Negromancer News Bits and Bites from Nov. 19th to 30th, 2023 - Update #32

by Leroy Douresseaux a.k.a. "I Reads You"

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ENTERTAINMENT AND CULTURE NEWS:

MOVIES - From Variety:  "Bucky Barnes/The Winter Soldier,"  actor Sebastian Stan is playing young Donald Trump in a movie titled “The Student” from Iranian filmmaker Ali Abbasi (“Holy Spider”).  Emmy winner Jeremy Strong ("Succession") will play Trump's awful mentor, attorney/fixer, Roy Cohn, and actress Maria Bakalova will portray Trump's first wife and mother of his spawn, Ivana Trump.

DISNEY - From Variety:  Noah Hawley's "Alien" series for FX continues to fill out its main cast.  The recent additions are Babou Ceesay, Jonathan Ajayi, Erana James, Lily Newmark, Diêm Camille, and Adrian Edmondson.

TELEVISION - From Deadline:  It’s official.  The upcoming fifth season of the CBS sitcom, "Bob Hearts Abishola" will be its last.  The fifth season will premiere Mon., Feb. 12th, and the series finale will air Monday, May 13th, the network said today (Wed., Nov. 29th).

From Variety:  Celebrity chef, Guy Fieri, has signed a new three-year deal with the Food Network that is worth $100 million.

MOVIES - From Deadline:  Ethan Hawke and the original cast of the hit horror film, The Black Phone (2022), are returning for "Black Phone 2."  The film is set for a June 27, 2025 theatrical release date.

AWARDS - From Variety:  The winners at the 2023 / 33rd Annual Gotham Awards were announced Mon., Nov. 27th.  Writer-director Celine Song's South Korean romantic drama, "Past Lives" won the "Best Feature" award.

ANIMATION - From IGN:  The streaming service, Max, is removing from its library the rest of the classic "Looney Tunes" cartoons shorts and also the 2011-13 Cartoon Network animated sitcom, "The Looney Tunes Show" and the 2003 live-action/animated hybrid film, Looney Tunes: Back in Action.  This move is effective December 31st, 2023.  The first half of the "Looney Tunes" animated shorts were removed back in December 2022.

DISNEY - From Deadline:  Actor Timothy Olyphant is joining the cast of FX's "Alien" television series, which is being overseen by Noah Hawley (FX's "Fargo").

From Variety:  Cast member Cailee Spaeny says that the standalone "Alien" franchise film, "Alien: Romulus," is set between the first two films in the series, "Alien" (1979) and Aliens (1986). Directed by Fede Alvarez, the standalone film is due in theaters Aug. 16th, 2024.

BOX OFFICE - From BoxOfficePro:  The winner of the 11/24 to 11/26/2023 weekend box office is Lionsgate's "The Hunger Games: The Ballad of Songbirds & Snakes" with an estimated take of 28.8 million dollars.

MUSIC - From Variety:  The legal dispute between Grammy-winning recording duo, Daryl Hall & John Oates, seems to revolve around John Oates wanting to sell his share of Hall & Oates' joint venture, Whole Oates Enterprises, to music publishing and talent management company, Primary Wave.

POLITICS - From Politico:  Actor Hill Harper is known for his roles on the former CBS series, "CSI: NY" and ABC's "The Good Doctor," but now he is a political candidate seeking to win a U.S. Senate seat in Michigan in 2024.  A recent report says that a wealthy donor offered Hill 20 million dollars to instead mount a primary challenge to Rep. Rashida Tlaib (D-Michigan) for her U.S. House seat.  Hill, who revealed the plot, says he declined the offer.

SCANDAL - From Deadline:   Oscar-winning actor, Jamie Foxx (Ray), is being sued for an alleged sexual assault that happened in 2015. An unidentified woman has accused Foxx of placing his hands on an her waist, then moving them under her top. He then allegedly began rubbing the plaintiff’s breasts, dragging her to a secluded area of the rooftop at Catch NYC & Roof, where he touched other areas of her body.  The case was filed under New York state's "Adult Survivors Act," which provides a one-year window for sexual assault plaintiffs to file civil claims, regardless of the statute of limitations. That window closes on Thursday, Nov. 23rd and has led to a flurry of lawsuits claiming sexual assaults.

JAMES BOND - From Deadline:  Christopher Nolan (Tenet) said that there is no truth to the rumors that he is directing the next James Bond film.

MOVIES - From Deadline:  Hot actress Jenna Ortega is not returning for "Scream 7" after starring as "Tara Carpenter" in Scream (2022) and "Scream 6" (2023).  Her departure is related to scheduling and reportedly has nothing to do with the recent firing of Melissa Barrera, who played Tara's sister, "Sam Carpenter."

From Deadline:  "Scream 7" director Christopher Landon says that the firing of Melissa Barrera from the film was not his choice to make.

TELEVISION - From Deadline:  The first post-strikes bidding war for a TV pitch will apparently be for a proposed television series that re-imagines the film 1962 film, "Cape Fear," and its 1991 remake, also entitled "Cape Fear."  Martin Scorsese, director of the remake, Stephen Spielberg, and Nick Antosca are attached as executive producers.

MOVIES - From Deadline: Universal Pictures is developing a new film in its "Jason Bourne" franchise with Edward Berger, the director of the Oscar-winning "All Quiet on the Western Front" set to direct. Universal will reportedly approach series star, Matt Damon, about reprising the role of Jason Bourne before they approach anyone else.

SCANDAL - From Variety: Oscar-winning actress Susan Sarandon has been dropped by her agency, UTA, after she made controversial comments at a pro-Palestine rally in New York on Nov. 17th.

From ComingSoon:  Actress Melissa Barrera, who has starred in Scream (2022) and "Scream 6" (2023), as "Sam Carpenter," has reportedly been fired from the upcoming "Scream 7" due to comments the actress made regarding the ongoing Israel-Palestine conflict.

MOVIES - From Deadline:  Doug Liman is set to direct Paramount hot-anticipated reimagining of "The Saint."  Rege-Jean Page ("Bridgerton") is set to star in and executive produce the film.  "The Saint" first appeared in Leslie Charteris' 1920 novels and is best known for the 1960s British TV series starring Roger Moore.

MOVIES - From Deadline:  Kim Kardashian is attached to star in and produce the film, "The 5th Wheel," which is apparently a hot movie package.

TELEVISION - From Deadline:  CBS' venerable family-cop drama, "Blue Bloods" is coming to an end with its upcoming 14th season.  10 episodes will air during the upcoming midseason, beginning Feb. 16th. The final eight episodes will run Fall 2024.

BOX OFFICE - From BoxOfficePro:  The winner of the 11/17 to 11/18/2023 weekend box office is Lionsgate's "The Hunger Games: The Ballad of Songbirds & Snakes" with an estimated take of 44 million dollars.

CELEBRITY - From TheNewYorker:  The venerable culture magazine interviews legendary Hong Kong director, John Woo, who talks about his upcoming nearly dialogue free revenge thriller, "Silent Night."

MOVIES - From Deadline: "Rocky" and "Creed" franchise producer, Irwin Winkler, has said that "Creed IV" is in the works, with franchise star and Creed III director Michael B. Jordan to helm it.

GOLDEN GLOBES - From Deadline:  The 2024 / 81st annual Golden Globes will move to CBS from the Globes previous home, NBC.  The awards show will also stream on Paramount+ and on the CBS app.  The 81st Golden Globes will air on CBS  Sun., Jan. 7th, 2024.

OBITS:

From Deadline:  Film, television, and Broadway (on and off-) actress, Frances Sternhagen, has died at the age of 93, Monday, November 27, 2023.  She won two Tony Awards ("The Good Doctor," "The Heiress") and was nominated five other times.  She was nominated for three Primetime Emmy Awards, twice for her best known TV role, that of "Esther Clavin," the mother of "Cliff Clavin," on the former NBC sitcom, "Cheers." Sternhagen appeared in such films as "Outland" (1981), "Misery" (1990), and "Doc Hollywood" (1991), to name a few.

From TheCarterCenter:  Former First Lady Rosalynn Carter has died at the age of 96, Sunday, November 19, 2023.  A passionate champion of mental health, caregiving, and women’s rights, Mrs. Carter passed at her home in Plains, Georgia. She died peacefully, with family by her side.  Mrs. Carter was married for 77 years to Jimmy Carter, the 39th president of the United States and the 2002 Nobel Peace Prize recipient, who is now 99 years old. “Rosalynn was my equal partner in everything I ever accomplished,” President Carter said. “She gave me wise guidance and encouragement when I needed it. As long as Rosalynn was in the world, I always knew somebody loved and supported me.”  She is survived by her children — Jack, Chip, Jeff, and Amy — and 11 grandchildren and 14 great-grandchildren. A grandson died in 2015.

