseaux

Last House on the Left (1972)
Running time:  84 minutes (1 hour, 24 minutes)
MPAA – X
EDITOR/WRITER/DIRECTOR:  Wes Craven
PRODUCER:  Sean S. Cunningham
CINEMATOGRAPHER:  Victor Hurwitz (D.o.P.)
COMPOSER:  David Alexander Hess

HORROR/THRILLER with elements of crime and drama

Starring:  Mari Collingwood, Lucy Grantham, David Hess, Fred Lincoln, Jeramie Rain, Marc Sheffler, Gaylord St. James, Cynthia Carr, Marshall Anker, and Martin Kove

Last House on the Left is a 1972 horror and exploitation film written, directed, and edited by Wes Craven.  The film was inspired by the 1960 Swedish film, The Virgin Spring, directed by Ingmar Bergman and written by Ulla Isaksson.  Last House on the Left focuses on the murder of two teenage girls by a quartet of psychotic criminals and the subsequent vengeance of one of the girls' parents.

Horror master Wes Craven’s (A Nightmare on Elm Street, Scream) first film, Last House on the Left, is nothing like his later work.  A film of unflinching brutality, it is shocking in the immediacy of its horror, and it is matter-of-fact in the way it portrays murder.  As a horror film, Last House on the Left is not supernatural, nor does it have any of the conventions of the “slasher flicks” that would grow to mass popularity in the late 70’s and into the late 90’s, including films that would be the work of Craven.

Mari Collingwood (Sandra Cassel) is celebrating Sweet Sixteen with her rebellious friend, Phyllis Stone (Lucy Grantham), when the pair encounters a gang of sadistic criminals.  The evil bunch  kidnaps them, and when the girls try to escape, the gang members hunt and kill them.  They disembowel Phyllis, and the lead thug, Krug Stillo (David Hess), rapes (in probably the sloppiest and most pathetic rape scene in film history) and shoots Mari.

Later, the gang unwittingly stumbles upon the home of Dr. William (Gaylord St. James) and Estelle Collingwood (Cynthia Carr), Mari’s parents, and become their guests.  When the parents discover that their daughter was murdered at the hands of their guests, the couple quickly and savagely begins to slay their daughter’s murderers.

The acting is nothing short of remarkable.  Combined with Craven’s documentary style of filmmaking, Last House on the Left seems very real – kind of jerky, shaky and bloody.  Watching it is like being in the middle of some crazy incident and then having to run madly from one corner to another to find safety.  From the prolonged torture of the teenage girls to the speedy dispatching of the bad guys, Last House on the Left is a jolt of a violent voyeurism.  Part crime drama and part thriller, it is a horror movie like no other.  Disquieting, it is a shunned corner in the mirror of its time – the dirty and worn ends of the hippie era.  At times, it seems too raw and too unpolished, but the movie still leaves you shaking your head and saying, “What the hell…”

7 of 10
B+

Revised: Monday, August 31, 2015

The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

Review: Original "Friday the 13th" Movie is Surprisingly Good

TRASH IN MY EYE No. 62 (of 2013) by Leroy Douresseaux

Friday the 13th (1980)
Running time:  95 minutes (1 hour, 35 minutes)
MPAA – X
PRODUCER/DIRECTOR:  Sean S. Cunningham
WRITERS:  Victor Miller; from a story by Sean S. Cunningham and Victor Miller
CINEMATOGRAPHER:  Barry Abrams (D.o.P.)
EDITOR:  Bill Freda
COMPOSER:  Harry Manfredini

HORROR

Starring:  Adrienne King, Jeannine Taylor, Robbi Morgan, Kevin Bacon, Harry Crosby, Laurie Bartram, Mark Nelson, Peter Bouwer, Rex Everhart, Ronn Carroll, Ron Millkie, Walt Gorney, and Betsy Palmer

Friday the 13th is a 1980 slasher horror film from producer-director, Sean S. Cunningham.  It was the first movie in what is, as of this writing, a 12-film franchise, which includes a 2009 reboot of the franchise and a crossover film with another horror franchise, 2003’s Freddy vs. Jason.  The first Friday the 13th focuses on young camp counselors that are being stalked and murdered by an unknown assailant, as they try to reopen a summer camp with a troubled history.

Friday the 13th opens one night in 1958 at Camp Crystal Lake, where two young camp counselors are savagely murdered.  The story jumps to Friday, June 13, 1979.  Steve Christy (Peter Bouwer), son of the camp’s original owners, is trying to reopen Camp Crystal Lake.  Seven young camp counselors are arriving early to help Steve repair the camp site before it reopens.

Annie (Robbi Morgan), one of the early arrivals, finds that the town is not exactly happy about the idea of Steve reopening the camp, which has been the site of murders, fires, and water poisonings.  In fact, some of the locals specifically try to warn Annie to leave.  As this Friday the 13th turns to evening, the counselors are not aware that someone is watching and waiting and also preparing to kill them one by one.

