TRASH IN MY EYE Reviews: Superhero

Showing posts with label Superhero. Show all posts

Sunday, March 23, 2025

Comics Review: "SUPERGUY #1" is a Super-Duper Great Read

SUPERGUY #1

STORY: Anthony Iannaccio

SCRIPT: Anthony Iannaccio

ART: Joey Murphy

COLORS: Joey Murphy

LETTERS: Joey Murphy

COVER: Joey Murphy

VARIANT COVER ARTISTS: Ahmed Raafat; Dominque Barlow; Billy Lahiff

28pp, Color, $10.00 U.S., $13.00 (variants); reward bundles

Superguy created by Anthony Iannaccio and Joey Murphy

“There Goes My Hero”

Superguy #1 is a new comic book from writer Anthony Iannaccio and artist Joey Murphy. The series follows the adventures and misadventures of a self-absorbed superhero, who is usually in his underwear, and his earnest robot sidekick, who has a mysterious and likely dark past. The story and script are by Iannaccio and the art, colors, and lettering are by Murphy.

Superguy #1 (“There Goes My Hero”) opens in Thebig City, specifically Thebig City Elementary School. It was supposed to be the school's “Graduation Day,” but that has been canceled so that they can have “Superguy Day!” Although the kids are excited to see Thebig City's favorite superhero, that superhero, the aforementioned Superguy, can't be bothered to show up on time.

Superguy can't even be bothered to do his job, so that's why his loyal sidekick, Robotguy, steps into the job and starts saving the day. Eventually, however, that is going to rub a super-someone the wrong way. Before long, there is a battle for the ages, and no one really understands how bad it will get or how many players are watching from the sidelines.

THE LOWDOWN: Last year, Anthony Iannaccio sent me a PDF copy of a Superguy preview story that he and Joey Murphy produced. Iannaccio also generously provided me with an advanced PDF copy of Superguy #1, which is the subject of a new Kickstarter crowdfunding campaign.

I was really impressed by the Superguy preview I read last year. It was the kind of comic book story that young'un Leroy would have flipped over. I can say the same for Superguy #1, and I've been trying to figure out why that is so.

Perhaps, I think of Superguy as something that will appeal to comics readers, young and old, because it seems as much like a broadcast network animated television series as much as it is actually a comic book. Superguy is sort of like Fox's long-running animated series, “The Simpsons,” combined with humor of Seth MacFarlane, another Fox animation mainstay, but without the more obviously adult content. Superguy #1 is a humor comic book that does not downplay the superhero fantasy elements, and it is also a superhero comic book that does not temper the humor. Perhaps, I see its potential for broad appeal in the fact that it broadly embraces more than one or two genres and subgenres.

Iannaccio and Murphy are a good team; they are like a seamless pairing that cannot go astray. Iannaccio offers a suite of snappy comedy, sharp dialogue, and lively jokes that it usually takes a team of writers to produce. This is an impressive feat on his part. Murphy is a humor comics artist with solid drawing and storytelling chops. There is a consistency in his compositions that suggests a veteran talent, even if Murphy hasn't been doing this a long time. Murphy's art and storytelling depicts humor and comic timing so well that this also makes it seem like he is an old hand at comedy and comics.

In his own way, Superguy is a lovable man-child, full of jealousies and self-importance. Robotguy is a stand-up hero, as good as any human good guy, but destined to face his darkness. I love these characters. I love this comic book. I love what Iannaccio and Murphy are doing here. So far, their Superguy #1 Kickstarter is doing exceedingly well. I hope they make enough dough to fund at least a few more issues of Superguy because this comic book is a super-read.

I READS YOU RECOMMENDS: Fans of pure comic book fun will want to read Superguy #1 over and over again.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

Linktree for Anthony Iannaccio social media: https://linktr.ee/mrtonynacho

Link to the Joey Murphy's IG page: https://www.instagram.com/jorion/

Kickstarter link: https://www.kickstarter.com/projects/mrtonynacho/superguy-1

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Wednesday, March 19, 2025

Review: "HELLBOY: THE CROOKED MAN" Raises All Kinds of Hell, Boy

TRASH IN MY EYE No. 12 of 2025 (No. 2018) by Leroy Douresseaux

Hellboy: The Crooked Man (2024)

Running time: 99 minutes (1 hour, 39 minutes)

MPA – R for strong bloody violence and gore throughout, and language

DIRECTOR: Brian Taylor

WRITERS: Brian Taylor, Christopher Golden, and Mike Mignola (based upon the Dark Horse comic book series created by Mike Mignola)

PRODUCERS: Jeffrey Greenstein, Sam Schulte, Robert Van Norden, Yariv Lerner, Mike Richardson, Les Weldon, and Jonathan Yunger

CINEMATOGRAPHER: Ivan Vatsov (D.o.P.)

EDITOR: Ryan Denmark

COMPOSER: Sven Faulconer

SUPERHERO/FANTASY/HORROR

Starring: Jack Kesy, Jefferson White, Adeline Rudolph, Leah McNamara, Joseph Marcell, Martin Bassindale, Hannah Margetson, Bogdan Haralambov, Carola Columbo, Anton Trendafilov, Michael Flemming, and Suzanne Bertish

Hellboy: The Crooked Man is a 2024 superhero, horror, and dark fantasy film from director Brian Taylor. The film is based on the Hellboy character and comic books created by Mike Mignola and published by Dark Horse Comics. The film is also the second reboot of the Hellboy film franchise. In Hellboy: The Crooked Man, Hellboy and a first-time field agent unexpectedly find themselves in a mountain community dominated by witchcraft and ruled over by a local demon.

Hellboy: The Crooked Man opens in 1959. We meet Hellboy (Jack Kesy) and Special Agent Bobbie Jo Song (Adeline Rudolph), both of the Bureau for Paranormal Research and Defense (BPRD). The two are transporting a supernatural toxic spider by train when something goes awry, and they suddenly find themselves stranded in the Appalachian Mountains. They wander until they come to a backwoods community that is filled with superstition and with the belief in witches.

They meet a former local, Tom Ferrell (Jefferson White), himself a witch, who has home to atone for his sins and to settle a hateful debt he owes. Witches and witchcraft, however, are not the only things that haunt this isolated mountain community. The devil is about in the form of Mister Onselm (Martin Bassindale), also known as “The Crooked Man.” He has come to collect a debt, and Hellboy, Song and Ferrell are the resistance. Soon, the mountain church of the blind Reverend Watts (Joseph Marcell) will be the scene of an epic battle of good versus evil.

I am not a big fan of Guillermo del Toro's 2004 film, Hellboy, the first film in the series. It has great production values, and it is a gorgeous movie filled with fantastical visual elements. On the other hand, the story is executed in a clunky and awkward fashion, and the characters are not particularly interesting. However, del Toro's follow-up to that film, the Oscar-nominated Hellboy II: The Golden Army (2008), is one of my all-time favorite films, and I consider it to be one of the best-ever films adapted from a comic book. Director Neil Marshall's 2019 film, Hellboy, was supposed to reboot the Hellboy film franchise. It was a box office bomb, with its worldwide box office failing to recoup even the film's production costs, but Hellboy 2019 is far superior to Hellboy 2004. It is closer to Hellboy II, in terms of quality, and almost seems like a reworking of the plot of the 2008 film.

All that said, Hellboy: The Crooked Man is another try at rebooting or restarting the series. I remember reading press and promotion for The Crooked Man stating that it was the closest of the four films in terms of being faithful to the comic book. I get that being faithful to the comic book is important to comic book people, especially the comic book creators and fans, but in the larger world of the film business, that is irrelevant. What the people behind Hellboy: The Crooked Man should have been doing is telling the world that The Crooked Man is one helluva movie...

