Negromancer News Bits and Bites from Nov. 1st to 9th, 2024 - UPDATE #14

by Leroy Douresseaux a.k.a. "I Reads You"

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TREATS: From AnotherCookie?:  There is a new online cookie retailer, "AnotherCookie?" The cookies are delicious.

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NEWS:

MOVIES - From Deadline:  "Gladiator II" director Ridley Scott and star Paul Mescal will reunited in the film, "The Dog Stars." The film is due to start filming next spring.

GRAMMYS - Deadline:  The nominations for the 2025 / 67th annual Grammy Awards have been announced.  Beyonce leads the pack with 11 nominations.  The winners will be announced Sunday, February 2, 2025.

BOX OFFICE - From BoxOfficePro:  The winner of the 11/1 to 11/3/2024 weekend box office is Sony Picture's "Venom: The Last Dance" with an estimated take of 26.1 million dollars.

From Deadline:  Lionsgate CEO Jon Feltheimer speaks on the box office bomb that was the "Borderlands" movie.  "Everything that could go wrong did go wrong."

MOVIES - From Variety:  Actress-producer Eva Longoria reveals that she has made over 12 million dollars off her 6 million dollar investment in the 2014 film, "John Wick."  She says that she is still getting checks off the film a decade after her six million dollar investment saved the film from being cancelled. She says her only regret is not investing in the "John Wick" sequels.

MOVIES - From ScreenRant:  The site offers a first-look at actor Billy Zane as legendary actor Marlon Brando in the biopic, "Waltzing with Brando."

MOVIES/CELEBRITY - From THR:  Tom Cruise is very busy, including developing a sequel to his 1990 racing movie, "Days of Thunder."  Meanwhile, he and Paramount have some disagreements about "Mission: Impossible 8," which apparently has cost... 400 million dollars.

MOVIES - From THR:  Oscar-nominee William H. Macy has joined star Glen Powell in Edgar Wright's new film version of the Stephen King/Richard Bachman's novel, "The Running Man."

POLITICS/STREAMING - From YahooEntertainment:  Democratic politician and activist, Stacey Abrams told Yahoo Entertainment that she finds the argument that pop stars should stick to music “extraordinarily reductive.” Beyoncé and Taylor Swift are among the pop stars getting political. "We shouldn't expect entertainers to shut up and sing," Abrams says.  Abrams and actress and activist, Selena Gomez, have produced a new documentary, "Louder: The Soundtrack of Change" (now streaming on Max), that shows how female musicians have been involved in the fight for equal rights across generations.

OBITS:

From Variety:  American film and television actor and voice performer, Tony Todd, has died at the age of 69, Wednesday, November 6, 2024.  He was best known for playing the title role in the original "Candyman" films (1992 to 1999, and a cameo in the 2021 film) and in the "Final Destination" film franchise. Todd also appeared in such films as "Platoon" (1986), the 1990 version of "Night of the Living Dead," and "Wishmaster" (1997), to name a few.  His best known TV work was as "Kurn," the brother of series regular "Lt. Worf," on "Star Trek: The Next Generation" and "Star Trek: Deep Space Nine" over four episodes.  Todd was also a prolific voice actor whose work appeared in numerous video games and in animated films and TV featuring DC Comics' characters.

From Deadline:  American singer and recording artist, Tyka Nelson, has died at the age of 64, Monday, November 4, 2024.  Nelson was the late recording artist Prince's only full sibling.  Nelson released four studio albums from 1988 to 2011 and had a Billboard's Hot R&B/Hip-Hop Songs chart in 1988 with "Marc Anthony's Song."

From Variety:  American record producer, recording artist, songwriter, bandleader, and film and television composer, Quincy Jones, has died at the age of 91, Sunday, November 3, 2024.  Jones may be best known for producing Michael Jackson's three most successful studio albums, "Off the Wall" (1979), "Thriller" (1982), and "Bad" (1987).  He provided the musical score for numerous films, including "In the Heat of the Night" (1967), "The Italian Job," and "The Color Purple" (1985), to name a few. He also provided the theme for the TV series, "Hey Landlord" and "Sanford and Son."  Jones received 80 Grammy Award nominations and won 28 of them.  He won an Primetime Emmy Award for his work on the ABC miniseries, "Roots."  He won a Tony Award for the revival of the musical, "The Color Purple." Jones was nominated seven times for the Academy Award and received the "Jean Hersholt Humanitarian Award."

From Deadline:  Entertainment industry tributes continue to pour in for legendary producer and recording artist, Quincy Jones.

From Variety:  "Variety" offers the 15 best examples of recording artists sampling the late Quincy Jones' music. The list includes Kanye West, The Weeknd, and Harry Styles.

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From THR:  American television actor, Alan Rachins, has died at the age of 82, Saturday, November 2, 2024.  Rachins was best known for playing attorney Douglas Brachman, Jr. on the former NBC legal drama, "L.A. Law" (1986-94) and for playing "Larry," Dharma's hippie father, on the former ABC sitcom, "Dharma & Greg" (1997-2002).  He also appeared in the notorious 1995 film, "Showgirls."  For his work on "L.A. Law," Rachins received a 1988 Primetime Emmy Award nomination.

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MOVIE AWARDS:

From Deadline:  The 2024 / 34th Gotham Awards kick off the 2024-25 movie awards season by announcing its nominations for achievement in film.  Director Sean Baker's "Anora," which won the Palme d'Or at Cannes this year, leads with four nominations.  The winners will be announced Monday, December 2, 2024.

Negromancer News Bits and Bites from March 10th to 16th, 2019 - Update #22

Support Leroy on Patreon:

COMICS-FILM - From Newsarama:  James Gunn makes a public statement in the wake of Disney rehiring him to direct Marvel's "Guardians of the Galaxy 3," after firing him last year over bullshit.

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TELEVISION - From Variety:  HBO announces the release dates and episode lengths of the final six episodes of its Emmy-winning, "Game of Thrones."

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SCANDAL - From USAToday:  In the wake of her involvement in the "college admissions scandal," Lori Loughlin finds herself fired by Hallmark's parent company, Crown Media.  So she is gone from her TV series, "When Calls the Heart," and the Hallmark Mystery and Movies series, "Garage Sale Mysteries."

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BLM - From TheVerge:  Ramsey Orta, who filmed the police killing of his friend, Eric Garner, fears for his life in prison.

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SCANDAL - From YahooPeople:  Chicago police rushed R. Kelly's Trump Tower condo in Chicago for fear that his girlfriends were engaged in a suicide pact.  Kelly is facing 10 criminal counts related to sexual abuse.

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DISNEY - From YahooEntertainment:  Will Smith wins new "Aladdin" trailer, the first full-length trailer for the upcoming live-action version of the classic Disney animated film.

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CRIME-CELEBRITY:  From CNN:  Emmy-winning and Oscar-nominated actress Felicity Huffman and actress Lori Loughlin are among about 50 people caught in an FBI sting, "Operation Varsity Blues," concerning college admissions fraud by wealthy and famous people.

From Variety:  Award-winning playwright and filmmaker, David Mamet, pens an open letter of sympathy for his friends Felicity Huffman and her husband, William H. Macy.

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CULTURE - From Newsweek:  President Donald Trump appeals to men with fragile masculinity, two researchers from New York University wrote in analysis...

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DISNEY - From Deadline:  Disney has set March 20, 2019 as the closing date for its acquisition of 21st Century Fox.

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DISNEY - From YahooEntertainment:  The live-action remake of "Dumbo" may be the ultimate Tim Burton movie.

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MOVIES - From BleedingCool:  Their is a trailer for Universal's reboot of its "Doom" film franchise, a straight-to-video film entitled "Doom: Annihilation."  Universal's previous attempt at turning the venerable video game into a film franchise was the 2005 film, "Doom."

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MOVIES - From Variety:  Tom Holland ("Spider-Man: Homecoming") is in talks to star in Joe and Anthony Russo's film, "Cherry."

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TELEVISION - From Variety:  Lucy Hale to star in the pilot for The CW's "Riverdale" spinoff, "Katy Keene."

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STREAMING - From Deadline:  Taika Waititi ("Thor: Ragnarok") is working on Apple's pilot for a TV series based on Terry Gilliam's 1981 film, "Time Bandits."

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 3/8 to 3/10/2019 weekend box office is Marvel Studios' "Captain Marvel" with an estimated total of 153 million dollars.

From YahooEntertainment:  "Captain Marvel" has an international box office debut of 302 million dollars.

From Deadline:  "Captain Marvel" is pounding the Internet trolls who attempted a boycott of the film by telling moviegoers to see "Alita: Battle Angel" instead.  The film's weekend box office debut is trending towards $155 to 160 million domestically.

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SPORTS - From Bloomberg:  Rapper-actor-businessman Ice Cube is seeking to buy the regional sports networks that the Walt Disney Company is selling.

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POLITICS-SCANDAL - From NYDailyNews:  Fox News harpy/personality, Jeanine Piro, apparently had a murder investigation between her legs.

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POLITICS-SCANDAL - From USAToday:  Chinese-American ho-house queen, "Cindy" Li Yang, offers access to President Trump and his family at Mar-A-Lago.

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POLITICS - From RSN:  In addition to plagiarism, Joe Biden has a history of making racist, anti-Black statements.

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SCANDAL - From THR:  A grand jury brings 16 felony counts against actor Jussie Smollet ("Empire") who faked a hate crime.

