Review: "BLINK TWICE" is Incredible; 2024's Best Film, Thus Far...

TRASH IN MY EYE No. 39 of 2024 (No. 1983) by Leroy Douresseaux

Blink Twice (2024)

Running time:  103 minutes (1 hour, 43 minutes)

MPA – R for strong violent content, sexual assault, drug use and language throughout, and some sexual references.

DIRECTORS:  Zöe Kravitz

WRITERS:  Zöe Kravitz and E.T. Feigenbaum

PRODUCERS:  Zöe Kravitz, Bruce Cohen, Garret Levitz, Tiffany Persons, and Channing Tatum

CINEMATOGRAPHER:  Adam Newport-Berra (D.o.P.)

EDITOR: Kathryn J. Schubert

COMPOSER:  Chanda Dancy

MYSTERY/THRILLER

Starring:  Naomi Ackie, Channing Tatum, Alia Shawkat, Christian Slater, Simon Rex, Adria Arjona, Haley Joel Osment, Liz Caribel, Levon Hawke, Trew Mullen, Geena Davis, and Kyle MacLachlan

SUMMARY OF THE REVIEW:

Blink Twice is a both an incredible psychological thriller and mesmerizing mystery thriller and is sort of a spiritual sibling of Jordan Peele's “Get Out”

Naomi Ackie and Channing Tatum gives stellar performances that really sell this film's frequent weirdness

This is a stunning directorial debut on the part of Zöe Kravitz, and thus far, it is the best film released in 2024

Blink Twice is a 2024 psychological thriller and mystery film from director Zöe Kravitz.  The film focuses on a cocktail waitress who accepts a tech billionaire's offer to vacation on his private island, after which, she begins to question her reality of the situation.

Blink Twice introduces Frida (Naomi Ackie), a cocktail waitress.  She is working an exclusive event with her roommate and best friend and roommate, Jess (Alia Shawkat).  The event's V.I.P. is billionaire tech mogul, Slater King (Channing Tatum), who recently stepped down as CEO of King Tech amid a public apology for some bad behavior on his part in the past.  Frida and Slater quickly strike up a friendship, and he invites her and Jess to join him and his friends to holiday at his private island.

Arriving at the island, Slater's assistant, Stacy (Geena Davis), confiscates the everyone's phone.  Also on the island for some fun are Slater's friends and business partners:  Vic (Christian Slater), Cody (Simon Rex), Tom (Haley Joel Osment), and Lucas (Levon Hawke).  In addition to Frida and Jess, there are three female guests:  Sarah (Adria Arjona), Camilla (Liz Caribel), and Heather (Trew Mullen).  The women are treated to lavish rooms, gift bags with perfume, gourmet meals, and a luxurious, carefree holiday experience.

But something is wrong.  Frida has a hard time keeping track of time, and she begins to question her perception of reality.  Also, there is a strange maid who is saying something to her that she can't quite make out.  When one of the women disappears, Frida is forced to confront this luxurious holiday, the kind she always wanted... as troubling as this dream vacay has turned out to be.

After director Steven Soderbergh made his feature film debut with sex, lies, and videotape (1989), some may have wondered if his rousing success with it (winning the Palme d'Or at Cannes 1989 and earning a “Best Original Screenplay” nomination) was “beginner's luck” or perhaps, a fluke.  For several years, the film did seem like a fluke, but by the time Soderbergh won a “Best Director” Oscar 12 years later, one could say that sex, lies, and videotape was not a fluke, but was a calling card.

I'd like to believe that Blink Twice will also be a calling card for its young first-time director Zoe Kravitz.  Right now, it is the best new film to debut in 2024, and I wouldn't be surprised if I am calling it the “Best Picture of the Year 2024” deep into the 2024-25 movie awards season.  Blink Twice is an astounding debut, a mystery thriller and psychological terror that recalls Alfred Hitchcock and David Lynch.  And no, I would not be embarrassed to reference Lynch's legendary Blue Velvet (1986), of which I am not a big fan, when discussing Blink Twice.  I am also calling Blink Twice a spiritual sibling of Jordan Peele's Get Out (2017) and a distant relative of Alex Garland's Men (2022).  Blink Twice even has a element similar to one found in the underrated horror thriller, You're Next (2011).

Kathryn J. Schubert's film editing for Blink Twice is superb, and I think that should be mentioned.  Of course, I think Schubert has superb material with which to work.  Kravitz has an eye for storytelling which finds pleasure in accepting that altered states of reality are a norm for many of us, especially when we obtain something we always wanted in a way that seems to be too good to be true.  Dressing her film in Biblical themes, “Me Too” politics, gender dynamics, and sexual gamesmanship, Kravitz takes the screenplay she wrote with E.T. Feigenbaum and grapples with the modern battle of the sexes.

Behind the pulpy entertainment and popcorn horror thrills of this psychological thriller is a movie that does a deep dive into the modern psyche.  Kravitz isn't afraid to examine the social hierarchies and assumed and presumed privileges.  It is refreshing that Kravitz so boldly answers any questions her film asks with a resounding, “Because he can.”

Actress Naomi Ackie is the perfect choice to be this film's lead.  Her face, with its wide mouth and big expressive eyes, is an artist's canvas.  Whatever her director needs in terms of emotion and action, Ackie can deliver.  Also, I must say that Channing Tatum shocks me in Blink Twice.  I never thought that he was really a good actor.  However, he gives Slater King so many layers that there are moments when I feel sympathy for him.  Tatum makes King innocent, childish, childlike, and monstrous, and he can do all of that in the span of a minute.

Wow.  I'm still stunned.  I've wanted to see Blink Twice since it was first announced last year under the title, “Pussy Island,” but I never thought I'd get this nearly perfect film, a film so good that its flaws seem like artistic choices rather than mistakes.  I heartily recommend this to movie fans looking for great films in a time when the various movie factories seem determined to only deliver entertainment that dare not make a statement lest “middle America” take offense.  Blink Twice is both – tremendous cinematic art and delightfully good entertainment.

10 of 10

Saturday, August 24, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Negromancer News Bits and Bites from July 14th to 20th, 2024 - UPDATE #15

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

ENTERTAINMENT AND CULTURE NEWS:

NETFLIX - From YahooFinance:  Netflix says that it will phase out its $11.99 ad-free plan.

CELEBRITY - From Variety:  Donald Glover brings an end to his musical persona, "Childish Gambino," with a new album, "Bando Stone and the New World," and perhaps, a film and world tour.

EMMYS - From Variety:  The nominations for the 76th / 2024 Primetime Emmy Awards have been announced.  FX's "Shogun" leads the drama categories with 25 nominations and its series, "The Bear," leads the comedy categories with 23.  The winners will be announced Sunday, Sept. 15th in a ceremony broadcast on ABC.

MOVIES - From Deadline:  Michael Mann says that he hopes to start film "Heat 2" by the end of this year or the beginning of next year (2025). He won't discuss the cast, although there are rumors about Adam Driver and Austin Butler.

