Review: "BATMAN: Hush" Film is as Mediocre as Its Source Material

TRASH IN MY EYE No. 55 of 2021 (No. 1793) by Leroy Douresseaux

Batman: Hush – video (2019)
Running time:  82 minutes (1 hour, 22 minutes)
MPAA – PG-13 for violence and action, suggestive material, and language
DIRECTOR:  Justin Copeland
WRITER:  Ernie Altbacker (based on characters appearing in DC Comics and on the story arc, “Batman: Hush”, by Jeph Loeb and Jim Lee)
PRODUCER: Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and James Tucker and Benjamin Melniker & Michael Uslan
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann  
ANIMATION STUDIO:  NE4U Inc.

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Jason O'Mara, Jennifer Morrison, Sean Maher, James Garrett, Bruce Thomas, Geoffrey Arend, Stuart Allan, Sachie Alessio, Chris Cox, Adam Gifford, Peyton R. List, Peyton List, Jerry O'Connell, Rebecca Romijn, Jason Spisak, Maury Sterling, Hynden Walch, Tara Strong, Vanessa Williams, and Rainn Wilson

Batman: Hush is a 2019 straight-to-video animated superhero film from Warner Bros. Animation and director Justin Copeland.  It is the thirty-fifth film in the “DC Universe Animated Original Movies” series.  It is also a loose adaptation of the Batman story arc, “Batman: Hush” (Batman #608-619; cover dated: October 2002 to September 2003), written by Jeph Loeb and drawn by Jim Lee.  Batman: Hush the movie focuses on a mysterious villain intent on sabotaging Batman by using the Dark Knight's worst adversaries and some of his friends against him.

Batman: Hush opens with Batman (Jason O'Mara) rescuing an abducted child that the villain, Bane (Adam Gifford), was holding for ransom.  Shortly afterwards, Catwoman (Jennifer Morrison) steals the ransom.  While Batman is pursuing her, a masked vigilante shoots at him, severing the Bat-rope Batman was using to swing through the city.  Batman falls onto the sidewalk and cracks his skull.

Batgirl (Peyton R. List) takes Batman back to the Batcave where his butler, Alfred Pennyworth (James Garrett), and, his former ward and sidekick, Dick Grayson/Nightwing (Sean Maher), create an alibi that not Batman, but his secret identity, Bruce Wayne, suffered the injury.  Alfred contacts Bruce's childhood friend, Dr. Thomas Elliot (Maury Sterling), a renowned brain surgeon, to provide Bruce's medical care.

Back on his feet, Batman discovers that his conflict with Bane and Catwoman was just part of an elaborate scheme perpetrated against him by a mysterious villain known only as “Hush.”  It seems that Hush is willing to use every major figure in Batman's “rogues gallery” to bring the Bat down.  Hush seemingly even knows the people close to Bruce Wayne and is using them.  Further complicating Batman's investigation of Hush is the growing relationship between Bruce Wayne and Catwoman's alter-ego, Selina Kyle.

I have only read the Batman story line, “Batman: Hush,” once, and that was during its original publication.  I found it to be longer than it needed to be.  I am not really a fan of writer Jeph Loeb, although he has written some comic books that I have thoroughly enjoyed.  As a story, “Hush” felt like something Loeb padded with a bunch of appearances by all-star DC Comics characters.  As beautiful as Jim Lee's art for Hush was and still is, some of it came across as cold, as if it were drawn in a manner to make it attractive to collectors of comic book original art.  But at least I found “Hush” the comic book story to be enjoyable most of the time.

Batman: Hush the film is mostly dull.  The chase between Batman and Catwoman and the subsequent Catwoman-Batgirl fight are exciting.  The big battle at the end of the film is good, except when it seems to run too long – of course.  Catwoman is well-written in this film, and I like the way Alfred Pennyworth and Dick Grayson/Nightwing are presented in Batman: Hush.

The character designs are mostly good, except Batman, who looks awkwardly drawn in this film.  The animation is mediocre, except for a few action scenes when it looks like the people involved in this production suddenly felt energized.  I will only recommend this film to fans of the “DC Universe Animated Original Movies” line.  People who mostly know Batman from the modern Batman live-action films will likely not find much to like in Batman: Hush.