Negromancer News Bits and Bites from April 15th to 21st, 2018 - Update #21

Support Leroy on Patreon:

MOVIES - From BleedingCool:  Universal planning a new movie based on the videogame, "Doom."  There was a 2005 "Doom" film that under performed at the box office.

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SCANDAL - From THR:  The actress Allison Mack in an alleged cult sex trafficking case.  A story that has been roiled for months, Mack is accused of recruiting women for the leader of the NIXVM cult.  The 35-year-old Mack is best known as an actress for her role as "Chloe Sullivan" on The WB's "Smallville."

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MOVIES - From BleedingCool:  Director Ridley Scott talks about "Alien," H.R. Giger, and "Thelma & Louise."

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MUSIC - From CBSNews:  The late music legend Prince may have thought he was taking "Vicodin" when he took the "fentanyl" that killed him.

From TheGuardian:  The secrets of Prince's hit "Nothing Compares 2 U," and no, he did not like Sinead O'Connor's version.

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MOVIES - From THR:  F. Gary Gray (a seriously underrated director) is set to direct a film based on Hasbro's toy line, "M.A.S.K."

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CULTURE - From NYTimes:  Myles E. Johnson drops revelations in this Times op-ed, "Beyonce and the End of Respectability Politics."

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MOVIES - From Variety:  Vin Diesel's One Race Films and H Collective have acquired the rights to the "xXx" film franchise Revolution Studios and plan a fourth film.  Revolution will retain ownership of the first three films in the franchise.

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BOOKS - From CNET:  August 30th, HarperCollins will publish "The Fall of Gondolin," an unpublished book by J.R.R. Tolkien, the later of author "The Hobbit" and "The Lord of the Rings."

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AWARDS - From NPR:  The 2018 Pulitzer Prizes in "Journalism" and "Letters, Drama and Music" have been announced.  Kendrick Lamar becomes the first non-classical or jazz artist to win a Pulitzer for music when he received the award for his 2017 LP, "DAMN."

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TELEVISION - From TheWrap:  John Oliver's HBO show bought Russell Crowe's leather jockstrap that was used in the film, "Cinderella Man."

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 4/13 to 4/15/2018 weekend box office is "Rampage" with an estimated take of $34.5 million.

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MUSIC - From YahooEntertainment:  The heirs to the estate of the late musician Prince are still squabbling over his estate and have received no money to date.

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MUSIC - From IndependentUK:  Beyonce makes history as the first Black woman to headline the Coachella music festival.

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TELEVISION - From THR:  Who's who and what's what as Season 4 of "Fear the Walking Dead" begins.

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MOVIES - From YahooEntertainment:  William H. Macy talks about his most memorable roles.

OBITS:

From Variety:  The actor Verne Troyer has died at the age of 49, Saturday, April 21, 2018.  Troyer is best known for playing the character "Mini-Me" in two "Austin Powers" films.  At the height of 2 feet 8 inches, Troyer was one of the shortest men in the world.

From Variety:  Recording artist, DJ, and music producer, Tim Bergling, has died at the age of 28, Friday, April 20, 2018.  Best known as "Avicii," he was one of the most successful electronic dance music (EDM) artists of all times.  His hits included "Levels" and "Wake Me Up."  He produced and remixed music for Daft Punk, Madonna, and Coldplay.

From WWE:  Professional wrestler Bruno Sammartino has died at the age of 82, Wednesday, April 18, 2018.  Born in Italy, he became a professional wrestler in 1959 and was best known for his work with the WWWF, now known as the WWE.

From ABC:  Former First Lady Barbara Bush has died at the age of 92, Tuesday, April 17, 2018.  She was the wife of the 41st President of the United States, George Herbert Walker Bush, and mother of the 43rd President, George Walker Bush.  Mrs. Bush was also the mother of the 43rd Governor of the State of Florida, John Ellis "Jeb" Bush, Sr.

From Deadline:  The actor and magician, Harry Anderson, has died at the age of 65, Monday, April 16, 2018.  Anderson was best known for his starring role in the long-running NBC sitcom, "Night Court" (1984 to 1992 - 9 seasons).  He later starred in the CBS sitcom, "Dave's World" (1993 to 1997 - 4 seasons).

From THR:  U.S. Marine,Vietnam veteran, and actor, R. Lee Ermey, has died at the age of 74, Sunday, April 15, 2018.  Ermey may be best remembered for his role as "Gunnery Sergeant Hartman" in Stanley Kubrick's 1987 film, "Full Metal Jacket."  Kubrick allowed Ermey to improvise his performance, which Kubrick rarely did.  He was also a voice performer in Disney/Pixar's "Toy Story" films.

From Variety:  Italian film director, Vittorio Taviani, has died at the age of 88, Sunday, April 15, 2018.  Vittorio and his brother, Paolo (who is still living), directed their films together.  The brothers won the Cannes Film Festival's "Palme d'Or" in 1977 for the film, "Padre padrone."

PBS Announces Star-Studded Fall 2017 TV Schedule

PBS Announces Fall 2017 Schedule

– THE VIETNAM WAR from Ken Burns and Lynn Novick Anchors Fall Schedule –

– Highlights Include a Star-Studded New Season of FINDING YOUR ROOTS WITH HENRY LOUIS GATES, JR. And a Weekly Friday Night Salute to Broadway Including a Special Tribute to Harold Prince –

– TONY BENNETT: THE LIBRARY OF CONGRESS GERSHWIN PRIZE FOR POPULAR SONG Tapes Fall 2017 for Broadcast in January 2018 –

– PBS TCA Press Tour Sessions to Feature Ken Burns, Martin Sheen, Tony Winner Denis O’Hare and Bryant Gumbel –

ARLINGTON, Va.--(BUSINESS WIRE)--PBS announced its fall 2017 lineup, as well as the January 2018 broadcast of TONY BENNETT: THE LIBRARY OF CONGRESS GERSHWIN PRIZE, a PBS music special taping this fall to honor the singer, this year’s recipient of the Library of Congress Gershwin Prize for Popular Song.

FINDING YOUR ROOTS WITH HENRY LOUIS GATES, JR. returns with a new season (October 3, 2017) to explore the fascinating family trees of popular figures including Aziz Ansari, Scarlett Johansson, Larry David, Garrison Keillor, Amy Schumer, Ted Danson, William H. Macy, Mary Steenburgen, Ana Navarro, Christopher Walken, Ava DuVernay, Bryant Gumbel and others.

And in a weekly Friday night salute to Broadway from October 20 to December 1, PBS raises the curtain on three of the Great White Way’s most acclaimed recent musical productions.  GREAT PERFORMANCES presents “She Loves Me” (October 20), “Holiday Inn” (November 24) and a tribute to Harold Prince, the living embodiment of Broadway’s Golden Age (November 17), along with the acclaimed revival of “Present Laughter” (November 3) and encores of “In the Heights – Chasing Broadway Dreams” (November 10) and “Hamilton’s America” (December 1).

Continuing its tradition of hard-hitting journalism, FRONTLINE examines Russian President Vladimir Putin in a two-part documentary exploring his rise, rule and motivations (October 25 and November 1)

THIRD RAIL WITH OZY is a new primetime cross-platform debate series hosted by Emmy-Award winning journalist Carlos Watson. Each week experts, celebrity guests, and digital and studio audiences will tackle a provocative question about the country’s critical issues (September 8).

Anchoring the fall 2017 season on PBS is the previously announced THE VIETNAM WAR, the 10-part epic series directed by Ken Burns and Lynn Novick, premiering Sundays-Thursdays, September 17 to September 28. Anchoring the fall 2017 season on PBS is the previously announced THE VIETNAM WAR, the 10-part epic series directed by Ken Burns and Lynn Novick, premiering Sundays-Thursdays, September 17 to September 28.

    .@PBS annc. fall lineup w/ #VietnamPBS, a salute to broadway, a star-studded season of #FindingYourRootsPBS & more!

For more information please visit http://to.pbs.org/2ufX6ib


About PBS
PBS, with nearly 350 member stations, offers all Americans the opportunity to explore new ideas and new worlds through television and digital content. Each month, PBS reaches nearly 100 million people through television and nearly 28 million people online, inviting them to experience the worlds of science, history, nature and public affairs; to hear diverse viewpoints; and to take front row seats to world-class drama and performances. PBS’ broad array of programs has been consistently honored by the industry’s most coveted award competitions. Teachers of children from pre-K through 12th grade turn to PBS for digital content and services that help bring classroom lessons to life. Decades of research confirms that PBS’ premier children’s media service, PBS KIDS, helps children build critical literacy, math and social-emotional skills, enabling them to find success in school and life. Delivered through member stations, PBS KIDS offers high-quality educational content on TV – including a new 24/7 channel, online at pbskids.org, via an array of mobile apps and in communities across America. More information about PBS is available at www.pbs.org, one of the leading dot-org websites on the internet, or by following PBS on Twitter, Facebook or through our apps for mobile and connected devices. Specific program information and updates for press are available at pbs.org/pressroom or by following PBS Pressroom on Twitter.

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2017 SAG Award Winners Announced; "Hidden Figues" Wins "Best Ensemble"

The Screen Actors Guild (SAG) is an American labor union that represents film and television performers worldwide.  Most people probably know SAG for the various actors’ strikes or for the Screen Actors Guild Award, which SAG uses to honor outstanding performances by its members.  The first SAG Awards ceremony was held in February 1995 (for films released in 1994).