AMAZON - From Variety:  Oscar-winner Colin Firth has joined Amazon Prime Video's "Young Sherlock."  Based on Andy Lane's series of novels, the Amazon production will star Hero Fiennes Tiffin.

BUSINESS - From THR:  Another day, another round of layoffs at Warner Bros. Discovery, across all divisions.

HULU - From Deadline:  Halle Berry has reportedly exited Ryan Murphy's Hulu legal drama, "All's Fair," starring Kim Kardashian.

TELEVISION - From Deadline:  CBS has announced the Fall 2024 premiere dates for its returning and new TV series.  The first series arrives on Wednesday, September 18th with the Season 47 premier of "Survivor" and and the last two arrive Sunday, October 27th with the Season 2 premier of "Tracker" and the Season 5 premiere of "The Equalizer."

BOX OFFICE - From BoxOfficePro:  The winner of the 7/12 to 7/14/2024 weekend box office is Universal/Illumination's "Despicable Me 4" with an estimated take of 44.65 million dollars.

From YahooEntertainment:  Neon's release, "Longlegs," is a surprise #2 at this weekend's box office.  But is the film cursed by star Nicolas Cage's creepy performance?

MOVIES - From Deadline:  Zoe Kravitz's talks about why her directorial debut, "Blink Twice," is no longer entitled "Pussy Island."

TELEVISION - From Deadline:  HBO has released a first-look image of Emily Watson as "Valya Harkonnen" from the television series, "Dune: Prophecy."  The series is due this fall.

OBITS:

From Variety:  American comedian, actor, and recording artist, Bob Newhart, has died at the age of 94, Thursday, July 18, 2024.  Newhart came to prominence with the release of an album of comedic monologues, entitled "The Button-Down Mind of Bob Newhart."  That LP and its follow-up, "The Button-Mind Strikes Back!," won Newhart his three Grammy Awards.  As an actor, he would be best known for two former CBS sitcoms, "The Bob Newhart Show" (1972-78) and "Newhart" (1982-90).  He would win his sole Primetime Emmy Award for a guest role on the former CBS sitcom, "The Big Bang Theory."

From Deadline:  Tributes pour in for iconic deadpan comedian, Bob Newhart, who died yesterday (Thurs., July 18th) at the age of 84

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From Deadline:  Film and television actor, James B. Sikking, has died at the age of 90, Saturday, July 13, 2024. Sikking was best known for the role "Lt. Howard Hunter" on the former NBC police drama, "Hill Street Blues" (1981-86), a role for which he was once nominated for a Primetime Emmy Award.  He also played "Doogie Howser's" dad, "David," on the former ABC sitcom, "Doogie Howser M.D."  He also appeared in such films as "Ordinary People" (1980), "Outland" (1981), "Star Trek III: The Search for Spock" (1984), to name a few.

From Variety:  American film and television actress, Shannen Doherty, has died at the age of 53, Saturday, July 13, 2024 after a long battle with breast cancer beginning with her 2015 diagnosis.  She first gained prominence playing the role of "bad girl," "Brenda Walsh," during the first four seasons of the former Fox teen soap, "Beverly Hills, 90210." She also starred as the witch, "Prue Halliwell," on the first three seasons of The WB series, "Charmed."  She appeared in a number of films, including "Heathers" (1988) and "Mallrats" (1995).

Negromancer News Bits and Bites from March 6th to 12th, 2022 - Update #20

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

OSCARS - From THR:  Wesley Snipes and Oscar-nominee John Travolta have been added to the list of presenters at the 2022 Oscar ceremony.

SCANDAL - From Deadline:  Actor-singer, Jussie Smollett (of the former FOX series, "Empire"), received a five MONTH jail sentence for his alleged 2019 hate crime attack.

PIXAR - From Variety:  The cast of Pixar's latest animated feature, "Turning Red," clap back after a controversial review of the film appears online.

MOVIES - From Deadline:  Florence Pugh ("Black Widow") is in negotiations to play "Princess Irulan Corrino" in "Dune: Part Two."

From Deadline:  Austin Butler is negotiations for to play "Feyd-Rautha" in "Dune: Part Two."  Rock musician and actor, Sting," famously played the character in director David Lynch's 1984 version of "Dune."

VIDEO GAMES - From IGN:  This is a link to a video that presents every reveal from Sony Playstation "State of Play" March 2022 in four minutes.

MARVEL STUDIOS - From Deadline:  "Black Panther: Wakanda Forever" director Ryan Coogler was mistaken for a bank robber in an Atlanta bank back in January.

MOVIES - From Deadline:  Warner Bros. Pictures has changed the release date of six its films, including four films based on DC Comics properties.

DC FILMS - From Variety:  Zoe Kravtiz is starring as "Catwoman" in the #1 movie in the world, "The Batman." But when she wanted to audition for Christopher Nolan's 2012 Batman film, "The Dark Knight Rises," Zoe was told that she was "too urban."

BOX OFFICE - From BoxOfficePro:  The winner of the 3/4 to 3/6/2022 weekend box office is "The Batman" with an estimated gross of 128.5 million dollars.

From Here:  Negromancer's (and "I Reads You) review of "The Batman."

TELEVISION - THR:   "How HBO’s Lakers Series Ticked Off the NBA, Ended a Friendship and Became the Most Anticipated Sports Show in Decades" by Lacey Rose.

From ScreenRant:  Fact check: what is real and changed in Episode 1 of HBO's "Winning Time: The Rise of the Lakers Dynasty."

MUSIC - From Variety:  1980s funk music legend, Morris Day, says that he can no longer perform as "Morris Day & the Time" because of the current trustees of the estate of the late music legend, Prince.

OBITS:

From Deadline:  Actor Emilio Delgado has died at the age of 81, Thursday, March 10, 2022.  He was a pioneering force in the depiction of Mexican-Americans on television.  He was best known for portraying Luis Rodriguez, the "Fix-It Shop" owner on the children's educational TV series, "Sesame Street" from 1971 to 2015, 2019).

From Deadline:  American jazz musician and stage, film and TV actor, Conrad Janis, has died at the age of 94, Tuesday, March 1, 2022.  A prolific character actor, Janis was best known for his recurring role on the former ABC comedy, "Mork & Mindy."  His acting career began in the mid-1940 on Broadway.  Janis was also noted for his "Beverly Hills Unlisted Jazz Band."

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94TH ACADEMY AWARDS:

OSCARS - From Variety:  The nominations for the 2022 / 94th Academy Awards have been announced.  "The Power of the Dog" leads with 12 nominations.  The winners will be revealed March 27th.

From Deadline:    With his "Best Actor" nomination for "The Tragedy of Macbeth," Denzel Washington is the most nominated Black actor is Oscar history.  He has been nominated in two acting categories a total of 10 times with two wins total.

From Variety:   With her "Best Director" Oscar nomination for "The Power of the Dog," Jane Campion becomes the first woman nominated twice in that category. She was previously nominated in that category for "The Piano" (1993).

From Variety:  With his three nominations today, Kenneth Branagh of "Belfast" becomes the first person to have been nominated in seven individual categories over his career.

