"Star Wars: The Last Jedi" Arrives on Blu-ray March 27th

“A spectacular, full-throttle joyride of thrills, exhilarating, screen-filling visuals” – Parade – Neil Pond

STAR WARS: THE LAST JEDI

Writer/Director Rian Johnson takes fans behind the scenes, revealing production secrets and never-before-seen footage and deleted scenes

BURBANK, Calif. — Lucasfilm’s Star Wars: The Last Jedi—the next action-packed chapter of the Star Wars saga— Earned critical acclaim and the No. 1 spot atop 2017’s list of highest-grossing films. The visually stunning film welcomes the return of original characters, including Luke Skywalker, Princess Leia, Chewbacca, Yoda, R2-D2 and C-3PO and further explores the deepening journey of the saga’s new members, Rey, Finn, Poe, and Kylo Ren. Now families can bring home the movie digitally in HD and 4K Ultra HD™ and via Movies Anywhere on March 13, 2018, two weeks before the 4K Ultra HD™ Blu-ray, and Blu-ray™ disc on March 27, 2018.  This release also marks Disney’s first title available on 4K Ultra HD Blu-ray disc in both Dolby Vision™ HDR and Dolby Atmos® immersive audio, delivering consumers a transformative viewing experience.

Director Rian Johnson takes fans on an intimate journey into the creation of Star Wars: The Last Jedi in a feature-length documentary, explaining his unique interpretation of the Force, detailing the painstaking process of creating Snoke, and deconstructing action-packed scenes from the film such as the epic space battle and the final confrontation. Johnson also reveals two exclusive scenes, featuring Andy Serkis as Snoke prior to his digital makeover, as well as 14 never-before-seen deleted scenes, in addition to his audio commentary.

Bonus features include*:

    The Director and the Jedi – Go deep behind the scenes with writer-director Rian Johnson on an intimate and personal journey through the production of the movie—and experience what it’s like to helm a global franchise and cultural phenomenon.

•     Balance of the Force - Explore the mythology of the Force and why Rian Johnson chose to interpret its role in such a unique way.
•     Scene Breakdowns
•         Lighting the Spark: Creating the Space Battle – Get a close-up look at the epic space battle, from the sounds that help propel the action, through the practical and visual effects, to the characters who bring it all to life.
•         Snoke and Mirrors – Motion capture and Star Wars collide as the filmmakers take us through the detailed process of creating the movie’s malevolent master villain.
•         Showdown on Crait – Break down everything that went into creating the stunning world seen in the movie’s final confrontation, including the interplay between real-word locations and visual effects, reimagining the walkers, designing the crystal foxes, and much more.
•     Andy Serkis Live! (One Night Only) – Writer-director Rian Johnson presents two exclusive sequences from the movie featuring Andy Serkis’ riveting, raw on-set performance before his digital makeover into Snoke.
•     Deleted Scenes – With an introduction and optional commentary by writer-director Rian Johnson.
•     Audio Commentary – View the movie with in-depth feature audio commentary by writer-director Rian Johnson.

* Digital bonus offerings may vary by retailer.

Star Wars: The Last Jedi is packaged several ways to ensure fans get the most out of their in-home viewing experience. The Multiscreen Edition (formerly the Blu-ray Combo Pack) includes Blu-ray, and a Digital copy, giving viewers the flexibility to watch the film on different devices. Those with 4K Ultra HD capability may opt for a 4K UHD Collector’s Edition, including 4K Ultra HD disc with Dolby Vision and Dolby Atmos, Blu-ray disc, and a digital copy (where available). Dolby Vision delivers greater brightness and contrast, as well as a fuller palette of rich colors. Dolby Atmos places and moves audio anywhere in the room, including overhead. Together on 4K Ultra HD Blu-ray disc, viewers will practically feel the Force in their own home.

DISC SPECIFICATIONS:
FEATURE RUN TIME: Approximately 152 min.
RATING: PG-13 in U.S.; PG in CE; PG in CF
ASPECT RATIO: 2.39:1

AUDIO:
4K UHD (US): English 7.14 Dolby Atmos; English 7.1 Dolby Audio™; English 2.0 Descriptive Audio, Spanish 7.1 Dolby Audio
4K UHD (Canada): English 7.1.4 Dolby Atmos; English 7.1 Dolby Audio; English 2.0 Descriptive Audio, French 7.1 Dolby Audio
Blu-ray: English 7.1 DTS-HDMA, English 2.0 Descriptive Audio, French and Spanish 5.1 Dolby Audio Language Tracks
DVD: English 5.1 Dolby Audio, English 2.0 Descriptive Audio, French and Spanish 5.1 Dolby Audio Language Tracks
Digital 4K UHD: English Dolby Atmos (where available), English 7.1 Dolby Audio (where available), English, French & Spanish 5.1 Dolby Audio, English 2.0 Descriptive Audio (where available)
Digital HD: English, French & Spanish 5.1 Dolby Audio, English 2.0 Descriptive Audio (where available)

SUBTITLES:      
UHD / BD: English SDH, French & Spanish
DVD: English SDH, French & Spanish
Digital: English SDH, English Closed Caption, French & Spanish (where available)

SOCIAL MEDIA:                     
Website: http://www.starwars.com
Facebook: http://www.facebook.com/starwars
Twitter: https://twitter.com/starwars
Instagram: http://instagram.com/starwars
YouTube: http://www.youtube.com/starwars

ABOUT STAR WARS: THE LAST JEDI:
In Lucasfilm’s Star Wars: The Last Jedi, the Skywalker saga continues as the heroes of The Force Awakens join the galactic legends in an epic adventure that unlocks age-old mysteries of the Force and shocking revelations of the past.

The film stars Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern with Frank Oz, and Benicio Del Toro.    Star Wars: The Last Jedi is written and directed by Rian Johnson and produced by Kathleen Kennedy and Ram Bergman. J.J. Abrams, Tom Karnowski and Jason McGatlin are the executive producers.

ABOUT LUCASFILM LTD.
Lucasfilm Ltd., a wholly-owned subsidiary of The Walt Disney Company, is a global leader in film, television and digital entertainment production. In addition to its motion-picture and television production, the company's activities include visual effects and audio post-production, cutting-edge digital animation, interactive entertainment software, and the management of the global merchandising activities for its entertainment properties including the legendary STAR WARS and INDIANA JONES franchises. Lucasfilm Ltd. is headquartered in northern California.

MOVIES ANYWHERE (MA):
Movies Anywhere simplifies and enhances the digital movie collection and viewing experience by allowing consumers to access their favorite digital movies in one place when purchased or redeemed through participating digital retailers. Movies Anywhere brings together the movies from Sony Pictures, Twentieth Century Fox Film, The Walt Disney Studios (including Disney, Pixar, Marvel Studios and Lucasfilm), Universal Pictures and Warner Bros. Participating digital retailers at launch are Amazon Video, Google Play, iTunes and Vudu. Movies Anywhere offers a library of over 7,300 digital movies at launch, including new releases, and will continue to expand the consumer experience as more content providers, digital retailers and platforms are added. Using the free Movies Anywhere app and website, consumers can connect their Movies Anywhere account with participating digital retailers and enjoy their favorite digital movies from the comfort of their living room and across multiple devices and platforms, including Amazon Fire devices; Android devices and Android TV; Apple TV; Chromecast; iPhone, iPad and iPod touch; Roku® devices and popular browsers. Consumers can also redeem digital copy codes found in eligible Blu-ray and DVD disc packages from participating studios and enjoy them through Movies Anywhere. 

ABOUT THE WALT DISNEY STUDIOS:
For over 90 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under the following banners: Disney, including Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel Studios; Lucasfilm; and Touchstone Pictures. The Disney Music Group encompasses the Walt Disney Records and Hollywood Records labels, as well as Disney Music Publishing. The Disney Theatrical Group produces and licenses live events, including Disney on Broadway, Disney On Ice and Disney Live!.

ABOUT DOLBY VISION
Dolby Vision transforms your TV experience with spectacular imaging—incredible brightness, contrast, and color that bring entertainment to life before your eyes via OTT online streaming, Ultra HD Blu-ray disc, broadcast, and gaming applications.

ABOUT DOLBY ATMOS
Dolby Atmos delivers moving audio—sound that can be precisely placed and moved anywhere in three-dimensional space, including overhead. It brings entertainment alive all around the audience in a powerfully immersive and emotive experience.

STAR WARS: THE LAST JEDI TRAILER Trailer Link: https://youtu.be/Ecd4eA067P0

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Michael Pena and Tip Harris Reveal Their Thoughts on "Marvel's Ant-Man"

This Q&A was provided to the press by Disney's public relations and marketing partners.

AN INTERVIEW WITH MICHAEL PENA AND TIP ‘T.I.’ HARRIS FOR THE HOME ENTERTAINMENT RELEASE OF MARVEL’S ANT-MAN

The latest evolution of the Marvel Cinematic Universe introduces the newest member of the Avengers: Marvel’s Ant-Man. Armed with the amazing ability to shrink in scale but increase in strength, master thief Scott Lang (played by Paul Rudd) joins forces with his new mentor Dr. Hank Pym (Michael Douglas) to protect the secret behind his spectacular Ant-Man suit. Full of humor and heart, as well as awesome special effects, this action-packed adventure will shortly be released on Blu-ray, DVD and Digital HD – complete with never-before-seen deleted scenes, making-of featurettes, a gag reel and audio commentary.

To celebrate the exciting in-home release, we talk to actors Michael Pena and Tip ‘T.I.’ Harris – who play Luis and Dave in Marvel’s Ant-Man – to discover their thoughts on the daring heist adventure…

Q:  How much did you know about the Marvel universe before you signed up to appear in Marvel’s Ant-Man? Are you both comic book fans?