From AP:  A timeline of key moments from former First Lady Rosalyn Carter's 96 years

AWARDS:

From Variety:  The winners at the 2023 / 89th New York Film Critics Circle Awards have been announced.  "Killers of the Flower Moon" (directed by Martin Scorsese) was named "Best Film of 2023."  Christopher Nolan won "Best Director" for his film, "Oppenheimer."

From Variety:  The winners at the 2023 / 33rd Annual Gotham Awards were announced Mon., Nov. 27th.  Writer-director Celine Song's South Korean romantic drama, "Past Lives" won the "Best Feature" award.

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ACTORS STRIKE:

From Variety:  SAG-AFTRA has released the full 128-page contract that ended the actors strike on Nov. 8th, with union leaders urging members to vote yes on the deal by the Dec. 5th ratification deadline.

From Deadline:  Actor Matthew Modine says that he voted against SAG-AFTRA's tentative deal to end the actors strike, and that he will vote against the full agreement, which will be released today, Fri., Nov. 24th.

From Deadline:  SAG-AFTRA has produced a summary of its "2023 Tentative Agreement" that ended the 118-day long actors' strike. SAG-AFTRA members can begin voting on the agreement tomorrow, Tues., Nov. 14th. The voting can continue until the first week of December.

From IndieWire:  The site takes a look at the details of the tentative agreement between SAG-AFTRA (the actors' union) and the AMPTP (the Hollywood studios) that ended the 118-day actors' strike.

From Deadline:  The SAG-AFTRA national board, by a majority vote, approved the tentative agreement reached with the AMPTP to end the actors' strike.  Now, the actors vote...

From Variety:  The Hollywood studios have agreed to adjust language on artificial intelligence (AI) in their contract negotiations with SAG-AFTRA to end the 117-day actors' strike.

From THR:  SAG-AFTRA is evaluating the studios' "last, best and final offer" to end the actors' strike.

From Deadline:  The studios have delivered a new contract deal to SAG-AFTRA, the actors' union, and more strike talks are scheduled to be held this weekend.

From Deadline:  Striking actors are set to meet the studios today for Halloween negotiations, but they are still "far apart on key issues."

From Variety:  SAG-AFTRA (actors) and AMPTP (studios) will resume strike negotiations tomorrow (Tues., Oct. 24th).

From Deadline:  SAG-AFTRA President Fran Drescher says that the offer from top-earning Hollywood actors to chip in some money to help end the strike "isn't legally compatible with the union's contract.

From Deadline:  Top earning Hollywood actors want to chip in some money to end the SAG-AFTRA strike.

From Deadline:  George Clooney, Emma Stone, Ben Affleck, Tyler Perry and Scarlett Johansson were among a group of top talent guild members that spoke Tuesday (Oct. 17th) with guild president Fran Drescher and chief negotiator Duncan Crabtree-Ireland for a detailed debrief, we hear.

From Deadline:  The movie studios via AMPTP have suspended their talks with striking actors via SAG-AFTRA.  The snag seems to be that actors want "2 precent of potential profits" on streaming.

From Variety:  SAG-AFTRA (the actors) and AMPTP (the studios) are to resume strike talks Wed., Oct. 11th, as the actors strike enters Day 88.

From Deadline:  The Screen Actors Guild (SAG) and the Hollywood studios CEOs met for strike talks for the first time since the actors went on strike July 14th. They plan to meet again, Wed., Oct. 4th.

BREAKING - From Deadline:  The Writers Guild of America (WGA) has reached a tentative agreement with the Alliance of Motion Picture and Television Producers (AMPTP) to end its strike after nearly five months. The parties finalized the framework of the deal Sunday when they were able to untangle their stalemate over AI and writing room staffing levels.

From WGAContract:  The WGA contract page has additional information on the settlement.

From WGAContract:  A summary of the new agreement.

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From Deadline:   The actors’ strike is now in its 63rd day.  Now, SAG-AFTRA leaders are ramping up their rhetoric against the studio heads, accusing them in the latest issue of the "SAG-AFTRA Magazine" of “behaving like petty tyrants,” “would-be feudal lords” and “land barons in feudal times.”

From Deadline:  Sony Pictures Entertainment CEO Tony Vinciquerra says that Hollywood unions need to embrace AI.

From Deadline:  Warner Bros. Discovery boss David Zaslav says the industry must focus and fight to resolve the writers and actors strikes.

From Deadline:  Hollywood’s superstars are answering the call from the SAG-AFTRA Foundation, donating $1 million or more each to help their fellow performers during the ongoing actors and writers strikes.  Among the big donors are Leonardo DiCaprio, Meryl Streep, Oprah Winfrey, and Ryan Reynolds and Blake Lively.

From Deadline:  If you are interested, here is a list of the film and TV productions SAG-AFTRA has granted waivers to continue filming.

From Variety:  International superstar, Dwayne Johnson, makes a seven-figure contribution to the "SAG-AFTRA Foundation Relief Fund." Foundation president, actor Courtney B. Vance, says the amount will remain confidential.

From Variety:  Why haven't A-list stars joined the SAG-AFTRA picket line?, asks "Variety."

From Deadline:  Author George R.R. Martin, whose works were the basis for HBO's "Game of Thrones," says the strikes will be long and bitter.

From Variety:  Halted film productions due to the writers and actors strikes are costing each Hollywood studio at least 600,000 dollars per week.

From Variety:  Said at a strike meeting: “Without a transformative change in SAG-AFTRA’s current contract with the AMPTP, the acting profession will no longer be an option for future generations of performers, and actors already working in the industry will need to pursue other careers in order to survive.”

From Deadline:  If you are a "social media influencer" who is NOT  a member of SAG-AFTRA, you can be barred from future membership for promoting a film or television series during the actors' strike.

From Variety:  The SAG/AFTRA strike begins in New York and Los Angeles.  Hollywood actors began striking today, Fri., July 14th.

From Deadline:  The site has the video of the powerful strike speech given by SAG-AFTRA president, Fran Drescher, the actress best known for CBS' former sitcom, "The Nanny."

From Deadline: SAG-AFTRA is already preparing strike picket signs in case the actors' strike begins next week.

From Deadline:  The Hollywood studios via the AMPTP has given Canadian actors a new contract, including a 5 percent raise.

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Review: "BLUE BEETLE" is a Family Affair

TRASH IN MY EYE No. 38 of 2023 (No. 1927) by Leroy Douresseaux

Blue Beetle (2023)

Running time:  127 minutes (2 hours, 7 minutes)

MPA – PG-13 for sequences of action and violence, language, and some suggestive references

DIRECTOR:  Angel Manuel Soto

WRITER:  Gareth Dunnet-Alcocer (based on characters from DC Comics)

PRODUCERS:  Zev Foreman and John Rickard

CINEMATOGRAPHER:  Pawel Pogorzelski (D.o.P.)

EDITOR:  Craig Alpert

COMPOSER:  The Haxan Cloak

SUPERHERO/FANTASY/ACTION/FAMILY

Starring:  Xolo Maridueña, Bruna Marquezine, Damien Alcazar, Adriana Barraza, Belissa Escobedo, Elpidia Carrillo, Raoul Max Trujillo, Modesto Lacen, and Harvey Guillén, Susan Sarandon, George Lopez, and  (voice) Becky G

Blue Beetle is a 2023 superhero and action-fantasy film directed by Ángel Manuel Soto.  The film is based on the DC Comics character, Blue Beetle/Jaime Reyes, that was created by Keith Giffen, John Rogers, and Cully Hamner and first appeared in the comic book, Infinite Crisis #3 (cover dated: February 2006).  Blue Beetle the movie focuses on a young man who finds himself chosen to be the symbiotic host of an alien artifact that gives him a suit of armor.

Blue Beetle introduces recent college graduate, Jaime Reyes (Xolo Mariduena), who is returning to his hometown of Palmera City.  He receives a warm welcome from his family:  his father, Alberto Reyes (Damian Alcazar); his mother, Rocio Reyes (Elpidia Carrillo); his Nana (Adrian Barraza), his younger sister, Milagro (Belissa Escobedo); and his uncle, Rudy Reyes (George Lopez).  Jaime soon learns that his family will lose their home due to financial difficulties and to Alberto's poor health.  Still, Jaime is optimistic that he will quickly get a job and make enough money for his family.

Some time later, Jaime meets Jenny Kord (Bruna Marquezine), the daughter of Ted Kord, the currently-missing CEO OF Kord Industries.  Jenny is at odds with her aunt, Victoria Kord (Susan Sarandon), the current CEO.  Jenny discovers that Victoria has dark plans for her recent discovery, an alien artifact called “the Scarab.”  Jenny steals the Scarab, and not knowing its true nature, she passes it on to Jaime.