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MOVIE AWARDS:

From Deadline:  The Visual Effects Society announced the winners at the 2022 / 20th annual VES Awards.  "Dune" and Disney's "Encanto" led with four wins apiece.

From Deadline:  The American Cinema Editors' 72nd Annual ACE Eddie Awards were held, Sat., March 5th.  The top award, "Best Edited Feature Film (Dramatic)" went to "King Richard."

From Deadline:  The 2022/ 26th annual Art Directors Guild Awards turns out to be a good party.  "Dune" and "Nightmare Alley" are among the winners.

From Deadline:   The winners at the 2022 / 28th annual SAG Awards. "CODA" wins the top prize, "Outstanding Performance by a Cast in a Motion Picture."

From Variety:  Here is a complete list of winners at 2022 / 53rd NAACP Image Awards in the film, television and music categories.  Jennifer Hudson was named "Entertainer of the Year."

From Deadline:   The 2022 / 9th annual Make-Up Artists & Hair Stylists Guild Awards were announced.  The Amazon film, "Coming 2 America" (the sequel to the 1988 film, "Coming to America"), led with three wins.

From Deadline:  The 2022 BAFTA Film Awards nominations have been announced.  "Dune" leads with 11 nominations.  The winners will be announced March 13th.

From Deadline:   The 2022 / 33rd annual Producers Guild of America Awards nominations have been announced.  The winners will be announced Saturday, March 19th.

From Deadline:  The nominations for the 2022 / 74th annual Directors Guild Awards have been announced.  The winners will be announced March 12th.

From COFCA:  The Columbus Film Critics Association name "The Power of the Dog" the "Best Film" of 2021.

From Deadline:  Netflix's Black Western, "The Harder They Fall," was named the "Best Picture" of 2021 at the 13th annual African American Film Critics Association Awards.  The Western tied with "King Richard" for most wins with four.  Will Smith was named "Best Actor" for "King Richard."

From Deadline:  The nominations for the 2022 / 28th Screen Actors Guild Awards have been announced.

From Variety:  The snubs and surprises in the nominations for the 28th Screen Actors Guild Awards.

From Variety:   At the 2022 / 79th Golden Globes, "The Power of the Dog" wins "Best Motion Picture-Drama" and "West Side Story" wins "Best Motion Picture-Musical or Comedy."

From Variety:  The National Society of Film Critics names the Japanese film, "Drive My Car," the best film of 2021.

From AwardsWatch:  The nominations for the 22nd Annual Black Reel Awards were announced a few weeks ago. Netflix's Black Western, "The Harder They Fall," has a record 20 nominations.  The winners will be announced February 27, 2022.

From AwardsWatch:  The Columbus Film Critics Association announced the nominations for their annual film awards.  Director Jane Campion's "The Power of the Dog" leads with 12 noms.  The winners will be announced Thurs., Jan. 6th, 2022.

From Deadline:  The Los Angeles Film Critics Association has named the Japanese film, "Drive My Car," the "Best Picture" of 2021.

From Deadline:  The 2022 / 37th annual Film Independent Spirit Awards have announced their nominations. "Zola" leads with six nominations. The winners will be announced Sun., March 6, 2022.

From THR:  The 2022 / 79th Golden Globes Awards nominations have been announced.  "Belfast" and "The Power of the Dog" lead with seven nominations each.  Winners will be announced Jan. 9th, 2022.

From GoldDerby:   The 2022 Critics Choice Awards nominations have been announced. "Belfast" and "West Side Story" leads with 11 nominations each. Winners will be announced Jan. 9th, 2022.

From Deadline:   The American Film Institute announced the "2021 AFI Awards" Top 10 list, and the list includes "Dune," "The Tragedy of Macbeth," and "West Side Story."

From THR:  Director Aleem Khan's "After Love" tops the 2021 British Independent Film Awards, winning six awards, including "Best Film of 2021."

From Variety:   The New York Film Critics Circle has named the Japanese drama, "Drive My Car," as the "Best Film of 2021."

From Deadline:  The National Board of Review hands director Paul Thomas Anderson's "Licorice Pizza" it "Best Film" and "Best Director" awards.  Will Smith picks up the "Best Actor" award for "King Richard."

From THR:  Netflix’s "The Lost Daughter," directed by actress Maggie Gyllenhaal, dominated the 2021 Gotham Awards in New York on Monday night (Nov. 29th).  The film won in four of the five categories in which it was nominated, including "Best Feature."

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"RUST" ACCIDENTAL SHOOTING DEATH:

From Deadline:  This link will take you to Deadline's Halyna Hutchins page, which articles related to everything about her shooting death on the set of the Western film, "Rust."

From THR:  Alec Baldwin moves to shield himself from liability in the shooting death on the set of the Western film, "Rust."  In an arbitration demand, he blames others for the death of Halyna Hutchins.

From People:  Alec Baldwin says that certain lawsuits recording the Western film, "Rust," are targeted at "deep-pocket litigants" and that the suits are all about money.

From Deadline:  Matt Hutchins, the husband of Halyna Hutchins, blames Alec Baldwin for Halyna's accidental shooting death on the set of the doomed Western film, "Rust."

From Deadline:  The family and estate of Halyna Hutchins has filed suit against Alec Baldwin (who accidentally shot Hutchins), a slew of production companies and entities, producers, and key crew members involved in the Western film, "Rust," for her death.

From THR:   A Republican New Mexico legislator, State Sen. Cliff Pirtle of Roswell, on Monday introduced a bill that would require all film set personnel who handle firearms to complete a safety course offered by the New Mexico Game and Fish Department.  This is in the wake a cinematographer, Halyna Hutchins, being fatally shot on the set of the Western, "Rust," last year by Alec Baldwin with a weapon he says he thought was not loaded with live ammunition.

From Deadline:  Alec Baldwin and the other producers of the doomed Western film, "Rust," want a California judge to dismiss the lawsuit filed against them by the script supervisor, Mamie Mitchell.

From Deadline:   Alec Baldwin has finally turned over his cell phone to police for their probe into the fatal shooting of cinematographer Halyna Hutchins on the set of Baldwin's Western film, "Rust," last October in New Mexico.

From Variety:  One of the producers of tragic Western film, Rust, Emily Salveson, pushes tax shelters and hid income.

From THR:  "I let go of the hammer and 'Bang,' the gun goes off" says Alec Baldwin says in his first interview of the moment when a gun he was holding accidentally killed cinematographer Halyna Hutchins on the set of the Western film, "Rust."

From Deadline:  Alec Baldwin will sit down with ABC's news-reading clown George Stephanopoulos for a one hour special tomorrow night to talk about what happened on the set of the movie "Rust."  It will be Baldwin’s first extensive interview about the shooting.

From Deadline:  Industry veteran, Thall Reed, the father of Hannah Gutierrez-Reed, the armorer on the Western, "Rust," may have handed the police a tip on why the film's cinematographer, Halyna Hutchins, was shot to death on the set.

From THR:  A search warrant affidavit filed Tuesday for a prop shop sheds light on how alleged live ammunition ended up on the set of the Western film, "Rust," where cinematographer Halyna Hutchins was killed in October.

