TRASH IN MY EYE Reviews: vampire

Showing posts with label vampire. Show all posts

Friday, November 1, 2024

Comics Review: "NIGHT CLUB II #3" - Sh*t Gets Deep

NIGHT CLUB II #3 (OF 6)

DARK HORSE COMICS/Netflix

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

EDITOR: Daniel Chabon

COVER: Juanan Ramírez with Fabiana Mascolo

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Juanan Ramirez

32pp, Color, $4.99 U.S. (October 2024)

Rating: 18+

Night Club created by Mark Millar at Netflix

Night Club II is a six-issue miniseries written and created by Mark Millar and drawn by Juanan Ramírez. A Dark Horse Comics publication and a Netflix production, Night Club II is a sequel to the 2023 miniseries, Night Club. Both series focus on a teen boy who is bitten by a vampire and decides to make the best of his new condition. Colorist Fabiana Mascolo and letterer Clem Robins complete Night Club II's creative team.

Night Club II focuses on 17-year-old Danny Garcia. After being turned into a vampire, he passed his new found powers unto his friends, DJ Sam Huxley and Amy Chen. Now, they're the superheroes: Starguard (Danny), Thundercloud (Sam), Yellowbird (Amy). But jealousy has broken up this vampire-superhero trio...

Night Club II #3 opens as Sam begins to realize that he has made a mistake. However, he is NOT ready to realize how big a mistake it is. Once upon a time, three nerdy friends became the first vampire-superheroes and also the coolest superheroes around. Now, their high school's worst bullies are a new gang of vampires. Will this be a case of out with the old (The Night Club) and in the with the new (the assholes)?

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Night Club II #3.

Writer Mark Millar used the first issue of Night Club II to bring us to the current state of affairs. With the second issue, Millar quickly moved things forward, and shit got real deep, real quick. The result is that issue #3 is the best and most consequential of this series... so far. Millar has mastered upping the ante, so he is relishing slowly tearing down everything we thought we knew about The Night Club.

Artist Juanan Ramírez has built this narrative on capturing the reckless nature of young people with too much power, regardless of whether this power is natural or supernatural and criminal or evil. Now, Ramirez wants to rub the consequences in our faces with his quicksilver storytelling. Colorist Fabiana Mascolo brings the funk to Ramirez widescreen antics in a way that makes this story pop off the page. Clem Robins' lettering, as always, is a perfect accompaniment.

Yeah, shit 'bout to get even deeper.

Night Club II does not disappoint, dear readers. It's taking us where we never expected to go in vampire comic books.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club II.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/mrmarkmillar

https://twitter.com/netflix

https://www.mrmarkmillar.com/

http://www.millarworld.tv/

https://www.darkhorse.com/

https://x.com/darkhorsecomics/

https://www.facebook.com/darkhorsecomics/

https://www.instagram.com/DarkHorseComics/

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Thursday, October 10, 2024

Comics Review: "SCOOBY-DOO, Where Are You? #129" - Don't Look Back in Anger

SCOOBY-DOO, WHERE ARE YOU? (2010) #129

DC COMICS

STORY: Derek Fridolfs; Ivan Cohen

PENCILS: Valerio Chiola; Walter Carzon

INKS: Valerio Chiola; Horacio Ottolini

COLORS: Valerio Chiola; Silvana Brys

LETTERS: Saida Temofonte

EDITORS: Courtney Jordan; Rob Levin (reprint)

COVER: Valerio Chiola

32pp, Color, $2.99 U.S. (October 2024)

Ages 8+

“Dine & Dash”

Welcome, dear readers, to my continuing journey through the Scooby-Doo, Where Are You? comic book series, which began publication in 2010. I continue to renew my subscription so that I can continue to review this series for you, dear readers.

Scooby-Doo, Where Are You? #129 opens with “Dine & Dash,” which is written by Derek Fridolfs and drawn by Valerio Chiola. The story finds Mystery Inc.: Scooby-Doo, Shaggy, Fred, Daphne, and Velma coming off their most recent case which I guess could be called “The Case of the Goblin Golfers.” Fred decides to treat everyone to dinner at his favorite place, but his favorite place is now a sports-themed bar and restaurant called “Munch Madness.”

Before there was Munch Madness, there was the “Pizza Playhouse,” Fred's favorite... haunt when he was a boy. The restaurant even featured a band of anthropomorphic animal performers, “the Pizza Pack.” Although the performers were animatronic, Fred loved them, especially “Elliott the Elephant.” Fred is feeling a nostalgic sense of loss when a phantom version of Elliott suddenly strikes, so now Mystery Inc. has a new mystery to solve.

As usual, the second story, “Magic Hassle,” is a reprint story. It is written by Ivan Cohen and drawn by Walter Carzon and Horacio Ottolini. [This story was originally published in Scooby-Doo, Where Are You #79 (cover date: May 2017).] The story opens at night as the Mystery Machine drives up a mountain road to “Mystic Mansion.” It is “the world's most famous magicians' hangout,” and Fred, Daphne, Velma, Shaggy, and Scooby-Doo are invited guests to an event being held there.

Tonight is special, as the magician, “Rickey D,” is debuting a new trick in order to tests the skills of Mystery Inc. Surprisingly, there is something going on between Rickey D and another popular magician, “Murdstone the Magnificent.” However, that is put aside after some tools-of-the-trade disappear, and a vampire arrives to break-up the show.

Scooby-Doo, Where Are You? #129 has as its theme nostalgia. The focus is specifically on how people resent the change or disappearance of things they loved fiercely in the past. In the first story, “Dine & Dash,” Fred is disappointed that his childhood pizza restaurant slash playground has been replaced by an adult sports bar that is now a clubhouse which emphasizes buffalo wings and sports. In the reprint story, “Magic Hassle,” Murdstone the Magician resents his young rival, Rickey D, and his flashiness and prefers a legendary and groundbreaking magician and escape artist whose act lost favor with audiences decades in the past.

Nostalgia and resistance to cultural change are timely subjects, especially after at least a quarter-century of the rise of so-called “toxic fandom.” That aside, nostalgia as a theme here makes for highly entertaining stories. I will say, though, that “Magic Hassle” has an awkward ending.

Many of the recent new stories in Scooby-Doo, Where Are You? Have been written by Derek Fridolfs, who is also a comic book artist. He often draws the cover art for the issues for which he has written a story. For issue #129, Valerio Chiola draws the opening story and also draws the cover art. So it is both odd and delightful to see Chiola's quirky graphical and illustrative style featured as the cover art. Also, “Magic Hassle” is drawn by one of the very best modern Scooby-Doo art teams, Walter Carzon (pencils) and Horacio Ottolini (inks), and the art features the brilliant colors of Silvana Brys. The art is a big reason why I am giving this issue a high rating.

