Paramount Pictures Announces Special Showing of "Florence Foster Jenkins"

GO BEHIND THE SCENES OF “FLORENCE FOSTER JENKINS” WITH SPECIAL CURTAIN CALL SCREENINGS ON THURSDAY, AUGUST 11

THE EVENT WILL FEATURE A Q&A WITH STARS MERYL STREEP, HUGH GRANT AND SIMON HELBERG AND EXCLUSIVE BONUS FOOTAGE

HOLLYWOOD, CA – To celebrate the release of “FLORENCE FOSTER JENKINS,” Paramount Pictures is taking audiences behind the scenes of the film with a one-night-only CURTAIN CALL event, a special 10-minute theatrical experience offered to ticketholders on Thursday, August 11, 2016.

The event features a Q&A taped exclusively for the Curtain Call with the film’s stars Meryl Streep, Hugh Grant and Simon Helberg on the making of the film, along with bonus behind-the-scenes footage. The Curtain Call screenings are playing in theaters nationwide as part of the regular admission for all showings of the film that evening.

Tickets are on sale online and at theater box offices. Please check local listings for showtimes.

Set in 1940s New York, “FLORENCE FOSTER JENKINS,” from Paramount Pictures, Pathé and BBC Films, is the true story of the legendary New York heiress and socialite (Meryl Streep) who obsessively pursued her dream of becoming a great singer. The voice she heard in her head was beautiful, but to everyone else it was hilariously awful. Her “husband” and manager, St. Clair Bayfield (Hugh Grant), an aristocratic English actor, was determined to protect his beloved Florence from the truth. But when Florence decided to give a public concert at Carnegie Hall, St. Clair knew he faced his greatest challenge. The film stars Meryl Streep, Hugh Grant, Simon Helberg, Rebecca Ferguson and Nina Arianda.

Produced by Michael Kuhn and Tracey Seaward. Written by Nicholas Martin. Directed by Stephen Frears. Executive Producers Cameron McCracken, Christine Langan and Malcolm Ritchie.

“FLORENCE FOSTER JENKINS” is in theaters August 12, 2016.


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Television, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

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Negromancer News Bits and Bites from April 24th to 30th, 2016 - Updated #33

Support Leroy on Patreon.

COMICS - From CBR:   See Batman's costume redesign for the comic books.

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MOVIES - From TheWrap:  Director Seth Grahame-Smith has left Warner Bros.'s film, "The Flash," over "creative differences."

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MOVIES - From DarkHorizons:  After nearly killing their lead in a stupid stunt, Fox puts the final "Maze Runner" film, "The Death Cure" on indefinite hold.

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MOVIES - From Variety:  Will Ferrell backs out of playing Reagan.

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TELEVISION - From Variety:  John Krasinski will play the lead in Amazon's "Jack Ryan" series.

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ECO - From RSN:  Bianca Jagger asks, Will the Paris Climate agreement deliver?

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ANIMATION - From Variety:  NBCUniversal to acquire DreamWorks Animation for $3.8 billion. Chris Meledandri, head of Universal’s Illumination Entertainment animation wing, will oversee operations, but the DreamWorks Animation brand will remain intact as an imprint.

From Variety:  Also, is Chris Meledandri the new John Lasseter (the co-founder of Pixar)?

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MOVIES/BOOKS - From TheTrackingBoard:  People fight over publishing and film rights for a YA book , The Final Six, that hasn't even been written.

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MOVIES - From Collider:  New images from "Alien: Covenant" (Alien 5), which has supposedly started filming.

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COMICS - From TheWrap:  Stephen Merchant joins "Wolverine 3.

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MOVIES - From YahooMovies:  Oscar winner Alicia Vikander (The Danish Girl) will replace Angelina Jolie as "Lara Croft" in the Tomb Raider film series reboot.

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BLACK LIVES MATTER - From BuzzFlash:  The history of racism and slavery in Washington D.C.

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MOVIES - From Variety:  Will Ferrell to play Ronald Reagan.

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COMICS - From YahooMovies:  Marvel Studios releases a statement defending the casting of Tilda Swinton as "The Ancient One" in "Doctor Strange."  The character was originally a Tibetan-type.  The casting does not bother me.  I'm all for color-blind casting, especially when it's that fine-ass Tilda Swinton.