From Deadline:  A month after cinematographer, Halyna Hutchins, was shot and killed on the New Mexico set the movie Western, "Rust," by a prop gun “discharged” by Alec Baldwin, those closest to the cinematographer held a private ceremony and interred her ashes at an unknown location.

From Deadline:  Actor Daniel Baldwin defends his brother, Alec Baldwin, in the accidental shooting death of cinematographer Halyna Hutchins on the set of the film, "Rust."  "Someone loaded that gun improperly," Daniel says.

From Deadline:  The newest lawsuit involving the tragic shooting on the set of the Western film, "Rust," has been filed by the film's script supervisor, Mamie Mitchell, against Alec Baldwin, the producers, the production company, armorer Hanna Gutierrez Reed, and others.

From Deadline:  Serge Svetnoy, the gaffer on "Rust," has filed a lawsuit against several parties related to the film, including the production, the financiers, star Alec Baldwin, armorer Hannah Gutierrez Reed, and first Assistant Director David Halls.

From THR:   In the wake of the tragic accidental shooting on the set of his film, "Rust," Alec Baldwin on Monday took to social media to urge Hollywood to employ a police officer on every film and TV set that uses guns.

From THR:   The budget for "Rust" - Alec Baldwin was set to earn $150,000 as lead actor and $100,000 as producer, while $7,913 was earmarked for armorer Hannah Gutierrez-Reed and $17,500 was set aside for the rental of weapons and $5,000 for rounds.

From Deadline:  Attorneys for Hannah Gutierrez-Reed, the armorer on the set of the film, "Rust," said that they’re looking into whether a live bullet was placed in a box of dummy rounds with the intent of  “sabotaging the set.”

From THR:   Hannah Gutierrez-Reed, the armorer on the film, "Rust," released a statement through her lawyers.  She says she had “no idea where the live rounds came from” that were recovered by the Santa Fe County Sheriff's during the investigation of the accidental on-set shooting death of Halyna Hutchins.

From Jacobin:  An opinion piece says that cinematographer Halyna Hutchins' death on the set of the film, "Rust," was not a freak accident, but was about Alec Baldwin and his fellow producers' cost-cutting decisions.  Baldwin accidentally fired the gun that killed Hutchins.

From Deadline:   Two of executive producers on "Rust," Allen Cheney and Emily Salveson, disavow responsibility for the film's troubled production.

From THR:   Iconic "Ghostbusters" actor Ernie Hudson is reeling from the news of the death of Halyna Hutchins, like the rest of Hollywood. Hudson also appeared in the film, "The Crow," the film in which its star, Brandon Lee, was killed because of an on-set accidental shooting.  He also agrees with the call to ban real guns from movie sets.

From THR:  The Sheriff of Sante Fe County says that his office has recovered three guns and 500 rounds of ammunition from the set of the movie "Rust" where cinematographer Halyna Hutchins was killed.

From Deadline:  Regarding criminal charges in the death of Halyna Hutchins on the set of the film "Rust," District Attorney Mary Carmack-Altweis, "all options are on the table - no one has been ruled out."

From THR:  Does Hollywood Need Guns? Will new regulations lead to an overreactions to a tragedy.

From Deadline:   "Rust" producers have opened an internal investigation into the fatal shooting on the set of the Western film.  They have hired outside lawyers to conduct interviews with the film's production crew.

From Deadline:  "Rust's" AD (assistant director), Dave Halls, has come under scrutiny in the wake of the on-set shooting death of the film's cinematographer, Halyna Hutchins.

From Deadline:  The affidavit of Sante Fe Sheriff's Department Detective Joel Cano has been made public. It can be read at "Deadline."  The affidavit was for a search warrant from the property were the Western, "Rust," was being filmed.

From THR:  The production company behind "Rust" has shut the film down until the police investigation into the fatal, on-set shooting of cinematographer Halyna Hutchins is through.  The Sante Fe County Sheriff's Office has also revealed a timeline of the shooting.

From Deadline:  The Santa Fe Sheriff’s Department confirmed Thursday night that Alec Baldwin “discharged” a prop gun on the New Mexico set of the movie, "Rust."  As a result, one crew member, director of photography Halyna Hutchins, was killed and director Joel Souza was injured and remains in a local hospital - his condition unknown.

From THR:  "Rust" director, Joel Souza, who was wounded in the accidental on-set shooting, says that he is "gutted" by the death of his cinematographer on the film, Halyna Hutchins.

From Deadline:  The fatal shooting on the set of "Rust" may have been "recorded" according to detective for Santa Fe Sheriff's Department.

From Deadline:  The production company behind the film, "Rust," will launch an internal safety review after the fatal accident that killed Halyna Hutchins; possible prior gun incidents; and a camera crew walkout.

From CNN:   Crew member yelled "cold gun" as he handed Alec Baldwin prop weapon, court document shows.

From Variety:  Actor Alec Baldwin releases statement on the death of Halyna Hutchins: "There are no words to convey my shock and sadness."

From Variety:  The prop gun that killed “Rust” cinematographer Halyna Hutchins and wounded director Joel Souza on during an on-set accident on Thursday contained a “live single round,” according to an email sent by IATSE Local 44 to its membership.

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Negromancer News Bits and Bites from June 13th to 19th, 2021 - Update #23

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

BLM - From Variety:   Ms. Opal Lee, the "Grandmother of Juneteenth," and Grammy Award-winning recording artist, Pharrell Williams, talk about their fight for the "Juneteenth" holiday.

NETFLIX - From Deadline:   Netflix has given a 10-episode straight-to-series order to a half-hour workplace comedy inspired by the front office of the NBA's Los Angeles Lakers. The project hails from Mindy Kaling, former star/executive producer of one of the all-time great workplace comedy series, "The Office;" "Modern Family" alumna Elaine Ko; Lakers’ President and Governor Jeanie Buss; and Warner Bros. TV.

MOVIES - From Deadline:   "Mortal Kombat" actor Hiroyuki Sanada has joined "John Wick: Chapter 4."

TELEVISION - From Deadline:  CBS latest "NCIS" installment, "NCIS: Hawaii," has begun production in Hawaii with a traditional Hawaii blessing.

MOVIES - From Deadline:  Warner Bros. will finance the biopic of music legend, Marvin Gaye, entitled "What's Going On."  At 80 million dollars, it will be the biggest budget for an American-African musical biopic.  Allen Hughes will direct with Dr. Dre and Jimmy Iovine among the producers.  The Gaye estate and Motown are also onboard the production.

CULTURE - From YahooNews:   President Joe Biden and Vice-President Kamala Harris have signed "Juneteenth" (June 19th) into a federal holiday - beginning immediately.

POLITICS - From APNews:   The U.S. Supreme Court upholds the Affordable Care Act (ACA), also known as "Obamacare," a third time.

LGBTQ - From Queerty:   In honor of Pride Month, actor and Grammy-nominated recording artist Adam Lambert declares, "I like dick."

