Showing posts with label Vincent Price. Show all posts
Showing posts with label Vincent Price. Show all posts

Tuesday, March 8, 2022

Comics Review: "ELVIRA MEETS VINCENT PRICE #5" is a Lovely Send Off

ELVIRA MEETS VINCENT PRICE #5
DYNAMITE ENTERTAINMENT

STORY: David Avallone
ART: Juan Samu
COLORS: Walter Pereyra
LETTERS: Taylor Esposito with Elizabeth Sharland
EDITOR: Joseph Rybandt
COVER: Dave Acosta
VARIANT COVER ARTISTS: Dave Acosta; Juan Samu; Anthony Marques and J. Bone
32pp, Color, $3.99 U.S. (March 2022)

Rated Teen+

Chapter Five: “Final Girl Lost”


In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.”  Elvira gradually grew in popularity and eventually became a brand name.  As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery, which ran for eleven issues and one special issue (1987).  Eclipse Comics and Claypool Comics began the long-running Elvira: Mistress of the Dark from 1993 to 2007.  In 2018, Elvira returned to comic books via Dynamite Entertainment in the four-issue comic book miniseries, Elvira Mistress of the Dark, that actually ran for 12 issues.

Vincent Price (1911–1993) was an American actor and a legendary movie star.  Price was and still is best known for his performances in horror films, although his career spanned other genres.  Price appeared in more than 100 films, but he also performed on television, the stage, and on radio.  Thus, he has two stars on the “Hollywood Walk of Fame,” one for motion pictures and one for television.

Elvira and Vincent Price team up for the first time in the comic book miniseries, Elvira Meets Vincent Price.  The series is written by David Avallone; drawn by Juan Samu; colored by Walter Pereyra; and lettered by Taylor Esposito with Elizabeth Sharland.  The series found Elvira and Price searching for a long-lost cult movie, “Rise of the Ram,” and trying to save the world from destruction at the hands of the ancient Egyptian god, Amun-Ra.

Elvira Meets Vincent Price #5 (“Final Girl Lost”) opens somewhere in Hollywood.  In the wake of saving the world from whack-ass Egyptian gods, Elvira and Vincent are enjoying a night of board games.  Then, Elvira gets an urgent call from her agent.

A friend, Darlanne Wing, a “scream queen” actress, is missing, and the leading suspect is horror movie mogul, Stanley Saliva.  Saliva, who produces “The Crawling Creep” films, in which Darlanne stars, has been stalking her for some time.  So Elvira and Vincent join forces again and travel to Saliva's creepy mansion.  To find Darlanne, the duo will to literally break the fourth wall and enter the world of a slasher movie.  Can Elvira and Vincent save Darlanne and themselves before Vincent has to depart for the spirit world?

THE LOWDOWN:  In July 2021, Dynamite Entertainment's marketing department began providing me with PDF review copies of some of their titles.  One of them is Elvira Meets Vincent Price #5, which is the fifth issue of the series that I have read and one of many Dynamite Elvira comic books that I have thoroughly enjoyed.

Well, all good things must come to an end, although whenever one David Avallone Elvira series disappears, another is just around the corner.  This time around, however, it is a little bittersweet.  Elvira Meets Vincent Price reminded me of how much I miss Vincent Price, who has been dead for a little over three decades.  From time to time, I'll see a genre film or television series, and I'll suddenly think that Vincent would be wonderful in it.

This final issue is filled with Avallone's sparkling dialogue and zany antics.  Juan Samu draws it all in a lovely mercurial graphical storytelling style that is part comic horror and part bromance.  Walter Pereyra's colors add a lovely vintage touch to the art and storytelling.  All of it is nicely wrapped up in a lettering bow by Taylor Esposito and Elizabeth Sharland.

Elvira Meets Vincent Price is a winner, and as Avallone tells us inside the story, the trade collection of this series will be here sometime in the near future.  It is a chance to relive the series or discover its golden touch.  My slight sadness is tempered by the fact that there is another series headed our way.  Dynamite, Elvira, and an Avallone-led creative team are comic book platinum.