...Because it is. Hellboy: The Crooked Man is a mutha f**kin' good movie. I enjoyed the hell outta it, so much so that I might owe The Crooked Man of the film a debt. I am not trying to say that it is perfect, because it is not. Hellboy: The Crooked Man starts off slow, dry, awkward, and forced, and its first act seems like a collection of contrivances.

Then, the movie loses it mind and goes bonkers, and Hellboy: The Crooked Man flips the script so fast that I didn't know what hit me. The Crooked Man's director, Brian Taylor, is known for his work with fellow writer-director Mark Neveldine, and the duo specializes in directing nutty and bonkers film like Crank (2006) and the 2011 comic book movie, Ghost Rider: Spirit of Vengeance. The duo also wrote the kooky horror-Western film hybrid, Jonah Hex (2010).

Going solo on The Crooked Man, Taylor busts out a film that takes the gruesome dead of the 1982 film, Creepshow, and mixes them with hoary hell hounds of director Sam Raimi's The Evil Dead (1981). The result is the most horrifying film in the Hellboy franchise, a film with enough bone-rattling folk horror to convince many viewers that it is a legit horror flick.

I find that David Harbour, who played Hellboy in the 2019 film, didn't stray far in his performance from what Guillermo del Toro's Hellboy star, Ron Perlman, did with the character. The Crooked Man's Hellboy actor, Jack Kesy, is more like Jeff Bridges' “Jeffrey 'The Dude' Lebowski” (from The Big Lebowski) than he is like the dark-fantasy action hero of the previous Hellboy films. It is not that Kesy is better or worse, for the matter; it is just that he takes a different path to bringing the character to life.

There are other good performances in this film. Jefferson White makes a mark as Tom Ferrell, but there are times when both White and his character, Ferrell, seem to get lost in the hell-raising of this film. Adeline Rudolph, however, does not get lost as Bobbie Jo Song, and Rudolph's robust performance makes Song not so much a supporting character as she is a co-lead. I would be remiss if I didn't mention Joseph Marcell as Reverend Watts because he is a scene-stealer in the role. I was shocked to learn that Marcell played “Geoffrey Butler,” the butler on the former NBC sitcom, “The Fresh Prince of Bel-Air (1990-96).

Hellboy: The Crooked Man lacks the superhero fantasy, blockbuster bombast of its predecessors, but it is a truly unique superhero movie convincingly cos-playing a scary movie. I don't want to give away too many of its chilling, goose flesh-raising frights. The film did receive mixed reviews, but here, I won't send a mixed message. Hellboy: The Crooked Man is a damn good movie, and I would be damned if I said otherwise.

7 of 10

A-

★★★½ out of 4 stars

Wednesday, March 19, 2025

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Review: First "HELLBOY" Film Still Dances with the Devil

TRASH IN MY EYE No. 45 (of 2004) by Leroy Douresseaux

Hellboy (2004)

Running time: 122 minutes (2 hours, 2 minutes)

MPAA – PG-13 for sci-fi action violence and frightening images

DIRECTOR: Guillermo del Toro

WRITERS: Guillermo del Toro; from screen story by Peter Briggs & Guillermo del Toro (based upon the comic book by Mike Mignola)

PRODUCERS: Lawrence Gordon, Lloyd Levin, and Mike Richardson

CINEMATOGRAPHER: Guillermo Navarro

EDITOR: Peter Amundson

COMPOSER: Marco Beltrami

HORROR/ACTION/ADVENTURE and SCI/FANTASY

Starring: Ron Perlman, Selma Blair, Jeffrey Tambor, Karel Roden, Rupert Evans, John Hurt, Corey Johnson, Doug Jones, Brian Caspe, James Babson, Biddy Hodson, Jim Howick, Kevin Trainor, and (voice) David Hyde Pierce

Hellboy is a 2004 American superhero and horror-fantasy film from director Guillermo del Toro. The film is based upon the Hellboy comic book franchise and character created by writer-artist Mike Mignola. Hellboy the movie focuses on a demon who becomes a defender against the forces of darkness after being conjured by the Nazis as an infant.

Mike Mignola’s titular character of his wonderful Hellboy comic books comes to life in director Guillermo del Toro’s colorful and well-dressed B-movie, Hellboy. This horror/action flick is dry, slow, and even the action is deadpan, although there are a few funny and genuinely scary moments. Now, I can describe a plethora of movies as having “a few good moments,” but this movie does have quite a few.

The film begins late in World War II. A young scientist, Trevor “Broom” Bruttenholm (Kevin Trainor) and a squad of Allied soldiers come upon a group of Nazi kooks. The kooks include the Russian mystic, Grigori Rasputin (Karel Roden), in the midst of a ritual to summon a group of big bow wow evil gods. The Allies stop the evil that is coming “from the other side,” but something does slip through – a little demon kid they name Hellboy.

Sixty years later, Hellboy (Ron Perlman) is now an adult, having been raised by Trevor Bruttenholm (John Hurt). Hellboy is the main man/strongman for "The Bureau of Paranormal Research and Defense," which is a group fighting the good fight against all manner of bogeymen and boogens. Our entry into this dark world of supernatural special operations is an FBI newbie, John Myers (Rupert Evans). Myers comes just in time, as Rasputin and his gang of uglies are back to finish what they started six decades earlier.

Hellboy is a pleasant diversion, and it certainly is pretty to look at, featuring colorful art direction, set decoration, and makeup. Hellboy looks a lot like Guillermo del Toro’s last film, Blade II, but whereas the latter had a dark atmosphere and a convincing, unbroken line of suspense, Hellboy is flat and too long to be as flat as it is. Perlman is, at times, almost D.O.A. as the title character, and then, quite lively at other times. I don’t think Perlman's interpretation of Hellboy really fits the comic book original version of the character. The four color Hellboy is more humble and earthy, whereas Perlman’s creation often comes across as a cocky, uncouth roughneck.

Hellboy has excellent production values. It is a great looking film, from its set and environments to its costumes and hair and make-up that transform actors into a menagerie of inventive and imaginative characters. Still,I don't think audiences have to see Hellboy in a theater; they can save it for a rental.

5 of 10

B-

★★½ out of 4 stars

EDITED: Saturday, March 1, 2025

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Tuesday, March 4, 2025

Advanced Comics Review: "THE HERCULOIDS #1" Revives a Classic

THE HERCULOIDS VOL. 1 #1

DYNAMITE ENTERTAINMENT

STORY: Tom Sniegoski

ART: Craig Rousseau

COLORS: Omi Remalante, Jr.

LETTERS: Jeff Eckleberry

EDITOR: Joseph Rybandt

COVER: Francesco Mattina

VARIANT COVER ARTISTS: Joseph Michael Linsner; Bjorn Barends; Felipe Massafera; Mike Mignola; Rob Liefeld; Francesco Mattina

32pp, Color, $4.99 U.S. (March 2025)

Rated “Teen”

“The Herculoids” created and designed by Alex Toth

“The Herculoids” was an American Saturday-morning animated television series that was produced by Hanna-Barbera Productions. It originally aired on CBS for 18 episodes from September 1967 to January 1968. Rooted in science fiction and fantasy, “The Herculoids” featured characters created and designed by the late Alex Toth (1928-2006).

“The Herculoids" was originally set on the planet Amzot and featured eight regular characters. The main characters were members of a space barbarian family: Zandor, the father; Tara, the mother; and Dorno, the son. In order to keep their planet safe from invaders, they fight alongside the other five regulars, a group of giant pets: the laser dragon, “Zok,” the space rhinoceros, “Tundro,” the rock ape, “Igoo,” and the shape-shifting duo of “Gloop and Gleep.”

Over the decades, there have been comic books featuring The Herculoids, published by Gold Key Comics, Marvel Comics, and DC Comics. The latest is The Herculoids Volume 1, which is part of Dynamite Entertainment's licensing agreement with Warner Bros. Discovery. The Herculoids is written by Tom Sniegoski; drawn by Craig Rousseau; colored by Omi Remalante, Jr.; and lettered by Jeff Eckleberry.

