Review: Netflix's "HOT FROSTY" is a Warm Cup of Christmas Cheer

TRASH IN MY EYE No. 51 of 2024 (No. 1995) by Leroy Douresseaux

Hot Frosty (2024) – TV Movie

Running time: 90 minutes

Rated: TV-PG

DIRECTOR:  Jerry Ciccoritti

WRITER:  Russell Hainline

PRODUCERS:  Michael Barbuto, Shane Boucher, and Joel S. Rice; Aren Prupas and Jonas Prupas – executive producers

CINEMATOGRAPHER:  Eric Cayla

EDITOR:  Julia Blau

COMPOSER:  Ari Posner

ROMANCE/COMEDY/CHRISTMAS

Starring:  Lacey Chabert, Dustin Milligan, Lauren Holly, Chrishell Strause, Dan Lett, Katy Mixon Greer, Sherry Miller, Bobby Daniels, Shiloh Obasi, Sophia Webster, Allan Royal, Jennie Esnard, Joe Lo Truglio, and Craig Robinson

SUMMARY OF THE REVIEW:

--Hot Frosty personifies both the silly scenarios and frothy goodness of Christmas television movies, which should please fans of holiday movies

--Hot Frosty is an ode to the joy of life and to enjoying life – at Christmas time and beyond

Hot Frosty is a 2024 American romantic-comedy and Christmas television film from director Jerry Ciccoritti.  The film is a “Netflix Original” and began streaming on the service Wednesday, November 13, 2024.  The film focuses on a widow who magically brings a snowman to life as a real man who promptly brings light back into her life.

Hot Frosty introduces Kathy Barrett (Lacey Chabert), who owns and operates Kathy's Kafe in the downtown section of the small town of Hope Springs.  The cafe is mainly the focus of her life, and her home life, including her house, is slowly falling apart.  Kathy is a widow and she mourns her late husband, Paul, a handyman who kept the house repaired and her heart whole.

It is Christmas time, and Kathy isn't feeling the holiday spirit or cheer.  However, some of her friends want to change things.  Mel (Sherry Miller) and her husband, Theo (Dan Lett), own and operate a clothing shop, “Reclaimed Rags.”  This year, they give Kathy a red scarf, one that is “destined” to help her to seek happiness after her bereavement.

Hope Springs is also in the middle of its “Annual Snow Sculpture Competition.”  On her way home one night, Kathy walks by the entries in the snow sculpture competition.  One of them is of a seemingly naked, muscular young man.  Not feeling the magic of Mel and Theo's red scarf, Kathy drapes it over the sculpture.  Later that night, that snow sculpture (called “the Snowman”) comes to life.  Calling himself, “Jack” (Dustin Milligan), the suddenly alive snowman finds his way to Kathy.  Doubtful at first, she believes that Jack is indeed the snowman upon which she draped the scarf.  Before long, his innocence and boundless joy are breaking down the barriers Kathy put up to protect herself.  But she soon realizes a painful truth:  Jack is doomed to melt.

Lacey Chabert is a former child actress with a long career in film and an even longer career in television, which includes voice-over work.  I keep forgetting that she appeared in the original Mean Girls (2004).  Now, audiences know Lacey for her near constant presence on the American cable television network, the “Hallmark Channel” and on its sister network, “Hallmark Movies & Mysteries.”  In addition to series work, Chabert has appeared in over thirty television films for the network, as of this writing.  One of those TV films, Time for Us to Come Home for Christmas (2020), is one of my all-time favorite Christmas movies.

So about Hot Frosty:  Netflix is in the middle of releasing several Christmas-themed films.  I don't know if they have done this in previous years, but some of the 2024 releases intrigue me.  Hot Frosty immediately caught my attention.

Honestly, I have to admit that I think that Hot Frosty's screenplay, written by Russell Hainline, could be adapted, with a few changes, as a gay-themed romance.  Magically bringing an ice sculpture of a muscular man to life and falling in love with him seems like it could be a gay fantasy, gay fan fiction,a gay daydream... or wet dream.

