TRASH IN MY EYE No. 24 (of 2005) by Leroy Douresseaux
Million Dollar Baby (2004)
Running time: 137 minutes
MPAA – PG-13 for violence, some disturbing images, thematic material, and language
DIRECTOR: Clint Eastwood
WRITER: Paul Haggis (based upon short stories by F.X. Toole)
PRODUCERS: Clint Eastwood, Paul Haggis, Tom Rosenberg, and Albert S. Ruddy
CINEMATOGRAPHER: Tom Stern
EDITOR: Joel Cox
Academy Award winner including “Best Motion Picture of the Year”
DRAMA
Starring: Clint Eastwood, Hilary Swank, Morgan Freeman, Jay Baruchel, Mike Colter, Lucia Rijker, Brian (F.) O’Byrne, Anthony Mackie, Margo Martindale, Riki Lindhome, Michael Pena, and Benito Martinez
Frankie Dunn (Clint Eastwood) is a crusty boxing trainer with a rep as a great cut man (fixing bloody cuts, bruises, and orifices during fights). Maggie Fitzgerald (Hilary Swank) is in her early 30’s, and her boxing career has lasted because of her raw talent, unshakable focus, and tremendous force of will. Maggie shows up at Frankie’s gym one day and eventually asks him to train her, but he brushes her off because, as he tells her, she is too old and he doesn’t train girls. Eddie “Scrap Iron” Dupris (Morgan Freeman), Frankie’s longtime friend and the janitor/maintenance man of Frankie’s gym, encourages Maggie to chase her dream. Frankie managed Eddie in the distant past, and Eddie nudges Frankie towards training Maggie. Eventually, Maggie’s spirit and gutsy determination do win over Frankie, and he agrees to train her. They bond, and she rapidly climbs the ranks of women boxers. However, sudden tragedy strikes, and it will test the bond between a girl trying to replace her late, beloved father and a man left lonely by the estrangement of his only daughter.
I really didn’t connect with Million Dollar Baby. From the first frame, I knew that I wouldn’t care for or like this movie. Clint Eastwood’s performance has its moments, but I had to labor to find anything worth paying attention to beneath his gruff exterior, scowling, and gravelly voice. Sometimes, Eastwood’s best moments were quite and subtle – a glance, an expression, or stillness. It didn’t help that there were two raspy-voiced old men in the film. Morgan Freeman’s performance also alternated between flat and lukewarm. He has a few glorious moments (as when he teaches a lesson to an arrogant boxing trainee), but his voiceover reminded me of Harrison Ford’s listless and reluctant voiceover for Blade Runner. Freeman deserves an Oscar, and if he gets it for Million Dollar Baby, it will be a career achievement award because he doesn’t give an award-winning turn in Baby. [Freeman did go on to win an Oscar for this role.]
Hilary Swank, who won an Oscar for her leading role, is pretty good here. She gives a sense of solidness and realness to her gutsy hick girl character, but playing streetwise or common sense hayseeds seems her specialty. Her performance is more like a cakewalk than an achievement. She does, however, shine in the moments when she really has to bring the heat, as in the scene with Maggie’s family. Other than that, Ms. Swank is only a little above ordinary.
Million Dollar Baby is long and morbid, and it reeks of being one of those films made to get awards. In that vein, it reminds me of another overwrought Oscar-winner wannabe, The Hours from 2002. The script, by Emmy-winner Paul Haggis, is a bunch of re-cooked fairytales – the scrappy rural type that comes to the city to make it, the lost father finding redemption in a surrogate, and the wise old black man or (as Spike Lee says) Magical Negro. Eastwood doesn’t do a lot to make this really good, but his score for this film is very, very nice. That and a few other things make Million Dollar Baby decent enough to be a nice film to rent on DVD, but isn’t worthy of being a big award winner.
5 of 10
C+
NOTES:
2005 Academy Awards: 4 wins – “Best Picture of the Year” (for which the Academy only recognizes Eastwood, Rosenberg, and Ruddy as producers), “Best Achievement in Directing,” “Best Performance by an Actress in a Leading Role” (Hilary Swank), and Best Performance by an Actor in a Supporting Role” (Morgan Freeman); 4 nominations: “Best Achievement in Editing,” “Best Performance by an Actor in a Leading Role” (Clint Eastwood), and “Best Writing, Screenplay Based on Material Previously Produced or Published.”