I READS YOU RECOMMENDS:  Fans of Elvira and of Vincent Price and of David Avallone's Elvira comic books will want to read Elvira Meets Vincent Price.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DAvallone
https://twitter.com/Juansamuart
https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------------



Monday, March 7, 2022

Dynamite Entertainment Shipping from Diamond Distributors for March 9, 2022

DYNAMITE

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Thursday, March 3, 2022

Review: Vincent Price Does Killer Shakespeare in "THEATRE OF BLOOD"

TRASH IN MY EYE No. 10 of 2022 (No. 1822) by Leroy Douresseaux

Theatre of Blood (1973)
Running time:  104 minutes (1 hour, 44 minutes)
DIRECTOR:  Douglas Hickox
WRITERS: Anthony Greville-Bell (based on an idea by Stanley Mann and John Kohn)
PRODUCERS:  John Kohn and Stanley Mann
CINEMATOGRAPHER:  Wolfgang Suschitzky (D.o.P.)
EDITOR:  Malcolm Cooke
COMPOSER:  Michael J. Lewis

THRILLER/HORROR with elements of comedy

Starring:  Vincent Price, Diana Rigg, Ian Hendry, Harry Andrews, Robert Coote, Michael Hordern. Robert Morley, Coral Browne, Jack Hawkins, Arthur Lowe, Dennis Price, Milo O'Shea, and Eric Sykes

Theatre of Blood is a 1973 British horror-thriller and dark comedy from director Douglas Hickox.  The film stars Vincent Price as a scorned Shakespearean actor who takes revenge on his critics using the plays of William Shakespeare as reference for his diabolical methods of murder.

Theatre of Blood opens with a murder.  “Theatre Critics Guild” member, George Maxwell (Michael Hordern), is repeatedly stabbed by a mob of homeless people turned murderers.  Maxwell and his fellow guild members recently humiliated Shakespearean actor, Edward Kendal Sheridan Lionheart (Vincent Price).  He was thought to have committed suicide by jumping from the balcony of the guild's headquarters.  Instead, Lionheart was rescued by the very vagrants and homeless people that hehas  recruited to his cause – revenge against the critics who failed to acclaim his genius.

Now, Lionheart has targeted the eight remaining members of the Theatre Critics Guild, designing their deaths using murder scenes from the plays of William Shakespeare.  The police are trying to discover the identity of the killers, and even after they do, they still can't seem to stop him.  Only one of his targets, critic Peregrine Devlin (Ian Hendry), seems smart enough to foil Lionheart.  However, Devlin has no idea just how obsessed and focused Lionheart is.

Vincent Price (1911–1993) was an American actor and a legendary movie star, in addition to being an author and art historian.  Price was and still is best known for his performances in horror films, although his career spanned other genres.  Price appeared in more than 100 films, but he also performed on television, the stage, and on radio.

I am currently reading the wonderful comic book miniseries, Elvira Meets Vincent Price, which is written by David Avallone, drawn by Juan Samu, and published by Dynamite Entertainment.  The series will end shortly, and because I have enjoyed reading it so much, I decided to watch and review a Vincent Price movie.  The first Vincent Price movie that I can remember seeing was Theatre of Blood (known as Theater of Blood in the United States).  As I haven't seen it since that first time, I decided to watch it again.

I remember really liking this movie the first time I saw it, and I enjoyed it watching it again.  Theatre of Blood is both a horror-thriller and a dark comedy, something I did not get watching it as a youngster.  Truthfully, however, Theatre of Blood is a monster movie – a Vincent Price monster movie.

At first, I found myself enjoying Edward Lionheart's revenge and the games of death he plays with his enemies, the critics who would not give him the honor he believes he is due.  Then, I noticed that Lionheart's murderous crusade drags in an ever growing number of innocents and collateral damage.  At that point, I was forced to realize that the beguiling Lionheart is a deranged maniac and probably has been one for a long time.

After I accepted that Lionheart was neither hero nor anti-hero, but was instead a lunatic, I began to enjoy Price's not-quite-over the top performance, with its alternating layers of madness, subtlety, elegance, and maniacal glee.  By the time, I finished Theatre of Blood, I realized a few things.  One is that I need a regular dose of Vincent Price cinema in my life.  Another is that I will absolutely recommend this movie to you, dear readers.