Nominations for the 23rd Screen Actors Guild Awards were announced on Wednesday, December 14, 2016.  Winners were announced during the Sunday, January 29, 2017 awards ceremony that was simultaneously telecast on TBS and TNT.

The “Ensemble” categories are SAG's equivalent of a “Best Picture” or “Best Television Series” award.

2017 / 23rd Screen Actors Guild Awards nominations:

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role
DENZEL WASHINGTON / Troy Maxson – “FENCES” (Paramount Pictures)

Outstanding Performance by a Female Actor in a Leading Role
EMMA STONE / Mia – “LA LA LAND” (Lionsgate)

Outstanding Performance by a Male Actor in a Supporting Role
MAHERSHALA ALI / Juan – “MOONLIGHT” (A24)

Outstanding Performance by a Female Actor in a Supporting Role
VIOLA DAVIS / Rose Maxson – “FENCES” (Paramount Pictures)

Outstanding Performance by a Cast in a Motion Picture
HIDDEN FIGURES (20th Century Fox)
MAHERSHALA ALI / Col. Jim Johnson
KEVIN COSTNER / Al Harrison
KIRSTEN DUNST / Vivian Mitchell
TARAJI P. HENSON / Katherine G. Johnson
ALDIS HODGE / Levi Jackson
JANELLE MONÁE / Mary Jackson
JIM PARSONS / Paul Stafford
GLEN POWELL / John Glenn
OCTAVIA SPENCER / Dorothy Vaughan

TELEVISION PROGRAMS

Outstanding Performance by a Male Actor in a Television Movie or Limited Series
BRYAN CRANSTON / President Lyndon B. Johnson – “ALL THE WAY” (HBO)

Outstanding Performance by a Female Actor in a Television Movie or Limited Series
SARAH PAULSON / Marcia Clark – “THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY” (FX Networks)

Outstanding Performance by a Male Actor in a Drama Series
JOHN LITHGOW / Winston Churchill – “THE CROWN” (Netflix)

Outstanding Performance by a Female Actor in a Drama Series
CLAIRE FOY / Queen Elizabeth II – “THE CROWN” (Netflix)

Outstanding Performance by a Male Actor in a Comedy Series
WILLIAM H. MACY / Frank Gallagher – “SHAMELESS” (Showtime)

Outstanding Performance by a Female Actor in a Comedy Series
JULIA LOUIS-DREYFUS / President Selina Meyer – “VEEP” (HBO)

Outstanding Performance by an Ensemble in a Drama Series:
STRANGER THINGS (Netflix)
MILLIE BOBBY BROWN / Eleven
CARA BUONO / Karen Wheeler
JOE CHREST / Ted Wheeler
NATALIA DYER / Nancy Wheeler
DAVID HARBOUR / Jim Hopper
CHARLIE HEATON / Jonathan Byers
JOE KEERY / Steve Harrington
GATEN MATARAZZO / Dustin Henderson
CALEB McLAUGHLIN / Lucas Sinclair
MATTHEW MODINE / Dr. Martin Brenner
ROB MORGAN / Officer Powell
JOHN PAUL REYNOLDS / Officer Callahan
WINONA RYDER / Joyce Byers
NOAH SCHNAPP / Will Byers
MARK STEGER / The Monster
FINN WOLFHARD / Mike Wheeler

Outstanding Performance by an Ensemble in a Comedy Series:
ORANGE IS THE NEW BLACK (Netflix)
UZO ADUBA / Suzanne “Crazy Eyes” Warren
ALAN AISENBERG / Baxter “Gerber” Bayley
DANIELLE BROOKS / Tasha “Taystee” Jefferson
BLAIR BROWN / Judy King
JACKIE CRUZ / Marisol “Flaca” Gonzales
LEA DeLARIA / Big Boo
BETH DOVER / Linda Ferguson
KIMIKO GLENN / Brook Soso
ANNIE GOLDEN / Norma Romano
LAURA GOMEZ / Blanca Flores
DIANE GUERRERO / Maritza Ramos
MICHAEL J. HARNEY / Sam Healy
BRAD WILLIAM HENKE / Desi Piscatella
VICKY JEUDY / Janae Watson
JULIE LAKE / Angie Rice
SELENIS LEYVA / Gloria Mendoza
NATASHA LYONNE / Nicky Nichols
TARYN MANNING / Tiffany “Pennsatucky” Doggett
JAMES McMENAMIN / Charlie “Donuts” Coates
ADRIENNE C. MOORE / Cindy “Black Cindy” Hayes
KATE MULGREW / Galina “Red” Reznikov
EMMA MYLES / Leanne Taylor
MATT PETERS / Joel Luschek
LORI PETTY / Lolly Whitehill
JESSICA PIMENTEL / Maria Ruiz
DASCHA POLANCO / Dayanara “Daya” Diaz
LAURA PREPON / Alex Vause
JOLENE PURDY / Stephanie Hapakuka
ELIZABETH RODRIGUEZ / Aleida Diaz
NICK SANDOW / Joe Caputo
ABIGAIL SAVAGE / Gina Murphy
TAYLOR SCHILLING / Piper Chapman
CONSTANCE SHULMAN / Erica “Yoga” Jones
DALE SOULES / Frieda Berlin
YAEL STONE / Lorna Morello
LIN TUCCI / Anita DeMarco
SAMIRA WILEY / Poussey Washington

STUNT ENSEMBLES

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
“HACKSAW RIDGE” (Lionsgate)

Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series
“GAME OF THRONES” (HBO)

LIFE ACHIEVEMENT AWARD

53rd Annual SAG Life Achievement Award
LILY TOMLIN

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Review: "The Wind Rises" and Lifts Miyazaki's Ode to Artists

TRASH IN MY EYE No. 9 (of 2015) by Leroy Douresseaux

The Wind Rises (2013)
Kaze tachinu – original Japanese title
Running time:  126 minutes (2 hours, 6 minutes)
MPAA – PG-13 for some disturbing images and smoking
DIRECTOR:  Hayao Miyazaki
WRITER:  Hayao Miyazaki (based upon the manga by Hayao Miyazaki); English screenplay adaptation by Mike Jones
PRODUCERS:  Toshio Suzuki and Geoffrey Wexler (English version)
COMPOSER:  Joe Hisaishi
Academy Award nominee

ANIMATION/BIOPIC/DRAMA

Starring:  (English voices) Joseph Gordon-Levitt, John Krasinski, Emily Blunt, Martin Short, Stanley Tucci, Mandy Patinkin, Mae Whitman, Werner Herzog, Jennifer Grey, William H. Macy, Elijah Wood, and Ronan Farrow; (Japanese voices) Hideaki Anno, Jirô Horikoshi, Hidetoshi Nishijima, Miori Takimoto, Masahiko Nishimura, Mansai Nomura, Jun Kunimura, Mirai Shida, Shinobu Ôtake, Morio Kazama, and Keiko Takeshita

The Wind Rises is a 2013 Japanese animated film (anime) biopic and drama from director Hayao Miyazaki.  The film's original title is Kaze tachinu, and it is adapted from Miyazaki's manga (comics), Kaze tachinu, which was published in Model Graphix magazine from 2009 to 2010.  The manga in turn is loosely based on the novel, The Wind Has Risen (1936-37), by author Tatsuo Hori.

The Wind Rises is a fictionalized account of the life of Jiro Horikoshi (1903–1982).  Hirokoshi was a designer of fighter aircraft for Japan, in particular the Mitsubishi A6M Zero (or simple, the Zero), which was used by the Empire of Japan during World War II.

Walt Disney Studios released the film in English back in February 2014 through its Touchstone Pictures division.  Frank Marshall acted as the English version's executive producer.  The Wind Rises was the final film directed by Miyazaki before his retirement in September 2013.

The Wind Rises opens in Japan in 1916.  Young Jiro Horikoshi longs to become a pilot, but cannot because of his poor eyesight.  Jiro even dreams of meeting famous Italian aircraft designer, Giovanni Battista Caproni (Stanley Tucci), a figure that will often haunt Jiro's dreams over the years.  Seven years later, two important things happen.  Jiro begins studying aeronautical engineering, and he also meets a girl, Nahoko Satomi.

After he graduates, adult Jiro (Joseph Gordon-Levitt) starts working for an aircraft manufacturer (Mitsubishi).  Jiro begins a quest to built a fighter aircraft for Japan that will match the best that any other country has to offer, especially that of Japan's ally, Germany.  Jiro reunites with the adult Nahoko (Emily Blunt) and begins a romance with her.  However, Nahoko's illness and his professional setbacks threaten Jiro's dreams.

The Wind Rises was somewhat controversial in Japan because of Jiro Horikoshi's aircraft inventions and how they were used by imperial Japan during the second World War.  However, The Wind Rises is not a biographical drama in the conventional sense, which is why I call it a “biopic.”  It is a movie with both biographical elements and fictional attachments.  For instance, the Jiro-Nahoko Satomi romance is fictional, and Nahoko is a character from Tatsuo Hori's novel, The Wind Has Risen.

The Wind Rises not only takes a look at the life of Jiro Horikoshi, the man who designed Japanese fighter planes during World War II, but it is mainly inspired by his quest to create fighter aircraft for Japan that would match the best aircraft created in Europe and the United States.

The Wind Rises is an impressionistic spectacle.  Miyazaki deliberately deviates from fact in order to examine the artistic process, revealing Jiro Horikoshi as an artist in full bloom.  The “wind” in this film is a metaphor for the imagination that soars.  The wind is also a vehicle by which the artist travels to meet the man who inspired him,  Giovanni Caproni, in the realm of daydream and imagination – first as a pupil and then, as an equal.  In this film, Miyazaki does not make “wind” ethereal; rather, it is beauty that is fragile and even corruptible.

