Showing posts with label Walt Disney Studios. Show all posts
Showing posts with label Walt Disney Studios. Show all posts

Saturday, December 7, 2024

Review: Disney's "MOANA 2" Sails Towards New Horizons

TRASH IN MY EYE No. 55 of 2024 (No. 1999) by Leroy Douresseaux

Moana 2 (2024)
Running time:  100 minutes (1 hour, 40)
MPA – PG for action/peril
DIRECTORS:  David G. Derrick Jr., Jason Hand, and Dana Ledoux Miller
WRITERS:  Jared Bush and Dana Ledoux Miller;  Jared Bush & Dana Ledoux Miller and Bek Smith
PRODUCERS:  Christina Chen and Yvette Merino
EDITORS:  Michael Louis Hill and Jeremy Milton
ORIGINAL SONGS:  Opetaia Foa'il, Mark Mancina, Abigail Barlow, and Emily Bear
COMPOSER:  Mark Mancina

ANIMATION/FANTASY/MUSICAL and FAMILY/DRAMA

Starring:  (voices) Auli'i Cravalho, Dwayne Johnson, Hualalai Chung, Rose Matafeo, David Fane, Amhimai Fraser, Khaleesi Lambert-Tsuda, Rachel House, Temuera Morrison, Nicole Scherzinger, Rachel House, Gerald Ramsey, and Alan Tudyk

SUMMARY OF REVIEW:
Moana 2 is not as inspired as the original film, but this sequel charts its own path towards adventure

The title character, Moana, is still a hero who takes her friends and the audience on the greatest of adventures, and that is more than enough reason for fans of the original film to come back for more in Moana 2


Moana 2 is a 2024 American computer-animated, fantasy-adventure, and musical film directed by David G. Derrick Jr., Jason Hand, and Dana Ledoux Miller.  It is produced by Walt Disney Animation Studios – the 63rd full-length animated feature film produced by that studio, and it is a Walt Disney Pictures release.  The film is a direct sequel to the 2016 animated feature, Moana.  Moana 2 finds Moana and Maui on a journey to find a lost island that could reunite the people of the ocean.

Moana 2 opens three years after the adventures Moana (Auli'i Cravalho) had with the demigod, Maui (Dwayne Johnson), and the island goddess of Te Fiti (as seen in Moana).  Moana is now officially her people's “wayfinder.”  She has spent the time since then exploring the islands near her home island of Motunui in the hope that she will find other people connected to the ocean.

During a celebration, Moana has a vision of her wayfinding ancestor, Tautai Vasa (Gerald Ramsey).  He reveals why none of those peoples are connected anymore.  A long time ago, the malicious storm god, Nalo, wanted power over the mortals.  To gain that power, Nalo sunk a legendary island called “Motufetu,” the island which connected all islands and the people of the sea, down to the depths of the ocean.  Tautai also warns Moana that the people of Motunui will go extinct in the future if Moana cannot find a way to raise Motufetu.

Moana assembles a wayfinding crew of people from Motunui:  the clever craftswoman, Loto (Rose Matafeo); the tribal historian and Maui fanboy, Moni (Haulalai Chung); and a grumpy elderly farmer, Keke (David Fane), alongside her pet pig, Pua, and pet rooster, Heihei.  They set off in a boat designed and built by Loto, to follow the path of a meteor that Tautai says will blaze a trail across the ocean towards Motufetu.  But first, Moana and her crew must find Maui, who just so happens is being held prisoner by the forces aligned against Moana's quest.

I wrote this in my recent review of the first film, Moana:  I always struggle with writing reviews of modern Disney computer-animated feature films.  The animation is always superb.  The character design is consistently imaginative and inventive, and the character animation – regardless of whether the characters are human, animals, creatures of fantasy, or machines – is flawless.  The production design, art direction, set decoration, and graphic design are so good that just about every Disney animated movie gets its own art book – deservedly so.

Well, I don't have to struggle with my review of Moana 2 because it looks just as good as the first film.  While the tattoos on Maui's body are still good, they don't get as much screen time as they did in the original film, so they can't steal the show.  Instead, Moana has a little sister, Simea (Khaleesi Lambert Tsuda), who does that in several scenes set on Motunui.

Moana 2 is very entertaining, but it is not quite as good as the original film.  Because we know many of the characters, especially Moana and Maui, there is not the same joy of discovery.  The call to adventure is not as complicated in Moana 2 as it was the first time.  It is pretty straightforward here: find Motufetu.  And the big showdown in Moana 2 is not quite the showdown the first film offered.  Moana 2 simply lacks the inspiration of Moana.

That said, Moana 2 offers stunning imagery that overrides the moments when the story drags or goes adrift, and the film moves towards new horizons for the franchise.  Moana, once again superbly given voice by actress Auli'i Cravalho, and Maui, once again made cool by Dwayne Johnson's voice performance, are still great characters.  And they go on the best adventures.

Moana 2 is the kind of big, colorful, soaring animated adventure that we expect from Walt Disney Animation Studios.  It is not perfect, but it is the kind of film that keeps me loving the world's longest-running animation studio.  Fans of Moana and of Disney Animation will not want to miss Moana 2.

7 of 10
B+
★★★½ out of 4 stars

Saturday, December 7, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from December 1st to 7th, 2024 - UPDATE #14

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

TREATS: From AnotherCookie?:  There is a new online cookie retailer, "AnotherCookie?" The cookies are delicious.

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NEWS:

MOVIES/TRAILERS - From THR:  Sony Pictures has released a mysterious teaser for "28 Years Later," the follow-up to the zombie apocalypse films, "28 Days Later" (2002) and "28 Weeks Later" (2007). The film is due June 20, 2025.

MOVIES - From ThePlaylist:  Amy Adams is keeping the secrets of her new film, Marielle Heller's "Nightbitch," to herself.

HARRY POTTER - From THR:  "The Hollywood Reporter" is reporting that actor Paapa Essiedu ("I May Destroy You") is being considered to play the role of "Professor Severus Snape" in HBO's "Harry Potter" television series.  The role was played by the late Alan Rickman across eight "Harry Potter" theatrical films.

AWARDS - From NBRThe National Board of Review has named its 2024 film honorees.  "Wicked" wins "Best Film" and "Best Director" (for John M. Chu).

MOVIES - From ThePlaylist:  Writer Phillipa Boyens says that "The Lord of the Rings" brain trust (Boyens, Fran Walsh, and Peter Jackson) really wants actor Viggo Mortensen to return in his LOTR role of "Aragon" for the upcoming LOTR film, "The Hunt for Gollum."

MOVIE AWARDS - From Deadline:  The winners of the 2024 / 90th New York Film Critics Circle Awards have been announced.  Director Brady Corbet's three-hour epic, "The Brutalist," has won "Best Film" and its star, Adrian Brody, has won "Best Actor."

From Variety:  The winners at the 2024 / 34th Gotham Awards have been announced.  Writer-director Aaron Schimberg's "A Different Man" has won the "Best Feature" award.

BOX OFFICE - From BoxOfficePro:  The winner of the 11/29 to 12/1/2024 weekend box office is Walt Disney Pictures' "Moana 2" with an estimated take of 135.5 million dollars.

From Variety:  "Moana 2" made an estimated 221 million dollars at the domestic box office over the five-day "Thanksgiving holiday weekend" period. The previous record was held by Disney's "Frozen II" with a five-day take of 125 million dollars in 2019.

From DeadlineDwayne Johnson has pulled off a rare feat with two films ("Red One" and "Moana 2") opening #1 at the weekend box office in the same calendar month (November 2024).

NETFLIX - From DeadlineJohn David Washington talks about Netflix's "The Piano Lesson" and working with Christopher Nolan.

MOVIES - From Deadline20th Century (Fox) has won a bidding war for a project from director Edward Berger ("Conclave") and actor Austin Butler ("Elvis").  Entitled "The Barrier," it is a sci-fi, time-travel story.