5 of 10
C+

Tuesday, July 13, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Movie Review: "Suicide Squad: Hell to Pay" is Way Better Than "Suicide Squad" Live-Action Movie

TRASH IN MY EYE No. 25 of 2020 (No. 1738) by Leroy Douresseaux

Suicide Squad: Hell to Pay – video (2018)

Running time:  86 minutes (1 hour, 26 minutes)

MPAA – R for strong bloody violence throughout, sexual content, brief graphic nudity and some drug material

PRODUCER/DIRECTOR:  Sam Liu

WRITER:  Alan Burnett (based on characters appearing in comic books published by DC Comics)

EDITOR:  Christopher D. Lozinsk

COMPOSER:  Robert J. Kral

ANIMATION STUDIO:  DR Movie

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Christian Slater, Vanessa Williams, Billy Brown, Liam McIntyre, Tara Strong, Kristin Bauer van Straten, Gideon Emery, C. Thomas Howell, Jim Pirri, Dania Ramirez, Dave Fennoy, Greg Grunberg, Cissy Jones, Julie Nathanson, and James Urbaniak

Suicide Squad: Hell to Pay is a 2018 straight-to-video animated superhero film from Warner Bros. Animation.  A part of the “DC Animated Movie Universe,” this film stars the DC Comics antihero super-team, the Suicide Squad.  Hell to Pay finds the squad on a mission to obtain a powerful mystical object that a lot of other powerful people also want.

Suicide Squad: Hell to Pay opens three years in the past.  Amanda Waller (Vanessa Williams) has dispatched Task Force X, her “Suicide Squad” of super-villains and disgraced superheroes, to retrieve stolen intelligence.  By the end of the mission, Floyd Lawton a.k.a. “Deadshot” (Christian Slater) proves his absolutely loyalty to Waller.

In the present, after learning that she is diagnosed with a terminal illness, Waller reassembles Task Force X with a new roster:  Harley Quinn (Tara Strong), Captain Boomerang (Liam McIntyre), Killer Frost (Kristin Bauer van Straten), Copperhead (Gideon Emery), and Bronze Tiger (Billy Brown), with Deadshot as their leader.  Their mission is to find a man whose current identity is that of “Steel Maxim” (Greg Grunberg), a male stripper/dancer.  By a chance of … fate, Maxim is in possession of a mystical black card with the words, “Get Out of Hell Free,” emblazoned across it.  The card is indeed a magical item that will allow a person who is damned, upon death, to get out of hell free.

Task Force X, however, is not the only party interested in obtaining Maxim's card.  Professor Eobard “Zoom” Thawne, also known as “Reverse Flash” (C. Thomas Howell), and his two cohorts, Silver Banshee (Julie Nathanson) and Blockbuster (Dave Fennoy), have been chasing the card for some time.  Plus, Scandal Savage (Dania Ramirez) and her brawny girlfriend, Knockout (Cissy Jones), have their own specific reasons for wanting the card.  But there is one who seeks the card who is so cunning and so powerful that it may take all the other seekers' powers to stop him from getting it.

I rented Suicide Squad: Hell to Pay from DVD.com (Netflix) because I thought I would enjoy it and because I really enjoyed the Suicide Squad's previous appearance in an animated film, 2014's direct-to-DVD film, Batman: Assault on Arkham.  Turns out that I really enjoyed Suicide Squad: Hell to Pay.

The story, focusing on the quest for the card, is a mere contrivance, but the action, especially the brutal fights and violent battles, makes this movie a joy to watch.  There are some dry patches in this film, but the superhero-fantasy violence and the impudent, rude, murderous, and entertaining characters make up for the times when the film slows down.

Tara Strong is … strong in her voice performance as Harley Quinn.  Billy Brown is all righteousness and pathos as the thoroughly likable Bronze Tiger, and Christian Slater is surprisingly slow and steady as Deadshot.  Slater is successful in making Deadshot the center of this 15-ring circus of crazy super-powered people looking for that magical card.  I hated that live-action Suicide Squad film from 2016, and I find the Suicide Squad comic books that DC Comics has published over the last decade to be a bore.  But I am down with animated Suicide Squad.  The best thing that I can say about Suicide Squad: Hell to Pay is that after it ended, I really wanted more.

