Negromancer News Bits and Bites from Nov. 1st to 9th, 2024 - UPDATE #14

by Leroy Douresseaux a.k.a. "I Reads You"

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NEWS:

MOVIES - From Deadline:  "Gladiator II" director Ridley Scott and star Paul Mescal will reunited in the film, "The Dog Stars." The film is due to start filming next spring.

GRAMMYS - Deadline:  The nominations for the 2025 / 67th annual Grammy Awards have been announced.  Beyonce leads the pack with 11 nominations.  The winners will be announced Sunday, February 2, 2025.

BOX OFFICE - From BoxOfficePro:  The winner of the 11/1 to 11/3/2024 weekend box office is Sony Picture's "Venom: The Last Dance" with an estimated take of 26.1 million dollars.

From Deadline:  Lionsgate CEO Jon Feltheimer speaks on the box office bomb that was the "Borderlands" movie.  "Everything that could go wrong did go wrong."

MOVIES - From Variety:  Actress-producer Eva Longoria reveals that she has made over 12 million dollars off her 6 million dollar investment in the 2014 film, "John Wick."  She says that she is still getting checks off the film a decade after her six million dollar investment saved the film from being cancelled. She says her only regret is not investing in the "John Wick" sequels.

MOVIES - From ScreenRant:  The site offers a first-look at actor Billy Zane as legendary actor Marlon Brando in the biopic, "Waltzing with Brando."

MOVIES/CELEBRITY - From THR:  Tom Cruise is very busy, including developing a sequel to his 1990 racing movie, "Days of Thunder."  Meanwhile, he and Paramount have some disagreements about "Mission: Impossible 8," which apparently has cost... 400 million dollars.

MOVIES - From THR:  Oscar-nominee William H. Macy has joined star Glen Powell in Edgar Wright's new film version of the Stephen King/Richard Bachman's novel, "The Running Man."

POLITICS/STREAMING - From YahooEntertainment:  Democratic politician and activist, Stacey Abrams told Yahoo Entertainment that she finds the argument that pop stars should stick to music “extraordinarily reductive.” Beyoncé and Taylor Swift are among the pop stars getting political. "We shouldn't expect entertainers to shut up and sing," Abrams says.  Abrams and actress and activist, Selena Gomez, have produced a new documentary, "Louder: The Soundtrack of Change" (now streaming on Max), that shows how female musicians have been involved in the fight for equal rights across generations.

OBITS:

From Variety:  American film and television actor and voice performer, Tony Todd, has died at the age of 69, Wednesday, November 6, 2024.  He was best known for playing the title role in the original "Candyman" films (1992 to 1999, and a cameo in the 2021 film) and in the "Final Destination" film franchise. Todd also appeared in such films as "Platoon" (1986), the 1990 version of "Night of the Living Dead," and "Wishmaster" (1997), to name a few.  His best known TV work was as "Kurn," the brother of series regular "Lt. Worf," on "Star Trek: The Next Generation" and "Star Trek: Deep Space Nine" over four episodes.  Todd was also a prolific voice actor whose work appeared in numerous video games and in animated films and TV featuring DC Comics' characters.

From Deadline:  American singer and recording artist, Tyka Nelson, has died at the age of 64, Monday, November 4, 2024.  Nelson was the late recording artist Prince's only full sibling.  Nelson released four studio albums from 1988 to 2011 and had a Billboard's Hot R&B/Hip-Hop Songs chart in 1988 with "Marc Anthony's Song."

From Variety:  American record producer, recording artist, songwriter, bandleader, and film and television composer, Quincy Jones, has died at the age of 91, Sunday, November 3, 2024.  Jones may be best known for producing Michael Jackson's three most successful studio albums, "Off the Wall" (1979), "Thriller" (1982), and "Bad" (1987).  He provided the musical score for numerous films, including "In the Heat of the Night" (1967), "The Italian Job," and "The Color Purple" (1985), to name a few. He also provided the theme for the TV series, "Hey Landlord" and "Sanford and Son."  Jones received 80 Grammy Award nominations and won 28 of them.  He won an Primetime Emmy Award for his work on the ABC miniseries, "Roots."  He won a Tony Award for the revival of the musical, "The Color Purple." Jones was nominated seven times for the Academy Award and received the "Jean Hersholt Humanitarian Award."

From Deadline:  Entertainment industry tributes continue to pour in for legendary producer and recording artist, Quincy Jones.

From Variety:  "Variety" offers the 15 best examples of recording artists sampling the late Quincy Jones' music. The list includes Kanye West, The Weeknd, and Harry Styles.