OBITS:

From Variety:  American screenwriter and director, Marshall Brickman, has died at the age of 85, Friday, November 29, 2024.  Brickman was probably best known for his collaborations with Woody Allen.  Brickman and Allen shared the "Best Original Screenplay" Oscar for Allen's 1977 film, "Annie Hall."  Brickman shared writing credits with Allen on three other films, "Sleeper" (1973), "Manhattan" (1979), and "Manhattan Murder Mystery" (1993).  Brickman also directed three films, including the comedies, "Simon" (1980) and "Lovesick" (1983).

From Deadline:  British-born American assistant director and producer, Adam Somner, has died at the age of 57, Wednesday, November 27, 2024.  Somner was the go-to assistant director for Steven Spielberg (12 films), Paul Thomas Anderson (6), and Ridley Scott (6).  Somner received a "Best Picture" Oscar nomination, shared with Sara Murphy and Paul Thomas Anderson, for Anderson's 2021 film, "Licorice Pizza."

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MOVIE AWARDS:

From NBRThe National Board of Review has named its 2024 film honorees.  "Wicked" wins "Best Film" and "Best Director" (for John M. Chu).

From Deadline:  The nominations for the 2025 / 40th Film Independent Spirit Awards have been announced.  Cannes 2024 Palme d'Or winner, "Anora," and "I Saw the TV Glow" each lead with six nominations apiece.  The winners will be announced Saturday, February 22, 2025.

From Deadline:  The winners of the 2024 / 90th New York Film Critics Circle Awards have been announced.  Director Brady Corbet's three-hour epic, "The Brutalist," has won "Best Film" and its star, Adrian Brody, has won "Best Actor."

From Variety:  The winners at the 2024 / 34th Gotham Awards have been announced.  Writer-director Aaron Schimberg's "A Different Man" has won the "Best Feature" award.

From Deadline:  The 2024 / 34th Gotham Awards kick off the 2024-25 movie awards season by announcing its nominations for achievement in film.  Director Sean Baker's "Anora," which won the Palme d'Or at Cannes this year, leads with four nominations.  The winners will be announced Monday, December 2, 2024.

From Deadline:  The nominations for the 2024 British Independent Film Awards have been announced.  The Irish film, "Kneecap," leads with 14 nominations. The winners will be announced Sunday, December 8, 2024.

BEST PICTURE WINNER COUNT:
"The Brutalist": 1 (NYFCC)

"A Different Man": 1 (Gotham Awards)

"Wicked": 1 (National Board of Review)

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Tuesday, August 13, 2024

Review: "HAUNTED MANSION" is Surprisingly Charming and Delightfully Scary

TRASH IN MY EYE No. 35 of 2024 (No. 1979) by Leroy Douresseaux

Haunted Mansion (2023)
Running time:  123 minutes (2 hours, 3 minutes
MPA – PG-13 for some thematic action and scary action
DIRECTOR:  Justin Simien
WRITER:  Katie Dippold
PRODUCERS:  Jonathan Eirich and Dan Lin
CINEMATOGRAHER:  Jeffrey Waldron (D.o.P.)
EDITOR:  Phillip J. Bartell
COMPOSER:  Kris Bowers

COMEDY/FAMILY/FANTASY/HORROR

Starring:  LaKeith Stanfield, Rosario Dawson, Owen Wilson, Tiffany Haddish, Danny DeVito, Chase Dillon, J.R. Adduci, Charity Jordan, Hasan Minhaj, Daniel Levy, and Jared Leto (voice) with Winona Ryder

Haunted Mansion is a 2023 American supernatural horror-comedy and family film from director Justin Simien.  Released by Walt Disney Pictures, the film is loosely based on the Disney theme park attraction, “The Haunted Mansion,” which first opened at Disneyland in 1969.  Haunted Mansion the movie focuses on a single mom and a group of peculiar locals who attempt to exorcise her new home, an old mansion, of its troublesome ghosts.

Haunted Mansion opens in New Orleans, LouisianaBen Matthias (LaKeith Stanfield) is an astrophysicist developing a camera to detect dark matter.  He marries Alyssa (Charity Jordan), a tour guide for the city's famously haunted places.  Tragedy strikes, and Ben gives up his career and continues to operate Alyssa's tour despite the face that he does not believe in ghosts and the supernatural.

Meanwhile, Gabbie (Rosario Dawson), a doctor from New York, and her young son, Travis (Chase Dillon), move to the formerly lavish, but now rundown mansion, Gracey Manor.  Her plan is to transform the abandoned place into a bed and breakfast, but she and Travis soon discover that the place is infested by so many ghosts that they can't count them all.

Father Kent (Owen Wilson), a local Catholic priest who claims to be an exorcist, is helping Gabbie with the hauntings.  He hires Ben to photograph Gracey Manor's ghosts because Ben has a “dark matter” camera that may be able to photograph ghosts.  Kent also calls in Harriet (Tiffany Haddish), a psychic with genuine abilities, and Bruce (Danny DeVito), a college historian and professor who has written a book on Gracey Manor, as additional help.

However, the ghosts of Gracey Manor immediately attach themselves to anyone who enters the mansion.  Those same ghosts are apparently afraid of an alpha ghost who is seeking one more ghost to add to his menagerie, an act that would give him ultimate power.  Can a singe mother, her son, a grieving tour guide with a ghost camera, an eccentric psychic, an odd priest, a cantankerous historian, and Madame Leota (Jamie Lee Curtis), the ghostly psychic trapped in a huge crystal ball, exercise the horrible evil that haunts Gracey Mansion?  Or will one of them have to make the ultimate sacrifice?

I have to admit that last summer, as I watched the advertisements for Haunted Mansion, I could never convince myself that it was a must-see film.  I did plan to see it... eventually because I had seen the previous take on the Disney ride, the Eddie Murphy-vehicle, The Haunted Mansion (2003).  Also, I have had my eye on Justin Simien, the director of Haunted Mansion, since I saw his 2014 film, Dear White People.  But I thought I could wait, and so I did.

Recently, I finally did see Haunted Mansion, and I am surprised by how much I like it.  It is sweet and charming, and it is one of those perfect scary family movies.  I love it.  July 28, 2024 was the one-year anniversary of Haunted Mansion original theatrical release, and the film was a huge box office disappointment.  The mistake was Disney releasing the film against 2023's box office behemoths, Barbie and Oppenheimer, which were still at the height of their box office powers in the last weekend of July 2023.

Haunted Mansion should have been a late September to early October 2023 theatrical release.  This film is perfect Halloween, from its kooky cast of characters to the literal 1001 ghosts with stories.  I think Tiffany Haddish gets the most eccentric mileage out of her character, the psychic Harriet.  Although, LaKeith Stanfield can be a bit stiff at times, the way he plays Ben Matthias brings some center and balance to the wackiness and supernatural craziness.

Jamie Lee Curtis shines in her small role as the ghostly psychic, Madame Leota, and Owen Wilson as Father Kent and Danny DeVito as Bruce are pitch perfect.  Rosario Dawson and Chase Dillon are perfectly “Disney normal” as the mother and son combo of Gabbie and Travis.

Writer Katie Dippold's screenplay, Justin Simien's direction, and the rest of the film's creative crew deliver a haunted house film that is as lavish in its production values as it is rich in chills and thrills.  The cast fills that haunted house with the consummate scary movie characters.  The Haunted Mansion 2003 was a bit of a box office disappointment, but it has gone on to become a Disney television Halloween favorite.  Given time, Haunted Mansion 2023 will also become a beloved Disney Halloween trick-or-treat. 