T.I.:  The only comic books I’ve ever had much experience reading are The X-Men and Wolverine. I didn’t know much about Ant-Man before this, but I do now. And I love it.

Michael:  I didn’t much about Ant-Man either, but I was a huge Marvel fan. I knew about Iron Man and Thor and Wolverine and Colossus; I knew about all those superheroes. Spider-Man seems to have a different tone to the pure Marvel stuff, but I really enjoyed the Guardians Of The Galaxy and Iron Man movies. I love the special effects and how it seems very real, but at the same time it still lives within the realm of Marvel, which has got to be a lot of work. I think they nail it every time, especially with this movie.

Q:  How much Ant-Man research did you undertake when you signed up for the movie, or did you just take your notes from the script?

Michael: I usually just try to do whatever’s on the page because I’ve done research before – including a lot of analysis – but you end up with conflicting data. To me, the script is king.

T.I.: I did some research. I didn’t read actual Ant-Man comic books – but I found out about the Pym Particles and how they help the Marvel universe; I’ve had that much explained to me. My buddy is an avid comic book fan, so he puts me up on game. And David Dastmalchian [who plays Kurt] is a huge comic book fan, so he shared his knowledge and wisdom on the universe with us, too.

Q:  What do you think of the family theme that runs through Marvel’s Ant-Man?

Michael:  I think it works really well. There are times in action movies where it just doesn’t work, but Paul Rudd did a really great job with that; he really pulled it off. I was really impressed. It was emotional, even for me. I have a six-year-old kid and I thought he just knocked it out of the park.

Q:  Marvel’s Ant-Man is about to be released on Blu-ray, DVD and Digital HD. How does it feel to know that fans will finally be able to watch the movie in the comfort of their own home?

Michael:  I love watching Blu-rays, so I think it’s great. I especially love all the extra features you get with the Blu-ray release. My son always wants to know how they created a movie and how they shot certain scenes, so it’s always great to see all the people it takes to make a movie like this. It’s fun to head behind the scenes.

Q:  What can audiences expect from the deleted scenes and gag reels of Marvel’s Ant-Man?

T.I.: I love watching deleted scenes and I’m sure there will be a lot on the Blu-ray. We have a fun dance sequence that took place in Luis’ apartment, and I hope that’s on there. In the scene, we were coming back from a night on the town. I won’t spoil it, but we ran into some fortunate circumstances and we were really excited. It was a very positive time for us. We felt like we’d made it, so we came home and set the dance floor on fire. The entourage dances! Who’s the best dancer in the entourage? [Pauses] Well, it’s not Michael. I’ll just say that.

Q:  Take us back to the very beginning… How did you both become involved with Marvel’s Ant-Man?

T.I.:  I got a phone call. I was asked if I was available to come and read for a part. No one told me what the part was or what the scenes would involve, so there was no preparation for me – but I made myself available at Marvel’s request. I went and read some scenes that were not my scenes, and they liked me enough to call me back and check my availability. From there on, I was in the Marvel Universe.

Michael:  I got invited into the movie pretty early on; I was attached for seven or eight months before we even started shooting. Every time they rewrote the script, I was really glad that the character stayed in there.

Q:  How much did your characters change from their iterations in the first movie script?

Michael:  They changed a little after the director, Peyton Reed, came on board. It was really interesting because we would get rewrites and when you read them out of context, you have no idea what’s going on. But Marvel’s really good at putting all the moving parts together. They wrote a bunch of stuff for me that wasn’t in the original script, so I was very happy. I think I only had a handful of scenes in the first script, but then it turned into a lot more. That was great for me because I really enjoy playing this character.

T.I.: For me, I had pretty much a blank canvas to do whatever I felt was right. They allowed us to make our characters what we felt they should be. The only solid piece of background we were given was that they met in prison and they were trying to keep their lives on the straight and narrow.

Q:  Why do you like the most about your characters in the movie?

T.I.:  I like that Dave doesn’t talk unless he has something to say. In the movie, there aren’t many words of insignificance that Dave speaks – whereas Luis does a lot of talking. Dave is straight to the point. He’s no nonsense and he doesn’t really communicate with many people outside of his circle.

Q:  Was the non-speaking aspect of the role difficult for you to portray?

T.I.:  No, not really. I think it provides a mysterious strength. I like it.

Q:  What do you like about your character, Michael?

Michael:  I like how enthusiastic Luis is about life. I like how he’s almost innocent, but at the same time he can be dangerous. I really like that dichotomy. I like that he’s trying to be good, but he’s had a shady past.

Q:  Did anyone in particular inspire your portrayal of Luis?

Michael: In the movie, I’m imitating somebody I know who lives in Chicago. It’s a very real person who lives on the south side. He talks the way my character talks, which added some humor to it. I just started imitating this guy, which I thought would be funny – and I think it worked.

Q:  Audiences have praised Marvel’s Ant-Man as the most comedic Marvel movie to date. How does that make you feel?

Michael:  It would be badass if this was ranked the funniest Marvel movie. That would be bad to the bone! That would be really awesome. I thought Guardians Of The Galaxy was pretty funny, though. The raccoon was really funny, the big guy was really funny and the tree was funny.

T.I.:  Personally, I think Ant-Man is their funniest and their most grounded movie. You know what? It’s amazing to be a part of this cast. I feel like they broke the mold with Ant-Man and set Marvel on a different path.

Q:  When did you discover you had great comedic skills?

Michael: I wouldn’t say I have comedy chops. I guess you get lucky with good writing because I don’t think I’m a comedian by any stretch of the imagination.

T.I.:  I just think that we all enjoyed working with one another. We had an incredible time and great chemistry. The chemistry we developed on screen is definitely the driving factor to the humor in a lot of it.

Q:  How much did Paul Rudd inject into the humor of the movie?

Michael: Paul Rudd is great because he’s down for whatever, man. Paul’s got a very specific brand of humor. It’s really unpredictable – and a couple of times I wasn’t able to get through a take. It’s very loose, but it was very interesting because it’s such a big movie. I was surprised how loose we were, but I’m glad with the outcome. It’s great.

ENDS

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Paul Rudd and Evangeline Lilly Talk "Marvel's Ant-Man"

This Q&A was provided to the press by Disney's public relations and marketing partners.

AN INTERVIEW WITH PAUL RUDD AND EVANGELINE LILLY FOR THE HOME ENTERTAINMENT RELEASE OF MARVEL’S ANT-MAN

The latest evolution of the Marvel Cinematic Universe introduces the newest member of the Avengers: Marvel’s Ant-Man. Armed with the amazing ability to shrink in scale but increase in strength, master thief Scott Lang (played by Paul Rudd) joins forces with his new mentor Dr. Hank Pym (Michael Douglas) to protect the secret behind his spectacular Ant-Man suit. Full of humor and heart, as well as awesome special effects, this action-packed adventure will shortly be released on Blu-ray, DVD and Digital HD – complete with never-before-seen deleted scenes, making-of featurettes, a gag reel and audio commentary.

To celebrate the exciting in-home release, we talk to Paul Rudd and Evangeline Lilly – who play Scott Lang/Ant Man and Hope Van Dyne – to discover their thoughts on the daring heist adventure…

Q:  Ant-Man is an iconic new character in the Marvel Cinematic Universe. How much comic book research did you undertake when you signed up for the role, Paul?

Paul:  Growing up, I didn’t know about this character, so I read a lot of comics before we started shooting the movie and writing the screenplay. I did a lot of research and I tried to get into his mindset as much as possible. To prepare for the film shoot, there was also all of the physical training that I wanted to throw myself into in order to feel as though I could play the part. Not only did I want to be convincing, but that also helped me feel comfortable in the role. I enjoyed being able to do shoulder rolls and flips for the first time in my life.

Q:  Does this mean you were able to tackle a lot of the stunts and fight scenes in the movie?

Paul: I did some of them; I did as much as I could do. Even when Scott is hidden in the suit and the helmet, the director wanted me to act out the scenes because you can tell when I’m not inside. You can tell when it’s me just by the way I move. However, it wasn’t all me. I had a great stuntman who could put on the suit and do the really heavy lifting. I still did a lot of the fighting, though. I worked with a gymnast who taught me all kinds of tumbling and very light parkour. It takes a while to really get it down.

Q:  How else did you physically prepare for the role?

Paul:  I didn’t eat anything for about a year and I worked out all the time. I took the Chris Pratt approach, which was to just basically eliminate anything fun for about a year. That’s a good way to prepare to play a superhero. But again, it also helped me feel the part.

Q:  How comfortable did you feel in the Ant-Man suit?

Paul:  I’m biased because I loved the suit. I think it’s the coolest-looking suit of all of them, so I loved wearing it. It was not too uncomfortable, so I’d wear it all the time – even on my days off. Something happens when you get into it. It’s inevitable. I would stand differently and I would feel different. I’d feel like Ant-Man in that thing.

Evangeline:  Even though you looked like a total dork!

Paul: Ha ha! Yes, thanks. They kept the sound stages a little bit cooler because the suit didn’t really breathe that well, but it helped me feel the part. It was cool. I would sometimes catch myself and think, ‘Gosh, this thing is amazing-looking!’

Q:  Let’s talk about your character, Evangeline. Hope Van Dyne has been praised by fans for being the biggest badass in the movie. Did you feel like you were playing a full-on superhero, even though she doesn’t wear a superhero costume?