Scooby-Doo, Where Are You? #129 may have the highest rating that I've every given an issue of this series, but the last year or so has featured some really good individual issues. So grab your “Scooby Snacks” and read this issue, and maybe watch a Scooby-Doo movie, later. And until next time, Scooby-Dooby-Doo!

[This comic book includes a seven-page preview of the DC Comics original graphic novel, “Lois Lane and the Friendship Challenge” by Grace Ellis and Brittney Williams.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.dccomics.com/

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Sunday, October 6, 2024

Review: Max's "'SALEM'S LOT" 2024 is Scary a Lot

TRASH IN MY EYE No. 44 of 2024 (No. 1988) by Leroy Douresseaux

'Salem's Lot (2024)

Running time: 113 minutes (1 hour, 53 minutes)

MPA – R for bloody violence and language

DIRECTOR: Gary Dauberman

WRITER: Gary Dauberman (based on the novel by Stephen King)

PRODUCERS: Michael Clear, Roy Lee, James Wan, and Mark Wolper

CINEMATOGRAPHER: Michael Burgess (D.o.P.)

EDITOR: Luke Ciarrocchi

COMPOSERS: Nathan Barr and Lisbeth Scott

HORROR

Starring: Lewis Pullman, Makenzie Leigh, Jordan Preston Carter, Alfre Woodard, Bill Camp, John Benjamin Hickey, Nicholas Crovetti, Spencer Great Clark, Pilou Asbaek, and Alexander Ward

SUMMARY OF THE REVIEW:

-- Although it lacks big names stars, “'Salem's Lot” 2024 has big scares, as writer-director Gary Dauberman spins a number of some blood-curdling and bone-chilling scenes that are beautifully shot by cinematographer Michael Burgess

-- The movie does lack the character depth of early television versions, it is fairly faithful in some ways to its source material, Stephen King's 1975 novel of the same name

-- I highly recommend the new “'Salem's Lot” to fans of vampire horror films

'Salem's Lot is a 2024 American vampire horror film from writer-director Gary Dauberman. The film is based on the 1975 novel, 'Salem's Lot, from author Stephen King. 'Salem's Lot the movie focuses on an author who returns to his childhood home in search of inspiration for his next novel and discovers that the town is being taken over by vampires.

'Salem's Lot introduces author Ben Mears (Lewis Pullman). He has returned to his childhood home of Jerusalem's Lot, also known as “'Salem's Lot” or “The Lot,” seeking inspiration for his next novel. He meets and begins a relationship with Susan Norton (Makenzie Leigh), a young woman studying to get her real estate license. Their relationship sets tongues a-wagging in the small town.

Also new to the town is the antiques business, “Barlow and Straker Fine Furnishings.” So far, only Richard Straker (Pilou Asbaek) has arrived, but Straker promises that his partner, Kurt Barlow (Alexander Ward), will soon arrive. The problem is that Barlow is a vampire, and before long, he is preying on the Lot, and this town of 1710 starts to find that its living population is shrinking. Now, a teacher, Matthew Burke (Bill Camp); a boy who is a horror fan, Mark Petrie (Jordan Preston Carter); a local physician, Dr. Cody (Alfre Woodard); and a broken down alcoholic priest, Father Callahan (John Benjamin Hickey), join Ben and Susan to form a rag tag team of heroes determined to stop Barlow. As their circle grows smaller, however, can they really take on a town full of vampires?

'Salems's Lot” was author Stephen King's second published novel (following his publishing debut, 1974's Carrie), and it is apparently his favorite of his works. The popular novel was first adapted as a two-part television miniseries that was originally broadcast by CBS in November 1979 (although I remember its length and release date differently). It was again adapted as a two-part television miniseries, broadcast by the TNT cable network in June 2004. I enjoyed both versions, but prefer the 1979 which turned out to be a influence on such vampire films as Fright Night (1985) and The Lost Boys (1987).

I watched the new 'Salem's Lot film to the end of its credits, and the copyright date is listed as the year 2022. Yes, this new 'Salem's Lot has had at least two years of changing theatrical release dates. Outside of a film festival premiere, 'Salem's Lot the movie finally found a home on the streaming service Max (formerly HBO Max). Is 'Salem's Lot good enough to have received a full theatrical release? The answer is yes, but good movies aren't always box office hits. Besides Warner Bros., the movie studio behind 'Salem's Lot, very likely had no idea that the recent sequel, Beetlejuice Beetlejuice, would be such a blockbuster hit. It is a crap-shoot, and, in the case of 'Salem's Lot, is now a moot point.

'Salem's Lot's main problem may be that it has no big name actors starring in it, although the lead, Lewis Pullman as Ben Mears, had a supporting role in the 2022 mega-hit, Top Gun: Maverick. Pullman plays Ben Mears as cool-headed and steady-handed, which is an interesting take. And the rest of the cast of 'Salem's Lot is equally good. Alfre Woodard is always a top notch performer whose unique film presence and acting personality always gives a movie some “oomph.” Jordan Preston Carter is a surprising and scene-stealing little hero as Mark Petrie. John Benjamin Hickey and Bill Camp give strong character performances in their respective roles.

Still, I must reiterate that 'Salem's Lot 2024 is a really entertaining and thoroughly scary vampire horror movie. Sure, it lacks the emotional and character drama depth of the early adaptations of King's novel. I also take issue with the fact that even after the heroes learn what they need to fight vampires, they are often caught without them or trapped with too few of them.

However, Michael Burgess' lovely cinematography and Nathan Barr and Lisbeth Scott's eerie film music power-up writer-director Gary Dauberman's most bone-chilling moments and blood-curdling scenes. I don't want to fill this review with spoilers, but what would a 'Salem's Lot” TV or film be without a vampire boy at the window?...

Who knows how 'Salem's Lot would have performed in a crowded Halloween season theatrical release schedule? Still, both summer movie nights and October fright fests have a new visitor, a horror movie hungry to get to you, dear readers. And as always, 'Salem's Lot is thirsty for your blood.

7 of 10

B+

★★★½ out of 4 stars

Sunday, October 5, 2024

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Wednesday, October 2, 2024

Comics Review: "NIGHT CLUB II #2" - Stupid Is as Stupid Does

NIGHT CLUB II #2 (OF 6)

DARK HORSE COMICS

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

COVER: Juanan Ramírez with Fabiana Mascolo

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Juanan Ramirez

32pp, Color, $4.99 U.S. (September 2024)

Rating: 18+

Night Club created by Mark Millar at Netflix

Night Club II is a new six-issue miniseries written and created by Mark Millar and drawn by Juanan Ramírez. A Dark Horse Comics publication and a Netflix production, Night Club II is a sequel to the 2023 miniseries, Night Club. Both series focus on a teen boy who is bitten by a vampire and decides to make the best of his new condition. Colorist Fabiana Mascolo and letterer Clem Robins complete Night Club II's creative team.