8 of 10
A
★★★★ out of 4 stars

Tuesday, August 13, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Sunday, August 11, 2024

Review: "THE HAUNTED MANSION" 2003 is Perfect for a Family Fright Night

TRASH IN MY EYE No. 2 (of 2004) by Leroy Douresseaux

The Haunted Mansion (2003)
Running time:  88 minutes (1 hour, 28 minutes)
MPAA – PG for frightening images, thematic elements and language
DIRECTOR:  Rob Minkoff
WRITER:  David Berenbaum
PRODUCERS:  Don Hahn and Andrew Gunn
CINEMATOGRAHER:  Remi Adefarasin (D.o.P.)
EDITOR:  Priscilla Nedd-Friendly
COMPOSER:  Mark Mancina

COMEDY/FAMILY/FANTASY/HORROR

Starring:  Eddie Murphy, Terence Stamp, Nathaniel Parker, Marsha Thomason, Jennifer Tilly, Wallace Shawn, Dina Waters, Marc John Jefferies, and Aree Davis

The Haunted Mansion is a 2003 American supernatural horror-comedy film directed by Rob Minkoff and starring Eddie Murphy.  Released by Walt Disney Pictures, the film is loosely based on the Disney theme park attraction, “The Haunted Mansion,” which first opened at Disneyland in 1969 and at the Walt Disney World Resort in Florida in 1971.  The Haunted Mansion the movie focuses on a realtor and his family who are summoned to a haunted mansion where they must learn lessons about the importance of family if they want to escape.

In the film, The Haunted Mansion, Jim Evers (Eddie Murphy) is a workaholic real estate agent.  He is allegedly part of a team, Evers & Evers, with his wife, Sara (Marsha Thomason, the British actress who played Martin Lawrence’s love interest in Black Knight).  However, you’d hardly know that they are a team because Jim spends so much time away from Sara and their children.  And since Sara (as many movie wives do) complains that he spends too much time away from the family, Jim decides to take the family on a trip to a lake.

Sara, however, gets an invitation to visit Gracey Manor, a foreboding manor locked behind a huge iron gate and nestled in a jungle of sinister vegetation.  If that wasn’t enough to say “haunted house,” the mansion has a rather spacious scenic graveyard on the property.  Sara alone had been invited, but Jim insists that they make the visit to Gracey as part of their vacation stop, so their children, sassy girl Megan (Aree Davis), and the seemingly perpetually terrified Michael (Marc John Jefferies) go along.

At the mansion, the imposing butler Ramsley (Terence Stamp), an emaciated and cadaverous figure with an obvious air of menace about him, greets the Evers.  They meet the mansion’s owner, Master Gracey (Nathaniel Parker), a deeply troubled man who claims to be the original owner’s heir.  Gracey is apparently obsessed with Sara, and gradually Jim, Michael and Megan start to figure out the dreadful truth, but is it in time to save the family?  Will it take a band of ghosts to teach Jim Evers a lesson about the importance of family?

This premise for the film The Haunted Mansion, based upon a Disney World theme park ride, actually works, for the most part.  Director Rob Minkoff (The Lion King, Stuart Little) displays a deft touch in keeping the film both suspenseful and funny, and he expertly juggles live action so that the special effects seamlessly fit rather than seeming to have been thrown in.  Mansion is also a lot funnier than the ads for the film imply; in fact, most of the ads come across as being out of context.  This movie is pure fluff, but it’s done quite well, so someone in Disney marketing should get a reprimand.

I loved the costumes, and especially the art direction (Beat Frutiger and Tomas Voth) and set decoration (Rosemary Brandenburg).  The house and graveyard recall Bela Lugosi, Lon Chaney, Christopher Lee, and Peter Cushing, a whole host of Hammer films, as well as Abbot & Costello and four decades of Scooby-Doo cartoons.  What a delightful mix!  As usual, Rick Baker does stellar makeup effects work in bringing corpses to life; this man is a national treasure.

The acting is good, and Murphy gives one of his better performances as a star of family-friendly movies.  Usually, his acting seems out of place and kind of awkward in films like Daddy Day Care (where he was good), but here his fit is natural and he seems inspired.

There is a peculiar racial subtext to this film that the storytellers attempt to conceal, but it will be obvious to most adults.  Maybe that would have made this story richer; as it is, it gives a dark edge to the inspired fluff.  Still, The Haunted Mansion is fine the way it is.  The characters have a lot with which to deal, and the resolution makes sense even if the execution of the ending stumbles a bit.  It’s a fine family film.  It has that Disney flavor that suggests Disney films from the 1950’s and 60’s, so I think The Haunted Mansion could become a Disney Halloween stable.

6 of 10
B
★★★ out of 4 stars

Edited:  Saturday, July 27, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, January 2, 2024

Watch Two Versions of "STEAMBOAT WILLIE" Here


Steamboat Willie is a 1928 American animated short film directed by Walt Disney and Ub Iwerks.[2] It was produced in black and white by Walt Disney Studios.  It is considered the debut of both "Mickey Mouse" and "Minnie Mouse," although both characters appeared several months earlier in a test screening of Plane Crazy, an animated silent short film.  Steamboat Willie was the third of Mickey's films to be produced, but it was the first to be distributed.

Steamboat Willie entered the public domain on Monday, January 1, 2024 because its copyright expired.

Top: the edited seven-minute and twenty-two seconds (7:22) version. Bottom: the seven-minute and forty-six seconds (7:46) version.

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Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

Amazon has a Steamboat Willie page.


Friday, November 10, 2023

Review: "THE MARVELS" is a Fun-Filled Marvel

TRASH IN MY EYE No. 49 of 2023 (No. 1938) by Leroy Douresseaux

The Marvels (2023)
Running time:  105 minutes (1 hour, 45 minutes)
MPAA – PG-13 for action/violence and brief language
DIRECTOR:  Nia DaCosta
WRITERS:  Nia DaCosta, Megan McDonnell, and Elissa Karasik
PRODUCER:  Kevin Feige
CINEMATOGRAPHER:  Sean Bobbitt (BSC)
EDITORS:  Catrin Hedström and Evan Schiff
COMPOSER:  Laura Karpman

SUPERHERO/SCI-FI/ACTION with elements of comedy

Starring:  Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton, Gary Lewis, Park See-joon, Zenobia Shroff, Mohan Kapur, Saagar Shaikh, Leila Farzad, Abraham Popoola, Lashana Lynch, and Samuel L. Jackson, Tessa Thompson, Hailee Steinfeld, and Kelsey Grammer

REVIEW SUMMARY:
  • The Marvels is a direct sequel to the film, Captain Marvel (2019), and a continuation of the Disney+ miniseries, “Ms. Marvel” (2022).
  • The story brings Carol Danvers/Captain Marvel, Monica Rambeau, and Kamala Khan/Ms. Marvel together to stop a Kree warrior named Dar-Benn from destroying several worlds in a bid to save the Kree home world, Hala.
  • The film is short and sweet and is also a quirky and weird science fiction superhero film that is similar in tone to Marvel's Guardians of the Galaxy franchise and to the Marvel film, Thor: Ragnarok (2017).
  • The Marvels' plot is a bit scattershot, but the fight and action scenes are highly energetic, resulting in a fun Marvel film full of likable characters.
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The Marvels is a 2023 superhero film directed by Nia DaCosta and produced by Marvel Studios.  The film is the 33rd entry in the Marvel Cinematic Universe (MCU) and is also a direct sequel to 2019's Captain Marvel.  The Marvels is also a continuation of the Disney+/Marvel Studios television miniseries, "Ms. Marvel" (2022).

The film is headlined by the Marvel Comics character, Carol Danvers, who first appeared in the comic book, Marvel Super-Heroes #13 (cover dated: March 1968), and who later became Captain Marvel.  In The Marvels, Captain Marvel gets her powers entangled with two other similarly-powered individuals, forcing the trio to work together to save the universe.

The Marvels opens with a focus on Hala, the capital planet of the Kree Empire.  The collapse of the empire's “Supreme Intelligence” leads to a civil war among the Kree on their home world of Hala.  The result is that the planet is becoming barren as it loses its natural resources and its sun is rapidly going dark.  Dar-Benn (Zawe Ashton), the new leader of the Kree, retrieves one of two “Quantum Bands.”  She hopes to harness its power and to pair it with her staff, “the Universal Weapon,” as part of her scheme to save Hala.