2005 Golden Globes: 2 wins “Best Director – Motion Picture” and “Best Performance by an Actress in a Motion Picture – Drama” (Hilary Swank); 3 nominations for “Best Motion Picture – Drama,” “Best Original Score - Motion Picture” (Clint Eastwood); “Best Performance by an Actor in a Supporting Role in a Motion Picture” and (Morgan Freeman)
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Tuesday, March 2, 2010
God, I Still Hate This Movie: Million Dollar Baby
Labels:
2004,
Anthony Mackie,
Best Picture winner,
Clint Eastwood,
Golden Globe winner,
Hilary Swank,
Morgan Freeman,
Movie review,
Oscar winner,
Paul Haggis
Monday, March 1, 2010
Miyazaki's Ponyo Now on DVD and Blu-Ray
Press release from Walt Disney Home Video:
Disney Presents a Studio Ghibli Film From Oscar®-Winning Director Hayao Miyazaki:
PONYO
A Fantastic Re-imagination of Hans Christian Andersen’s “The Little Mermaid”
Comes to Blu-Ray™ Hi-Def and DVD on March 2, 2010
A heartwarming and lushly animated retelling of a beloved fairytale, Ponyo comes to Blu-ray™ Hi-Def and DVD on March 2, 2010 from Walt Disney Studios Home Entertainment. Presented by legendary filmmaker Hayao Miyazaki and featuring the exquisitely hand-drawn animation that has won Miyazaki worldwide acclaim, Ponyo transports audiences into an enchanting dreamscape where anything seems possible. Inspired by the classic Hans Christian Andersen tale “The Little Mermaid” also incorporates a very contemporary concern for nature. Hayao Miyazaki’s Ponyo is packed with never-before-seen bonus features. The Ponyo Blu-ray and DVD brings audiences a breathtaking introduction to the world of global animation for children and adults, making it a perfect holiday gift for the whole family.
Miyazaki creates a bold, imaginative vision of a magical world from a child’s point of view. The first film from Miyazaki to be made available on Blu-ray, Ponyo brims with color and energy on a stunning journey into a child’s inner life. With a story that families can enjoy together, the film’s star-studded voice cast includes Cate Blanchett (Elizabeth, Babel), Matt Damon (The Bourne Ultimatum), Tina Fey (“30 Rock”), Liam Neeson (The Chronicles of Narnia), Cloris Leachman (Castle in the Sky), Betty White (“The Golden Girls”), comedian Lily Tomlin and introduces Noah Lindsey Cyrus (as Ponyo) and Frankie Jonas (as Sosuke).
Creator of acclaimed and beloved animated classics including Academy Award®-winner Spirited Away (2002 winner for Best Animated Feature) and Howl’s Moving Castle, Miyazaki is founder of the legendary Japanese animation studio, Studio Ghibli. John Lasseter, chief creative officer of Pixar Animation Studios, is a two-time Academy Award winner (1998 winner for Best Short Film, Animated for Tin Toy and 1995 Special Achievement Award for Toy Story) and a recognized pioneer in the field of animation. He is credited with executive producing as well as directing the English language voice cast on the film. Joining Lasseter as executive producers of the English-language version are Kathleen Kennedy and Frank Marshall.
Walking on the beach near his home, a five-year old boy named Sosuke (voiced by Frankie Jonas) finds a beautiful goldfish trapped in a bottle. He releases the tiny creature and, sure that she is no ordinary fish, names his new friend Ponyo (Noah Lindsey Cyrus). As Ponyo and Sosuke grow closer, she reveals to him that she is the daughter of a powerful wizard (Liam Neeson) and a sea goddess (Cate Blanchett), and magically transforms herself into a real human girl. But by crossing from her watery world onto land, Ponyo has created a dangerous imbalance in nature. As the moon begins to draw closer to the earth, sea levels rise and a giant tsunami threatens to destroy Sosuke’s home. Ponyo’s father marshals all his might to find his missing daughter, as the two children embark on an adventure of a lifetime to try and save the world.
Bonus Features
The World of Ghibli- Allows fans to immerse themselves in the amazing worlds from each film created by legendary filmmaker, Hayao Miyazaki in this multi-layered interactive experience.
Lands to explore include:
• PONYO’S Land
• KIKI’S Land
• CASTLE’S Land
• TOTORO’S Land
Behind the Studio- Unprecedented access to all the background, inspiration and process behind he making of Ponyo and the inner workings of Studio Ghibli through a series of documentaries. They include all new interviews with Hayao Miyazaki, and composer Joe Hisaishi.