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MUSIC - From YahooNews:  Laolu Senbanjo, the Nigerian artist who did the body art in Beyonce's new visual album, talks.

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COMICS - From YahooMovies:  Spider-Man takes on The Winter Soldier in new "Captain America: Civil War" clip (#10).

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COMICS - From BleedingCool:  The sexual harassment spotlight on DC Comics/Entertainment continues to grow.

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MOVIES - From Variety:  Our Star wars heroine, Daisy Ridley, to star in a Holocaust drama, "The Lost Wife."

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MOVIES - From CinemaBlend:  Some concept art from "Alien: Covenant" (or Alien 5) reveal the return of a fan favorite character.

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MOVIES - From CinemaBlend:  This deleted scene from "A Nightmare on Elm Street" changes the story.

MOVIES - From CinemaBlend:  Wesley Snipes sighs a two-picture deal with WWE Studios.

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TELEVISION - From TVLine:  See the 200+ crazy cast from the "Twin Peaks" revival.

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MUSIC - From Vulture:  "Lemonade" shows Beyonce the "brilliant filmmaker."

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COMICS - From Vulture:  Nathan Fillion has been cast as "Simon Williams" (sometimes known as "
Wonder Man") in "Guardians of the Galaxy 2."

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BLACK LIVES MATTER - From YahooNews:  Cleveland settles a lawsuit brought against the city by the family of Tamir Rice, a minor killed by city police officers.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 4/22 to 4/24/2016 weekend box office is "Jungle Book" with an estimated take of $60.8 million.

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LGBT - From NYTimes:  Finding love again, this time with a man - Former Senator Harris Wofford.

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TELEVISION - From TheWrap:  A catch-up guide to "Game of Thrones."

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MUSIC - From ABCNews:  Beyonce has released a new album, "Lemonade," available for streaming on Tidal.

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COMICS - From BleedingCool:  Rich Johnston knew it - Marvel's proposed Inhumans movie was destined to be done away with.

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ECO - From EcoWatch:  Leonardo DiCaprio on the Paris Agreement.

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TRAILER:

From YouTube:  The final trailer for "X-Men Apocalypse."

From YouTube:  A making of featurette concerning Stephen Frears upcoming "Florence Foster Jenkins" starring Meryl Streep and Hugh Grant.

Stephen Frears' "The Program" Closes 2015 Austin Film Festival

Austin Film Festival Announces Stephen Frears’ Lance Armstrong Film, The Program, as Closing Night Film

Additional Marquee Programming to Feature The 33, Love the Coopers, and Retrospective Screening of Lone Star Presented by Chris Cooper

Confirmed guests include Kristen Connolly, Estelle Parsons, Mary Kay Place, Steve Nicolaides, Caroline Thompson, and a special Skype conversation with TV Legend Carl Reiner

AUSTIN, Texas--(BUSINESS WIRE)--Austin Film Festival & Screenwriters Conference (AFF), the premier film festival recognizing the writers’ contributions to film, television, and new media, released today their final program additions, including new marquee films and special guests. The 22nd Annual Austin Film Festival kicks off on Thursday, October 29 and runs through Thursday, November 5, 2015.

The Program joins the Festival as the 2015 Closing Night Selection, held at the historic Paramount Theatre. From Academy Award®-nominated director Stephen Frears (The Queen, Philomena), comes the true story of the meteoric rise and fall of one of the most celebrated and controversial men in recent history: Lance Armstrong, the world-renowned Tour de France champion. Written by John Hodge (Trainspotting), The Program features Ben Foster, Chris O'Dowd, Guillaume Canet, Dustin Hoffman, and Jesse Plemons.

The Festival revealed new marquee titles, including Love the Coopers and The 33, and a retrospective screening of Lone Star presented by AFF’s Extraordinary Contribution to Film – Actor award recipient, Chris Cooper.