On Earth, specifically in a home in Jersey City, New Jersey, teenager Kamala Khan (Iman Vellani), who is also the superhero, “Ms. Marvel,” is dealing with teenage and family issues.  Kamala also happens to possess the other half of the Quantum Bands.

Meanwhile, above the Earth, Nick Fury (Samuel L. Jackson), now residing at the S.A.B.E.R. space station, has detected a “jump point” (which allows for hyperspace travel) anomaly caused by Dar-Benn.  Nick Fury calls in Carol Danvers/Captain Marvel (Brie Larson) and Monica Rambeau (Teyonah Parris), an astronaut who has the ability to manipulate all wavelengths of the electromagnetic spectrum, to investigate the jump point anomaly near S.A.B.E.R.

When Monica touches the jump point at the same time as Captain Marvel, it causes a reaction in which Monica, Carol, and Kamala switch places through teleportation.  Now, this reaction brings the three young women together in order to stop Dar-Benn from destroying several worlds in order to save her home world, Hala.  And Kamala thinks that she, Carol, and Monica can best do this as a team, a super-team she names “The Marvels.

In addition to being a sequel to the 2019 film, Captain Marvel, and being a continuation of the Ms. Marvel TV series, The Marvels includes story elements that appear in the Disney+ Marvel Studios miniseries, “WandaVision” (2021) and “Secret Invasion” (2023).  There are also elements from Avengers: Infinity War (2018) and Avengers: Endgame (2019).  At this point, I wonder if watching Marvel movies means having to be familiar with what has happened in too many previous films and television series.  There is also a scene that runs in the middle of the end credits that references other movies based on Marvel Comics characters.

Still, I love The Marvels.  I have not subscribed to Disney+, and I only saw the fifth and sixth episodes of the Ms. Marvels miniseries when it was aired on the ABC broadcast network in early September (2023).  I love The Marvels because I can figure out what is going on without having seen everything else it references.  If I really want to know more, I can read Wikipedia summaries of the Disney+ series that I have not seen.

The Marvels is marvelously enjoyable.  It is a science fiction adventure comedy that makes a comedy of physical errors out of every fight.  It's more like Guardians of the Galaxy (2014) and Thor: Ragnarok (2017) than it is like any other Marvel film.  Director Nia DaCosta and her co-writers take time to develop the relationship between Carol Danvers/Captain Marvel, Monica Rambeau, and Kamala Khan/Ms. Marvel.  Also, giving so much time to Kamala family:  her mother, Muneeba Khan (Zenobia Shroff); her father, Yusuf Khan (Mohan Kapur); and her older brother, Aamir Khan (Saagar Shaikh), gives the film a human element that keeps the sci-fi, outer space weirdness of The Marvels from entirely taking over the narrative.  Yes, the plot is a bit scattershot, but The Marvels is kinetic and packs a lot energy in its fight and action scenes.

The Marvels also gives us a lighter, funnier side of Nick Fury, and, the delights of Goose, the cat-like “Flerken” alien is multiplied this time.  Dar-Benn turns out to be one of the more ruthless and interesting of the MCU's recent villains.  And if that isn't enough, The Marvels has one of the MCU's best (if not the best) extra credit scenes.  The Marvels is refreshingly short, and while it is more loose than cohesive, it does remind me of one thing.  Every trip to the world of Marvel Studios' films is an out of this world experience.

[The film includes one extra-credits scenes that takes place during the middle of the credits (mid-credits).]

A
8 of 10
★★★★ out of 4 stars

Friday, November 10, 2023


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Monday, October 16, 2023

A "Star Wars" Link-o-Rama 2023 by Negromancer - Update #22

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon.

NEWS AND RUMORS:

WILLOW - From Deadline:  Warwick Davis, star of the (maybe) cancelled Disney+ series, "Willow," is embarrassed that the series has been removed from Disney+.  The series is based on the beloved 1988 Ron Howard film, Willow.

FRANCHISE - From Deadline:  In a new licensing deal, all 11 live-action "Star Wars" movies will be available on Disney's linear networks, including ABC (broadcast) and FX nets and Freeform (cable).  Warner Bros. Discovery's Turner networks will also continue to carry the movies.

ROGUE ONE - From THRGareth Edwards, the director of Rogue One: A Star Wars Story, says that there is so much inaccuracy on the Internet about its making.  For instance, Edwards says that HE directed the Darth Vader corridor scenes that comes at the end of the film's last act.

COMICS - From BleedingCool:  Marvel Comics "Star Wars" comic book solicitations for December 2023

LANDO - From Variety:  The "Lando" TV series that Donald Glover (who played Lando Calrissian in the film, "Solo: A Star Wars Story") and his brother, Stephen Glover, are developing will now be a film.

LUCASFILM - From Variety:  Disney-owned Lucasfilm/ Industrial Light & Magic is to close its VFX and animation facility in Singapore, where more than 300 people are employed.

EMMYS - From StarWars:  At the 2023 / 75th Primetime Emmy Awards, four Disney+ Lucasfilm series received a total of 23 nominations in 21 total categories:  the dramas: "Andor," "Obi-Wan Kenobi," and "The Mandalorian," and the documentary series, "Light & Magic." The winners will be announced Monday, September 18th.

BOBA FETT - From CBR:  According to inside sources, a season two of the Lucasfilm Disney+ series, "The Book of Boba Fett," is not happening.

AHSOKA - From Deadline:  The Lucasfilm series, "Star Wars: Ahsoka," will begin streaming on Disney+ August 23rd.

OBI-WAN - From CBR:  Fellow cast member, Vivien Lyra Blair (young "Princess Leia") says that actor Ewan McGregor is begging for a second season of the Lucasfilm Disney+ series, "Obi-Wan."

SKELETON CREW - From CBR:  The Disney+ series, "Star Wars: Skeleton Crew," will supposedly have 8 episodes.  This series may debut in November or December of 2023.

OBIT - From THR:  There has been a death in the "Star Wars" family.  Irish film and television actor, Ray Stevenson, has died at the age of 58.  He provided the voice of the animated character, "Gar Saxon," in two episodes of Season 3 episodes of "Star Wars: Rebels" (2016-17) and two episodes in Season 7 of "Star Wars: The Clone Wars" (2020). He is scheduled to appear posthumously in the Lucasfilm Disney+ series, "Ahsoka."

ROGUE ONE - From CBR: "Andor" showrunner, Tony Gilroy, says that there is no "director's cut" or alternate version of "Rogue One: A Star Wars Story."

STAR WARS CELEBRATION - From Deadline:  The "Star Wars Celebration" event hits London with big news, including a new series of films set 15 years after "The Rise of Skywalker" with Daisy Ridley in the lead.

AHSOKA - From THR:  The Disney+/Lucasfilm series, "Ahsoka," has its first trailer.  The series debuts August 2023.

SECRET PROJECT - From Deadline: Lucasfilm’s top-secret Star Wars movie to be directed by Sharmeen Obaid-Chinoy has lost its screenwriters Damon Lindelof and Justin Britt-Gibson.

From DeadlineSteven Knight is the new screenwriter on Lucasfilm’s top-secret "Star Wars" movie to be directed by Sharmeen Obaid-Chinoy, which lost its original screenwriters Damon Lindelof and Justin Britt-Gibson.

SKELETON CREW - From THRDaniel Scheinert and Daniel Kwan, who won three Oscars for their film, "Everything Everywhere All at Once," have reportedly directed at least one episode of the Jude Law-led "Star Wars" series, "Star Wars: Skeleton Crew."

COMICS - From BleedingCool:  A list and information on all the "Star Wars" comic books coming from Marvel Comics in June 2023.

ORIGINAL TRILOGY - From CBRJon Favreau, executive producer and creator of Disney+/Lucasfilm's "The Mandalorian," says that he believes that there is not enough demand for a theatrical re-release of the original theatrical versions of "Star Wars," "The Empire Strikes Back," and "Return of the Jedi."