The Wind Rises is a bittersweet goodbye from Miyazaki to his admirers and fans.  This retirement had to happen eventually, but our sadness need no be overwhelming.  The wind still rises, and the beauty of Hayao Miyazaki's art will live on.

8 of 10
A

Friday, January 2, 2014


NOTES:
2014 Academy Awards, USA:  1 nomination: “Best Animated Feature Film of the Year” (Hayao Miyazaki and Toshio Suzuki)

2014 Golden Globes, USA:  1 nomination: “Best Foreign Language Film” (Japan)

The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

"Birdman" Leads 2015 Screen Actors Guild Awards - Complete List of Winners

The Screen Actors Guild (SAG) is an American labor union that represents film and television performers worldwide.  Most people probably know SAG for the various actors’ strikes or for the Screen Actors Guild Award, which SAG uses to honor outstanding performances by its members.  The first SAG Awards ceremony was held in February 1995 (for films released in 1994).

The 21st Screen Actors Guild Awards were revealed during the Sunday, January 25, 2015 awards ceremony that was simultaneously telecast on TBS and TNT.

The “Ensemble” categories are SAG's equivalent of a “Best Picture” or “Best Television Series” award.

2015/21st Screen Actors Guild Awards winners:

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role
EDDIE REDMAYNE / Stephen Hawking – "THE THEORY OF EVERYTHING" (Focus Features)

Outstanding Performance by a Female Actor in a Leading Role
JULIANNE MOORE / Alice Howland – "STILL ALICE" (Sony Pictures Classics)

Outstanding Performance by a Male Actor in a Supporting Role
J.K. SIMMONS / Fletcher – "WHIPLASH" (Sony Pictures Classics)

Outstanding Performance by a Female Actor in a Supporting Role
PATRICIA ARQUETTE / Olivia – "BOYHOOD" (IFC Films)

Outstanding Performance by a Cast in a Motion Picture:

BIRDMAN (Fox Searchlight Pictures)
ZACH GALIFIANAKIS / Jake
MICHAEL KEATON / Riggan
EDWARD NORTON / Mike
ANDREA RISEBOROUGH / Laura
AMY RYAN / Sylvia
EMMA STONE / Sam
NAOMI WATTS / Lesley

SAG AWARDS® HONORS FOR STUNT ENSEMBLES

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
“UNBROKEN” (Universal Pictures)

LIFE ACHIEVEMENT AWARD

Screen Actors Guild 51st Annual Life Achievement Award
DEBBIE REYNOLDS


TELEVISION PROGRAMS

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
MARK RUFFALO / Ned Weeks – "THE NORMAL HEART" (HBO)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
FRANCES McDORMAND / Olive Kitteridge – "OLIVE KITTERIDGE" (HBO)

Outstanding Performance by a Male Actor in a Drama Series
KEVIN SPACEY / Francis Underwood – “HOUSE OF CARDS” (Netflix)

Outstanding Performance by a Female Actor in a Drama Series [There were 6 nominees in this category.]
VIOLA DAVIS / Annalise Keating – "HOW TO GET AWAY WITH MURDER" (ABC)

Outstanding Performance by a Male Actor in a Comedy Series
WILLIAM H. MACY / Frank Gallagher – "SHAMELESS" (Showtime)

Outstanding Performance by a Female Actor in a Comedy Series
UZO ADUBA / Suzanne "Crazy Eyes" Warren – "ORANGE IS THE NEW BLACK" (Netflix)

Outstanding Performance by an Ensemble in a Drama Series:

DOWNTON ABBEY (PBS)
HUGH BONNEVILLE / Robert, Earl of Grantham
LAURA CARMICHAEL / Lady Edith Crawley
JIM CARTER / Mr. Carson
BRENDAN COYLE / Mr. Bates
MICHELLE DOCKERY / Lady Mary Crawley
KEVIN DOYLE /  Mr. Molesley
JOANNE FROGGATT / Anna Bates
LILY JAMES / Lady Rose
ROBERT JAMES-COLLIER / Thomas Barrow
ALLEN LEECH / Tom Branson
PHYLLIS LOGAN / Mrs. Hughes
ELIZABETH McGOVERN / Cora, Countess of Grantham
SOPHIE McSHERA / Daisy
MATT MILNE / Alfred
LESLEY NICOL / Mrs. Patmore
DAVID ROBB / Dr. Clarkson
MAGGIE SMITH / Violet, Dowager Countess of Grantham
ED SPELEERS / Jimmy Kent
CARA THEOBOLD / Ivy
PENELOPE WILTON / Isobel Crawley

Outstanding Performance by an Ensemble in a Comedy Series:

ORANGE IS THE NEW BLACK (NETFLIX)
UZO ADUBA / Suzanne "Crazy Eyes" Warren
JASON BIGGS / Larry Bloom
DANIELLE BROOKS / Tasha "Taystee" Jefferson
LAVERNE COX / Sophia Burset
JACKIE CRUZ / Flaca
CATHERINE CURTIN / Wanda Bell
LEA DELARIA / Carrie "Big Boo" Black
BETH FOWLER / Sister Ingalls
YVETTE FREEMAN / Irma
GERMAR TERRELL GARDNER / Charles Ford
KIMIKO GLENN / Brook Soso
ANNIE GOLDEN / Norma Romano
DIANE GUERRERO / Maritza Ramos
MICHAEL J. HARNEY / Ofc. Sam Healy
VICKY JEUDY / Janae Watson
JULIE LAKE / Angie Rice
LAUREN LAPKUS / Susan Fischer
SELENIS LEYVA / Gloria Mendoza
NATASHA LYONNE / Nicky Nichols
TARYN MANNING / Tiffany "Pennsatucky" Doggett
JOEL MARSH GARLAND / Scott O'Neill
MATT McGORRY / Ofc. John Bennett
ADRIENNE C. MOORE / Black Cindy
KATE MULGREW /  Galina "Red" Reznikov
EMMA MYLES / Leanne Taylor
JESSICA PIMENTEL / Maria Ruiz
DASCHA POLANCO / Dayanara Diaz
ALYSIA REINER / Natalie "Fig" Figueroa
JUDITH ROBERTS / Taslitz
ELIZABETH RODRIGUEZ / Aleida Diaz
BARBARA ROSENBLAT / Miss Rosa
NICK SANDOW / Joe Caputo
ABIGAIL SAVAGE / Gina
TAYLOR SCHILLING / Piper Chapman
CONSTANCE SHULMAN / Yoga Jones
DALE SOULES / Frieda
YAEL STONE / Lorna Morello
LORRAINE TOUSSAINT / Yvonne "Vee" Parker
LIN TUCCI / Anita DeMarco
SAMIRA WILEY / Poussey Washington

SAG AWARDS® HONORS FOR STUNT ENSEMBLES
Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series (6 nominees)
“GAME OF THRONES” (HBO)

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William H. Macy's "Rudderless" Finds Distributors

Paramount Home Media Distribution and Samuel Goldwyn Films Collaborate on Distribution of William H. Macy’s Directorial Debut and Sundance Feature RUDDERLESS

Starring Billy Crudup, Anton Yelchin, Felicity Huffman, Jamie Chung, Selena Gomez and Laurence Fishburne

HOLLYWOOD--(BUSINESS WIRE)--Paramount Home Media Distribution and Samuel Goldwyn Films announced today a collaboration to bring RUDDERLESS to theatrical and home viewing audiences. The feature directorial debut of Academy Award® and Golden Globe® nominee* William H. Macy, RUDDERLESS was produced by Keith Kjarval (Unified Pictures) and Brad Greiner in association with Aaron L. Gilbert's Bron Studios and had its world premiere as the Closing Night Film at the 2014 Sundance Film Festival. The film stars Billy Crudup (Almost Famous), Anton Yelchin (Star Trek Into Darkness), Felicity Huffman (“Desperate Housewives”), Jamie Chung (“Believe”), Selena Gomez (Spring Breakers) and Laurence Fishburne (The Matrix).

Samuel Goldwyn Films will handle U.S. theatrical distribution day-and-date with Paramount Home Media Distribution’s VOD release. Paramount will also handle other U.S. ancillary platforms and all distribution in Canada, the UK, Russia and certain territories in Asia.

After a man has his life torn apart when he loses his son, he is content wasting the rest of his days until he discovers a box of unpublished music. Coming from such an unexpected source, the music is a revelation. He begins obsessively learning the songs, until one day he decides to play one of them at a local bar. The song captivates a young musician in the audience and the two unlikely friends decide to form a local band that gains sudden popularity and changes both of their lives.

"After seeing such a fabulous response at Sundance, we are thrilled to be partnering with two of the most prestigious distributors in our business on my directing debut,” said director William H. Macy. “When I first moved to LA, many years ago, I lived just off of Melrose, and I passed those beautiful gates to Paramount almost every day. Seeing them become our partner on RUDDERLESS and adding the storied Goldwyn Company into the mix excites me to no end."

“William H. Macy has always been a true talent in front of the cameras and now also proves to be a major force behind the scenes. Billy Crudup, Felicity Huffman and the rest of the cast deliver stellar performances. We are excited to again partner with Paramount Home Media Distribution in bringing Macy’s remarkable first feature to theaters,” said Peter Goldwyn, Senior Vice President, Samuel Goldwyn Films.