8 of 10
A

Wednesday, March 2, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------


Tuesday, January 4, 2022

Comics Review: "ELVIRA MEETS VINCENT PRICE #4" is Ancient Evenings of Fun

ELVIRA MEETS VINCENT PRICE #4
DYNAMITE ENTERTAINMENT

STORY: David Avallone
ART: Juan Samu
COLORS: Walter Pereyra
LETTERS: Taylor Esposito with Elizabeth Sharland
EDITOR: Joseph Rybandt
COVER: Dave Acosta
VARIANT COVER ARTISTS: Dave Acosta; Juan Samu; Anthony Marques and J. Bone
32pp, Color, $3.99 U.S. (January 2022)

Rated Teen+

Chapter Four: “Inglorious Bastet”


In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.”  Elvira gradually grew in popularity and eventually became a brand name.  As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery, which ran for eleven issues and one special issue (1987).  Eclipse Comics and Claypool Comics began the long-running Elvira: Mistress of the Dark from 1993 to 2007.  In 2018, Elvira returned to comic books via Dynamite Entertainment in the four-issue comic book miniseries, Elvira Mistress of the Dark, that actually ran for 12 issues.

Vincent Price (1911–1993) was an American actor and a legendary movie star.  Price was and still is best known for his performances in horror films, although his career spanned other genres.  Price appeared in more than 100 films, but he also performed on television, the stage, and on radio.  Thus, he has two stars on the “Hollywood Walk of Fame,” one for motion pictures and one for television.

Elvira and Vincent Price team up for the first time in the comic book miniseries, Elvira Meets Vincent Price.  The series is written by David Avallone; drawn by Juan Samu; colored by Walter Pereyra; and lettered by Taylor Esposito with Elizabeth Sharland.  The series finds Elvira and Price searching for a long-lost cult movie, “Rise of the Ram,” because it contains an incantation that can save the world from destruction at the hands of the ancient Egyptian god, Amun-Ra.

Elvira Meets Vincent Price #4 (“Inglorious Bastet”) opens at “The Pyramid Fields of Abu Sir.”  Vincent Price has been vanquished … or so it seems.  Now, all that stands between Amunet and her plans to revive her hubby, Amun-Ra, from the “Western Lands” is Elvira, screenwriter Ahmed Alhazred, and Anipe the tour guide.

As Amunet reads “The Spell of the Final Day” from “The Book of the End of All Things” scroll, Elvira has a reunion with someone who can help her.  Amun-Ra rises and the entire world watches, via a “Deathflix” stream.  Will Vincent return in time to help save the day?  Can Vincent return?

THE LOWDOWN:  In July 2021, Dynamite Entertainment's marketing department began providing me with PDF review copies of some of their titles.  One of them is Elvira Meets Vincent Price #4, which is the fourth issue of the series that I have read and one of many Dynamite Elvira comic books that I have thoroughly enjoyed.

In my review of Elvira Meets Vincent Price #3, I said that I could read another 100 pages of that delightful comic book.  I feel the same way about this fourth issue.  The witty and perfectly humorous writing of David Avallone and the pitch-perfect comedy storytelling of Juan Samu make this final issue a total winner.  If there were justice in comic book awards, Avallone and Samu would at least get some kind of nomination as best writer-artist team.

The sterling painterly colors of Walter Pereyra and the spry lettering of Taylor Esposito with Elizabeth Sharland complete this superb creative team.  While we await the fifth and final issue of this series, dear readers, let's enjoy the afterglow of the fantastic Elvira Meets Vincent Price #4.

I READS YOU RECOMMENDS:  Fans of Elvira and of Vincent Price and of David Avallone's Elvira comic books will want to read Elvira Meets Vincent Price.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DAvallone
https://twitter.com/Juansamuart
https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).


Tuesday, November 16, 2021

Comics Review: "ELVIRA MEETS VINCENT PRICE #3" is Endlessly Delightful

ELVIRA MEETS VINCENT PRICE #3
DYNAMITE ENTERTAINMENT

STORY: David Avallone
ART: Juan Samu
COLORS: Walter Pereya
LETTERS: Taylor Esposito with Elizabeth Sharland
EDITOR: Joseph Rybandt
COVER: Dave Acosta
VARIANT COVER ARTISTS: Dave Acosta; Juan Samu; Anthony Marques and J. Bone
32pp, Color, $3.99 U.S. (November 2021)

Rated Teen+

Chapter Three: “Raiders of the Lost Schlock”


In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.”  Elvira gradually grew in popularity and eventually became a brand name.  As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery, which ran for eleven issues and one special issue (1987).  Eclipse Comics and Claypool Comics began the long-running Elvira: Mistress of the Dark from 1993 to 2007.  In 2018, Elvira returned to comic books via Dynamite Entertainment in the four-issue comic book miniseries, Elvira Mistress of the Dark, that actually ran for 12 issues.