8 of 10
A

Wednesday, November 18, 2020


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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BET Releases "Twenties" Season 1; Announces Season 2

BET Renews Lena Waithe’s Breakout Hit “Twenties” for Season 2 and Announces Season 1 Streaming on Showtime This July

"Redefines The Queer Black Narrative" - Deadline

"It's A Perspective We've Never Really Seen Before" - Decider

“Groundbreaking" - The Grio

“Light Yet Smart, Easy-To-Binge Comedy” - TIME Magazine

NEW YORK--(BUSINESS WIRE)--BET announced the second season pickup of Lena Waithe’s breakout hit “Twenties”, as well as an FYC partnership with Showtime, which will air season one starting July 6th, 2020. After premiering to critical acclaim and ranking as the #1 new comedy series on cable for African-Americans 18-49*, “Twenties” is receiving buzz for Lena Waithe’s creative direction and Jonica T. Gibbs’ star-making performance.

    “It took a long time to get this show on the air, but it was absolutely worth the wait. I needed THIS phenomenal cast and crew to make it happen. I’m looking forward to continuing this journey with this amazing group of people and our incredible viewers.”

The scripted series created and written by Waithe, stars Gibbs as Hattie, a queer black girl who is chasing her dreams of being a screenwriter in Los Angeles alongside her two best friends, Marie and Nia, played by Christina Elmore (“Insecure”) and Gabrielle Graham (“Possessor”) respectively. While they live separate lives, the girls lean on each other for guidance as they navigate their twenties and test the limits of diversity, love and inclusion.

Season one guest stars included Jenifer Lewis (Black-ish), Sean “Big Sean” Anderson (debut role), Rick Fox, Vanessa Williams, Seth Green, Iman Shumpert, Kym Whitley, Chuey Martinez, Marsha Thomason, and Nazanin Mandi.

“The first season of TWENTIES, led by the incredible Jonica T. Gibbs, Christina Elmore and Gabrielle Graham, was a joy to watch in every sense. BET has always been about empowering and elevating black stories and we’re so excited to see where Lena Waithe and Susan Fales-Hill’s remarkable vision takes us in the second season.” – Scott Mills, President of BET

“It took a long time to get this show on the air, but it was absolutely worth the wait. I needed THIS phenomenal cast and crew to make it happen. I’m looking forward to continuing this journey with this amazing group of people and our incredible viewers.” – Lena Waithe, Creator, Writer and Executive Producer of “Twenties”

“Twenties” is Executive Produced by Lena Waithe, Susan Fales-Hill who serves as showrunner, Rishi Rajani, Andrew Coles, and Justin Tipping, who directed the pilot episode.

For behind the scenes look at the making of the series, plus exclusive clips and photos from “Twenties”, please visit BET.com/Twenties and join the conversation on social media using the hashtag #TwentiesOnBET.

*Source: Nielsen Live + SD | Ranked on Imps (000) | Premieres airing M-Sun 7p-12a, 9/30/19-4/26/20


About Lena Waithe
Emmy Award winning writer, creator and actor Lena Waithe has proven herself a talent to be reckoned with, who only continues to grow her body of work with diversity and charisma. She made her film screenwriting debut last year with Universal’s QUEEN & SLIM, starring Daniel Kaluuya and Jodie Turner Smith and directed by Melina Mantzoukas. Waithe first made headlines in Netflix’s MASTER OF NONE which she received the Emmy® Award in “Outstanding Writing for a Comedy Series” and NAACP Image Award nomination for the “Thanksgiving” episode she co-wrote. Currently, Waithe serves as the creator and executive producer for the critically acclaimed Showtime series THE CHI, which will return for its third season on June 21, Quibi’s docuseries YOU AIN’T GOT THESE, Amazon’s highly anticipated horror anthology series THEM: COVENANT, BET’s BOOMERANG, which recently concluded its second season with 1.3M viewers tuning in for the finale, and her semi-autobiographical series TWENTIES also on BET. Her other producing projects under the Hillman Grad banner include Rhadha Blank’s Sundance Directing Award winner THE 40-YEAR-OLD VERSION which was purchased by Netflix, Amazon’s series based on Neil Paik’s Six by Eight Press short story REAWAKENING, SISTERS and DEAR WHITE PEOPLE. She most recently appeared on the small screen in third season of HBO’s critically acclaimed WESTWORLD.

