Fess Parker, the actor best known for his lead role in the first television miniseries, Davy Crockett, died Thursday, March 18, 2010. Produced by Walt Disney, Davy Crockett was a huge hit with kids and unleashed a merchandising bonanza, especially replicas of the popular coonskin cap Parker wore as Crockett. The actor also starred in the Disney film, Old Yeller. Parker would eventually retire to run a winery and resort. Parker was 85.
I only recently discovered Parker because a local channel that is part of RTV, the Retro Television Network, has been airing episodes of Parker's NBC series, Daniel Boone (1964-1970). I have to admit that the strapping Parker has been making quite an impression on me as the firm, but fair and larger-than-life frontiersman, Daniel Boone. Rest in peace, Mr. Parker. I hardly knew you, and I won't miss you... thanks to the magic of reruns.
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Saturday, March 20, 2010
Few Memories of Fess Parker, but I Still Thought He was Cool
Disney President and CEO Robert Iger on the Passing of Fess Parker
Statement by Robert A. Iger, President and CEO, The Walt Disney Company, on the Passing of Fess Parker
BURBANK, Calif.--(BUSINESS WIRE)--Robert A. Iger, President and CEO, The Walt Disney Company (NYSE:DIS), issued the following statement:
“Like many kids growing up in the 50’s, Davy Crockett was my first hero, and I had the coonskin cap to prove it. Fess Parker’s unforgettable, exciting and admirable performance as this American icon has remained with me all these years, as it has for his millions of fans around the world. Fess is truly a Disney Legend, as is the heroic character he portrayed, and while he will certainly be missed, he will never be forgotten.”
BURBANK, Calif.--(BUSINESS WIRE)--Robert A. Iger, President and CEO, The Walt Disney Company (NYSE:DIS), issued the following statement:
“Like many kids growing up in the 50’s, Davy Crockett was my first hero, and I had the coonskin cap to prove it. Fess Parker’s unforgettable, exciting and admirable performance as this American icon has remained with me all these years, as it has for his millions of fans around the world. Fess is truly a Disney Legend, as is the heroic character he portrayed, and while he will certainly be missed, he will never be forgotten.”
Thursday, March 18, 2010
Review: "The Lost Boys" is Eternally Youthful and Forever a Winner
TRASH IN MY EYE No. 142 (of 2005) by Leroy Douresseaux
The Lost Boys (1987)
Opening date: July 31, 1987
Running time: 97 minutes
MPAA – R
DIRECTOR: Joel Schumacher
WRITERS: Janice Fischer & James Jeremias and Jeffrey Boam, story by Janice Fischer & James Jeremias
PRODUCER: Harvey Bernhard
CINEMATOGRAPHER: Michael Chapman
EDITOR: Robert Brown
HORROR/COMEDY
Starring: Jason Patric, Corey Haim, Jami Gertz, Corey Feldman, Edward Herrmann, Bernard Hughes, Kiefer Sutherland, and Dianne Wiest, Jamison Newlander, Brooke McCarter, Billy Wirth, Alex (Alexander) Winter, and Chance Michael Corbitt
“Sleep all day. Party all night. It’s fun to be a vampire.” was the tagline to The Lost Boys, a Joel Schumacher film that heavily re-imagines J.M. Barrie’s classic play and novel, Peter Pan. The film was a minor hit back when it was released in 1987, but the film has become even more popular (even a kind of cult hit) through its release on home video and later DVD, and its numerous appearances on various cable TV channels. The Lost Boys also cleverly tweaks and twists some classic vampire myths, folklore, and legends – including some that were invented by Hollywood.
Financial troubles force recent divorcee Lucy Emerson (Dianne Wiest) and her two teenage sons, Michael (Jason Patric) and Sam Emerson (Corey Haim), to move to Santa Carla, CA (actually filmed in Santa Cruz, CA) to live with her father (Bernard Hughes). At first, her younger son, Sam laughs off the rumors of vampires in Santa Carla that he hears from the two brothers, Edgar (Corey Feldman) and Alan Frog, (Jamison Newlander) who run their parents comic book shop on the Santa Carla Boardwalk. However, when Michael starts acting strange (stays out all night, sleeps all day, and tries to attack Sam) and showing classic signs of vampirism, Sam joins forces with the Frog Brothers to find and destroy the head vampire, which she free Michael of the vampire’s curse. Meanwhile, Michael has fallen for a half-vampire teenager named Star (Jami Gertz) and promises to help her and half-vampire boy, Laddie Thompson (Chance Michael Corbitt), for whom she cares. He’s also fallen in with a quartet of brash, teen vampires led by the charismatic David (Kiefer Sutherland).