The Herculoids Volume 1 #1 opens with the story of the legendary planet that is fabled for its riches and for the terrible fates that befall anyone or any entity that seeks to exploit those riches. Known alternately as “Quasar,” “Pentagoran,” and “Shorin-Zahh, it is best known as “Amzot.”

Quen-Tel, a mercenary, believes that he has found the information that will show him the way to this world hidden in the furthest reaches of space. He leads an expedition to the planet with boldness and confidence. However, he is about learn why those who survive Amzot's terrible fates speak of their encounters with horrific, imposing monsters that guard the mysterious world. Still, the lure of its abundant resources is too great to resist. Raiders and pirates continue to come from across the galaxy, and Quen-Tel leads the latest.

Will this expedition also discover why survivors tell blood-chilling tales of those who protect Amzot from constant attacks? Will these sentient beings meet The Herculoids?!

THE LOWDOWN: Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles. The Herculoids Volume 1, Issue #1 is the latest, and this maybe the first comic book featuring The Herculoids solo that I have read.

The Herculoids does not open with a bang. Writer Tom Sniegoski offers a gentle introductory tale, although there is some “fantasy violence. This is a chapter that reintroduces the characters of the famed vintage Hanna-Barbera Saturday morning animated series. Issue #1 is also a tame introduction for those who are new to the tale.

Artist Craig Rousseau offers an unadorned first issue with plain, straightforward storytelling, and Omi Remalante, Jr.'s coloring keeps-it-simple-stupid. Jeff Eckleberry captures the classic vibe of old cartoons and vintage comics with his lettering. I believe that this first issue is relatively quiet as the creative team plants the seeds that will rapidly sprout into an intense first arc. That is, however, for next time.

I READS YOU RECOMMENDS: Fans of Dynamite Entertainment's Warner Bros. comic book series and of “The Herculoids will want to read The Herculoids Volume 1.

B+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://x.com/DynamiteComics

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https://www.linkedin.com/company/dynamite-entertainment

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Wednesday, February 19, 2025

Review: "VENOM: THE LAST DANCE" Has a Death Wish

TRASH IN MY EYE No. 10 of 2025 (No. 2016) by Leroy Douresseaux

Venom: The Last Dance (2024)

Running time: 110 minutes (1 hour, 50 minutes)

MPA – PG-13 for intense sequences of violence and action, bloody images and strong language

DIRECTOR: Kelly Marcel

WRITERS: Kelly Marcel; from a story by Kelly Marcel and Tom Hardy (based on the Marvel Comics)

PRODUCERS: Avi Arad, Amy Pascal, Matt Tolmach, Tom Hardy, Kelly Marcel, and Hutch Parker

CINEMATOGRAPHER: Fabian Wagner (D.o.P.)

EDITOR: Mark Sanger

COMPOSER: Dan Deacon

SUPERHERO/FANTASY/ACTION

Starring: Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Stephen Graham, Peggy Lu, Clark Backo, Alanna Ubach, Hala Finley, Dash McCloud, Cristo Fernandez, Jared Abrahamson, Jack Brady, Reid Scott, and Andy Serkis

SUMMARY OF THE REVIEW:

Venom: The Last Dance is the least of the three films in this series in terms of quality.

The entire point of the movie seems to be to end the series as soon as possible, so it is strictly for fans of this series

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Venom: The Last Dance is a 2024 superhero fantasy-action film directed by Kelly Marcel. The film is based on the Marvel Comics super-villain/anti-hero characters, Eddie Brock/Venom. Several comic book writers, artists, and editors contributed in the development of this duo, and artist Todd McFarlane and writer David Michelinie are the creators of Venom. This is also the third entry in the Venom film series. In Venom: The Last Dance, Eddie Brock and Venom are on the run from both an alien monster and a mysterious military officer, and they may be forced to break up their symbiotic partnership.

Venom: The Last Dance opens on Klyntar, the home world of the symbiotes. Knull (Andy Serkis), the creator of the symbiotes, seeks a way to escape the prison made for him by his rebellious creations. To that end, he has discovered a key – some thing called a “Codex” – that will free him. What and where is the codex?

Well, it is on Earth, and the Codex exists because of the relationship between the symbiote, Venom, and his human host, the former investigative reporter, Eddie Brock (Tom Hardy). They have just returned to Earth after their short stay in the multiverse (as seen in 2021's Spider-Man: No Way Home) and has landed in the Mexico of their own Earth. While there, Eddie and Venom learn that Eddie is being blamed for the death of Detective Patrick Mulligan (Stephen Graham).

Mulligan is not dead. He was infected by a symbiote (as seen in 2021's Venom: Let There Be Carnage). He has been imprisoned in an underground facility at “Area 55” (which is beneath “Area 51”), and is being held in captivity by the “Imperium Program.” There, Mulligan and his symbiote are under the watchful gazes of Imperium scientist, Dr. Teddy Paine (Juno Temple), and the Imperium's military commander, General Rex Strickland (Chiwetel Ejiofor).

Eddie and Venom are headed for New York City in a bid to clear Eddie's name, unaware that General Strickland is hunting them. The duo, however, is soon made aware of an even more dangerous hunter. Knull has sent a creature known as a “Xenophage” to capture the Codex within Eddie and Venom. Now, a year into their symbiotic relationship, Eddie Brock and Venom may have to make a most devastating and heart-wrenching decision in order to save the Earth and at least one of their lives.

Venom: The Last Dance is the fifth film in “Sony's Spider-Man Universe” line of films. It follows Venom (2018), Venom: Let There Be Carnage (2021), Morbius (2022), and Madame Web (2024). The Last Dance arrived in movie theaters a little more than a month before the series' sixth film, Kraven the Hunter (2024). This film series stars characters and properties commonly associated with Marvel Comics' character, Spider-Man. Sadly, media reports indicate that Kraven the Hunter will be the last entry in Sony's Spider-Man Universe.

Anyway, just before the halfway mark in Venom: The Last Dance, the Venom symbiote enters a horse, and “venomizes” it, creating a “Venom horse.” The sequence featuring Venom as a horse, which becomes a wild ride across the desert with Eddie on its back, is probably the liveliest moment in this movie. Venom does not venomize any more animals the rest of the way, but strangely, the beginning of the film's end-credits is a montage of venomized animals, everything from insects and birds to mammals and amphibians. A Venom movie featuring the Venom symbiote venomizing countless different insects and animals?! – now, that would be a Venom movie I'd love and a lot of people would watch. Sadly, that is what we get in Venom: The Last Dance.

Yes, there are some genuine character moments – such as Eddie/Venom's relationship with the Moon family – but even that is overwhelmed by Venom: The Last Dance's need to end. Yes, this isn't so much a movie as it is an execution or suicide pact. Venom is a trilogy and Venom: The Last Dance must be the end of it: that's what this movie feels like – a race to the end.

I found myself unable to really enjoy this movie. I really didn't connect with the film's best action scenes, and there were a few really good ones. Also, I feel like the Knull subplot was woefully underutilized. There are some good moments here, and by the end of the film, I thought the good things had been downplayed in favor of this movie's fatalistic mood. Ultimately, I think Venom: The Last Dance is only for fans of the series who will want to see it through to the end.

5 of 10

C+

★★½ out of 4 stars out of 4 stars

[This film has one mid-credits scene and one scene that occurs at the end of the credits.]