“RUDDERLESS is an incredibly powerful and moving film and we are extremely excited to bring it to audiences around the world,” said Syrinthia Studer, Senior Vice President, Marketing and Acquisitions, Paramount Home Media Distribution. “William H. Macy has delivered a terrific first feature with extraordinary performances by his stellar cast, a compelling story and wonderful original music. We feel confident that it will be embraced by audiences both in the U.S. and internationally.”

The deal was negotiated by Paramount Home Media Distribution, WME Global and Peter Goldwyn, Senior Vice President of Samuel Goldwyn Films, with Radiant Films handling international.

About Samuel Goldwyn Films
Samuel Goldwyn Films is a major, independently owned and operated motion-picture company that develops, produces and distributes innovative feature films and documentaries. The company is dedicated to working with both world renowned and emerging writers/filmmakers and committed to filmed entertainment that offers original voices in uniquely told stories. This is best exemplified by the Academy Award® nominated THE SQUID AND THE WHALE and SUPER SIZE ME; AMAZING GRACE and Julie Delpy's hit comedy 2 DAYS IN PARIS. Past Goldwyn titles include the critically hailed ELEGY starring Academy Award® winner Penélope Cruz, HARRY BROWN starring Michael Caine and the box office smash FIREPROOF. MAO’S LAST DANCER, directed by Academy Award® nominee Bruce Beresford was one of the top grossing independent films of 2010. Samuel Goldwyn Films released THE WHISTLEBLOWER, a powerful, ripped from the headlines thriller starring Academy Award® winner Rachel Weisz and the 2012 critics’ darling, ROBOT & FRANK, starring Academy Award® nominee Frank Langella, James Marsden, Liv Tyler and Academy Award® winner Susan Sarandon. Additional Samuel Goldwyn Films releases include DIANA VREELAND: THE EYE HAS TO TRAVEL, an acclaimed documentary about the late fashion icon, Gilles Bourdos’ RENOIR, the lush film about the famous painter’s later years and France’s official submission for the 2014 Academy Awards®, Academy Award® nominee James Cromwell starrer, STILL MINE, and the Jason Wise much buzzed about film SOMM. Upcoming releases include Academy Award®-winner Freida Mock’s critically acclaimed documentary ANITA featuring intimate and in-depth interviews with Anita Hill and filmmaker Lucia Puenzo’s haunting film and Argentina’s official submission to the 2014 Academy Awards® THE GERMAN DOCTOR.

About Paramount Home Media Distribution
Paramount Home Media Distribution (PHMD) is part of Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment. PPC is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. The PHMD division oversees PPC’s home entertainment, digital and television distribution activities worldwide. The division is responsible for the sales, marketing and distribution of home entertainment content on behalf of Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV, Nickelodeon, Comedy Central and CBS and for providing home entertainment fulfillment services for certain DreamWorks Animation Home Entertainment titles. PHMD additionally manages global licensing of studio content and distribution across worldwide digital and television distribution platforms including online, mobile and portable devices and emerging technologies.

About Unified Pictures:
Unified Pictures operates as an independent film production and distribution company dedicated to the development, financing, production and distribution of top-tier filmed entertainment. With several cutting-edge and artistically innovative films, Unified Pictures has established an impressive presence in a wide variety of film genres.

The company has completed seven films in the past two and a half years. Unified’s latest film “Loitering with Intent,” starring Sam Rockwell, Marisa Tomei and Natasha Lyonne is world premiering at the upcoming Tribeca Film Festival.

Additional films include William H. Macy’s directorial debut “Rudderless,” which closed this year’s Sundance Film Festival; "The Inevitable Defeat of Mister and Pete" (dir. George Tillman Jr., starring Jennifer Hudson, Jordin Sparks), which opened the 2013 Sundance Film Festival; "A Single Shot" (dir. David Rosenthal, starring Sam Rockwell, William H. Macy, Jeffrey Wright), which premiered at the 2013 Berlin Film Festival; and “Trust Me” (dir. Clark Gregg, starring Gregg, Sam Rockwell, Amanda Peet, Molly Shannon, and William H. Macy) which had its world premiere at the 2013 Tribeca Film Festival.

For more information please visit www.unifiedpictures.com.

About Bron Studios
Bron Studios is a British Columbia based producer of original motion pictures. Bron co-­‐produced the Sundance closing night film Rudderless, starring Billy Crudup, Anton Yelchin, Selena Gomez and Laurence Fishburne and directed by William H. Macy. Bron’s recent productions include: Welcome to Me, starring Kristen Wiig, Tim Robbins, Wes Bentley and James Marsden; Trust Me, starring Clark Gregg, Amanda Peet, Sam Rockwell, and Alison Janney, and A Single Shot, starring Sam Rockwell, Jeffrey Wright, Jason Isaacs, and William H. Macy. Bron is led by Managing Director Aaron L. Gilbert, Executive Producer and/or Producer of recent films Kill Me 3 Times, Son of a Gun, Miss Julie, Elsa & Fred, Ginger and Rosa, The English Teacher, Lullaby, and others. For more information please visit www.bronstudios.com.

*Academy Award nominee Best Actor in a Supporting Role, Fargo, 1996; Golden Globe nominee Best Performance by an Actor in a Supporting Role in a Motion Picture, Seabiscuit, 2004; Golden Globe nominee Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television, The Wool Cap (2005) and Door to Door (2003)

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Review: "Thank You for Smoking" is Too Glib (Happy B'day, Aaron Eckhart)

TRASH IN MY EYE No. 229 (of 2006) by Leroy Douresseaux

Thank You for Smoking (2005)
Running time:  93 minutes (1 hour, 33 minutes)
MPAA – R for language and some sexual content
DIRECTOR:  Jason Reitman
WRITERS:  Jason Reitman (based upon the novel by Christopher Buckley)
PRODUCER:  David O. Sacks
CINEMATOGRAPHER:  James Whitaker (D.o.P.)
EDITOR:  Dana E. Glauberman
COMPOSER:  Rolfe Kent
Golden Globes nominee

COMEDY with elements of drama

Starring:  Aaron Eckhart, Maria Bello, Cameron Bright, Sam Elliot, Katie Holmes, David Koechner, Rob Lowe, William H. Macy, J.K. Simmons, and Robert Duvall, Kim Dickens, Adam Brody, and Todd Louiso

The subject of this movie review is Thank You for Smoking, a 2005 satirical comedy written for the screen and directed by Jason Reitman.  The film is based on the 1994 novel, Thank You for Smoking, by author Christopher Buckley.  Thank You for Smoking the movie follows the tobacco industry’s chief spokesman as he spins and disseminates information on behalf of cigarettes, while trying to remain a role model for his twelve-year-old son.

As Vice-President of the Academy of Tobacco Studies, Nick Naylor (Aaron Eckhart) is the main lobbyist and primary spin doctor for Big Tobacco.  Naylor is on a mission to make the country forget the dangers and health risks of smoking cigarettes.  However, his mission gets tougher with health advocates and the opportunistic Senator Ortolan K. Finistirre (William H. Macy) determined to put a new poison label (in the form of an image of the skull & bones) on cigarette packs.  Naylor goes on the PR offensive with a strategy to get big Hollywood actors to smoke on screen, as the movie stars of yesteryear did in the Golden Age of Hollywood movies.  Nick enlists, Jeff Megall (Rob Lowe), a Hollywood super-agent, to help him get smoking on screen again.

However, Nicky’s newfound notoriety does not go unnoticed by Big Tobacco’s head honcho, The Captain (Robert Duvall), who gives his blessing to Nick’s Hollywood plan.  Nick’s activities also get the attention of a beautiful, young investigative reporter, Heather Halloway (Katie Holmes), who is willing to use her body to get Nick to tell her his secrets.  Even with a busy schedule, Nick still finds time to hold forth with two comrades – two other lobbyists for industries also facing public backlash: Polly Bailey (Maria Bello) of the alcohol industry and Bobby Jay Bliss (David Koechner) of the gun industry.  Together, the three of them are the Merchants of Death or M.O.D. Squad.  Nick’s also a father, and he’s trying to remain a role model to his young, impressionable son, Joey Naylor (Cameron Bright), who thinks his dad is a god, but Nick’s ex-wife, Jill Naylor (Kim Dickens), isn’t sure a tobacco lobbyist is the best dad material.

Jason Reitman, the son of famed comedy director, Ivan Reitman (Animal House, Ghostbusters), has a more cerebral approach to film comedy than his father, and that’s clearly evident in the clever, offhand satire, Thank You for Smoking, which Reitman adapted from the novel by Christopher Buckley.  The film comes across as a savage satire of the tobacco industry, but Reitman directs the film with such elegance that Thank You for Smoking sometimes comes across as glib and soulless.  In his attempt to impale Big Tobacco, and also throw sand in the face of shallow Hollywood, opportunistic big media, and shameless Congress, Reitman’s movie ends up gabby and has no real villains.  This is a satire that comes across as if it’s teasing its targets rather than criticizing them.

While Thank You for Smoking holds up the characters and subject matter for detached scrutiny, the cast isn’t afraid to get down and dirty.  The actors take delight in revealing the characters for all their oily selfishness.  They’re all out for their own interests, and what little guilt they feel merely adds a light pungent flavor to the characters.  The best performance is delivered, of course, by Aaron Eckhart as the film’s protagonist/quasi-villain, Nick Naylor.  A character actor who can play an amazing range of lead characters, Eckhart gives Thank You for Smoking its gift of gab.  Eckhart’s screen chemistry with Cameron Bright, the young actor who plays Nick’s son, Joey, is supernaturally real.  It’s like a real father and son duo.