 

As soon as Jaime touches the Scarab, it activates and attaches to him, creating a suit of armor around him.  The suit gives Jaime extraordinary powers, such as flight, super-strength, and invulnerability, but those powers are unpredictable.  Now, Jaime's family calls him a “superhero.”  However, Jaime isn't sure that he wants to be a superhero, and Victoria Kord will do whatever she has to do – including murder – to regain possession of the Scarab.

The Blue Beetle first appeared in Fox Comics' Mystery Men Comics #1 (cover dated: August 1939) and was the secret identity of a young police officer, Dan Garrett.  The second Blue Beetle first appeared in Charlton Comics' Captain Atom #83 (November 1966) and was Ted Kord, an industrialist and owner of KORD Industries.  I mention this because Dan Garrett is referenced in this film.  Also, Ted Kord, with a new origin, is a major subplot in this film, although the story is that he has been missing for years under mysterious circumstances.

However, this is Blue Beetle/Jaime Reyes' film.  He comes across as a normal young man in his early twenties.  Warner Bros. didn't even cast some muscular young android-like actor for the role.  Xolo Mariduena's body is in good shape, but he looks more like a high school kid still in physical development.  Everything about Xolo comes across as boy-next-door, which makes him more relatable to a larger segment of the audience.  After all, Jaime seems so vulnerable that even an alien suit of armor doesn't seem capable of completely protecting him.  If there is a superhero of the people – the champion next door – Xolo makes Jaime Reyes as Blue Beetle fit the role perfectly.

Like Warner Bros.'s 2019 DC Comics film, Shazam, Blue Beetle emphasizes family, and the Reyes are delightful.  George Lopez's Uncle Rudy is a scene stealer, and I'm glad the story reveals that there is so much more to him than meets the eye.  Of course, one can judge how good a family is by placing it in contrast with a problematic family, and that is the Kords.  Susan Sarandon plays the evil aunt, Victoria Kord, with relish, although she doesn't really go over the top.  The film puts Jenny Kord, smoothly played by actress Bruna Marquezine, at the center of the good family (the Reyes)-bad family (Victoria Kord) dynamic.  Which will Jenny ultimately choose?  Like Shazam, Blue Beetle shows how cool an extended or surrogate family can be, especially to someone in need.

I like what director Angel Manuel Soto does with his collaborators, cast, and crew.  Blue Beetle is an easy-going superhero film that is fun for a family audience, even with the sometimes intense action and dark plot elements.  I'm surprised that the film has as its themes, “imperialism in the name of democracy” and “militarized capitalism,” neither of which are ever portrayed as a good thing.  Uncle Rudy even calls Batman a “fascist,” which has caused a stir in some Internet circles.  This film definitely has an anti-authoritarian streak.

That aside, Blue Beetle is hugely and surprisingly entertaining, and it sparkles with humor.  By focusing on Jaime Reyes as much as it does on the Blue Beetle armor, the film gets to center on the most winning aspect of it story, family and friends.  Blue Beetle won't get the attention of bigger superhero film productions, but it has more heart than most of those other films.

[Blue Beetle has two extra scenes during the end credits.]

7 of 10

B+

★★★½ out of 4 stars

Friday, August 18, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from October 23rd to 31st, 2016 - Update #34

Support Leroy on Patreon.

CULTURE - From YahooMovies:  Elvira Mistress of the Dark, the iconic horror hostess, talks about her regrets in regards to being sexy.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 10/28 to 10/30/2016 weekend box office is "Boo! A Madea Halloween" with an estimated take of $16.67 million.

From Variety:  Marvel's "Doctor Strange" makes its debut overseas with an international box office haul of $86 million.

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SPORTS - From YahooSports:  At the Nebraska-Washington college football game, a fan wears a racist President Obama costume that included a rope around his neck.

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MOVIES - From Variety:  At the 14th Morelia International Film Festival, the top prize goes to the film, "El Vigilante," the debut film of Diego Ros.

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ECO - From Time:  Actress and activist Shailene Woodley tells the truth about her arrest during the #NoDAPL protests.

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COMICS - From Variety:  Frank Miller talks Batman movie and Superman's origins.

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MOVIES - From FlickeringMyth:  David Leitch,who co-directed surprise hit, John Wick, may replace Tim Miller on "Deadpool 2."

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TELEVISION - From YahooTV:  Here's an "American Horror Story: Roanoke" Chapter 7 recap if you need it.

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MOVIES - From TheWrap:  6 mind-bending facts about "Donnie Darko" on its 15th anniversary.

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ECO - From EcoWatch:  Mark Ruffalo and Native Renewables deliver solar panels to #NoDAPL protest site.

From TheGuardian:  Guards who deployed attack dogs against #NoDAPL protestors could face criminal charges.

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TELEVISION - From YahooTV:  Let's revisit SNL's "Count Trump-ula."

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TELEVISION - From Variety:  Talks are under way for a possible revival of hit NBC TV series, "Will & Grace."

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MOVIES - From Variety:  Warner Bros. and Robert Downey, Jr.'s people have announced the writing staff for a third "Sherlock Holmes" movie.

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OBIT - From NYTimes:  Author, social and political activist, and politician, Tom Hayden, died at the age of 76, Sunday, October 23, 2016.  Some may remember him as a former husband of Jane Fonda, with whom he had a son, actor Troy Garity.

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POLITICS - From TheVillageVoice:  Peering into the souls of white folk.


PIXAR - From YahooMovies:  "Toy Story 4" and "The Incredibles 2" switch release dates.  2018 for "The Incredibles 2" and 2019 for "Toy Story 4."

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ECO - From EcoWatch: Leo DiCaprio's documentary, "Before the Flood," exposes destruction of rain forests for palm oil.

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OBIT - From Variety:  One of the Emmy-winning writers of "The Simpsons," Kevin Curran, has died at the age of 59, Tuesday, October 25, 2016.

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MOVIES - From RollingStone:  Ice Cube to play "Fagin" in a contemporary film take on "Oliver Twist."

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ECO - From teleSUR:  Mark Ruffalo and Susan Sarandon join anti-Dakota Pipeline protests.

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MOVIES - From TheWrap:  A tale of two different visions for "Deadpool 2."

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TELEVISION - From YahooTV:  17 million people watch Negan get his kill on in seventh season opener of "The Walking Dead."

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MOVIES - From CinemaBlend:  Spoilers for "Alien: Covenant."

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OBIT - From TheWrap:  Singer and celebrity, Peter Burns, has died at the age of 57, Sunday, October 23, 2016.  Burns was the founder and lead singer of the band, "Dead or Alive," known for the 1985 hit, "You Spin Me Right Round (Like a Record)."

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MOVIES - From Variety:  Margot Robbie in talks to join "Peter Rabbit."  Yeah, no Margot Robbie fatigue... yet.

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TELEVISION - From THR:  FX's "The People vs. O.J. Simpson" smash miniseries almost did not happen.

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TELEVISION - From RollingStone:  5 things Negan's kills (as seen in Episode 1 of Season 7) mean for "The Walking Dead."

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 10/21 to 10/23/2016 weekend box office is Tyler Perry's "Boo! A Madea Halloween."

From YahooMovies:  Madea scares off Jack Reacher at the weekend box office.

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MOVIES - From IndieWire:  Joss Whedon says his next film may be a World War II historical/horror drama.

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MOVIES - From IndieWire:  Tom Cruise says that work is still ongoing to get "Top Gun 2" going.

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SPORTS - From YahooSports:  After 71 years, Major League Baseball's Chicago Cubs return to the World Series.  Game 1 in Cleveland, Ohio vs the Cleveland Indians, Tuesday, October 23, 2016.

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ECO - From RollingStone:  Inside Leo DiCaprio's crusade to save the world.

TRAILERS:

From YouTube:  Final trailer for the sci-fi thriller, "Arrival," which opens November 11, 2016.

Cartoonist Dash Shaw Makes His Directorial Debut at Toronto International Film Festival

Dash Shaw's directorial debut premieres in September

SEATTLE, WA—As reported in The Hollywood Reporter, the Toronto International Film Festival (TIFF) and New York Film Festival (NYFF) held press conferences today to announce their 2016 schedules, and each have accepted cartoonist Dash Shaw’s feature film directorial debut, My Entire High School is Sinking Into the Sea, starring Jason Schwartzman (who plays the “Dash Shaw” character), Lena Dunham, Reggie Watts, Maya Rudolph, and Susan Sarandon. The animated feature, adapted from a short story originally published in Fantagraphics’ MOME anthology and later collected in Shaw’s book, The Unclothed Man in the 35th Century, will make its world premiere at TIFF in September 2016 and U.S. premiere at NYFF in October 2016.