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From THR:  American television actor, Alan Rachins, has died at the age of 82, Saturday, November 2, 2024.  Rachins was best known for playing attorney Douglas Brachman, Jr. on the former NBC legal drama, "L.A. Law" (1986-94) and for playing "Larry," Dharma's hippie father, on the former ABC sitcom, "Dharma & Greg" (1997-2002).  He also appeared in the notorious 1995 film, "Showgirls."  For his work on "L.A. Law," Rachins received a 1988 Primetime Emmy Award nomination.

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MOVIE AWARDS:

From Deadline:  The 2024 / 34th Gotham Awards kick off the 2024-25 movie awards season by announcing its nominations for achievement in film.  Director Sean Baker's "Anora," which won the Palme d'Or at Cannes this year, leads with four nominations.  The winners will be announced Monday, December 2, 2024.

Review: "JUSTICE LEAGUE DARK: Apokolips War" - As Endings Go, This One is Good

TRASH IN MY EYE No. 8 of 2022 (No. 1820) by Leroy Douresseaux

Justice League Dark: Apokolips War – video (2020)
Running time:  90 minutes (1 hour, 30 minutes)
MPAA – R for bloody violence, language, and some sexual references
DIRECTORS:  Matt Peters and Christina Sotter
WRITERS:  Ernie Altbacker and Mairghread Scott; from a story by Mairghread Scott (based on characters appearing in DC Comics)
PRODUCER:  Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and James Tucker
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann
ANIMATION STUDIO:  Tiger Animation

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Matt Ryan, Camilla Luddington, Taissa Farmiga, Jerry O'Connell, Rebecca Romijn, Rosario Dawson, Jason O'Mara, Stuart Allen, Hynden Walch, Rainn Wilson, Liam McIntyre, Ray Chase, John DiMaggio, Roger Cross, Shemar Moore, Christopher Gorham, and Tony Todd

Justice League Dark: Apokolips War is a 2020 straight-to-video animated superhero film from Warner Bros. Animation.  It is the thirty-eighth film in Warner Home Video's line of “DC Universe Animated Original Movies.”  This film features the marquee DC Comics superhero teams:  Justice League, Teen Titans, and Suicide Squad.  The title of the movie references the supernatural-leaning version of the Justice League, the “Justice League Dark.”  In Justice League Dark: Apokolips War, the Earth's remaining superheroes engage in an epic battle to save what is left of Earth from Darkseid.

As Justice League Dark: Apokolips War opens, Superman (Jerry O'Connell) has devised a plan in which the Justice League will lead a first-strike attack on the all-powerful New God, Darkseid (Tony Todd), who has made two failed attempts at conquering Earth.  The plan is also for the Teen Titans to stay behind and protect the planet.  Unfortunately for the heroes of Earth, Darkseid has learned of their plans and overwhelms them with his “Paradooms,” a genetic hybrid creature made from combination of Darkseid's Parademons and Doomsday, the alien creature that once “killed” Superman.

Two years later, Earth is in ruins, and Darkseid has placed three devices, known as “Reapers,” on Earth to mine the planet's core of its magma.  Some superheroes, such as Cyborg (Shemar Moore), Wonder Woman (Rosario Dawson), and Batman (Jason O'Mara), are now Darkseid's slaves.  Many of the surviving heroes blame Clark Kent/Superman for leading them into failure, and worse, Superman has been forcibly de-powered after Darkseid tattooed his chest with liquid kryptonite.  Still, the Man of Steel has not given up on saving Earth.

Supeman and Lois Lane (Rebecca Romijn) have hatched a new plan to stop Darkseid.  Clark recruits the remaining Teen Titans, Damian Wayne/Robin (Stuart Allen) and Raven (Taissa Farmiga), who is struggling to maintain her father, Trigon's (John DiMaggio) imprisonment.  But everything may hinge on the troublesome con man and sorcerer, John Constantine (Matt Ryan).

Within the “DC Universe Animated Original Movies,” there is the “DC Animated Movie Universe.”  The line began in 2013 with the straight-to-video release of Justice League: The Flashpoint Paradox and is comprised of 15 feature length films.  The point of the “DC Animated Movie Universe” was to make animated films that were loosely based on “The New 52.”  Started in 2011, “The New 52” was the publishing initiative in which DC Comics relaunched its entire line of superhero comic books.

Justice League Dark: Apokolips War is the last film in the “DC Animated Movie Universe.”  That factoid is second in importance to the fact that Justice League Dark: Apokolips War is a really good DC Comics animated film.  The film probably uses the “Justice League Dark” title rather than simply “Justice League” because of the tone of the story and because, in many ways, John Constantine, the star of 2017's Justice League Dark animated film, is the lynch pin of Apokolips War.