I’ve seen The Lost Boys so many times, and I’m such a big fan that I don’t know if I can fairly review it for a viewer who hasn’t seen it. Heck, I’d recommend it to anybody. What do I like about it? Hmmm, where to start? It’s a fun, comic horror film, and puts a hip, cool spin on vampires – as they relate to Hollywood productions. It was not quite an MTV-type movie, but it did tap into the early to mid-80’s youth, cultural zeitgeist, if only to get some nice establishing shots of Santa Carla’s youth. Tapping into the style of young people in the mid-80’s also resulted in some flashy costumes of The Lost Boys’ teen characters. Corey Feldman, Corey Haim, and Jamison Newlander looked as if they’d step off the set of a Lionel Richie video (for either of the songs “All Night Long” or “Dancing on the Ceiling”). Jami Gertz and the Lost Boys (even the little half-vampire boy, Laddie) have mounds of big hair to go with the puffy shirts, faux Pirates of Penzance costumes, and Amadeus-vomit-leather ensembles. Somehow, it all looks and feels right – especially the handsome and alluring Kiefer Sutherland who plays a kind of teen rebel/pied piper vampire. He’s the real Peter Pan in this Lost Boys set.
As far as the filmmaking goes: Thomas Newman’s score is a smooth, crisp, and tight suite of music to suggest creepiness. The rewrites that director Joel Schumacher demanded of the original script (and likely done by Jeffrey Boam) turned the story into a tight little thriller with a slight fairy tale feel to it. Once upon a time, two boys and their mother moved to a town of vampires… and everybody was hip, cool, and now.
8 of 10
A
The Lost Boys (1987)
Opening date: July 31, 1987
Running time: 97 minutes
MPAA – R
DIRECTOR: Joel Schumacher
WRITERS: Janice Fischer & James Jeremias and Jeffrey Boam, story by Janice Fischer & James Jeremias
PRODUCER: Harvey Bernhard
CINEMATOGRAPHER: Michael Chapman
EDITOR: Robert Brown
HORROR/COMEDY
Starring: Jason Patric, Corey Haim, Jami Gertz, Corey Feldman, Edward Herrmann, Bernard Hughes, Kiefer Sutherland, and Dianne Wiest, Jamison Newlander, Brooke McCarter, Billy Wirth, Alex (Alexander) Winter, and Chance Michael Corbitt
“Sleep all day. Party all night. It’s fun to be a vampire.” was the tagline to The Lost Boys, a Joel Schumacher film that heavily re-imagines J.M. Barrie’s classic play and novel, Peter Pan. The film was a minor hit back when it was released in 1987, but the film has become even more popular (even a kind of cult hit) through its release on home video and later DVD, and its numerous appearances on various cable TV channels. The Lost Boys also cleverly tweaks and twists some classic vampire myths, folklore, and legends – including some that were invented by Hollywood.
Financial troubles force recent divorcee Lucy Emerson (Dianne Wiest) and her two teenage sons, Michael (Jason Patric) and Sam Emerson (Corey Haim), to move to Santa Carla, CA (actually filmed in Santa Cruz, CA) to live with her father (Bernard Hughes). At first, her younger son, Sam laughs off the rumors of vampires in Santa Carla that he hears from the two brothers, Edgar (Corey Feldman) and Alan Frog, (Jamison Newlander) who run their parents comic book shop on the Santa Carla Boardwalk. However, when Michael starts acting strange (stays out all night, sleeps all day, and tries to attack Sam) and showing classic signs of vampirism, Sam joins forces with the Frog Brothers to find and destroy the head vampire, which she free Michael of the vampire’s curse. Meanwhile, Michael has fallen for a half-vampire teenager named Star (Jami Gertz) and promises to help her and half-vampire boy, Laddie Thompson (Chance Michael Corbitt), for whom she cares. He’s also fallen in with a quartet of brash, teen vampires led by the charismatic David (Kiefer Sutherland).