As the New York Film Festival describes the film, “No matter your age, part of you never outgrows high school, for better or worse. My Entire High School Sinking Into the Sea showcases Shaw’s subjective and dreamlike sense of narrative; his empathy for outsiders and their desire to connect; and his rich, expressive drawing style. Packed with action but seen from the inside out, My Entire High School Sinking into the Sea is about friends overcoming their differences and having each other’s backs in times of crisis, and its marvelously complex characters are voiced by an all-star cast.”

Best known for his celebrated graphic novels Bottomless Belly Button, New School, and Doctors (which is currently in development as a live action feature with David Goyer for Twentieth Century Fox), Shaw’s first feature film will premiere the same month as Shaw’s latest graphic novel, Cosplayers (Fantagraphics). This November will also see the release of an all-new Cosplayers one-shot comic book, A Cosplayers Christmas. Artfully celebrating both fandom culture’s obvious theatricality and uniquely D.I.Y. beauty, as well as its often awkward conflation of fantasy and reality, Cosplayers explores these delicate psychological balancing acts via a series of interconnected short stories surrounding two talented young women (Annie and Verti; the latter is also a character in My Entire High School…, voiced by Maya Rudolph) who combine their love of cosplaying with their love of social media and film in order to deepen their relationship with the popular culture they celebrate. Cosplayers depicts their stories in an affectionately funny way, celebrating how much more inclusive and humanistic fandom can be than most of the stories and characters it is built upon.

To support his film and new books, Shaw will be making several public appearances in the Fall, including a conversation with critic Dan Nadel at New York’s Strand Bookstore on August 31st at 7 p.m., and an event at Toronto’s The Beguiling during TIFF (details T.B.A.).

My Entire High School Sinking into the Sea
Directed by Dash Shaw
USA 2016, DCP, 75m

Dash Shaw comics from http://www.fantagraphics.com/

Cosplayers
By Dash Shaw
$22.99 Hardcover
116 pages, full-color
ISBN 978-1-60699-948-6
Pub Date: Sept. 6, 2016

A Cosplayers Christmas (Nov.)
By Dash Shaw
$3.99
32 pages, full-color
Pub Date: Nov. 6, 2016

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Oscar-Winning "Thelma & Louise" Rolls Back into Theaters in August 2016

‘Let’s Keep Going!’ - 25 Years Later, ‘THELMA & LOUISE’ Ride Back Into Cinemas Nationwide on August 21 and 24 Only

Susan Sarandon and Geena Davis Star in Ridley Scott’s Oscar®-Winning 1991 Outlaw Adventure, Which Also Introduced Movie Audiences to Brad Pitt

DENVER--(BUSINESS WIRE)--Twenty-five years ago, in one of the greatest road movies of all time, Geena Davis and Susan Sarandon rode to everlasting fame as two women who embark on a crime spree across the American southwest in “Thelma & Louise” – and on August 21 and 24, 2016, they’re journeying back to more than 500 movie theaters across the country.

    .@FathomEvents News: Tickets on sale to celebrate #ThelmaAndLouise25 anniversary in cinemas nationwide this August

For two days only at 2:00 p.m. and 7:00 p.m. local time, audiences can take the wild ride with Thelma (Geena Davis) and Louise (Susan Sarandon) all over again in a special “Thelma & Louise 25th Anniversary” celebration, presented by Fathom Events, Metro-Goldwyn-Mayer (MGM) and Park Circus. This special two-day-only event also includes an exclusive all-new introduction from movie critic Ben Lyons.

Tickets for the “Thelma & Louise 25th Anniversary” can be purchased online beginning Friday, July 22nd, by visiting www.FathomEvents.com or at participating theater box offices. Fans throughout the U.S. will be able to enjoy this event in more than 500 select movie theaters through Fathom’s Digital Broadcast Network. For a complete list of theater locations, visit the Fathom Events website. (Note that theaters and participants are subject to change.)

Directed by action master Ridley Scott (The Martian, Black Hawk Down, Gladiator) from an Oscar-winning screenplay by Callie Khouri, “Thelma & Louise” is an exhilarating, full-throttle adventure hailed as one of the best road movies of all time! Susan Sarandon and Geena Davis star as accidental outlaws on a desperate flight across the Southwest after a tragic incident at a roadside bar. With a determined detective (Harvey Keitel) on their trail, a sweet-talking hitchhiker (Brad Pitt) in their path and a string of crimes in their wake, their journey alternates between hilarious, high-speed thrill ride and empowering personal odyssey...even as the law closes in.

“There’s never been an on-screen pair quite like Thelma and Louise, and there’s never been a movie as fearless, exciting and provocative. ‘Thelma & Louise’ is as stunning, powerful and downright entertaining as it was when it was released 25 years ago,” Fathom Events Vice President of Studio Relations Tom Lucas said.

Originally released on May 24, 1991, “Thelma & Louise” received six Academy Award nominations, including Best Director (Ridley Scott); Best Actress in a Leading Role for both Susan Sarandon and Geena Davis; Best Cinematography (Adrian Biddle); and Best Editing (Thom Noble), with Callie Khouri winning an Oscar for her memorable screenplay.

Movie fans also have the chance to win the Ultimate Road Trip adventure by posting a selfie with “Thelma & Louise” using the hashtag #ThelmaAndLouise25. Visit the “selfie-standee” in select movie theaters, and read the full contest details at FathomEvents.com/event/thelma-and-louise/more-info/sweepstakes.


About Fathom Events
Fathom Events is recognized as the leading domestic distributor of event cinema, and ranks as one of the largest overall distributors of content to movie theaters. Owned by AMC Entertainment Inc. (NYSE: AMC), Cinemark Holdings, Inc. (NYSE: CNK) and Regal Entertainment Group (NYSE: RGC) (known collectively as AC JV, LLC), Fathom Events offers a variety of one-of-a-kind entertainment events that include live, high-definition performances of the Metropolitan Opera, dance and theatre productions such as the Bolshoi Ballet and National Theatre Live’s Hamlet, sporting events like FS1 Presents USA v Mexico, concerts with Roger Waters and One Direction, the TCM Presents classic film series and faith-based events such as The Drop Box and Four Blood Moons. Fathom Events takes audiences behind the scenes and offers unique extras including audience Q&As, backstage footage and interviews with cast and crew, creating the ultimate VIP experience. Fathom Events’ live digital broadcast network (“DBN”) is the largest cinema broadcast network in North America, bringing live and pre-recorded events to 885 locations and 1,348 screens in 181 Designated Market Areas® (including all of the top 50). For more information, visit www.fathomevents.com.

About Park Circus Ltd
With offices in UK, USA and France, Park Circus is an impassioned and dynamic international film sales and distribution company with years of experience helping audiences around the world experience classic films back on the big screen. Park Circus represents a number of high profile studios and independent producers, including Metro-Goldwyn-Mayer Studios, Paramount Pictures, Sony Pictures Releasing International, Warner Bros. Pictures, Universal Pictures, ITV Studios, Miramax, Samuel Goldwyn Films, The Cohen Film Collection, Exclusive Media, STUDIOCANAL, Revolution Studios, Renown Pictures, Woodfall Films, Icon Film Distribution, Channel Four Television Corporation, and Walt Disney Studios Motions Pictures. Park Circus was the pioneer in making classic films available for Digital Cinema with 1,400 classic films now available for theatrical distribution in this format. Park Circus Limited is part of the Arts Alliance Limited group of companies.

About Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer is a leading entertainment company focused on the production and global distribution of film and television content across all platforms. The company owns one of the world’s deepest libraries of premium film and television content. In addition, MGM has investments in domestic and international television channels. For more information, visit www.mgm.com.

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Emmy-Winner Sela Ward Joins EPIX's Original Series, "Graves"

Sela Ward Joins Nick Nolte to Star in EPIX Original Series Graves

Production Has Commenced in New Mexico

Series Created by Joshua Michael Stern and Produced by Lionsgate to Debut Fall 2016

NEW YORK--(BUSINESS WIRE)--Premium TV network EPIX® announced today that the Golden Globe® and two-time Emmy® award-winning actress Sela Ward has been cast to star with Nick Nolte in Graves, a single-camera, half-hour, political satire produced by Lionsgate. Ward will play Margaret Graves, the wife of former U.S. President Richard Graves (Nolte), who decides to follow her own political ambitions just as her husband embarks on a Don Quixote-like journey to right the wrongs of his administration. Ms. Ward replaces Susan Sarandon who departed the series due to artistic differences. Production has commenced in New Mexico.

    “Known for playing characters with strength, humor and grace, Sela will be a formidable political player and wife to Nick Nolte’s former President in one of EPIX’s first original series.”

“Sela Ward is a gifted talent who has the presence and attitude to bring the character of Margaret and her story to life,” said Mark S. Greenberg, President and CEO, EPIX. “I am delighted that she has joined Graves and I’m confident that the show’s sense of style, storytelling and wit will resonate with premium viewers across all platforms.”

