TRASH IN MY EYE Reviews: vampire

Showing posts with label vampire. Show all posts

Saturday, April 19, 2025

Review: Ryan Coogler's "SINNERS" is Crazy, Sexy, Cool, and Incredible

TRASH IN MY EYE No. 18 of 2025 (No. 2024) by Leroy Douresseaux

Sinners (2025)

Running time: 137 minutes (2 hours, 17 minutes)

MPA – R for strong bloody violence, sexual content and language

WRITER/DIRECTOR: Ryan Coogler

PRODUCERS: Ryan Coogler, Zinzi Coogler, and Sev Ohanian

CINEMATOGRAPHER: Autumn Durald Arkapaw (D.o.P.)

EDITOR: Michael P. Shawver

COMPOSER: Ludwig Goransson

HORROR/HISTORICAL/THRILLER

Starring: Michael B. Jordan, Hailee Steinfeld, Miles Canton, Wunmi Mosaku, Jack O'Connell, Tenaj Jackson, David Maldonado, Li Jun Li, Yao, Helena Hu, Jayme Lawson, Omar Miller, Bert Dreimanis, Loka Kirke, Saul Williams, Andre Ward-Hammond, Mark L. Patrick, and Delroy Lindo and Buddy Guy

SUMMARY OF REVIEW:

Sinners is crazy and incredible, and there is no other supernatural horror film like it.

Part period film, part Southern Gothic, and part African-American historical, the film's story packs a lot of explosive energy into a short period of time

Writer-director Ryan Coogler and star Michael B. Jordan collaborate Sinners into a film that could set Mississippi burning all over again

Sinners is a 2025 American supernatural horror, vampire, and period film from writer-director Ryan Coogler and starring Michael B. Jordan, who plays twins. In Sinners, twin brothers return to their Mississippi home to start a new business only to encounter the old enemy of racism and a surprise new enemy in a charismatic monster.

Sinners opens in Clarksdale, Mississippi, on the morning of October 16, 1932. Sammie Moore (Miles Canton) staggers into his father's church, the broken neck of a guitar clutched in his right hand. As his father demands that he drop the guitar, give up music, and repent, Sammy recalls the previous 24 hours.

Early in the previous day, Sammie's cousins Elijah “Smoke” Moore (Michael B. Jordan) and Elias “Stack” Moore (Michael B. Jordan), identical twins and World War I veterans, return to Mississippi after spending several years in Chicago. Arriving with a lot of cash and a shocking amount of expensive Irish beer and Italian wine, the brothers announce their intention to start their own juke joint. In the morning, they buy an old sawmill from a racist landowner, Hogwood (David Maldonado), and start the process of preparing to open their juke joint that very night.

They recruit Sammie, a talented blues guitarist; Delta Slim (Delroy Lindo), a local legend on the piano and the harmonica; and Pearline (Jayme Lawson), a sultry songstress, to provide the club's music. They also hire Smoke's estranged wife, Annie (Winmu Mosaku), a hoodoo woman and root worker, and Delta Chinese shopkeepers Grace (Li Jun Li) and Bo Chow (Yao), to cater opening night.

Smoke and Stack start selling the idea of a juke joint to the local black community, with the food and the music as the main draw. What Smoke and Stack don't know is that their very talented cousin Sammie's singing and guitar playing will attract the attention of both the human world and the spirit world – including a great evil ready to welcome every person inside the juke joint into its family.

Just before I saw Sinners, I realized that Ryan Coogler is one of the few directors of which I have seen and reviewed all of his feature films: Fruitvale Station (2013), Creed (2015), Black Panther (2018), and Black Panther: Wakanda Forever (2022). I am still trying to process what I saw during a Sinners' Thursday night preview showing, but right now, I still cannot find anything that would make me say this film is not perfect. Coogler's talent is greater than I ever imagined, and I imagined a lot of greatness for him. Still, I was unprepared for this hurricane called Sinners that he has created.

Sinners is like a folk tale, and it is steeped in Southern African-American folk, religious, and superstitious tradition. Sinners is also deeply immersed in Mississippi Blackness. There is a scene in the film in which the past and future join the present to celebrate transcendent African-American art, Black excellence, and a spirit world connected to all humanity. Ryan Coogler's also screenplay recognizes the links between African-Americans and Native American and Indigenous, to Chinese-American, and to some reluctant poor White people.

Sinners is truly an American work of fiction and cinema, authentic in a way that the Hollywood film industry generally avoids marginalized, oppressed, and impoverished communities. Sinners is salt-of-the-Earth and no-ways-tired American cinema. Also, it sets the record straight on what the Great Migration of Black folks found when they went to Northern cities like Chicago.

Sinners also has a remarkable number of exceptional performances. I know that some people still have doubts about Michael B. Jordan as an exceptional actor, but as the twins, Smoke and Stack, he proves that his doubters are only hapless haters. Jordan makes the twins distinctive from one another in subtle shifts and sleight-of-hand moves. In a way, Jack O'Connell, in a supporting role as the lead villain, Remmick, matches Jordan's intensity by smoothly altering the way his character reveals his wickedness. O'Connell makes Remmick, a charismatic prince of lies and deceit, deserving of his own film, a prequel to Sinners.

Back in the aughts, Paramount Pictures put out a casting call for the female lead in the Coen Bros.'s 2010 Western film, True Grit. The casting call stated that young females vying for the role “must be able to portray Caucasian.” Hailee Steinfeld won the role in True Grit, and in Sinners, she proves that she can portray mulatto as Mary. I am not sure that a White actress has been as convincing as Steinfeld is as a Black and White biracial person in Sinners since Susan Kohner received a “Best Supporting Actress” nomination as “Sarah Jane” in Imitation of Life (1959).

So... I'm still reeling. I'll build a fortress around my heart to protect my belief that Sinners is perfect or as near to perfect as a supernatural horror film can get. As of today (Friday, April 18, 2025), it is my pick for best film of the year.

10 of 10

Saturday, April 19, 2025

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Wednesday, April 9, 2025

Comics Review: "VATICAN CITY #1" Breaks Hell Loose

VATICAN CITY #1 (OF 3)

DARK HORSE COMICS/Netflix

STORY: Mark Millar

ART: Per Berg

COLORS: Per Berg

LETTERS: Per Berg

EDITOR: Daniel Chabon

EDITORIAL: Sarah Unwin

COVER: Per Berg

VARIANT COVER ARTISTS: Per Berg; John McCrea

40pp, Color, $5.99 U.S. (April 2025)

Rating: 18+

Vatican City created by Mark Millar at Netflix

Vatican City is a new Millarworld miniseries from Dark Horse Comics. It is created and written by Mark Millar and drawn, colored, and lettered by Per Berg. Vatican City is set in a world overrun by vampires, except for Vatican City, which is the main target of the vampires.

Vatican City #1 opens in Princeton, New Jersey. There, Professor Derrida is about to discover that he is to play a key role in a vampire plot that is steadily taking over the world.