I’ve seen The Lost Boys so many times, and I’m such a big fan that I don’t know if I can fairly review it for a viewer who hasn’t seen it. Heck, I’d recommend it to anybody. What do I like about it? Hmmm, where to start? It’s a fun, comic horror film, and puts a hip, cool spin on vampires – as they relate to Hollywood productions. It was not quite an MTV-type movie, but it did tap into the early to mid-80’s youth, cultural zeitgeist, if only to get some nice establishing shots of Santa Carla’s youth. Tapping into the style of young people in the mid-80’s also resulted in some flashy costumes of The Lost Boys’ teen characters. Corey Feldman, Corey Haim, and Jamison Newlander looked as if they’d step off the set of a Lionel Richie video (for either of the songs “All Night Long” or “Dancing on the Ceiling”). Jami Gertz and the Lost Boys (even the little half-vampire boy, Laddie) have mounds of big hair to go with the puffy shirts, faux Pirates of Penzance costumes, and Amadeus-vomit-leather ensembles. Somehow, it all looks and feels right – especially the handsome and alluring Kiefer Sutherland who plays a kind of teen rebel/pied piper vampire. He’s the real Peter Pan in this Lost Boys set.
As far as the filmmaking goes: Thomas Newman’s score is a smooth, crisp, and tight suite of music to suggest creepiness. The rewrites that director Joel Schumacher demanded of the original script (and likely done by Jeffrey Boam) turned the story into a tight little thriller with a slight fairy tale feel to it. Once upon a time, two boys and their mother moved to a town of vampires… and everybody was hip, cool, and now.
8 of 10
A
------------------------------
Labels:
1987,
Alex Winter,
Dianne Wiest,
Jami Gertz,
Jason Patric,
Joel Schumacher,
Kiefer Sutherland,
Movie review,
vampire
Ice Cube's ESPN Film to Screen at Tribeca Film Festival.
The New York Times is reporting that actor/director Ice Cube's entry in ESPN Films' "30 for 30 series," entitled "Straight Outta L.A.," will be screened at the Tribeca Film Festival. It will be the opening movie at the Tribeca/ESPN Film Festival on April 23rd.
"Straight Outta L.A." chronicles the NFL's Oakland Raiders' controversial 1982 move to Los Angeles and back to Oakland again in 1995.
"Straight Outta L.A." chronicles the NFL's Oakland Raiders' controversial 1982 move to Los Angeles and back to Oakland again in 1995.
Labels:
Black Actor,
ESPN,
ESPN Films,
Ice Cube,
NFL,
sports,
Tribeca Film Festival
Wednesday, March 17, 2010
John Pilger on the "Murdochracy"
In an op-ed for Truthout entitled, "Welcome to the World's First Murdochracy," London-based, Australian-born journalist, John Pilger, describes a sphere of political influence created by News Corp.'s biracial boss (half-human/half-goblin), Rupert Murdoch. Highlights include:
Dominant themes in the Australian murdochracy, sport and celebrity gossip aside, are the promotion of war and jingoism, American foreign policy, Israel and a paternalism toward Aborigines, the world's most impoverished indigenous people, according to the UN. This antiquated cold warring is not due entirely to the Murdoch press, of course, but the agenda is. When the Indonesian tyrant General Suharto was about to be overthrown by his own people, the Editor in Chief of The Australian, Paul Kelly, led a delegation of editors of most of Australia's principal newspapers to Jakarta. With Kelly at his side, the mass murderer, whom the Murdoch papers promoted as a "moderate," accepted the tribute of each.
As always, Truthout's writers offer insight with surgical precision.
Dominant themes in the Australian murdochracy, sport and celebrity gossip aside, are the promotion of war and jingoism, American foreign policy, Israel and a paternalism toward Aborigines, the world's most impoverished indigenous people, according to the UN. This antiquated cold warring is not due entirely to the Murdoch press, of course, but the agenda is. When the Indonesian tyrant General Suharto was about to be overthrown by his own people, the Editor in Chief of The Australian, Paul Kelly, led a delegation of editors of most of Australia's principal newspapers to Jakarta. With Kelly at his side, the mass murderer, whom the Murdoch papers promoted as a "moderate," accepted the tribute of each.
As always, Truthout's writers offer insight with surgical precision.