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Friday, February 14, 2025

Review: "CAPTAIN AMERICA: BRAVE NEW WORLD" Explodes with Intensity

TRASH IN MY EYE No. 9 of 2025 (No. 2015) by Leroy Douresseaux

Captain America: Brave New World (2025)

Running time: 118 minutes (1 hour, 58 minutes)

MPA – PG-13 for intense sequences of violence and action, and some strong language

DIRECTOR: Julius Onah

WRITERS: Rob Edwards, Malcolm Spellman & Dalan Musson, and Julius Onah & Peter Glanz; from a story by Rob Edwards and Malcolm Spellman & Dalan Musson (based on the Marvel Comics)

PRODUCERS: Kevin Feige and Nate Moore

CINEMATOGRAPHER: Kramer Morgenthau (D.o.P.)

EDITORS: Madeleine Gavin and Matthew Schmidt

COMPOSER: Laura Karpman

SUPERHERO/FANTASY/DRAMA and SCI-FI/ACTION/THRILLER

Starring: Anthony Mackie, Harrison Ford, Danny Ramirez, Shira Haas, Carl Lumbly, Tim Blake Nelson, Giancarlo Esposito, Xosha Roquemore, Johannes Haukur Johannesson, William Mark McCullough, and Takehiro Hira with Liv Tyler and Sebastian Stan

SUMMARY OF THE REVIEW:

--Captain America: Brave New World is the subject of a social media smear campaign, but it is one of the best superheroes movies of the 2020s, and it is probably the best action movie of the decade

--The cast is dynamite. Not only does Anthony Mackie light up the screen as Sam Wilson/Captain America, but Harrison Ford also tears up the screen the way a Hollywood legend and icon should

--The supporting cast of Captain America: Brave New World is excellent, and the actors help make this film a rampaging good time at the movies

Captain America: Brave New World is a 2025 superhero and action film from Marvel Studios and directed by Julius Onah. The film focuses on the character, “Sam Wilson,” as the superhero, “Captain America.” Sam Wilson is a Marvel Comics character that was created by writer Stan Lee and artist Gene Colan and that first appeared in Captain America #117 (cover dated: September 1969). Captain America is a Marvel Comics character that was created by Joe Simon and Jack Kirby and that first appeared in Captain America Comics #1 (December 1940).

This film is the fourth film in the Captain America film series and also the 35th entry in the Marvel Cinematic Universe (MCU). In Captain America: Brave New World, Captain America must discover the identity of the mastermind behind a plan to launch the United States into a global war over access to an amazing new metal alloy.

Captain America: Brave New World focuses on Sam Wilson (Anthony Mackie), who is still early in his tenure as the superhero, Captain America, replacing his friend, the original Captain America, Steve Rogers. Wilson was once the superhero, “The Falcon,” and now, that mantle belongs to his partner, U.S. Air Force First Lt. Joaquin Torres (Danny Ramirez). Captain America and the Falcon begin the film on a mission in Oaxaca, Mexico where they take on the “Serpent Society” and its leader, Sidewinder (Giancarlo Esposito), in a bid to intercept the sale of a canister of “Adamantium.”

Adamantium is the new metal alloy that was discovered on the “Celestial Island,” located in the Indian Ocean. Celestial Island is really the gigantic carcass of the “Celestial Tiamut,” whose emergence was stopped by the Eternals (as seen in the 2021 film, Eternals). The U.S., Japan, and India are vying to mine adamantium, and to that end, the three countries are working on a treaty that would create the infrastructure in which the three nations would share control of the island.

The current President of the United States, Thaddeus Ross (Harrison Ford), formerly known as General “Thunderbolt” Ross, asks Sam to be the face of the adamantium treaty as Captain America. President Ross also wants Sam to join him in a plan to reform the superhero group, “The Avengers.” However, the announcement of the treaty is interrupted by an assassination attempt. Now, Sam's friend and mentor, Isaiah Bradley (Carl Lumbly), the Korean War veteran and once-imprisoned “super soldier,” is once again imprisoned because of the incident.

Despite a growing rift with President Ross, Sam decides to investigate the assassination attempt, and Joaquin joins him. Shadowing them is a former “Black Widow,” the Israeli Ruth Bat-Seraph (Shira Haas), but even she can't stop Captain America and the Falcon from discovering the mystery of a man named Samuel Sterns (Tim Blake Nelson). Can Sam Wilson stop a global war, and can Captain America really take on the creature known as the “Red Hulk.”

Captain America: Brave New World is the subject of an intense online and social media smear campaign. When you, dear readers, come across someone using the word, “woke,” to describe it, you should know that in the context of this film, “woke” is Confederate pig Latin for the name “Anthony Mackie.” People who complain that the story and/or the script are not good are against the film because of their grievances concerning an African-American actor, Antony Mackie, taking on the role of Captain America. With that said...

Captain America: Brave New World ties into some other Marvel Studios productions. Obviously, this film's “Celestial Island” subplot is related to events depicted in the 2021 film, Eternals. The Disney+/Marvel Studios series, “The Falcon and the Winter Soldier” (2021) is a prologue to Brave New World. Surprisingly, Brave New World acts as a sort of sequel to the second film in the MCU, 2008's The Incredible Hulk. There are also references to numerous other MCU films.

Captain America: Brave New World is a superb superhero movie and great action film. Director Julius Onah has helmed a film that is a rampaging good time at the movies, doing this in spite of delays and reshoots. He should take pride in making a Captain America film that is as good as or better than the previous three films in the series. The action is great, and the conspiracy at the heart of the story is intense and shockingly personal. The character drama is surprisingly potent and is both complex and complicated. Plus, the Captain America vs. Red Hulk battle in the film's last act fell on me like a tree; it is so intense that for a moment I wished I was wearing an adult diaper while watching it.

With Captain America: Brave New World, Anthony Mackie not only proves that he is a true Marvel leading man who can carry a MCU film, but he also proves that he is a Hollywood leading man. In subtle ways, his performance and speeches clearly define that which Mackie fights in the real world and Sam Wilson fights in his world. Watching Mackie chop up this movie with his dramatic chops, I realized that it was long overdue that he lead a Marvel film.

I must also admit that Harrison Ford brings down the thunder in his role as President Thaddeus Ross, a.k.a. “Thunderbolt” Ross. Ford dominates his scenes so much that only Mackie can really match him in Captain America: Brave New World. Seeing Ford here reminds me of what a find dramatic actor he is and how he has always been fun in action movies.

Danny Ramirez, Shira Haas, Carl Lumbly, Tim Blake Nelson, Giancarlo Esposito, and Xosha Roquemore also deliver solid turns in their respective supporting roles. They deserve to pop up in the MCU again, many more times. I guess it is obvious that I am still buzzing from seeing Captain America: Brave New World last night (Thursday, February 13th). I had not expected much from this film because I had listened to too much of the propaganda. I love being wrong in these instance. Captain America: Brave New World is going to be my favorite film of 2025 for awhile, dear readers, and I heartily recommend it to you.

9 of 10

A+

Friday, February 14, 2025

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Tuesday, January 28, 2025

Review: "AQUAMAN AND THE LOST KINGDOM" is Water-Logged Entertainment

TRASH IN MY EYE No. 7 of 2025 (No. 2013) by Leroy Douresseaux

Aquaman and the Lost Kingdom (2023)

Running time: 124 minutes (2 hours, 4 minutes)

MPA – PG-13 for sci-fi violence and some language

DIRECTOR: James Wan

WRITERS: David Leslie Johnson-McGoldrick; from a story by James Wan and David Leslie Johnson-McGoldrick & Jason Momoa and Thomas Pa'a Sibbett (based on the character created by Paul Norris and Mort Weisinger and appearing in DC Comics)

PRODUCERS: James Wan, Rob Cowan, and Peter Safran

CINEMATOGRAPHER: Don Burgess

EDITOR: Kirk M. Morri

COMPOSER: Rupert Gregson-Williams

SUPERHERO/FANTASY/SCI-FI and ACTION/ADVENTURE

Starring: Jason Momoa, Patrick Wilson, Yahya Abdul-Mateen II, Amber Heard, Dolph Lundgren, Temuera Morrison, Randall Park, Jani Zhao, Indya Moore, and Nicole Kidman with the voices of Martin Short, John Rhys-Davies, and Pilou Asbaek

Aquaman and the Lost Kingdom is a 2023 superhero, action-adventure and science fiction-fantasy film from director James Wan. It is a direct sequel to the 2018 film, Aquaman, and it is also the 15th and final installment of the DC Extended Universe (DCEU). The film is based on the DC Comics character, Aquaman, that was created by artist Paul Norris and editor Mort Weisinger and first appeared in More Fun Comics #73 (cover dated: November 1941). In Aquaman and the Lost Kingdom, Black Manta forges a deal with a mysterious evil from Atlantis' past, forcing Aquaman to forge an alliance with his imprisoned brother in order to save Atlantis.