A few hours later, Guido Cavelti, recently of the Swiss Air Force, is in Vatican City, the independent city-state within Rome, Italy that is the government of the “Holy See” (the Pope and the Papacy). Cavelti is there to be interviewed about a position with the Swiss Guard, the security that protects the Pope and the Apostolic Palace.

Before he knows it, however, Cavelti is in the middle of a rescue operation, trying to save everyone inside Vatican City. There is an invasion of monsters just outside its borders.

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Vatican City #1.

While reading this, I thought of a few apocalyptic and vampire films to which Vatican City #1 has at least a passing resemblance – in one way or another. That includes 28 Days Later (2002), I Am Legend (2007), Daybreakers (2009), to name a few. Of course, Vatican City's writer, Mark Millar, has dealt with vampires before, as he has did when he launched his wonderful vampire-as-superheroes franchise with Night Club #1.

Millar throws the readers right into the action, and as always, Millar action is bracing action – filled with equal parts thrills and chills. I don't want to spoil anything, but, of course, there is a shocking surprise to close out this first issue.

The art, colors, and letters by Per Berg (also known as Per Darwin Berg or by the pen name, “Narwhal”) are both representational and impressionistic, possibly because Berg is depicting a world that is rapidly shifting from the natural to the supernatural. One thing that Berg's storytelling certainly does is create the sense of rapid breakdown and hopelessness, which are perfect modes for apocalyptic fiction. Berg wants the reader to guess at what is happening more than know what is happening.

Well, Millar and Berg have certainly given readers a reason to come back for the second issue. I suggest that you do so, dear readers.

I READS YOU RECOMMENDS: Fans of Mark Millar, of vampire comic books, and of horror apocalypse will want to read Vatican City.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.mrmarkmillar.com/

https://x.com/mrmarkmillar

https://x.com/netflix

http://www.millarworld.tv/

https://www.darkhorse.com/

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Tuesday, March 25, 2025

Review: "ULTRAVIOLET" is Mostly Misspent Potential

TRASH IN MY EYE No. 164 (of 2003) by Leroy Douresseaux

Ultraviolet (2006)

Running time: 88 minutes (1 hour, 28 minutes)

MPAA – PG-13 for sequences of violent action throughout, partial nudity, and language

WRITER/DIRECTOR: Kurt Wimmer

PRODUCERS: John Badecchi and Lucas Foster

CINEMATOGRAPHERS: Arthur Wong Ngok Tai and Jimmy Wong

EDITOR: William Yeh

COMPOSER: Klaus Badelt

SCI-FI/ACTION and MARTIAL ARTS/MYSTERY

Starring: Milla Jovovich, Cameron Bright, Nick Chinlund, Sebastien Andrieu, Ida Martin, and William Fichtner

Ultraviolet is a 2006 American science fiction action film from writer-director Kurt Wimmer. The film focuses on a woman infected with a virus that gives her superhuman and vampire-like powers who has to protect a boy thought to carry antigens that would destroy others like her.

Ultraviolet opens in the late 21st century. The Hemoglophagic Virus has infected the human population – a disease causing symptoms that many associate with vampires. Those afflicted gain enhanced intelligence, fantastic stamina, and lightning-fast speed (like the vampires in Blade). The world is divided into those who don’t have it (normal humans), and those who do (called “hemophages”).

The government, led by the powerful scientist, Vicecardinum Ferdinand Daxus (Nick Chinlund), hunts hemophages in hopes of wiping them out. One woman, a highly-skilled hemophage warrior named Violet Song jat Shariff (Milla Jovovich), infiltrates a governmental research station. Violet steals a case containing a secret weapon that will reportedly wipe out the infected. However, Violet finds herself on the run and protecting a mysterious child, called “Six” (Cameron Bright), who may or may not be infected with a virus dangerous to hemophages. Now, Daxus and his entire military force is out to get her and the child.

From writer/director Kurt Wimmer (Equilibrium), Ultraviolet is non-interactive entertainment (a movie) trying to act like interactive entertainment (a videogame). Awash in bright colors (computer-generated neon), the film looks like a comic book, especially when Milla Jovovich poses – standing still and trying to look badass before she begins a fight sequence. It’s the only time her performance can be said to be anything near good. Most of the time, she is so dreadful that it’s impossible to believe that she’s been acting for nearly two decades.

Ultraviolet has a lot of potential, but ultimately it’s just a poorly developed and disastrously executed movie that a computer made all gooey with color and the filmmakers filled with an electronics expo full of fancy gadgets.

3 of 10

C-

★½ out of 4 stars

Thursday, August 03, 2006

Edited: Monday, March 24, 2025

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Friday, February 28, 2025

Comics Review: "NIGHT CLUB II #6" and the Vampire Showdown

NIGHT CLUB II #6 (OF 6)

DARK HORSE COMICS

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

EDITOR: Daniel Chabon

COVER: Juanan Ramírez with Fabiana Mascolo

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Juanan Ramirez

32pp, Color, $4.99 U.S. (February 2025)

Rating: 18+

Night Club created by Mark Millar at Netflix

Night Club II is a six-issue miniseries written and created by Mark Millar and drawn by Juanan Ramírez. A Dark Horse Comics publication and a Netflix production, Night Club II is a sequel to the 2023 miniseries, Night Club. Both series focus on a teen boy who is bitten by a vampire and decides to make the best of his new condition. Colorist Fabiana Mascolo and letterer Clem Robins complete Night Club II's creative team.

Night Club II focuses on 17-year-old Danny Garcia. After being turned into a vampire, he passed his new found powers unto his friends, DJ Sam Huxley and Amy Chen. Now, they're the superheroes: Starguard (Danny), Thundercloud (Sam), and Yellowbird (Amy). But jealousy has broken up this vampire-superhero trio and opened the door to a disaster of newer, more nihilistic and narcissistic vampires.

Night Club II #6 opens with the reconciliation of Danny, Sam, and Amy. But now, it's time for this trio to settle the war with Risso, Kendra, and their vampire gang. The problem is that the gang may be a wee bit larger than our heroes think it is.

In this shocking conclusion to the second volume, heroes are dead and villains are triumphant. One thing about vampire stories, however, is that even the coldest and most rotting corpses might not stay dead for long.

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Night Club II #6.

Mark Millar closes out Night Club II with a bang, and though it is full of blood and gore, Issue #6 closes out the series with a sly grin. This issue may be the most humor-infused yet, or perhaps, I'm interpreting a sense of humor that really isn't there. Still, Millar says goodbye-for-now to the series with another surprise... because that is the way it should be.

Artist Juanan Ramírez has built this narrative on capturing the reckless nature of young people with too much power, regardless of whether this power is natural or supernatural and criminal or evil. Ramirez's storytelling depicts the joy of victory with a wink and smile from start to finish. Night Club jumps off the page thanks to colorist Fabiana Mascolo funky and flashy colors. Clem Robins' lettering, as always, is a perfect accompaniment – a musical interlude of fury and funny.