Night Club II focuses on 17-year-old Danny Garcia. After being turned into a vampire, he passed his new found powers unto his friends, DJ Sam Huxley and Amy Chen. Now, they're the superheroes: Starguard (Danny), Thundercloud (Sam), Yellowbird (Amy). But jealousy has broken up this vampire-superhero trio...

Night Club II #2 opens as Sam turns down an offer for new employment. Now, he is burying his bitterness about the relationship between Danny and Amy between the legs of his new “girlfriend,” Kendra McQuade.

Not long ago, Sam was the sweet, chubby best friend at school. Then, he became a vampire- powered jock who hammered win after win on the basketball court. The girls love him, but has all that crazy stupid love simply made Sam stupid enough to create trouble for himself?

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Night Club II #2.

After reading the first issue of Night Club II, I suddenly remembered how much I really liked the first series and how much I really missed it. However, the first issue of the second series was just a reminder of of the first series' craziness and warm-up for the new craziness that writer Mark Millar would bring to Night Club II #2. I still say that this franchise is a vampire-superhero hybrid that takes DC Comics' Teen Titans and gives them a supernatural teen dysfunction makeover.

Artist Juanan Ramírez has built this narrative on capturing the reckless nature of young people with too much power, regardless of whether this power is natural or supernatural and criminal or evil. Colorist Fabiana Mascolo brings the funk to Ramirez widescreen antics in a way that makes this story pop on the page. Clem Robins' lettering, as always, is a perfect accompaniment.

Night Club II does not disappoint, dear readers. It's taking us where we never expected to go.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club II.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/mrmarkmillar

https://twitter.com/netflix

https://www.mrmarkmillar.com/

http://www.millarworld.tv/

https://www.darkhorse.com/

https://x.com/darkhorsecomics/

https://www.facebook.com/darkhorsecomics/

https://www.instagram.com/DarkHorseComics/

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Saturday, August 24, 2024

Comics Review: "NIGHT CLUB II #1" - Young Vampires Beefin'

NIGHT CLUB II #1 (OF 6)

DARK HORSE COMICS

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

COVER: Juanan Ramírez with Fabiana Mascolo

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Jae Lee with June Chung

32pp, Color, $4.99 U.S. (August 2024)

Rated M / Mature

Night Club created by Mark Millar at Netflix

Night Club introduces 17-year-old Danny Garcia, who had ambitions to gain fame and fortune as a YouTube star. After being turned into a vampire, he passed his new found powers unto his friends, DJ Sam Huxley and Amy Chen. Now, they're the superheroes: Starguard (Danny), Thundercloud (Sam), Yellowbird (Amy). But jealousy has broken up this vampire-superhero trio...

Night Club II #1 opens with Danny and Amy, now a couple, still playing superheroes and filming it for their lucrative YouTube page. They are actively attacking the drug empire of Rufus Tee, much to the chagrin of the police. Meanwhile, former “band mate,” Sam is using his vampire powers to ball hard, and now, he's gotten an attractive offer from a man who should be his enemy.

THE LOWDOWN: This is the second time that I have been on any kind of list that provides PDF copies of titles published by Dark Horse Comics. The latest received is Night Club II #1.

Reading this first issue of Night Club II, I suddenly remembered how much I really liked the first series and how much I really missed it. I'd love for Night Club to be an ongoing series, but I know that Millarworld doesn't really work that way. Night Club will have a beginning, middle, and end, but I feel like, as far as a vampire-superhero hybrid goes, it could be like DC Comics' Teen Titans.

Instead of offering big surprises in this return, writer Mark Millar and artist Juanan Ramírez build on the narrative that began in Night Club #1 and came to a head in Night Club #6. Millar provides the character drama, and Ramirez spreads it out in big panels and in widescreen storytelling. I think this means that there will be a lot of force applied by various interested parties to other interested parties in this second installment, and I think we'll like it, dear readers.

If you have ever seen the 1987 vampire film, The Lost Boys, you might have wondered what it would be like if the vampire boys got to play to their own interests. Maybe, Night Club II is that story.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club II.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/mrmarkmillar

https://twitter.com/netflix

https://www.mrmarkmillar.com/

http://www.millarworld.tv/

https://www.darkhorse.com/

https://x.com/darkhorsecomics/

https://www.facebook.com/darkhorsecomics/

https://www.instagram.com/DarkHorseComics/

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Saturday, June 1, 2024

Comics Review: "KILLADELPHIA #34" - Return of the King, Again

KILLADELPHIA #34

IMAGE COMICS

STORY: Rodney Barnes

ART: Jason Shawn Alexander and Germán Erramouspe with Robert Melendrez

COLORS: Lee Loughridge

LETTERS: Marshall Dillon

EDITORS: Greg Tumbarello; Chris Robinson

COVER: Jason Shawn Alexander with Lee Loughridge

VARIANT COVER: Jeremy Sorrell

36pp, Colors, 3.99 U.S. (March 2024)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“Death Be Not Proud” Part IV: “Every Father's Sun”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander. Published by Image Comics, it centers on a conspiracy in which vampires attempt to rule Philadelphia. The series is currently written by Barnes and drawn by Alexander and Germán Erramouspe. Colorist Lee Loughridge and letterer Marshall Dillon complete Killadelphia's creative team.

There is a war between the Light and the Dark in Philadelphia, also known as Killadelphia. The human, James “Jim” Sangster, Jr.; Anansi the Spider-God; Toussaint Louverture and his army of killers; and a menagerie of fighters and gods and monsters are on one side or the other or both in the vampire invasion of Philadelphia. Of note is a special young vampire (Tevin Thompkins a.k.a. “See Saw”), and his activities have summoned the most famous Hellspawn, a Savage Dragon, and now, a most infamous vampire king.

Killadelphia #34 (“Every Father's Sun”) opens at an abandoned convenience store and gas station. A Black family is about to experience black-on-black crime, when the criminals open the wrong box. Enter Blacula.

Meanwhile, Malcolm Dragon has a meeting of the minds with his father, the original: “The Dragon.” And pops has something to say about right and wrong.

Elsewhere, an embittered Lord Satan frets over how Spawn destroyed his legions. Seeing an opening, Dracula, recently condemned to the realm of Satan, convinces Satan that his problem is really... Blacula.