Aquaman and the Lost Kingdom opens four years after Aquaman/Arthur Curry (Jason Momoa) became King of Atlantis and married Mera (Amber Heard). They are now parents to a son, Arthur Jr. Aquaman splits his life between land and sea, strengthening his bond with his father, Thomas Curry (Temuera Morrison), and getting wise advice about being a father from him. However, splitting time between his life on land and his life as the ruler of Atlantis has led to clashes with the High Council of the Seven Kingdoms.

Meanwhile, David Kane/Black Manta (Yahya Abdul-Mateen) continues to seek revenge against Aquaman for the death of his father (as seen in Aquaman). With the help of marine biologist, Stephen Shin (Randall Park), Kane finds a mysterious artifact, “the Black Trident.” As soon Kane touches the trident, it possesses him and connects his mind to the mysterious Kordax, the undead king of the lost undersea kingdom of Necrus. Soon, Kane, at Kordax's command, is poisoning the surface world with an element known as “Orichalcum.”

Aquaman's mother, Atlanna (Nicole Kidman), the former queen of Atlantis, implores him to seek the help of his imprisoned brother, Orm Marius (Patrick Wilson), the deposed King of Atlantis in order to stop Kane. But can Aquaman trust Orm, who tried to kill him and whom he removed from the throne of Atlantis?

While watching the original film, Aquaman, I could not help but notice that many of its story points and plot elements were glaringly similar to those found in Marvel Studios' Black Panther, which debuted earlier in the same year, 2018, that Aquaman hit theaters. I also find Black Panther elements in Aquaman and the Lost Kingdom, but none as pronounced as in the first film. I also believe that Aquaman and the Lost Kingdom is strongly influenced by the Star Wars “prequel” films, especially Star Wars: Episode I – The Phantom Menace.

That said, Aquaman and the Lost Kingdom is like the first film – a grand, old-fashioned, action-adventure fantasy film. The sequel is quite entertaining, but not as solidly entertaining as the first film.

The plot, narrative, and character drama in Aquaman and the Lost Kingdom seem forced when they are not being over-the-top, and are lacking in genuine emotion and feeling when they not being forced and over-the-top. Director James Wan and his co-writers emphasize sound and fury. It is as if they believe that the more CGI, action scenes, explosions, subplots, and weird-looking things they throw on the screen the less likely that the audience will realize how ungainly this film is. Aquaman and the Lost Kingdom isn't cinematic art; it's merely corporate entertainment product, and unlike the first time, Warner Bros. Pictures didn't as lucky with the sequel.

Aquaman and the Lost Kingdom treads water just not to be mediocre. I will admit that its production values and special visual effects all look quite good. Visually, the film is sumptuous even if the drama is rickety. And as I write this, I am just remembering that I like the film score, although I am sure that I have heard parts of it in another film.

Also, I admire that Jason Momoa throws himself into this film, doing his best to make it seem like the most fun he and the audience could ever have in a superhero movie. Unfortunately, it was the Aquaman movie before Aquaman and the Lost Kingdom that was really fun.

B-

5 of 10

★★½ out of 4 stars

Tuesday, January 28, 2025

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Sunday, December 15, 2024

Review: "KRAVEN THE HUNTER" Has a Beast in Aaron Taylor-Johnson

TRASH IN MY EYE No. 57 of 2024 (No. 2001) by Leroy Douresseaux

Kraven the Hunter (2024)

Running time: 127 minutes (2 hours, 7 minutes)

MPA – R for strong bloody violence, and language

DIRECTOR: J.C. Chandor

WRITERS: Richard Wenk, Art Marcum, and Matt Holloway; from a story by Richard Wenk (based on the Marvel Comics)

PRODUCERS: Avi Arad, David B. Householter, and Matt Tolmach

CINEMATOGRAPHER: Ben Davis (D.o.P.)

EDITORS: Chris Lebenzon and Craig Wood

COMPOSERS: Evgueni Galperine, Sacha Galperine, and Benjamin Wallfisch

SUPERHERO/FANTASY/ACTION

Starring: Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, Levi Miller, Billy Barratt, Tom Reed, Diaana Babnicova, Yuri Kolokolnikov, Damola Adelaja, and Russell Crowe

SUMMARY OF THE REVIEW:

“Kraven the Hunter” has already established itself as having the lowest opening weekend debut of any film carry the Marvel brand, but it is a lot better than many of the other comic book films that came before it

Star Aaron Taylor-Johnson is indeed a star as he carries this film to victory, and he maximizes several intense scenes with co-star, Oscar-winner Russell Crowe

You don't have to be a fan of comic book movies to enjoy “Kraven the Hunter” because its intensity and its extreme and extremely violent action scenes and sequences are exceptionally entertaining

Kraven the Hunter is a 2024 action movie and superhero film from director J.C. Chandor. The movie is based on the Marvel Comics character, Sergei Kravinoff/Kraven the Hunter, that was created by writer Stan Lee and artist Steve Ditko and first appeared in The Amazing Spider-Man #15 (cover dated: August 1964). This is also the sixth film in “Sony's Spider-Man Universe” (SSU) series. The film focuses on a hunter of men and his complex relationship with his father, a ruthless Russian crime lord, which starts him down the path to becoming the greatest hunter of men in the world.

Kraven the Hunter opens in Northern Russia at a prison. Of particular interest is Prisoner #0864, but soon, prison security and imprisoned Russian gangster, Semyon Chorney (Yuri Kolokolnikov), will learn that this prisoner is really a legendary assassin known as “The Hunter.” Who is “The Hunter?”

He is really Sergei Kravinoff (Aaron Taylor-Johnson), the elder son of brutal Russian crime lord, Nikolai Kravinoff (Russell Crowe). Sixteen years before The Hunter killed Chorney, Nikolai took Sergei and his younger son, Dmitri, on a hunting expedition in Northern Ghana. A terrible accident leaves Sergei near death until a local young woman intervenes in a manner that changes Sergei in ways he never imagined.

In the present day, Sergei goes by the name “Kraven.” His activities as “The Hunter” have earned him the ire of many criminals. Kraven has a kill-list, and once someone is on it, they don't get off until he kills them. Kraven reunites with Calypso (Ariana DeBose), the young woman who saved him sixteen years earlier. Now, an adult, Calypso is an attorney, and Kraven asks her to assist him in his activities as “The Hunter” by finding information on his targets.

However, Kraven himself is now being hunted. Wannabe Russian crime boss, Aleksei Sytsevich (Alessandro Nivola), and his ally, “The Foreigner” (Christopher Abbott), have targeted Kraven's brother, Dmitri (Fred Hechinger), now an adult, as a way to trap their prey. Kraven will have to prove to his enemies that he is indeed the world's greatest hunter and also its most dangerous apex predator.

Kraven the Hunter is sixth film in “Sony's Spider-Man Universe” line of films. It follows Venom (2018), Venom: Let There Be Carnage (2021), Morbius (2022), Madame Web (2024), and the recently release, Venom: The Last Dance (2024). This film series stars characters and properties commonly associated with Marvel Comics' character, Spider-Man. Sadly, media reports indicate that Kraven the Hunter will be the last entry in Sony's Spider-Man Universe, and that's a shame because Kraven the Hunter deserves a sequel.