FUTURE - From Variety:  The planned "Star Wars" films by Marvel Studios boss, Kevin Feige, and "Wonder Woman" director, Patty Jenkins, are no longer in active development.

ANDOR - From Variety: Star Diego Luna talks about the final season of the Disney+ series, "Andor, "and about his possible future in the "Star Wars" universe.

COMICS - From BleedingCool:  Arrving May 2023, "Star Wars: Return of the Jedi - Lando #1" is a one-shot that finds Lando Calrissian working for Jabba the Hutt.

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STAR WARS Movie Reviews:

From Negromancer:  "Star Wars"
From Negromancer:  "The Empire Strikes Back"
From Negromancer:  "Return of the Jedi"

From Negromancer:   "Star Wars: The Phantom Menace"

From Negromancer:  "Star Wars: The Force Awakens
From Negromancer:  "Star Wars: The Last Jedi"
From Negromancer:  "Star Wars: The Rise of Skywalker"

From Negromancer:  "Star Wars: The Clone Wars" (2008 animated film)
From Negromancer:  "Rogue One: A Star Wars Story"
From Negromancer:  "Solo: A Star Wars Story" 

I Reads You "Star Wars Central" comics and graphic novel review page is here.

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Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).


Wednesday, September 20, 2023

Review: Walt Disney's "ROBIN HOOD" is the Non-Classic Disney Classic

TRASH IN MY EYE No. 44 of 2023 (No. 1933) by Leroy Douresseaux

Robin Hood (1973) – animation
Running time:  83 minutes (1 hour, 23 minutes)
MPAA – G
PRODUCER/DIRECTOR:  Wolfgang Reitherman
WRITERS:  Larry Clemons; based on story and character concepts by Ken Anderson
EDITORS:  Tom Acosta and Jim Melton
COMPOSER:  George Bruns
Academy Award nominee

ANIMATION/FANTASY/FAMILY

Starring:  (voices) Brian Bedford, Phil Harris, Roger Miller, Peter Ustinov, Terry-Thomas, Monica Evans, Andy Devine, Carole Shelley, Pat Buttram, George Lindsey, and Ken Curtis

Robin Hood is a 1973 animated musical-comedy and fantasy-adventure film produced and directed by Wolfgang Reitherman.  It is also the twenty-first feature-length animated film from Walt Disney Productions, part of a line also known as the “Disney Classics.”  The film is based on the English folklore character, Robin Hood, and the stories that have grown around the character.  Disney's 1953 Robin Hood film depicts the legendary outlaw and the cast of characters around his legend as anthropomorphic animals (animals that talk and act like humans)

Robin Hood opens with the story's narrator, Alan-a-Dale – The Rooster (Roger Miller), saying that there are many stories of Robin Hood, but that the one he is about to tell takes place in the world of animals.  He introduces Robin Hood – A Fox (Brian Bedford) and Little John – A Brown Bear (Phil Harris).  They are outlaws and live in Sherwood Forest.  They rob from the rich in order to give gold coins to the overtaxed citizens of the town of Nottingham.

The Sheriff of Nottingham – A Wolf (Pat Buttram) tries to catch the two, but he fails every time.  The sheriff's failure to capture the outlaws irritates Prince John – A Lion (Peter Ustinov).  John is the “Prince Regent” of England while his older brother, King Richard – A Lion (Peter Ustinov), is out of the country fighting in the Third Crusade.  Prince John and his advisor, Sir Hiss – A Snake (Terry-Thomas), plot to end the nuisance of Robin Hood.  Prince John also demands that the Sheriff tax the poor townsfolk of Nottingham excessively, driving many to abject poverty.

Meanwhile, Robin's attention is not entirely focused on robbing the rich.  He wishes to reunite with his love interest, Maid Marian – A Vixen (Monica Evans), who is also the niece of King Richard.  And Prince John's latest plot to catch Robin Hood may just reunite Robin and Marian.  Can their love survive an increasingly enraged Prince John?

As “DVD Netflix” prepares to shutdown, I've been racing to catch up on certain films that I have never seen or have not seen in a long time.  I recently decided to sample some films in which 2023 is the fiftieth anniversary of their original theatrical releases.  That includes such films as Woody Allen's Sleeper, George Lucas' American Graffiti, and the Bruce Lee classic, Enter the Dragon.

Walt Disney's Robin Hood is one of those films celebrating a 50th anniversary, and it is one of the Disney animated classics that I had never seen prior to now.  I am a fan of Robin Hood films, especially the 1991 Kevin Costner vehicle, Robin Hood: Prince of Thieves.  I also like Ridley Scott's 2010 film, Robin Hood, starring Russell Crowe in the title role.  I found some enjoyment in Tom and Jerry: Robin Hood and His Merry Mouse, a 2012 direct-to-DVD film.  [Robin Hood makes a small appearance in director Richard Thorpe's “Best Picture” Oscar nominee, Ivanhoe (1952), which I have seen a few times on Turner Classic Movies.]

Disney's Robin Hood is an odd film.  First, it isn't an origin story, and takes place, apparently, well into Robin's career as an outlaw.  While Alan-o-Dale mentions “the Merry Men,” Robin's legendary band of outlaws, Little John is the only one that appears in this film.  Friar Tuck – A Badger (Andy Devine) does appear, but he seems to be purely the priest of Nottingham – more a beneficiary of Robin's outlaw activities than a participant.  For me, this makes the film seem under-developed, as if it we are getting half of the intended story.

Apparently, using the the American “Deep South” as a setting for this film was considered, but ultimately the chosen locale was Robin Hood's traditional English setting.  However, Roger Miller, who provides the talking and singing voice of Alan-o-Dale, is best known for his honky-tonk inflected country music and novelty songs, so much of Miller's performance here seems out of place.  Miller's Alan-o-Dale has the flavors of America's rural South, which somewhat clashes with the English setting.  Still, I tend to like Miller's narrating and singing in Robin Hood, although this film's best song is the Oscar-nominated “Love,” written by George Bruns and Floyd Huddleston.

To begin, Robin Hood feels muddled, and it really does not find its narrative flow until about 37 minutes into the film.  At that point, the characters really emerge as they take their places within the story.  The action turns lively, and the animation and animation effects start to stand out.  The voice performances overall are good, but not great – nothing that I would call memorable in the context of the great performances in other Disney animated classics.  Walt Disney's Robin Hood does not exactly miss the mark, but it does not hit the bullseye, either.

6 of 10
B
★★★ out of 4 stars

Wednesday, September 20, 2023


NOTES:
1974 Academy Awards, USA:  1 nomination: “Best Music, Original Song” (George Bruns-music and Floyd Huddleston-lyrics for the song “Love”)


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Friday, June 30, 2023

Review: "INDIANA JONES and the Dial of Destiny" is a Wonderful Final Adventure

TRASH IN MY EYE No. 29 of 2023 (No. 1918) by Leroy Douresseaux

Indiana Jones and the Dial of Destiny (1989)
Running time:  154 minutes (2 hours, 34 minutes)
MPA – PG-13 for sequences of violence and action, language and smoking
DIRECTOR:  James Mangold
WRITERS:  Jez Butterworth & John-Henry Butterworth and David Koepp & James Mangold (based on characters created by George Lucas and Philip Kaufman)
PRODUCERS:  Kathleen Kennedy, Frank Marshall, and Simon Emanuel
CINEMATOGRAPHER:  Phedon Papamichael (D.o.P.)
EDITORS:  Andrew Buckland, Michael McCusker, and Dick Westervelt
COMPOSER:  John Williams

ADVENTURE/ACTION/FANTASY

Starring:  Harrison Ford, Phoebe Waller-Bridge, Mads Mikkelsen, Antonino Banderas, Shaunette Renée Wilson, Thomas Kretschmann, Toby Jones, Boyd Holbrook, Olivier Richters, Ethann Isidore, Nasser Memarzia, Karen Allen, and John Rhys-Davies, 

Indiana Jones and the Dial of Destiny is a 2023 action-adventure film directed by James Mangold.  It is the fifth entry in the “Indiana Jones” film franchise that began with the 1981 film, Raiders of the Lost Ark.  Dial of Destiny finds Indiana Jones racing to retrieve a legendary artifact from a Nazi who wants change the course of history.