Confirmed guests recently slated to attend the 2015 Festival & Conference:

•     Mary Kay Place will present AFF’s 2015 “Outstanding Television Writer” award to Norman Lear
•     Kristen Connolly joins the cast for the staged script reading of Rosaline, an unproduced screenplay written by Scott Neustadter and Michael H. Weber (Paper Towns, The Fault in Our Stars)
•     James Moll (Foo Fighters: Back and Forth, The Last Days) joins the Conference’s Independent Filmmaking Track for a discussion on documentary filmmaking
•     Steve Nicolaides will present the 2015 “Extraordinary Contribution to Film” award to John Singleton
•     Caroline Thompson (writer Edward Scissorhands, The Nightmare Before Christmas) will participate as a panelist in the Screenwriters Conference

Austin Film Festival will also present a special Skype conversation with TV Legend Carl Reiner, focusing on his work on "The Dick Van Dyke Show," on Saturday, October 31, 2015 during the Screenwriters Conference.

The full Film and Conference schedule, and more information on Badges and Passes, can be found at www.austinfilmfestival.com.

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Review: "My Beautiful Laundrette" Tackles Social Issues (Happy B'day, Daniel Day Lewis)

TRASH IN MY EYE No. 16 (of 2004) by Leroy Douresseaux

My Beautiful Laundrette (1985)
COUNTRY OF ORIGIN:  United Kingdom
Running time:  97 minutes (1 hour, 37 minutes)
MPAA – R
DIRECTOR:  Stephen Frears
WRITER:  Hanif Kureishi
PRODUCERS:  Tim Bevan and Sarah Radclyffe
CINEMATOGRAPHER:  Oliver Stapleton
EDITOR:  Mick Audsley
COMPOSER:  Ludus Tonalis
Academy Award nominee

DRAMA/ROMANCE with elements of comedy

Starring:  Saeed Jaffrey, Roshan Seth, Daniel Day-Lewis, Gordon Warnecke, Derrick Blanche, Rita Wolf, Souad Faress, Richard Graham, Shirley Ann Field, Dudley Thomas, Winston Graham, and Garry Cooper

The subject of this movie review is My Beautiful Laundrette, a 1985 British comedy-drama directed by Stephen Frears and written by Hanif Kureishi.  The movie, which was originally intended for television, was one of the first films released by Working Title Films.  My Beautiful Laundrette focuses on an ambitious Asian Briton and his white male lover as they strive to find success with a glamorous launderette (Laundromat).

In My Beautiful Laundrette, director Stephen Frears (The Hit) and screenwriter Hanif Kureishi don’t tackle issues, so much as they present a story that involves the entanglement amongst class, economics, family, politics, race, and sex.  My Beautiful Laundrette subtly presents the issues, but presents them nonetheless.  Because the issues of the film tie everyone together, every character is a legitimate player, and the viewer has to always pay attention to all the characters.  That’s heady stuff in a world where the most popular and publicized pictures are glossy films with lots of throwaway appendages.

Omar (Gordon Warnecke) is an ambitious young Asian Briton of Pakistani decent who convinces his uncle to let him manage his uncle’s laundrette.  He convinces Johnny (Daniel Day Lewis, The Bounty), an old school chum and his gay lover, to join him.  They convert the dilapidated business into a colorful and glamorous establishment as they strive for success amidst familial and social politics – Omar’s mostly immigrant family and Johnny’s racist thug friends.

Warnecke and Lewis are excellent as the young businessman who leaps at every opportunity and the disaffected youth at odds with the world respectively.  In this early role, Lewis smolders, as he would so often in the future, showing the audience that there is more, much more, beneath the surface of his character, unseen and real – the window to the character’s soul.  However, the best part belongs to an actor seldom seen in film since My Beautiful Laundrette, Derrick Branche as Omar’s cousin Salim.  Every bit as racist as Johnny’s buddies and as ambitious as any of his relatives, he is the ruthless and blunt looking glass of this story.

My Beautiful Laundrette takes a while to get going, but its documentary approach to storytelling in which the characters are like real people and not actors acting like people is worth the wait.  Much of the love and romance is tepid, probably because the filmmakers wished to convey how difficult love can be amongst people straddling the borders between warring social groups.  Perhaps, the film could have been a bit more emotional, but maybe the filmmakers wanted to play down the passion of love in favor of presenting a broader picture of the societal pressures weighing upon the characters.  The viewer can decide for himself, especially if he likes films that focus on the common everyman.