About Hillman Grad
Hillman Grad is a development and production company committed to creating art that goes against the status quo and gives a platform to marginalized peoples by providing a platform for diverse voices across all mediums. Founded by Emmy-Award winning writer Lena Waithe and Rishi Rajani, the company currently has projects at Netflix, Disney, BET, Showtime, HBO and Amazon. Their comprehensive slate includes Queen & Slim, which Waithe wrote and was directed by Melina Mantzoukas; Universal Pictures released the film on November 27th. Current projects include the Quibi docuseries You Ain’t Got These, BET’s Boomerang and new hit comedy series Twenties, which is loosely based on Waithe’s own life of when she first moved to Los Angeles and follows the adventures of a queer black girl and her two straight best friends who spend most of their days talking shit and chasing their dreams. Other projects currently in various stages of production: Them: Covenant for Amazon; Untitled Kid Fury Project for HBO; Reawakening, Neil Paik’s Six by Eight Press short story for Amazon Studios, and the Sundance Film Festival 2020 award-winner The 40-Year-Old Version, Radha Blank’s groundbreaking film, which blends real life and fiction to follow its protagonist, a down-on-her luck New York playwright, who decides to reinvent herself and salvage her artistic voice by becoming a rapper at age 40.

About BET
BET, a subsidiary of ViacomCBS Inc. (NASDAQ: VIACA, VIAC), is the nation's leading provider of quality entertainment, music, news and public affairs television programming for the African-American audience. The primary BET channel is in 90 million households and can be seen in the United States, Canada, the Caribbean, the United Kingdom, sub-Saharan Africa and France. BET is the dominant African-American consumer brand with a diverse group of business extensions including BET.com, a leading Internet destination for Black entertainment, music, culture, and news; BET HER, a 24-hour entertainment network targeting the African-American Woman; BET Music Networks - BET Jams, BET Soul and BET Gospel; BET Home Entertainment; BET Live, BET’s growing festival business; BET Mobile, which provides ringtones, games and video content for wireless devices; and BET International, which operates BET around the globe.

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Review: "Tyler Perry's Temptation" Talks Lust and Happiness

TRASH IN MY EYE No. 49 (of 2013) by Leroy Douresseaux

Tyler Perry’s Temptation: Confessions of a Marriage Counselor (2013)
Running time:  111 minutes (1 hour, 51 minutes)
MPAA – PG-13 for some violence, sexuality and drug content
DIRECTOR: Tyler Perry
WRITER: Tyler Perry (based on his play, The Marriage Counselor)
PRODUCERS:  Ozzie Areu, Paul Hall, and Tyler Perry
CINEMATOGRAPHER:  Alexander Gruszynski
EDITOR:  Maysie Hoy
COMPOSER:  Aaron Zigman

DRAMA

Starring:  Jurnee Smollett-Bell, Lance Gross, Kim Kardashian, Vanessa Williams, Robbie Jones, Renee Taylor, Ella Joyce, Brandy Norwood, and Andrea Moore

Tyler Perry’s Temptation: Confessions of a Marriage Counselor is a 2013 drama from writer/director Tyler Perry.  The film is based on his 2008 play, The Marriage Counselor (at the time, his tenth play). Temptation: Confessions of a Marriage Counselor focuses on an ambitious married woman who is tempted by a handsome billionaire to leave her husband for all the material things a rich man can give her.

Temptation: Confessions of a Marriage Counselor is the thirteenth film by Tyler Perry.  It is both the most financially successful film in which Perry did not act and is also his highest-grossing drama at the box office.  Although it is not Perry’s best drama (which I still think For Colored Girls is), Tyler Perry’s Temptation is a powerful film.

The film opens as a marriage counselor works with a young married couple having serious problems.  After the husband stalks off, the marriage counselor tells the young wife, Lisa (Andrea Moore), a story about a young woman named Judith (Jurnee Smollett-Bell).  In her mid-20s, Judith is married to Brice (Lance Gross), whom she has known for almost two decades.  They live in Washington D.C., where Brice works as a pharmacist.  Judith works for Wise Counsel, a matchmaking agency owned by the flamboyant Janice Wise (Vanessa Williams).  Judith is unsatisfied at this job, as she wants to open her own marriage counseling company, but has to wait.