Most movie actors could not have saved Kraven the Hunter, if it did indeed need saving, as industry and fan gossip indicated. If we accept those arguments, dear readers, that Kraven the Hunter needed saving, then Aaron Taylor-Johnson is indeed this film's savior. Taylor-Johnson is a talented young actor, and he can certainly portray the tough-guy hero or antihero in a way that seems genuine, if not outright real.

Without Taylor-Johnson, I think Kraven the Hunter would still be a really entertaining film. The screenplay, regardless of whatever number of writers contributed to it, intrigued me. Director J.C. Chandor deftly weaves the film's story across continents and through shifts in plot that keeps things so interesting and involved that I didn't have time to search for plot holes and inconsistencies. Also, Russell Crowe as Nikolai Kravinoff makes his scenes with Taylor-Johnson's Kraven feel ultra edgy and especially dangerous.

With Taylor-Johnson, however, Kraven the Hunter, is not only a really entertaining film, but it is also an exceptional superhero spin-off comic book film. As comic book and superhero movies go, Kraven the Hunter is kind of like a B-movie or, at least, a B-list film, but you, dear readers, don't have to be a comic book fan to enjoy the film or its star. As Kraven, Taylor-Johnson has such animal magnetism; I wanted to see him be in action-mode and be violent. Taylor-Johnson has true movie star qualities, such as charisma and presence, and girl, the camera absolutely loves him. Seriously, Taylor-Johnson carries Kraven the Hunter past what most other actors would have done – all the way to whatever kind of cinematic glory a Spider-Man-adjacent film can have.

Marvel Comics fans will likely enjoy the fact that several Spider-Man-related characters appear in the film, some of them surprisingly so. Still, this film is about Kraven the Hunter, and Aaron Taylor-Johnson makes every subplot, setting, and the other character bow down to his “king of the jungle” performance. Kraven the Hunter is good, surprisingly and shockingly good, because its leading man knows how to be a beast.

8 of 10

★★★★ out of 4 stars

Sunday, December 15, 2024

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Monday, December 2, 2024

Comics Review: "ARCHIE IS MR.JUSTICE #1" Certainly Surprises

ARCHIE IS MR. JUSTICE, NO. 1 (OF 4)

ARCHIE COMIC PUBLICATIONS, INC.

STORY: Tim Seeley

ART: Mike Norton

COLORS: Glenn Whitmore

LETTERS: Jack Morelli

EDITOR: Jamie Lee Rotante

EiC: Mike Pellerito

COVER: Reiko Murakami

VARIANT COVER ARTISTS: Francesco Francavilla; Matt Talbot

32pp, Color, $3.99 U.S. (January 2025); on sale in comic book shops November 20, 2024

Rating: Teen+

Eternal high school student and teenage boy, Archie Andrews, and his friends made their debut in M.L.J. Magazines' Pep Comics #22 (cover dated: December 1941), and before long, Archie was the publisher's headliner character. In 1946, the company changed its named to Archie Comic Publications, also known as “Archie Comics.”

Archie Comics has also published superhero comic books featuring offbeat characters. The latest is a new four-issue comic book series, entitled Archie is Mr. Justice. The first issue is written by Tim Seeley; drawn by Mike Norton; colored by Glenn Whitmore; and lettered by the great Jack Morelli. Archie is Mr. Justice focuses on teenager Archie Andrews and his superhero persona, “Mr. Justice.” With the aid of his friend, Jughead Jones, Archie battles the greedy real estate magnate, Hiram Lodge.

Archie is Mr. Justice #1 is a tale told by the dearest friend of Mr. Justice. That would be Jughead Jones. Young Archie Andrews is your typical teenager, except for the fact that he has super-powers. Archie also has an undying urge to do what’s right, which inspires him to create a superhero persona, “Mr. Justice.” Guiding Archie on the path of super-heroism is his best friend, Jughead, who provides the comic book template for Archie's alter-ego.

The pair aims to right the wrongs of Hiram Lodge, a greedy developer and real estate tycoon. Lodge has turned Archie and Jughead's tranquil hometown of Riverdale into a luxury city, forcing families out and big businesses in – creating a city of haves and have-nots. Can Archie’s brand of justice bring Riverdale into a new prosperous era, or will his need to do good ultimately be his downfall?

THE LOWDOWN: I have been reading comic books, on and off, for decades. I have sporadically read Archie Comics titles over that time. For many years now, Archie's marketing department has been sending PDF copies of some of their titles for review. Archie is Mr. Justice No. 1 is the latest.

Archie Comics has been reviving some of the old M.L.J. “Golden Age” superheroes for several years now. The latest to rise from the grave is “Mr. Justice,” also known as “the Royal Wraith.” Created by writer Joe Blair and artist Sam Cooper, Mr. Justice was an 18th century English prince who was murdered by rebels. Chance and circumstance brought about his return to the mortal world in the 1940s in the form of Mr. Justice. Mr. Justice first appeared in Blue Ribbon Comics #9 (cover dated: February 1941; M.L.J. Magazines), which, in a bit of meta-fiction, is the comic book that appears in Archie is Mr. Justice #1 as one of Jughead's comic books. From this particular comic book, Archie takes inspiration for his “Mr. Justice” identity.

Writer Tim Seeley offers in this first issue an enjoyable comic book that captures both a superhero coming of age and also a young hero who initiates the crusade that may likely bring about his downfall. In a way, Seeley spins a comic book yarn that reads as if it came from age at least 40 years ago. It is straightforward, dramatic, melodramatic, and poignant and tragic in a way that engages the reader without unnecessary complication.

Artist Mike Norton is a veteran storyteller whose clean drawing style also recalls a classic era of comic books He conveys the light and darkness in Archie's mission, while also capturing the nuance and darkness in Jughead's narration. Glenn Whitmore's colors also captures the nuance and shifting moods of this story, and Jack Morelli's lettering provides a steady beat for a story that gets more intense with each page.

I am surprised by Archie is Mr. Justice #1. It is a powerful first issue when I expected it to be no more than mildly entertaining. I am more than mildly shocked, dear readers. Give this a try.

I READS YOU RECOMMENDS: Fans of Archie Comics' superhero titles will want to try Archie is Mr. Justice No. 1.

[This comic book includes a two-page section on the making of Archie is Mr. Justice No. 1.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Thursday, August 22, 2024

Review: Brandon Lee Gives "THE CROW" Staying Power

TRASH IN MY EYE No. 38 of 2024 (No. 1982) by Leroy Douresseaux

The Crow (1994)

Running time: 102 minutes (1 hour, 42 minutes)

MPAA – R for a great amount of strong violence and language, and for drug use and some sexuality

DIRECTOR: Alex Proyas

WRITERS: David J. Schow and John Shirley (based on the comic book series and comics strip created by James O'Barr)

PRODUCERS: Jeff Most and Edward R. Pressman

CINEMATOGRAPHER: Dariusz Wolski (D.o.P.)

EDITORS: Dov Hoenig and M. Scott Smith

COMPOSER: Graeme Revell

SUPERHERO/FANTASY/ACTION/CRIME

Starring: Brandon Lee, Michael Wincott, Ernie Hudson, Rochelle Davis, Bai Ling, Sofia Shinas, Anna Thomson, David Patrick Kelly, Angel David, Laurence Mason, Michael Massee, Tony Todd, Jon Polito, Bill Raymond, Marco Rodriguez, and Kim Sykes

The Crow is a 1994 American superhero and dark fantasy film from director Alex Proyas. The movie is based on The Crow comic book series and on the character that first appeared in the comic book, Caliber Presents #1 (cover dated: January 1989), all created by James O'Barr. The Crow the movie focuses on a musician who returns from the dead a year after he and his girlfriend were brutally murdered to seek vengeance against their murderers.