Justice League Dark: Apokolips War takes the viewers in some inventive and intriguing directions in regards to characters, relationships, and mythologies.  The film offers a surprising amount of emotionally fulfilling character drama and arcs, including the usual Lois Lane and Clark Kent relationship.  However, John Constantine and Zatanna (Camilla Luddington) offer a poignant pairing, but the most surprising is the romance between Damian Wayne and Raven.  They're good enough to be the stars of their own animated film.

The surprising turns and compelling directions in which this film travels are matched by some high quality animation, a strong script, and some surprisingly lean and mean directing.  Such a large cast and so many subplots could have dragged on Apokolips War.  Instead, Justice League Dark: Apokolips War is an exciting and riveting film, and it is a great way to end one universe in the DC Comics multiverse.

8 of 10
A

Wednesday, August 18, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: CANDYMAN 2021 is a Good Horror Movie and an Even Better Black Movie

TRASH IN MY EYE No. 51 of 2021 (No. 1789) by Leroy Douresseaux

Candyman (2021)
Running time: 91 minutes (1 hour, 31 minutes)
MPAA – R for bloody horror violence, and language including some sexual references
DIRECTOR:  Nia DaCosta
WRITERS:  Jordan Peele & Win Rosenfeld and Nia DaCosta (based on characters created by Clive Barker and Bernard Rose)
PRODUCERS:  Ian Cooper, Jordan Peele, and Win Rosenfeld
CINEMATOGRAPHER:  John Guleserian (D.o.P.)
EDITOR:  Catrin Hedström
COMPOSER:  Robert Aiki Aubrey Lowe

HORROR/DRAMA/FANTASY

Starring:  Yahya Abdul-Mateen II, Teyonah Parris, Nathan Stewart-Jarrett, Colman Domingo, Kyle Kaminsky, Vanessa Williams, Brian King, Miriam Moss, Rebecca Spence, Carl Clemons-Hopkins, Rodney L. Jones III, and Tony Todd

Candyman is a 2021 supernatural horror and slasher film from director Nia DaCosta.  The film is written by DaCosta and Win Rosenfeld and Jordan Peele of Get Out fame.  This new film is adapted from the short story, “The Forbidden,” by Clive Barker and from the 1992 film adaptation of Barker's story, entitled Candyman, which was written and directed by Bernard Rose.  Candyman 2021 is also a “spiritual sequel” to the 1992 film and is set in the now-gentrified Chicago neighborhood where the legend of the notorious and murderous boogeyman began.

Candyman is set in the Cabrini neighborhood on the North Side of Chicago.  Visual artist and painter, Anthony McCoy (Yahya Abdul-Mateen II), lives and his girlfriend, Brianna Cartwright (Teyonah Parris), an art gallery director, live there, navigating the treacherous world of modern art.  But once upon a time, Cabrini was the infamous “Cabrini-Green Homes” (projects), which have now been gentrified beyond recognition.  Still, some sections of the old Cabrini-Green still exist near where Anthony and Brianna live.

Around Cabrini, there is a ghost story (of sorts) about a white woman, Helen Lyle, who went crazy and, among many things, kidnapped an African-American baby.  Anthony meets William Burke, a Cabrini-Green old-timer, and William informs Anthony of Cabrini-Green's true boogeyman, the supernatural killer, Candyman.  The story goes that if someone stares into a mirror and says Candyman's name five times, he will appear and kill that person.

With his art career seeming to stall, Anthony uses the horrific nature of the legend of Candyman as inspiration for a new series of paintings and art.  However, Anthony is unaware that he has unleashed something that will test his sanity and that has a shocking connection to his past.  And the brutal murders have begun.

Candyman is as much about African-American history and folklore as it is about the mythopoeia (mythology) of Candyman.  The writers focus on a world in which Black people, especially impoverished and powerless Black people, are moved around and used as pawns by the White supremacist power structure.  The history of the Cabrini-Green Homes is the perfect example.  For a long time it was low income housing i.e. the projects for African-American tenants, as seen in the original Candyman film.  Beginning in the mid-1990s, Cabrini gradually underwent a process of gentrification, and is now the setting of Candyman 2021.

The White power structure moved Cabrini-Green's poor and working class African-American tenants to other places in our world.  In the world of Candyman 2021, the great boogeyman of poor, Black folks that populated Candyman 1992 has been replaced by an urban legend of a new and incorrect boogeyman – Helen Lyle, who was really Candyman's ultimate victim in the original film.  Candyman 2021 corrects that, restoring Black folklore and stories via Anthony McCoy.