Finally, See Saw gets a chance to reconcile with Ray, a friend he feels he betrayed, ultimately causing Ray's death. Ray has the good news, however.

THE LOWDOWN: I have had access to PDF review copies of Image Comics titles for a long time now. Killadelphia #34 is one of them.

Writer Rodney Barnes continues to build the intensity of this – the seventh story arc of the series. I don't want to spoil too much, but the addition of the classic blaxploitation character, Blacula, who appeared in two film, Blacula (1972) and Scream Blacula Scream (1973), is especially sweet. Killadelphia co-creators Barnes and Jason Shawn Alexander produced a Blacula original graphic novel (OGN), Blacula: Return of the King, that was published in early 2023.

So where is Killadelphia going? And where is Blacula going with it. Dear readers, let's stay on this dark side.

[Killadelphia #34 is also available in a “Noir Edition,” featuring black-and-white line art interiors.]

I READS YOU RECOMMENDS: Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

[This issue includes an 11-page installment of “Johnny Gatlin” by Rodney Barnes, Syzmon Kudranski, and Marshall Dillon.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/TheRodneyBarnes

https://twitter.com/jasonshawnalex

https://twitter.com/MarshallDillon

https://twitter.com/ImageComics

https://imagecomics.com/

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https://www.facebook.com/pages/Image-Comics-Inc/178643148813259

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https://www.linkedin.com/company/image-comics/

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Tuesday, March 19, 2024

Comics Review: "KILLADELPHIA #33" - Enter the Savage Dragon

KILLADELPHIA #33

IMAGE COMICS

STORY: Rodney Barnes

ART: Jason Shawn Alexander and Germán Erramouspe with Robert Melendrez

COLORS: Lee Loughridge

LETTERS: Marshall Dillon

EDITORS: Greg Tumbarello; Chris Robinson

COVER: Jason Shawn Alexander with Lee Loughridge

VARIANT COVER: Don Aguillo

44pp, Colors, 3.99 U.S. (January 2024)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“Death Be Not Proud” Part III: “A Dragon Out of Chi-Town”

Killadelphia focuses on James “Jim” Sangster, Jr.; Anansi the Spider-God; Toussaint Louverture and his army of killers; and a menagerie of fighters and gods and monsters on one side or the other or both in the vampire invasion of Philadelphia. Of note is a special young vampire (Tevin Thompkins a.k.a. “See Saw”), and his activities have summoned the most infamous Hellspawn of all, as well as other original Image Comics characters.

Killadelphia #33 (“A Dragon Out of Chi-Town”) opens with Harold, the boy who gathers rats. He has a very special relationship with the undead, and here is how it goes...

Meanwhile, the shocking appearance of the HellSpawn was the prelude to another unexpected twist. Enter the Savage Dragon. See Saw might have stopped the Spawn from destroying what's left of our heroes, but this rag-tag team of vampires and werewolves will face their toughest challenge. Can See Saw become a dragonslayer? Does he need to be? And what's Purgatory got to do with it?

THE LOWDOWN: It's a new day for Killadelphia. The sixth story arc, “Death Be Not Proud,” has a starring role for the most famous creation from the comics universe of Todd McFarlane, Spawn. Now, Erik Larsen's most famous creation, the Savage Dragon, has arrived for the fun.

Writer Rodney Barnes has shocked and surprised readers of Killadelphia along the way. In “Death Be Not Proud,” Barnes uses the titillation of the comic book crossover to throw all new curve balls at his readers, and the result is a re-energized narrative for Killadelphia. If you needed to be reminded, dear readers, this emphasizes that this series is one of infinite possibilities. In addition, the subplot centering on the young orphan, Harold, also promises some beautiful storytelling.

Where is “Death Be Not Proud” going? Let's keep following, dear readers.

[Killadelphia #33 is also available in a “Noir Edition,” featuring black-and-white line art interiors.]

I READS YOU RECOMMENDS: Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

[This issue includes an 11-page installment of “Johnny Gatlin” by Rodney Barnes, Syzmon Kudranski, and Marshall Dillon.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/TheRodneyBarnes

https://twitter.com/jasonshawnalex

https://twitter.com/MarshallDillon

https://twitter.com/ImageComics

https://imagecomics.com/

http://rodneybarnes.com/

https://www.instagram.com/imagecomics/

https://www.facebook.com/pages/Image-Comics-Inc/178643148813259

https://www.twitch.tv/imagecomics

https://www.youtube.com/channel/UCHmaKLo0FXWIPx-3n6qs3vQ

https://www.linkedin.com/company/image-comics/

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Saturday, March 9, 2024

Comics Review: "SCOOBY-DOO, Where Are You? #126" is in the Books

SCOOBY-DOO, WHERE ARE YOU? (2010) #126

DC COMICS

STORY: Derek Fridolfs; Sholly Fisch

PENCILS: Valerio Chiola; Scott Jeralds

INKS: Valerio Chiola; Scott Jeralds

COLORS: Valerio Chiola; Silvana Brys

LETTERS: Saida Temofonte

EDITORS: Courtney Jordan; Brittany Holzherr (reprint)

COVER: Derek Fridolfs with Valerio Chiola

32pp, Color, $2.99 U.S. (February 2024)

Ages 8+

“Girls Night Ouch!”

Scooby-Doo, Where Are You? #126 opens with “Girls Night Ouch!,” which is written by Derek Fridolfs and drawn by Valerio Chiola. The story finds Mystery Inc.: Scooby-Doo, Shaggy, Fred, Daphne, and Velma making some plans. Not everyone has the same plans for this evening. Scooby and Shaggy have an all-you-can-eat buffet to attend, and Fred is going to investigate a haunted kitchen.

Meanwhile, Daphne and Velma are going to a local bookstore for a release party for the second book in the popular, teenage vampire romance book series, “Once Bitten.” The series' author, Steven Majors, is going to read from “Twice Bitten,” the new book, but his appearance is nothing compared to a surprise appearance. It seems that the book series' star, the vampire Danté, has arrived and is tearing the bookstore apart. Can Daphne and Velma solve this mystery alone?

As usual, the second story, “Ghost Writers,” is a reprint story. It is written by Sholly Fisch and drawn by Scott Jeralds. [This story was originally published in Scooby-Doo, Where Are You #76 (cover date: February 2017).] The story finds Mystery Inc. investigating a haunted library. Paige the librarian wants to know why the ghosts of Edgar Allen Poe and William Shakespeare are haunting her library. Now, Scooby and the gang have to discover what these literary ghosts want.