Tuesday, March 16, 2010
VIZ Anime Offers Anime like Naruto and Bleach for Free
VIZ MEDIA LAUNCHES VIZ ANIME - A NEW OFFICAL WEB DESTINATION FOR SOME OF THE HOTTEST ANIME CONTENT
Optimized Technology Allows Fans To Connect And Interact And Spend Less Time Looking For The Latest Anime Episodes And More Time Enjoying Them
In a significant news announcement, VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, has detailed the launch of VIZ Anime – a brand new, free-to-use interactive web destination that will become a permanent home to some of the company’s best-loved animated series as well as new content which will be added on a weekly basis. VIZ Anime is accessible at: www.VIZAnime.com.
VIZ Anime kicks off with more than 400 episodes from hit series such as BLEACH, BUSO RENKIN, DEATH NOTE (complete series), HIKARU NO GO, HONEY & CLOVER, INUYASHA (complete series) and INUYASHA: THE FINAL ACT, NANA, NARUTO (complete series) and NARUTO SHIPPUDEN as well as THE PRINCE OF TENNIS. The site will also be the future web home for many other eagerly anticipated anime series set to launch later this year!
Episodes can be streamed for free with new ones being added weekly. A variety of interactive social networking tools and features also help foster an official online home and community for VIZ Media anime fans allowing them to connect on and discuss favorite shows, and offer ratings and opinions of various episodes. New functionalities will be added regularly.
• Users can “follow” as many series as they like and choose to be notified each time a new episode is released, as well as keep track of the last episode they’ve watched. This makes it easy to stay current on series like INUYASHA or NARUTO, which feature more than 100 episodes.
• Users can comment on individual episodes and also meet and interact with other fans, invite friends to join, ask questions and debate plot twists and characters, voice their opinion on what’s happening in a particular series, and also find out what else is going on across the anime and manga spectrums.
• Users can rate their favorite episodes by using a “Like” button on each episode page. They can quickly access a list of all the episodes they’ve similarly liked to compare how other users have liked an episode.
• Users can make a personalized profile page to keep track of the episodes they’ve watched and enjoyed, the series they’re currently following, and comments they’ve made. Mail tools can also be used to send private messages between individual users. Privacy controls let users decide what information is shared publicly and who is able to send them messages.
“We’re committed to developing VIZ Anime as a premiere online destination, and hope to offer a real community for VIZ Media fans to interact with each other and share their love of anime,” says Ken Sasaki, Senior Vice President & General Manager of VIZ Media. “We will also utilize the site as a means of two-way communication to better understand what our fans enjoy most and want, and how they engage with anime and manga online. With a lot of content to select from, VIZ Anime will become a favorite site to visit again and again!”
For more information on VIZ Media or VIZ Anime, please visit www.VIZAnime.com.
Optimized Technology Allows Fans To Connect And Interact And Spend Less Time Looking For The Latest Anime Episodes And More Time Enjoying Them
In a significant news announcement, VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, has detailed the launch of VIZ Anime – a brand new, free-to-use interactive web destination that will become a permanent home to some of the company’s best-loved animated series as well as new content which will be added on a weekly basis. VIZ Anime is accessible at: www.VIZAnime.com.
VIZ Anime kicks off with more than 400 episodes from hit series such as BLEACH, BUSO RENKIN, DEATH NOTE (complete series), HIKARU NO GO, HONEY & CLOVER, INUYASHA (complete series) and INUYASHA: THE FINAL ACT, NANA, NARUTO (complete series) and NARUTO SHIPPUDEN as well as THE PRINCE OF TENNIS. The site will also be the future web home for many other eagerly anticipated anime series set to launch later this year!
Episodes can be streamed for free with new ones being added weekly. A variety of interactive social networking tools and features also help foster an official online home and community for VIZ Media anime fans allowing them to connect on and discuss favorite shows, and offer ratings and opinions of various episodes. New functionalities will be added regularly.
• Users can “follow” as many series as they like and choose to be notified each time a new episode is released, as well as keep track of the last episode they’ve watched. This makes it easy to stay current on series like INUYASHA or NARUTO, which feature more than 100 episodes.
• Users can comment on individual episodes and also meet and interact with other fans, invite friends to join, ask questions and debate plot twists and characters, voice their opinion on what’s happening in a particular series, and also find out what else is going on across the anime and manga spectrums.
• Users can rate their favorite episodes by using a “Like” button on each episode page. They can quickly access a list of all the episodes they’ve similarly liked to compare how other users have liked an episode.