Night Club II does not disappoint, dear readers. Be on the lookout for the trade collection.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club II.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://x.com/mrmarkmillar

https://x.com/netflix

https://www.mrmarkmillar.com/

http://www.millarworld.tv/

https://www.darkhorse.com/

https://x.com/darkhorsecomics/

https://www.facebook.com/darkhorsecomics/

https://www.instagram.com/DarkHorseComics/

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Monday, February 10, 2025

Comics Review: "SAVAGE TALES #1" Offers a Fab Four of Tales

SAVAGE TALES #1 (2025)

DYNAMITE ENTERTAINMENT

STORY: David Avallone; Kurt Busiek

ART: Hamish Cook; Eman Casallos; Mariano Benitez Chapo; Benjamin Dewey

COLORS: Jorge Sutil

LETTERS: Jeff Eckleberry; Simon Bowland

COVER: Arthur Suydam

VARIANT COVER ARTISTS: Liam Sharp; Rafael Kayanan; Arthur Suydam

32pp, Color, $4.99 U.S. (February 2025)

Rated Teen+

Savage Tales is the title of an anthology comic book series that has been used by both Dynamite Entertainment and Marvel Comics (twice). Dynamite recently brought its version back as a series of occasionally-published one-shots.

The 2025 edition of Savage Tales #1 has four short stories. Three of them are new stories written by David Avallone. These stories feature Gullivar of Mars (drawn by Hamish Cook); John Carter and Dejah Thoris of Mars (drawn by Eman Casallos); and Vampirella (drawn by Mariano Benitez Chapo). All of Avallone's stories are colored by Jorge Sutil and lettered by Jeff Eckleberry.

The fourth entry is a Red Sonja story written by Kurt Busiek; drawn by Benjamin Dewey; and lettered by Simon Bowland. This story was originally published in Red Sonja: Black, White, Red #1 (July 2021).

I will summarize and review each story individually.

THE LOWDOWN: Since July 2021, the marketing department at Dynamite Entertainment has been providing me with PDF review copies of some of their titles. One of them is the 2025 edition of Savage Tales #1, but this is not the first time I have read a Dynamite Savage Tales comic book.

Gullivar of Mars: “His War Chapter Three” by Avallone and Cook:

Captain Gullivar Jones is based on the character, Lt. Gulllivar Jones, who first appeared in the novel, Lieut. Gullivar Jones: His Vacation, written by Edwin Lester Arnold and published in 1905. Writer David Avallone has been reworking the character over the past few years.

“His War” chronicles Jones' life since he first left Mars and eventually fought in “the Great War” (World War I). Now, Jones has returned to Mars twenty years after his original time on the planet. What he discovers is that he might be the reason for the once lush planet's sorry state, and his reunion with his beloved “Heru” (a princess of Mars) is also off to a sorry state.

Avallone has a deft touch with vintage and classic characters, and because of author Edwin Lester Arnold's influence on the science fiction sub-genre, “planetary romance,” Gullivar Jones is both vintage and classic. This may be the best chapter of Avallone's revival yet, primarily because he immediately puts Jones in a life or death situation. Hamish Cook's art and storytelling captures the edgy mood and tense action of the story's first person narration. Cook makes me wish that this story could be published as a graphic novel.

John Carter and Dejah Thoris of Mars: “A Mutiny on Mars” by Avallone and Casallos:

“A Mutiny on Mars” opens in the distant past on the planet of “Barsoom” (Mars”) and finds royal couple, John Carter and Dejah Thoris, on a scientific expedition. Instead of science, they find betrayal and a plot to kidnap John.

Avallone weaves a nice tale that will entertain those familiar with the world of Edgar Rice Burroughs' “Barsoom” series. Eman Casallos and Jorge Sutil's art and colors give this story the kind of exotic and esoteric aesthetic that at least I expect of comic book stories set in the world of Barsoom.

Vampirella: “The Real Thing” by Avallone and Chapo:

Avallone weaves a rather surprising and delightful tale featuring Vampirella, a truly classic character that often suffers from overexposure. Vampirella is working as a lowly assistant on the television series, “Draculette.” Among the production crew, there are some real doubters who are about to discover the truth about vampires. The question is whether or not Vampirella will step in to save the day or let the blood flow.

Mariano Benitez Chapo proves to be perfectly capable of turning Avallone's humorous scripts into a fun comics story that pops on the page. Avallone is really good at blending supernatural horror comics with humor comics, and Chapo's art captures the snappiness of Avallone's banter here. They'd make a good pairing on an Elvira series. As he does in the other two original stories, Jeff Eckleberry adds a stylish flair with his lettering for this story.

Red Sonja: “Seeing Red” by Busiek and Dewey:

“Seeing Red” opens in a place called the “Mountains of Night” where Red Sonja will enter a crypt as part of a deal she made with an ambitious wannabe ruler. What she's finds is certain death at the hands or claws of a creature that moves too fast for her to see. And that's got the “She-Devil with a Sword” seeing red.

I did read the 2021 Red Sonja: Black, White, Red series – every issue except the first, so “Seeing Red” is new to me. Kurt Busiek delivers a tale that reads as if it is a Conan the Barbarian tale from Marvel Comics' classic black and white magazine, The Savage Sword of Conan. Benjamin Dewey's art certainly sells this story's classic Marvel vibe with rock-solid compositions that are perfect for Red Sonja's comic book brand of sword and sorcery. As always I love the pounding vibe Simon Bowland's lettering gives this story.

If I had to reluctantly pick a favorite comics story in Savage Tales #1 (2025), it would be a difficult choice. So, I will instead suggest you get this comic book, dear readers, and decide for yourself.

I READS YOU RECOMMENDS: Fans of anthology comic books will want to read Savage Tales #1.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://x.com/DynamiteComics

https://www.dynamite.com/htmlfiles/

https://www.facebook.com/DynamiteComics/

https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w

https://www.linkedin.com/company/dynamite-entertainment

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Tuesday, January 28, 2025

Advanced Comics Review: "NIGHT CLUB II #5" Wakes the Dead

NIGHT CLUB II #5 (OF 6)

DARK HORSE COMICS

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

EDITOR: Daniel Chabon

COVER: Juanan Ramírez with Fabiana Mascolo

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Juanan Ramirez

32pp, Color, $4.99 U.S. (January 2025)

Rating: 18+

Night Club created by Mark Millar at Netflix

Night Club II is a six-issue miniseries written and created by Mark Millar and drawn by Juanan Ramírez. A Dark Horse Comics publication and a Netflix production, Night Club II is a sequel to the 2023 miniseries, Night Club. Both series focus on a teen boy who is bitten by a vampire and decides to make the best of his new condition. Colorist Fabiana Mascolo and letterer Clem Robins complete Night Club II's creative team.