Obviously, Hot Frosty's scenario is preposterous, but this is a Christmas movie.  That genre has a lot of leeway so that such films can simply be feel-good and spread Christmas cheer or at least lay down a foundation for that.  I have to give director Jerry Ciccoritti credit in assuring that Hot Frosty does have some substance.  Basically, the film is the story about two characters.  First, there is Jack, an object brought to life by magic, and he really wants to live and to enjoy that life.  The tension and conflict in the story comes from the human lead, Kathy, who is just going through the motions of life everyday and who seems disinterested in life.  Jack has to show Kathy that she can find love and happiness, again... if she really wants that.

The joy in Hot Frosty is not in its lack of realism or even in its overwhelming nonsensical nature.  The joy is in watching Jack discover the joys of life and in turn, showing Kathy that she can enjoy life after loss – in spite of her determination not to enjoy life.  I say, “Pshaw!.” the cynicism.  Hot Frosty is not a great movie, but it is great entertainment.  Dear readers, I can't imagine a Christmas season in which Hot Frosty won't feel like a welcomed warm chocolaty drink.

 

7 of 10

B+

★★★½ out of 4 stars

Saturday, November 23, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Review: Steven Spielberg's "Duel" (Countdown to "The Fabelmans")

TRASH IN MY EYE No. 46 of 2022 (No. 1858) by Leroy Douresseaux

Duel (1971) – TV movie
Running time:  90 minutes (1 hour, 30 minutes)
MPAA – PG
DIRECTOR:  Steven Spielberg
WRITER: Richard Matheson (based on his short story)
PRODUCER:  George Eckstein
CINEMATOGRAPHER:  Jack a Marta (D.o.P.)
EDITOR:  Frank Morriss
COMPOSER:  Billy Goldenberg
Primetime Emmy Award winner

THRILLER/ACTION

Starring:  Dennis Weaver, Jacqueline Scott, Eddie Firestone, Lou Frizzell, Lucille Benson, and Carey Loftin

Duel is a 1971 action-thriller and television film directed by Steven Spielberg.  The film is based on the short story, “Duel,” which was first published in the April 1971 issue of Playboy Magazine.  It was written by Richard Matheson, who also wrote this film's teleplay (screenplay).  Duel the movie focuses on a business commuter pursued and terrorized by a driver in a massive tanker truck.

Duel was originally a “Movie of the Week” that was broadcast on ABC November 20, 1971.  Duel was the first film directed by Steven Spielberg, and it is considered to be the film that marked young Spielberg as an up and coming film director.  Following its successful air on television, Universal had Spielberg shoot new scenes for Duel in order to extend it from its original length of 74 minutes for TV to 90 minutes for a theatrical release.  This extended version of Duel was released to theaters internationally and also received a limited release in the United States.  The theatrical version is the subject of this review.

Duel focuses on David Mann (Dennis Weaver), a middle-aged salesman.  One morning, he leaves his suburban home to drive across California on a business trip.  Along the way, he encounters a dilapidated tanker truck that is driving too slow for David.  He drives his car past the tanker, but a short while later, the tanker speeds up and roars past David's car.  After David passes the tanker again, the truck driver blasts his horn.  That sets off a cat and mouse game in which the tanker's seemingly malevolent driver pursues David's car and terrorizes him.  And nothing David does can help him to escape the pursuit.

I think that the mark of a great film director is his or her ability to get the most out of his or her cast and creatives and a maximum effort from the film crew.  Duel is a display of excellent work on the stunt performers and drivers.  Together with the camera crew, sound technicians, and film editor, they deliver a small screen film that offers a big cinematic duel between a small car and relentless tanker truck.

Dennis Weaver delivers a performance in multiple layers as David Mann.  Weaver makes Mann seem like a real businessman type, a cog-in-the-machine and ordinary fellow just trying to make it in the world.  Weaver does not seem to be acting so much as he is living and fighting for survival.

Behind all this is the young maestro, Steven Spielberg.  It is not often that TV movies get the cinematic treatment, but I imagine that the original production company, Universal Television, was quite pleased when they first saw this film.  It is genuinely thrilling and unsettling, and the truck driver (played by stuntman Carey Loftin), who is unseen except for his forearm and waving hand and his jeans and cowboy boots, can unnerve like the best horror film slasher killers.  The way that dilapidated tanker truck moves makes me think that it was a precursor to the shark in Jaws, which would become Spielberg's first blockbuster theatrical film just a few years (1975) after the release of Duel.

Richard Matheson's script for the film seems to want to make the viewer really wonder about the driver.  Is he evil... or a maniac... or demented prankster?  Why does he focus on David Mann?  Has he done this before?  What is his endgame with David?  Does he want to kill him or just punish him.  Does he want to torment David before he crushes him and his car beneath his tanker truck's wheels?