Also included in this feature are:
• Creating Ponyo
• Ponyo & Fujimoto
• The Nursery
• Behind the Microphone: The Voice of Ponyo
• Producers Perspective: Telling the Story
• Scoring Miyazaki
• The Scenery in Ghibli
• Original Japanese Trailer
Ponyo is priced at $39.99 for Blu-ray Hi-Def and $29.99 for 2-Disc DVD.
STREET DATE: March 2, 2010
Pricing: DVD: $29.99 (US), $ 35.99(Canada)
Blu-ray Disc: $39.99 (U.S.), $41.99 (Canada)
Rated: G
Technical specifications may only apply to feature
[END]
Death Race 2 Begins Principal Photography
Press release from Universal Pictures:
One Race, Three Days and 20,000 Rounds of Ammo
PRINCIPAL PHOTOGRAPHY FOR DEATH RACE 2 BEGINS IN SOUTH AFRICA
Start your engines…and load your weapons. The explosive, all-new high-octane Death Race 2 began principal photography on February 13, 2010 in Cape Town, South Africa. The spectacular prequel to Paul W.S. Anderson’s audacious re-imagining of the Roger Corman cult classic stars Luke Goss (Hellboy 2: The Golden Army), Ving Rhames (Con Air, Pulp Fiction), Sean Bean (National Treasure, Lord of the Rings trilogy), Danny Trejo (Planet Terror, “Burn Notice”), Frederick Koehler (“Oz,” “Touching Evil”) and Lauren Cohan (“Supernatural”) and promises even more outrageously outfitted muscle cars and death-defying stunts in a deadly driving competition. Director Roel Reiné (The Marine 2, The Lost Tribe) takes the helm of the adrenaline-fueled chronicle of Frankenstein, the greatest Death Race driver of all time, in an all-out thrill ride through a dystopian future.
The screenplay is by Tony Giglio (Chaos), from a story by Paul W.S. Anderson. A top-flight production team has also been assembled, including director of photography John McKay, production designer Johnny Breedt, editor Josh Galvin and costume designer Moira Meyer.
The latest in the hugely successful line of DVD Originals™ from Universal Studios Home Entertainment Productions, Death Race 2 is produced by Paul W.S. Anderson and Jeremy Bolt and executive produced by Paula Wagner and Mike Elliott. Death Race 2 is an official South African/German Co-Production, produced in South Africa by Universal Pictures Productions GmbH and Moonlighting Death Race Films C.C. and co-produced by Genevieve Hofmeyr and Ralph Tuebben.
Since its introduction in 2005, Universal’s extensive DVD Originals™ slate of new live-action and animated content has dominated sales charts, scored impressive ratings on television network and cable outlets, performed successfully in multi-international markets and helped to shape the made-for-DVD arena. The high profile string of hits includes multiple installments of the powerhouse Bring It On and American Pie franchises as well as the epic saga Scorpion King 2: Rise of a Warrior and most recently the explosive action release, Smokin’ Aces 2: Assassins’ Ball.
Death Race 2 takes place in the very near future, as the United States economy begins to decline and violent crime starts to spiral out of control. To contain the growing criminal population, a vast network of for-profit, private prisons springs up, creating a lawless subculture ruled by gangs, cold-blooded killers and sociopaths. The worst of these prisons is Terminal Island. Convicted cop-killer Carl Lucas arrives on the Island to serve his life sentence just as ruthlessly ambitious television personality September Jones launches the ultimate reality show, Death Race. A brutal prison yard demolition derby that pits prisoners against each other in steel reinforced, heavily armed vehicles, Death Race offers the winner the ultimate prize: freedom — if he can survive to enjoy it. When Lucas signs up to be a driver, the stage is set for the birth of a legendary racer.
Universal Studios Home Entertainment is a unit of Universal Pictures, a division of Universal Studios (www.universalstudios.com). Universal Studios is a part of NBC Universal, one of the world's leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. Formed in May 2004 through the combining of NBC and Vivendi Universal Entertainment, NBC Universal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBC Universal is 80%-owned by General Electric, with 20% owned by Vivendi. [END]
One Race, Three Days and 20,000 Rounds of Ammo
PRINCIPAL PHOTOGRAPHY FOR DEATH RACE 2 BEGINS IN SOUTH AFRICA
Start your engines…and load your weapons. The explosive, all-new high-octane Death Race 2 began principal photography on February 13, 2010 in Cape Town, South Africa. The spectacular prequel to Paul W.S. Anderson’s audacious re-imagining of the Roger Corman cult classic stars Luke Goss (Hellboy 2: The Golden Army), Ving Rhames (Con Air, Pulp Fiction), Sean Bean (National Treasure, Lord of the Rings trilogy), Danny Trejo (Planet Terror, “Burn Notice”), Frederick Koehler (“Oz,” “Touching Evil”) and Lauren Cohan (“Supernatural”) and promises even more outrageously outfitted muscle cars and death-defying stunts in a deadly driving competition. Director Roel Reiné (The Marine 2, The Lost Tribe) takes the helm of the adrenaline-fueled chronicle of Frankenstein, the greatest Death Race driver of all time, in an all-out thrill ride through a dystopian future.