Night Club II focuses on 17-year-old Danny Garcia. After being turned into a vampire, he passed his new found powers unto his friends, DJ Sam Huxley and Amy Chen. Now, they're the superheroes: Starguard (Danny), Thundercloud (Sam), Yellowbird (Amy). But jealousy has broken up this vampire-superhero trio and opened the door to a disaster of newer, more nihilistic and narcissistic vampires.

Night Club II #5 opens in Philadelphia, specifically at St. Luke's Hospital. Amy is there to steal blood. In fact, she has been stealing from blood banks all over the city. Why is Amy a blood thief?

Risso, Kendra, and their vampire gang killed Danny and Sam. Amy believes that if vampires are real, then, some of the stories and myths about them must be real, also. Relying mostly on old horror movies, Amy has concocted an idea of how to bring her friends back from... the wherever.

Meanwhile, Risso pays a visit to someone to whom he believes he owes a flex. Plus, the Philly police are deep into an investigation of all these missing teens.

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Night Club II #5.

Night Club II is full of surprises, and writer Mark Millar always drops surprises in his comic books. The unexpected is to be expected, and this fifth issue of Night Club II does not disappoint. The Hammer Film Productions vampire movies are clearly a point of reference here. Christopher Lee first plays Count Dracula in Hammer's 1958 film, Dracula (known as Horror of Dracula in the U.S.). In later Hammer-Lee Dracula films, the Count is revived via methods that are similar to the process Amy is using to revive her partners in superhero/vampire crime.

Artist Juanan Ramírez has built this narrative on capturing the reckless nature of young people with too much power, regardless of whether this power is natural or supernatural and criminal or evil. Ramirez's storytelling has made Night Club II a vampire comic book like no other. He brings Millar's unique concept to life with a style that is both gaudy and earthy. Night Club jumps off the page with Ramirez's incomparable graphics, and colorist Fabiana Mascolo brings the funk and flash to Ramirez's art. Clem Robins' lettering, as always, is a perfect accompaniment.

Night Club II does not disappoint, dear readers. It's vampire+.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club II.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://x.com/mrmarkmillar

https://x.com/netflix

https://www.mrmarkmillar.com/

http://www.millarworld.tv/

https://www.darkhorse.com/

https://x.com/darkhorsecomics/

https://www.facebook.com/darkhorsecomics/

https://www.instagram.com/DarkHorseComics/

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Monday, January 20, 2025

Review: Netflix's "DAY SHIFT" is More Action-Comedy Than Vampire Horror

TRASH IN MY EYE No. 5 of 2025 (No. 2011) by Leroy Douresseaux

Day Shift (2022)

Running time: 113 minutes (1 hour, 53 minutes)

MPA – R for strong violence and gore, and language

DIRECTOR: J. J. Perry

WRITERS: Tyler Tice and Shay Hatten; from a story by Tyler Tice

PRODUCERS: Shaun Redick, Yvette Yates Redick, Jason Spitz, and Chad Stahelski

CINEMATOGRAPHER: Toby Oliver (D.o.P.)

EDITOR: Paul Harb

COMPOSER: Tyler Bates

ACTION/COMEDY/HORROR

Starring: Jamie Foxx, Dave Franco, Natasha Liu Bordizzo, Meagan Good, Karla Souza, Steve Howey, Scott Adkins, Oliver Masucci, Eric Lange, Peter Stormare, Zion Broadnax, and Snoop Dogg

Day Shift is a 2022 American action-comedy and vampire horror film from director J. J. Perry. The film is a “Netflix Original” and began streaming on Netflix, August 12, 2022. The film focuses on a hard-working, blue-collar dad who uses his pool-cleaning service as a front for the true source of his income – hunting and killing vampires.

Day Shift introduces Bud Jablonski (Jamie Foxx). He is the blue-collar dad of Paige (Zion Broadnax), the daughter he shares with his ex-wife, Jocelyn Jablonski (Meagan Good). On the surface, Bud is a hardworking man who runs a pool-cleaning service, “Valley Pool Services,” in San Fernando Valley, California. Bud really hunts and kills vampires in the Valley under the guise of being a pool cleaner. Every time he kills a vampire, which is very difficult, Bud collects their fangs and sells them to a pawnbroker, Troy (Peter Stormare).

However, killing vampires isn't quite earning him the income he needs, so Bud decides to return to “the Union.” That would be the “Hunters Union,” from which he was expelled. He turns to his close friend, the very successful vampire hunter, John Dante Eliott a.k.a. “Big J” or “Big John,” for help. John is able to get Bud provisionally reinstated, but union boss, Ralph Seeger (Eric Lange), won't let Bud work the “Night Shift,” which yields the most profitable vampire kills.

Instead, Bud must work the “Day Shift,” which he was already doing on his own. In addition, Bud is forced to partner-up with Seth (Dave Franco), a young union supervisor. If that were not bad enough, Bud has been targeted for revenge by Audrey (Karla Souza), an ambitious vampire who plans to take over San Fernando Valley where she poses as a real estate agent.

I was familiar with the mixed reviews that Day Shift received, and I had been putting off watching it. However, I am about to watch the latest Jamie Foxx “Netflix Original” movie, Back in Action (2025), in which he costars with Cameron Diaz. Back in Action is the fourth “Netflix Original” in which Foxx has starred (as far as I can tell), following Project Power (2020), They Cloned Tyrone (2023), and Day Shift. For some reason, I feel as if I had to see Day Shift before I watch Back in Action. Go figure.

Tyler Tice and Shay Hatten are credited with the screenplay, but apparently Tice is the originator. Tice's creation is more action-comedy than it is vampire movie, but I do recognize elements that are borrowed or are at least are similar to that of numerous vampire films. As I watched Day Shift, I found that parts of it made me think of Blacula (1972), The Lost Boys (1987), From Dusk Till Dawn (1996), Daybreakers (2010), and Priest (2011), to name a few. Of course, no movie featuring vampires hunters and their prey could escape the shadow of the Blade film series, and this movie seems inspired by Blade (1998), Blade II (2002), and Blade: Trinity (2004). Also, Day Shift is obviously rubbing up against Men in Black (1997) and its sequels.

Day Shift's premise is indeed a garbage soup made out of a bunch of leftover ingredients, and the fact that it throws in so many ideas makes it almost seem original... almost. Still, as garbage soup films go, Day Shift is quite tasty. It is more action-comedy than vampire-horror, and director J. J. Perry (in his directorial debut) gets the most out of his film editor, Paul Harb. When Day Shift is moving because of extended, multi-player fight scenes or through its one extended car-truck-motorcycle chase, Day Shift pops the way action movie junkies want their action movies to pop.

The best thing a popcorn entertainment action movie can do is have a star as its hero or as its villain. Day Shift has the Oscar-winning actor, Jamie Foxx (Ray), as its star, and Foxx is the one who gives this film any credibility that hit has. Yes, Dave Franco does a nice turn as Seth, the reluctant sidekick, and any comedy that manages to snag Snoop Dogg is very lucky. However, Foxx willingly buys into this film's goofiness, and the professionalism of his performance keeps Day Shift from seeming like the vampire equivalent of one of those Sharknado movies.