Steven Spielberg brings those questions to fearsome life on the small screen and later big screen.  He makes Duel work both by scaring us and David with the big bad truck and by fascinating us with all these questions concerning the trucker's motivations and David's fate.  Hindsight is just as accurate as foresight in the case of Duel.  Steven Spielberg was great, practically from the beginning.

7 of 10
A-
★★★½ out of 4 stars

Friday, August 12, 2022


NOTES:
1972 Primetime Emmy Awards:  1 win: “Outstanding Achievement in Film Sound Editing” (Jerry Christian, James Troutman, Ronald LaVine, Sid Lubowm Richard Raderman, Dale Johnston, Sam Caylor, John Stacy, and Jack Kirschner – sound editors); 1 nomination: “Outstanding Achievement in Cinematography for Entertainment Programming – For a Special or Feature Length Program Made for Television (Jack A. Marta)

1972 Golden Globes, USA:  1 nomination “Best Movie Made for TV”


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Review: "Hellboy: Sword of Storms" Animates Hellboy

TRASH IN MY EYE No. 40 (of 2007) by Leroy Douresseaux

Hellboy Animated:  Sword of Storms (2006) – TV
Running time:  78 minutes
DIRECTORS:  Phil Weinstein and Tad Stones
WRITERS:  Matt Wayne and Tad Stones; from a story by Tad Stones and Mike Mignola (based upon characters created by Mike Mignola)
PRODUCERS:  Scott D. Greenberg and Sidney Clifton
EDITORS:  John Hoyos and Jeffrey Perlmutter
COMPOSER: Christopher Drake

ANIMATION/FANTASY/ACTION/HORROR

Starring:  (voices) Ron Perlman, Selma Blair, Doug Jones, John Hurt, Peri Gilpin, and Yuriana Kim

Born a little, red demon with a giant hand, Hellboy (Ron Perlman) grew up to become a hero, saving the world from supernatural horrors and apocalypse.  In his latest adventure, the Bureau for Paranormal Research and Defense (the BPRD) sends him to Japan to investigate the disappearance of a college folklore professor.  However, an ancient, enchanted samurai sword transports Hellboy to a spirit world of specters and assorted bogeymen from Japanese folklore.

It seems two storm demons defeated by the sword’s owner and subsequently imprisoned in the sword want to escape to the physical world.  Once there, they’ll open up the floodgates and allow their demonic brethren into our world.  In order to escape from the sword, the storm demons need Hellboy to shatter the sword.  While Hellboy fights in the spirit world, his partners Liz Sherman (Selma Blair) and Abe Sapien (Doug Jones) are stranded off the coast of Japan with their own hands quite full.

Hellboy Animated: Sword of Storms was originally broadcast on the Cartoon Network (October 28, 2006) before being released on DVD in February 2007.  Like 2004’s Hellboy, this animated film is based on the comic books and characters created by veteran comic book artist, Mike Mignola.  The animation for Sword of Storms is as good if not a little better than Marvel and Lionsgate’s Ultimate Avengers direct to DVD films.  Hellboy has several nice action sequences, and the character design is quite nice.

In fact, the script is not only imaginative in its use of Japanese folklore, but the writing here is much better than in the 2004 Hellboy live action film.  As far as taking viewers to exotic locales and creating imaginative supernatural scares, Hellboy Animated is similar to an Indiana Jones movie, but the character writing isn’t as good.  The voice acting is mixed – some good and some average.  Ron Perlman and Selma Blair were average to good as the live action Hellboy and Liz Sherman, respectively, and their voice performances here are the same.

Still, Hellboy Animated: Sword of Storms is really fun to watch, and I’d like to see it again.  Although this isn’t Disney level animation when it comes to creating all things magic and supernatural, this is as good as TV action/fantasy animated features get, and that’s pretty good.

7 of 10
B+

Friday, February 23, 2007

Revised:  Friday, June 12, 2020


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.