Scooby-Doo, Where Are You? #126 has as its theme literary hauntings. The new story is set in a book event at a local book store, and of course, there is an obvious reference to author Stephenie Meyer's Twilight book series. Readers familiar with Twilight will enjoy the references to the book and to its fans and – dare I say it – its devoted, cult-like following.

Scooby-Doo, Where Are You? #126 is not a particularly good issue compared to recent issues. Still, it's a fun read. So grab your “Scooby Snacks” and read it, and maybe watch a Scooby-Doo movie, later. And until next time, Scooby-Dooby-Doo!

C+

[This comic book includes a seven-page preview of the DC Comics original graphic novel, “Metropolis Grove” by Drew Brockington.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://www.dccomics.com/

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Sunday, January 28, 2024

Comics Review: "KILLADELPHIA #32" - Don't Trust a White Devil While Signing Your Record Deal in the Hood

KILLADELPHIA #32

IMAGE COMICS

STORY: Rodney Barnes

ART: Jason Shawn Alexander and Germán Erramouspe

COLORS: Lee Loughridge

LETTERS: Marshall Dillon

EDITORS: Greg Tumbarello; Chris Robinson

COVER: Jason Shawn Alexander with Lee Loughridge

44pp, Colors, 3.99 U.S. (December 2023)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“Death Be Not Proud” Part II: “Whatever Happened to Blake Edwards?”

Killadelphia focuses on James “Jim” Sangster, Jr.; Anansi the Spider-God; Toussaint Louverture and his army of killers; and a menagerie of fighters and gods and monsters on one side or the other or both in the vampire invasion of Philadelphia. Of note is a special young vampire (Tevin Thompkins a.k.a. “See Saw”), and his activities have summoned the most infamous Hellspawn of all.

Killadelphia #32 (“Whatever Happened to Blake Edwards?”) opens in West Philadelphia, where two National Guardsmen are about to make a big mistake with Blake Edwards. But isn't Blake supposed to be dead? Well, his desire for revenge against Ron Davies, one of the world's biggest music producers, is very much alive.

Meanwhile, in North Philadelphia, See Saw, Spawn, and a pack of werewolves continue to battle the horde of demons that keep emerging from a... hellhole, while Anansi provides sass and color commentary. With Corson and Lucifer behind this invasion, victory won't come easy.

Elsewhere, Toussaint Louverture is convinced to rejoin the fight, but this time, he has a new weapon. And it's a dragon.

THE LOWDOWN: It's a new day for Killadelphia. The sixth story arc, “Death Be Not Proud,” has a starring role for the most famous creation from the comics universe of Todd McFarlane, Spawn.

To say that writer Rodney Barnes has shocked and surprised me would be to repeat myself for the umpteenth time in several years. What can I say? Here, the definition of insanity would be to keep doing the same thing (reading) and expecting a different result (not be surprised and thrilled). I must say, however, the Blake Edward subplot and the surprise appearance on the final page are almost more than my imagination can take.

The art team of Jason Shawn Alexander and Germán Erramouspe continue to Ragnarok and roll under the fiery coloring of Lee Loughride. Their terrifying storytelling with its stream of terrible fates is truly its own hellish Avengers: Endgame.

Where is “Death Be Not Proud” going? Let's keep following, dear readers.

[Killadelphia #32 is also available in a “Noir Edition,” featuring black-and-white line art interiors.]

I READS YOU RECOMMENDS: Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

[This issue includes an 12-page installment of “Johnny Gatlin” by Rodney Barnes, Syzmon Kudranski, and Marshall Dillon.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Thursday, January 18, 2024

Comics Review: "KONI WAVES" Crests on Cool Characters and Inventive Elements

KONI WAVES

HAUNTED PIZZA LLC/ARCANA STUDIOS

STORY: Mark Poulton

SCRIPT: Mandy Summers

ART: Renzo Rodriguez

COLORS: Dexter Weeks

LETTERS: Dexter Weeks

COVER: Renzo Rodriguez with Ink Spots

VARIANT COVER ARTISTS: Irene Strychalski; Chris Graves

ISBN: 979-8-987-45314-8; paperback (November 2023)

56pp, Color, $25.00 U.S.

Koni Waves created by Mark Poulton, Stephen Sistilli, and Dexter Weeks

Koni Waves is an independent supernatural horror comic book that was published as a series of miniseries and one-shots from 2006 to 2010 by Arcana Studio. Created by Mark Poulton, Stephen Sistilli, and Dexter Weeks, Koni Waves focused on Koni Kanawai, a female detective in Honolulu, Hawaii, who specialized in supernatural cases.

Koni Kanawai returns in a new original graphic novel, entitled Koni Waves, that was crowdfunded on Indiegogo last year and was published late last year (2023). The new graphic novel is written by Mark Poulton (story) and Mandy Summers (script); drawn by Renzo Rodriguez; and colored and lettered by Dexter Weeks. In this new story, Koni becomes involved in a complicated murder case that involves supernatural scheme and conspiracy.

Koni Waves opens with Koni Kanawai rescuing her pal, Pete, from the vampires(!) of Black Bear Cove, but that adventure is easy compared to what is coming. Koni's father, James Kanawai, a detective with the HPD, wants Koni to try to get back on the force. Koni, who was suspended apparently after running afoul of Internal Affairs, is willing to give that a try.

Later, at her favorite watering hole, Koni learns that District Attorney Choi believes that he has convicted the wrong man, Danny Snyder, of the murder of Felicity Andrews, an exotic dancer and former associate of Koni's. Taking on the case, Koni contacts Krystal, another dancer and former associate of Felicity's. After snooping around, Koni comes to believe that a local power broker, Prince Hopohopo, is connected to the Felicity Andrews case. However, Koni will discover that this case involves Hawaii's darkest secrets and its edgiest supernatural and spiritual past.

THE LOWDOWN: A few years ago, I came across the Twitter feed of a Mexican comic book artist named Renzo Rodriguez. From the first of examples of his art I saw, I thought he was very talented, but because I had never heard of him previously, I assumed Renzo was a new talent. I would later learn that Renzo was a veteran talent who had been drawing professionally for a long time, including for Zenescope Entertainment.

Last year, I learned that Renzo would be the artist for a crowdfunded project, entitled Koni Waves, so I quickly contributed. I did not know that Koni Waves was a comics property with a history, so I did not know what to expect. Now, having read and received this original graphic novel, I am glad that I contributed to the campaign.

Renzo is obviously influenced by legendary comic book artist Art Adams. Some artists who were influenced by Adams (such as J. Scott Campbell and Rob Liefeld) picked up on Adams' stylish flourishes. However, what Renzo seems to have taken from Adams is the ability to compose complex, multi-panel pages that allows a story to be told in detail without going into overdrive with decompression. Most of Renzo's pages have at least seven panels of varying size, and Renzo composes detailed backgrounds and environments in a way that compares to the work of set decorators for film and television. Renzo makes the world of Koni Waves feel lived-in, like a real place.