6 of 10

★★★ out of 4 stars

Monday, January 20, 2025

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Thursday, January 16, 2025

Review: John Carpenter's "VAMPIRES" is Still Fun (Happy B'day, John Carpenter)

TRASH IN MY EYE No. 36 (of 2005) by Leroy Douresseaux

John Carpenter’s Vampires (1998)

Running time: 108 minutes (1 hour, 48 minutes)

MPAA – R for strong violence, and gore, language, and sexuality

DIRECTOR: John Carpenter

WRITER: Don Jakoby (based upon the novel by John Steakley)

PRODUCER: Sandy King

CINEMATOGRAPHER: Gary B. Kibbe (D.o.P.)

EDITOR: Edward A. Warschilka

COMPOSER: John Carpenter

HORROR/FANTASY and ACTION/THRILLER

Starring: James Woods, Daniel Baldwin, Sheryl Lee, Thomas Ian Griffith, Maximilian Schell, and Tim Guinee

Vampires (also known as John Carpenter's Vampires) is a 1998 American action, neo-Western, and vampire horror film from director John Carpenter. It was adapted from the 1990 horror novel, Vampire$, by author John Steakley. Vampires the movie focuses on an caustic vampire slayer who must track down the vampire master that ambushed and destroyed his team of slayers before the creature can find a relic that will allow it to walk in sunlight.

John Carpenter's Vampires introduces Jack Crow (James Woods), a vampire hunter for the Catholic Church. He leads his "Team Crow," a band of roughnecks and mercenary types who hunt and kill vampires. They destroy a nest of goons (vampires) in rural New Mexico, but Valek (Thomas Ian Griffith), a 600-year old master vampire, ambushes and massacres Team Crow during their victory celebration at a small motel.

Only Crow and his assistant, Montoya (Daniel Baldwin), survive, but Crow ignores the Vatican’s demands that he reform his team. Crow, Montoya, and Father Adam Guiteau (Tim Guinee), a young priest, with tagalong Katrina (Sheryl Lee), a survivor of Valek’s attack, pursue the master vampire through the high deserts that ends in a confrontation to stop Valek from becoming unbeatable.

John Carpenter’s Vampires is a fun action horror flick that rises above being straight-to-video material in large measure because of James Woods hilarious and over-the-top performance as Jack Crow. Crow curses like a pack of sailors, and won’t even spare holy men his vulgar tirades. He beats priests and asks them inappropriate questions about their anatomies and lusts. Woods’ performance is the one thing that entertains even detractors of Vampires.

The film is gory and action-packed, but a little light on genuine scares. It has the charming qualities that make Carpenter’s film fun and unique – pulp storytelling, weird science, and the strange blend of real myth, lore, and culture spun from his fertile imagination. While the characters here, other than Crow, don’t match up to some of Carpenter’s memorable creations from his earlier films, they’re adequate. Vampires is a fun spin on the American pop culture version of vampires, and worth a viewing.

7 of 10

B+

★★★½ out of 4 stars

March 19, 2005

EDITED: Sunday, January 5, 2025

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Friday, December 27, 2024

Review: "NOSFERATU" 2024: You'll Either Be Impressed or Roll Your Eyes

TRASH IN MY EYE No. 61 of 2024 (No. 2005) by Leroy Douresseaux

Nosferatu (2024)

Running time: 133 minutes (2 hours, 13 minutes)

MPA – R for bloody violent content, graphic nudity and some sexual content

DIRECTOR: Robert Eggers

WRITER: Robert Eggers (inspired by the film, Nosferatu, and the novel by Bram Stoker)

PRODUCERS: Chris Columbus, Eleanor Columbus, Robert Eggers, John Graham, and Jeff Robinov

CINEMATOGRAPHER: Jarin Blaschke (D.o.P.)

EDITOR: Louise Ford

COMPOSER: Robin Carolan

HORROR/THRILLER

Starring: Lily-Rose Depp, Nicholas Hoult, Bill Skarsgard, Aaron Taylor-Johnson, Willem Dafoe, Emma Corrin, Ralph Ineson, and Simon McBurney

SUMMARY OF THE REVIEW:

Nosferatu is entertaining – in places, but quite a bit of it is also over-the-top and overdone. Honestly, I'd be reluctant to recommend it to people who don't go to movie theaters too often because they could find better films upon which to spend their infrequent cinema visits

Nepo-baby thespian, Lily-Rose Depp, gives an excellent performance, emphasizing facial expressions and physical feats, but Bill Skarsgard as the Nosferatu, manages only to create a vampire that is as boring as he is scary and ugly

Also, if you remember Francis Ford Coppola's 1992 film, Bram Stoker's Dracula, you will find this film shockingly similar to it

Nosferatu is a 2024 American vampire horror film from writer-director Robert Eggers It is a remake of the 1922 German silent film, Nosferatu. Like that German film, the modern Nosferatu also takes inspiration from the 1897 novel Dracula, written by author Bram Stoker. The new Nosferatu focuses on a young woman and the terrifying vampire that is infatuated with her.

Nosferatu introduces Ellen (Lily-Rose Depp). Since she was a child, Ellen has had a connection to the spiritual and mystical realms. When she was a girl, she called out to a spirit, and that caused her to have a vision of a disfigured and corpse-like creature attack her. This in turns leads to Ellen having a violent seizure.

In 1838, Ellie is now an adult and is newly wed to a husband, the young estate agent, Thomas Hutter (Nicholas Hoult). The couple is living in Wisborg, Germany where Thomas works for “Knock & Associates.” His employer, Herr Knock (Simon McBurney), offers Thomas a generous commission, but to get it, Thomas must embark on a six-day journey to the small country of Transylvania.

There, Thomas will meet the mysterious Count Orlok (Bill Skarsgard), who wants to buy property in Wisborg, which he plans to make his new home. However, there is a conspiracy behind this business venture between Knock and Orlok, and Ellen, who is once again besieged by dark, monster-filled dreams, is the prize. Now, Professor Albin Eberhart Von Franz (Willem Defoe), a controversial scientist and expert on the occult and mysticism, may be the only one who can figure out what everyone else seems to ignore. And that is the fact that Orlok is a monstrous vampire – a Nosferatu!

First, some history: director F.W. Murnau's 1922 German silent film, Nosferatu, was an unauthorized film adaptation of Bram Stoker's novel, Dracula (1897). Stoker's heirs sued and the film was ordered destroyed, but several prints survived this purge. So the modern Nosferatu is both a remake of the 1922 film and an adaptation of Stoker's novel. I also find quite a bit of this new Nosferatu to be a literally and spiritually rehash of director Francis Ford Coppola's visionary, Oscar-winning film, Bram Stokers Dracula (1992).

Moving on: Lily-Rose Depp delivers a stunning performance as Ellen, one that is both emotionally charged and also physically impressive, thanks to the scenes in which she portrays having blood-curdling seizures, apparently without the help of computer-generated imagery. Depp makes by far the best out of director Robert Eggers' screenplay, which I find to be shallow and also imaginative only in the superficial way that directors borrow from other directors' films in a bid to seem clever before their sycophants and devotees.