Evangeline:  That was the most exciting thing for me about the role. While we were filming and during post-production, there was a lot of buzz on the internet: “Is Evangeline playing the Wasp? Is she a superhero?” I had a lot of questions directed my way about that, but I couldn’t have felt more comfortable or happier saying that Hope is a really capable, very powerful force to be reckoned with. She doesn’t have a superpower and she doesn’t put on a fancy suit and look dorky in it. My super-suit was my power suit that I would go to work in to be a high-level scientist and a senior member on the board of a very powerful corporation. I think that’s a fantastic example for young women. Playing the role of female scientist in a world where mostly scientists are men is a great role to play.

Q:  When the Wasp costume is revealed at the end of the movie, Hope declares: “It’s about damn time.” Did you feel like you were speaking for all womankind in finally getting this intense female superhero moment?

Evangeline:  Amen and touché. I think that there is a lot of excitement with the female audience about this character in general, and about the fact that Marvel are really, really taking female characters very seriously. Looking at their line-up, you can see that they have great intentions.

Q:  How much effort went into the creation of your feisty female character?

Evangeline: As a woman who came into a predominantly male film, I had a great time working with the director, Peyton Reed, and with the producers on this character because I could see a hunger in them to really do right by Hope. I know they want to do right by their female fans and the female audience. When I pick a role, one of the things that I aspire to is that somebody’s parent will come up to me after the film to say, “My daughter idealizes that character. You’re her hero.” That’s what we aim for, especially with this brand. We’re in the business of making heroes.

Q:  Talking of youngsters… What does your son think of you playing a superhero, Paul?

Paul:  This is the first thing I’ve ever done that they're legitimately jazzed about. My daughter is still a bit young, but my son can see it -- his friends know about it, and that's great. We were at Disneyland for an Ant-Man event a while ago and I’ll never forget the look on his face when he was watching a preview scene. As soon as it ended, he looked at me and said: “That’s awesome!” Every time a commercial comes on, they yell, “Dad, Dad, Dad!” They're so excited and I’ve never experienced that. It's wonderful to be able to share this with them.

Q:  What do you think of the father-daughter storyline in Marvel’s Ant-Man? Does it add another level of depth to the character?

Paul:  In regard to the father-daughter theme, that was the thing that I hung the whole story on. You can have a movie with amazing effects, brilliant visuals, a lot of action, humor and whatever – but whenever you see something that you can connect to that’s emotionally resonant, it stays with you in a very different way. I think that’s the key to any movie and that’s what I thought about throughout this whole film. That is what the movie is about.

Evangeline:  And with Bobby Cannavale’s character, Paxton, and Cassie [Paxton’s stepdaughter/Scott’s daughter]; I thought it was really cool that there was also the stepfather and daughter relationship.

Paul: I also think there’s an interesting father-son dynamic with Hank Pym [played by Michael Douglas] and Darren Cross [played by Corey Stoll], so the whole idea of parents and children runs throughout the movie. I think that’s the thing that’s most relatable. I think it’s great.

ENDS

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Paul Rudd Discovers His Thoughts on Ant-Man

This Q&A was provided to the press by Disney's public relations and marketing partners.

AN INTERVIEW WITH PAUL RUDD FOR THE HOME ENTERTAINMENT RELEASE OF MARVEL’S ANT-MAN

The latest evolution of the Marvel Cinematic Universe introduces the newest member of the Avengers: Marvel’s Ant-Man. Armed with the amazing ability to shrink in scale but increase in strength, master thief Scott Lang (played by Paul Rudd) joins forces with his new mentor Dr. Hank Pym (Michael Douglas) to protect the secret behind his spectacular Ant-Man suit. Full of humor and heart, as well as awesome special effects, this action-packed adventure will shortly be released on Blu-ray, DVD and Digital HD – complete with never-before-seen deleted scenes, making-of featurettes, a gag reel and audio commentary.

To celebrate the exciting in-home release, we talk to actor and screenwriter Paul Rudd – who plays Scott Lang/Ant Man – to discover his thoughts on the daring heist adventure…

Q:  What does the home entertainment release of Marvel’s Ant-Man mean to you?

RUDD:  When you work on a project like this, you put your heart and soul into it. You work on it for a long time and you’re proud of it, so you certainly want it to be seen. It’s really nice to know that people like the movie enough to want to buy it on DVD and Blu-ray to watch repeatedly at home. 

Q:  How much do you enjoy the bonus extras that are released with the Blu-ray, DVD and Digital HD versions of movies?

RUDD:  Whenever there’s a movie that I really love, I always get the Blu-ray to hear the commentary. I want to listen to the voiceover and see deleted scenes because it’s a little bit like taking a film class. I always think it’s really cool to hear directors talk about what they are trying to accomplish with a specific scene. It’s fun to hear their stories, but I find it most interesting when it gets technical. I think you can learn a lot from the extras, and I love the thought of hearing about what was going on while people were shooting a project. It’s like being privy to hearing conversations that you aren’t normally privy to. 

Q:  Did you work on many Ant-Man scenes that didn’t make it into to the final cut of the movie?

RUDD:  There were quite a few scenes that you didn’t see in the [big screen version of the] movie, so you’ll definitely see some of them on the Blu-ray. Working on this script, one of the first things I thought of was: if you steal a suit and then you stumble across what this suit can do – and you’ve just gotten out of jail and you’re a thief – what would you do? There was a whole montage scene that we called ‘the wish-fulfillment sequence’ and I always figured it would be a fun part of the movie. We came up with lots of different scenarios and things that I could do in the suit. We shot a bunch of those, but they didn’t make it to the theatrical version.

Q:  Marvel loves to hide Easter eggs and secret references within their movies. Were you thinking about these when you were writing the screenplay?

RUDD:  Not really. At that point in the process, you’re just dealing with the story at hand. [Marvel’s Ant-Man co-writer] Adam McKay and I were aware that we were making a heist movie, so you start with the heist structure. It seems like in every heist movie, the thieves do a test run and it never goes well, so we sat with that idea for a while. We had fun coming up with different scenarios. For example, what if Ant-Man wound up fighting somebody that’s not just an average guy? What if it was one of The Avengers? We’d think of things like that for the movie we’re working on, but we never have ideas like, ‘Oh, we could do this now and we can connect the dots three movies later.’

Q:  At what stage did you start to think about the stinger scene at the end of the credits, when the Wasp costume is revealed?

RUDD:  I never know where those are going, what they are doing, or even if they’ll do one, so sometimes those ideas come around later. However, I always knew that this movie was going to be a good introduction to Wasp. That was in the script, so as we were writing it we were thinking it would be part of the movie. I didn’t know how they were going to separate it from our story; they figure out some of that stuff in post-production.

Q:  At what stage did you know that Falcon was going to be part of Marvel’s Ant-Man? Did you consider any other characters from The Avengers for the scene?

RUDD:  That was a scene we created when we were writing the screenplay. At first, we were thinking, ‘Oh gosh, Ant-Man should fight an Avenger. How great would it be to see him fight an Avenger? No one would see it coming.’ And then we pitched it to Marvel. We said, “Falcon would be cool. That would be a really interesting fight.” We ran it by Kevin Feige and he agreed.

Q:  Many fans were blown away by that scene. How tough was it to keep Falcon’s participation in the storyline secret?

RUDD:  It was really, really hard. But to be honest, it’s hard to keep anything secret. There are people on the hunt to find out any kind of information, so you’re always thinking, ‘I hope this doesn’t get out.’ You always hope for the best, but you’re always thinking that something will leak. It’s impossible to keep everything secret.

Q:  But that scene was a complete surprise for the audience…

RUDD:  Yeah, which was great. Part of the fun of going to see a movie is down to the fact that you want to be surprised. Scenes like that are a thrill for people who are really passionate about the story. 

Q:  How did you come up with the idea for the terrifying bunny toy in the movie? It’s another scene-stealer!

RUDD:  When my son was a baby, he was really into a show called Boohbah, which was a very weird show. It got me thinking that Scott and his daughter should have a connection that only they share. I thought the idea of him giving her a birthday gift of a very weird stuffed animal would be funny, as well as sweet and interesting. And it’s not saccharin. It’s not like he’s giving her a teddy bear or something like that. I wanted it to be an unidentifiable thing, similar to a Boohbah or a Teletubby – but we would make up our own. That’s how I imagined it, but I never wrote it in the screenplay as a terrifying-looking bunny. 

Q:  Did you have much input into the look of the bunny?

RUDD:  When we were getting ready to shoot the movie, they brought it out and showed it to me – and I was actually bummed out about it. I told them it wasn’t what I wanted; that it’s not cool for a father to give his daughter something this terrifying. Plus, it was so tiny. I know he has no money, but it was going against what I imagined in my mind. To the credit of Peyton Reed – and this is why he’s the director of the movie – he said he thought it was good, and that it was what we wanted to go with. He had OK’d it, as had [President of Marvel Studios] Kevin Feige, who knows what’s up – and they were right. But it was something that was always a sticking point with me. I’m like, “I don’t want to give her a terrifying-looking rabbit!” 

Q:  Did the bunny have a name in your script?

RUDD:  No, it wasn’t even a bunny in the script. You know what it was? I think I put down as a cat.

Q:  Which scene in the movie is your proudest achievement?

RUDD: When Falcon swoops in; that was cool. Even when we were shooting it, or even when we were writing it, we were thinking, ‘Oh, wow… The hairs on my neck are standing up because this could be such a cool movie moment. Does this mean that the other Avengers will now know about his existence?’ It was fun to think about that kind of stuff. 

Q:  It’s been revealed that Ant-Man appears in Captain America: Civil War. What’s it like to work with Captain America actor Chris Evans?