Vincent Price (1911–1993) was an American actor and a legendary movie star.  Price was and still is best known for his performances in horror films, although his career spanned other genres.  Price appeared in more than 100 films, but he also performed on television, the stage, and on radio.  Thus, he has two stars on the “Hollywood Walk of Fame,” one for motion pictures and one for television.

Elvira and Vincent Price team up for the first time in the comic book miniseries, Elvira Meets Vincent Price.  The series is written by David Avallone; drawn by Juan Samu; colored by Walter Pereyra; and lettered by Taylor Esposito with Elizabeth Sharland.  The series finds Elvira and Price searching for a long-lost cult movie, “Rise of the Ram,” because it contains an incantation that can save the world from destruction at the hands of the ancient Egyptian god, Amun-Ra.

As Elvira Meets Vincent Price #3 (“Raiders of the Lost Schlock”) opens, Elvira and Vincent travel to Cairo, Egypt in hopes of finding the one person who could still have a copy of “Rise of the Ram,” the film's screenwriter, Ahmed Alhazred.  Our ghoulish duo finds him at “The Pyramid Fields of Abu Sir,” conducting tours and doing archaeological work.  Elvira and Vincent get lucky, as Ahmed has even more good news for them about The Books of the End of All Things, a scroll that has suddenly become an important part of Elvira and Vincent's quest.

However, they are unaware that they are being stalked by the “Sons of the Desert.”  Even if they avoid that trouble, their main adversary is about to make her big appearance.

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is Elvira Meets Vincent Price #3, which is the third issue of the series that I have read and one of many Dynamite Elvira comic books that I have thoroughly enjoyed.

I have been a fan of writer David Avallone's Elvira comic books for a few years now.  Once again, an issue of Elvira Meets Vincent Price reminds me, if I need a reminder (which I don't), why I love these comic books so much.  In this third issue, Avallone gifts his readers a game of cat-and-mouse among the pyramids.  His script is filled with sparkling comedy, witty asides, and enough cultural references to make Quentin Tarantino jealous.  I should not forget the funny bit players and supporting characters like the “Sons of the Desert” who may be a riff on a kind of silent movie stock villain.

Talented Spanish artist, Juan Samu's graphical storytelling and art creates a comic book that recalls screwball comedies and Bob Hope and Bing Crosby with Dorothy Lamour.  Walter Pereya's painterly colors light up the story in living color.  The lettering, by Taylor Esposito with Elizabeth Sharland, creates a delightful pitter-patter of breezy comedy and endless charm.

I could read another 100 pages of Elvira Meets Vincent Price #3; I'm addicted.  Dear readers, don't deny yourself this cure for the pandemic-time blues.

I READS YOU RECOMMENDS:  Fans of Elvira and of Vincent Price and of David Avallone's Elvira comic books will want to read Elvira Meets Vincent Price.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DAvallone
https://twitter.com/Juansamuart
https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like these, BOOKS PAGE, GRAPHIC NOVELS, or MANGA PAGE and BUY something(s).


Tuesday, September 7, 2021

Comics Review: "ELVIRA MEETS VINCENT PRICE #2" is a Delight

ELVIRA MEETS VINCENT PRICE #2
DYNAMITE ENTERTAINMENT

STORY: David Avallone
ART: Juan Samu
COLORS: Walter Pereya
LETTERS: Taylor Esposito with Elizabeth Sharland
EDITOR: Joseph Rybandt
COVER: Dave Acosta
VARIANT COVER ARTISTS: Dave Acosta; Juan Samu; Anthony Marques and J. Bone
32pp, Color, $3.99 U.S. (September 2021)

Rated Teen+

Chapter Two: “Ankhs for the Mammaries”


In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.”  Elvira gradually grew in popularity and eventually became a brand name.  As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery, which ran for eleven issues and one special issue (1987).  Eclipse Comics and Claypool Comics began the long-running Elvira: Mistress of the Dark from 1993 to 2007.  In 2018, Elvira returned to comic books via Dynamite Entertainment in the four-issue comic book miniseries, Elvira Mistress of the Dark, that actually ran for 12 issues.