• Users can make a personalized profile page to keep track of the episodes they’ve watched and enjoyed, the series they’re currently following, and comments they’ve made. Mail tools can also be used to send private messages between individual users. Privacy controls let users decide what information is shared publicly and who is able to send them messages.
“We’re committed to developing VIZ Anime as a premiere online destination, and hope to offer a real community for VIZ Media fans to interact with each other and share their love of anime,” says Ken Sasaki, Senior Vice President & General Manager of VIZ Media. “We will also utilize the site as a means of two-way communication to better understand what our fans enjoy most and want, and how they engage with anime and manga online. With a lot of content to select from, VIZ Anime will become a favorite site to visit again and again!”
For more information on VIZ Media or VIZ Anime, please visit www.VIZAnime.com.
"Home on the Range" Thankfully was not the End of Disney Hand Drawn Animation
TRASH IN MY EYE No. 49 (of 2004) by Leroy Douresseaux
Home on the Range (2004) – animated film
Running time: 76 minutes (1 hour 16 minutes)
MPAA – PG for brief mild rude humor
DIRECTORS: Will Finn and John Sanford
WRITERS: Will Finn and John Sanford; from a story by Will Finn, John Sanford, Michael LaBash, Sam Levine, Mark Kennedy, and Robert Lence; with additional material from Shirley Pierce, Keith Baxter, Mike Kunkel, Jason Lethcoe, Davy Liu, Donnie Long, Brian Pimental, David Moses Pimentel, Ralph Zondag
PRODUCER: Alice Dewey Goldstone
EDITOR: H. Lee Petersen
COMPOSER: Alan Menken
ANIMATION/COMEDY/FAMILY with some elements of Musical and Western
Starring: (voices) Roseanne Barr, Judi Dench, Jennifer Tilly, Cuba Gooding, Jr., Randy Quaid, Steve Buscemi, Ja’net DuBois, G.W. Bailey, Carole Cook, Charles Dennis, Joe Flaherty, Estelle Harris, Lance LeGault, Charles Haid, Richard Riehle, Mark Walton, Patrick Warburton, Dennis Weaver, and Governor Ann Richards
When Maggie the Cow’s (Roseanne Barr) owner looses his farm after all of his cows (except Maggie) are stolen, Maggie becomes the newest resident of Pearl Gesner’s (Carole Cook) farm, A Patch of Heaven. But Cooke is in debt to the local bank, and the county is foreclosing the farm. It seems, however, Pearl isn’t the only farm in financial dire straights. The bandit, Alameda Slim (Randy Quaid), he of the yodeling voice that hypnotizes cows, is rustling all the cattle in the territory. When the farms and ranches go belly up, in swoops Mr. Y O’Dell to win the auctions on the foreclosed properties.
Maggie joins two other cows, the dour and proper Mrs. Calloway (Judi Dench) and the sweet-natured cow with a poor singing voice Grace (Jennifer Tilly) save the A Patch of Heaven. They resolve to catch Alameda Slim and earn the $750 bounty on his head, just enough to save the farm. But joining in on the bounty hunting fun is Buck (Cuba Gooding, Jr.), a hyperactive horse who wants to be a hero, and Rico (Charles Dennis), a tall and dark bounty hunter with his own nefarious plans.
Home on the Range is reported to be The Walt Disney Company’s Feature Animation unit’s final full-length animated feature done in traditional 2-D or hand drawn animation for the foreseeable future. That ends a 44-year tradition that began with Snow White and the Seven Dwarves, but Disney’s Australian unit will reportedly continued to produce low budget feature length animation for theatrical and straight to video/DVD release. [Since I wrote this review back in 2004, the management of Walt Disney Animation Studios changed, and 2D animation is alive an well at the house of mouse.]
If it is, Home on the Range is the wrong way to go out. It has a few good moments, and some standout voice performances, especially by Cuba Gooding, Jr., Judi Dench, and Jennifer Tilly. There are plenty of interesting or, at least, humorous and likeable characters. I liked Alameda Slim’s three, goofy, identical nephews.
But Home on the Range is mainly bad or mostly mediocre. Roseanne’s voiceovers are too up and down – really good or really dull. The art direction is nice but not exceptional, and the color palette is garish and flat. The film story and the pace drag from the beginning, gaining life only in the last quarter hour or so. Alan Menken’s score is also flat and barely alive, unlike his Oscar-winning efforts for such films as Beauty and the Beast and Aladdin. Having Bonnie Raitt, k.d. lang, and Tim McGraw give voice to the film’s songs don’t help.