Director Nia DaCosta and her co-writers, Jordan Peele and Win Rosenfeld, as much as they deal with issues of cultural appropriation, Black art, and history, boldly tackle the racist violence of White supremacy, here, brazenly personified as White police officers and as over-policing.  Unlike the first film, which seems to (benignly) suggest that Black victims (Daniel Robitaille) become Black monsters (the Candyman), the victims in Candyman 2021 are mostly less sympathetic than Candyman.

As excellent as I think Candyman is as a “Black film,” it is less so as a horror movie.  The reason is that this new film does not play with the monster/victim dynamic, which the first film did via Helen Lyle and Candyman.  The victims are the bodies of Black folks, as seen in the scandalous shadow puppet animation (created by Manual Cinema) that plays across the end credits.  The monster is White racist and supremacist oppression of African-Americans.  In spite of this film's creepiness and weirdness, I still miss some old-fashioned final girl/slasher killer interplay.

In Candyman 2021, I didn't quite get the horror movie I thought I would get.  I got the Black movie that I very much needed to get.

A
8 out of 10

Friday, August 27, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

Read my review of the 1992 Candyman here.

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Review: "REIGN OF THE SUPERMEN" Does Not Reign

TRASH IN MY EYE No. 48 of 2021 (No. 1786) by Leroy Douresseaux

Reign of the Superman – video (2019)
Running time:  87 minutes
MPAA – PG-13 for sequences of action violence
DIRECTORS:  Sam Liu
WRITERS:  Jim Krieg and Tim Sheridan (based on characters appearing in comic books published by DC Comics)
PRODUCERS:  Sam Liu and Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and James Tucker
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann  
ANIMATION STUDIO:  Maven Image Platform

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Jerry O'Connell, Rebecca Romijn, Rainn Wilson, Patrick Fabian, Cress Williams, Cameron Monaghan, Rosario Dawson, Nathan Fillion, Christopher Gorham, Matt Lanter, Shemar Moore, Nyambi Nyambi, Jason O'Mara, Jonathan Adams, Rocky Carroll, Trevor Devall, Paul Eiding, Jennifer Hale, Charles Halford, Erica Luttrell, Max Mittelman, Toks Olagundoye, and Tony Todd

Reign of the Supermen is a 2019 straight-to-video animated superhero film from Warner Bros. Animation and director Sam Liu.  It is the thirty-third film in the DC Universe Animated Original Movies series and is a direct sequel to the 2018 film, The Death of Superman.  The movie takes its story from “Reign of the Supermen!” a 1993 story arc that was part of “The Death of Superman” DC Comics story line and publishing event (1992-93).  In Reign of the Supermen, several new people present themselves as possible successors to Superman, in the wake of his death.

Reign of the Supermen opens six months following the death of Superman at the hands of Doomsday (as seen in The Death of Superman), and the rising crime rate in Metropolis has spread beyond the city.  Meanwhile, four new super-powered beings have emerged to take Superman's place.  Still grieving the loss of Superman and, by extension, his alter-ego, Clark Kent (Jerry O'Connell), reporter Lois Lane (Rebecca Romijn) of The Daily Planet has been investigating the new Supermen by gathering whatever information she can from different sources.

One Superman is a gold-visor wearing, energy blast-shooting vigilante called “The Eradicator.”  Another is “Steel,” the armored hero who is the identity of a young scientist, John Henry Irons (Cress Williams).  The third is a teen clone of Superman created by a scientist working for Lex Luthor (Rainn Wilson), and the public starts calling him “Superboy” (Cameron Monaghan).  The fourth, who seems the most like Superman, is part-man and part machine and is called “Cyborg Superman.”

The four “Supermen” are controversial and mysterious, and one of them is conspiring with Darkseid (Tony Todd) in the lord of Apokolips' plan to invade Earth.  Meanwhile, the Justice League:  Wonder Woman (Rosario Dawson), Batman (Jason O'Mara), Aquaman (Matt Lanter), Cyborg (Shemar Moore), Flash (Christopher Gorham), Green Lantern (Nathan Fillion), Hawkman, and Martian Manhunter (Nyambi Nyambi) have been sidelined.  Now, Lois and the three truly heroic Supermen must uncover the mystery of what actually happened to the real Superman if they are going to stop a plot to take over the world.

Some of the central conceits of superhero comic books and their media adaptations are that the superheroes will almost always win; the bad guys will lose; a superhero's death will ultimately not benefit the super-villain; and the villains will plot even in defeat, while the superheroes remain vigilante.  If you are never bored by this, you will generally always like or love superhero fiction.