STAR TREK - From YouTube:  Here is a new teaser trailer for "Star Trek: Picard" Season 2, which debuts next year. 

From TrekCore:  The site offers a breakdown of the new teaser trailer for "Star Trek: Picard" Season 2.

ANIMATION - From YahooNBC:   Last week a Warner Bros. representative announced that “Scooby-Doo” character, "Velma Dinkley," would be reprised as East Asian in Mindy Kaling’s new adult HBO Max show.  This article addresses the social media reaction (some of it racist) to the news.

MOVIES - From Deadline:   Zoe Kravitz will make her directorial debut with the film, "Pussy Island."  In this genre thriller, Channing Taturm will play a tech billionaire with a mysterious tropical island.

MUSIC - From RollingStone:   Roger Waters has said that Facebook approached him about using the 1979 Pink Floyd classic song, “Another Brick in the Wall, Part 2," which Waters wrote, in an upcoming advertisement for Instagram (which Facebook owns).  Despite the offer of a "huge, huge amount of money," Waters turned down the offer - saying "Fuck You. No fuckin' way."

NETFLIX - From Variety:   Jeb Stuart, who wrote such late 1980/early 1990s movies such as "Die Hard" (1988), "Another 48 Hours" (1990), and "The Fugitive" (1993), will write Netflix's "Assassin's Creed" TV series.

STAR TREK - From Deadline:   Paramount+ and Nickelodeon's animated "Star Trek: Prodigy" reveals its cast and unveils some first-look images.

MOVIES - From Deadline:  "Sideways" director Alexander Payne and star Paul Giamatti reunite for "poignant" comedy, "The Holdovers."

SCANDAL - From YahooNews:   Exclusive: Saudi assassins picked up illicit drugs in Cairo to kill "Washington Post" columnist, Jamal Khashoggi, in 2018 in the Saudi Arabian consulate in Turkey.

BOX OFFICE - From Variety:   The winner of the 6/11 to 3/13/2021 weekend box office is "In the Heights" with an estimated gross of 11.4 million dollars.

From Variety:  "A Quiet Place II" has become the first movie of the pandemic era to surpass $100 million in U.S. tickets sales.

NETFLIX - From Deadline:   Melissa McCarthy and Ben Falcone’s Netflix comedy series, God’s Favorite Idiot," has wrapped up production earlier than expected in Australia, and "Deadline" explains why.

TELEVISION - From Deadline:   The CW has rounded out the cast for its original made-for-TV movie "The Waltons’ Homecoming."  The Waltons’ Homecoming marks the 50th anniversary of "The Homecoming: A Christmas Story" television movie, which aired December 19, 1971, and launched the long-running series "The Waltons," created by Earl Hamner.

OBITS:

From THR:   The television actor and director, Frank Bonner, has died at the age of 79, Wednesday, June 16, 2021.  Bonner was best known for the role of "Herb Tarlek" on the former CBS sitcom, "WKRP in Cincinnati" (1978-82).  Bonner was also a prolific director of episodic TV and directed all 105 episodes of the former NBC Saturday morning TV series, "City Guys" (1997-2001).

From YahooEntertainment:   The stage, screen, and television actress, Lisa Banes, has died at the age of 35, Monday, June 14, 2021, a victim of a hit and run accident in New York City.  She was hospitalized June 4th after being struck by a scooter or motorcycle while crossing Amsterdam Avenue at 64th Street, in a crosswalk, on Manhattan's Upper West Side.  Her best known film work includes "Cocktail" (1988) and "Gone Girl" (2014).  She appeared in numerous TV series, including "L.A. Law," "Star Trek: Deep Space Nine," "Murder, She Wrote," "Son of the Beach," and "Nashville," to name a few.

From Deadline:   The prolific film actor, Ned Beatty, has died at the age of 83, Sunday, June 13, 2021.  Beatty had more than 160 screen credits, so his "best known for" list his long.  His most notorious role was probably as rape victim, Bobby Trippe, in 1972's Deliverance.  He also had memorable turns in "White Lightning" (1973), "Superman" (1972), "Rudy" (1993), "Shooter" (2007), "Toy Story 3" (2010), and the 1979 TV movie, "Friendly Fire."  Beatty was nominated for a "Best Supporting Actor" Oscar for "Network" (1976).  He was twice nominated for an Emmy Award, "Friendly Fire" and "Last Train Home" (1989).

Review: "SPIDER-MAN: Into the Spider-Verse" is One of the Greatest Superhero Films

TRASH IN MY EYE No. 2 (of 2019) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Spider-Man: Into the Spider-Verse (2018)
Running time:  117 minutes (1 hour, 57 minutes)
MPAA – PG for frenetic sequences of animated action violence, thematic elements, and mild language
DIRECTORS:  Bob Persichetti, Peter Ramsey, and Rodney Rothman
WRITERS:  Phil Lord and Rodney Rothman; from a story by Phil Lord (based upon the Spider-Man character created by Stan Lee and Steve Ditko and the Mile Morales character created by Brian Michael Bendis and Sara Pichelli)
PRODUCERS:  Avi Arad, Phil Lord, Christopher Miller, Amy Pascal, and Christina Steinberg
EDITOR:  Robert Fisher Jr.
COMPOSER:  Daniel Pemberton
Academy Award winner

ANIMATION/SUPERHERO/ACTION/ADVENTURE/COMEDY

Starring:  (voices) Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Bryan Tyree Hill, Lily Tomlin, Luna Lauren Velez, Zoe Kravitz, John Mulaney, Kumiko Glenn, Nicolas Cage, Kathryn Hahn, Liev Schreiber, Chris Pine, Natalie Morales, and Stan Lee

Spider-Man: Into the Spider-Verse is a 2018 computer-animated superhero film from Sony Pictures.  It was developed by the filmmaking duo of Phil Lord and Christopher Miller, the writer-directors of the animated films, Cloudy with a Chance of Meatballs (2009) and The Lego Movie (2014), and the live-action films, 21 Jump Street (2012) and the sequel, 22 Jump Street (2014).

Spider-Man: Into the Spider-Verse focuses on the Marvel Comics' character, Miles Morales, an Afro-Latino teenager.  Miles takes on the Spider-Man identity when he gains spider-like powers after being bitten by a genetically-altered spider, similar to the way the original Spider-Man, Peter Parker, gained his special abilities and powers.  The film follows Miles as he becomes the Spider-Man of his reality and joins versions of Spider-Man (Spider-People) from other dimensions in order to stop a threat to all reality, the multiverse that is know as the “Spider-Verse.”

Spider-Man: Into the Spider-Verse introduces Miles Morales (Shameik Moore), a teenager who is a fan of Spider-Man.  As the story begins, Miles is dealing with the fact that he must attend an elite boarding school, Brooklyn Visions Academy.  Although he would prefer to remain in public school, Miles must accept the decision of his parents, his mother Rio Morales (Luna Lauren Velez), a nurse, and his father, Jefferson Davis (Bryan Tyree Hill), a police officer.