Judith meets Harley Madison (Robbie Jones), a young tech billionaire who started a social networking site called, Class-Meet.  Harley wants to invest in Wise Counsel, and Janice picks Judith to work with Harley in order to help him understand the agency.  Harley turns out to be more interested in Judith, and begins to tempt her with the things his wealth and influence can give her – if she submits to his sexual advances.  This temptation, however, could change Judith’s life forever, in ways she does not expect.

The usual melodrama and soap opera theatrics that we have come to expect of Tyler Perry’s films are in evidence in Tyler Perry’s Temptation.  The religious moralizing is also in play, but this time the emphasis is on religious symbolism and metaphors.  I won’t go into detail, as that would spoil some surprises.  One religious element that is forced comes in the form of Judith’s mother, Reverend Sarah Ogalvee (Ella Joyce).  The reverend seems more comical (hilarious, even) than sanctified or spiritual (which does occur in some scenes).

Tyler Perry’s Temptation works because Perry digs deeply into the pursuit of satisfaction as a theme – from personal, such as individual and marital satisfaction, to professional, such as career goals and material wealth.  Perry is not so stupid and heavy-handed as to say that dissatisfaction leads to temptation in search of satisfaction.  Perry suggests, as least it seems that way to me – that temptation is the easy and simply thing.  Being tempted is fun and feels good.  Acting on that temptation is where the problems come in because getting what you want or thought you wanted does not mean you will be satisfied or happy.

Also, seduction can be magical, but the actual consummation, sexual intercourse, or affair might not be quite what you thought it would be.  In the film, notions of satisfaction and seduction lead to the idea that people change, sometimes often.  So in this movie, change becomes something like a specter, dark and ominous, threatening marriages, friendships, professional relationships, family, etc.

One controversial element in Tyler Perry’s Temptation that got a lot of people talking when the film was in production was Perry’s move to cast reality television star and tabloid celebrity, Kim Kardashian, in the film.  Here, Kardashian isn’t bad, although she isn’t much of an actress.  Her character, Ava, Judith’s co-worker and apparent friend, is not really important to the overall story.  In fact, just about any other professional actress or actor could have played that part.  Yes, Kardashian is stunt casting, but she doesn’t hurt the movie at all.

Temptation: Confessions of a Marriage Counselor proves that Perry is capable of creating dramatic films – even though the ending here seems a bit much.  While I think that this is, at best, an above-average movie, it proves that Perry is getting closer to dealing with weighty material and serious subject matter in an earnest fashion, without melodrama… or at least with less.

6 of 10
B

Wednesday, July 17, 2013

2011 NAACP Image Award Winners in Television Categories

42ND NAACP Image Awards Television Winners List:

Outstanding Comedy Series: “Tyler Perry’s House of Payne”
Outstanding Actor in a Comedy Series: David Mann – “Meet the Browns”
Outstanding Actress in a Comedy Series: Vanessa Williams – “Desperate Housewives”
Outstanding Supporting Actor in a Comedy Series: Ice Cube – “Are We There Yet?”
Outstanding Supporting Actress in a Comedy Series: Sofia Vergara – “Modern Family”
Outstanding Directing in a Comedy Series: Kevin Rodney Sullivan – “Modern Family” (Game Changer)
Outstanding Writing in a Comedy Series: Aaron McGruder – “The Boondocks”

Outstanding Drama Series: “Grey’s Anatomy”
Outstanding Actor in a Drama Series: LL Cool J – “NCIS: Los Angeles”
Outstanding Actress in a Drama Series: Regina King – “Southland”
Outstanding Supporting Actor in a Drama Series: Terrence Howard – “Law & Order: Los Angeles”
Outstanding Supporting Actress in a Drama Series: S. Epatha Merkerson – “Law & Order”
Outstanding Writing in a Dramatic Series: Shonda Rhimes – “Private Practice” – (Did You Hear What Happened to Charlotte King?)
Outstanding Directing in a Dramatic Series: Millicent Shelton – “Men of a Certain Age” (Go with the Flow)

Outstanding TV Movie, Mini-Series or Dramatic Special: “Sins of the Mother”
Outstanding Actor in a TV Movie, Mini-Series or Dramatic Special: Idris Elba – “Luther”
Outstanding Actress in a TV Movie, Mini-Series or Dramatic Special: Jill Scott – “Sins of the Mother”