RUDD:  It’s been really great fun, and it’s also made this whole experience seem much more real in a way. Well, I always knew it was real and I certainly felt like I was part of the Marvel family with Ant-Man – but to stand around and see Captain America, and to see Iron Man, and to know that I’m in scenes with them was just mind-bending. It was really cool.

Q:  Do you get nervous before scenes with such an esteemed group of actors?

RUDD:  I get nervous because I’m walking into a pretty well-established group that a lot of people know and love. To be the new kid at school was always a bit of a nerve-racking experience, but it was more exciting than anything else. It’s been great.

ENDS

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Michael Douglas Shares His Thoughts on "Marvel's Ant-Man"

This Q&A was provided to the press by Disney's public relations and marketing partners.

AN INTERVIEW WITH MICHAEL DOUGLAS FOR THE HOME ENTERTAINMENT RELEASE OF MARVEL’S ANT-MAN

The latest evolution of the Marvel Cinematic Universe introduces the newest member of the Avengers: Marvel’s Ant-Man. Armed with the amazing ability to shrink in scale but increase in strength, master thief Scott Lang (played by Paul Rudd) joins forces with his new mentor Dr. Hank Pym (Michael Douglas) to protect the secret behind his spectacular Ant-Man suit. Full of humor and heart, as well as awesome special effects, this action-packed adventure will shortly be released on Blu-ray, DVD and Digital HD – complete with never-before-seen deleted scenes, making-of featurettes, a gag reel and audio commentary.

To celebrate the exciting in-home release, we talk to acclaimed actor Michael Douglas – who plays Dr. Hank Pym in Marvel’s Ant-Man – to discover his thoughts on the daring heist adventure…

Q:  Marvel’s Ant-Man has been praised as one of the funniest movies in the Marvel Cinematic Universe. Did the humor attract you to the superhero project? 

DOUGLAS:  The humor was definitely appealing, but I was more interested in the idea of being in an effects movie. I was also really interested in being in a studio tent-pole film after a few years of being more involved with indie pictures. I’m certainly overwhelmed by the success that Marvel has had and how well they do these movies. It’s been a joy to watch and study how they mold a picture together. 

Q: Is this your first superhero movie?

DOUGLAS:  I’ve never done an effects movie before, so this is my first. I was very envious of Jack Nicholson when he played the Joker and Danny DeVito when he played the Penguin. I remember them telling me how much fun it was, so I was very excited to add at least one of these super-action superhero pictures to my résumé.

Q:  With the impending home entertainment release of Marvel’s Ant-Man, how does it feel to know that audiences will soon be able to watch the movie in the comfort of their own home?

DOUGLAS:  Historically, the movies that you buy are the movies that you cherish the most, so I think it’s great. When I think back to the first picture I produced, One Flew Over The Cuckoo’s Nest; when we put that out in the Blu-ray format, viewers got lots of background information and things that weren’t in the movie. They got a lot of behind-the-scenes information. It’s a joy for people that are real fans to see what was going on when we were making the movie. 

Q:  Do you have a large Blu-ray collection at home?

DOUGLAS:  I’ve got a pretty good Blu-ray collection, but my problem is that I rarely have time to look at it. I don’t know how people find the time. It’s the same thing with people who watch box sets and they go right through three years of a series. I have no idea how people have the time! 

Q:  Have you got a state-of-the-art home entertainment system set-up at home?

DOUGLAS:  I’ve got one of those new curve screens and it’s quite stunning. The sound quality is amazing, too. You know what? I haven’t explained this to my kids – but when I first started in The Streets Of San Francisco, there were only two networks that existed: CBS and NBC; ABC was the upcoming version. It really makes you think about how much time has passed because I’m talking about black and white television here. That’s unheard of now. Television and movies have come along an amazingly long way. 

Q:  What do your children think of your role in Marvel’s Ant-Man? Were they excited to see their father in a superhero blockbuster?

DOUGLAS:  This movie gives me a new credibility with my son and his buddies, which is great. Up until now, most of my career has been R-rated, so neither my kids nor any of their friends have seen a whole lot of what I’ve done. My 14-year-old’s reaction was like an agent. He said, “You know what, Dad? This could be a whole new audience for you.” I took that to heart and here I am.

Q:  There’s a fatherhood theme that runs through Marvel’s Ant-Man. How does that add to the movie’s appeal?

DOUGLAS:  I thought it gave the movie a lot of heart. It’s certainly been an issue that was touched on with Iron Man to some degree, but I don’t think to the level that it is in Ant-Man. I think the complexities of my relationship with my daughter, Hope, and the parallel relationships that Scott Lang [played by Paul Rudd] has with his family are very interesting. I think it grounds the picture and gives it an emotional level that is viable. It’s an asset.

Q:  What do you think of Paul Rudd’s performance as Ant-Man?

DOUGLAS:  Paul Rudd is great. He brings an everyman quality to the superhero. He’s got a great self-deprecating sense of humor and he worked his way into unbelievable shape for the role. He doesn’t try to play it smart; he just has an everyman quality about him, which I think is very, very appealing. When you watch him, as the character rises to the qualities of being a superhero, you really end up rooting for him. 

Q:  How much of a Marvel fan are you?

DOUGLAS:  I love to go and watch Marvel movies with my kids. I’ve caught a fair share of the Marvel films and I always look forward to them – but I also enjoy the home entertainment editions. As a member of the Academy, we get DVDs of a lot of the pictures at the end of the year, so my wife Catherine [Zeta-Jones] and I spend a lot of time catching up on films at our home. 

Q:  How much research did you undertake into the history of Ant-Man and Dr. Hank Pym when you signed on to the movie?

DOUGLAS:  I was not familiar with Ant-Man before this movie – but Marvel were kind enough to send me about two years’ worth of comic books, so I could catch up on his history and background. I’ve read a lot of them. I’ve thumbed through and read most of the stuff that pertained to Hank to help me understand him a little more.

Q:  In the comics, Dr. Hank Pym is a damaged man with an unfortunate history. How much of his past was on your mind when you portrayed the character on set?

DOUGLAS:  They gave me more background to my character than most movies I’ve done, so I could understand about the loss of his wife and the alienation with his daughter. I found it very helpful. I think there are echoes of the loss of his wife and elements that highlight the distance between Hank and his daughter, who is played by Evangeline Lilly. I don’t think we wanted to dwell on it, but it pays off a little later in the picture.

Q:  Marvel likes to hide lots of Easter eggs and secret references in their movies. Were you aware of them when you were shooting the film?

DOUGLAS:  I became aware as they explained them to me. I was a babe in the woods, so what can I say? I love the curiosity and the zealousness in which a lot of the audiences follow these pieces. But I was aware, of course, of the Wasp at the end of the movie and its significance.

Q:  Was the Wasp reveal always planned to be a stinger scene with the end credits?

DOUGLAS:  It was a little scene that they added halfway through the picture. Maybe they were going to have it all along – but they start on a broad canvas and then they narrow it down in terms of the relationships that are working. It goes from there really. 

Q:  The opening sequence of the movie is a flashback scene with Hayley Atwell’s character, Peggy Carter. Did you understand the relevance of that scene when you were shooting it?

DOUGLAS:  They explained it to me. They explained why a young, attractive woman on a television series was now playing an older woman – and why I was playing my character 30 years younger than he is for the rest of the movie. She and I did not have a chance to talk too much. She was in the middle of her series [Agent Carter], so she just came down for that one quick scene.

Q:  What do you think of the scene?

DOUGLAS:  When I went into record some extra dialogue after the movie was shot, that scene was half finished, so one half of me had little spots all over my face – and I was wearing the wig with all that hair – and the other half had been completed. Through the magic of computer graphics, I looked 30 years younger. I don’t know how to describe it, but it’s like looking at yourself 30 years ago. There’s no need to do remakes anymore. I’ll just remake some of my movies with myself playing the part!

Q:  How did they shoot the scene?

DOUGLAS:  I had little spots, or little dots, everywhere. They used the dots for reference to measure or change things or whatever they do – and once completed, you see this little baby-faced guy. It was great. I thought it was fantastic.

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Zoe Saladana Talks "Franchises," Nina Simone and Guardians of the Galaxy

Walt Disney Home Entertainment provided the following question-and-answer interview with actor Zoe Saldana as a promotion for its Blu-ray and DVD release of Marvel Studios' Guardians of the Galaxy.  "Q" is the anonymous questioner and "A" is Ms. Saldana:

AN INTERVIEW WITH ZOE SALDANA (GAMORA) FOR THE IN HOME RELEASE OF GUARDIANS OF THE GALAXY

Q: So did all cast members get their make-up done together?

A: No, we didn’t; we had separate bungalows. It was only when we were all on set, all grey or green or blue and we couldn’t touch anything because we would just smear paint and stuff all over everything. We’d all sit together and Dave would be eating a super-healthy meal, I’d be having some fish and chips and Chris would be asking me: ‘So how’s the texture? Do you like the fish?’ He couldn’t eat it himself because he was on a strict diet so he was always asking me what my food tasted like.

Q: How did you while away the long hours in the make-up chair?

A: Listening to music, talking… Sometimes I’d ask about Dave and was told, ‘This dude is meditating – he sits there and doesn’t move for hours’ whereas sometimes they couldn’t even get me to sit down in the chair. My make-up artist, who I brought over from the States, would go ‘You need to sit down, get your dog and take a nap, otherwise we’ll be in trouble because I have to work on you’. My dog and I would wake up and we’d both be green!

Q: What’s worse, putting the make-up on or taking it off?