Miles also has a shady uncle, his father's brother, Aaron Davis (Mahershala Ali), whom Miles visits for advice a curious girl he meets at his new school.  Aaron encourages Miles' passion for graffiti and takes him to an abandoned subway station where he can paint and draw.  It is there that a genetically-altered spider bites Miles, causing him to develop powers similar to his hero, Spider-Man.  Miles meets his hero and learns that Spider-Man is trying to stop Wilson Fisk a.k.a. “The Kingpin” (Liev Schreiber) from using a device that will give him access to parallel universes.  Now, Miles must join Spider-Man types from across the Spider-Verse to stop The Kingpin's activities from destroying all of reality.

I could talk all day about how great Spider-Man: Into the Spider-Verse is, but I want to be more self-aware than The Kingpin is.  I will focus on two stand-out elements in this film.  First is Shameik Moore, who is great in his voice role, bringing to life a Miles Morales that is lovable and is as ground-breaking as he was in the comic books.  Moore's performance personifies the dominate theme of this film, that the novice hero grows into the role of being a mature hero, which is especially true in the case of Spider-Man.  Moore's performance also captures the one thing that has made Spider-Man popular worldwide, practically since he debut.  Because of the kind of superhero costume Spider-Man wears, anyone can be behind the mask, including an Afro-Latino teen and even a teen girl.  Moore and the filmmakers perfectly encapsulate the truth that Spider-Man is an every-man hero.

The second thing about this film I want to highlight is its fantastic animation, eye-popping visuals, and breath-taking graphic design.  The film combines the in-house computer animation of Sony Pictures Imageworks with traditional hand-drawn comic book techniques, much of it inspired by the work of Miles Morales's co-creator, artist Sara Pichelli (who created the character with writer Brian Michael Bendis) and artist Robbi Rodriguez, co-creator of Spider-Gwen/Spider-Woman.  Spider-Man: Into the Spider-Verse blends 3D computer animation with the 2D sensibilities of comic book graphics, graffiti, collage, mixed media, and street art to create the visual look for the film that is thoroughly modern, but also reflects the visuals and graphics of 1960s Marvel Comics titles, especially the quintessential Spider-comic, The Amazing Spider-Man.

Apparently, 2D artists took the renderings of 3D computer-animators and drew on top of those renderings various comic book drawing techniques, including line work, dots, and painting.  The combination of 2D and 3D makes much of the film look like a series of comic book panels, so there are times that Spider-Man: Into the Spider-Verse is like a comic book-in-motion.  It becomes a living, breathing comic book, pulsating with static-electric life.

Isn't it obvious that I love me some Spider-Man: Into the Spider-Verse?  It is the best Spider-Man film to date, and the second best comic book movie of the year, behind Black Panther.  I hope that adult audiences that generally avoid animated films don't avoid Spider-Man: Into the Spider-Verse.  It is much better than the vast majority of comic book and action films that they have seen over the last decade.  Spider-Man: Into the Spider-Verse is a triumph, and it could be a game-changer.

A+
9 out of 10

Sunday, December 16, 2018; Edited:  Monday, February 25, 2019

NOTES:
2019 Academy Awards, USA:  1 win: “Best Animated Feature Film” (Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord, and Christopher Miller)

2019 Golden Globes, USA:  1 win: “Best Motion Picture – Animated”

2019 BAFTA Awards:  1 win: “Best Animated Featured Film” (Bob Persichetti, Peter Ramsey, Rodney Rothman, and Phil Lord)


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: "Fantastic Beasts and Where to Find Them" is Beastly Good

TRASH IN MY EYE No. 24 (of 2017) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Fantastic Beasts and Where to Find Them (2016)
Running time:  133 minutes (2 hours, 13 minutes)
MPAA – PG-13 for some fantasy action violence
DIRECTOR:  David Yates
WRITER:  J.K. Rowling
PRODUCERS:  David Heyman, Steve Kloves, J.K. Rowling, and Lionel Wigram
CINEMATOGRAPHER:  Philippe Rousselot (D.o.P.)
EDITOR:  Mark Day
COMPOSER:  James Newton Howard
Academy Award winner

FANTASY/DRAMA/FAMILY

Starring:  Eddie Redmayne, Katherine Waterston, Colin Farrell, Dan Fogler, Alison Sudol, Samantha Morton, Dan Fogler, Ezra Miller, Faith Wood-Blagrove, Jenn Murray, Carmen Ejogo, Jon Voight, Josh Cowdery, Ronan Rafferty, Ron Perlman, Zoe Kravitz, and Johnny Depp

Fantastic Beasts and Where to Find Them is a 2016 fantasy film directed by David Yates.  This film is a continuation of the Harry Potter film series, and it is co-produced and written by J. K. Rowling, the author of the Harry Potter books.  Fantastic Beasts and Where to Find Them (or simply Fantastic Beasts) is inspired by Rowling's 2001 book of the same name.  Set in J. K. Rowling's Wizarding World 70 years before Harry Potter's story, Fantastic Beasts follows the adventures of a British wizard after he arrives in New York City and clashes with its secret community of witches and wizards.

In 1926, British wizard and "magizoologist" Newt Scamander (Eddie Redmayne) stops in New York City on his way to Arizona.  Scamander also carries with him a magical suitcase full of fantastic beasts, and one of them, a “Niffler,” escapes into the city.  During his quest to recapture the Niffler, Scamander meets a “No-Maj” (does not have magical powers) named Jacob Kowalski (Dan Fogler), after they unwittingly swap suitcases.

This confusion brings Scamander into contact and conflict with Porpentina “Tina” Goldstein (Katherine Waterston), a demoted auror (hunter of dark wizards), who belongs to the Magical Congress of the United States of America (MACUSA).  Scamander also meets Tina's sister, Queenie (Alison Sudol), a flapper who has amazing powers of memory.  Now, the four of them are caught in a conspiracy involving one or more escaped beasts, with one of them being very dangerous.  Scamander has been searching for this creature, and to find it and protect it may cost him his life.

I did not expect much from Fantastic Beasts and Where to Find Them.  It is not that I thought that it was a bad movie, but I guess I was comparing it unfavorably to the Harry Potter films – without having seen it...  However, I find that Fantastic Beasts compares quite favorably to the Potter films; in fact, Fantastic Beasts is a film set in the Wizarding World for us grown-ups.

Fantastic Beasts is an adult urban fantasy which presents a perilous world of magic where secrets must be kept, even unto penalty of death.  War between the world of wizards and witches and the world of the No-Maj slash humans without magical powers seems like a genuine threat in this narrative.  [In the Potter films, humans without magical powers are referred to as “muggles.”]

There is something on the line for the character; they have something to lose, and perhaps, some could lose everything, including their lives.  So the audience buys into this story.  Fantastic Beasts is not some mere, spin-off, sequel/prequel, event movie.  It is all in the writing of of J.K. Rowling's script; she makes the story matters, and once again, director David Yates understands the most important elements of Rowling's writing.  The bonds of family and friendship; the motivations of characters; the conflict central and peripheral; and good versus evil, and Yates and Rowling deliver strongly on these.