Outstanding Actor in a Daytime Drama Series: Rodney Saulsberry – “The Bold and the Beautiful”
Outstanding Actress in a Daytime Drama Series: Tatyana Ali – “The Young and the Restless”
Outstanding News/Information (Series or Special): “Unsung”
Outstanding Talk Series: “The View”
Outstanding Reality Series: “Sunday Best”
Outstanding Variety (Series or Special): “UNCF An Evening of Stars Tribute to Lionel Richie”
Outstanding Children’s Program: “True Jackson, VP”
Outstanding Performance in a Youth/Children’s Program (Series or Special): Keke Palmer – “True Jackson, VP”
Outstanding Documentary (Theatrical or Television): “For Love of Liberty: The Story of America’s Black Patriots”

Final Season of "Ugly Betty" Now on DVD

Press release:

Complete Your Collection with The Hilarious


ABC’s UGLY BETTY: THE COMPLETE FOURTH AND FINAL SEASON

Available on DVD August 17, 2010

BURBANK, CA, July 2010 – The world of high fashion takes on a whole new, hilarious meaning in Ugly Betty: The Complete Fourth and Final Season, available on DVD August 17, 2010 from Walt Disney Studios Home Entertainment. There are underdogs and then there is Betty Suarez, the ultimate “fish-out-of-water.” Her efforts to fit in with her colleagues at a glossy magazine may bring unintentionally hysterical results, but they also have audiences rooting for their favorite fashionista.

The collectible four-disc release allows viewers to complete their collection and relive every endearing moment of this heartwarming and irreverent comedy with all 20 final-season episodes uninterrupted, with never-before-seen bonus features.

Betty sure has come a long way! She is finally coming into her own and getting what she’s worked so hard for. But what she doesn’t realize is that she’s starting over in so many ways, and if she wants to play in the big leagues she needs to keep up. Ugly Betty: The Complete Fourth and Final Season focuses on her transformation – both personally and professionally – and how she will navigate these new waters as only she can. If Betty wants to succeed, she will once again have to rely on her heart, perseverance and intelligence – along with some help from her family, friends and a few unlikely allies.

“Ugly Betty” stars America Ferrera as Betty Suarez, Eric Mabius as Daniel Meade, Tony Plana as Ignacio, Ana Ortiz as Hilda, Judith Light as Claire Meade, Becki Newton as Amanda, Michael Urie as Marc, Mark Indelicato as Justin, Daniel Eric Gold as Matt Hartley and Vanessa Williams as Wilhelmina Slater.

Ugly Betty: The Complete Fourth and Final Season is priced at $39.99 SRP (US) and $44.99 SRP (CAN).

Ugly Betty: The Complete Fourth and Final Season – DVD Bonus Features:
• Betty Bloops
• Deleted Scenes
• Betty Goes Bahamas
• Mode After Hours
• Webisodes

Street Date: August 17, 2010

DVD
Suggested Retail Price: $39.99 US; $44.99 Canada
Feature Run Time: Approx. 860 minutes (20 1-hour episodes)
Rating: TV-PG DLSV (US)
Aspect Ratio: Widescreen (1.78:1)
Languages: English
Subtitles: Spanish, French

Based on “Yo Soy Betty La Fea,” the groundbreaking Colombian telenovela that became an international phenomenon, “Ugly Betty” is from ABC Studios. The series has been awarded Emmy®, Golden Globe, Peabody, NAACP, ALMA and Imagen awards and earned 19 Emmy nominations. Executive producers are Silvio Horta (“Urban Legend”), Academy Award®-nominee (Best Actress in a Leading Role, Frida 2002) and Emmy® Award winner (Outstanding Guest Actress in a Comedy Series and Outstanding Comedy Series, Ugly Betty 2006) Salma Hayek, Jose Tamez, Richard Heus, Victor Nelli Jr., Jon Kinnally, Tracy Poust, Henry Alonso Myers and Sheila Lawrence. Co-executive producers are Chris Black, Gail Lerner and Abraham Higgenbotham.

Vanessa Williams to Be Wicked Housewife

Apparently, ABC has announced that Vanessa Williams, just off the recently cancelled "Ugly Betty," will join the cast of "Desperate Housewives" for its seventh season in 2010-11.  I'll post ABCs fall lineup as soon as I find it.