The screenplay is by Tony Giglio (Chaos), from a story by Paul W.S. Anderson. A top-flight production team has also been assembled, including director of photography John McKay, production designer Johnny Breedt, editor Josh Galvin and costume designer Moira Meyer.
The latest in the hugely successful line of DVD Originals™ from Universal Studios Home Entertainment Productions, Death Race 2 is produced by Paul W.S. Anderson and Jeremy Bolt and executive produced by Paula Wagner and Mike Elliott. Death Race 2 is an official South African/German Co-Production, produced in South Africa by Universal Pictures Productions GmbH and Moonlighting Death Race Films C.C. and co-produced by Genevieve Hofmeyr and Ralph Tuebben.
Since its introduction in 2005, Universal’s extensive DVD Originals™ slate of new live-action and animated content has dominated sales charts, scored impressive ratings on television network and cable outlets, performed successfully in multi-international markets and helped to shape the made-for-DVD arena. The high profile string of hits includes multiple installments of the powerhouse Bring It On and American Pie franchises as well as the epic saga Scorpion King 2: Rise of a Warrior and most recently the explosive action release, Smokin’ Aces 2: Assassins’ Ball.
Death Race 2 takes place in the very near future, as the United States economy begins to decline and violent crime starts to spiral out of control. To contain the growing criminal population, a vast network of for-profit, private prisons springs up, creating a lawless subculture ruled by gangs, cold-blooded killers and sociopaths. The worst of these prisons is Terminal Island. Convicted cop-killer Carl Lucas arrives on the Island to serve his life sentence just as ruthlessly ambitious television personality September Jones launches the ultimate reality show, Death Race. A brutal prison yard demolition derby that pits prisoners against each other in steel reinforced, heavily armed vehicles, Death Race offers the winner the ultimate prize: freedom — if he can survive to enjoy it. When Lucas signs up to be a driver, the stage is set for the birth of a legendary racer.
Universal Studios Home Entertainment is a unit of Universal Pictures, a division of Universal Studios (www.universalstudios.com). Universal Studios is a part of NBC Universal, one of the world's leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. Formed in May 2004 through the combining of NBC and Vivendi Universal Entertainment, NBC Universal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBC Universal is 80%-owned by General Electric, with 20% owned by Vivendi. [END]
Labels:
DVD news,
movie news,
Paul W.S. Anderson,
Universal Pictures
Countdown to Oscar 2010: The 2009 New York Film Critics Awards
At its website, the New York Film Critics Circle describes itself as "an organization of film reviewers from New York-based publications that exists to honor excellence in U.S. and world cinema."
The Circle was founded in 1935, and its membership includes critics from daily newspapers, weekly newspapers, magazines, and qualifying on-line general-interest publications. Every year in December the organization meets in New York to vote on awards for the previous calendar year's films.
The New York Film Critics Circle 2009 Awards:
Best Picture: The Hurt Locker
Best Director: Kathryn Bigelow - The Hurt Locker
Best Screenplay: In The Loop
Best Actress: Meryl Streep - Julie & Julia
Best Actor: George Clooney - Up In The Air / Fantastic Mr. Fox
Best Supporting Actress: Mo'Nique - Precious
Best Supporting Actor: Christoph Waltz - Inglourious Basterds
Best Cinematographer: Christian Berger - The White Ribbon
Best Animated Film: Fantastic Mr. Fox
Best Non-Fiction Film (Documentary): Of Time and The City
Best Foreign Film: Summer Hours (France)
Best First Film: Hunger - Steve McQueen (Director)
Special: Andrew Sarris
http://www.nyfcc.com/
The Circle was founded in 1935, and its membership includes critics from daily newspapers, weekly newspapers, magazines, and qualifying on-line general-interest publications. Every year in December the organization meets in New York to vote on awards for the previous calendar year's films.