All those panels on each page allows scripter Mandy Summers to flesh out Mark Poulton's character-rich story in a way that conveys motivation and personality, plot and mythology, and action and drama. Summers makes Koni Waves read like an actual graphic novel in a way that so-called graphic novels (trade paperbacks) three times its size do not.

Dexter Weeks' precise, rich colors capture the curves, shapes, and contours of Renzo's figure drawing. Those colors make every character seem alive and, in the case of some, seem quite sexy, and they also make the art pop on the page. In addition, Weeks' lettering finds plenty of space for Summers' dialogue, so that nothing is crowded out.

I like Koni Waves, and I'd like to see more of Koni and her closest allies and most dangerous adversaries. This comic book scratches the surface of Koni Waves' supernatural skin, but the freaks want to come out. So I say let them out with more Koni Waves.

I READS YOU RECOMMENDS: Fans of supernatural and occult detective comics will want Koni Waves.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Wednesday, November 15, 2023

Comics Review: "KILLADELPHIA #31" is All About FAFO

KILLADELPHIA #31

IMAGE COMICS

STORY: Rodney Barnes

ART: Jason Shawn Alexander and Germán Erramouspe

COLORS: Lee Loughridge

LETTERS: Marshall Dillon

EDITORS: Greg Tumbarello; Chris Robinson

COVER: Jason Shawn Alexander with Lee Loughridge

VARIANT COVER ARTISTS: Francesco Mattina; Jae Lee with June Chung

32pp, Colors, 3.99 U.S. (November 2023)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“Death Be Not Proud” Part I: “From Hell the Dead Thing Spawned”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander. Published by Image Comics, it centers on a conspiracy in which vampires attempt to rule Philadelphia. The series is currently written by Barnes and drawn by Alexander and Germán Erramouspe. Colorist Lee Loughridge and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr.; Anansi the Spider-God; Toussaint Louverture and his army of killers; and a menagerie of fighters and gods and monsters on one side or the other or both in the vampire invasion of Philadelphia. Of note is a special young vampire (Tevin Thompkins a.k.a. “See Saw”), and his activities have summoned the most infamous Hellspawn of all.

Killadelphia #31 (“From Hell the Dead Thing Spawned”) opens in the wake of the events depicted in Killadelphia #30. See Saw stopped time and now, the rulers of realms light and dark have taken notice. They all want See Saw destroyed, but Anansi is determined to protect him – even if it leads to a battle that brings Armageddon closer. Meanwhile, a Demon King has chosen American comic book's most infamous anti-hero as the champion who will bring him See Saw's head.

THE LOWDOWN: It's a new day for Killadelphia. The sixth story arc, “Death Be Not Proud,” begins with a starring role for the most famous creation from the comics universe of Todd McFarlane, Spawn.

Writer Rodney Barnes offers this series first crossover battle, and having Spawn kicking ass is a genius move considering who the guest-star for this arc is. That bodes well for future guest possibilities (Blacula? Blade? Lando Calrissian?), and this new arc retains Barnes' sharp social satirical touches.

The art team of Jason Shawn Alexander and Germán Erramouspe present a hellscape of Ragnarok and roll. This is their “crisis of infinite demonic Earths,” and they don't hold back. The action is heightened by Lee Loughridge storm front of infernal colors and hues for a battle royale.

Where is “Death Be Not Proud” going? Judging by everything that Killadelphia has presented to date, all Hell is breaking and bustin' loose.

Killadelphia #31 is also available in a “Noir Edition,” featuring black-and-white line art interiors.

I READS YOU RECOMMENDS: Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

[This issue includes an 11-page installment of “Johnny Gatlin” by Rodney Barnes, Syzmon Kudranski, and Marshall Dillon.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/TheRodneyBarnes

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https://twitter.com/MarshallDillon

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Friday, October 20, 2023

Review: "BLACULA" Can't Stop, Won't Stop Rising from the Grave

TRASH IN MY EYE No. 47 of 2023 (No. 1936) by Leroy Douresseaux

Blacula (1972)

Running time: 93 minutes (1 hour, 33 minutes)

MPAA – PG

DIRECTOR: William Crain

WRITERS: Joan Torres and Raymond Koenig

PRODUCER: Joseph T. Naar

CINEMATOGRAPHER: John M. Stevens (D.o.P.)

EDITOR: Allan Jacobs

COMPOSER: Gene Page

BLAXPLOITATION/HORROR/ROMANCE

Starring: William Marshall, Vonetta McGee, Denise Nicholas, Thalmus Rasulala, Gordon Pinsent, Charles Macaulay, Emily Yancy, Lance Taylor, Sr., Ted Harris, Rick Metzler, Logan Field, Ketty Lester, Elisha Cook, Jr., Jitu Cumbuka, Eric Brotherson, and The Hues Corporation

Blacula is a 1972 American blaxploitation vampire horror and romance film directed by William Crain. Originally released by American International Pictures, the film was a hit and inspired a wave of blaxploitation (black exploitation) films, including its own sequel, Scream Blacula Scream. Blacula focuses on an 18th century African prince-turned-vampire who awakens to find himself in modern day Los Angeles.

Blacula opens in 1780, in Transylvania at Castle Dracula. The African prince, Mamuwalde (William Marshall), has traveled there with his wife, Luva (Vonetta McGee), to seek the help of Count Dracula (Charles Macaulay) in suppressing the African slave trade. Dracula refuses and after some insults and violence, he bites Mamuwalde and curses him to an immortal existence as the vampire, “Blacula.” He imprisons Mamuwalde in a sealed coffin in a crypt hidden beneath the castle, where he also leaves Luva to die.

In 1972, Blacula emerges from his coffin and begins a reign of terror and death. However, he is shocked to discover a young woman named Tina Williams (Vonetta McGee) who looks exactly like his long-lost Luva. Initially hesitant, Tina warms to Blacula, who introduces himself as Mamuwalde. In turn, Tina introduces him to her sister, Michelle Williams (Denise Nicholas), and her boyfriend, Dr. Gordon Thomas (Thalmus Rasulala).

A pathologist for the Los Angeles Police Department, Dr. Gordon has been investigating the deaths of people whom he suspects are victims of a vampire. Teaming with LAPD's Lieutenant Jack Peters (Gordon Pinsent), Gordon must discover the force behind these deaths before its too late, even as Tina finds herself irresistibly drawn to Mamuwalde / Blacula.