In the case of Reign of the Supermen, the conceits are alive and well.  While the idea of Superman dying always causes the fanboy in me some internal discomfort, I found myself mostly bored by Reign of the Supermen.  I couldn't wait for this movie to end, but I wanted to finish it in order to write this review.  I did like the four “Supermen” and the drama in the film built around them.  Everything else only mildly interested me.

I found that the battle between Superman and Doomsday that made up the second half of The Death of Superman saved that movie.  The battle that dominates the last act of Reign of the Supermen only made me care about the movie a little more.  I really liked the Supermen of Reign of the Supermen, but not much else about this movie.

5 of 10
B-

Saturday, May 29, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: The "Candyman" Can... Still Scare

TRASH IN MY EYE No. 132 (of 2005) by Leroy Douresseaux

Candyman (1992)
Running time:  98 minutes (1 hour, 38 minutes)
MPAA – R
DIRECTOR:  Bernard Rose
WRITER:  Bernard Rose (based upon the story “The Forbidden” by Clive Barker)
PRODUCERS:  Steve Golin, Sigurjon Sighvatsson, and Alan Poul
CINEMATOGRAPHER:  Anthony B. Richmond, B.S.C.
EDITOR:  Dan Rae
COMPOSER:  Philip Glass

HORROR/THRILLER with elements of fantasy and mystery

Starring:  Virginia Madsen, Tony Todd, Xander Berkeley, Kasi Lemmons, Vanessa Williams, and DeJuan Guy

The subject of this movie review is Candyman, a 1992 horror film from director Bernard Rose.  The film is an adaptation of “The Forbidden,” a short story by Clive Barker that first appeared in Barker’s short story collection, Books of Blood Volume 5 (published in the United States as In the Flesh).  Candyman tells the story of a grad student who is skeptical of stories about a local boogeyman until the boogeyman attacks her.

Stand in front of a mirror and say his name five times, and Candyman (Tony Todd) will appear behind you.  When someone calls his name, Candyman usually arrives to gut his caller from groin to gullet, but it’s all a children’s ghost story – an urban legend to scare the simpleminded.  That’s what Helen Lyle (Virginia Madsen), a Chicago-based graduate student, believes when she comes across the tale of Candyman while doing research for her thesis on modern folklore.

However, when she hears that Candyman haunts Chicago’s notorious Cabrini Green projects, Helen thinks that she has a new angle for the thesis upon which she is working with her partner, Bernadette “Bernie” Walsh (Kasi Lemmons).  Still, Helen can’t really accept that Candyman exists.  Her actions and investigations also lead to an arrest that seems to put the Candyman tales to rest… until the legend himself appears and ignites a series of gruesome and bloody murders for which Helen gets the blame.

Thirteen years before earning the Oscar nomination that would revive her career (for 2004’s Sideways), Virginia Madsen was a scream queen – the heroine in a now-cult favorite horror movie entitled Candyman.  Based upon legendary horror/fantasy writer, Clive Barker’s, tale “The Forbidden,” Candyman took the unusual narrative approach that the final result of the film had to be that the heroine, in this case Helen Lyle, die in order to save the day.  Not only is Helen fighting a monster, but she’s also fighting a story that wants her dead.  Madsen was perfect as the doe-eyed beauty who swoons from one scene to the next, her plump, semi-Rubenesque body awaiting the fearsome savagery of Candyman’s hook.

Writer/director Bernard Rose (who would go on to direct Immortal Beloved, with Gary Oldman) moved the action from the housing projects of Liverpool, the original setting of Barker’s tale, to Chicago’s then-40-year old, decaying housing projects, Cabrini Green.  Rose’s choice was an excellent one, as he was able to make Cabrini an even more darkly mysterious setting for chills and thrills as good as any haunted house.  Rose makes the first half of the film a quietly, chilling suspense thriller, but he transforms the second half of the film into a dreamy and trippy dark horror/fantasy that only stumbles a little as it waltzes to the end.

The film also features a small role by Kasi Lemmons, who would make a name for herself in Hollywood as both a script doctor and as a director with the acclaimed, independent film hit, Eve’s Bayou.  Tony Todd became something of a horror movie/sci-fi cult actor (kinda like Bruce Campbell) appearing in episodes of “Stargate:  SG-1,” “Star Trek: The Next Generation” and “Star Trek:  Deep Space Nine” and also in the Final Destination horror film franchise.  Here, Ms. Madsen, Ms. Lemmons, Todd, and Rose put together a small, mesmerizing horror treat that bears many repeat viewings.