That is exemplified by Bill Skarsgard's Count Orlok. He is both frightening and tedious. Skarsgard is buried under a mound of makeup and likely computer-rendering that makes him look like a homeless and destitute version of the infamous Russian mystic and political Svengali, Grigori Rasputin. The new Count Orlok is a scary mountain of monster-man, but he has no personality, And girl, he grunts his garbled dialogue real good. Ultimately, Skarsgard turn as Count Orlok is no better than one of actor Robert Englund's latter turns as “Freddy Krueger” in one of the many sequels to A Nightmare on Elm Street (1984).

Eggers really does not give the rest of his characters great dramatic material. Nicholas Hoult's Thomas Hutter is an embarrassing crybaby, and Aaron Taylor-Johnson's Friedrich Harding is a stubborn moron. Willem Defoe's Von Franz is smart and stupid in alternating waves that suggest that suggests he was created by some AI algorithm. Emma Corrin's Anna Harding (Friedrich's wife) seems very smart and capable, so the male writer's screenplay kills her off way too early.

Yeah, I have a lot of complaints about this new Nosferatu, mainly because it is one of those maddening films that has many brilliant elements that are beset by many tedious, hilarious, and ridiculous elements. This is not “style over substance,” but it is style strangling the shit out of substance. I heartily recommend Nosferatu to fans of vampire films and to adventurous movie lovers, but I would be reluctant to recommend it to people who are not as into movies as I am. Something like Nosferatu would make them roll their eyes.

6 of 10

★★★ out of 4 stars

Friday, December 27, 2024

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Friday, December 6, 2024

Comics Review: "NIGHT CLUB II #4" - Jack's Tribe is Winning

NIGHT CLUB II #4 (OF 6)

DARK HORSE COMICS

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

EDITOR: Daniel Chabon

COVER: Juanan Ramírez with Fabiana Mascolo

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Juanan Ramirez

32pp, Color, $4.99 U.S. (December 2024)

Rating: 18+

Night Club created by Mark Millar at Netflix

Night Club II focuses on 17-year-old Danny Garcia. After being turned into a vampire, he passed his new found powers unto his friends, DJ Sam Huxley and Amy Chen. Now, they're the superheroes: Starguard (Danny), Thundercloud (Sam), Yellowbird (Amy). But jealousy has broken up this vampire-superhero trio...

Night Club II #4 opens as Risso, Kendra, and their friends run wild through their Philadelphia stomping grounds. As the high school jocks and cool kids, they were bad enough when they were regular human beings. As vampires, they are monsters. Risso was a minor thug for the local drug lord, Rufus Tee. Now, Risso wants everything Tee has, including his life.

These young vampires are terrorizing the town and not even the cops can stop them. Amy/Yellowbird is alone in the wake of what seemed like Danny/Starguard's destruction. What is her next move if she is going to stop Risso and Kendra in their vampire tracks?

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Night Club II #4.

Writer Mark Millar uses the first issue of Night Club II to bring us to the current state of affairs. With the second issue, Millar quickly moves things forward, and shit gets real deep, real quick. Issue #3 is the best and most consequential of this series... so far. Now, issue #4 moves into the aftermath of the third issue's shocking affairs. I think that there are a lot of “secrets” to Millar's three-decades long successful tenure writing comic books for U.S. publishers. One of them is that he always has at least one major surprise per issue, and that surprise never seems contrived. In this fourth issue, Millar shows off another “secret of his success,” and that is to always keep things fresh. I'll be honest, dear readers, after this fourth issue, I thought Risso should have his own comic book.

Artist Juanan Ramírez has built this narrative on capturing the reckless nature of young people with too much power, regardless of whether this power is natural or supernatural and criminal or evil. Ramirez's storytelling has made Night Club II a vampire comic book like no other. Stylish and gaudy, Night Club jumps off the page with Ramirez's incomparable graphics. Colorist Fabiana Mascolo brings the funk and flash to Ramirez's art. Clem Robins' lettering, as always, is a perfect accompaniment.

Night Club II does not disappoint, dear readers. It is one of the standards in American vampire comic books.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club II.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Friday, November 1, 2024

Comics Review: "NIGHT CLUB II #3" - Sh*t Gets Deep

NIGHT CLUB II #3 (OF 6)

DARK HORSE COMICS/Netflix

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

EDITOR: Daniel Chabon

COVER: Juanan Ramírez with Fabiana Mascolo

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Juanan Ramirez

32pp, Color, $4.99 U.S. (October 2024)

Rating: 18+

Night Club created by Mark Millar at Netflix

Night Club II focuses on 17-year-old Danny Garcia. After being turned into a vampire, he passed his new found powers unto his friends, DJ Sam Huxley and Amy Chen. Now, they're the superheroes: Starguard (Danny), Thundercloud (Sam), Yellowbird (Amy). But jealousy has broken up this vampire-superhero trio...

Night Club II #3 opens as Sam begins to realize that he has made a mistake. However, he is NOT ready to realize how big a mistake it is. Once upon a time, three nerdy friends became the first vampire-superheroes and also the coolest superheroes around. Now, their high school's worst bullies are a new gang of vampires. Will this be a case of out with the old (The Night Club) and in the with the new (the assholes)?

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Night Club II #3.

Writer Mark Millar used the first issue of Night Club II to bring us to the current state of affairs. With the second issue, Millar quickly moved things forward, and shit got real deep, real quick. The result is that issue #3 is the best and most consequential of this series... so far. Millar has mastered upping the ante, so he is relishing slowly tearing down everything we thought we knew about The Night Club.

Artist Juanan Ramírez has built this narrative on capturing the reckless nature of young people with too much power, regardless of whether this power is natural or supernatural and criminal or evil. Now, Ramirez wants to rub the consequences in our faces with his quicksilver storytelling. Colorist Fabiana Mascolo brings the funk to Ramirez widescreen antics in a way that makes this story pop off the page. Clem Robins' lettering, as always, is a perfect accompaniment.

Yeah, shit 'bout to get even deeper.

Night Club II does not disappoint, dear readers. It's taking us where we never expected to go in vampire comic books.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club II.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/mrmarkmillar

https://twitter.com/netflix

https://www.mrmarkmillar.com/

http://www.millarworld.tv/

https://www.darkhorse.com/

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Thursday, October 10, 2024

Comics Review: "SCOOBY-DOO, Where Are You? #129" - Don't Look Back in Anger

SCOOBY-DOO, WHERE ARE YOU? (2010) #129

DC COMICS

STORY: Derek Fridolfs; Ivan Cohen

PENCILS: Valerio Chiola; Walter Carzon

INKS: Valerio Chiola; Horacio Ottolini

COLORS: Valerio Chiola; Silvana Brys

LETTERS: Saida Temofonte

EDITORS: Courtney Jordan; Rob Levin (reprint)

COVER: Valerio Chiola

32pp, Color, $2.99 U.S. (October 2024)

Ages 8+

“Dine & Dash”

Welcome, dear readers, to my continuing journey through the Scooby-Doo, Where Are You? comic book series, which began publication in 2010. I continue to renew my subscription so that I can continue to review this series for you, dear readers.