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TV One Announces April Debut of "Second Sight," Starring Tatyana Ali

Tatyana Ali Headlines TV One’s Original Thriller Second Sight Premiering Saturday, April 23 at 8 P.M. ET

Radio One Founder Cathy Hughes Executive Produced New Original Movie Also Starring Edwina Findley, Sharif Atkins, Texas Battle and Denise Boutte

SILVER SPRING, Md.--(BUSINESS WIRE)--Starring as a young teacher plagued with visions, Tatyana Ali (Zoe Ever After, Love That Girl!, The Fresh Prince of Bel-Air) returns to TV One in the new made-for-television movie, Second Sight.

Premiering Saturday, April 23, 2016 at 8 p.m. ET, Ali plays Clara Randall, whose gift of “prophesy” leaves her haunted by premonitions of horrific kidnappings. Despite people’s unwillingness to believe her “second sight,” Clara takes it upon herself to search for one of her students who has gone missing. Shot on location in Los Angeles, this suspenseful thriller marks the third project executive produced by Radio One Founder Cathy Hughes and Executive Vice President of Special Projects Susan Banks.

    @TVOne’s new thriller #SecondSight premiers Saturday, April 23 @ 8 PM/ET starring @TatyanaAli

“First with horror, and now suspense, Ms. Hughes and Susan Banks have once again ushered TV One into an entirely new genre for the network,” stated D’Angela Proctor, TV One’s Head of Original Programming and Production. “Driving the network into fresh and unexplored territory is exactly what our new brand promise represents – taking chances and defying expectations.”

Living in a constant nightmare, Clara (Ali) has trouble understanding her abilities as well as convincing others – specifically her boyfriend Tony Prescott (Texas Battle, The Bold and The Beautiful) – that the visions are not just a figment of her imagination. After “seeing” the abduction of a student from her school, she realizes she must take matters into her own hands by following the clues from her visions. Along her mission to save this innocent life, Clara discovers disturbing secrets and lies surrounding those she trusted most.

Denise Boutte (Meet The Browns, For The Love Of Ruth) also makes her network return in the role of Tamara Johnson, Clara’s best friend. Rounding out the cast of stellar actors is Edwina Findley (Get Hard) as Donna Gray and Sharif Atkins (White Collar, Rizzoli & Isles) as Richard Gray, the parents of the kidnapped student Mary Ann, played by Jessica Pressley (For The Love of Ruth).

Second Sight is produced by Digilab Productions for TV One. Radio One Founder Cathy Hughes and Executive Vice President of Special Projects Susan Banks serve as executive producers. Second Sight was written by Susan Banks and Michael Scott serves as Director and Producer. For TV One, Jubba Seyyid is executive-in-charge of production, Robyn Greene Arrington is vice president of original programming and production, and D’Angela Proctor is head of original programming and production.

Encores of Second Sight will also air on TV One on Saturday, April 23 at 10 p.m. ET and Sunday, April 24, 2016 at 8:30 p.m. ET. For more information about TV One’s upcoming programming, including original movies, visit the network’s companion website at www.tvone.tv. TV One viewers can also join the conversation by connecting via social media on Twitter, Instagram and Facebook (@tvonetv) using the hash tag #SecondSight and catch clips and promos on TV One’s YouTube Channel.


ABOUT TV ONE:
Launched in January 2004, TV One (www.tvone.tv) serves 57 million households, offering a broad range of real-life and entertainment-focused original programming, classic series, movies and music designed to entertain and inform a diverse audience of adult Black viewers. The network is the exclusive home of News One Now, the only live daily news program targeting Black viewers. In December 2008, the company launched TV One High Def, which now serves 14 million households. TV One is solely owned by Radio One [NASDAQ: ROIA and ROIAK, www.radio-one.com], the largest radio company that primarily targets Black and urban listeners.

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Review: "High School Musical" is a Feel-Good Classic (Happy B'day, Vanessa Hudgens)

TRASH IN MY EYE No. 116 (of 2007) by Leroy Douresseaux

High School Musical (2006) – TV movie
Running time:  98 minutes (1 hour, 38 minutes)
TV-G
DIRECTOR:  Kenny Ortega
WRITER:  Peter Barsocchini
PRODUCERS:  Bill Borden and Barry Rosenbush (executive producers) and Don Schain
CINEMATOGRAPHER:  Gordon C. Lonsdale (D.o.P.)
EDITOR:  Seth Flaum
COMPOSER:  David Lawrence