A: Putting it on, trust me. When it comes to taking it off I think it’s easier because you know you’re just 30 minutes away from being in a hot tub and then bed. You’re literally ripping it off your face. The skin is flexible and it perspires and it’s ready to have that layer removed so it’s much more cooperative. They also have all these awesome solutions. It took four and a half hours to put it on and maybe an hour and 15 minutes to take off.

Q: You’ve spoken about Dave being very shy. Is it safe to assume from your outgoing personality that you’re far from shy yourself?

A: I’m not shy at all. My mum has asked me to be a little more shy! She’s sometimes like ‘Can you just shut up?’

Q: Since you both have athletic backgrounds, did you and Dave do a lot of your own stunts?

A: We’re every stunt coordinator’s nightmare and every director’s dream. Directors wish their actors could do more of the physical stuff, more of the stunts, just so they don’t have to cut from a wide master shot into a tight close-up. With us, James was able to use many of our medium, master and close-up shots particularly with me, Dave and Chris. The stunt people don’t really like it because we come in and we learn everything within two tries. They get kind of p****d off because they don’t get to work as much. On the other hand, the stunt people who are playing your doubles are super-excited because they get to act [when they’re doubling for an actor]. They don’t have to spend the whole time just falling and getting hurt.

Q: I can’t think of any other actor who has three franchises going at the same time…

A: Wasn’t there someone who had two, like Sylvester Stallone? For many years Sly had First Blood and Rocky, right? [Laughs] And now it’s me? Believe me, this was never planned. In between these big films, I do films like Nina, Out of the Furnace and Blood Ties and Infinitely Polar Bear is coming out next year. It’s just that the big movies happen to get seen more than the small-budget ones I do, but I’m happy with it. I like playing roles where women have more significance – they just happen to be set in space and they just so happen to be made by filmmakers like James Gunn, James Cameron and J.J. Abrams. That’s not a bad list of filmmakers to work with so I say, ‘You know what, I’ll be green here, I’ll be blue there, I don’t care!’

Q: Speaking of Nina, how was it playing Nina Simone in the biopic?

A: It was a very tumultuous affair and I loved making it. We did it with so much love and I think her story is definitely worth telling.

Q: What have you learned from doing so many green screen movies?

A: It’s helped me appreciate the technicalities of filmmaking. It’s also taught me that the best thing is to always remain open and that there’s no such thing as a stupid question. Ask every single question that you can and try to work with filmmakers who will never lose patience with their actors. It’s important for a director to provide as much information, especially when we’re working with things that we have to conceive out of thin air. You can’t just expect an actor to understand: ‘Oh, there’s a dinosaur coming at you”. OK, so I’m going to automatically know how big it is and what it sounds like? I need details. How close does he get to me? How tall is he? What will the impact be of his cry when he’s screaming at me or when he’s blowing smoke or air in my face? James Cameron will bring you speakers that are twice your height and he’ll search the internet to find any sound that resembles as closely as possible the sound he’s looking for. He’ll play it to you seconds before he starts the scene and that is so helpful. I learned to always ask a lot of questions. It’s super-important.

Q: And how was Guardians director James Gunn to work with?

A: He was very generous with all the information we needed to have. He’d show us the animatics, he’d play the music, he’d explain the moment to us and how he envisioned it if we were not capturing the emotional beat as he wanted. He was very much invested even though he was taking care of ten thousand million things at the same time. You don’t want to feel afraid to ask a director something and if you do then that’s not a director you should work with after that.

Q: Do you think James learned anything from you?

A: [Laughs] How to be cool! No, I’m joking. I hope he did learn something. I really feel the wise directors are the ones who learn from their actors in terms of: ‘How can I be a better director? How can I be a better captain? I feel James is not an egotistical person. He’s very passionate and he’s also a little stubborn but in all the right places. He’s like good cholesterol. That’s James Gunn. We had moments where people thought it was tense because I was asking questions or trying to do something one way because I believed in it and James wanted me to do it another way, but we never argued; it was never a hostile environment. Sometimes Chris would go through the same thing -- it was just a passionate moment between all these artists who really care. James never abused his power by saying, ‘Just do it like I said’. He was like, ‘Please trust me, do it this way and we’ll see’. If we did it his way and it didn’t work he’d say really quietly ‘Alright, do it your way’.

Q: Was there a defining moment when you decided you wanted to be an actor?

A: I was a ballet dancer for so long, but when I realized I had reached my limit and that I couldn’t go any further I knew I wanted to pursue acting. That’s one thing you don’t use as a dancer – your voice. [Laughs] And the one thing I use most in my life is my voice so it’s wonderful to get to express myself artistically through the biggest instrument I use. I auditioned for the Scarecrow in The Wiz and my mum went with me because she wouldn’t let me go anywhere alone. She did not think I was good, and I remember we had that conversation of ‘Baby, if you’re going to do this, we need to figure out a plan, like taking a class’. I did and I started reading a lot. There was this book that Judi Dench wrote that said there was a moment where, before an actor can be this or be that, the actor must simply be. I thought that to have absolute presence was to absorb everything that’s thrown at you. I’ve been getting paid for it ever since and [laughs] I haven’t needed an excuse to quit or to do something else.

Q: Do you collect all the action figures based on the characters you’ve played?

A: Here’s the thing. I have nieces and nephews and when they find them in the house, they take them and they end up broken. So there’s no point in me collecting them. One day I walked in to find my niece playing with all the Star Trek figures and eating chocolate at the same time. I was like, ‘It’s OK, take them, I don’t need them, I don’t have to sell them later for $100.’

Guardians of the Galaxy is available on Blu-ray, Digital HD and  Disney Movies Anywhere December 9, 2014


- ENDS -

Vin Diesel Talks "Groot" and "Guardians of the Galaxy"

Walt Disney Home Entertainment provided the following question-and-answer interview with actor Vin Diesel as a promotion for its Blu-ray and DVD release of Marvel Studios' Guardians of the Galaxy.  "Q" is the anonymous questioner and "A" is Diesel:

AN INTERVIEW WITH VIN DIESEL (GROOT) FOR THE BLU-RAY AND DVD RELEASE OF GUARDIANS OF THE GALAXY

Q: How was it working with a script where your only line is “I am Groot”?

A: I was lucky that I had a director [James Gunn] who was willing to indulge me. I told him: ‘We know that Groot is really saying any number of things when he says that line and most people are oblivious to the nuances of his speech because of his hardened larynx’. All you hear is the growl but he could be saying any number of things and we know that Rocket Raccoon understands him. He doesn’t always tell everybody he understands Groot and he plays on that, but he does understand him. So I asked James: ‘Can you give me a basic idea of what he’s trying to say when he’s saying “I am Groot”?’ James had a 50-page document waiting for me when I came in to do the voice. On the left-hand side of the page it said ‘I am Groot’ and on the right-hand side it had whatever the line really was if you could understand this floral colossus. That was the beginning of trying to go deep into a character like this. In many ways it was the most challenging thing to ask an actor to do. The thespian in me responded to the challenge of not being able to use facial expressions, physicality or a Golum-like vocabulary.

Q: Were there other actors in the recording booth with you?

A: No, there weren’t, but I did have the luxury of being able to watch the film. Both Bradley [Cooper, who plays Rocket] and I had the advantage of being able to play off the other actors by watching them in a rough cut of the film.

Q: Did you do any of the motion-capture for the character?

A: A lot of times in animation, what they’ll do is they’ll film you in the recording booth. So I went in there with stilts so I could actually be seven and a half feet tall. Don’t ask me why, but there was something about it that really helped with the character. In New York acting circles in the 1970s there was this legend that Robert De Niro didn’t know his character until he found that character’s shoes. Who knows how that works? But in its own way it did. For me, being seven and a half feet tall did something. I found myself dropping my shoulders, I was sometimes self-conscious about my height and sometimes I felt very powerful about my height, and it affected the character that way. Groot’s the most innocent character I’ve ever played. I don’t usually play characters who are that innocent.

Q: There’s something of Chewbacca from Star Wars in Groot. Was that deliberate?

A: The similarities are obvious and fun, but it wasn’t what I was thinking, going into it. It’s probably down to James Gunn.

Q: Was that you doing the dance moves for Baby Groot at the end of the film?

A: [Laughs] Yeah, it was.

Q: And what would be the first track on your own Awesome Mix tape?

A: It’d be When the Saints Go Marching In; The Beatles version, by the way, not Elvis Presley’s. I’d also have Rocky Raccoon on there, also by The Beatles. People don’t know that the Rocket Raccoon came from a Beatles song. Who’d ever think that a Marvel character would be inspired by a Beatles song? They just changed him from Rocky to Rocket.

Q: You have millions and millions of Facebook followers. Why do you think that is?

A: I think it’s because I share my thoughts. Remember that movie The Social Network where they showed the beginnings of Facebook? They didn’t even know what they had started because they thought their brilliant idea was to check people’s marital status. [Laughs] But that wasn’t so brilliant. What was so brilliant was the idea of interaction. If I could have interacted with Marlon Brando as a kid, wow! If I could have spoken to him, or written to him, or read from him, or followed him – that is what has made social media what it is, that interaction. When I started on Facebook there was only Obama who had a million fans and he got elected, in part, because of his social media presence. When I started talking on Facebook I was being real. It was almost more therapeutic for me because I’d always been reserved. I’m not out there that much and I’ve always protected and maintained my privacy. I felt detached from my audience in some way, unlike my younger years on stage where you get that immediate gratification and you’re able to see how you’re affecting the fans and the audience. With Facebook, suddenly I was able to interact with people all over the world and essentially create this community. It was a very powerful moment. It was something very special and very therapeutic to me, and it’s something that’s affected the last five years of my career. So much that’s happened and so many of the accomplishments have come from that. In fact, the reason I’m here now talking about this movie is because Facebook fans started creating fan art that put me in the Marvel universe or fantasizing about me as a Marvel character. Then when I met with Marvel we were talking about doing something in the Phase Three, 2017/2018 slot. But social media demanded we do something now and that’s when [Marvel Studios president] Kevin Feige called me two weeks after I’d been to Comic-Con last year, and he said he’d come from the Captain America press junket and the big question was ‘What are you doing with Vin?’ Then he told me ‘You’re a tree’ and all my childhood phobias came back to me. I had to face that fear of walking onto the stage as a seven-year-old and having the director say, ‘Vin, you’re playing the tree’. [Laughs] Now we face our fears!