The New York Film Critics Circle 2009 Awards:
Best Picture: The Hurt Locker
Best Director: Kathryn Bigelow - The Hurt Locker
Best Screenplay: In The Loop
Best Actress: Meryl Streep - Julie & Julia
Best Actor: George Clooney - Up In The Air / Fantastic Mr. Fox
Best Supporting Actress: Mo'Nique - Precious
Best Supporting Actor: Christoph Waltz - Inglourious Basterds
Best Cinematographer: Christian Berger - The White Ribbon
Best Animated Film: Fantastic Mr. Fox
Best Non-Fiction Film (Documentary): Of Time and The City
Best Foreign Film: Summer Hours (France)
Best First Film: Hunger - Steve McQueen (Director)
Special: Andrew Sarris
http://www.nyfcc.com/
Review: First "Spider-Man" Flick Entertaining, but Average
TRASH IN MY EYE No. 28 (of 2002) by Leroy Douresseaux
Spider-Man (2002)
Running time: 121 minutes (2 hours, 1 minute)
MPAA – PG-13 for stylized violence and action
DIRECTOR: Sam Raimi
WRITER: David Koepp (based upon the comic book by Stan Lee and Steve Ditko)
PRODUCERS: Ian Bryce and Laura Ziskin
CINEMATOGRAPHER: Don Burgess (D.o.P.)
EDITOR: Arthur Coburn and Bob Murawski
COMPOSER: Danny Elfman
Academy Award nominee
DRAMA/FANTASY/ACTION/SCI-FI
Starring: Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, Rosemary Harris, J.K. Simmons, Joe Manganiello, and Bill Nunn
When a genetically modified spider bites high school outcast Peter Parker (Tobey Maguire), Parker gains powers and abilities based upon the natural characteristics of spiders. After a robber Parker failed to stop when he had a chance kills his Uncle Ben, Parker becomes Spider-Man (again, Maguire), a costumed superhero to use his super powers for the greater good. Spider-Man soon encounters a destructive costumed super villain named Green Goblin (Willem Dafoe, The Last Temptation of Christ), who is the alter ego of a wealthy industrialist Norman Osborn. In addition to dealing with super crooks, Parker has domestic troubles. He is in love with Mary Jane Watson (Kirsten Dunst, Interview with a Vampire), who is also the love interest of his roommate, Harry Osborn (James Franco), the son of Norman.
Directed by the diverse Sam Raimi (The Evil Dead, A Simple Plan) and based upon the Marvel comic book of the same name, Spider-Man revels in the excellent execution of the fight scenes of its two antagonists. A combination of computer animation, close-ups, and stunt doubles, the confrontations between hero and villain burst with energy. Raimi, no stranger to SFX, knows how to compose a movie that takes advantage of effects and how to shape the effects around the movie or to shape the movie around the effects.
The script David Koepp (Jurassic Park, Panic Room) is another thing entirely. The plot is simple: Spider-Man is in the Green Goblin’s way, and Goblin wants to remove him. The story is fairly straightforward, and it’s nothing special. Whether the fault of the director or of the writer, the character drama between the action is boring and dry, and you could find your mind wandering while waiting for the next get together between Spidey and the Goblin. While the drama is clunky, the fights are so exciting; getting them is like getting a Christmas gift.
The acting is on the whole professional work. Both Maguire and Dafoe play the roles with class and are quite believable as Parker/Spider-Man and Osborn/Goblin respectively. Maguire totally sells us as the nerdy Parker, and when he becomes super powered, Maguire shifts into a whole other gear. Dafoe is funny, wacky, and intense as both Norman Osborn and as the Goblin. His prowess as an actor bleeds through the Goblin’s mask and gives the villain depth and dimension.
Spider-Man is a summer blockbuster: light on drama but heavy on the eye candy of the effects. Luckily the effects really work, because the drama is weak. Fans of comic books and action movies will likely get a jolt out of this movie. However, if you’re looking for something really special, or at least, very good, this is not it. Spider-Man is, at best, an average product with a big ad campaign behind it.
5 of 10
B-
NOTES:
2003 Academy Awards: 2 nominations: “Best Sound” (Kevin O'Connell, Greg P. Russell, and Ed Novick) and “Best Visual Effects” (John Dykstra, Scott Stokdyk, Anthony LaMolinara, and John Frazier)
2003 BAFTA Awards: 1 nomination: “Best Achievement in Special Visual Effects” (John Dykstra, Scott Stokdyk, Anthony LaMolinara, and John Frazier)
Spider-Man (2002)
Running time: 121 minutes (2 hours, 1 minute)
MPAA – PG-13 for stylized violence and action
DIRECTOR: Sam Raimi
WRITER: David Koepp (based upon the comic book by Stan Lee and Steve Ditko)
PRODUCERS: Ian Bryce and Laura Ziskin
CINEMATOGRAPHER: Don Burgess (D.o.P.)