7 of 10
B+

NOTES:
1987 Academy Awards, USA:  1 nomination: “Best Writing, Screenplay Written Directly for the Screen” (Hanif Kureishi)

1986 BAFTA Awards:  2 nominations: “Best Actor in a Supporting Role” (Saeed Jaffrey) and “Best Screenplay – Original” (Hanif Kureishi)

Updated:  Tuesday, April 29, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "High Fidelity" is Endearing, Refreshing (Happy B'day, Nick Hornby)

TRASH IN MY EYE No. 68 (of 2003) by Leroy Douresseaux

High Fidelity (2000)
Running time:  113 minutes (1 hour, 53 minutes)
MPAA – R for language and some sexuality
DIRECTOR:  Stephen Frears
WRITERS:  D.V. DeVincentis, Steve Pink, John Cusack, and Scott Rosenberg (based upon the book by Nick Hornby)
PRODUCERS:  Tim Bevan and Rudd Simmons
CINEMATOGRAPHER:  Seamus McGarvey
EDITOR:  Mick Audsley
COMPOSER:  Howard Shore
BAFTA Award nominee

COMEDY/DRAMA/ROMANCE

Starring: John Cusack, Iben Hejejle, Todd Louiso, Jack Black, Lisa Bonet, Catherine Zeta-Jones, Joan Cusack, Tim Robbins, Shannon Stillo, Joelle Carter, Lili Taylor, Alex Desert, and Bruce Springsteen

The subject of this movie review is High Fidelity, a 2000 comedy, drama, and romance from director Stephen Frears.  The film is based on the 1995 novel, High Fidelity, from author Nick Hornby.  High Fidelity focuses on a record store owner, who is a compulsive list maker, as he recounts his top five breakups, including the one that just occurred.

After seeing Identity, I decided to go back and see some John Cusack movies that I hadn’t seen.  I can call them “John Cusack movies” in the sense that Cusack’s personality pretty much dominates almost any film in which he stars.  He’s presence is simply quite dynamic and magnetic.  When he first came on the scene, many predicted that he’d be a huge star, and for some reason, his star isn’t as big as it should be.  However, few actors of his generation have a combination of tremendous acting talent and the sense about him that the camera loves.  Some have one or the other, but having both is rare.

In High Fidelity, John is Rob Gordon, owner of Championship Vinyl, a record store the specializes in collectible LP’s, emphasizing vinyl over compact disc, although the store does have a selection of hip and cool cd’s.  As the movie begins, his current girlfriend, Laura Lydon (Iben Hejejle) is leaving him.  So Rob, the film’s very dominate character and a compulsive list maker recounts his top five breakups, all the while trying to regain Laura’s companionship.

The film is based on a novel by Nick Hornby (the film About a Boy is also from one of his novels) and co-written by four writers including Cusack.  Although the film has a director with a pedigree, Stephen Frears (Dangerous Liaisons, The Grifters), and a Hollywood hotshot as one of its screenwriters Scott Rosenberg (Con Air), this is John Cusack’s show.  In the beginning, the character Rob is a little hard to take.  It’s easy to see why he’d have problems with women, although Rob seems to think that his problems stem from his girlfriends.  Cusack builds Rob Gordon slowly, layer upon layer, before our eyes.  Rob talks a lot, and quite a bit of him is a mystery, but Cusack brings us in really close.  He totally breaks the mythical fourth wall between fictional character/performer and viewer, and though Rob remains something of an enigma, we learn enough about him to love him and to root for him.

There are quite a few interesting characters in the film that we don’t see more of because this is Rob’s show.  They might strengthen the story, but the storytelling is still excellent solely because of Cusack’s Rob.  Laura remains as elusive as Rob is, so we might need her version of High Fidelity to get her side of the relationship.