Vincent Price (1911–1993) was an American actor and a legendary movie star.  Price was and still is best known for his performances in horror films, although his career spanned other genres.  Price appeared in more than 100 films, but he also performed on television, the stage, and on radio.  Thus, he has two stars on the “Hollywood Walk of Fame,” one for motion pictures and one for television.

Elvira and Vincent Price team up for the first time in the comic book miniseries, Elvira Meets Vincent Price.  The series is written by David Avallone; drawn by Juan Samu; colored by Walter Pereyra; and lettered by Taylor Esposito with Elizabeth Sharland.  The series finds Elvira and Price searching for a long-lost cult movie in order to save the world from the wrath of an awakened Egyptian god.

As Elvira Meets Vincent Price #2 opens, Vincent uses his ghostly wiles to save Elvira from a violent servant of Amun-Ra.  That's right.  That is just a taste of the Armageddon to come if Elvira and Vincent don't find the only surviving copy of the lost cult film, “Rise of the Ram.”  Price starred in the doomed, never-seen film, and now, it is time to start finding the rest of his collaborators on the film, who may know something about the whereabouts of Rise of the Ram.

So our heroic duo flies to England to find Richard “Rick” Rogue, the director of “Rise of the Ram,” and his wife, Claudia Antonelli, the Italian starlet who was Vincent's costar in the film.  But Rick and Claudia have their own problems, and Elvira is about to be the unwilling solution.

THE LOWDOWN:  I have been a fan of writer David Avallone's Elvira comic books for a few years now.  Elvira Meets Vincent Price reminds me, if I need a reminder (which I don't), why I love these comic books so much.

After a cool first issue, Avallone delivers a script for the second issue that is so witty and sparkling that I wish I had a 100 pages more of it.  It's like “Scooby-Doo, Where Are You!” blended with the team of Bob Hope and Paulette Goddard in The Ghost Breakers (1940).

Talented Spanish artist, Juan Samu, who has drawn Marvel Action Black Panther and Transformers comics for IDW Publishing, creates storytelling that practically bleeds charm and coolness.  Samu may be creating the first graphical presentation of supernatural comedy and screwball antics every presented in comic book form.

Walter Pereya's colors capture the sparkle and ghostly chemistry in Avallone's script, while the lettering by Taylor Esposito and Elizabeth Sharland conveys the breezy pace of the story.  I'm having a blast reading Elvira Meets Vincent Price.  It is almost too good to be true how well this crossover works.  And yes, I already want a sequel.

I READS YOU RECOMMENDS:  Fans of Elvira and of Vincent Price and of David Avallone's Elvira comic books will want to read Elvira Meets Vincent Price.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DAvallone
https://twitter.com/Juansamuart
https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like these, BOOKS PAGE, GRAPHIC NOVELS, or MANGA PAGE and BUY something(s).


Tuesday, August 3, 2021

Comics Review: "ELVIRA MEETS VINCENT PRICE #1" is Simply a Delight

ELVIRA MEETS VINCENT PRICE #1
DYNAMITE ENTERTAINMENT

STORY: David Avallone
ART: Juan Samu
COLORS: Walter Pereya
LETTERS: Taylor Esposito with Elizabeth Sharland
EDITOR: Joseph Rybandt
COVER: Dave Acosta
VARIANT COVER ARTISTS: Dave Acosta; Juan Samu; John Royle
32pp, Color, $3.99 U.S. (August 2021)

Rated Teen+

Chapter One: “The Price is Right!”


In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.”  Elvira gradually grew in popularity and eventually became a brand name.  As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery, which ran for eleven issues and one special issue (1987).  Eclipse Comics and Claypool Comics began the long-running Elvira: Mistress of the Dark from 1993 to 2007.  In 2018, Elvira returned to comic books via Dynamite Entertainment in the four-issue comic book miniseries, Elvira Mistress of the Dark, that actually ran for 12 issues.

Vincent Price (1911–1993) was an American actor and a legendary movie star.  Price was and still is best known for his performances in horror films, although his career spanned other genres.  Price appeared in more than 100 films, but he also performed on television, the stage, and on radio.  Thus, he has two stars on the “Hollywood Walk of Fame,” one for motion pictures and one for television.