7 of 10
B+

Monday, August 22, 2005

Updated:  Sunday, October 13, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Final Destination 5: More of the Same, But with a Twist

TRASH IN MY EYE No. 69 (of 2011) by Leroy Douresseaux


Final Destination 5 (2009)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – R for strong violent/gruesome accidents, and some language
DIRECTOR: Steven Quale
WRITERS: Eric Heisserer (based on characters created by Jeffrey Reddick)
PRODUCERS: Craig Perry and Warren Zide
CINEMATOGRAPHER: Brian Pearson
EDITOR: Eric Sears
COMPOSER: Brian Tyler

HORROR/THRILLER/MYSTERY

Starring: Nicholas D’Agosto, Emma Bell, Miles Fisher, Ellen Wroe, Jacqueline MacInnes Wood, P.J. Byrne, Arlen Escarpeta, David Koechner, Courtney B. Vance, Brent Stait, and Tony Todd

Final Destination 5 is a 2011 supernatural horror film and the fifth movie in the Final Destination film series. This time Death stalks eight co-workers who avoided a grisly demise in a massive suspension-bridge collapse.

Final Destination 5 focuses on Sam Lawton (Nicholas D’Agosto), an office worker and short order cook/budding chef. Sam joins his coworkers as they travel by bus to a company retreat, but early in the trip, Sam discovers that there is a large road construction project underway, which gives him a bad feeling. When the bus comes to a stop on the North Bay Bridge, Sam has a terrifying premonition of a horrible disaster that costs many people their lives.

Sam and, his girlfriend Molly Harper (Emma Bell), and six other colleagues exit the bus and survive the bridge collapse. Later, at a memorial service, William Bludworth (Tony Todd), a local coroner, warns them that by surviving they have messed with Death’s design. Not long afterwards, the survivors start dying one by one in bizarre accidents, and those who remain alive must accept the fact that Death is stalking them. However, Sam and his friends believe that they have found a way to cheat Death, but can they cheat the one who makes all the rules?

Final Destination 5 returns to the darker tone and more character driven story of the original film. As in the first movie, the characters in Final Destination 5 have ambitions, dreams, and goals, as well as personal setbacks, internal conflicts, and relationship problems that will make the audience care about and root for them. In some cases, you may even feel a tinge of regret when some of these characters die gruesome deaths.

In the lead up to some of the deaths, the movie’s pace is painfully slow, as if the director decided to meditate on the last moments of each life about to end in a bloody, ghastly death. I think that just screws up the story’s rhythm and blanches the film’s nicely dark mood. Luckily, the massive suspension bridge disaster that practically opens the film (which is probably the best staged disaster of the entire Final Destination franchise) gives the story enough momentum to carry it through the dry spots. There is also a twist at the end that fans of the series will love.

When I recently reviewed the fourth film in the franchise, The Final Destination (2009), I wrote that it had the best ending since the original film. Now, I must admit that Final Destination 5 has the best ending since the original.

6 of 10
B

Saturday, August 13, 2011

"Final Destination 2" Travels to Grand Guignol

TRASH IN MY EYE No. 13 (of 2003) by Leroy Douresseaux


Final Destination 2 (2003)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – R for strong violent/gruesome accidents, language, drug content and some nudity
DIRECTOR: David R. Ellis
WRITERS: J. Mackye Gruber and Eric Bress; from a story by Jeffrey Reddick, J. Mackye Gruber, and Eric Bress (based on characters created by Jeffrey Reddick)
PRODUCERS: Craig Perry and Warren Zide
CINEMATOGRAPHER: Gary Capo (D.o.P.)
EDITOR: Eric Sears
COMPOSER: Shirley Walker

HORROR/ACTION/THRILLER

Starring: Kimberly Corman, Ali Larter, Michael Landes, David Paetkau, James Kirk, Lynda Boyd, Keegan Connor Tracy, Terrence T.C. Carson, Justina Machado, and Tony Todd

When we left the movie Final Destination a few years ago, seven people had miraculously been thrown off a plane that would explode within minutes of takeoff – the Explosion of Flight 180. Unfortunately, those passengers were meant to die on that plane, so Death stalked them and knocked them off one by one in a series of bizarre accidents. By the end of the film, only two of the miracle seven survived.

Final Destination 2 and enter another set of fresh face teens leaving for fun in the sun when one of them has a premonition of a fantastic and horrific traffic accident that takes many lives – the Pile-up on Route 23. Kimberly Corman (A.J. Cook) manages to save some of those lives, but she, like her male predecessor from the first film, has fooled with Death’s intricate design, and he comes stumping for her and the rest of the supposed-to-be-dead crew.