EDITOR: Arthur Coburn and Bob Murawski
COMPOSER: Danny Elfman
Academy Award nominee
DRAMA/FANTASY/ACTION/SCI-FI
Starring: Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, Rosemary Harris, J.K. Simmons, Joe Manganiello, and Bill Nunn
When a genetically modified spider bites high school outcast Peter Parker (Tobey Maguire), Parker gains powers and abilities based upon the natural characteristics of spiders. After a robber Parker failed to stop when he had a chance kills his Uncle Ben, Parker becomes Spider-Man (again, Maguire), a costumed superhero to use his super powers for the greater good. Spider-Man soon encounters a destructive costumed super villain named Green Goblin (Willem Dafoe, The Last Temptation of Christ), who is the alter ego of a wealthy industrialist Norman Osborn. In addition to dealing with super crooks, Parker has domestic troubles. He is in love with Mary Jane Watson (Kirsten Dunst, Interview with a Vampire), who is also the love interest of his roommate, Harry Osborn (James Franco), the son of Norman.
Directed by the diverse Sam Raimi (The Evil Dead, A Simple Plan) and based upon the Marvel comic book of the same name, Spider-Man revels in the excellent execution of the fight scenes of its two antagonists. A combination of computer animation, close-ups, and stunt doubles, the confrontations between hero and villain burst with energy. Raimi, no stranger to SFX, knows how to compose a movie that takes advantage of effects and how to shape the effects around the movie or to shape the movie around the effects.
The script David Koepp (Jurassic Park, Panic Room) is another thing entirely. The plot is simple: Spider-Man is in the Green Goblin’s way, and Goblin wants to remove him. The story is fairly straightforward, and it’s nothing special. Whether the fault of the director or of the writer, the character drama between the action is boring and dry, and you could find your mind wandering while waiting for the next get together between Spidey and the Goblin. While the drama is clunky, the fights are so exciting; getting them is like getting a Christmas gift.
The acting is on the whole professional work. Both Maguire and Dafoe play the roles with class and are quite believable as Parker/Spider-Man and Osborn/Goblin respectively. Maguire totally sells us as the nerdy Parker, and when he becomes super powered, Maguire shifts into a whole other gear. Dafoe is funny, wacky, and intense as both Norman Osborn and as the Goblin. His prowess as an actor bleeds through the Goblin’s mask and gives the villain depth and dimension.
Spider-Man is a summer blockbuster: light on drama but heavy on the eye candy of the effects. Luckily the effects really work, because the drama is weak. Fans of comic books and action movies will likely get a jolt out of this movie. However, if you’re looking for something really special, or at least, very good, this is not it. Spider-Man is, at best, an average product with a big ad campaign behind it.
5 of 10
B-
NOTES:
2003 Academy Awards: 2 nominations: “Best Sound” (Kevin O'Connell, Greg P. Russell, and Ed Novick) and “Best Visual Effects” (John Dykstra, Scott Stokdyk, Anthony LaMolinara, and John Frazier)
2003 BAFTA Awards: 1 nomination: “Best Achievement in Special Visual Effects” (John Dykstra, Scott Stokdyk, Anthony LaMolinara, and John Frazier)
-------------------------------
Labels:
2002,
BAFTA nominee,
Danny Elfman,
David Koepp,
Marvel Studios,
Movie review,
Oscar nominee,
Sam Raimi,
Spider-Man,
Superhero,
Tobey Maguire
Roger Ebert Gets a New "Voice"
As you may know, one of my favorite people, the Pulitizer Prize-winning film critic, Roger Ebert, has been battling cancer since 2002. The battle has at time left him in poor health, and the cancer has cost him a portion of his lower jaw, so he can no longer speak. This Associated Press news article updates his condition.
Welcome to Negromancer, Because There is No Mancer Like Negromancer
Welcome to Negromancer, the rebirth of my former movie review website as a movie review and movie news blog. I’m Leroy Douresseaux, and I also blog at http://ireadsyou.blogspot.com/. All images appearing on this blog are copyright and/or trademark their respective owners.
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