I have seen Blacula several times, but I had previously not attempted to review it. I have seen several “Black vampire films,” but I have previously only reviewed Spike Lee's Da Sweet Blood of Jesus (2014), although I have not seen the film it remakes, Ganja and Hess (1973). Of course, I have reviewed all the films in New Line Cinema's Blade franchise that began with 1998's Blade.

When I discovered that Blacula was available on Turner Classic Movies (TCM) via Spectrum On-Demand, I decided to view it again with an eye towards writing a review. I must say that I'd forgotten how good the music is, especially the funk score by conductor, composer, and record producer, Gene Page (1939-98), which was one of the first of its kind for a vampire film. The songs: three performed by the pop-soul trio, The Hues Corporation, and one by the short-lived L.A. soul group, The 21st Century Ltd., are quite nice.

Something I noticed for the first time is that Blacula depicts a world in which African-American professionals are equal to their white peers. In fact, it isn't even a question that they are not. For instance, Dr. Gordon Thomas is respected and his orders are followed without question. The only time that his opinion is questioned involves the obvious – telling people that there is a vampire loose in Los Angeles and that he is murdering people. Obviously, a blaxploitation film would feature a cast of black leads, but the film isn't really about them being “Black.” Blacula, in a way, is a movie about humans fighting the forces of darkness; this time, the lead vampire killer is a black man. Sometimes, I got the feeling that Blacula was almost nonchalant about the characters being African-American.

Of course, Blacula could not pass as an ordinary vampire film when the late, great stage, television, and film actor, William Marshall (1924-2003), played the title role. Marshall doesn't play Mamuwalde as a victim, which he is (of Dracula); rather, he is a man (or creature) awakened to new circumstances, and as he did in his former life (based on assumptions), will live it to the fullest. I like that Mamuwalde / Blacula is a man who gets what he wants. Perhaps, that is what makes Mamuwalde so memorable to African-American audiences. He isn't a tragic or misunderstood monster; he is a king.

I have believed for a long time that given the space and runtime, Blacula's screenwriters, Joan Torres and Raymond Koenig, with William Marshall adding his ideas, could have made a greater film. Still, William Crain's deft directing and Allan Jacob's precision film editing allow Blacula to breeze past its shortcomings. I love Blacula, obviously, and I can't wait to see it again.

B+

7 of 10

★★★½ out of 4 stars

Friday, October 20, 2023

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Sunday, October 8, 2023

Comics Review: "ELVIRA in Monsterland Volume 1 #5" Assembles an Raucous Endgame

ELVIRA IN MONSTERLAND VOLUME 1 #5

DYNAMITE ENTERTAINMENT

STORY: David Avallone

ART: Kewber Baal

COLORS: Walter Pereya

LETTERS: Taylor Esposito

EDITOR: Joseph Rybandt

COVER: Dave Acosta with Walter Pereya

VARIANT COVER ARTISTS: John Royle; Kewber Baal

32pp, Color, $3.99 U.S. (September 2023)

Rated Teen+

Chapter Five: “The Monster Mash”

In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.” Elvira gradually grew in popularity and eventually became a brand name. As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery. In 2018, Elvira returned to comic books via Dynamite Entertainment. Elvira's latest comic book series is Elvira in Monsterland Volume 1. The series is written by David Avallone; drawn by Kewber Baal; colored by Walter Pereyra; and lettered by Taylor Esposito. The series finds Elvira returning to the Multiverse of Movies (a bunch of “pocket dimensions” created by the existence of movies), where she joins the “Space-Time Cops” in order to stop Vlad the Impaler from creating a monster army.

Elvira in Monsterland Volume 1 #5 (“The Monster Mash”) opens with the Mistress of the Dark putting a writer pal in check. Then, it's on to the big confrontation with Vlad and his benefactor, the disgraced film director, Stanley Salivia. And they're both out for sweet revenge against Elvira, so what will she do when she loses Agent Grant? Call in reinforcements?

Here, comes the “Revengers” and the “Justice Guild,” two superhero teams straight out of the multiverse of movies and ready to brawl. So is this the endgame or is there more madness of the Multiverse of Movies to come?

THE LOWDOWN: Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles. One of them is Elvira in Monsterland Volume 1 #5, one of many Dynamite/David Avallone Elvira comic books that I have read and enjoyed.

As much as I've enjoyed Elvira in Monsterland (and I have), I never knew what to expect of it. Even when I suspected that writer David Avallone was going to spoof werewolf movies, including of the classic early 1980s horror flick, An American Werewolf in London (1981), I did not know what was coming. That was a good thing.

I totally didn't see his epic finale for this series going down the way “The Monster Mash” does. Avallone's riff on Disney/Marvel's saga-ending Avengers: Endgame is the vehicle by which he is drives Elvira through her current dilemma. If some of “The Monster Mash” resembles the 1987 cult film, The Monster Squad, that's because Elvira has a squad of monsters that needs to be dealt with by another another, friendlier Monster Squad.

Artist Kewber Baal is an excellent match for Avallone's humor. Baal's storytelling has a breezy pace and is quite good at capturing the essences of American cinema and its obvious soft spots, which are ripe for spoofing. Colorist Walter Pereya replicates the garish colors of traditional superhero comic books, and letterer Taylor Esposito provides a kind of end-of-the-saga soundtrack.

Elvira in Monsterland is a delightful romp, and I'm going to miss Felini's magic remote. But H.P. Lovecraft is coming soon.

I READS YOU RECOMMENDS: Fans of Elvira and of David Avallone's Elvira comic books will want to read Elvira in Monsterland Volume 1.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Thursday, July 27, 2023

Comics Review: "NIGHT CLUB #6" Doesn't Wait Until Dark

NIGHT CLUB #6 (OF 6)

IMAGE COMICS

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

COVER: Matteo Scalera with Giovanna Niro

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Matteo Scalera

36pp, Color, $3.99 U.S. (July 2023)

Rated M / Mature

Night Club created by Mark Millar at Netflix

Night Club is a six-issue miniseries written and created by Mark Millar and drawn by Juanan Ramírez. An Image Comics publication and a Netflix production, Night Club focuses on a teen boy who is bitten by a vampire and decides to make the best of his new condition. Colorist Fabiana Mascolo and letterer Clem Robins complete Night Club's creative team.

Night Club introduces 17-year-old Danny Garcia, who had ambitions to gain fame and fortune as a YouTube star with his friends, DJ Sam Huxley and Amy Chen. Then, after a terrible accident, a vampire bites him, and his life goes awry. Instead of living like a stereotypical vampire, Danny decides to live “la vida loca” of a superhero.