Final Destination 2 is simply a fabulously entertaining film. At once trashy and cheesy, it is also very well composed and a sheer joy to watch. During the first ten minutes or so, I had mixed feeling. The film didn’t seem like it would amount to much; then, it just exploded with unbridled mayhem and becomes this delirious display of gruesome accidents. In fact, the sequel is far bloodier and gorier than the original, but it has a peculiar sense of humor like that of a leering ax-wielding murderer. The filmmakers don’t seem to take the film seriously, but they were certainly quite serious in the making of it.

Director David R. Ellis was a long time stunt coordinator and second unit director, so that meant he handled many action sequences, and it shows here. The movie’s opening car wreck easily rivals the execution and has the thrill of the famous train wreck in The Fugitive. I don’t know if Ellis is a diamond in the rough that no one in Hollywood noticed before the last few years, but he has the touch of top director. He builds a level of suspense and a sense of dread that’s nonstop, and he can surprise you when you didn’t think there was anything left in the film to discover.

For those who like or liked Scream, Final Destination 2 is in that vein, but more tongue in cheek, more gruesome, and more darkly comic. Its inspired wackiness makes for a film that is as good or better than the original. Horror movie sequels almost never surpass or even match their originals, in box office or quality; I don’t know about the former, but 2 soars in quality. In fact, it stands alone quite well; the sign of well thought out filmmaking. Think of the gore of 80’s slasher films, the non-stop mayhem of most action movies, and the cynicism of late 90’s horror and suspense thrillers and you have Final Destination 2.

7 of 10
B+

Review: "Transformers: Revenge of the Fallen" is Good/Bad

TRASH IN MY EYE No. 55 (of 2011) by Leroy Douresseaux

Transformers: Revenge of the Fallen (2009)
Running time: 150 minutes (2 hours, 30 minutes)
MPAA – PG-13 for intense sequences of sci-fi action violence, language, some crude and sexual material, and brief drug material
DIRECTOR: Michael Bay
WRITERS: Ehren Kruger, Roberto Orci, and Alex Kurtzman (based on Hasbro’s Transformers Action Figures)
PRODUCERS: Don Murphy, Tom DeSanto, Lorenzo di Bonaventura, and Ian Bryce
CINEMATOGRAPHER: Ben Seresin (D.o.P.)
EDITOR: Paul Rubell, A.C.E., Roger Barton, Thomas A. Muldoon, and Joel Negron
Academy Award nominee

SCI-FI/ACTION with elements of drama, thriller, and war

Starring: Shia LaBeouf, Megan Fox, Tyrese Gibson, Josh Duhamel, John Turturro, Ramon Rodriguez, Kevin Dunn, Julie White, Rainn Wilson, Deep Roy and (voices) Peter Cullen, Hugo Weaving, Frank Welker, Grey DeLisle, Reno Wilson, Michael York, Kevin Michael Richardson, and Tony Todd

Transformers: Revenge of the Fallen is a 2009 science fiction/action film. It is the sequel to the 2007 film, Transformers, the live-action feature film starring those ever-popular toys, Hasbro’s the Transformers. Once again, the human hero from the first film is caught in a war between two factions of alien robots, the Autobots and the Decepticons, but another adversary joins the fray – an enemy who wants to destroy the Earth’s sun to attain his goal.

Revenge of the Fallen takes place two years after the first film. Sam Witwicky (Shia LaBeouf), the hero of the Transformers film franchise, leaves the Autobots behind for a normal life. Sam is ready to move on with his life, which means leaving home to go to college, but Autobot leader, Optimus Prime (Peter Cullen), wants Sam to stay because the war to protect humanity from the Decepticons continues. Sam’s father, Ron Witwicky (Kevin Dunn), is ambivalent about his son going across country to attend college, and his mother, Judy (Julie White), is in full meltdown mode. Sam’s girlfriend, Mikaela Banes (Megan Fox), is also not happy with the move because she questions why Sam wants a long-distance relationship when he still can’t say “I love you” to her.

As he tries to adapt to college life, however, Sam finds his mind filled with cryptic symbols in the robots’ Cybertronian language that cause him to have short mental breakdowns. Meanwhile, the Decepticons reunite with their leader, a mysterious figure known as the Fallen (Tony Todd), and Megatron (Hugo Weaving) is brought back to life. Inside Sam’s mind is information that the Fallen wants, so the Decepticons target Sam and drag him back into the Autobots/Decepticon war.