Eckhart humanizes Naylor, and makes the viewer like him and want to engage him.  Thank You for Smoking is well-written and well-directed (considering the inexperience of the director), and the technical aspects are pretty good.  But it’s Aaron Eckhart who makes Thank You for Smoking something more than just another satirical film essay.  He makes it memorable.

7 of 10
B+

Monday, November 06, 2006

NOTES:
2007 Golden Globes:  2 nominations:  “Best Motion Picture - Musical or Comedy” and “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Aaron Eckhart)

Updated:  Wednesday, March 12, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: "Jurassic Park III" is a Third of the Original Film

TRASH IN MY EYE No. 2 of 2001 (No. 2) by Leroy Douresseaux

Jurassic Park III (2001)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – PG-13 for intense sci-fi terror and violence
DIRECTOR: Joe Johnston
WRITERS: Peter Buchman, Alexander Payne, and Jim Taylor (based on characters created by Michael Crichton)
PRODUCERS: Larry J. Franco and Kathleen Kennedy
CINEMATOGRAPHER: Shelly Johnson
EDITOR: Robert Dalva
COMPOSER: Don Davis
Razzie Award nominee

SCI-FI/ACTION/ADVENTURE/HORROR/THRILLER

Starring: Sam Neill, William H. Macy, Téa Leoni, Alessandro Nivola, Trevor Morgan, Michael Jeter, John Diehl, Bruce A. Young, and Laura Dern

The subject of this movie review is Jurassic Park III, a 2001 science fiction and dinosaur movie from director Joe Johnston. Steven Spielberg, who directed the first two films in the Jurassic Park franchise, executive produced this film. Although musical themes by John Williams, who composed the music for the first two films, are used, Don Davis provides the musical score for Jurassic Park III.

Jurassic Park III is purely and simply product; it is created and delivered to its consumers in the form of movies, toys, and interactive media. The movie is a quick, chaotic thrill, that attempts to waste nothing via tight, concise action and storytelling and wastes all its potential to be a really good movie in an attempt to make sure no one gets too long a glance and at this scared, awkward baby.

Based more on the Steven Spielberg directed 1993 original than the 1997 Spielberg follow up The Lost World: Jurassic Park 2, this movie stars Sam Neill who reprises his role from the original as Dr. Alan Grant. William H. Macy and Tea Leoni play a divorced couple that tricks Dr. Grant into finding their son (Trevor Morgan) who is presumed missing on an island used by InGen, the dinosaur creating frankencorp, to produce dino specimens for their dino theme parks.

The cast, led by, Neill is up to the task of making a really good film. Neill is earnest and believable as Grant, and the character fits him like old, familiar clothes. Macy is always a pleasure to watch. His Paul Kirby is a weak, flawed and disingenuous man who climbs out of the morass of wimp hood into manhood as the film progress. Leoni’s Amanda Kirby is equally up to the task of transformation, and that is shocking. She is a likeable actress, but she is usually one note only; it was refreshing to see her play a character that can actually grow as the movie progresses. Morgan as their son Eric and Alessandro Nivola as Grant’s assistant Billy Brennan are also both fully fleshed three-dimensional characters. The viewer cares about these characters, and we cringe when they are in danger as much as we cheer them on their quest for survival.

These wonderful characters are the mark of strong writing, but what does go wrong? Johnston is a capable director and has shown the ability to control the pace of an SFX film that could get out of control in less skilled hands, as he did in Jumanji (1995). It seems as if the movie is hung on a thin, thread. Its premise is a basic and quick “get in, snatch and grab, get out.” The creators are blessed with even more knowledge about dinosaurs than its two predecessors, as well as SFX (special effects) and CGI (computer generated imagery) capabilities that surpass the original's (a movie that is still as good today as it was back in 1993).

One gets the sense that the filmmakers were very concerned about making a short movie, one in which the audience would not get to restless. That’s understandable. No matter how good the computer and effects work get, or how much new technology dates the original, any follow up to Jurassic Park cannot have the impact that the original did. Every dino sighting in the first film was a thrill; it was like discovering a whole new world. Jurassic Park was and will always be a landmark of cinema, a testament to both Spielberg’s savvy and skill and a testament to Hollywood SFX men, the special ones who always introduce us to something that we never thought we’d see on the big screen. They show us the amazing and do it with such class, quality, and skill that they leave us breathless and speechless and wanting more.

So how can part three compete with that? The sequel deals with it by running away from trying to be something special. It scampers through the dino-infested jungle of its predecessors like a madman, as afraid of its own shadow as it is of the raptors.

Granted that the characters are fighting for their lives, they rarely take the time to stop and observe something that would and should leave them speechless. A hallmark of the first was how the characters could be both fascinated and horrified by the wonderful things before them. They’re seeing real living breathing dinosaurs, and they’re only mildly interested. Yes, they’re genetic replicants, but these dinos are as close to the real thing as they’ll probably ever see. Even Dr. Grant didn’t seem too awed by the appearance of this film’s giant predator villain, the Spinosaurus, which runs through the film like a clumsy, wrecking bawl, screeching and slobbering all over the proceedings. Even the new look raptors mostly seem to be stiff and nervous models on the runway of an annual Paris toy show.

Through all this, one can see the skill and talent of Johnston and his writers, which includes Alexander Payne, the auteur of the (sadly) ignored Election. Even in a quick 90 minutes, one can see the quality of the work of the cast and crew. It’s a shame we got a truncated Reader’s Digest version of a story that could have been so much more. Still, it was as nice a treat as one can expect from a summer movie.

6 of 10
B

NOTES:
2002 Razzie Awards: 1 nomination: “Worst Remake or Sequel”

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Review: "The Sessions" Keeps it Real

TRASH IN MY EYE No. 25 (of 2013) by Leroy Douresseaux


The Sessions (2012)
Running time: 95 minutes (1 hour, 35 minutes)
MPAA – R for strong sexuality including graphic nudity and frank dialogue
DIRECTOR: Ben Lewin
WRITER: Ben Lewin (based on article “On Seeing a Sex Surrogate” by Mark O'Brien)
PRODUCERS: Judi Levine, Ben Lewin, and Stephen Nemeth
CINEMATOGRAPHER: Geoffrey Simpson (D.o.P.)
EDITOR: Lisa Bromwell
COMPOSER: Marco Beltrami
Academy Award nominee

DRAMA

Starring: John Hawkes, Helen Hunt, William H. Macy, Moon Bloodgood, Annika Marks, Adam Arkin, Rhea Perlman, W. Earl Brown, Robin Weigert, Blake Lindsley, Ming Lo, Rusty Schwimmer, and Jennifer Kumiyama

The Sessions is a 2012 drama from writer/director Ben Lewin. The independent film is the story of Mark O’Brien, a real-life poet who was paralyzed from the neck down due to polio. The film is based on the article, “On Seeing a Sex Surrogate,” which was written by O’Brien about the sex surrogate who helped him lose his virginity.

The Sessions opens in 1988 in Berkeley, California where we meet Mark O’Brien (John Hawkes). Mark lives in an iron lung due to complications from polio, which he contracted as a child. Due to his condition, Mark has never had sex. Hunting for someone to relieve him of the burden of his virginity, Mark seeks companionship in the women near to him. After consulting with his priest, Father Brendan (William H. Macy), Mark goes to a professional sex surrogate. Mark meets Cheryl Cohen-Greene (Helen Hunt), a sex therapist and surrogate, who agrees to help him through a series of sessions. This arrangement, however, ends up being, depending on the time and the techniques used, both more and less complicated than either one expected.

There is such overwhelming, beautiful humanity in The Sessions. Writer-director Ben Lewin’s script creates characters that have to be intimate and vulnerable with each other, but not in a contrived way. The actors take what Lewin gives them and make characters that are honestly human by being vulnerable. Vulnerability reveals what is both pitiable and pathetic and also durable and strong, and these are the things that open the characters to the audience. When the audience can go into the characters on such a seemingly intimate level, made-up people can seem like honest-to-God real people, the kind that the audience can’t help watching.

And what wonderful performances the cast gives, from top to bottom. At the 2013 Film Independent Spirit Awards, John Hawkes won “Best Male Lead” and Helen Hunt won “Best Supporting Female.” Sadly, only Hunt earned a corresponding Oscar nomination. Individually, these two actors give great performances; together, they make magic.

In The Sessions, Hawkes is on the level of Daniel Day-Lewis (who won the best actor Oscar at the 2013 Oscars ceremony), as he transforms himself into another person, not a character, but an actual person. Hawkes’ Mark O’Brien is as real as a fictional character can be. Helen Hunt offers so many levels of conflicted emotions and deeply romantic longings. In her hands, Cheryl Cohen-Greene could actually be the lead in this movie. Hunt makes her such a beautiful soul, so I’m glad that this artist is still a working actress.

There are other fine performances. William H. Macy brings some much needed levity to this film as the acerbic sounding board, Father Brendan. Moon Bloodgood is radiant in a quiet role, full of subtle motions and colors.

I have to admit that I shed some tears at this movie; it is both heartbreaking and achingly beautiful. The frank sexual discussions and sex talk are not at all erotic or arousing. I found myself mostly wincing when Mark and Cheryl are sexual. The Sessions, however, aroused the movie lover in me. It is one of the best films of 2012 and, as a love story, is exceedingly special and exceptional. Let’s hope Ben Lewin can keep making movies that come close to the excellence of The Sessions.

