Review: "Jack Ryan: Shadow Recruit" a Disappointing Reboot

TRASH IN MY EYE No. 57 (of 2014) by Leroy Douresseaux

Jack Ryan: Shadow Recruit (2014)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA - PG-13 for sequences of violence and intense action, and brief strong language
DIRECTOR:  Kenneth Branagh
WRITERS:  Adam Cozad and David Koepp (based on characters created by Tom Clancy)
PRODUCERS:  David Barron, Lorenzo di Bonaventura, Mace Neufeld, and Mark Vahradian
CINEMATOGRAPHER:  Haris Zambarloukos
EDITOR:  Martin Walsh
COMPOSER:  Patrick Doyle

ACTION/SPY/THRILLER

Starring:  Chris Pine, Keira Knightley, Kevin Costner, Kenneth Branagh, Lenn Kudrjawizki, Alec Utgoff, Nonso Anozie, Seth Ayott, Colm Feore, and David Paymer with Mikhail Baryshnikov

The subject of this movie review is Jack Ryan: Shadow Recruit, a 2014 action and espionage thriller from director, Kenneth Branagh.  This is the fifth film in the Jack Ryan film franchise, which began with 1990's The Hunt for Red October (based on the novel by the late author, Tom Clancy).  Shadow Recruit focuses on a young Jack Ryan as he tries to uncover a Russian plot against the United States.

Jack Ryan: Shadow Recruit opens at the London School of Economics, where Jack Ryan (Chris Pine) is a student.  The film also opens on September 11, 2001, the day of the terrorists attacks on New York City and Washington D.C.  Ryan joins the U.S. Marines after the attacks, but he is critically injured during a mission.  While undergoing recovery, Ryan meets and falls for Cathy Muller (Keira Knightley), a young medical student.  Muller, however, is not the only one who is watching Ryan.

Thomas Harper (Kevin Costner) of the CIA recruits Ryan into the agency.  A covert analyst, Ryan works for a Wall Street stock brokerage as a cover.  There, he discovers a Russian plot to crash the U.S. economy via a terrorist attack.  Ryan first dangerous mission takes him to Moscow to face the sinister Viktor Cherevin (Kenneth Branagh), but this dangerous mission suddenly takes a decidedly lethal turn.

Jack Ryan: Shadow Recruit is a reboot of the Jack Ryan film franchise.  This is actually the second reboot of Jack Ryan, as The Sum of All Fears (2002) was a fresh start for the franchise with Ben Affleck as Ryan.  Shadow Recruit is also the first Jack Ryan film not based on one of Tom Clancy's novels.  Perhaps, not being based directly on a Clancy novel is the missing ingredient for this film.  It lacks the complexity and large size of Clancy's work.  As for the screenplay:  Tom Clancy ain't Shakespeare, but he was quite good at what he wrote, and screenwriters Adam Cozad and David Koepp are not Clancy

Shadow Recruit does not have to reinvent the action-thriller, let alone the Jack Ryan movie, and it certainly does neither.  This film is a well-produced movie with some good moments, especially those that take place in Moscow.  Ultimately, Shadow Recruit is nothing special, nor is it particularly slick, a characteristic of big-budget, big studio American action films.

I like Chris Pine, but I think that at the age of 33 (when the film was made), he looks too young and too boyish, and lacks the gravitas to play Jack Ryan.  Kenneth Branagh plays beneath his talent here, and it's evident; he looks tired/bored as Viktor Cherevin.

Seriously, I think Jack Ryan: Shadow Recruit is best as a past-time you watch on an over-the-air television station one lazy Sunday afternoon.  Sadly, though, I think the Jack Ryan film franchise is done for, and that's a shame.

5 of 10
C+

Sunday, December 14, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: "The Hunt for Red October" Still a Goodie

TRASH IN MY EYE No. 3 (of 2014) by Leroy Douresseaux

The Hunt for Red October (1990)
Running time:  134 minutes (2 hour, 14 minutes)
MPAA – PG-13 for some intense action/violence and language
DIRECTOR:  John McTiernan
WRITERS:  Larry Ferguson and Donald Stewart (based on the novel by Tom Clancy)
PRODUCER:  Mace Neufeld
CINEMATOGRAPHER:  Jan De Bont (D.o.P.)
EDITORS:  Dennis Virkler and John Wright
COMPOSER:  Basil Poledouris
Academy Award winner

DRAMA/ESPIONAGE/ACTION/THRILLER

Starring:   Sean Connery, Alec Baldwin, Scott Glenn, Sam Neill, Richard Jordan, Peter Firth, Tim Curry, Courtney B. Vance, Stellan Skarsgard, Jeffrey Jones, Fred Dalton Thompson, Daniel Davis, Gates McFadden, and James Earl Jones

Advertisements for the upcoming film, Jack Ryan: Shadow Recruit, tout it as the return of the Tom Clancy thriller to the big screen.  That little bit of hard-selling made me want to see the first Tom Clancy thriller to hit movie theatres, again.

The Hunt for Red October is a 1990 naval thriller and action movie from director John McTiernan.  The film is based on The Hunt for Red October, a novel by the late author Tom Clancy that was first published in 1984.  The Hunt for Red October the movie focuses on a rogue Soviet submarine captain and the young CIA analyst who is trying to figure out his every move.

The Hunt for Red October opens in 1984 in the USSR and introduces Captain Marko Ramius (Sean Connery).  He commands the Red October, a ballistic missile submarine that is virtually undetectable.  The ship’s first mission is to be part of USSR war game exercises, but early in the mission, the Red October disappears.

In the United States, a young CIA analyst, Jack Ryan (Alec Baldwin), gets an assignment from Vice Admiral James Greer (James Earl Jones), CIA Deputy Director of Intelligence.  Ryan must discover Ramius’ intentions before a war breaks out between the Americans and the Russians over the missing Red October.  Is Ramius trying to defect, or to start a war?