“We are thrilled to have award-winning actress Sela Ward join the cast of Graves,” said Kevin Beggs, Chairman, Lionsgate Television Group. “Known for playing characters with strength, humor and grace, Sela will be a formidable political player and wife to Nick Nolte’s former President in one of EPIX’s first original series.”

Ward, a respected and well-recognized film and TV actor, recently completed filming Independence Day: Resurgence directed by Roland Emmerich. Her film credits include Gone Girl, The Stepfather, The Guardian, The Day After Tomorrow and The Fugitive. Ward won her first Emmy® for Outstanding Lead Actress in a Drama Series in 1994 for her portrayal of ‘Teddy Reed’ in the acclaimed television series “Sisters.” She won her second Emmy® in 2001 in the same category for playing ‘Lily Manning’ in “Once and Again” which also earned her a Golden Globe® Award for that role. Recent television credits include “CSI: New York” and “House M.D.”

Graves cast includes: Nick Nolte as Richard Graves; Sela Ward as Margaret Graves; Skylar Astin as Isaiah Miller; Heléne Yorke as Olivia Graves; Chris Lowell as Jeremy Graves; Callie Hernandez as Samantha; Ernie Hudson as Jacob Mann; Roger Bart as Lawrence and Angélica Maria as Ramona Alvarez.

Created and written by Joshua Michael Stern (Swing Vote, Jobs), Graves is executive produced by Stern and Oscar®-winning producer Greg Shapiro (The Hurt Locker, Zero Dark Thirty) and produced by Bill Hill (“Veep,” “Eastbound & Down”). Production for the 10-episode series will take place in New Mexico. Graves will premiere on EPIX in Fall 2016. The half-hour political satire is produced by Lionsgate.

Ward is represented by The Gersh Agency.


About EPIX
EPIX is a premium movie and original programming entertainment network delivering the latest movie releases, classic film franchises, original documentaries, comedy and music events on TV, on demand, online and on digital devices. Launched in October 2009, EPIX has pioneered the development and proliferation of “TV Everywhere.” It was the first premium network to provide multi-platform access to its content online at EPIX.com and to launch on Xbox, PlayStation®, Android phones and tablets, and Roku® players. EPIX is also available across Chromecast, Apple® iPhones® and iPads®, Android TV and more and is the only premium service providing all its programming on all platforms, delivering more movies than any other premium network, with thousands of titles available for streaming.

EPIX is a joint venture between Viacom Inc., its Paramount Pictures unit, Lionsgate and Metro-Goldwyn-Mayer Studios Inc. (MGM). Through relationships with cable, satellite and telco partners, EPIX is available to over 50 million homes nationwide. For more information about EPIX, go to www.EPIX.com. Follow EPIX on Twitter @EpixHD (http://www.twitter.com/EpixHD) and on Facebook (http://www.facebook.com/EPIX), YouTube (http://youtube.com/EPIX), Instagram (http://instagram.com/EPIX), Google+ (http://plus.google.com/+EPIX), Pinterest (http://pinterest.com/EPIX) and Vine (https://vine.co/EPIX).

About Lionsgate
Lionsgate is a premier next generation global content leader with a strong and diversified presence in motion picture production and distribution, television programming and syndication, home entertainment, digital distribution, new channel platforms, video games and international distribution and sales. Lionsgate currently has more than 30 television shows on over 20 different networks spanning its primetime production, distribution and syndication businesses, including the critically-acclaimed hit series Orange is the New Black, the multiple Emmy Award-winning drama Mad Men, the hit broadcast network series Nashville, the syndication success The Wendy Williams Show, the acclaimed drama Manhattan and the breakout series The Royals.

Its feature film business has been fueled by such successes as the blockbuster first three installments of The Hunger Games franchise, the first two installments of the Divergent franchise, The Age of Adaline, CBS/Lionsgate’s The DUFF, John Wick, Now You See Me, Roadside Attractions' Love & Mercy and Mr. Holmes, Lionsgate/Codeblack Films’ Addicted and Pantelion Films' Instructions Not Included, the highest-grossing Spanish-language film ever released in the U.S.

Lionsgate's home entertainment business is an industry leader in box office-to-DVD and box office-to-VOD revenue conversion rates. Lionsgate handles a prestigious and prolific library of approximately 16,000 motion picture and television titles that is an important source of recurring revenue and serves as the foundation for the growth of the Company's core businesses. The Lionsgate and Summit brands remain synonymous with original, daring, quality entertainment in markets around the world. www.lionsgate.com

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Lorene Scafaria's "The Meddler" at Sony Pictures Classics

SONY PICTURES CLASSICS TO DISTRIBUTE "THE MEDDLER" IN NORTH AMERICA

NEW YORK – Sony Pictures Classics announced that they will theatrically release THE MEDDLER, starring Susan Sarandon, Rose Byrne and J.K. Simmons, in North America. Written and directed by Lorene Scafaria (Seeking A Friend For The End Of The World), the film will have its world premiere at the 2015 Toronto International Film Festival.

Sony Pictures Worldwide Acquisitions acquired worldwide rights to the film prior to the start of the production and will distribute internationally.

THE MEDDLER follows Marnie Minervini (Susan Sarandon), recent widow and eternal optimist, as she moves from New Jersey to Los Angeles to be closer to her daughter (Rose Byrne). Armed with an iPhone and a full bank account, Marnie sets out to make friends, find her purpose, and possibly open up to someone new.

Rounding out the cast are Cecily Strong ("Saturday Night Live"), Jerrod Carmichael (Neighbors) and Michael McKean ("Better Call Saul"). THE MEDDLER is produced by Joy Gorman Wettels of Anonymous Content, with executive producers Susan Sarandon, and Anonymous’ Paul Green and Steve Golin.


ABOUT SONY PICTURES CLASSICS
Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world. Barker and Bernard have released prestigious films that have won 32 Academy Awards® (28 of those at Sony Pictures Classics) and have garnered 158 Academy Award® nominations (132 at Sony Pictures Classics) including Best Picture nominations for WHIPLASH, AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, AND CROUCHING TIGER, HIDDEN DRAGON.

ABOUT SONY PICTURES WORLDWIDE ACQUISITIONS
Sony Pictures Worldwide Acquisitions (SPWA) is a Sony Pictures Entertainment (SPE) company. Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. For additional information, go to http://www.sonypictures.com. Sony Pictures Worldwide Acquisitions can be found on the World Wide Web at http://www.sonypicturesworldwideacquisitions.com.

ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com.

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Review: "Team America: World Police" is Crazy, Smart and True (Happy B'day, Trey Parker)

TRASH IN MY EYE No. 209 (of 2004) by Leroy Douresseaux

Team America: World Police (2004)
Running time:  100 minutes (1 hour, 40 minutes)
MPAA – R for graphic, crude & sexual humor, violent images and strong language; all involving puppets
DIRECTOR:  Trey Parker
WRITERS:  Pam Brady, Matt Stone and Trey Parker
PRODUCERS:  Scott Rudin, Matt Stone, and Trey Parker
CINEMATOGRAPHER:  Bill Pope, A.S.C. (D.o.P.)
EDITOR:  Thomas M. Vogt
COMPOSER:  Harry Gregson-Williams

COMEDY/ACTION/ADVENTURE

Starring:  (voices) Trey Parker, Matt Stone, Kristen Miller, Masasa, Daran Norris, Phil Hendrie, Maurice LaMarche, and Paul Louis

The subject of this movie review is Team America: World Police, a 2004 satirical comedy film from the team of Trey Parker and Matt Stone, the creators of the long-running animated series, “South Park.”  The film’s cast is composed of marionettes (puppets) instead of live actors.  Team America: World Police follows a popular Broadway actor who is recruited by an elite counter-terrorism organization to help stop a dictator who is plotting global terror attacks.

Team America: World Police may be 2004’s funniest film.  Some may consider it the most obnoxious and crass movie of the year, especially after viewing the graphic puppet “sex scene.”  It will certainly go down as one of the most outrageous movies not made by John Waters.  It’s a wonderful send up of action movies, especially as those made by super-producer Jerry Bruckheimer, and the hilarious characters that populate them.  Even the musical scores to Bruckheimer films get it up the butt and in the mouth from this movie.  It’s also a wicked satire of American military aggression and the celebrities who protest it.  However, as good as the film is (and it’s quite good), Team America: World Police frequently falls on its own spear.

Team America is an international police force dedicated to maintaining global security.  And they’re also marionettes; you may best remember marionettes as those puppets on the venerable British TV children’s series, “Thunderbirds.”  Team America’s latest mission takes them to Paris, France, where they fight a handful of terrorists with WMD’s, also known as weapons of mass destruction.  Team America also manages to destroy Paris’ most famous landmarks, and also loose a team member to a terrorist’s bullets.