Recently, I watched, for the first time, Friday the 13th in its entirety, and I liked it more than I ever thought I would.  It was clearly influenced by John Carpenter’s classic, 1978 slasher film, Halloween, but it is different.  I find Friday the 13th to be both moody and matter-of-fact about the murders committed in the film.  It is almost as if the filmmakers and storytellers (which include screenwriter Ron Kurz, who did not receive an onscreen credit) are saying to us that while sad, the death in this movie has to be.  This movie is less about pandering to the audience than about depicting a tragedy that has to be.

The film score for Friday the 13th, composed by Harry Manfredini, is probably the most important creative element in making this movie a chiller and thriller.  Manfredini seems to use elements from John Williams’ musical score for Jaws (1975) and Bernard Herrmann’s for Alfred Hitchcock’s Psycho (1960).  If talent borrows and genius steals, it was a genius move on Manfredini’s part to emulate the best musical cues from Jaws and Psycho, strains of music that are perfect for creating an atmosphere of fear and impending doom in Friday the 13th.

After 33 years, anyone familiar with the Friday the 13th franchise knows the identity of the killer in the original movie, but I still will not reveal the identity.  I think one of the things that make the original movie stand out from both its sequels and other horror films is who and what the killer is.  Of note, acclaimed actor Kevin Bacon has one of his earliest screen roles in Friday the 13th, and that includes a rather explicit sex scene, in which his sex partner claws his buttocks.  Including the fact that this is a horror movie classic, bare Bacon is as good a reason as any to see Friday the 13th.

Seriously, I like this movie’s scrappy nature.  There is something about its awkward, not-well made spirit that actually makes the movie seem... well, well-made.  Friday the 13th has a low-budget aesthetic that surprisingly appeals to me, and in terms of photography, there are a few moments that are captivating.  In fact, some of this movie’s scenes and best moments are as effective as the best moments found in film thrillers that are much more admired.

7 of 10
B+

NOTES:
1981 Razzie Awards:  2 nominations: “Worst Picture” (Sean S. Cunningham) and “Worst Supporting Actress” (Betsy Palmer)

Thursday, September 12, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Freddie Vs. Jason Simply Bad

TRASH IN MY EYE No. 128 (of 2003) by Leroy Douresseaux


Freddy Vs. Jason (2003)
Running time: 97 minutes (1 hour, 37 minutes)
MPAA – R for pervasive strong horror violence/gore, gruesome images, sexuality, drug use and language
DIRECTOR: Ronny Yu
WRITERS: Damian Shannon and Mark Swift (based upon characters created by Wes Craven and Victor Miller)
PRODUCER: Sean S. Cunningham
CINEMATOGRAPHER: Fred Murphy (D.o.P.)
EDITOR: Mark Stevens
COMPOSER: Graeme Revell

HORROR/FANTASY/ACTION/THRILLER

Starring: Robert Englund, Monica Keena, Ken Kirzinger, Kelly Rowland, Jason Ritter, James Callahan, Brendan Fletcher, and Lochlyn Munro

There’s little reason to say a whole lot about the long-awaited film showdown between two venerable movie maniacs, Freddy Krueger of the A Nightmare on Elm Street films and Jason Voorhees of the Friday the 13th films. It’s not simply a question of loving or hating it; when you get down to the bare bones, Freddy Vs. Jason is a truly awful film.

Freddy (Robert Englund) is in hell, fuming because he can’t get at the children of Elm Street in the town of Springwood. The parents and town leaders have found a few ways of keeping Freddy from the minds and dreams of their children. Thus, Freddy resurrects Jason (Ken Kirzinger) in hopes that Jason will scare up memories of Freddy. Of course, a plot, even a silly one, between two undead, homicidal maniacs is bound to fall apart. Jason gets out of hand, taking all the kills for himself, so Freddy decides to take him out of the equation.

Ronny Yu, who breathed new life into the Child’s Play series with Bride of Chucky, can’t do a damn thing for Freddy Vs. Jason, and I totally blame the manically lame script. Whereas Bride was perverse, funny, and perversely funny, Freddy is clunky, dull, and painfully dry. I think the writers, Damian Shannon and Mark Swift, instead of telling a good story, used too much of their script to shoehorn into this new film all the continuity and characteristics of the two original series. Because of this, more than half of Freddy Vs. Jason is without a story beyond what amounts to preflight commentary. There are quite a few good moments in the film, but everything else is, to speak plainly and crudely, crap.

Although the film as some imaginative effects, it’s not nearly as imaginative as the original Nightmare films, which all surely had smaller budgets than this film. Oh, it does have its moments, but it’s cursed by all the things that typically make horror movies bad: poor acting, weak plot and script, and lack of imagination. As far as horror films goes, most fans are willing to overlook all those problems if the damn thing is scary, and Freddy Vs. Jason isn’t, not even close. It’s just vile and violent, mostly a self-parody that exudes an air of cynicism about itself and the audience.

We, who loved the originals, were programmed to come, despite the misgivings we had from the moment we first heard of that “they” were making a Freddy Vs. Jason movie. Some of us just can’t resist, so we deserve the occasional cow patty thrown squarely in our mugs. The real tale will be told when we see how many of us come back for more, because in the end we deserve a much better film than this.

2 of 10
D