9 of 10
A+

NOTES:
2013 Academy Awards, USA: 1 nomination: “Best Performance by an Actress in a Supporting Role” (Helen Hunt)

2013 BAFTA Awards: 1 nomination: “Supporting Actress” (Helen Hunt)

2013 Golden Globes, USA: 2 nominations: “Best Performance by an Actor in a Motion Picture – Drama” (John Hawkes) and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Helen Hunt)

Saturday, April 06, 2013

Review: "Sahara" is a Solid Action-Adventure Film (Happy B'day, Matthew McConaughey)

TRASH IN MY EYE No. 188 (of 2005) by Leroy Douresseaux

Sahara (2005)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for action violence
DIRECTOR: Breck Eisner
WRITERS: Thomas Dean Donnelly & Joshua Oppenheimer, John C. Richards, and James V. Hart (based upon the novel by Clive Cussler)
PRODUCERS: Howard Baldwin, Karen Baldwin, Mace Neufeld, and Stephanie Austin
CINEMATOGRAPHER: Seamus McGarvey, BSC
EDITOR: Andrew MacRitchie
COMPOSER: Clint Mansell

ACTION/ADVENTURE with elements of comedy

Starring: Matthew McConaughey, Steve Zahn, Penelope Cruz, Lambert Wilson, Glynn Turman, with Delroy Lindo and William H. Macy, Rainn Wilson, Paulin F. Fodouop, and Lennie James

The subject of this movie review is Sahara, a 2005 comedy-adventure and action film starring Matthew McConaughey and directed by Breck Eisner. The film is based on the 1992 novel of the same name by author Clive Cussler and is the eleventh book in Cussler’s Dirk Pitt book series.

Master explorer Dirk Pitt (Matthew McConaughey) is searching for a Confederate iron clad ship no else thinks exists. When he finds a fabled Confederate gold coin linked to the historical legend, his hunt takes him through some of the most dangerous regions of West Africa in the rousing adventure film, Sahara.

While searching for the long-lost Civil War battleship, the Texas, that African locals call the “Ship of Death,” Dirk and his wisecracking long-time sidekick and best pal, Al Giordino (Steve Zahn), meet Dr. Eva Rojas (Penelope Cruz), a doctor from WHO (the World Health Organization) looking for the source of a plague that is killing people in Niger. Her quest coincides with Dirk and Al’s search, and she joins their traveling party for a bit before going her separate way in Mali, a country that borders Niger. After a warlord named General Zateb Kazim (Lennie James) launches an assault on their boat in his hunt for Eva, Dirk and Al temporarily abandon their quest to find and protect Eva, endangered because her quest to learn the mysteries of the plague interferes with Kazim’s power. Together, the trio discovers an environmental catastrophe, battle Kazim and his forces, and survive the desert terrain of Northwest Africa on the way to getting to the bottom of both mysteries.

Sahara is a fun action adventure – aesthetically similar to The Mummy, but not quite as fun. The film’s hero Dirk Pitt, a charming rogue who is a scientist, but could get down in a barroom brawl, is a treasure hunter like Indiana Jones and is as resourceful as James Bond. So the film has a tone similar to a Raiders of the Lost Ark or a James Bond film. It’s a bit Die Hard, and has the buddy action vibe of a Lethal Weapon movie; it even throws in a bit of Lawrence of Arabia.

The direction by Breck Eisner (the son of former Disney head honcho Michael Eisner) is by the book, and almost, but not quite pedestrian. The film comes across as a true collaboration. The script hits the right notes. The cinematographer does a good job capturing pretty pictures. The editor does a professional job, not any more or less than any of the rest of the crew. The cast is also pleasant. Matthew McConaughey is a movie star with handsome, good looks and a good character actor – not always common in leading men. Steve Zahn is funny, but the role of Al Giordino is not like his better-known quirky, comedic parts. Penelope Cruz is just not a good actress (at least speaking English), and when she isn’t being a zombie in this film, she actually manages some good scenes. There is a nice supporting cast with Delroy Lindo and William H. Macy adding a bit of seriousness and gravity to the flick. The best supporting parts belong to Paulin F. Fodouop and Lennie James as feuding military leaders, Modibo and General Kazim, respectively.

Sahara is not a great film or even a very good film; it’s certainly not film art. However, it’s the kind of solid entertainment flick that doesn’t deliver too much to overload the senses or deliver too little, which pisses off the viewer.

6 of 10
B

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Review: "Pleasantville" is Pleasingly Pleasant

TRASH IN MY EYE No. 156 (of 2004) by Leroy Douresseaux on Patreon

Pleasantville (1998)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for some thematic elements emphasizing sexuality, and for language
WRITER/DIRECTOR: Gary Ross
PRODUCERS: Robert J. Degus, Jon Kilik, Gary Ross, and Steven Soderbergh
CINEMATOGRAPHER: John Lindley
EDITOR: William Goldenberg
COMPOSER: Randy Newman
Academy Award nominee

COMEDY/DRAMA/FANTASY

Starring: Tobey Maguire, William H. Macy, Joan Allen, Reese Witherspoon, Jeff Daniels, Jane Kaczmarek, Don Knotts, Paul Walker, and J.T. Walsh

The subject of this movie review is Pleasantville, a 1998 comedy-drama and fantasy film from writer/director Gary Ross, who would go on to write and direct the Oscar-nominated, Seabiscuit (2003). Pleasantville stars Tobey Maguire and Reese Witherspoon as a brother and sister transported into their television set where they find themselves in the world of a 1950s black and white situation comedy.

It’s premise, especially the device that initiates the premise, is something straight out of pulp science fiction or pulp comics (in particular, EC comics), but Pleasantville ends up being a film poignant and delightful and thought provoking and entertaining. The film begins in the 1990’s with a brother and sister pair. David Wagner (Tobey Maguire), single, lonely, and unhappy, escapes his melancholy reality by watching the nostalgic 1950’s era soap opera, “Pleasantville.” After his TV breaks, a very strange repairman (Don Knott) gives him an equally strange remote control, but his sister, Jennifer (Reese Witherspoon), who is David’s exact opposite (happy and more far more sexually active than her brother), argues with David over watching the TV. During their struggle for the peculiar remote control, it transports the pair into the television to Pleasantville.

Suddenly, David and Jennifer are Bud and Mary-Sue Parker, and they find themselves completely assimilated into the new world. They are now black and white instead of color, and they have new 50’s era clothes. They also have new and different parents Betty (Joan Allen) and George Parker (William H. Macy), more pleasant than the old models. While David decides to blend in with this new world, Jennifer is sexually aggressive with the sexually naïve teenage boys of this “Leave it to Beaver” like world. David/Bud and Jennifer/Mary-Sue’s antics begin to change the world, and one thing leads to another and suddenly there is a vivid, red rose in this black and white world. Soon, the denizens of Pleasantville start to break rules and to break with long held traditions and before long, life is growing ever more colorful in Pleasantville. But not everyone is happy, including Bud and Mary-Sue’s Pleasantville dad and the town council, and they plan to do something about it.

There is so much to like about this movie, especially the wonderful cast. Tobey Maguire and Reese Witherspoon perfectly portray the squabbling pair of siblings, playing them at just the right pitch to make this movie work. However, it is the adult or older actors that sell Pleasantville’s ideas and messages. The themes of conformity, rebellion, marital discord, infidelity, betrayal, loyalty, and mob violence and group-think come to life in the stand out performances of William H. Macy, Joan Allen, Jeff Daniels and the late J.T. Walsh. It’s fun to watch Ms. Witherspoon’s antics, and Maguire has that young everyman quality that draws audiences into living vicariously through him, but the older actors shape and structure the elements that define this film.

Many Oscar® watchers had pegged this film as an early favorite to receive some big nominations, but it only earned three Academy Award nominations in the so-called technical categories. I get the feeling that many people were put off by the film. The very things that make it so intriguing – from its ideas to its concept start to fall apart about midway through the film. Slowly, but surely, the structure becomes shaky the longer the film runs. At 124 minutes (2 hours and 4 minutes) this film seems about 20 minutes too long. The last third of the film seems especially too preachy, too obvious, and heavy-handed.

Still, director/screenwriter Gary Ross created an enduring and charming gem; though flawed, it harks back to simply notions and an idealized simpler time in a fictional golden age. But the film does seem to ask, was that time really idealized and just how much is actually fiction about the good old days.

7 of 10
B+

NOTES:
1999 Academy Awards: 3 nominations: “Best Art Direction-Set Decoration” (Jeannine Claudia Oppewall and Jay Hart), “Best Costume Design” (Judianna Makovsky), and “Best Music, Original Dramatic Score” (Randy Newman)

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Half of "The Lincoln Lawyer" Remains Unseen

TRASH IN MY EYE No. 65 (of 2011) by Leroy Douresseaux


The Lincoln Lawyer (2011)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – R for some violence, sexual content and language
DIRECTOR: Brad Furman
WRITER: John Romano (based upon the novel by Michael Connelly)
PRODUCERS: Sidney Kimmel, Gary Lucchesi, Tom Rosenberg, Scott Steindorff, and Richard S. Wright
CINEMATOGRAPHER: Lukas Ettlin (D.o.P.)
EDITOR: Jeff McEvoy
COMPOSER: Cliff Martinez

DRAMA/CRIME/MYSTERY/THRILLER

Starring: Matthew McConaughey, Marisa Tomei, Ryan Phillippe, William H. Macy, Josh Lucas, John Leguizamo, Michael Peña, Bob Gunton, Frances Fisher, Bryan Cranston, Trace Adkins, Laurence Mason, Margarita Levieva, Pell James, Shea Whigham, Michael Paré, and Reggie Baker

The Lincoln Lawyer is a 2011 courtroom drama and legal thriller starring Matthew McConaughey as the lead character, Mickey Haller. The film is based upon the 2005 novel, The Lincoln Lawyer, the first book in the Mickey Haller series from American crime writer, Michael Connelly.