Night Club #6 opens with Starguard (Danny), Thundercloud (Sam), and Yellowbird (Amy) prepare to get the vampire gang overlord, Gunner Joe, and crew his crew before they get them. The best laid schemes o' mice an' men an' teen vampires, however, is a way of saying that things will not go according to plan. In the final showdown, it is clear that one side will have to annihilate the other. So what happens after that?

THE LOWDOWN: Netflix/Millarworld sends me PDF review copies of their comic books. Thus, I have been lucky enough to get review copies of all six issues of Night Club.

Writer Mark Millar and artist Juanan Ramírez offered big surprises in Night Club #5. There was an intriguing origin story and the depiction of the strife between the (apparently) small number of vampires that currently exist. In this finale, Millar sets the groundwork for more rivalries and offers a revelation that it is not so much that power corrupts, but that it inflates the ego.

Ramirez attacks the action in this final issue with gusto. It is somewhere between supernatural violence and rural crime thriller. Colorist Fabiana Mascolo captures the subtly moments and the violence with equal aplomb. Letterer Clem Robins also captures the shifts and tones in mood that lay the groundwork for what is to come in future Night Club series.

Night Club is a truly unique spin on vampire comic books the way the 1997 film, Near Dark is certainly a unique take on the vampire movie. Night Club #6 is quite a nice end of the beginning, and it will probably seem even better in trade paperback form

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The trade collection of this series, Night Club Volume 1, is available for sale at Amazon.

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Monday, May 29, 2023

Comics Review: "NIGHT CLUB #5" Wants You... to Join the Vampire Army

NIGHT CLUB #5 (OF 6)

IMAGE COMICS

STORY: Mark Millar

ART: Juanan Ramírez

COLORS: Fabiana Mascolo

LETTERS: Clem Robins

COVER: Ben Templesmith

EDITORIAL: Sarah Unwin

VARIANT COVER ARTIST: Ben Templesmith

28pp, Color, $1.99 U.S. (April 2023)

Rated M / Mature

Night Club created by Mark Millar at Netflix

Night Club #5 opens with Starguard (Danny), Thundercloud (Sam), and Yellowbird (Amy) in a tight spot. The man who rescued them, the former police Detective Nick Laskaras, is simply Laskaras, and he is holding them as his prisoners. He is creating an army, and he wants to be their leader – if they join him. Not that they have much choice, and they must listen to his origin story.

Danny and friends must realize that their superhero days are over. They must become bloodthirsty murderers, but for whom? Will it be Laskaras or vampire gang chieftain, Gunner Joe?

THE LOWDOWN: Netflix/Millarworld sends me PDF review copies of their comic books. Thus, I have been lucky enough to get review copies of the first five issues of Night Club.

Writer Mark Millar and artist Juanan Ramírez are offering big surprises with Night Club #5. Sure, there is an intriguing origin story, but this series is more than just about biting necks. Now, we're seeing strife between the (apparently) small number of vampires that currently exist. So with colorist Fabiana Mascolo and letterer Clem Robins, Millar and Ramírez flip the script for a really excellent read in this penultimate issue.

Night Club is infectious and addictive, a vampire comic book determined to be a new kind of batty. I am recommending Night Club #5 as I did the previous four issues. Drink deeply of its fun; this comic book has flavors in layers and waves. And it only costs a $1.99.

I READS YOU RECOMMENDS: Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/ImageComics

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http://www.millarworld.tv/

www.imagecomics.com

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Tuesday, May 16, 2023

Comics Review: "ELVIRA in Monsterland Volume 1 #1" - B*tch Better Have My Vampire

ELVIRA IN MONSTERLAND VOLUME 1 #1

DYNAMITE ENTERTAINMENT

STORY: David Avallone

ART: Kewber Baal

COLORS: Walter Pereya

LETTERS: Taylor Esposito

EDITOR: Joseph Rybandt

COVER: Dave Acosta with Walter Pereya

32pp, Color, $3.99 U.S. (May 2023)

Rated Teen+

Chapter One: “It's a Vlad, Vlad, Vlad, Vlad World”

In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.” Elvira gradually grew in popularity and eventually became a brand name. As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery. In 2018, Elvira returned to comic books via Dynamite Entertainment. Elvira's latest comic book series is Elvira in Monsterland Volume 1. The series is written by David Avallone; drawn by Kewber Baal; colored by Walter Pereyra; and lettered by Taylor Esposito. The series finds Elvira returning to the Multiverse of Movies (a bunch of “pocket dimensions” created by the existence of movies) in order to stop the creation of a monster army.

Elvira in Monsterland Volume 1 #1 (“It's a Vlad, Vlad, Vlad, Vlad World”) opens at Elvira's home on the outskirts of Hollywood. Inside, Elvira is enjoying a respite from her recent misadventures in the “Multiverse of Movies,” though it turns out to be a brief break. While watching director Tod Browning's 1931 horror classic, Dracula, starring Bela Lugosi, a strange thing happens.

Vlad the Impaler is back! He is raiding the Multiverse of Movies in order to build a monster army by plucking up some of cinema and television's greatest, most famous, and most infamous vampires and bloodsuckers. Of course, it's up to Elvira, the Mistress of the Dark and bane of Vlad's existence, to stop his evil plan.

THE LOWDOWN: Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles. One of them is Elvira in Monsterland Volume 1 #1, one of many Dynamite/David Avallone Elvira comic books that I have read and enjoyed.

I have lost track of how many times I written in a review how much I enjoy writer David Avallone's Elvira comic books. Hopefully, Avallone will continue to chronicle Elvira adventures long enough into the future that I will also forget this instance of praise. Elvira in Monsterland #1 is a delightful, tongue-in-cheek romp, filled with sparkling cameos and pleasing references to both cinematic and real-world people, places, and things. This first issue is such a joy to read, and I needed that. Avallone's Elvira comic books are not only some of the best humor comic books published over the last decade, but they are also the consistent cure for the anytime and comic book reading blues.

Artist Kewber Baal's art perfectly captures the spirited chase through this “Multiverse of Movies,” and in his figure drawing, Baal makes it look like the characters are having a blast. Colorist Walter Pereyra and letterer Taylor Esposito make the story hop around like a maniacal musical comedy, which is just the kind of crazy entertainment we probably all need right now.

I had high hopes for Elvira in Monsterland Volume 1 #1. I had been waiting for Elvira in Monsterland Volume 1 #1. It was worth it, and I think you should not deny yourself this fun, dear readers.

I READS YOU RECOMMENDS: Fans of Elvira and of David Avallone's Elvira comic books will want to read Elvira in Monsterland Volume 1.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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