MUSICAL with elements of comedy, drama, romance, and sports

Starring:  Zac Efron, Vanessa Anne Hudgens, Ashley Tisdale, Lucas Grabeel, Corbin Bleu, Monique Coleman, Bart Johnson, Alyson Reed, Chris Warren, Jr., Olesya Rulin, and Socorro Herrera

When it debuted on the Disney Channel on January 20, 2006, High School Musical was just another “Disney Channel Original Movie” …to some.  To others, especially the so-called “‘tween” audience (usually described as 10 to12-years old), the telefilm was something special.  It was a smash hit in its time slot when just under eight million viewers tuned in to watch the premier, and the numerous repeat broadcasts since then also remain highly watched.  The High School Musical soundtrack album has been certified quadruple platinum, and the various DVD releases have also sold almost 8 million copies.  So what’s it all about?

High School Musical (HSM) is a twist on Romeo & Juliet and a kind of 21st century take on the hugely successful 1978 film, Grease (itself adapted from a Broadway musical).  HSM is set in Albuquerque, New Mexico and takes place mostly on the campus of East High School, home of the Wildcats.  Troy Bolton (Zac Efron), the basketball team’s star player, and Gabriella Montez (Vanessa Anne Hudgens), a brainiac and the new girl in school, fall in puppy love.  They also end up auditioning for the school winter musical, performing a duet that earns them a call back.

However, Troy and Gabriella find themselves at odds with their family and friends who think that the two should “stick to what they know.”  For Troy, that means devotion to the Wildcats basketball team and the upcoming championship game against West Side High.  Troy feels the most heat from Coach Jack Bolton (Bart Johnson), who is also Troy’s father, and Chad Danforth (Corbin Bleu), Troy’s best friend who is devoted to basketball.  For Gabriella, her friends in the Science Club, especially Taylor McKessie (Monique Coleman), think that Gabriella should focus on the upcoming Scholastic Decathlon.

Meanwhile, the school’s reigning musical duo, fraternal twins, Sharpay Evans (Ashley Tisdale) and her brother, Ryan (Lucas Grabeel, who has a strong, beautiful singing voice), don’t want anyone competing with them for the leads in the winter musical.  Also, Ms. Darbus (Alyson Reed), the school’s drama teacher, isn’t sure she wants a basketball player in her musical, especially Troy because Ms. Darbus and Coach Bolton are often at odds.

Despite that, Troy and Gabrielle get together with fellow student Kelsi Nielsen (Olesya Rulin), a pianist and the winter musical’s composer, and practice their singing.  When Troy’s teammates and Gabriella’s fellow science clubbers learn that the duo is serious about the musical, they conspire to break them apart, but will they end up wishing they’d kept Troy and Gabriella together.

Simply put, I’m a fan of this hugely fun and highly entertaining movie.  I don’t really know why it works.  Perhaps, it’s Disney magic.  I’m not being silly.  Shortly into the film, after two strangers, Troy Bolton and Gabriella Montez, come together and start singing in harmony as if it were always meant to be, one has to believe only Disney can get away with this.  Just feel the magic and charm of this flick and go with it.

The songs are really good, and some of them are just good enough to move the narrative forward or flesh out a plot point, character, or mood.  The acting is credible if not often very good, but when the cast sings or when a song becomes an elaborate song and dance number, the move becomes even more fun.  Maybe, part of its appeal is that many wish their high schools were like East Side High, but since we can’t have that, we can dream.  High School Musical is that happy dream.

7 of 10
B+

NOTES:
2006 Primetime Emmy Awards:  2 wins: “Outstanding Children’s Program” (Bill Borden, Barry Rosenbush, and Don Schain) and “Outstanding Choreography” (Kenny Ortega, Charles Klapow, and Bonnie Story); 4 nominations: “Outstanding Casting for a Miniseries, Movie or a Special” (casting by Jason La Padura and Natalie Hart), “Outstanding Directing for a Miniseries, Movie or a Dramatic Special” (Kenny Ortega), “Outstanding Original Music and Lyrics” (Ray Cham, Greg Cham, and Drew Seeley for the song: "Get'cha Head In The Game"), and “Outstanding Original Music and Lyrics” (Jamie Houston-writer and producer for the song "Breaking Free")

2007 Image Awards:  2 nominations: “Outstanding Children's Program” and “Outstanding Performance in a Youth/Children's Program - Series or Special” (Corbin Bleu)

Friday, August 17, 2007

Updated:  Saturday, December 14, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.