TRASH IN MY EYE No. 30 of 2021 (No. 1768) by Leroy Douresseaux
Soul (2020)
Running time: 100 minutes (1 hour, 40 minutes0
MPAA – PG for thematic elements and some language
DIRECTORS: Pete Docter with Kemp Powers (co-director)
WRITERS: Pete Docter, and Mike Jones, and Kemp Powers
PRODUCER: Dana Murray
CINEMATOGRAPHERS: Matt Aspbury (D.o.P.) and Ian Megibben (D.o.P.)
EDITOR: Kevin Nolting
COMPOSERS: Trent Reznor and Atticus Ross with Jon Batiste (jazz compositions and arrangements)
Academy Award winner
ANIMATION/FANTASY/COMEDY/DRAMA
Starring: (voices) Jamie Foxx, Tina Fey, Graham Norton, Rachel House, Alice Braga, Richard Ayoade, Phylicia Rashad, Donnell Rawlings, Ahmir-Khalib Thompson a.k.a. Questlove, Angela Bassett, Cora Champommier, Margo Hall, Daveed Diggs, Rhodessa Jones, Wes Studi, Sakina Jaffrey, Ochuwa Oghie, Jeannie Tirado, Dorian Lockett, and Marcus Shelby
Soul is a 2020 American computer-animated, comedy-drama, and fantasy film from director Pete Docter and co-director Kemp Powers and is produced by Pixar Animation Studios. Soul is also the first Pixar film to feature an African-American protagonist. Soul focuses on a jazz pianist who finds himself trapped in a strange place that exists between Earth and the afterlife.
Soul introduces Joe Gardner (Jamie Foxx), a pianist living in New York City and who dreams of playing jazz professionally. He is also a middle school music teacher at M.S. 70, and the school's Principal Arroyo (Jeannie Tirado) has just offered to make him a full-time teacher. Joe's mother, Libba, (Phylicia Rashad) insists that he make teaching a full time job, fearing for his financial security as a jazz musician chasing gigs and sessions.
One day, a former student, Lamont “Curley” Baker (Ahmir-Khalib Thompson a.k.a. Questlove), who is now a jazz drummer, tells Joe that there is an opening in the jazz group, “the Dorothea Williams Quartet,” and that auditions are being held at “The Half Note” jazz club. Dorothea Williams is a legend, and playing in a jazz outfit like hers has been Joe's dream for years.
But an accident causes Joe's soul to be separated from his body, and Joe ends up trapped between “the Great Beyond” and “the Great Before.” And perhaps the only thing that can save Joe is helping a wayward soul known as “22” (Tina Fey).
Soul may feature Pixar Animation Studios' first African-American lead, Jamie Foxx's Joe Gardner,, but it is not really a “black film.” The film is not a celebration of ordinary black people, but it dares to imagine black people as ordinary folks who have the same ups and downs, successes and failures, and hopes and dreams as everyone else. Also, Soul is the most adult film that Pixar has produced to date. I think children could enjoy it, but Soul deals with the kind of existential questions that adults face. In fact, I found that the film's story seemed to confront me about my life on more than a few occasions. I also like that the film asks a lot of questions, but bluntly and stubbornly refuses to answer all of them.
I did find the first 50 minutes of Soul to be muddled in terms of the narrative. Everything about it is technically proficient, but the story lacks … soul. It is not until Joe and 22 reach Earth that Soul really begins to grapple with the struggle between living a life with a purpose as in goals and living a life in which once enjoys living.
Whenever I review a Pixar film, I really don't get into the quality of the animation. From the standpoint of technology and art, Pixar has practically always been astounding and awesome. For a long time now, Pixar's computer-animation (or 3D animation) has been so good and so beautifully rendered and colored that it makes me forget that I am watching an animated film. Soul, in its dazzling colors, inventive characters, and imaginative settings (“the Great Beyond” and how it welcomes a soul), is about as strong as its predecessors
Soul's film score recently won an Oscar. Jon Batiste's jazz compositions and arrangements are captivating, and made me feel like I was right there in the performance. Trent Reznor and Atticus Ross' score, especially when the story moves into the realms of the soul, is ethereal, magically, and futuristic, and sounds like music from another world.
I like the voice performances. Jamie Foxx does not fully sound like Jamie Foxx, and, in that, he makes Joe Gardner feel like a genuine character. What more can I say about Tina Fey? As “22,” she shows, once again, that she has talent to burn. Also, I think Phylicia Rashad makes the most of every line she has in the film; she makes Libba Gardner seem like a real mother.
Ultimately, Soul reminds me that I really need Pixar Animation Studios in my life. Pixar's feature films find the best of humanity and emphasize the beauty in us all. This time, Pixar gives us Soul to remind us to look up and notice the beauty in us and in the world around us.
8 of 10
A
Sunday, May 2, 2021
NOTES:
2021 Academy Awards, USA: 2 wins: “Best Achievement in Music Written for Motion Pictures-Original Score” (Trent Reznor, Atticus Ross, and Jon Batiste) and “Best Animated Feature Film” (Pete Docter and Dana Murray); 1 nomination: “Best Sound” (Ren Klyce, Coya Elliott, and David Parker)
2021 Golden Globes, USA: 2 wins: “Best Motion Picture – Animated” and “Best Original Score - Motion Picture” (Trent Reznor, Atticus Ross, and Jon Batiste)
2021 BAFTA Awards: 2 wins: “Best Animated Feature Film” (Pete Docter and Dana Murray) and “Original Score” (Jon Batiste, Trent Reznor, and Atticus Ross); 1 nomination: “Best Sound” (Coya Elliott, Ren Klyce, and David Parker)
The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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is example of the magic Miyazaki can create through 2D animation. Such scenes as the ocean storms with its seething waves, swelling surfs, and those odd-looking wave spirits are breathtaking in their ability to depict the might and power of the ocean. The night scenes that depict the storms hammering the coast along the small fishing village in which this film is set are simply terrifying. I felt the kind of fear I usually only feel when watching night scenes in horror movies.
, one might think the design of the characters and setting look rather simply, like the art and illustrations one might produce for a daily comic strip. That simplicity in design, however, belies the magic that happens when the drawings are connected to form a “moving picture.” The color, the movement, the visual effects, and the sound come together at the behest of the maestro Hayao Miyazaki, and cinematic magic is a real thing. From the majesty of Ponyo’s mother, Granmamare (Cate Blanchett), to the simple enchantment of a low tide full of prehistoric fish, Ponyo is poetic and has the magic to charm adults and children. I will not stop using the word “magic” to describe Miyazaki’s work, and when you see one of his films, you will see why.