Elvira and Vincent Price team up for the first time in the comic book miniseries, Elvira Meets Vincent Price.  The series is written by David Avallone; drawn by Juan Samu; colored by Walter Pereyra; and lettered by Taylor Esposito with Elizabeth Sharland.  The series finds Elvira and Vincent searching for a long-lost movie in order to save the world.

Elvira Meets Vincent Price #1 opens after the events depicted in Elvira: The Omega Ma'am.  [This is a Kickstarter comic book that shipped to campaign supporters the first quarter of this year.]  Elvira and her writing partner, Eddie Mezzogiorno, are in the offices of a powerful streaming service.  The duo is (desperately) pitching ideas for new “Elvira” television series with no luck.  In fact, things have been a bit dark of late for the “Mistress of the Dark,” with the possibility of darker still to come.

After a night of drinking, Elvira experiences an intense dream-vision in which her “favorite all-time movie star” – living or dead – appears.  It's the late, but still great Vincent Price!  He needs Elvira's help to find a lost movie of his, but this match made in cinematic-Hades seems to have the forces of darkness aligned against them.

THE LOWDOWN:  I have been a fan of writer David Avallone's Elvira comic books for a few years now.  When Avallone is teamed with artist Dave Acosta, they deliver hugely-entertaining Elvira comic books; they are the “Misters of the Dark.”

For Elvira Meets Vincent Price, Avallone teams up with talented Spanish artist, Juan Samu, who has drawn Marvel Action Black Panther and Transformers comics for IDW Publishing.  Here, Samu's layouts and page designs deftly capture the wild mood swings of this first issue – from the banality of office spaces to the mirthful macabre of Elvira's dwellings and from the fever dreamscapes of Elvira to the crusty outback of the California film making industry.  Samu is also a man of a thousand facial expressions, as he is always conveying different character tempers and humors, panel per panel.  Walter Pereya's colors add a quality to the storytelling that is both lurid and dreamlike.

David Avallone's script is filled with sparkling and witty dialogue, the kind of which DC Comics' Harley Quinn comic books so desperately need.  Reading Avallone's dialogue for Vincent Price certainly made my imagination believe that Price was actually speaking.  The interplay of bold and plain text in the lettering by Taylor Esposito and Elizabeth Sharland balances the need for the script to be funny, and it also advances a plot.

So I encourage everyone looking for (really) funny macabre comedy to purchase and read Elvira Meets Vincent Price #1.  I want a sequel to this series, already.

I READS YOU RECOMMENDS:  Fans of Elvira and of Vincent Price and of David Avallone's Elvira comic books will want to read Elvira Meets Vincent Price.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Friday, December 6, 2013

Review: Vincent Price and Agnes Moorehead Play to Type in "The Bat" (Happy B'day, Anges Moorehead)

TRASH IN MY EYE No. 110 (of 2006) by Leroy Douresseaux

The Bat (1959) – B&W
Running time:  80 minutes (1 hour, 20 minutes)
DIRECTOR:  Crane Wilbur
WRITER:  Crane Wilbur – screenplay and screen story (based upon the play by Avery Hopwood and Mary Roberts Reinhart)
PRODUCER:  C.J. Tevlin
CINEMATOGRAPHER:  Joseph Biroc
EDITOR:  William Austin
COMPOSER:  Louis Forbes

MYSTERY/THRILLER with elements of horror

Starring:  Vincent Price, Agnes Moorehead, Gavin Gordon, John Sutton, Lenita Lane, Elaine Edwards, Darla Hood, John Bryant, Harvey Stephens, Robert B. Williams, Mike Steele, and Riza Royce

The subject of this movie review is The Bat, a 1959 mystery-thriller starring Vincent Price and Agnes Moorhead.  The film is based on the 1920 Broadway play, The Bat, by Avery Hopwood and Mary Roberts Reinhart.  The play was adapted as a motion picture three times:  in 1926 as The Bat, in 1930 as The Bat Whispers, and again in 1959 as The Bat (the subject of this review).  The 1959 movie version focuses on a crazed killer, known as “The Bat,” who is on the loose in a mansion full of people.

Best-selling mystery author, Cornelia van Gorder (Agnes Moorehead, best known as “Endora,” the spiteful mother-in-law on the TV series, “Bewitched”), and her staff are summering at The Oaks, a fine estate near the small town of Zenith.  It is at The Oaks where Cornelia finds that she can write her hugely successful murder mysteries.  This summer, however, the locals are falling dead, and a mysterious, possible supernatural, killer known as The Bat is on the loose.