Q: How do you see the character developing in the next film?

A: I think there’s something very fun in imagining how that might be. I expect we’ll learn more about him. He’s such a complex and fascinating character. He’s a scion of a noble family and probably one of the most intelligent Marvel characters of all. He loses his intelligence every time he dies but he never truly dies and it’s a small price to pay for immortality.

Q: Besides other actors like Marlon Brando, who are your real-life heroes?

A: Well, our mothers are our first heroes. Mine is MY superhero because when I was an infant she was a single mother to me and my twin brother in New York, traveling from the Bronx to Brooklyn with two seven-month-old babies. And now look where I am! She’s a hero in that respect. She’s a special woman. My father is a hero, too.

Q: What drew you to acting in the first place?

A: I started acting at a young age. I remember being five years old and watching my father do roadshow theatre. We went up to Maine and I watched him. He’d dyed his hair white – I remember that. Later I grew up in a government subsidized building for artists in New York and if you made more than $10,000 a year you’d be kicked out of the building. It was kind of a bohemian artists’ community that made art for the sake of art, but for me there was something very therapeutic about acting. I was a kid like everybody else, maybe with a heightened quest for identity. Whenever I would play a role, the parameters of my identity were clear. There was something comforting or therapeutic about that.


Guardians of the Galaxy is available on Blu-ray, Digital HD and Disney Movies Anywhere December 9, 2014

- ENDS -

Writer-Director James Gunn Talks About His "Guardians of the Galaxy"

Walt Disney Home Entertainment provided the following question-and-answer interview with writer-director James Gunn as a promotion for its Blu-ray and DVD release of Marvel Studios' Guardians of the Galaxy.  "Q" is the anonymous questioner and "A" is Gunn:

AN INTERVIEW WITH WRITER-DIRECTOR JAMES GUNN FOR THE IN-HOME RELEASE OF GUARDIANS OF THE GALAXY

Q: What were the biggest challenges in bringing Guardians Of The Galaxy to the screen?

A: The biggest challenge was definitely having to set up so many characters and so many foreign planets that nobody had ever heard of within the first 20 minutes and then get to the story. To have people feel comfortable with the plot and who the characters were while telling a fun, engaging story – that was the big challenge. I really look forward to doing the sequel because I won’t have to do all that heavy lifting. I can just focus on the characters and the adventures they go on.

Q: How would you sum up the movie yourself?

A: I see it as a space adventure but with a lot of comedy and a lot of heart. We didn’t restrain ourselves in any way, other than just keeping the characters as real as we possibly could.

Q: Was it tricky getting the tone of the film right in terms of not making the comedy too adult?

A: I was thinking that if I had kids, which I don’t - I have a dog but I don’t care what my dog sees – then what would I really care about them seeing? Would I care about them seeing a raccoon say ‘S**t’? Not really. There’s one risqué joke in there that no kid will understand and if they do they’ve been watching something else risqué, but mainly I was thinking about what would be OK for my nieces and nephews to see. But I don’t think I’ll ever write anything that’s not funny because it’s what comes naturally to me. I’m writing characters, I fall in love with those characters, and those characters make me laugh as they go about their lives. I’m just writing down what they’re doing as I see it happen in my brain.

Q: Were you heavily influenced by the Marvel comics when you made the movie?

A: Yeah, especially the 2008 team because Dan Abnett and Andy Lanning wrote the series. They’re the ones that chose the characters who are in the movie and the characters they chose were all sort of Z-grade comic book heroes, some of whom had been around for 30 years. Groot first appeared in 1963. So there was a lot of humor and a lot of interesting stuff in those comics, a lot of space fantasy, and so if there was anything that influenced us when we were making the movie it was Dan and Andy’s work. I’m very indebted to those guys. I’m also indebted to some of the Cosmic guys from the 1970s like Jim Starlin, who created whole universes that really began the Cosmic side of Marvel, and he created Thanos. There are a lot of those elements in the film.

Q: The humor in the film is very bold and brave, but did anybody try and rein you in?

A: It was the opposite, actually. There was a lot of humor in my first draft and I thought ‘This might be a little too out-there for Marvel and they might want to pull it back and make it a little straighter’. I actually brought that up in the first meeting because they really liked the script, which of course I was incredibly relieved to hear, and they actually said, ‘You can make it funnier if you want’. And that’s what I did.

Q: The film is sure to be a DVD and Blu-ray favorite. How do you think it will replay repeatedly?

A: There’s lots of little things in there that people might miss the first time round. There are all kinds of things from the Marvel universe. I was very specifically thinking of the R2-D2 model that Spielberg had on the spaceship in Close Encounters Of The Third Kind when I did the Collector’s Museum scene. If you freeze-frame it you’ll see all manner of references. We also have Cosmo popping up, who’s a character in the Guardians Of The Galaxy comics. He’s a Russian dog who speaks with a Russian accent and that was our nod to him. I really like Cosmo in the comics but he’s very hard to have in the movie because it’s difficult to have a live-action dog next to a CGI racoon due to the way fur looks on screen. In the comics they don’t get along at all, which is why they’re growling at each other in the film. Also, there are some deleted scenes and outtakes because we’d goof around on set a lot, and they’ll be on there.

Q: Did you already know Chris Pratt, who plays Peter Quill/Star-Lord, before making the movie?

A: No but through the process of making the film he’s the one I became closest to. We became very good friends and he moved next door to me when we were based in London so we could hang out all the time. I didn’t know him before but strangely we have a couple of close friends in common, which I think made us instantly trust each other because the friends in question are very good people. They’re guys that I like. They’re just good, basic dudes.

Q: When you’re working with a huge budget is it easy to get carried away and go ‘I want this and I want that’?

A: I don’t do that. I’m selective. For me having a big budget is definitely better than having a small budget simply because visually I can do what I want, but there are always strengths that come through limitations. On this movie, though, having the budget was great.

Q: How did you choose the songs for the soundtrack?

A: For me that was the most fun part probably of the entire film. When I first wrote my treatment for the movie I put a picture of a Sony Walkman on the top of it. That was probably the first sign that this was not the typical thing, but Kevin Feige [the producer and Marvel Studios president] loved that Sony Walkman and he was going, ‘I wonder if we can work that into the advertising somehow’. We didn’t do that in the end although it would have been cool. To me, the songs are the emotional center of the movie. They’re Peter Quill’s attachment to earth and his attachment to the mother he lost. The songs were very important and they were all baked into the script. The way I chose them is that I went and I made a playlist of 500 pop hits from the 1970s on my iTunes, then I whittled it down to about 100 songs that seemed tonally in line with what I saw in my head. With those 100 songs I would play them around the house and be inspired by them, then when I wrote the script I’d try to find the right song for the right moment, like when Peter is dancing through the temple. At first I wrote it with Hooked On A Feeling in mind then changed it to Come And Get Your Love halfway through. I’d try and find the right song for the right moment.

Q: Were there any instances where you were refused permission to use a song or it proved too expensive?

A: No, never. Part of it was probably the songs I was choosing. With the exception of David Bowie – and Moonage Daydream isn’t one of the more well-known David Bowie songs – they were mostly songs that people had probably heard but they probably didn’t know the title of the song and they probably didn’t know the artist. I wanted to get things that were familiar but not too familiar. It’s not like I was putting The Rolling Stones and Led Zeppelin on the soundtrack. Because of that fortunate aesthetic choice it meant that the songs were not unaffordable.

Q: Why do you think Guardians has been such a big hit with audiences?

A: The thing that makes it so much fun is taking these outlandish situations and these outlandish characters and then having these aliens act like they’re real people. The things they’re arguing about are things you’d argue about with your friends in your apartment. That’s a big part of the fun of it. I also think it’s a reaction to a lot of the other blockbuster movies. We’re not taking ourselves too seriously and we’re not adding a sheen of darkness and broodiness over the movie to cover up the fact there aren’t real characterisations in there, and we’re not adding a string of explosions with no character moments in between – we’re creating something that is, first and foremost, about those characters. I love those characters with all my heart and I’ve put them on screen to the best of my ability.

Q: What were the big movie influences for you?

A: I thought of the movies I loved as a kid, like Raiders Of The Lost Ark, The Empire Strikes Back and Back To The Future. I wanted to create a movie that wasn’t necessarily like those movies but a movie that made me feel like those movies made me feel. That was the starting point.

Q: If you had the whole Marvel universe to choose from, who would you like to see in the sequel, even if it was just for a cameo?

A; [Laughs] I do have the whole Marvel universe to choose from. It depends on where we go with the sequel. At some point the Guardians will meet up with characters from other Marvel movies and that’s totally cool, but it’s not really my interest. My interest is to keep building Marvel Cosmic and to make Marvel Cosmic as cool as it possibly can be, and also to bring in other characters that I didn’t get to put in the movie. There are a lot of Marvel Cosmic characters I’m really into that I think would make great cinematic heroes or villains. The opportunity to create them for the screen is exciting to me.

Q: The cast has said you have a very definite idea of what you want. Is that something that stems from directing independent movies?