Fantastic Beasts also separates itself from the Potter films with a cast of characters that is far more eccentric than the characters Potter delivered (and there were oddballs in that lot).  Oscar-winning actor Eddie Redmayne manages to make a introverted, strange little man into a strong lead and resilient lead character that the audience will follow, even when Redmayne makes it obvious that Scamander does not want anyone following him.

Katherine Waterston makes Tina worthy of her own film.  In her feature film debut, Alison Sudol is pitch perfect as Queenie, and Dan Fogler surprises as Jacob.  In fact, all of the cast is good – from Colin Farrell's perplexing Percival Graves to Ezra Miller's troubled Credence Barebone.  Fantastic Beasts delivers complex and engaging characters.

Yes, Fantastic Beasts and Where to Find Them delivers and proves that the Wizarding World of Harry Potter is a universe that can exist beyond Harry.  Fantastic Beasts is a thoroughly enjoyable movie; it is so likable that I cannot really find fault with it.  I don't know if every Potter fan will like this movie, but for some of us, Fantastic Beasts and Where to Find Them is our part of the Wizarding World.

9 of 10
A+


NOTES:
2017 Academy Awards, USA:  1 win: “Best Achievement in Costume Design” (Colleen Atwood); 1 nominations: “Best Achievement in Production Design” (Stuart Craig-production design and Anna Pinnock-set decoration

2017 BAFTA Awards 2017:  1 win: “Best Production Design” (Stuart Craig and Anna Pinnock); 4 nominations: “Outstanding British Film of the Year” (David Yates, J.K. Rowling, David Heyman, Steve Kloves, and Lionel Wigram), “Best Costume Design” (Colleen Atwood), “Best Sound” (Niv Adiri, Glenn Freemantle, Simon Hayes, Andy Nelson, and Ian Tapp), “Best Achievement in Special Visual Effects” (Tim Burke, Pablo Grillo, Christian Manz, and David Watkins)


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: Woodley Carries "Divergent" to Victory (Shailene Film Fest)

TRASH IN MY EYE No. 53 (of 2014) by Leroy Douresseaux

Divergent (2014)
Running time:  139 minutes (2 hours, 19 minutes)
MPAA – PG-13 for intense violence and action, thematic elements and some sensuality
DIRECTOR:  Neil Burger
WRITERS:  Evan Daugherty and Vanessa Taylor (based on the novel by Veronica Roth)
PRODUCERS:  Lucy Fisher, Pouya Shahbazian, and Douglas Wick
CINEMATOGRAPHER:  Alwin H. Küchler (D.o.P.)
EDITORS:  Richard Francis-Bruce and Nancy Richardson
COMPOSER:  Junkie XL

SCI-FI/DRAMA/THRILLER

Starring:  Shailene Woodley, Theo James, Ashley Judd, Jai Courtney, Ray Stevenson, Zoe Kravitz, Miles Teller, Tony Goldwyn, Ansel Elgort, Maggie Q, Mekhi Phifer, Kate Winslet, Ben Lloyd-Hughes, Christian Madsen, Amy Newbold, and Ben Lamb

Divergent is a 2014 science fiction drama from director Neil Burger.  The film is based on the 2011 novel, Divergent, by author Veronica Roth.  Divergent the film is set in a world divided by factions and focuses on a teen girl who does not really fit in with any one faction.

Divergent is set in an indeterminate future and a dystopian Chicago that is a walled city.  There, society is divided into five factions:  Abnegation (the selfless), Amity (the peaceful), Candor (the honest), Dauntless (the brave), and Erudite (the intelligent).  There is also a sixth group, the “Factionless,” in which the members are homeless and shunned by everyone except Abnegation.

Beatrice Prior (Shailene Woodley) belongs to Abnegation with her mother, Natalie (Ashley Judd); father, Andrew (Tony Goldwyn); and brother, Caleb ( Ansel Elgort).  On her sixteenth birthday, Beatrice will take an aptitude test that is supposed to decide in which faction she would best fit.  She will also learn of a plot to destroy Divergents, people who think independently and do not really fit into any particular faction.  To which faction does Beatrice belong?  Or is she Divergent?

If honesty is the best policy (and often it is), then, I must be honest about my feelings concerning Divergent.  I love it – totally love it.  I enjoyed the hell out of this movie.  There, are two things about Divergent that stand out to me:  (1) the story's themes and messages and (2) Shailene Woodley's performance.

I think that Divergent the film is not literal dystopian science fiction so much as it is metaphorical and thematic.  It is not important that Chicago is a post-apocalyptic city full of survivors trying to both eek out a living and to maintain a social order that is supposed to... well, maintain social order.  In the film, Chicago is important as a setting where creeping individualism meets growing spots of selflessness.  Beatrice wants not only to be “herself,” but to also fit in where she wants.  Being an individual means being able to help people outside of one's caste, even if one's caste-mates frown upon that.  Divergent's story, as I see it, says that the individual and the society are not mutually exclusive.  In fact, the reign of one over the other means disaster for everyone.

As for Ms. Woodley's performance, she does what the best actors do with a character – bring them fully to life.  She makes Beatrice's wants and desires, conflicts and confusion, and her goals and struggles tangible, as if they belong to an actual living person.  When an actor can do this, she makes the audience buy into the character, as if the character were a real person.  I can see why people compare Woodley to fellow millennial actress, Jennifer Lawrence, but they are different from each other.  Lawrence's characters tend to be brash and bold, even when they are vulnerable.  Shailene Woodley is vulnerable and brash and brave in equal measures and at the same time.

Theo James, as the love-interest, Four, is good.  Perhaps, director Neil Burger makes him scowl more than he needs to do for this young male character who must be upfront and hidden.  James, however, has a screen quality that at least serves this film well.

In some ways, Divergent is predictable and follows the hero vs. the system journey so common in films adapted from Young Adult (YA) dystopian science fiction and fantasy books.  However, Divergent is not generic because of Woodley, by both her performance and her engaging screen presence.  She grabbed me and forced me to live in Beatrice's world.  I am glad that this film's box office success has yielded a sequel.

8 of 10
A

Friday, November 14, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: "After Earth" Offers a World of Thrilling Adventure

TRASH IN MY EYE No. 70 (of 2013) by Leroy Douresseaux

After Earth (2013)
Running time:  100 minutes (1 hour, 40 minutes)
MPAA – PG-13 for sci-fi action violence and some disturbing images
DIRECTOR:  M. Night Shyamalan
WRITERS:  Gary Whitta and M. Night Shyamalan; from a story by Will Smith
PRODUCERS:  James Lassiter, Jada Pinkett Smith, Caleeb Pinkett, and Will Smith
CINEMATOGRAPHER:  Peter Suschitzky
EDITOR:  Steven Rosenblum
COMPOSER:  James Newton Howard

SCI-FI/ADVENTURE/DRAMA/THRILLER

Starring:  Jaden Smith, Will Smith, Sophie Okonedo, Zoe Isabella Kravitz, Glenn Morshower, and Jaden Martin

It was panned by critics, and it was a box office disappointment – some would even say a box office bomb.  However, I liked it.  I liked it a lot more than I thought I would.  It is about as good as I had hoped it would be when I first heard about it.