Home on the Range is still a decent trip to the movies for (small) kids, but otherwise, this movie is best treated like a direct-to-video release and seen at home.
4 of 10
C
Home on the Range (2004) – animated film
Running time: 76 minutes (1 hour 16 minutes)
MPAA – PG for brief mild rude humor
DIRECTORS: Will Finn and John Sanford
WRITERS: Will Finn and John Sanford; from a story by Will Finn, John Sanford, Michael LaBash, Sam Levine, Mark Kennedy, and Robert Lence; with additional material from Shirley Pierce, Keith Baxter, Mike Kunkel, Jason Lethcoe, Davy Liu, Donnie Long, Brian Pimental, David Moses Pimentel, Ralph Zondag
PRODUCER: Alice Dewey Goldstone
EDITOR: H. Lee Petersen
COMPOSER: Alan Menken
ANIMATION/COMEDY/FAMILY with some elements of Musical and Western
Starring: (voices) Roseanne Barr, Judi Dench, Jennifer Tilly, Cuba Gooding, Jr., Randy Quaid, Steve Buscemi, Ja’net DuBois, G.W. Bailey, Carole Cook, Charles Dennis, Joe Flaherty, Estelle Harris, Lance LeGault, Charles Haid, Richard Riehle, Mark Walton, Patrick Warburton, Dennis Weaver, and Governor Ann Richards
When Maggie the Cow’s (Roseanne Barr) owner looses his farm after all of his cows (except Maggie) are stolen, Maggie becomes the newest resident of Pearl Gesner’s (Carole Cook) farm, A Patch of Heaven. But Cooke is in debt to the local bank, and the county is foreclosing the farm. It seems, however, Pearl isn’t the only farm in financial dire straights. The bandit, Alameda Slim (Randy Quaid), he of the yodeling voice that hypnotizes cows, is rustling all the cattle in the territory. When the farms and ranches go belly up, in swoops Mr. Y O’Dell to win the auctions on the foreclosed properties.
Maggie joins two other cows, the dour and proper Mrs. Calloway (Judi Dench) and the sweet-natured cow with a poor singing voice Grace (Jennifer Tilly) save the A Patch of Heaven. They resolve to catch Alameda Slim and earn the $750 bounty on his head, just enough to save the farm. But joining in on the bounty hunting fun is Buck (Cuba Gooding, Jr.), a hyperactive horse who wants to be a hero, and Rico (Charles Dennis), a tall and dark bounty hunter with his own nefarious plans.
Home on the Range is reported to be The Walt Disney Company’s Feature Animation unit’s final full-length animated feature done in traditional 2-D or hand drawn animation for the foreseeable future. That ends a 44-year tradition that began with Snow White and the Seven Dwarves, but Disney’s Australian unit will reportedly continued to produce low budget feature length animation for theatrical and straight to video/DVD release. [Since I wrote this review back in 2004, the management of Walt Disney Animation Studios changed, and 2D animation is alive an well at the house of mouse.]
If it is, Home on the Range is the wrong way to go out. It has a few good moments, and some standout voice performances, especially by Cuba Gooding, Jr., Judi Dench, and Jennifer Tilly. There are plenty of interesting or, at least, humorous and likeable characters. I liked Alameda Slim’s three, goofy, identical nephews.
But Home on the Range is mainly bad or mostly mediocre. Roseanne’s voiceovers are too up and down – really good or really dull. The art direction is nice but not exceptional, and the color palette is garish and flat. The film story and the pace drag from the beginning, gaining life only in the last quarter hour or so. Alan Menken’s score is also flat and barely alive, unlike his Oscar-winning efforts for such films as Beauty and the Beast and Aladdin. Having Bonnie Raitt, k.d. lang, and Tim McGraw give voice to the film’s songs don’t help.
Home on the Range is still a decent trip to the movies for (small) kids, but otherwise, this movie is best treated like a direct-to-video release and seen at home.
4 of 10
C
Labels:
2004,
animated film,
Cuba Gooding Jr.,
Judi Dench,
Movie review,
Patrick Warburton,
Randy Quaid,
Walt Disney Animation Studios
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