A: It’s just sort of how I create something. I need to have a very specific idea of where I’m going and [laughs] when I don’t, I fake it. It’s how I go about doing things and I really believe that Hitchcock idea that the movie is really made before you step on set. The majority of the filmmaking process is in pre-production. The more you’ve planned out the more freedom there is on set to find new stuff, to play around, find new jokes and let the actors kind of breathe – but it needs to come from a place where it’s completely structured.

Q: Hitchcock also said he preferred the preparation to the actual filming process, but it sounds like you had a great time making Guardians…

A: We had a great time and we really like each other. I always think back to something I heard Madeline Kahn say when I was really little. I don’t know why it stuck with me but it’s that Twinkies are delicious to eat but it doesn’t mean people who work in the Twinkie factory are having an especially great time. Obviously it meant something to me because I heard it when I was around seven years old and I still remember it. Maybe I even made part of it up. I don’t know. I think she said that. So making a movie is not easy but this one was fun.

Q: Chris Pratt says you had to tire him out to get what you wanted. Do you deliberately use tricks to get responses from your actors?

A: I don’t know if they’re tricks, it’s just a method and it isn’t necessarily true for everybody but Chris is such a cerebral guy. He doesn’t seem that cerebral, I know; he seems like a dummy. But he’s a really cerebral guy and he thinks a lot. One of the tricks with Chris is to keep pushing him and pushing him until he gets to the place where he’s just acting on instinct, then you capture this magic. Unfortunately I didn’t know that on the first day of shooting; it took me a little while to learn it. With Dave Bautista [who plays Drax The Destroyer], on the other hand, we understood each other from the moment we met each other so that was a little bit easier. With different actors at different times you get what makes them click.

Q: How important is it to cast name actors like Vin Diesel [Groot] and Bradley Cooper [Rocket] when they’re not actually appearing on screen?

A: I didn’t know Vin was going to be as important as he was. That’s the grace of God. We had other people doing the voice for a temporary track and it was fine and the character of Groot was really cool. Then Vin came in and what he did was kind of miraculous. The editor Fred Raskin and I were sitting in the room and we kept turning to each other because we couldn’t believe how much of a difference he made to that character. Suddenly Groot was complete and he was full and he was real, and that’s because of Vin’s voice. We had this secret script that had ‘I am Groot’ on one side and on the other side it had the lines he was actually saying. Sometimes he was cursing and sometimes he was saying a whole paragraph and at other times it was just one word. It’s amazing to me how when Vin says ‘I am Groot’ he gets across what he’s meant to be saying. We have Rocket in the movie interpreting what Groot’s saying and it’s funny, but we kind of get what he’s saying anyway. Having Bradley do Rocket was a little different because I knew Rocket was as important as anything in the movie. We auditioned a lot of people but it was difficult to find somebody who was able to do all the comedy that Rocket does and also be as emotionally grounded as Rocket needs to be. He really is a haunted little beast. He’s the least happy of all of the Guardians and I needed that on screen, and I also needed someone who was going to do a character, not just come in and do their celebrity voice over this animated raccoon. I needed someone who could create a character out of him and Bradley had the track record of being able to do all that. My first day of recording Bradley was maybe my happiest day making this movie, [laughs] and by happiness I mean relief because it’s pretty much how I experience pleasure.

Guardians Of The Galaxy is available on Blu-ray, Digital HD and Disney Movies Anywhere December 9, 2014

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Dave Bautista Talks "Guardians," Zoe Saldana, and WWE Merchandising

Walt Disney Home Entertainment provided the following question-and-answer interview with actor Dave Bautista as a promotion for its Blu-ray and DVD release of Marvel Studios' Guardians of the Galaxy.  "Q" is the anonymous questioner and "A" is Bautista:

AN INTERVIEW WITH DAVE BAUTISTA (Drax the Destroyer) FOR THE BLU-RAY AND DVD RELEASE OF GUARDIANS OF THE GALAXY

Q: What were the big physical challenges for you on Guardians Of The Galaxy?

A: I didn’t actually find it physically super-challenging, to be honest. It was so much fun, man. I don’t want to make it seem like it was a simple project because it wasn’t that by any means, but I didn’t wake up in the morning thinking ‘Goddammit, I’ve gotta go to work’. I was happy and excited. It’s hard to say it was challenging because it was such a good time.

Q: How did you deal with the long hours in the make-up chair?

A: I just zoned-out, but I’m usually a pretty quiet person. I know that’s a really boring answer but it’s true. It wasn’t as bad as people might think because it was kind of like hanging out with your friends for a few hours, just talking, and the time flies by. It was more of a chore taking the make-up off – getting gunk out of your ears and your nose.

Q: You’ve said you can relate to the character of Drax. Can you explain that a little further?

A: Your first assumption with Drax is that he’s just this one-note, stereotypical warrior who looks menacing and scary, but the way I approached him is as a father and a husband who’s really suffering from a lot of heartbreak. He channels his heartbreak into revenge. I can relate to him because I’m not the person I appear to be at first glance. It’s kind of a double-edged sword for me because I actually look this way as a result of the way I am internally. I spent my whole life being very shy and introverted and I kind of found my release and therapy in the gym. I became this big, menacing physical stature of a man but internally I’m still kind of insecure. [Laughs] Warm, fuzzy and gooey.

Q: How was working with Zoe Saldana (Gamora)?

A: I have the toughest time describing her to people because there are different sides to her personality. On one hand she’s very strong and intelligent, but at the same time she’s like a princess. If you say she’s a princess it’s gonna make her sound like a little ditzy thing and if you say she’s strong and intelligent it makes her sound very stern. I always say she’s a diva, but not in a bad way. With most people you say ‘She’s a diva’ and people think ‘Well, that means she’s a bitch’ but Zoe’s like a diva in a good way.

Q: Given your WWE background, did your fellow cast members look to you for advice on falling without hurting themselves etc?

A: Actually, it was so different from anything I’d ever done that I put myself in the student role. What they do in films is so different; it seems so much more precise and it’s working towards camera angles whereas in wrestling it’s physical improvisation and the cameras are moving to suit us, you know? We’re not working for the cameras; we’re working for a live audience, so it’s really different. There were things I wasn’t qualified to do, like a lot of the big stunts. I didn’t feel safe doing those.

Q: How was Guardians director James Gunn to work with?

A: He had such a clear vision and he made it super-simple. You always knew exactly what he wanted. I learned from Zoe to ask a lot of questions. As I say, I’m usually very quiet and I don’t say much, but I learned to start thinking of things from different angles and different peoples’ perspectives and to ask questions that made total sense to put you in the mood. James always had an answer.

Q: Was there a defining moment when you decided you wanted to try acting?

A: I’d done a few bits and pieces, some TV stuff, when I was with the WWE but still I had no interest in pursuing acting. Then I did a cameo in a movie which was not a great movie; it was called The Wrong Side Of Town and I did a cameo in it as a favor for a friend. I went to shoot it on the first day and I realized how bad I was at acting. I thought it would be easy, for some reason, but I could feel how horrible I was. I was a little bit embarrassed. But I usually find that I want to pursue things that I’m terrible at because it’s a challenge for me. It was a defining moment because I realized I sucked as an actor.

Q: Do you collect action figures of yourself?

A: I used to collect the wrestling ones but there were just so many of them so I gave up. They’d put out a new one like every week. It was ridiculous. That’s what the WWE does – they’re a merchandising machine. I was injured for a while, I was on TV and I had to wear this stupid Ace bandage. I was given a pretty light schedule and I went to do an autograph signing session. I was sitting there one day, this kid came through and he had this action figure with an Ace bandage. I said ‘That’s cool, did you make that?’ and he said ‘No, I bought it’. While I was still injured they’d put out an injury edition Bautista doll. That’s how fast they’re on it. It’s insane.


Guardians Of The Galaxy is available on Blu-ray, Digital HD and  Disney Movies Anywhere December 9, 2014

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Chris Pratt Talks "Guardians of the Galaxy"

Walt Disney Home Entertainment provided the following question-and-answer interview with actor Chris Pratt as a promotion for its Blu-ray and DVD release of Marvel Studios' Guardians of the Galaxy.  "Q" is the anonymous questioner and "A" is Chris Pratt:

AN INTERVIEW WITH CHRIS PRATT (Peter Quill/Star-Lord) FOR THE BLU-RAY AND DVD RELEASE OF GUARDIANS OF THE GALAXY

Q: You’ve been pretty busy lately. Does it feel like your time has come?

A: [Laughs] Man, I am busy! And yes, it does feel like that. But is it overwhelming? Not really. I have the benefit of not over-thinking much in my life. I’m kind of just along for the ride. Also, I learned at a very early stage in my career to always lower my expectations, no matter what. If you don’t, you just get your heart broken. [Laughs] So I’m just expecting that something is going to go horribly wrong.

Q: Amy Poehler from Parks And Recreation says you’re a brilliant improviser. Was there much call for that on Guardians Of The Galaxy?

A: We got to do a little bit but you’ve got to be careful when you’re on a movie that costs, you know, $15,000 a second. You can’t just go blowing takes by trying out some new material. It was less improvisation and more collaboration in terms of the comedy. I would go to James [Gunn, the director and co-writer] and say ‘Hey, this is what we should do in this scene…’ Like having people go ‘Star-Lord who?’ That whole thing was not written that way originally. I said ‘People don’t know who Star-Lord is, you know? It’d be kind of funny if everyone is going “Who?” That was a collaboration, and there were little things like the joke about the legend of Footloose. I came up with that because I was thinking, ‘If this kid was nine years old when he left earth he would have seen Star Wars and he would have seen Footloose, all the movies I loved when I was his age’. We were both born in 1979 and I was nine years old in 1988, just like he was. That kid is the kid I was too. Granted our circumstances were very different; his mom dies and he gets thrown into space and is given the opportunity to be a space adventurer.