The film is funny, touching, and in its own quirky way, very romantic.  The supporting performances give Cusack’s Rob room to do his thing and give us enough to make Rob’s environment beyond his musings interesting.  High Fidelity could have been a disaster because in many ways, Rob ain’t going anywhere.  He doesn’t have any plans, and he is unsatisfied with his life, but not enough to do something – to act, so we could have brushed him off as a loser.  I didn’t because I want to hear every word he has to say.  Kudos to Cusack for making Rob so endearing and this film so refreshing.

7 of 10
A-

NOTES:
2001 Golden Globes, USA:  1 nomination: “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (John Cusack)

2001 BAFTA Awards:  1 nominations:  “Best Screenplay – Adapted” (D.V. DeVincentis, Steve Pink, John Cusack, and Scott Rosenberg)

2001 Black Reel Awards:  1 nomination: “Theatrical - Best Supporting Actress” (Lisa Bonet)

Updated:  Thursday, April 17, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Dirty Pretty Things" is a Pretty Movie Thing (Happy B'day, Chiwetel Ejiofor)

TRASH IN MY EYE No. 140 (of 2004) by Leroy Douresseaux


Dirty Pretty Things (2002)
- U.S. release in 2003
COUNTRY OF ORIGIN: United Kingdom
Running time: 97 minutes (1 hour, 37 minutes)
MPAA – R for sexual content, disturbing images and language
DIRECTOR: Stephen Frears
WRITER: Steven Knight
PRODUCERS: Robert Jones and Tracey Seaward
CINEMATOGRAPHER: Chris Menges
EDITOR: Mick Audsley
COMPOSER: Nathan Larson
Academy Award nominee

DRAMA/MYSTERY/THRILLER with elements of romance

Starring: Chiwetel Ejiofor, Audrey Tautou, Sergo López, Sophie Okonedo, Benedict Wong, and Zlatko Buric

The subject of this movie review is Dirty Pretty Things, a 2002 British thriller from director Stephen Frears. This drama about two illegal immigrants in London was released in the United States in 2003 and went on to earn an Oscar nomination.

In Stephen Frears’ wonderful Dirty Pretty Things, Okwe (Chiwetel Ejiofor), an illegal Nigerian immigrant, discovers the unsavory side of London life. He works at a posh London hotel that is especially popular with men who frequent prostitutes. Okwe stumbles across evidence of a bizarre murder committed in one of the hotel rooms – a human heart clogging up the commode. Okwe is also involved in an awkward relationship with his roommate, Senay (Audrey Tautou), a Turkish chambermaid who is also on shaky footing with immigration. Okwe’s discovery in the hotel room and his connection with Senay eventually collide, and the manner in which he resolves both problems is this film’s centerpiece.

Stephen Frears’ filmography is a wonderful collection of eccentric and quirky films that are more than surface peculiarity. Most are very good films, and a few a truly great, including this one. Frears’ weaves a picture show of palatable drama that is also a convincing romance (although a sad one), a riveting, gritty, urban drama and a mesmerizing tale of mystery and intrigue. He is however blessed with Steven Knight’s Academy Award-nominated script (“Best Original Screenplay”). Knight gives the film a solid plot that, instead of overwhelming the film, allows the story to expand beyond genre intrigue. His writing also gives the characters (another element that is strong in his script) the chance to play at being more just chess pieces in a thriller.

The cast gives outstanding performances, especially Chiwetel Ejiofor. Although Miramax’s marketing for the film’s U.S. release emphasized the ethereal, haunting beauty of Audrey Tautou and her melancholy character, Senay, this is Okwe’s story. Chiwetel is the foundation of this movie’s success, guiding and holding the film with his hypnotic and penetrating gaze and steady strength. He strides this production like a cowboy in a western epic, holding the dark forces at bay and saving the damsel in distress. All in all, Ejiofor highlights a fine film presentation in which all hands did top notch work. I heartily recommend Dirty Pretty Things.