Team America’s leader, Spottswoode, a gray-headed, older, distinguished gentleman, recruits a young Broadway actor named Gary to replace the fallen comrade.  Spottswoode thinks that Gary will make the perfect spy because in college he was a double major in theatre and world languages.  The other Team America members:  Lisa, Sarah, Chris, and Joe, are wary at first, but they back him up on their first mission to Cairo to infiltrate a band of Islamic fundamentalists with WMD’s.

There is however a larger crisis looming.  Power-mad dictator Kim Jong Il of North Korea has planned a series of simultaneous global terror attacks – imagine 9/11 times 2356.  He’s convinced the Hollywood Film Actors Guild, or F.A.G., and their leader, actor Alec Baldwin, to support a conference in North Korea in which all world leaders will attend.  The conference is merely a cover for the launch of the worldwide terror strikes, which will occur while Baldwin gives his peacenik keynote speech.  Can Team America stop Kim Jong Il…and the actors?

Team America: World Police is the second major studio film from Trey Parker and Matt Stone, the creators of the uproarious and bawdy animated program, “South Park,” on Comedy Central.  Team America, on one hand, is a delightful and loving send up of “Thunderbirds” and the other puppet marionette shows produced by England’s Century 21.  On the other hand, the film is mostly a vicious and brutal satire of the contemporary American political landscape and American self-righteousness.  The use of marionettes instead of actors greatly takes the sense of people getting made fun of to a level that human actors couldn’t go.

Parker/Stone use clever dialogue, over-the-top violence, and hyper-patriotic songs to skewer heavy-handed U.S. military offenses, strikes, and pre-emptive attacks on international locales.  They also use marionettes that closely resemble well known Hollywood and celebrities that protest U.S. military action.  The marionettes, in some cases, barely look like the stars that they’re supposed to resemble; in some cases the resemblance is just close enough not to get the filmmakers sued.  Still, it works enough so that such stars as Alec Baldwin, Tim Robbins, Michael Moore, Susan Sarandon, Matt Damon, Helen Hunt and others are mercilessly lampooned.

But is the movie good?  The answer is a resounding yes; it’s one of the funniest films I’ve seen in years.  However, it is mean-spirited, graphic, obnoxious, brutal, vicious, vulgar, filthy, foul, nasty, rank, etc.  Sometimes, I had a hard time believing that Parker and Stone were going so far in their satire and humor.  Still, they’re not frat boys out of control; every joke and satirical comment and farcical moment seems well conceived.

Team America: World Police, in the end, takes the side of the “good guys,” but Parker and Stone obviously only trust them a little more than the “bad guys.”  They insist that even the protagonists be viewed with a wary eye, so in the end, it’s as if they question that anyone can be trusted.  Fighting assholes who want to kill everyone is a dirty job, and the heroes and their charges may not be “all that” themselves.  Team America: World Police is not perfect, but it’s the work of frankly honest and only barely inhibited filmmakers.  That’s refreshing when “looking good” is so important these days.

8 of 10
A

Updated:  Saturday, October 19, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: "Snitch" Tattles on America's Drug War

TRASH IN MY EYE No. 47 (of 2013) by Leroy Douresseaux


Snitch (2013)
Running time: 112 minutes (1 hour, 52 minutes)
MPAA – PG-13 for drug content and sequences of violence
DIRECTOR: Ric Roman Waugh
WRITERS: Justin Haythe and Ric Roman Waugh
PRODUCERS: Tobin Armbrust, Alexander Yves Brunner, Guy East, David Fanning, Dany Garcia, Matt Jackson, Dwayne Johnson, Jonathan King, and Nigel Sinclair
CINEMATOGRAPHER: Dana Gonzales (D.o.P.)
EDITOR: Jonathan Chibnall
COMPOSER: Antonio Pinto

DRAMA/CRIME with elements of a thriller

Starring: Dwayne Johnson, Barry Pepper, Jon Bernthal, Susan Sarandon, Michael K. Williams, Rafi Gavron, Melina Kanakaredes, Nadine Velazquez, Benjamin Bratt, Lela Loren, JD Pardo, David Harbour, and Harold Perrineau

Snitch is a 2013 crime drama from director Ric Roman Waugh. The film is inspired by Snitch, an episode of the PBS documentary series, “Frontline” (Season 17, 1999). Snitch the movie stars Dwayne Johnson as a father who goes undercover as a drug dealer in order to free his son who was arrested in a drug sting.

Snitch focuses on John Matthews (Dwayne Johnson), who owns a construction company. He receives a phone call from his ex-wife, Sylvie Collins (Melina Kanakaredes), that their son, Jason Collins (Rafi Gavron), has been arrested and charged with distribution of narcotics. The local U.S. Attorney, Joanne Keeghan (Susan Sarandon), tells John and Sylvie that Jason is facing a federal mandatory minimum sentence of 10 years in jail.

In a bid to get Jason’s sentence reduced, John plans to inform on a drug dealer. He asks one of his new employees, Daniel James (Jon Bernthal), who served time in prison for drug distribution, to help him make a connection with a drug dealer. Reluctantly, but in need of the money John offers, Daniel introduces John to Malik (Michael K. Williams), a very dangerous, high-ranking local drug dealer. John’s simple plan turns very complicated when he draws the attention of a drug cartel kingpin, Juan Carlos Pintera a.k.a. “El Topo.”

Because Participant Media is one of the studios behind Snitch, the film has a social and political message, that being the futility of the United States’ “war on drugs.” There is also the need to make an action movie of Snitch, or at least have some action in the form of gunfights and car chases. Thus, Snitch ends up being somewhat muddled; it is part drama, but struggles to also be a message movie and an action film. The film has a slightly awkward pace and a jittery feel, as if the story just needed to start running – to who knows where.

With that said, Snitch is an enjoyable movie. The action is good, and the way the messaging is presented is certainly attention-grabbing. Director and co-writer Ric Roman Waugh makes sure his audience feels his film’s overwhelming theme of injustice. Waugh certainly plays up the notion of “policemen and thieves” as causing confusion and commotion for the people caught in the middle of their dangerous games.

Dwayne Johnson gives a performance that is so intense that he often comes across as stiff – sincere but stiff. Still, you know… he’s a movie star, mesmerizing and alluring, so I overlook the blemishes. Barry Pepper gives one of his best performances ever as Agent Cooper (of the DEA, although this is never made clear in the movie). Benjamin Bratt is like lightning in a bottle when he first appears in what is a small, but pivotal role. As far as I’m concerned, we don’t see Bratt enough.

Although it could have been much better, Snitch is a quality film that is worth seeing. Just because it does present a powerful and compelling portrait of America’s futile drug war makes it worthwhile. Plus, the DVD has a funny and satirical faux-advertisement about going to prison for selling drugs.

6 of 10
B

Wednesday, July 03, 2013

Review: "James and the Giant Peach" a Delight

TRASH IN MY EYE No. 105 (of 2005) by Leroy Douresseaux

James and the Giant Peach (1996)
Running time: 79 minutes (1 hour, 19 minutes)
MPAA – PG for some frightening images
DIRECTOR: Henry Selick
WRITERS: Karey Kirkpatrick, Jonathan Roberts, Steve Bloom (based upon the book by Roald Dahl)
PRODUCERS: Denise Di Novi and Tim Burton
CINEMATOGRAPHERS: Hiro Narita (live action) and Pete Kozachik (animation)
EDITOR: Stan Webb
COMPOSER: Randy Newman
Academy Award nominee

FANTASY/ANIMATION/MUSICAL and ADVENTURE/COMEDY/FAMILY

Starring: Paul Terry, Simon Callow, Richard Dreyfuss, Jane Leeves, Joanna Lumley, Miriam Margolyes, Pete Postlethwaite, Susan Sarandon, and David Thewlis

The subject of this movie review is James and the Giant Peach, a 1996 British-American stop-motion animation film and musical fantasy from director Henry Selick. The film is a co-production of Walt Disney Pictures and the British film production company, Allied Filmmakers.

Stop-motion animation director Henry Selick followed up his 1993 collaboration with Tim Burton, The Nightmare Before Christmas, with James and the Giant Peach. Based upon a children’s book by Roald Dahl (Charlie and the Chocolate Factory and Matilda), James and the Giant Peach is a mixture of live-action film and stop-motion animation.

While not as well done as Burton’s Nightmare Before Christmas, James and the Giant Peach is a beautiful film full of flights of fancy and imagination, and Randy Newman’s Oscar-nominated score (“Best Music – Original Musical or Comedy Score”) provides the delightful backdrop and joyous songs to carry the narrative forward. This film is also more for children than Nightmare Before Christmas (which has a large cult following among adults), but the magic of the filmmaking will still impress older viewers.