After The Oaks’ owner, John Fleming (Harvey Stephens), who also owns the local bank, dies, suspicions about the whereabouts of one million dollars in missing money from the bank, land squarely on The Oaks.  Soon, a bevy of townsfolk including the local coroner, Dr. Malcolm Wells (Vincent Price), Fleming’s nephew, Mark (John Bryant), the local law official, Lt. Andy Anderson (Gavin Gordon), and more are hanging around the mansion looking for the loot – with the threat of gruesome death at the hands (and claws) of The Bat hovering over them.

The Bat is one of those “spooky old house thrillers,” and is based upon a novel and play that was apparently very popular in the 1920 and 30’s.  This was the third film version of the story (the first was a silent film), and by 1959, this sub-genre of mystery films must have seemed quaint.  In fact, scary stories – the kind that take place in creaky old house riddled with secret passage ways where lies hidden money that is in turned hunted for by a masked villain – was soon to be (if not by the time of this movie’s release) children’s fare.  This is pretty much the template for most “Scooby-Doo” cartoons and other Hanna-Barbera cartoons like it.  Still, it’s very entertaining, and Vincent Price and Agnes Moorehead play to type.  This is a nice treat for the genre it represents.  In fact, The Bat holds the identity of its villain to the very end surprisingly well.

6 of 10
B

Tuesday, May 23, 2006

Updated:  Friday, December 06, 2013

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Wednesday, May 9, 2012

First Burton/Depp Joint, "Edward Scissorhands" is a Classic

TRASH IN MY EYE No. 34 (of 2012) by Leroy Douresseaux


Edward Scissorhands (1990)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG-13
DIRECTOR: Tim Burton
WRITERS: Caroline Thompson; from a story by Tim Burton and Caroline Thompson
PRODUCERS: Tim Burton and Denise Di Novi
CINEMATOGRAPHER: Stefan Czapsky (D.o.P.)
EDITOR: Richard Halsey
COMPOSER: Danny Elfman
Academy Award nominee

FANTASY/ROMANCE

Starring: Johnny Depp, Winona Ryder, Dianne Wiest, Alan Arkin, Anthony Michael Hall, Kathy Baker, Robert Oliveri, Conchata Ferrell, Caroline Aaron, O-Lan Jones, Dick Anthony Williams, and Vincent Price

The subject of this movie review is Edward Scissorhands, a fairy tale film from director Tim Burton and starring Johnny Depp in the title role. Edward Scissorhands is the first of several films in which Burton and Depp have collaborated, including the shortly to be released Dark Shadows.

A romantic fantasy, the film opens with an elderly woman telling her granddaughter where the snow outside their window comes from (because they live in an area in which snow is not common). That story begins when a local Avon saleswoman, Peg Boggs (Dianne Wiest) visits a Gothic mansion that sits on a hill just outside her suburban neighborhood. She finds Edward (Tim Burton) hiding in the castle. Edward is a mechanical young man created by an old inventor (Vincent Price), and he has scissor-like contraptions where his wrists and hands should be.

Peg takes Edward home where he befriends her son, Kevin (Robert Oliveri), meets her husband, Bill (Alan Arkin), and later meets and falls in love with her teen daughter, Kim (Winona Ryder). At first Edward fits right in with the family, and the neighbors also take to him, especially after they discover that he has skills they can put to use. However, petty jealousies, simple misunderstandings, and selfish interests soon make it difficult and dangerous for both the Boggs and Edward.

Critics and movie fans have described Edward Scissorhands as Tim Burton’s most personal film. According to the 2006 book, Burton on Burton (by author Mark Salisbury), the title character of Edward Scissorhands comes out of a teenaged Burton’s feelings of isolation and also his inability to fit in and to communicate with the people in the suburb where he grew up. The more I saw of Burton and of his work, both films and illustrations, the more Edward Scissorhands’ themes of self-discovery and isolation made sense to me. I can see Burton, a Goth-type teen with his strange drawings and stranger looks, not exactly fitting in with the conformity zone that suburban areas are (at least on the surface, cause there’s no telling what goes on behind closed doors).