Indiana Jones and the Dial of Destiny opens in 1944, deep inside Europe during the Allied liberation of World War II.  Dr. Henry “Indiana” Jones, Jr. (Harrison Ford) and his colleague and fellow archaeologist, Basil Shaw (Toby Jones), are both captured by Nazis while attempting to retrieve “the Lance of Longinus.”  This relic is also known as the “Spear of Destiny,” the lance that is alleged to have pierced the side of Jesus Christ.  Adolf Hitler believes it can save him and his dying Third Reich.

However, Nazi scientist Jürgen Voller (Mads Mikkelsen) believes that he has found part of the relic that can save the Nazis, the “Antikythera”or “Archimedes's Dial,” a device created by the ancient Greek mathematician, Archimedes,  Voller believes that if he can make the device whole it is capable of locating fissures in time.  As usual, Indiana Jones foils the Nazis.

A quarter-century later, in August 1969, Jones is retiring from his position as a professor and instructor at Hunter College.  He is approached by Helena “Wombat” Shaw (Phoebe Waller-Bridge), Jones' goddaughter and Basil Shaw's daughter.  She has come looking for the Dial, but she isn't the only one.  A Nazi ghost from Indiana Jones' past also wants to retrieve the Dial and to find its missing half.  Can Indiana Jones, now an old man, find the will for one more adventure to save the world from Nazi machinations?  Can he really trust his own goddaughter's motivations?

In preparation for Indiana Jones and the Dial of Destiny, I recently watched Indiana Jones and the Last Crusade in its entirety for the first time in over two decades.  I have seen the first film, Raiders of the Lost Ark, countless times, and I re-watched its follow-up, Indiana Jones and the Temple of Doom (1984), in November of last year (2022).  I have watched the fourth film in the series, Indiana Jones and the Kingdom of the Crystal Skull (2008), many times since its release.

I am happy to report that Indiana Jones and the Dial of Destiny is the best Indiana Jones since Temple of Doom.  It is a bit long and drags in the middle, but when it is time to deliver the old-fashioned Indiana Jones thrills, this film brings it with renewed freshness.  The two street chases, one in New York and one in Tangier, Morocco, kept me on the edge of my seat.  Indiana Jones on a horse tearing through the streets and subways of NYC is every bit as good as it could be.

Dial of Destiny is also blessed by Phoebe Waller-Bridge as Helena Shaw.  The script presents a very well conceived and executed character, and Bridge turns her into a character that can match Indiana Jones step for step.  Hers is not the only high-quality supporting character, but this film could not work without Waller-Bridge playing Shaw the way she does.

The best Indiana Jones villains are the Nazis, and Mads Mikkelsen as Voller and Boyd Holbrook as Klaber, Voller's crazy and homicidal lackey, gives us Nazis worthy of not only being punched, but also of being killed.  It's good to see that the Indiana Jones franchise makes Nazis plainly and clearly evil.  There isn't any “good people on both sides here” double talk in this movie.

No, Steven Spielberg and George Lucas do not return for Dial of Destiny, being listed in the credits as “executive producers.”  James Mangold has replaced Spielberg as director, and he does a much better job with this film than I expected.  Lucas has co-written the story for the previous films doesn't for this one, but the spirit of adventure and mystery he first imagined decades ago is strong in Dial of Destiny.

I understand that some viewers may be put off by the age of Dial of Destiny's star and title character.  I like that Dial of Destiny does not hesitate to grapple with Indiana Jones' age and about the grief and regret that have become a big part of his life.  It is nice to see returning supporting characters, Sallah (John Rhys-Davies) and Marion Ravenwood (Karen Allen), although it is a bit off-putting not seeing them so much older.  Still, Indiana Jones and the Dial of Destiny, with its themes of time and tide, of change, of new eras, of aging, of a hero in the sunset of his life, offers a perfect good-bye to a beloved hero.  It says that there is still a story to tell, but the story we followed for so long … well, that's over.

7 of 10
A-
★★★½ out of 4 stars

Friday, June 30, 2023


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Saturday, June 17, 2023

Negromancer News Bits and Bites from June 11th to 17th, 2023 - Update #18



By Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

TELEVISION - From Deadline:  NBC has passed on a third season of its sitcom, "American Auto."

MOVIES - From Deadline Martyn Ford is among four new cast members added to New Line's "Mortal Kombat 2."

SCANDAL - From THR:  Oscar-winning actor Kevin Spacey says that if he is found "not guilty" in his U.K. sexual assault trial people are ready to hire him again.  He is set to appear in court June 16th and he is facing four counts of sexual assault against three men.

DISNEY - From Deadline: Director and Oscar-winning screenwriter, Sarah Polley, is in early talks to direct a live-action version of Disney's legendary animated feature film, "Bambi."

DISNEY - From VarietyDisney has shaken up its release date schedules, announcing delays and date changes for its Marvel Studios and "Avatar" films, with the final Avatar film, "Avatar 5," not arriving until 2031.

POLITICS - From TheAP:  Billionaire investor turned philanthropist George Soros is ceding control of his $25 billion empire to a younger son, Alexander "Alex" Soros.  Soros, who is Jewish, is frequently the target of right wing conspiracies because his donations to human rights causes and to organizations promoting democracy around the world.  The 37-year-old Alex plans to continues his father's work, but be "more policital" and also to broaden his father's "liberal aims" to include issues such as voting rights and abortion rights.

TELEVISION - From DeadlineFox News has sent a "cease and desist" letter to its former property, Tucker Carlson."  Although Fox fired him, he is still under contract through the end of 2024, and they don't want him doing a show on Twitter.  He has already completed at least two episodes of his "Tucker on Twitter" show.

TONY AWARDS - From Deadline:   The winners at the 2023 / 76th annual Tony Awards have been announced.  "Kimberly Akimbo" was the big winner, taking five awards, including "Best Musical" and "Lead Actress" for Victoria Clark.  "Leopoldstadt" won four Tonys, including "Best Play."

BOX OFFICE - From BoxOfficePro:  The winner of the 6/9 to 6/11/2023 weekend box office is Paramount Pictures' "Transformers: Rise of the Beasts" with an estimated take of 60.5 million dollars.

From Here:  A review of "Transformers: Rise of the Beasts" by Leroy Douresseaux.

TELEVISION - From Deadline:  Actor Kelsey Grammar explains his choice of a British co-star, actor Nicholas Lyndhurst, for his reboot of his long-running, Emmy-winning NBC TV series, "Frasier."  The series is set for Paramount+ later this year.

MOVIES - From Variety:  In a new documentary about his career, actor Arnold Schwarzenegger says that he was embarrassed by the flop that was his 1993 action-fantasy-comedy film, "The Last Action Hero." In a phone call, his friend, director James Cameron, said Arnold sounded like he wanted to cry over the film's reception.

MUSIC/LGBTQ+ - From Deadline:  Grammy Award-winning country music legend, Garth Brooks, says that he will serve all beers, including "Bud Light," which is the subject of backlash and boycotts, at his new Nashville bar, "Friends in Low Places Bar & Honky Tonk."  Brooks says the bar will be welcoming to everyone and will be a safe space.

ANIMATION - From BloodyDisgustingEli Roth and author James Frey are teaming up with DreamWorks Animation on a new 2D animated series for "older teens" entitled "Fright Krewe."  Still early in development, the series will focus on a group of misfits teens in charge of saving New Orleans from a great demonic threat.  The first season of 10 episodes will debut on Hulu and Peacock.