After a rogue rhinoceros kills his parents, James (Paul Terry) is forced to live with his nasty Aunt Spiker (Joanna Lumley) and Aunt Sponge (Miriam Margolyes), who make him work hard, go hungry, and bar him from having any fun, but when magic causes a giant peach to grow in his aunts’ backyard, James climbs inside the massive fruit to find adventure (at this point the film goes from live action to stop-motion animation). He befriends a group of giant insects that used to live in his yard; the same magic that grew the peach has made them human-like. Together with his new friends, James embarks on a great adventure to the place his parents had planned to take him, New York City.

Paul Terry is strong and engaging as the film’s central character, and the voiceovers are a treat. Listen for Richard Dreyfuss’ delightful turn as the brash and pugnacious Centipede.

7 of 10
A-

July 3, 2005

NOTES:
1997 Academy Awards, USA: 1 nomination: “Best Music, Original Musical or Comedy Score” (Randy Newman)

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"Cloud Atlas" Soundtrack CD Due November 6 2012

Cloud Atlas Soundtrack Due October 23rd From WaterTower Music

Featuring Original Music by Tom Tykwer, Johnny Klimek, and Reinhold Heil

LOS ANGELES--(BUSINESS WIRE)--WaterTower Music will release the Cloud Atlas: Original Motion Picture Soundtrack at all digital retailers on October 23, with a physical CD release to follow on November 6. The original music was composed by Tom Tykwer, Johnny Klimek, and Reinhold Heil. Tykwer also shares screenwriting and directing credits with filmmakers Lana Wachowski and Andy Wachowski, in bringing David Mitchell’s best-selling novel to the big screen in the October 26th release Cloud Atlas.

Music is a central part of the Cloud Atlas story, particularly in one sequence of the film’s narrative involving a young composer who struggles to complete his life’s work, entitled The Cloud Atlas Sextet. This musical theme then recurs throughout the film and helps to connect multiple threads of action together as a single story moving through time.

“It’s an ever-present melody from a simple string line to a riff in a 1970s rock piece, to a jazz sextet playing in the background at the Cavendish party. We needed something beautiful and malleable enough to take us through five centuries,” said Tykwer. “There are lots of subjective voices in the story, and we were searching for one voice that could encompass them all, to form a beautiful choir.”

Because of this the three composers began working on the music before a single frame of film was shot.

“He prefers this to using temporary music by other composers,” Heil explained. “It allows him to use the temp score without worrying about what will take its place. As the film takes shape in post-production, we see what’s missing or needs changing and re-record the final.”

In the powerful and inspiring epic Cloud Atlas, drama, mystery, action and enduring love thread through a single story that unfolds in multiple timelines over the span of 500 years. Characters meet and reunite from one life to the next. Born and reborn. As the consequences of their actions and choices impact one another through the past, the present and the distant future, one soul is shaped from a killer into a hero, and a single act of kindness ripples across centuries to inspire a revolution.

Everything is connected.

Academy Award® winners Tom Hanks (Philadelphia, Forrest Gump) and Halle Berry (Monster’s Ball) lead a stellar international cast that also includes Oscar® winner Jim Broadbent (Iris), Hugo Weaving, Jim Sturgess, Doona Bae, Ben Whishaw, James D’Arcy, Xun Zhou, Keith David and David Gyasi, with Oscar® winner Susan Sarandon (Dead Man Walking) and Hugh Grant. Each member of the ensemble appears in multiple roles as the story moves through time. Cloud Atlas is produced by Grant Hill, Stefan Arndt, Lana Wachowski, Tom Tykwer and Andy Wachowski, with executive producers Philip Lee, Uwe Schott and Wilson Qui.

The Cloud Atlas: Original Motion Picture Soundtrack on WaterTower Music will be available digitally on October 23, and as a physical CD November 6, 2012.

cloudatlasmovie.com


ABOUT THE COMPOSERS
Tom Tykwer is one of Germany’s most exciting filmmakers and a triple threat (writer, director, composer). In 1999, he made his international breakthrough with the adrenaline-fueled Run Lola Run, which, as well as directing, he also wrote and co-composed with Klimek and Heil. The film was both a commercial and critical success, going on to become the most successful German film of that year. He followed this with The Princess and the Warrior, and then with his first English-language film, Heaven. In 2006, Tykwer co-wrote and directed Perfume: The Story of a Murderer. His next film was the sleek thriller The International. Most recently he completed the German language film 3 (Drei).

Reinhold Heil was born in a small town in West Germany and trained to become a classical pianist. While studying at the Berlin Music Academy, Heil became Nina Hagen’s keyboardist, co-writer, and co-producer and for the next few years honed his craft in what became the legendary Nina Hagen Band. After Hagen left the group, the remaining band members formed Spliff, one of Germany’s most successful rock bands of the 1980s.

Born in Australia, Johnny Klimek paid his dues in a series of gritty pub bands before migrating to Berlin to form the ’80s pop ensemble “The Other Ones” with his siblings. He segued into the club music scene on his own in the ’90s, and, out of the latter emerged his creative marriages to both Heil and Tykwer.

Among Klimek and Heil’s credits are Killer Elite, the TV series Awake, One Hour Photo, the acclaimed TV series Deadwood, and the theme song for Without a Trace. Up next for the duo is I, Frankenstein, starring Bill Nighy and Aaron Eckhart, slated for release in February.

"Cloud Atlas" Set for October 2012 with Tom Hanks and Halle Berry

Warner Bros. Pictures Sets October 26, 2012 for Domestic Release of “Cloud Atlas”

Studio Also Acquires Distribution Rights for Major International Markets

Oscar® Winners Tom Hanks and Halle Berry Lead an International All-Star Cast

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures has officially slated the epic “Cloud Atlas,” from acclaimed filmmakers Lana Wachowski, Tom Tykwer, and Andy Wachowski, for domestic release on October 26, 2012. In addition, the Studio has acquired rights for the film in the major markets of the UK, France, Spain, Australia, and Japan, with plans to release it in those territories in early 2013. The joint announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.

Fellman stated, “Audiences who have seen an early screening of ‘Cloud Atlas’ have been elated by its powerful and inspiring story, as well as its breathtaking visuals. An October release in North America is the perfect window to showcase this epic film.”

Kwan Vandenberg said, “We are proud to be distributing this remarkable motion picture in a number of key markets. We look forward to working with these visionary filmmakers and the other international distribution partners to bring ‘Cloud Atlas’ to moviegoers around the world.”

Academy Award® winners Tom Hanks (“Philadelphia,” “Forrest Gump”) and Halle Berry (“Monster’s Ball”) lead a stellar international cast that includes Oscar® winner Jim Broadbent (“Iris”), Hugo Weaving, Jim Sturgess, Doona Bae, Ben Whishaw, James D’Arcy, Zhou Xun and Keith David, with Oscar® winner Susan Sarandon (“Dead Man Walking”) and Hugh Grant. Each member of the ensemble appears in multiple roles as the stories move through time.

“Cloud Atlas” explores how the actions and consequences of individual lives impact one another throughout the past, the present and the future. Action, mystery and romance weave dramatically through the story as one soul is shaped from a killer into a hero and a single act of kindness ripples across centuries to inspire a revolution in the distant future.

The film is written for the screen and directed by Lana Wachowski & Tom Tykwer & Andy Wachowski. The Wachowskis previously teamed as writers/directors of the groundbreaking “Matrix” trilogy, which earned more than $1.6 billion, combined, at the worldwide box office. Tom Tykwer won an Independent Spirit Award and earned a BAFTA Award nomination as the director/writer of “Run Lola Run,” and more recently directed the award-winning thriller “Perfume: The Story of a Murderer.”

Based on the celebrated best-selling novel by David Mitchell, “Cloud Atlas” is produced by two-time Oscar® nominee Grant Hill (“The Thin Red Line,” “The Tree of Life”), three-time BAFTA Award nominee Stefan Arndt (“The White Ribbon,” “Goodbye Lenin!,” “Run Lola Run”), Lana Wachowski, Tom Tykwer, and Andy Wachowski. Philip Lee, Uwe Schott and Wilson Qiu serve as executive producers, with Peter Lam, Tony Teo and Alexander van Duelmen co-producing, and Gigi Oeri as associate producer.