Q: You’ve said that your spirit was right for the character of Peter Quill. Can you explain that further?

A: I didn’t have to change all that much. If anyone else had done the movie it would be a different movie. I didn’t pull a Daniel Day-Lewis or anything like that. I just threw on a space jacket and pretended it was me, and I think it works. That’s what I meant by that.

Q: What were the biggest physical challenges?

A: The preparation. That was a big part of it. The first five months of my involvement on this film were spent transforming myself physically. I was in LA working with personal trainers and nutritionists every single day. It became my job. The thing I loved most about comic books as a kid was the imagery: The covers and these super-ripped dudes and mega-sexy women. It was fantasy to me. It’s what I appreciated most as a kid and it was what was most important to me in approaching this role – so I tried to get my body to look as much like those guys as I could. I enjoyed it but it was pain.

Q: Were you on a strict diet?

A: Definitely. It was like chicken, broccoli and rice; chicken, broccoli and rice; chicken, broccoli and rice.

Q: What was your wife Anna Faris’ reaction to your new physique?

A: She would vacillate between being turned on and happy and like ‘Oh my God honey, look at your body, that’s crazy!’ That was one side but the other side was ‘Oh will you just eat something, you grumpy bastard!’

Q: How did you feel when you looked in the mirror and suddenly saw this amazing body?

A: Well, it wasn’t that short of a process. Maybe to the media it seemed that way, going from Parks And Recreation and Delivery Man to this, but it was about seven months in total, working hard every single day. So I saw the process slowly and I was documenting it as I went. I was taking photos. But for the first three months there was almost no change. I was gaining muscle but my body weight stayed the same, although my body composition changed. I would lose fat and gain muscle, lose fat and gain muscle, but I stayed around 270 lbs. for the longest time. I couldn’t break below 270 and then I couldn’t break below 260. I kept hitting these plateaus where I couldn’t lose any weight, then all of a sudden I’d drop 7 lbs., then there was another plateau. I just kept pushing through. It feels from the outside looking in that it was an instant transformation but it did take a pretty long time. I was probably training for three hours a day and I put in something like 400 or 500 hours in the gym.

Q: You’ve mentioned that Peter is a mix of Han Solo and Marty McFly. Why those two iconic characters in particular?

A: They were two of my favorites growing up. I imagined that for this kid who would have seen Star Wars and Back To The Future they’d be some of his favorite characters too. I wasn’t necessarily aiming for that so as I’ve talked about the movie since it probably seems it was more intentional than it actually was. But it’s a good way to describe Peter Quill… If you’re looking at the taxonomy of it he’s one part that, he’s one part this. [Laughs] But really I didn’t know what I was doing, I was just trying not to get fired every day!

Q: Your son Jack is going to love you when he’s a bit older and he realizes his dad was in The Lego Movie and Guardians Of The Galaxy…

A: He’s too young now, but there’ll be a moment when he figures it out. [Laughs] He’s gonna be completely screwed up.

Q: Is working on a Marvel movie like a dream come true for you?

A: It is, yeah. Of all the roles that are out there, anything that could potentially be a franchise, something that’s different and something that caters to my strengths in a nice way – anything like that would be a dream role. But the fact that it’s commercially successful, that’s an extra bonus. It’s like the full house and I’m feeling pretty good about it.

Q: For a kid, seeing Guardians for the first time must be as exciting as seeing Star Wars for the first time….

A: I just missed seeing Star Wars in the theater but I remember it being this all-consuming thing. I’d be playing in the back yard with a fake light saber and I was either Luke Skywalker or Darth Vader or my brother was like Luke Skywalker and I was Darth Vader. I had Chewbacca toys too. So Star Wars was a big part of my childhood and Guardians does feel like that. Having read about it or seen documentaries about it, I now know what Star Wars was at the time. There was all this mythology around it. The actors had seen it and kind of thought it sucked. Then there was the first screening, after George Lucas had put in the score and added the effects, and it was amazing. There were moments on this film where I was, like, dancing in front of 200 alien extras and they were going ‘Oh my God, this is the movie they’re making?’ There were moments where I too wasn’t fully able to see James’ vision, just as all those guys weren’t able to see George Lucas’s vision. With Star Wars nothing like it had ever come out before and it had pushed technology to its absolute limits. It was an epic space adventure with fabulous music. There were a lot of similarities, so yeah, I think this is going to be something that will last.

Q: How does it feel to think that, just as you pretended to be Luke Skywalker when you were a kid, there are now kids who will pretend to be Peter Quill?

A: I guess it’s a bit surreal. There’s not an appropriate feeling to process so I guess I don’t feel anything quite yet. I feel fortunate, I guess. Fortunate and kind of weirded-out! I know it’s a good thing. I don’t want to over-think it but down the line I could have Peter Quill’s wardrobe at home and there is something that Russell Wilson, the quarterback of the Seattle Seahawks, does. I’m from Seattle and I’m a big fan of the Seahawks and he’s a great quarterback. Anyway, every Tuesday he goes to the Seattle Children’s Hospital and he hangs out with the kids. You see these pictures on Twitter and he’s there with these kids who are in various stages of terminal illness or who are really injured or hurt. They have this huge smile on their face and they feel so special because the winner of the Superbowl has come to their room to say hi to them. I’ve thought about that a lot, you know? There’s a possibility that this character could become so iconic that all I’d have to do is throw on this wardrobe, drive down to some hospital or set it up with them, and I could give a kid a memory and a picture that they would never forget. That would be really cool.

Q: Do your friends react differently to you now you’re a big movie star?

A: They make fun of me. Have you ever heard of Flat Stanley? It’s this cultural phenomenon where there’s this little paper doll named Stanley and people take him places and have a picture with him. You take Flat Stanley to the Grand Canyon or you take Flat Stanley to the ocean. Well, my friends are doing that with my Star-Lord doll. They’re going ‘Hey, I’m having lunch with Star-Lord’. The weirdest one? My friend somehow snapped a picture of himself in the toilet with Star-Lord watching. That wasn’t very respectful!

Q: What kind of director is James Gunn? What is it like to work with him?

A: You have to be a maniac to direct a movie like this. [Laughs] There has to be something wrong with you mentally, I think. It requires a type of hyper-focus over the course of many years. Day in and day out you’re thinking about the same thing, which is basically micro-managing and making critical choices when it comes to every single department. He’s somebody who has a strong point of view and he was perfect for this movie. He’s a huge fan of Marvel comic books and of all comic books. He knows all of the comic books, how they go back, how all of the characters were introduced – he’s a fanboy so the audience is in good hands. I remember seeing the animatics for the pod chase sequence – a cartoon that he essentially directed before he even shot the movie. He showed me my character and what he’d be doing, this little animatic Peter Quill, so he knew exactly what he wanted. Then when he shot the movie he matched it to the cartoon he’d already directed. It’s a pretty awesome way to do things. The cartoon of the whole movie probably took six months to direct, then he made the actual movie based on that. I remember watching this cartoon of the pod chase and I was like ‘That’s good enough for me’. I would have paid 12 bucks just to watch the cartoon, it was so good. I was amazed but James was looking at it and going ‘It’s not right, do it again’. At that moment I thought ‘Wow, I could never be a director’. When you have this magnitude of scope and budget you’re seeing the most amazing toys you’ve ever seen and the most amazing sets you’ve ever seen, but James was never blinded by the enthusiasm of seeing all that. It never deterred him from his critical thinking. He knew exactly what he wanted and the reason the movie is as good as it is is because he never settled for anything less than perfect.

Q: On set, how did he direct you personally?

A: He develops techniques for working with each actor. He had to learn how to wear me out. He’d beat me down and wear me out. Two thirds of the way through the movie I was really easy to direct because I was tired. He told me exactly what to do and I did it. There was one time where I was going ‘It doesn’t make any sense to me’ and he said ‘It doesn’t matter what you think or feel’. Was I OK with that? Yes I was because I get neurotic and I get inside my own head, and I don’t have the experience on film that he does. He was right; at the end of the day it doesn’t really matter what I feel. He has an overall vision knowing exactly what this thing is going to look like whereas I, as an actor, assume the entire thing lives or dies by this moment I’m creating. That moment is maybe just three percent of what’s happening. You’ve got everything leading up to that moment, you’ve got all the music surrounding it, you’ve got the camera moves, you’ve got the visual spectacle of it all… Watching that animatic I realized all I had to do was speak as clearly as the words were written at the bottom of the cartoon and it would work. The only way I could screw it up would be by not speaking clearly and you wouldn’t believe how hard it was sometimes because as an actor you don’t always want to speak clearly, you’re like ‘I have to take a moment to act, I have to take a moment to process’. I can’t tell you how many times James was like, ‘Dude, just say it louder and faster’. I’d be like ‘That’s not an actionable direction’ and he’d go, ‘Just shut up, say it louder and say it faster!’ I’d get so furious but when I watched the movie I was going, ‘I wish I’d said it louder and faster’.

Q: Are there any scenes that were cut out you’d be happy to see in the DVD and Blu-ray extras?

A: I think the film is perfectly paced and pretty economical. I don’t think it should be any longer than it is. It’s the perfect length. But there were some comedic moments I’d be happy to see on there - things that play up Peter’s penchant for the femaliens.

Guardians Of The Galaxy is available on Blu-ray, Digital HD and Disney Movies Anywhere December 9, 2014

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