9 of 10
A+

NOTES:
2004 Academy Awards: 1 nomination: “Best Writing, Original Screenplay” (Steven Knight)

2003 BAFTA Awards: 2 nominations: “Alexander Korda Award for Best British Film” (Tracey Seaward, Robert Jones, and Stephen Frears) and “Best Screenplay – Original” (Steven Knight)

2004 Black Reel Awards: 1 win: “Film: Best Actor” (Chiwetel Ejiofor)

Review: Judi Dench is Fun in "Mrs. Henderson Presents" (Happy B'day, Judi Dench)

TRASH IN MY EYE No. 82 (of 2006) by Leroy Douresseaux


Mrs. Henderson Presents (2005)
COUNTRY OF ORIGIN: UK
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – R for nudity and brief language
DIRECTOR: Stephen Frears
WRITER: Martin Sherman
PRODUCER: Norma Heyman
CINEMATOGRAPHER: Andrew Dunn
EDITOR: Lucia Zucchetti
Academy Award nominee

COMEDY/DRAMA/MUSIC/HISTORICAL

Starring: Judi Dench, Bob Hoskins, Will Young, Kelly Reilly, Thelma Barlow, Michael Culkin, and Christopher Guest

After her husband Robert dies in 1937, Laura Henderson (Judi Dench) struggles to find a hobby to occupy her time, and one day, chance affords an opportunity when she passes by an old movie theatre on London’s West End. She buys the theatre and rebuilds it as The Windmill, a venue for musical theatre. Mrs. Henderson takes on a salty theatre manager and showman, Vivian Van Damm (Bob Hoskins), and together they make their show, a kind of musical theatre they call “Revudeville,” a hit, even if they are occasionally at odds with one another.

However, other theatres are soon copying The Windmill’s winning formula. It is then that Mrs. Henderson proposes an idea that has been in her heart for a long time – have nude actresses on stage (similar to what the Moulin Rouge in Paris does). That raises eyebrows, but the nude musical revue is an even bigger hit. But all isn’t happiness and sunshine; the show that Mrs. Henderson presents must struggle to go on as World War II arrives and the Germans bomb London.

Mrs. Henderson Presents, based on a true story, is a movie of two minds. The first 50 minutes or so of the film is a delightful comedy of manners, class divisions, creative differences, and musical theatre. The fest of the film is a dour, World War II drama that clunks about as if the filmmakers weren’t sure just what kind of “Masterpiece Theatre” movie this picture should be. Mrs. Henderson Presents is indicative of director Stephen Frears work – when he’s on (High Fidelity and Dirty Pretty Things), he’s really on, but when he stumbles, his films are uneven (The Grifters and Hero), and there’s a bit of both here.

A few things make this a good movie. There is a scene of full frontal nudity featuring Bob Hoskins. Sandy Powell’s colorful costumes are eye-catching, and I found myself always waiting to see what she’d give us next. The musical theatre (the songs more than the acting and dancing, although both are good) is fun and bubbly. Finally, Judi Dench delivers her usual stellar work. She’s witty and delightful and wields screenwriter Martin Sherman’s dialogue and character of Mrs. Henderson with the assurance of a master fencer. She’s just fun to watch, and her fans shouldn’t miss Mrs. Henderson Presents.

6 of 10
B

NOTES:
2006 Academy Awards: 2 nominations: “Best Achievement in Costume Design” (Sandy Powell) and “Best Performance by an Actress in a Leading Role” (Judi Dench)

2006 BAFTA Awards: 4 nominations: “Anthony Asquith Award for Film Music” (George Fenton), “Best Costume Design” (Sandy Powell), “Best Performance by an Actress in a Leading Role” (Judi Dench), and “Best Screenplay – Original” (Martin Sherman)

2006 Golden Globes: 3 nominations: “Best Motion Picture - Musical or Comedy,” “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Bob Hoskins), and “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Judi Dench)

Wednesday, April 19, 2006

Helen Mirren Saves "The Queen"

TRASH IN MY EYE No. 69 (of 2007) by Leroy Douresseaux


The Queen (2006)
COUNTRY OF ORIGIN: UK, France, and Italy
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – R for brief strong language
DIRECTOR: Stephen Frears
WRITER: Peter Morgan
PRODUCERS: Christine Lagan, Tracey Seaward, and Andy Harries
CINEMATOGRAPHER: Affonso Beato, ASC, ABC (D.o.P.)
EDITOR: Lucia Zucchetti
Academy Award winner

DRAMA

Starring: Helen Mirren, Michael Sheen, James Cromwell, Sylvia Syms, Alex Jennings, Helen McCrory, Roger Allam, and Tim McMullan