The Crow is infamous for the death of its lead actor, Brandon Lee (1965-1993), the son of film icon, Bruce Lee. On March 31, 1993, Lee was fatally wounded by a discharge from a prop gun. At that point, Lee had completed almost all his scenes for the film. Through the use of special effects, digital face replacement, stunt doubles, and rewrites, Proyas was able to finish the film, and it was released in May 1994.

The Crow is set in a crime-ravaged and decrepit city that is like Detroit, Michigan, and the story opens on October 30th, Devil's Night (an infamous celebration in Detroit). It introduces rock musician, Eric Draven (Brandon Lee), and his fiancée, Shelly Webster (Sofia Shinas). They are going to be married on Halloween. Instead, Eric is beaten and murdered. Shelly is brutally beaten and raped and later dies of her injuries.

One year later, Eric Draven rises from the grave as an avenging spirit, The Crow (Brandon Lee). He has returned to killed the men who murdered him and Shelly: T-Bird (David Patrick Kelly), Funboy (Michael Massee), Tin Tin (Laurence Mason), and Skank (Angel David). Sarah (Rochelle Davis), a young girl who was Eric and Shelly's friend, and Albrecht (Ernie Hudson), and an outcast police officer, become personally involved in Eric's return as The Crow. Waiting in the background, however, is Top Dollar (Michael Wincott), the crime lord who is connected to what happened to Eric and Shelley and who sees The Crow's rampage as a threat to his criminal empire.

Despite the notoriety it gained because of the onset tragedy, The Crow should also be known as a really good film. It was Alex Proyas first major directorial effort, and that shows in the occasional clumsiness in the flow of the narrative. However, Proyas unleashes a film that is highly-stylized and drenched in darkness that has a painterly quality. In other films, this darkness would merely be a case of a poor lighting and mediocre cinematography. Here, the film's production values and contributions from the cinematographer, production design/art direction team, hair and make-up crew, and film editors contribute to the creation of dark and gloomy cinematic art.

Proyas finds the film's substance in Eric Draven/The Crow's quest for revenge. In this film, retribution has depth, weight, feel soul; in that, The Crow is like its comic book source material. Proyas finds power and vulnerability in his lead character the way he finds power and juice in the violence that must happen before Draven can return to his grave.

Proyas, who would go on to direct Will Smith in I, Robot (2004), gets fine performances from a number of supporting actors, especially Ernie Hudson, Michael Wincott, and Rochelle Davis. He gets the most out of his star, Brandon Lee, who was likely on the verge of blowing up. In this film, Lee has his own charisma and presence, different from that of his father, Bruce Lee, who made his most charismatic turn in Enter the Dragon (1973). Was The Crow going to be Brandon's Enter the Dragon? I don't know, but Brandon makes The Crow feel solid in its slightest moments and grander in its biggest and most violent moments.

The Crow is a flawed jewel, but not a heavily flawed jewel. Also, I imagine that it is a lot more influential than movie buffs realize. I can see bits and pieces of it in later films like Blade (1998), The Matrix (1999), and The Dark Knight (2008). The on-set death of its star cast a melancholy mood over The Crow, but the determination of the filmmakers, cast, and crew eventually brought it out to the public. The Crow is not a morbid curiosity. It is more like a rose that survived a deluge of misfortune.

8 of 10

★★★★ out of 4 stars

Thursday, August 22, 2024

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Tuesday, August 20, 2024

Comics Review: "KARDAK THE MYSTIC #1" is Mystically Charming

KARDAK THE MYSTIC #1

ARCHIE COMIC PUBLICATIONS, INC.

STORY: Joe Corallo

ART: Butch Mapa

COLORS: Ellie Wright

LETTERS: Jack Morelli

EDITOR: Jamie Lee Rotante

EiC: Mike Pellerito

COVER: Butch Mapa

VARIANT COVER ARTIST: Skylar Patridge

32pp, Color, $3.99 U.S. (October 2024); on sale in comic book shops August 14, 2024

Rating: Teen+

Eternal high school student and teenage boy, Archie Andrews, and his friends made their debut in M.L.J. Magazines' Pep Comics #22 (cover dated: December 1941), and before long, Archie was the publisher's headliner character. In 1946, the company changed its named to Archie Comic Publications, also known as “Archie Comics.”

Archie Comics has also published superhero comic books featuring offbeat characters. One of the stranger ones was initially known as “The Mystic” and he first appeared in Top Notch Comics #1 (cover dated: December 1939). In Top Notch Comics #4 (cover dated: April 1940), The Mystic became “Kardak.”

Kardak debuted in a story by writer Harry Shorten and artist C. A. “Chuck” Winter. Kardak was John Cardy, an American adventurer and professional magician known as “Kardak the Mystic.” He was a superhero magician, employing tricks and mystical powers to fight organized crime and super-villains. He was assisted by his fiancée, Lorna Dorne, and his faithful servant, Balthar. Kardak made his final Golden Age appearance in Top Notch Laugh Comics #29 (cover dated: September 1942).

A modern version of Kardak the Mystic arrives in the new one-shot comic book, Kardak the Mystic No. 1. It is written by Joe Corallo; drawn by Butch Mapa; colored by Ellie Wright; and lettered by the great Jack Morelli.

Kardak the Mystic No. 1 introduces John Cardy. He is the stage magician, “Kardak the Mystic,” and all he ever wanted was to be recognized for his talents at magic tricks and sleight of hand. However, the audiences for his shows are shrinking, and his loyal assistant, Lorna, believes that they should retire the act and move on with their lives.

Walking down the street one night, deep in his thoughts, John comes upon a magic shop, “Enchantra's Enchantments.” There, he gets an offer he can't refuse – an amulet that would change everything for him. But that kind of power is never free...

I really like Kardak the Mystic No. 1. Joe Corallo's story is simple and straightforward, but really engages the imagination. It is a standalone tale, but it suggests a number of possibilities going forward. As I read it, I found my imagination to be quite engaged, and I was always wondering about what came next. The ending certainly left me wanting more.

Corallo's script is transformed impressively by Butch Mapa's art into graphical storytelling with a hint of the supernatural. Mapa's art is clean and smooth, so it captures the obvious emotions, dilemmas, conflicts, and danger that play in this story of transformation. The coloring by the talented Ellie Wright heightens the tension and drama in the story. As a team, Mapa and Wright team-up results in a dark tale that sparkles with playful magic and creepy mysticism.

Wow. I'm impressed, but also disappointed. I don't think that there is much of a chance of readers getting a second issue. Or maybe Kardak can pull of another miracle.

I READS YOU RECOMMENDS: Fans of Archie Comics' superhero titles will want to try Kardak the Mystic No. 1.

[This comic book includes a two-page section on the making of Kardak the Mystic No. 1.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Sunday, July 28, 2024

Comics Review: "NEMESIS: ROGUES' GALLERY #1" Starts a New Reload

NEMESIS: ROGUES' GALLERY #1 (OF 5)

DARK HORSE COMICS

STORY: Mark Millar

ART: Valerio Giangiordano

COLORS: Lee Loughridge

LETTERS: Clem Robins

EDITOR: Sarah Unwin

COVER: Valerio Giangiordano with Lee Loughridge

VARIANT COVER ARTISTS: Jae Lee with June Chung

32pp, Color, $4.99 U.S. (July 2024)

Age range: 14+

Nemesis created by Mark Millar and Steve McNiven

Nemesis: Rogues' Gallery is a five-issue comic book miniseries from writer Mark Millar. It is a sequel to the miniseries, Nemesis Reloaded (2023) and Big Game (2023). Published by Dark Horse comics, the new series finds the super-killer, Nemesis, on a mission of revenge. Rogues' Gallery is drawn by Valerio Giangiordano; colored by Lee Loughridge; and lettered by Clem Robins.