OBITS:

From WashPost:  Former U.S. military analyst and American political activist and whistleblower, Daniel Ellsberg, has died at the age of 92, Friday, June 16, 2023.  Ellsberg is best known for leaking the "Pentagon Papers," a top-secret study and history commissioned by the U.S. Pentagon and concerning the U.S. government's decision-making in relation to the Vietnam War. He leaked the study first to "The New York Times" and then, to "The Washington Post."  Ellsberg's activities were the subject on the Oscar-nominated documentary film, "The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers," which also won a Peabody Award.  Ellsberg also appears in the 1974 Oscar-winning documentary film, "Hearts and Minds."

From Deadline:  English actress and politician, Glenda Jackson, has died at the age of 87, Thursday, June 15, 2023.  Jackson won two "Best Actress" Oscars, for "Women in Love" (1969) and "A Touch of Class" (1973), and was nominated twice more.  She also won two Primetime Emmy Awards and one Tony Award.  Jackson was also a member of the British Parliament from 1992 to 2015 as a member of the Labour Party.

From Variety:  American author, Cormac McCarthy, has died at the age of 89, Tuesday, June 13, 2023.  He is best known for his novels, "All the Pretty Horses" (1992), "No Country for Old Me," (2005), and "The Road" (2006), all of which were adapted into film.  The 2007 film adaptation of "No Country for Old Me" won four Academy Awards," including "Best Picture."  "The Road" won the 2007 "Pulitzer Prize for Fiction."

From Variety:  Stage, film, and television actor, Treat Williams, has died at the age of 71, Monday, June 12, 2023. Williams died as the result of motor vehicle accident near Dorset, Vermont.  Williams is best known for his roles in such films as the musical, "Hair" (1979), Steven Spielberg's WWII comedy, "1941" (1979), "Prince of the City" (1981), and the cult film, "Deep Rising" (1998), to name a few.  He played the lead road in The WB drama, "Everwood" (2002-06).  He received a Primetime Emmy nominations for his work in the 1996 TV movie, "The Late Shift" (HBO).

From Deadline:  The family of actor the late actor Treat Williams has released a statement regarding his passing.  Williams died Monday evening (Mon., June 12th) when a car hit the motorcycle he was riding.

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WRITERS STRIKE:

From THR:  Studios won't give writers better pay, and now, are laying off janitors.

From Deadline:  The Directors Guild of America (DGA) has reached a tentative new three-year deal with the Alliance of Motion Picture and Television Producers (AMPTP). So what does the Writers Guild (WGA), currently on strike and negotiating with the AMPTP, think of that deal.

From Deadline:  Netflix shareholders declined to support the 2023 pay packages of top executives during a non-binding vote at the company’s annual shareholder meeting on Thursday.  The vote won't prevent these execs from getting their loot (an total of $166 million), but this is a rare public rebuke.  The Writers Guild of America (WGA) has urged shareholders to vote "No" because the pay was "inappropriate" at this time.

From Deadline:  Warner Bros Discovery chief David Zaslav gave the commencement address at Boston University. There he was met with jeers and also chants of "pay your writers" from picketers and from some in the audience.

From Deadline:   President Joe Biden speaks on the Writers Guild of America strike.

From Deadline:  Retaliation! The studios have starting informing writer-producers who have "overall" and "first-look" deals that such deals are being suspended.

From Deadline:  Retaliation!  Prolific HBO creator, David Simon, who is best known for "The Wire," is one of the many writers who have had their overall deals suspended the studios due to the WGA strike.  Simon has been with HBO for 25 years.

From Deadline:  The Writers Guild of America (WGA) is on strike.

From Deadline:  Disney, HBO/HBO Max, and CBS have sent letters to showrunners (the TV equivalent of film directors) instructing them to return to work, inspite of the writer's strike.

From Deadline:  The WGA's chief negotiator, Ellen Stutzman, talks about the state of the writers' strike, including the lack of engagement on the part of the strike's other party, AMPTP.

From Deadline:  What went wrong between the WGA and AMPTP? What could they not agree on that led to a strike?

From Deadline:  The site explains the WGA strike: the issues, the stakes, movies and TV shows affected, and how long it might last.

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Saturday, May 27, 2023

Review: Halle Bailey is the Heart of Disney's Eye-Popping "THE LITTLE MERMAID"

TRASH IN MY EYE No. 23 of 2023 (No. 1912) by Leroy Douresseaux

The Little Mermaid (2023)
Running time: 135 minutes (2 hours, 15 minutes)
MPA – PG for action/peril and some scary images
DIRECTOR: Rob Marshall
WRITER: David Magee
PRODUCERS: John DeLuca, Rob Marshall, Lin-Manuel Miranda, and Marc Platt
CINEMATOGRAPHER:  Dion Beebe (D.o.P.)
EDITOR: Wyatt Smith
COMPOSER: Alan Menken
SONGS: Howard Ashman (lyrics), Alan Menken (music), and Lin-Manuel Miranda (new lyrics)

FANTASY/DRAMA/FAMILY

Starring:  Halle Bailey, Jonah Hauer-King, Norma Dumezweni, Art Malik, and Javier Bardem and Melissa McCarthy and the voices of Daveed Diggs, Jacob Tremblay, and Awkwafina

The Little Mermaid is a 2023 fantasy musical and drama film directed by Rob Marshall and released by Walt Disney Pictures.  It is a live-action remake of Disney's 1989, Oscar-winning, animated film, The Little Mermaid.  Both films are loosely based on “The Little Mermaid,” the literary fairy tale authored by Hans Christian Andersen and first published in 1837.  The Little Mermaid 2023 focuses on a young mermaid who longs to live in the human world and makes a terrible deal to do so.

The Little Mermaid introduces Ariel (Halle Bailey), a mermaid princess and the youngest daughter of King Triton (Javier Bardem), ruler of the merpeople.  Ariel is fascinated with the human world despite never having seen it, as Triton forbids all merfolk from going to the surface.  However, Ariel collects human objects that sink below the surface of the sea.  She hides them in a grotto with the support of her best friends, Flounder (voice of Jacob Tremblay), a fish, and Scuttle (voice of Awkwafina), a seabird.  Furious that Ariel has missed a meeting with him and her sisters, Triton commands Sebastian (Daveed Diggs), a crab, to watch over her.

Ariel eventually swims to the surface where she comes upon a human sea vessel.  The ship, from an isolated island kingdom, is commanded by kingdom's Prince Eric (Jonah Hauer-King).  Eric tells his confidant, Sir Grimsby (Art Malik), the kingdom's Prime Minister, that he wishes to explore the unknown seas in a bid to help his people, but he knows that his mother, Queen Selina (Norma Dumezweni), is against such exploration.  Hearing that, Ariel considers Eric a kindred spirit.

After she saves Eric's life, Ariel is determined to visit him on his island home, but as a mermaid, she does not have legs.  Fortunately … the sea witch, Ursula (Melissa McCarthy), says that she has the magic that can make Ariel human so that she can be with Prince Eric.  However, the price is Ariel's beautiful singing voice, and, unknown to her, the fates of her father, their kingdom, and Eric.

I was not sure how Disney would pull off creating the undersea world of The Little Mermaid, especially the merfolk and other sea creatures.  Silly me: in the wake of Avatar: The Way of Water, The Little Mermaid could certainly pull off a water world that isn't nearly as ambitious as Avatar's – and still look good.  Under the sea and on land, the production design, art direction, set decoration, costumes, and environments are all dazzling.  The result is a stunningly beautiful film in which the undersea world looks a real, but still magical environment.  The island kingdom of Queen Selina seems like a kind of Caribbean utopia-lite, but it is both fantastical and inviting.  I want to see more of it.

The computer imagery creates merpeople that are beautiful, although it is not until the end of the film that we see the full dazzling array of merfolk, no two looking alike.  The special effects that turn Halle Bailey into a mermaid is try cinematic magic; she is a flawless, beautiful creature.  Ariel's trio of animal friends and helpers: Sebastian, Flounder, and Scuttle resemble real animals, and I was surprised how good Sebastian looked.  I thought he'd be a disaster as a CGI animal.