Scooby-Doo, Where Are You? #129 opens with “Dine & Dash,” which is written by Derek Fridolfs and drawn by Valerio Chiola. The story finds Mystery Inc.: Scooby-Doo, Shaggy, Fred, Daphne, and Velma coming off their most recent case which I guess could be called “The Case of the Goblin Golfers.” Fred decides to treat everyone to dinner at his favorite place, but his favorite place is now a sports-themed bar and restaurant called “Munch Madness.”

Before there was Munch Madness, there was the “Pizza Playhouse,” Fred's favorite... haunt when he was a boy. The restaurant even featured a band of anthropomorphic animal performers, “the Pizza Pack.” Although the performers were animatronic, Fred loved them, especially “Elliott the Elephant.” Fred is feeling a nostalgic sense of loss when a phantom version of Elliott suddenly strikes, so now Mystery Inc. has a new mystery to solve.

As usual, the second story, “Magic Hassle,” is a reprint story. It is written by Ivan Cohen and drawn by Walter Carzon and Horacio Ottolini. [This story was originally published in Scooby-Doo, Where Are You #79 (cover date: May 2017).] The story opens at night as the Mystery Machine drives up a mountain road to “Mystic Mansion.” It is “the world's most famous magicians' hangout,” and Fred, Daphne, Velma, Shaggy, and Scooby-Doo are invited guests to an event being held there.

Tonight is special, as the magician, “Rickey D,” is debuting a new trick in order to tests the skills of Mystery Inc. Surprisingly, there is something going on between Rickey D and another popular magician, “Murdstone the Magnificent.” However, that is put aside after some tools-of-the-trade disappear, and a vampire arrives to break-up the show.

Scooby-Doo, Where Are You? #129 has as its theme nostalgia. The focus is specifically on how people resent the change or disappearance of things they loved fiercely in the past. In the first story, “Dine & Dash,” Fred is disappointed that his childhood pizza restaurant slash playground has been replaced by an adult sports bar that is now a clubhouse which emphasizes buffalo wings and sports. In the reprint story, “Magic Hassle,” Murdstone the Magician resents his young rival, Rickey D, and his flashiness and prefers a legendary and groundbreaking magician and escape artist whose act lost favor with audiences decades in the past.

Nostalgia and resistance to cultural change are timely subjects, especially after at least a quarter-century of the rise of so-called “toxic fandom.” That aside, nostalgia as a theme here makes for highly entertaining stories. I will say, though, that “Magic Hassle” has an awkward ending.

Many of the recent new stories in Scooby-Doo, Where Are You? Have been written by Derek Fridolfs, who is also a comic book artist. He often draws the cover art for the issues for which he has written a story. For issue #129, Valerio Chiola draws the opening story and also draws the cover art. So it is both odd and delightful to see Chiola's quirky graphical and illustrative style featured as the cover art. Also, “Magic Hassle” is drawn by one of the very best modern Scooby-Doo art teams, Walter Carzon (pencils) and Horacio Ottolini (inks), and the art features the brilliant colors of Silvana Brys. The art is a big reason why I am giving this issue a high rating.

Scooby-Doo, Where Are You? #129 may have the highest rating that I've every given an issue of this series, but the last year or so has featured some really good individual issues. So grab your “Scooby Snacks” and read this issue, and maybe watch a Scooby-Doo movie, later. And until next time, Scooby-Dooby-Doo!

[This comic book includes a seven-page preview of the DC Comics original graphic novel, “Lois Lane and the Friendship Challenge” by Grace Ellis and Brittney Williams.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Sunday, October 6, 2024

Review: Max's "'SALEM'S LOT" 2024 is Scary a Lot

TRASH IN MY EYE No. 44 of 2024 (No. 1988) by Leroy Douresseaux

'Salem's Lot (2024)

Running time: 113 minutes (1 hour, 53 minutes)

MPA – R for bloody violence and language

DIRECTOR: Gary Dauberman

WRITER: Gary Dauberman (based on the novel by Stephen King)

PRODUCERS: Michael Clear, Roy Lee, James Wan, and Mark Wolper

CINEMATOGRAPHER: Michael Burgess (D.o.P.)

EDITOR: Luke Ciarrocchi

COMPOSERS: Nathan Barr and Lisbeth Scott

HORROR

Starring: Lewis Pullman, Makenzie Leigh, Jordan Preston Carter, Alfre Woodard, Bill Camp, John Benjamin Hickey, Nicholas Crovetti, Spencer Great Clark, Pilou Asbaek, and Alexander Ward

SUMMARY OF THE REVIEW:

-- Although it lacks big names stars, “'Salem's Lot” 2024 has big scares, as writer-director Gary Dauberman spins a number of some blood-curdling and bone-chilling scenes that are beautifully shot by cinematographer Michael Burgess

-- The movie does lack the character depth of early television versions, it is fairly faithful in some ways to its source material, Stephen King's 1975 novel of the same name

-- I highly recommend the new “'Salem's Lot” to fans of vampire horror films

'Salem's Lot is a 2024 American vampire horror film from writer-director Gary Dauberman. The film is based on the 1975 novel, 'Salem's Lot, from author Stephen King. 'Salem's Lot the movie focuses on an author who returns to his childhood home in search of inspiration for his next novel and discovers that the town is being taken over by vampires.

'Salem's Lot introduces author Ben Mears (Lewis Pullman). He has returned to his childhood home of Jerusalem's Lot, also known as “'Salem's Lot” or “The Lot,” seeking inspiration for his next novel. He meets and begins a relationship with Susan Norton (Makenzie Leigh), a young woman studying to get her real estate license. Their relationship sets tongues a-wagging in the small town.

Also new to the town is the antiques business, “Barlow and Straker Fine Furnishings.” So far, only Richard Straker (Pilou Asbaek) has arrived, but Straker promises that his partner, Kurt Barlow (Alexander Ward), will soon arrive. The problem is that Barlow is a vampire, and before long, he is preying on the Lot, and this town of 1710 starts to find that its living population is shrinking. Now, a teacher, Matthew Burke (Bill Camp); a boy who is a horror fan, Mark Petrie (Jordan Preston Carter); a local physician, Dr. Cody (Alfre Woodard); and a broken down alcoholic priest, Father Callahan (John Benjamin Hickey), join Ben and Susan to form a rag tag team of heroes determined to stop Barlow. As their circle grows smaller, however, can they really take on a town full of vampires?