“Cloud Atlas” will be released in Germany, Austria and German-speaking Switzerland by X-Filme-Verleih; in China by Dreams of the Dragon Pictures; in Hong Kong by Media Asia Group; in Singapore and Malaysia by Ascension Pictures; in Korea by Bloomage Company; in Taiwan by Long Shong Group; in Russia and Eastern Europe by A Company; and in other territories through Focus Features International.

cloudatlasmovie.com

Review: "Bob Roberts" is Timeless and Always Timely (Happy B'day, Tim Robbins)

TRASH IN MY EYE No.170 (of 2005) by Leroy Douresseaux

Bob Roberts (1992)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – R for momentary language
WRITER/DIRECTOR: Tim Robbins
PRODUCER: Forrest Murray
CINEMATOGRAPHER: Jean Lépine
EDITOR: Lisa Churgin
Golden Globe nominee

COMEDY/POLITICAL

Starring: Tim Robbins, Giancarlo Esposito, Ray Wise, Gore Vidal, Alan Rickman, Brian Murray, Harry J. Lennix, Merrilee Dale, Tom Atkins, David Strathairn, Jack Black, Lynne Thigpen, Helen Hunt, Bob Balaban, with John Cusack, Peter Gallagher, Susan Sarandon, James Spader, and Fred Ward

It’s October 1990. A radical folksinger named Bob Roberts (Tim Robbins) becomes a right wing, Pennsylvania senatorial candidate running against an old-school liberal named Senator Brickley Paiste (Gore Vidal). Bugs Raplin (Giancarlo Esposito), radical writer/editor/publisher of the an independent muck-racking newspaper, the Trouble Times, tries to expose Roberts’ alleged ties to the savings and loans scandals and assorted CIA drug-smuggling and gun-running conspiracies of the late 1980’s. British filmmaker, Terry Manchester (Brian Murray), captures this and all the events that follow Roberts’ campaign, in a documentary through which the movie audience follows Bob Roberts’ narrative.

Tim Robbins scathing satirical comedy was probably preaching to the choir and converted in 1992, in particular to moderates, liberals, and leftists frustrated by 12 years of Republicans being in the White House. Still, the film’s blend of campaign antics, singing, music videos, and political scandal made it arguably the best comedy of the year. Robbins performed a rare trick. Wearing three hats: writer, director, and star, he still managed to make the film as much about the American political landscape of the time as it was about Bob Roberts. For all the preaching, the movie is just plain funny, and is in the tradition of that most famous faux documentary film (or “mockumentary”), This is…Spinal Tap. In fact, the film even has a scene that is a sly homage to Spinal Tap (Roberts and his campaign staff wandering through the bowels of a building trying to find their destination).

Robbins, who received a 1996 Golden Globe nomination in the category of “Best Performance by an Actor in a Motion Picture – Comedy/Musical,” is brilliant as the reptilian, Bob Roberts, who is the kind of rich man that likes to act as if he’s just an ordinary guy – the common man. He blends folk and populism into a slick huckster that says all the right catchphrases to appeal to wealthy conservatives and also to the middle class and working class white people (and some Uncle Toms) who still chafe over the changes wrought by the Civil Rights Movement, the Women’s Rights Movement, the anti-Vietnam War protests and other social movements of the 1960’s and early 1970’s. Also quite entertaining are the folk songs, written by Tim and his brother David Robbins (who also composes the film score), which are full of dead-on right wing, ultraconservative, Republican vileness, venom, misinformation, and propaganda. Plus, each diddy has an uncanny ring of truth that in a way appeals even to moderate and liberal sensibilities.

The film also has standout performances by Giancarlo Esposito as a relentless fringe media reporter and Ray Wise as Robbins’ always-on-the-ball and rarely caught off guard campaign handler, Chet MacGregor. Brian Murray provides a steady, soothing voice as the documentary filmmaker/narrator who keeps everything linear and in order so that the audience understands what’s going on. Look for a small gem of a part by Jack Black, as an intense Bob Roberts acolyte. Actually, all the performances have so much verisimilitude that they, along with many others elements of this film, make Bob Roberts uncomfortable to watch. It hits too close to home, and Americans don’t want anyone, including other Americans, pointing out their blemishes, especially when Americans are well aware our dark side – so much so that they’re trying to keep them in the closet, so to speak.

The surprising thing is that 13-years later, this film is still as funny as it was in 1992. In fact, its socio-political commentary (about right wing politics, sound bite political campaigns, slick, ready-for-TV candidates, shadow governments, “illegal” or trumped up foreign wars and covert operations; and slow moving, old school liberal politicians unable get their message to voters or make themselves appealing to voters) is truer today than it was then, making Bob Roberts something rare – a visionary political film both timely and timeless. Even when it becomes surreally bogged in conspiracy towards the end, Bob Roberts keeps it real. It reminds this Louisiana boy too much of the almost successful U.S. senatorial and gubernatorial campaigns of a former Klansman and how popular this racist was at both his and my old alma mater, Louisiana State University.

9 of 10
A+

Monday, November 07, 2005

NOTES:
1993 Golden Globes: 1 nomination: “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (Tim Robbins)

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Disney's "Enchanted" Thrives on Magical Amy Adams

TRASH IN MY EYE No. 22 (of 2008) by Leroy Douresseaux

Enchanted (2007)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – PG for some scary images and mild innuendo
DIRECTOR: Kevin Lima
WRITER: Bill Kelly
PRODUCERS: Barry Josephson and Barry Sonnenfeld
CINEMATOGRAPHER: Don Burgess
EDITORS: Gregory Perler and Stephen A. Rotter
2008 Academy Award nominee

FANTASY/ANIMATION/COMEDY/ROMANCE with elements of a musical

Starring: Amy Adams, Patrick Dempsey, James Marsden, Susan Sarandon, Timothy Spall, Idina Menzel, Rachel Covey, Tonya Pinkins, and Isaiah Whitlock, Jr.

What would happen if fairy tale characters that were like those in such classic Walt Disney feature animated films as Cinderella and Sleeping Beauty entered the gritty, urban real world where there aren’t always happy endings – certainly not of the variety found in many fairy tales? Disney’s recent motion picture, Enchanted, a mixture of 2D animation and live action, answers that question. While Enchanted lacks the magic that makes many Disney animated films so beloved and memorable, it does have one bit of excellent magic – the charming Amy Adams as its star.

Princess-to-be Giselle (Amy Adams) lives a perfect life in the wonderful, musical, fairy tale (animated) kingdom of Andalasia, and that charmed life gets even better when Prince Edward (James Marsden) arrives on his white steed to carry her off, marry her, and make her Princess Giselle. Giselle’s dreams come to an abrupt end when the evil Queen Narissa (Susan Sarandon), Edward’s vile stepmother, exiles her to the cold, cruel, real world of New York City, where the naïve girl finds it difficult to get her bearings. Her rescuers arrive in the unlikely form of a cynical and divorced, divorce lawyer, Robert Philip (Patrick Dempsey), and his lonely young daughter, Morgan (Rachel Covey). Giselle soon falls in love with Robert, who is already more or less engaged to another woman, so Giselle has to wonder if her storybook view of romance can win a man in the real world.

Meanwhile, Edward has followed Giselle to NYC, so Narissa sends her henchman, Nathaniel (Timothy Spall), to keep Edward from finding and reuniting with Giselle. However, if you want something done right, you have to do it yourself, so Narissa blows her way into our world determined to put an end to Giselle once and for all.

Anyone familiar with Amy Adams’ from her other movie appearances already knows that she is enchanting. She is magical in Enchanted, and makes this clunky, nicely conceived, but poorly executed concept worth watching. In creating her character, Giselle, Adams gives flesh and substance to the idea of the beloved “Disney Princess,” and personifies the utterly captivating charm and winning personality of a Cinderella or Sleeping Beauty. Plus, she’s a good singer whose bubbly exuberance gives Enchanted’s Alan Menken/Stephen Schwartz songs some needed bounce. Adams makes the Oscar-nominated “Happy Working Song” seem like it popped out of Disney’s Beauty and the Beast, and she turns “That’s How You Know” into a remarkable and memorable love song in its own right.

On the other hand, practically everything else about this film, directed by Kevin Lima (who co-directed Disney’s 1999 animated feature, Tarzan) is mediocre. It would be ironic to say that the dreadful Patrick Dempsey is perfectly cast as the dull and cynical Robert, but maybe the script didn’t mean for the character to be as grey and colorless as the inexplicably popular Dempsey makes him. Sadly, the overrated Dempsey means that the thoroughly talented James Marsden (X-Men, Hairspray) gets less screen time, which is a pity. Marsden makes the most out of a poorly developed character and turns the saccharine ditty, “True Love’s Kiss,” into a fun song.

The great Susan Sarandon is also under-utilized, and her Narissa never reaches the heights of evil that she should, in spite of Sarandon’s best efforts. No, Disney’s Enchanted is a misfire. Perhaps, the film did indeed have a fairy godmother, but the only magic she gave Enchanted was the delightful Amy Adams.

5 of 10
C+

NOTES:
2008 Academy Awards: 3 nominations for three songs by Alan Menken (music) and Stephen Schwartz: “Happy Working Song,” “So Close,” and “That’s How You Know”

2008 Golden Globes: 2 nominations: “Best Performance by an Actress in a Motion Picture – Musical or Comedy (Amy Adams) and “Best Original Song – Motion Picture” (“That’s How You Know”)

Saturday, April 26, 2008

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