I am talking about After Earth, the 2013 futuristic science fiction adventure-survival film from director M. Night Shyamalan.  The film follows a teen boy who must embark on a perilous journey across a hostile future Earth in order to save himself and his father.

After Earth takes place 1,000 years after the human race had to abandon Earth because of an environmental cataclysm.  Humanity eventually settles on a new world called Nova Prime.  That settlement brings humanity into conflict with the S’krell, an alien race that wants to conquer Nova Prime.  The S’krell’s secret weapon are the Ursa, large, blind, predatory creatures that hunts humanity by “smelling” human fear.  Humanity is saved by The Ranger Corps, in particular, the legendary General Cypher Raige (Will Smith), who developed the technique that allows humans to successfully fight the Ursa.

The heroic Cypher, however, does not have a successful relationship with his son, Kitai Raige (Jaden Smith).  They plan a trip together, but an unexpected event strands them on Earth, a now-quarantined planet.  With Cypher gravely wounded, Kitai must locate a distress signal beacon, but to do that, he must travel cross terrain in which many plants, animals, and the climate are lethal to humans.

There are moments in After Earth, when Will and Jaden’s acting is suspect, but for the most part, they make their respective characters’ bonds and conflicts seem genuine.  As Kitai, Jaden’s fear is palatable, and his anger, grief, and disappointed are authentic within the context of his story.  I think some critics’ complaints of nepotism regarding this father-son acting team, specifically as it relates to After Earth, are dishonest.  Fathers and sons have been appearing together in film for decades.  What makes the Smiths so different that they are the target of such derision and resentment?

I also think that the way some critics are always out to attack director M. Night Shyamalan has gotten out of hand.  He does an excellent job with After Earth, especially with a young actor like Jaden.  Shyamalan creates a taut, riveting journey that begins generating a sense of impending doom from the time the Raiges leave Nova Prime to the final frames of the film.  Whatever people might say about him, Shyamalan is the master of the gripping narrative, and he does some gripping with After Earth.

Worthy of note are two excellent supporting performances by Sophie Okonedo and Zoe Isabella Kravitz, especially the latter.  Zoe is award-nomination worthy in her After Earth part, and it is a shame she does not appear in more films.

Visually, After Earth is a beautiful film, and its science fiction and futuristic concepts (such as the dialect spoken in the film) are inventive and interesting.  James Newton Howard’s score is soaring and emotional; the perfect music for a film that is both an epic adventure and a tale of a ragged relationship between an estranged father and his son.

Bravo!  I understand that After Earth is the first of a planned trilogy.  If the second and third movies could be as good as the first, I hope that they are produced, despite this film’s box office results.  Regardless of hyped box office expectations and of the politics of film critics and their resentments and prejudices, After Earth is a movie spectacular.  This is a classic tale of man vs. nature, of man vs. himself, and of man vs. his dad who has way-high expectations.  After Earth will stand the test of time.

8 of 10
A

Monday, October 14, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: "X-Men: First Class" is at the Top of the Class

TRASH IN MY EYE No. 46 (of 2011) by Leroy Douresseaux

X-Men: First Class (2011)
Running time: 132 minutes (2 hours, 12 minutes)
MPAA – PG-13 for intense sequences of action and violence, some sexual content including brief partial nudity and language
DIRECTOR: Matthew Vaughn
WRITERS: Ashley Edward Miller and Zack Stentz and Jane Goldman and Matthew Vaughn; from a story by Sheldon Turner and Bryan Singer
PRODUCERS: Gregory Goodman, Simon Kinberg, and Lauren Shuler Donner, and Bryan Singer
CINEMATOGRAPHER: John Mathieson (D.o.P.)
EDITORS: Eddie Hamilton and Lee Smith
COMPOSER: Henry Jackman

SUPERHERO/SCI-FI/ACTION/DRAMA

Starring: James McAvoy, Michael Fassbender, Kevin Bacon, Rose Byrne, Jennifer Lawrence, January Jones, Nicholas Hoult, Caleb Landry Jones, Lucas Till, Zoe Kravitz, Edi Gathegi, Oliver Platt, Alex Gonzalez, and Jason Flemyng

X-Men: First Class is a superhero movie and the fifth movie in the X-Men film franchise, following X-Men (2000), X2: X-Men United (2003), X-Men: The Last Stand (2006), and X-Men Origins: Wolverine (2009). X-Men: First Class is a combination prequel to the first film and partial reboot of the franchise, but whatever is it, First Class currently stands as the best film in the X-Men series.

Most of First Class is set in 1962. Charles Xavier (James McAvoy) and Erik Lensherr (Michael Fassbender) are the men who would take the names Professor X and Magneto, respectively. Both are young men and also mutants discovering the extent of their powers, as they embark on their respective missions in life. A telepath with mind control powers, Xavier has recently received his doctorate from Oxford University, and he wants to find more mutants like himself who have special powers. He has lived with one of them, Raven (Jennifer Lawrence), since he was a child.

Meanwhile, Lensherr, who is a Holocaust survivor and mutant that can manipulate magnetism, hunts and kills Nazi and German war criminals. One of his targets is Sebastian Shaw (Kevin Bacon), a mutant with tremendous powers. Now, a scientist and leader of a mysterious group known as the Hellfire Club, Shaw has launched a plot to start a nuclear war between the United States and the Soviet Union.

After Lensherr makes a failed attempt on Shaw’s life, Xavier brings Lensherr into the CIA’s “Division X” facility. There, Xavier and Lensherr recruit young mutants they will train to stop Shaw, but both men see the world differently. As they race to stop the greatest threat the world has ever known, a rift grows between Xavier and Lensherr, one that threatens everything and maybe every human on the planet.

X-Men: First Class is everything good about the franchise: the mutant vs. mutant conflict, man vs. mutant conflict, the struggle against prejudice and bigotry, the action and intrigue, and the themes of family and brotherhood. But in this film, it is all presented in a more audacious and confident manner. There are a lot of things happening in this movie, and the story presents most of it awfully quickly. Director Matthew Vaughn guides it all with such brisk, efficient storytelling that makes most of it clear, clever, and engaging.

First Class is also a summer movie with something to say. With its Cold War setting, Cuban Missile Crisis sub-plot, and allusions to the Civil Rights movement, this movie places the plight of the mutants within a real world context. The film remains, however, cool and intense, even being sometimes playful about its dead serious elements. First Class’ last act does turn a little too much towards action movie mayhem and away from the emotional motivations, but in the end, this X-Men movie plays for keeps. These mutants want to do the right thing, but what is the right thing, the film asks? And what do you do when the people you are trying to protect and save want to kill you?

All the performances here have a youthful energy, and James McAvoy as Xavier and Michael Fassbender as Lensherr have great chemistry together. Fassbender is Oscar-nomination worthy as Lensherr/Magneto. X-Men: First Class is not just good; it is also one of the best superhero movies ever and, so far, the year’s best film.

9 of 10
A+

Saturday, June 04, 2011

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