Tom Clancy’s intrepid CIA agent, Jack Ryan, makes his first big screen appearance in The Hunt for Red October.  Actor Harrison Ford would play the character in 1992’s Patriot Games and 2004’s Clear and Present Danger.  Ben Affleck would play Ryan in The Sum of All Fears (2002), which I have not seen as of this writing.  Clear and Present Danger is one of my all-time favorite movies, and honestly, I can’t say if I like Baldwin or Ford more as Ryan, because both are among my favorite actors.

The Hunt for Red October is not a great movie, but it is greatly entertaining.  It is skillfully directed by John McTiernan, who, for a time from the late 1980s to the mid-1990s, was one of the supreme directors of big, masculine, and loud action movies.  The expert film editing in this movie reveals McTiernan’s efficiency at creating a story that is part clever and deceptive game and part espionage thriller – all wrapped inside the mechanics of a military film.

Sean Connery as Ramius and Alec Baldwin as Ryan are convincing and proficient, and while this is not their best work, they create characters we want to be next to and follow into adventure.  I had not seen this movie in years, but it is as good as or maybe even better than I remember.  The Hunt for Red October is the techno-thriller that does not require the viewer to be smart to watch it.  That is not a slap at the audience; that’s a compliment to say that The Hunt for Red October is a smart movie that is also successful at entertaining.

8 of 10
A

NOTES:
1991 Academy Awards, USA:  1 win: “Best Effects, Sound Effects Editing” (Cecelia Hall and George Watters II); 2 nominations: “Best Sound” (Richard Bryce Goodman, Richard Overton, Kevin F. Cleary, and Don J. Bassman), and “Best Film Editing” (Dennis Virkler and John Wright)

1991 BAFTA Awards:  3 nominations: “Best Actor” (Sean Connery), “Best Production Design” (Terence Marsh), “Best Sound” (Cecilia Häll, George Watters II, Richard Bryce Goodman, and Don J. Bassman)

Friday, January 17, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: "Clear and Present Danger" is Presently Really Good (Happy B'day, Harrison Ford)

TRASH IN MY EYE No. 66 (of 2006) by Leroy Douresseaux

Clear and Present Danger (1994)
Running time: 141 minutes (2 hours, 21 minutes)
MPAA – PG-13 for some intense action/violence and language
DIRECTOR: Philip Noyce
WRITERS: Donald Stewart, Steven Zaillian, and John Milius
PRODUCERS: Mace Neufeld and Robert Rehme
CINEMATOGRAPHER: Donald McAlpine
EDITOR: Neil Travis
Academy Award nominee

DRAMA/ESPIONAGE/ACTION/ADVENTURE

Starring: Harrison Ford, Willem Dafoe, Anne Archer, Joaquim de Alemeida, Henry Czerny, Harris Yulin, Donald Moffat, Miguel Sandoval, Benjamin Bratt, Raymond Cruz, Thora Birch, Ann Magnuson, Greg Germann, Vondie Curtis-Hall, Belita Moreno, Ted Raimi, and James Earl Jones

Tom Clancy’s intrepid CIA agent, Jack Ryan, makes his third big screen appearance, with Harrison Ford reprising the role of Ryan, which he first played in 1992’s Patriot Games, after replacing Alec Baldwin, who played Ryan in The Hunt for Red October.

When his mentor, Admiral James Greer (James Earl Jones) becomes gravely ill, Jack Ryan (Ford) is assigned the position of acting CIA Deputy Director of Intelligence, but he meets some resistance in the form of two fellow CIA officers, Robert Ritter (Henry Czerny) and James Cutter (Harris Yulin). Ryan’s first assignment is to investigate the murder of a prominent U.S. businessman and his family. A friend of President Bennett (Donald Moffat), the murdered businessman apparently had secret ties to a Columbian drug lord, Ernesto Escobedo (Miguel Sandoval).

Unbeknownst to Ryan, Ritter and Cutter, with an unofficial, official go-ahead from President Bennett, have already dispatched a Columbian-based U.S. field operative named John Clark (Willem Dafoe) to lead a paramilitary force against the Columbian drug lords, Escobedo in particular. Ryan also finds that he must match wits with a Latin American version of himself, (Joaquim De Alemeida), who works for Escobedo. Caught in the middle of a brewing scandal and the crossfire of an illegal war, Ryan risks his career and life and jumps into the fray to uncover the thing that means the most to him – the truth.

Clear and Present Danger is the kind of espionage thriller that stands up to repeated viewings because it is also a very good drama, but the main reason the film remains popular is Harrison Ford. As he did so well from the early to the mid-90’s, Ford plays the self-righteous, heroic, sensitive macho man who fights for truth and justice (and sometimes the American way). He is a do-right man, but not just for the ladies. Here, he plays it to the hilt, grim-faced when confronted by lies and wrongful death, grim and solemn over a friend or colleague’s demise, and grimly but gamely going after the baddies.

Clear and Present Danger presents a cerebral Jack Ryan against a cast of Machiavellian bad guys, in particularly a trio of Americans willfully and recklessly waging a misguided and illegal war in the name of revenge and political expediency. Sound familiar? Although Clear and Present Danger seems at times to be a television mini-series (length and narrative structure), this timeless and timely tale, propped up by an amazing leading man (in the true sense of the term), maintains its edge and thrills.

8 of 10
A

NOTES:
1995 Academy Awards: 2 nominations: “Best Effects, Sound Effects Editing” (Bruce Stambler and John Leveque) and “Best Sound” (Donald O. Mitchell, Michael Herbick, Frank A. Montaño, and Art Rochester)

Monday, April 03, 2006

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