The Queen, a film by Stephen Frears, is a fictional and highly speculative account of the behind the scenes incidents in the week following the shocking death of Prince Diana. Her Majesty Queen Elizabeth II (Helen Mirren, in a role that won her a Best Actress Oscar) and British Prime Minister Tony Blair (Michael Sheen) engage in intimate talks as Blair tries to convince the Queen that the Royal Family should memorialize Princess Diana in a manner beyond standard protocol. The Queen tries to manage the death on a personal and private level with her family, some members of which, want to follow protocol. Meanwhile, Blair deals with the public and members of his own administration that are demanding that the royals give a grand, public funeral for their beloved Diana: the “people’s princess.”

Peter Morgan’s script presents this story as a character study, but the only truly interesting and engaging character in the film is Queen Elizabeth. The Prince Charles of this scenario is almost criminally libelous in the portrayal of the first heir to the British crown as a watery soup of a man. Alex Jennings plays him as a self-serving crybaby looking to lay his troubles at his mother, the Queen’s door. Prince Phillip, the Queen’s husband, is an irretrievable asshole, a noisy loudmouth, and a conceited, stuck-up jerk, and James Cromwell sticks to the script in portraying him that way.

The strongest supporting character in this tale is Prime Minister Tony Blair, and the script presents him as an over-eager suck-up to the Queen – a sad commoner dying for Her Majesty’s attention or maybe scraps from her table. Michael Sheen plays him as such, so it’s hard to distinguish Blair from the Queen’s pet dogs.

Stephen Frears seems to spend most of his time lavishing attention and much of the film’s detail on Helen Mirren as Queen Elizabeth. If there are times in which The Queen seems like a nimble high comedy or a strong, behind-the-scenes character drama, it’s mostly because of Mirren’s performance. She makes this film, and perhaps Frears, who is quite good at character dramas, deserves some credit for both helping Mirren find the character and for letting Mirren as Elizabeth define this film.

Mirren’s physical transformation as Elizabeth is stunning, and though we may credit some of that to makeup, the character performance is Mirren’s own. Every gesture – a turn of the head, a scowl, a frown, a quiet moment of reflection, a tear, or barked order at a subservient establishes this film’s mood, its setting, its overall character, and even moves the plot like no other element in The Queen. Mirren can take a tart comment and turn this movie into an impudent comedy. Just the manner in which she observes someone or something (the stag on the hunting grounds of her estate) can transform the movie into a grand drama about the life of a monarch.

Luckily, Mirren gives such a wonderful performance because, otherwise, The Queen is mediocre.

6 of 10
B

NOTES:
2007 Academy Awards: 1 win for “Best performance by an actress in a leading role” (Helen Mirren); 5 nominations: “Best achievement in costume design” (Consolata Boyle), “Best achievement in directing” (Stephen Frears), “Best achievement in music written for motion pictures, original score” (Alexandre Desplat), “Best motion picture of the year” (Andy Harries, Christine Langan, and Tracey Seaward), and “Best writing, original screenplay” (Peter Morgan)

2007 BAFTA Awards: 2 wins: “Best Actress in a Leading Role” (Helen Mirren) and “Best Film” (Tracey Seaward, Christine Langan, and Andy Harries; 8 nominations: “Alexander Korda Award for Best British Film” (Tracey Seaward, Christine Langan, Andy Harries, Stephen Frears, and Peter Morgan), “Anthony Asquith Award for Film Music” (Alexandre Desplat), “Best Actor in a Supporting Role” (Michael Sheen), “Best Costume Design” (Consolata Boyle), “Best Editing” (Lucia Zucchetti), “Best Make Up & Hair” (Daniel Phillips), “Best Screenplay – Original” (Peter Morgan), and “David Lean Award for Direction” (Stephen Frears)

2007 Golden Globes: 2 wins: “Best Performance by an Actress in a Motion Picture – Drama” (Helen Mirren) and “Best Screenplay - Motion Picture” (Peter Morgan); 2 nominations: “Best Director - Motion Picture” (Stephen Frears) and “Best Motion Picture – Drama”

Friday, April 27, 2007