The performances – both acting and voice roles – are one of the elements that really makes The Little Mermaid work.  Daveed Diggs, Jacob Tremblay, and Awkwafina give winning voice performances as Sebastian, Flounder, and Scuttle, respectively.  Jonah Hauer-King as Prince Eric holds his own next to Halle Bailey as Ariel, which is not easy.  Melissa McCarthy is shockingly good as Ursula, and I didn't expect that.  I was sure she could not pull it off, although I am a fan of her work.  Her performance, which takes inspiration from the late actor, singer, and drag queen legend, Divine, gives this film the dark fairy magic energy that it needs.

Screenwriter David Magee cleverly spins something new out of old sources, but he is also respectful of the original film.  What the new film lacks in the original's charm, it makes up for by seeming more consequential.  Magee also benefits from having the classic songs of the late lyricist, Howard Ashman (1950-1991), and composer, Alan Menken, from The Little Mermaid 1989.  Also, contrary to some complaints, Lin-Manuel Miranda's new songs and new lyrics for two of the original songs both serve this film quite well.

The true star of this film is Halle Bailey, however.  Rob Marshall makes the most of Halle's natural gifts, especially her soaring singing voice, photogenic looks, and winning personality.  The ads for this film are not lying; when Halle sings, the waters part.  With Halle as his star, Marshall delivers his version The Little Mermaid that can stand on its own, apart from the Walt Disney animated classic that is its source.  Yes, I find The Little Mermaid 2023 to be a tad bit too long, but I was surprised.  The Little Mermaid is much better than I expected, and it feels like a true Disney fairy tale film.

7 of 10
A-
★★★½ out of 4 stars

Saturday, May 27, 2023

You may visit the Amazon LITTLE MERMAID page here.


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Friday, May 5, 2023

Review: James Gunn Delivers a Series Best in the Great "GUARDIANS OF THE GALAXY VOL. 3"

TRASH IN MY EYE No. 20 of 2023 (No. 1909) by Leroy Douresseaux

Guardians of the Galaxy Vol. 3 (2023)
Running time:  150 minutes (2 hours, 30 minutes)
MPAA – PG-13 for intense sequences of violence and action, strong language, suggestive/drug references and thematic elements
DIRECTOR:  James Gunn
WRITERS:  James Gunn (based on the Marvel Comics characters)
PRODUCER:  Kevin Feige
CINEMATOGRAPHER:  Henry Braham (D.o.P.)
EDITORS:  Fred Raskin and Greg D'Auria
COMPOSER:  John Murphy

SCI-FI/FANTASY and ACTION/ADVENTURE/COMEDY

Starring:  Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Pom Klementieff, Chukwudi Iwuji, Sean Gunn, Will Poulter, Nico Santos, Miriam Shor, Elizabeth Debicki, Sylvester Stallone, Nathan Fillion, Michael Rooker, Gregg Henry, and the voices of Linda Cardellini, Seth Green, Maria Bakalova, Bradley Cooper, and Vin Diesel

Guardians of the Galaxy Vol. 3 is a 2023 science fiction, comedy, and action-adventure film written and directed by James Gunn and produced by Marvel Studios.  It is the third film in Marvel's Guardians of the Galaxy film series, following 2014's Guardians of the Galaxy and 2017's Guardians of the Galaxy Vol. 2.  It is also the 32nd film in the Marvel Cinematic Universe (MCU).  Vol. 3 finds the Guardians fighting to save one of their members from his creator, a mission that may destroy the Guardians whether they are successful or not.

Guardians of the Galaxy Vol. 3 opens on Knowhere, the strange space station where the Guardians of the Galaxy have established their headquarters.  Their leader, Peter Quill/Star-Lord (Chris Pratt), mourns the loss of his girlfriend, Gamora (Zoe Saldana).  The alien warlord, Thanos, killed Gamora (as seen in Avengers: Infinity War), but an alternate universe version of her appeared (as seen in Avengers: Endgame).  This new Gamora does not love Peter, and she associates with The Ravagers, which was once essentially Peter's surrogate family.

The group has bigger troubles ahead.  The Guardians are being targeted by the “Sovereign” empress Ayesha (Elizabeth Debicki), someone with a grudge against them (as seen in Vol. 2).  She sends her son, Adam Warlock (Will Poulter), to attack the Guardians, and he grievously wounds Rocket (voice of Bradley Cooper).  To save Rocket, Peter and his fellow Guardians:  Drax the Destroyer (Dave Bautista), Groot (voice of Vin Diesel), Mantis (Pom Klementieff), Nebula (Karen Gillan), and a reluctant Gamora, must confront The High Evolutionary (Chukwudi Iwuji), the Counter-Earth scientist who created Rocket.

The original Guardians of the Galaxy was one of the surprise hits of 2014, if not the surprise hit of the year.  Vol. 2 was a fun sci-fi-action movie and a surprisingly thoughtful character melodrama.  Guardians of the Galaxy Vol. 3 does everything the first two films did well and amplifies that.  Vol. 3 is the series' funniest film, and I found myself laughing throughout it.  That still surprises me because this movie has some pretty dark moments, especially concerning The High Evolutionary, who is superbly played with volcanic intensity and unremitting cruelty by the most excellent Chuckwudi Iwuji.

Guardians of the Galaxy Vol. 3 is one of Marvel Studios' best films in years.  I think it works for three reasons.  First, the film's production values and special effects are impressive.  The CGI-created environments, backdrops, sets (interiors and exteriors), space-ways, worlds, etc. are so dazzling in scope, color, and imagination that they surpass the impressive work of the first two films, especially the second film.  The entire entire “Orgoscope” sequence is an eye-popping collection of inventiveness.  Even the menagerie of people, creatures, and robots exceeds the first two film, probably combined.

The acting is quite good, and that makes me want to engage the characters even more.  Chris Pratt gives his best tern as Peter Quill/Star-Lord – drama, pathos, big emotions, and the sarcasm and quips are still here – but with edginess.  This is the first time that I really hoped that Star-Lord would be a long term MCU character.  It is so shocking that Zoe Saldana can convince me that she is a different Gamora.  Karen Gillan as Nebula and Pom Klementieff as Mantis do superb work with the character arcs that the story gives them.  As Drax the Destroyer, Dave Bautista makes the character seem not extraneous for the first time.  Vin Diesel and Bradley Cooper as always are winning in their voice roles as Groot and Rocket, respectively, with Diesel bringing some extra to Groot this time.

The third reason Guardians of the Galaxy Vol. 3 is so damn good is writer-director James Gunn.  This is Gunn at the peak of his powers.  Honestly, I liked Vol. 2 so much that I didn't think he could top himself, but he does with this third film.  I did find Vol. 3 a little dry and too dark in the beginning, but once it grabbed me, it would not let go.

This film has a heart – a center that is about the struggle to help a friend or family member no matter how bad his or her troubles might be or even if he or she resists and rejects the help.  In Vol. 3, Gunn makes all the characters unique individuals with wants, needs, goals, conflicts, and melodrama.  However, the best thing that Gunn does is accept that even the most intense relationships change, so he lets some of the characters move on.  The result is a last act for the ages and a closing sequence that recalls the beginning of the original film and leaves the viewer with the warmest feelings.

Guardians of the Galaxy Vol. 3 opens in the U.S. today, May 5, 2023.  That is 15 years and a few days after the release of the first MCU film, Iron Man (2008).  Vol. 3 exemplifies something that I just realize runs throughout Marvel Studios' film.  In almost all of them, a dominant theme is the formation of surrogate families.  Friends, enemies, heroes, and sometimes even the villains come together in a unit that is more than just a group of friends; they are family.  In Guardians of the Galaxy Vol. 3, James Gunn gives us the end of one version of the family as it evolves into something larger.  What makes Guardians of the Galaxy Vol. 3 an amazing film is that it is as heartwarming as it is exciting and thrilling.  Yes, there are big, mesmerizing action set pieces, but by the end, I really believe that these guys love one another.  I could watch it forever.

9 of 10
A+
★★★★+ out of 4 stars

Friday, May 5, 2023

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