Nemesis: Rogues Gallery #1 opens in the hospital wing of Colton Brown Penitentiary, California. Nemesis was the world's greatest super-villain. Now, he is merely a paraplegic (as a result of the battle with the superheroes that began in Big Game #1) named Matthew Anderson. However, his former acquaintances, a group lurking in their Temple of Panza, can bring him back to what he was, but is he willing to pay the price?

Meanwhile, someone Nemesis hurt is also getting an offer he won't refuse.

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. I mark my return with Nemesis: Rogues' Gallery #1.

Nemesis Reloaded #1 was a helluva first issue. This first issue of Nemesis: Rogues' Gallery is a bit more subdued. It's an introduction to Nemesis' situation and how he got there. This is like Millard's quiet before the storm, but oh, what a storm it will be judging by the last page.

The art by Valerio Giangiordano provides the perfectly dark, edgy, and moody storytelling this issue needs. Giangiordano's art is like a mash-up of the graphic stylings of Frank Quietly and of the late Richard Corben, and it perfectly depicts the restrained intensity of Nemesis' utter insanity. Lee Loughridge colors the art by actually dialing back on the colors, and this steeps the story in darkness even more. Clem Robins, as usual, captures the spirit of Millar's ideas with his pitch-perfect lettering.

Nemesis: Rogues' Gallery promises to be a good time. It may also end up being the best Batman comic book in ages.

I READS YOU RECOMMENDS: Fans of Mark Millar's comic books will desire Nemesis: Rogues' Gallery.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Friday, July 26, 2024

Review: "DEADPOOL & WOLVERINE" Brings the Friends and Family Vibe Back to Marvel

TRASH IN MY EYE No. 34 of 2024 (No. 1978) by Leroy Douresseaux

Deadpool & Wolverine (2024)

Running time: 127 minutes (2 hours, 7 minutes)

MPA – R for strong bloody violence and language throughout, gore and sexual references

DIRECTOR: Shawn Levy

WRITERS: Rhett Reese & Paul Wernick, Ryan Reynolds, Shawn Levy, and Zeb Wells (based on Marvel Comics characters)

PRODUCERS: Kevin Feige, Shawn Levy, Ryan Reynolds, and Lauren Shuler Donner

CINEMATOGRAPHER: George Richmond (D.o.P.)

EDITORS: Shawn Reid and Dean Zimmerman

COMPOSER: Rob Simonsen

SUPERHERO/COMEDY/ACTION

Starring: Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew Macfayden, Jon Favreau, Rob Delaney, Morena Baccarin, Karan Soni, Brianna Hildebrand, Shioli Kutsuna, Aaron Stanford, and Leslie Uggams with Chris Evans, Jennifer Garner, Dafne Keen, Ray Parks, Channing Tatum, Blake Lively, Matthew McConaughey, and Wesley Snipes

SUMMARY OF THE REVIEW:

--Once again, Ryan Reynolds' comic talent shines as Wade Wilson/Deadpool, making Deadpool & Wolverine the best Deadpool film.

--Hugh Jackman brings dramatic balance and heft to the wackiness of Deadpool & Wolverine, but Jackman also adds a deft comic touch to the strong bloody violence and rapid-fire coarse language.

--There are multiple cameos and short appearances, but the surprise appearances of four particular characters from earlier Marvel films make Deadpool & Wolverine a winner

Deadpool & Wolverine is a 2024 American superhero film and action-comedy directed by Shawn Levy and produced by Marvel Studios. It is the 34th entry in the Marvel Cinematic Universe. It is also the third entry in the Deadpool movie franchise.

The film is based on two Marvel Comics characters. The first is Deadpool, a character created by artist Rob Liefeld and writer Fabian Nicieza, and that first appeared in New Mutants #98 (cover dated: December 1990). The second is Wolverine, a character created by writer Len Wein and artists John Romita and Herb Trimpe and that first fully appeared in the comic book, The Incredible Hulk #181 (cover dated: November 1974). In Deadpool & Wolverine the movie, a space-time organization has set Deadpool on a mission to save his own universe, so he brings in Wolverine to help him.

Deadpool & Wolverine basically begins on March 14, 2018. That is the day that Wade Wilson/Deadpool (Ryan Reynolds), the smart-mouthed mutant mercenary, approaches the Avengers organization about becoming a member of the Avengers. It doesn't work, and Wade falls into a deep depression that takes a toll on his relationship with his beloved Vanessa Carlysle (Morena Baccarin). It's also time to celebrate Wade's birthday, and his friends gather at the apartment he shares with Blind Al (Leslie Uggams).

In the middle of the revelry, agents of the “Time Variance Authority” (TVA) arrive to take Wade into custody. At TVA headquarters, project head, Mr. Paradox (Matthew Macfayden), informs Deadpool that his own Earth/universe, Earth-10005, is scheduled for destruction, but that he can live in another universe. Determined to save his world, Deadpool rejects the offer and goes rogue. He travels throughout the multiverse searching for a version of Wolverine that can help him save his Earth. Eventually, Deadpool finds a variant of Wolverine (Hugh Jackman) with a tragic past.

Deadpool and Wolverine spend more time cursing, fighting, and stabbing each other than they do world-saving. However, they end up in a place called the “Void,” where they face its leader, the murderous and ultra-powerful mutant, Cassandra Nova (Emma Corrin). Now, Deadpool and Wolverine are forced together to save a universe, but luckily, they will find themselves joined by an unexpected, but familiar quartet of heroes.

In preparation for Deadpool & Wolverine, I decided to watch the earlier films: Deadpool (2016), Logan (2017), and Deadpool 2 (2018), that lead up to the new film, to one extent or another. However, viewers may find such films as Blade (1998), X-Men (2000), Elektra (2005), and Fantastic Four (2005) to be of most use, although Deadpool & Wolverine also references other films and television series based on Marvel Comics characters.

Deadpool & Wolverine is very much an R-rated comedy like the earlier Deadpool films, but there is more harshly explicit language and profanity galore. There seems to be more gross sexual language in Deadpool & Wolverine than there has been in any other film ever distributed by the Walt Disney Company. At times, it is a bit too much, but only a bit.

As he does in the other Deadpool films, Ryan Reynolds makes the comedy in Deadpool & Wolverine work, via his schtick. Still, one must say that Reynolds' repertoire of clowning, buffoonery, and jestering have become a refined work of comic performance art. I can honestly say that I never feel as if I have had too much of Reynolds as Deadpool.

On the other hand, in Deadpool & Wolverine, Hugh Jackman as Wolverine is the dramatic balance to Ryan as Deadpool. Without spoiling anything, Jackman has some deep, emotional moments that require tears in his eyes. Jackman also gets to be powerful, dark, edgy, and grieving as Wolverine without treading on the mournful Logan/Wolverine he gave us in the film, Logan.

There are some excellent supporting performances in Deadpool & Wolverine. Emma Corrin is maniacally, gleefully wicked and evil as Cassandra Nova, and Matthew Macfayden is perfectly sleazy as the sinfully ambitious TVA functionary, Mr. Paradox. The actors that comprise the quartet which assists Deadpool and Wolverine in their crucial assault on Nova's base are a delight, and one of them proves that his is the defining version of the superhero for whom he is most famous. Many of us want to see him again, Disney.

Deadpool & Wolverine is Marvel Studios' funniest “Multiverse Saga” entry. It is not without its faults, and it isn't the best Marvel multiverse film because that belongs to Spider-Man: No Way Home (2021). However, Marvel does with Deadpool & Wolverine what it should have done with some of its post-pandemic films: have more substantial guest appearances from classic MCU characters and stars. Most of the heroic things that Ryan Reynolds and Hugh Jackman do in Deadpool & Wolverine are done better with friends.

8 of 10

★★★★ out of 4 stars

Friday, July 26, 2024

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