Seriously though, I think Edward Scissorhands goes beyond mere commentary about familiar suburban vs. rebel themes. In the film, the Boggs live in a drab suburban world that manages to make even the pastel colors that blanket the wood frame homes seem dull and boring. When Edward comes into the Boggs’ world, it isn’t so much that he is a breath of fresh air. It is that he becomes a novelty act, and he is accepted, for the most part, as long has his talents are of use to his new neighbors and as long he entertains. The black-garbed Edward is the proverbial Negro in a white bougie woodpile.

Edward, although he is a mechanical boy, has a good soul and has an open spirit. He isn’t clueless, as throughout the film, we can observe how quickly Edward learns. He has a surprising sense of humor, born of the way he can see past the façades people put forth. The problem for Edward is that he is open-minded or, at least, open to new experiences; his neighbors are not.

In this film’s last act, the neighbors reveal themselves for what they really are – a white citizens council, a lynch mob willfully ignoring any truths so that they can kill someone. They want an excuse, any excuse, to get out the torches and pitchforks. Hell, when it comes down to it, they don’t really need an excuse. It is not a coincidence that the most understanding and sympathetic person to Edward, outside the Boggs, is an African-American police officer played by the late Dick Anthony Williams (who died in February of this year.)

One can make an argument that Edward Scissorhands is Burton’s best film. For all its autobiographical elements, it is his sharpest and most satirical drama. In the context of Burton’s apparent persecuted youth, Edward Scissorhands is the revenge of the nerd that made it in spite of the haters.

9 of 10
A+

NOTES:
1991 Academy Awards: 1 nomination: “Best Makeup” (Ve Neill and Stan Winston)

1992 BAFTA Awards: 1 win: “Best Production Design” (Bo Welch); 3 nominations: “Best Costume Design” (Colleen Atwood), “Best Make Up Artist” (Ve Neill), and “Best Special Visual Effects” (Stan Winston)

1991 Golden Globes, USA: 1 nomination: “Best Performance by an Actor in a Motion Picture - Comedy/Musical” (Johnny Depp)

Wednesday, May 09, 2012

Saturday, October 29, 2011

Vincent Price Carries "The Last Man on Earth"

TRASH IN MY EYE No. 87 (of 2006) by Leroy Douresseaux


The Last Man on Earth (1964) – B&W
Running time: 86 minutes (1 hour, 26 minutes)
DIRECTORS: Ubaldo Ragona and Sidney Salkow
WRITERS: William Liecester, Furio M. Monetti, Ubaldo Ragona, and Logan Swanson (Richard Matheson); (based upon the novel I Am Legend by Richard Matheson)
PRODUCER: Robert L. Lippert
CINEMATOGRAPHER: Franco Delli Colli
EDITORS: Gene Ruggiero and Franca Silvi

HORROR/SCI-FI/DRAMA

Starring: Vincent Price, Franca Bettoia, Emma Danieli, and Giacomo Rossi-Stuart

A worldwide plague (or pandemic) seemingly kills all of humanity, but it also causes the dead to arise and return as shambling, simple-minded, vampire-like creatures who want blood. Dr. Robert Morgan (Vincent Price) is apparently the only human unaffected – the last man on earth. Every night a group of these “living dead” attack Morgan’s house, calling his name, and demanding his life. What makes it worse is that one of the creatures was Morgan’s best friend, Ben Cortman (Giacomo Rossi-Stuart). Eventually, Morgan encounters a young woman named Ruth Collins (Franca Bettoia), whom Morgan at first assumes to be another surviving human. However, there is more to Ruth than meets the eye, and it may mean there are others like her – others who want Morgan dead.

The Last Man on Earth was the first film adaptation of one of the most famous vampire novels of 20th century, Richard Matheson’s I Am Legend. Stephen King claims that the book was a huge influence on him, and both Matheson’s book and this 1964 adaptation influenced George A. Romero’s seminal zombie film, Night of the Living Dead. This adaptation is a somber and occasionally creepy, if not chilling, film about loneliness and what it truly means to be “the only one.” Price ably carries the film practically by himself, as every other character only has a small part. The surreal black and white photography and the carefully designed sets give this film a forlorn mood. However, the locations, which feature abandoned cars, debris, and bodies scattered about the streets make this a depressing and haunting, but engaging apocalyptic film.

7 of 10
B+

Saturday, April 22, 2006