'Salems's Lot” was author Stephen King's second published novel (following his publishing debut, 1974's Carrie), and it is apparently his favorite of his works. The popular novel was first adapted as a two-part television miniseries that was originally broadcast by CBS in November 1979 (although I remember its length and release date differently). It was again adapted as a two-part television miniseries, broadcast by the TNT cable network in June 2004. I enjoyed both versions, but prefer the 1979 which turned out to be a influence on such vampire films as Fright Night (1985) and The Lost Boys (1987).

I watched the new 'Salem's Lot film to the end of its credits, and the copyright date is listed as the year 2022. Yes, this new 'Salem's Lot has had at least two years of changing theatrical release dates. Outside of a film festival premiere, 'Salem's Lot the movie finally found a home on the streaming service Max (formerly HBO Max). Is 'Salem's Lot good enough to have received a full theatrical release? The answer is yes, but good movies aren't always box office hits. Besides Warner Bros., the movie studio behind 'Salem's Lot, very likely had no idea that the recent sequel, Beetlejuice Beetlejuice, would be such a blockbuster hit. It is a crap-shoot, and, in the case of 'Salem's Lot, is now a moot point.

'Salem's Lot's main problem may be that it has no big name actors starring in it, although the lead, Lewis Pullman as Ben Mears, had a supporting role in the 2022 mega-hit, Top Gun: Maverick. Pullman plays Ben Mears as cool-headed and steady-handed, which is an interesting take. And the rest of the cast of 'Salem's Lot is equally good. Alfre Woodard is always a top notch performer whose unique film presence and acting personality always gives a movie some “oomph.” Jordan Preston Carter is a surprising and scene-stealing little hero as Mark Petrie. John Benjamin Hickey and Bill Camp give strong character performances in their respective roles.

Still, I must reiterate that 'Salem's Lot 2024 is a really entertaining and thoroughly scary vampire horror movie. Sure, it lacks the emotional and character drama depth of the early adaptations of King's novel. I also take issue with the fact that even after the heroes learn what they need to fight vampires, they are often caught without them or trapped with too few of them.

However, Michael Burgess' lovely cinematography and Nathan Barr and Lisbeth Scott's eerie film music power-up writer-director Gary Dauberman's most bone-chilling moments and blood-curdling scenes. I don't want to fill this review with spoilers, but what would a 'Salem's Lot” TV or film be without a vampire boy at the window?...

Who knows how 'Salem's Lot would have performed in a crowded Halloween season theatrical release schedule? Still, both summer movie nights and October fright fests have a new visitor, a horror movie hungry to get to you, dear readers. And as always, 'Salem's Lot is thirsty for your blood.

7 of 10

B+

★★★½ out of 4 stars

Sunday, October 5, 2024

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Wednesday, October 2, 2024

Comics Review: "NIGHT CLUB II #2" - Stupid Is as Stupid Does

NIGHT CLUB II #2 (OF 6)

DARK HORSE COMICS

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

COVER: Juanan Ramírez with Fabiana Mascolo

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Juanan Ramirez

32pp, Color, $4.99 U.S. (September 2024)

Rating: 18+

Night Club created by Mark Millar at Netflix

Night Club II is a new six-issue miniseries written and created by Mark Millar and drawn by Juanan Ramírez. A Dark Horse Comics publication and a Netflix production, Night Club II is a sequel to the 2023 miniseries, Night Club. Both series focus on a teen boy who is bitten by a vampire and decides to make the best of his new condition. Colorist Fabiana Mascolo and letterer Clem Robins complete Night Club II's creative team.

Night Club II focuses on 17-year-old Danny Garcia. After being turned into a vampire, he passed his new found powers unto his friends, DJ Sam Huxley and Amy Chen. Now, they're the superheroes: Starguard (Danny), Thundercloud (Sam), Yellowbird (Amy). But jealousy has broken up this vampire-superhero trio...

Night Club II #2 opens as Sam turns down an offer for new employment. Now, he is burying his bitterness about the relationship between Danny and Amy between the legs of his new “girlfriend,” Kendra McQuade.

Not long ago, Sam was the sweet, chubby best friend at school. Then, he became a vampire- powered jock who hammered win after win on the basketball court. The girls love him, but has all that crazy stupid love simply made Sam stupid enough to create trouble for himself?

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Night Club II #2.

After reading the first issue of Night Club II, I suddenly remembered how much I really liked the first series and how much I really missed it. However, the first issue of the second series was just a reminder of of the first series' craziness and warm-up for the new craziness that writer Mark Millar would bring to Night Club II #2. I still say that this franchise is a vampire-superhero hybrid that takes DC Comics' Teen Titans and gives them a supernatural teen dysfunction makeover.

Artist Juanan Ramírez has built this narrative on capturing the reckless nature of young people with too much power, regardless of whether this power is natural or supernatural and criminal or evil. Colorist Fabiana Mascolo brings the funk to Ramirez widescreen antics in a way that makes this story pop on the page. Clem Robins' lettering, as always, is a perfect accompaniment.

Night Club II does not disappoint, dear readers. It's taking us where we never expected to go.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club II.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Saturday, August 24, 2024

Comics Review: "NIGHT CLUB II #1" - Young Vampires Beefin'

NIGHT CLUB II #1 (OF 6)

DARK HORSE COMICS

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

COVER: Juanan Ramírez with Fabiana Mascolo

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Jae Lee with June Chung

32pp, Color, $4.99 U.S. (August 2024)

Rated M / Mature

Night Club created by Mark Millar at Netflix

Night Club introduces 17-year-old Danny Garcia, who had ambitions to gain fame and fortune as a YouTube star. After being turned into a vampire, he passed his new found powers unto his friends, DJ Sam Huxley and Amy Chen. Now, they're the superheroes: Starguard (Danny), Thundercloud (Sam), Yellowbird (Amy). But jealousy has broken up this vampire-superhero trio...

Night Club II #1 opens with Danny and Amy, now a couple, still playing superheroes and filming it for their lucrative YouTube page. They are actively attacking the drug empire of Rufus Tee, much to the chagrin of the police. Meanwhile, former “band mate,” Sam is using his vampire powers to ball hard, and now, he's gotten an attractive offer from a man who should be his enemy.

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Night Club II #1.

Reading this first issue of Night Club II, I suddenly remembered how much I really liked the first series and how much I really missed it. I'd love for Night Club to be an ongoing series, but I know that Millarworld doesn't really work that way. Night Club will have a beginning, middle, and end, but I feel like, as far as a vampire-superhero hybrid goes, it could be like DC Comics' Teen Titans.

Instead of offering big surprises in this return, writer Mark Millar and artist Juanan Ramírez build on the narrative that began in Night Club #1 and came to a head in Night Club #6. Millar provides the character drama, and Ramirez spreads it out in big panels and in widescreen storytelling. I think this means that there will be a lot of force applied by various interested parties to other interested parties in this second installment, and I think we'll like it, dear readers.

If you have ever seen the 1987 vampire film, The Lost Boys, you might have wondered what it would be like if the vampire boys got to play to their own interests. Maybe, Night Club II is that story.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club II.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/mrmarkmillar

https://twitter.com/netflix

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