Transformers: Revenge of the Fallen got some really bad reviews, and some considered it one of the worst movies of 2009. I liked it. Sure, the story is under-plotted and an actual full, working screenplay for this movie is probably nonexistent. This is way too long; two and a half hours – freakin’ puh-lease. What I love is all the special effects and CGI magic that brings the Transformers to life. All that twisting, shape-shifting, and, well… transforming are what piques my interest. I can barely tolerate the “character drama” between scenes of the Transformers tearing each other apart while smashing through buildings, bridges, and whatever infrastructure that happens to be in their way.

Truthfully, Transformers: Revenge of the Fallen only really works during the action scenes, especially during the last half hour. Those action set pieces are why I put up with what is an incredibly noisy film, which is sometimes like listening to an ADHD monkey banging pots and pans together.

The other element of the film that works for me is actor Shia LaBeouf. I must admit to being a fan of this talented young actor, but his character is saddled with bad secondary characters. This film’s script has no place for them, so they’re underdeveloped and stupid. Watching scenes with Shia’s Sam Witwicky means you have to put up with characters that are only a little more than mannequins. One big disappointment was that Revenge of the Fallen underplayed Josh Duhamel’s William Lennox and Tyrese Gibson’s Robert Epps.

But Transformers: Revenge of the Fallen temporarily fed my appetite for Autobots vs. Decepticons destruction, and I’m ready for more.

6 of 10
B

NOTES:
2010 Academy Awards: 1 nomination: “Best Achievement in Sound” (Greg P. Russell, Gary Summers, and Geoffrey Patterson)

2010 Razzie Awards: 3 wins: “Worst Director” (Michael Bay), “Worst Picture” (DreamWorks and Paramount), and “Worst Screenplay” (Ehren Kruger, Roberto Orci, and Alex Kurtzman); 4 nominations: “Worst Actress” (Megan Fox), “Worst Remake, Rip-Off or Sequel,” “Worst Screen Couple” (Shia LaBeouf, Megan Fox, and Shia LaBeouf and either Megan Fox or any Transformer), and “Worst Supporting Actress” (Julie White)

Monday, June 27, 2011

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Death Still Becomes Original "Final Destination"

TRASH IN MY EYE No. 12 (of 2003) by Leroy Douresseaux


Final Destination (2000)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for violence and terror, and for language
DIRECTOR: James Wong
WRITERS: Jeffrey Reddick, Glen Morgan, and James Wong; based upon a story by Jeffrey Reddick
PRODUCERS: Glen Morgan, Craig Perry, and Warren Zide
CINEMATOGRAPHER: Robert McLachlan (director of photography)
EDITOR: James Coblentz
COMPOSER: Shirley Walker

HORROR/THRILLER/MYSTERY with elements of action

Starring: Devon Sawa, Ali Larter, Kerr Smith, Tony Todd, Kristen Cloke, Seann William Scott, and Daniel Roebuck

A group of seven, six students and a teacher, disembark from an airplane that eventually explodes less than a minute after it leaves the runway. It all begins when student Alexander “Alex” Chance Browning (Devon Sawa) has a vision of his and his fellow passengers’ demise as the plane falls disintegrates around them. The survivors are left in shock, and Alex quickly becomes a pariah because of his vision of the plane’s destruction. Because of the strangeness of Alex’s vision, local FBI agents are suspicious of him. He begins to have more visions and premonitions of death returning for he and the other survivors, and the only one who shares his dread is a fellow outcast, Clear Rivers (Ali Larter). One by one, the survivors begin to die mysteriously, as Alex races against time to unravel the puzzle of death’s design.

Final Destination fits in neatly with the wave of late 90’s teen thrillers and horror films, but it really works as a supernatural suspense thriller. It has an interesting premise built around the idea of a person having a specific time to die: if you avoid some accident that could have or was meant to kill you, are you really cheating death? Can you cheat Death? If you deny Death your life, what do you have to do to keep cheating Death if he keeps coming back for his prize?

Producer/co-writer Glen Morgan and director/co-writer James Wong are not strangers to the weird, both having worked on the television programs “The X-Files” and “Millennium.” They’ve created a nice, little thriller with enough bumps, shimmering shadows, and chilly atmosphere to keep an audience stuck to the back of their seats. The idea of death lurking around the corner and setting up fatal accidents like a snickering, prank crazed teen raises the hackles. This is one you watch with the light on; it gives you a feeling of dread, that impending sense of doom from the opening scene to the last frame. In a world of sloppy horror films and scary movies that sometime limp to an end, a movie that can keep its premise erect from start to stop is too good to pass.

6 of 10
B