Mickey Haller (Matthew McConaughey) is a criminal defense attorney who operates around Los Angeles County in a Lincoln Town Car, currently driven by his chauffer, Earl (Laurence Mason). Haller has spent his career defending the usual suspects (drug dealers, murderers), but he has just landed the case of his career. Louis Roulet (Ryan Phillippe), a Beverly Hills playboy, has been charged in the brutal beating of a sex worker, Regina Campo (Margarita Levieva). Mickey’s sleazy reputation and Roulet’s tastes for prostitutes, however, only complicate an already difficult case.

I have not read the book upon which The Lincoln Lawyer is based, so I don’t know how close the movie is to novel. Watching this film, I got the idea that screenwriter John Romano and director Brad Furman certainly tried to squeeze as much of the novel as they could into the movie. As good as this film is, a lot of the story seems to be happening offstage or off-camera, in this case. I lost track of how many times, supporting and minor characters ran up to McConaughey’s Mickey Haller and talked about something big they did or found out for him. I kept thinking, “Did I miss something?” It is as if half of the movie takes place out of sight, and only the half with Haller actually happens in front of the audience. That makes many of the film’s twist and turns and sudden revelations seem contrived and arbitrary.

However, I do think that Matthew McConaughey gives a very good, layered, and textured performance, one that makes Haller, who is way too sleazy, an engaging character that you might want to follow around L.A. This is probably the best performance of McConaughey’s career and certainly his best turn as a dramatic actor in a long time. He makes The Lincoln Lawyer worth seeing. He makes a problematic legal thriller something of a thrill to watch.

6 of 10
B

Thursday, July 28, 2011

Review: "The Cooler" is an Odd Romance with Good Performances (Happy B'day, William H. Macy)

TRASH IN MY EYE No. 63 (of 2004) by Leroy Douresseaux

The Cooler (2003)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for strong sexuality, violence, language and some drug use
DIRECTOR: Wayne Kramer
WRITERS: Frank Hannah and Wayne Kramer
PRODUCERS: Sean Furst and Michael Pierce
CINEMATOGRAPHER: James Whitaker (D.o.P.)
EDITOR: Arthur Coburn
COMPOSER: Mark Isham
Academy Award nominee

DRAMA/CRIME/ROMANCE

Starring: William H. Macy, Alec Baldwin, Maria Bello, Shawn Hatosy, Ron Livingston, Paul Sorvino, Estella Warren, Arthur J. Nascarella, and Joey Fatone

Bernie Lootz (William H. Macy) may be the unluckiest man in Las Vegas, and an old debt keeps him in bondage to his “friend” Shelly Caplow (Alec Baldwin, who received an Oscar® nomination for this supporting role), the crooked casino director of the Shangri-La. The Shangri-La is one of the last mob-run casinos in town, and Shelly uses Bernie as a “cooler,” a casino operative whose contagious bad luck knocks out casino high rollers on a win streak at a table or a slot machine. If that wasn’t enough drama, Bernie falls in love with a cocktail waitress named Natalie Belisario (Maria Bello), and her love and good, hot sex shorts out Bernie’s bad karma, much to Shelly’s chagrin.

The Cooler is a crime drama and romance with a peculiar mood. Though heavily downbeat, the film nevertheless has considerable strength as a romance. While Macy and Ms. Bello, on the surface, may seem to have little by which to connect, they develop tremendous screen chemistry, and it’s actually nice to watch the relationship between the characters grow before our eyes. Actually Ms. Bello’s performance really isn’t all that good (isn’t bad, either), but like a lot of elements in this film, her performance is well-used by director Wayne Kramer, a little-known South African-born director. This film could have died early in the story because Bernie is almost too pitiful to bare and the film’s best love scene happens quite early in the film, but Kramer deftly drives the dramatic narrative.

The Cooler is cleverly paced, and the film has some of the best shot composition I’ve seen in awhile. In fact, the rich color photography by Jim Whitaker and the film editing by Arthur Coburn really looks like classic black and white film noir, not to mention Mark Isham’s fabulous noir-ish jazz score. Somewhat underrated and largely ignored at the box office, The Cooler is an odd kind of romance that should have special appeal to those who like to see the homely guy get the girl, and with fine performances by Macy and Baldwin (a really good actor), this film is worth it.

8 of 10
A

NOTES:
2004 Academy Awards: 1 nominations: “Best Actor in a Supporting Role” (Alec Baldwin)

2004 Golden Globes: 2 nominations: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Alec Baldwin) and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Maria Bello)

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Review: "Seabiscuit" is an Uplifting Tale of a Horse and His Boys

TRASH IN MY EYE No. 21 (of 2004) by Leroy Douresseaux

Seabiscuit (2003)
Running time: 140 minutes (2 hours, 20 minutes)
MPAA – PG-13 for some sexual situations and violent sports-related images
DIRECTOR: Gary Ross
WRITER: Gary Ross (from the novel by Laura Hillenbrand)
PRODUCERS: Kathleen Kennedy, Frank Marshall, Gary Ross, and Jane Sindell
CINEMATOGRAPHER: John Schwartzman (D.o.P.)
EDITOR: William Goldenberg
COMPOSER: Randy Newman
Academy Award nominee

DRAMA

Starring: Tobey Maguire, Jeff Bridges, Chris Cooper, William H. Macy, Kingston DuCoeur, Elizabeth Banks, Gary Stevens, Eddie Jones, and David McCullough, and Michael Angarano

Seabiscuit is the story of three men who are broken by misfortune in their lives and how one unlikely horse becomes a champion and changes their lives. The film is based upon the true story of Seabiscuit, an undersized, Depression-era horse whose story lifted the spirits of a nation and the three-man team behind it.

Charles Howard (Jeff Bridges) was a bicycle salesman who made his fortune in automobiles, but saw his only son die in a tragic mishap. Tom Smith (Chris Cooper) was a horseman who ended up a drifter after the stock market crash that precipitated the Depression. Red Pollard (Michael Angarano) lived with his well-to-do middle, class family, residing in a lovely home. All the family members loved to read, but Red’s love of horses and his rapport with them was obvious to anyone who saw him with a horse. After the Depression causes the Pollards to lose their home, Red’s parents leave him with a track owner, thinking Red would be better off as a jockey. It is, however, a rough life, and the adult Red (Tobey Maguire) is a wreck of a man and an alcoholic. Gradually fate brings the three hurt men together around one horse, as they try to help Seabiscuit reach the glory many thought would be his destiny by right of his lineage.

Seabiscuit is a curious film. It looks like a period piece and feels like a mini-epic, but the film is ultimately an emotional masterpiece. That simply means that the film brings forth the viewers’ emotions. You can feel the thrill of victory in your heart when the horse wins. When tragedy strikes or something bad happens to a character, you might also feel the sadness. You thrill, cheer, and cry, because you can feel along with the characters.

Director Gary Ross has written some very good films including Big (1988) and Dave, and he also directed the very charming Pleasantville. His best attribute is creating characters that breath, characters that make you care about them, so that you root for them, are happy for them, and are sad with them. When the viewer cares for the characters, they’re likely to buy into the movie.

Ross writes and directs a picture in which he makes nearly every moment riveting, both the quiet moments and the scenes of stadiums crowded with people anxious to see a horse race. It’s worth following the line of action because the drama is so entrancing. It’s enough to make you forget the times when the film feels too staged and its theatrics too over-the-top and posed.

The acting is all first rate. What else should we expect from a cast that includes such great character actors as Jeff Bridges, Chris Cooper, and William H. Macy, especially when they’re given a script with rich characters to perform? And Tobey Maguire seems to have impeccable tastes when it comes to choosing films (The Ice Storm, The Cider House Rules), so it’s a safe bet to see anything with him in it. Plus, his charming, boyishly good looks also have a kind of weary everyman quality, like a guy who has lived a varied and interesting life. Maguire just looks like he belongs in the films in which he stars.

In large measure, Seabiscuit is about redemption and about lives made whole again. It’s about people who feel abandoned and suddenly find other people who care about them or about the lonely finding groups to which they can belong. The film is less about feeling good and more about being able to get on your feet again. The film says that a person can overcome any obstacle, and Seabiscuit proclaims it so winningly.

8 of 10
A

NOTES:
2004 Academy Awards: 7 nominations: “Best Picture” (Kathleen Kennedy, Frank Marshall, and Gary Ross), “Best Art Direction-Set Decoration” (Jeannine Claudia Oppewall-art director and Leslie A. Pope-set decorator), “Best Cinematography” (John Schwartzman), “Best Costume Design” (Judianna Makovsky), “Best Editing” (William Goldenberg), “Best Sound Mixing” (Andy Nelson, Anna Behlmer, and Tod A. Maitland), and “Best Writing, Adapted Screenplay” (Gary Ross)

2004 Golden Globes: 2 nominations: “Best Motion Picture – Drama” and “Best Performance by an Actor in a Supporting Role in a Motion Picture” (William H. Macy)

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