Review: The Dragon in "How to Train Your Dragon" Makes the Film Soar

TRASH IN MY EYE No. 18 (of 2010) by Leroy Douresseaux

 

How to Train Your Dragon (2010) – animated

Running time: 98 minutes (1 hour, 38 minutes)

MPAA – PG for sequences of intense action and some scary images, and brief mild language

DIRECTOR: Dean DeBlois and Chris Sanders

WRITERS: Dean DeBlois and Chris Sanders, Adam F. Goldberg, and Peter Tolan (based upon the book by Cressida Cowell

PRODUCER: Bonnie Arnold

EDITOR: Maryann Brandon

PRODUCTION DESIGNER: Kathy Altieri

ART DIRECTOR: Pierre-Olivier Vincent

 

ANIMATION/FANTASY/ACTION/ADVENTURE

 

Starring: (voice) Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, Christopher Mintz-Plasse, and Kristen Wiig 

 

The latest computer-animated (or 3D animation) film from DreamWorks Animation, How to Train Your Dragon, really does reach new heights. This story about a boy and his dragon will take the viewer soaring across the sky through cloud banks and far into the atmosphere. The audience will follow the two as they streak across the ocean and over, around, and through islands and outcroppings. For over a century, cinema has shown us humans riding into the sky on winged horses, magic carpets, giant birds, etc., but never has movie flight felt so thrilling as it does here on the back on a young dragon. 

 

How to Train Your Dragon is set on the island of Berk, a Viking settlement where the Vikings have been fighting dragons since the settlers arrived on Berk. The story’s hero is a Viking teenager named Hiccup (Jay Baruchel), the son of Viking chieftain, Stoick the Vast (Gerard Butler). Hiccup’s smarts and offbeat sense of humor don’t sit too well with his tribe or his father because fighting dragons is their way of life – not humor. 

 

The beanpole-thin Hiccup is not strong, nor is he built like other Vikings, but still he is included in Dragon Training with the other Viking teens. Hiccup sees this as his chance to prove he has what it takes to be a fighter. When he encounters an injured dragon, one of the dreaded breed know as the Night Fury, Hiccup’s world is flipped upside down. He eventually befriends the dragon, whom he names “Toothless,” and helps the creature when he discovers that half of Toothless’ tail wing has been ripped off, grounding him. What started out as Hiccup’s one shot to prove himself as a Viking dragon slayer turns into an opportunity to set a new course for the future of Hiccup’s entire tribe. 

 

There is a lot about How to Train Your Dragon that can be praised, but the film does have its problems. Most of the characters are dull, flat, and uninteresting. Even Hiccup’s father, Stoick, large and fearsome as he is, really doesn’t generated dramatic heat, and Gerard Butler’s voice performance doesn’t make the character better. The character, Gobber, who acts as comic relief and is voiced by late-night talk show host, Craig Ferguson, is tepid. The story isn’t bad, but it is slight; there isn’t the dramatic weight here that one would get from a Pixar movie. In fact, the first quarter hour or so of this film presaged a cinematic bomb. Then, Hiccup and Toothless kick things off. 

 

What makes How to Train Your Dragon fantastic is its star duo. The depth, back story, conflict, and motivation missing from the other characters are abundant in Hiccup. His need to be accepted by his tribe, especially his father, versus his penchant for investigating and challenging the consensus, the status quo, and conventional thinking is the dramatic backbone of this film. Hiccup’s dragon buddy, Toothless, is simply a great animated character. He doesn’t speak, but his personality and character come through the expressiveness of his face and the vivid nature of his body in motion. In an animated film – 2D or 3D, the art of animation is indeed the illusion of life, as seen in the animated character. Gabe Hordos, the supervising animator of Toothless, and his staff have executed a grand magical spell in bringing Toothless to life. 

 

How to Train Your Dragon shows the audience the evolution of a boy from outcast teen to acknowledged hero. The film offers an impish, playful cartoon creature possessing the best human qualities. Together boy and dragon take us on a journey of self-discovery and maturity, and How to Train Your Dragon will take the audience on an aerial adventure that sometimes rivals the high-flying action of James Cameron’s Avatar. That is more than enough to make up for this film’s faults. 

 

8 of 10

A 

 

Monday, March 29, 2010

 

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Dragonslayer a Cult Classic Deserving of More Love

TRASH IN MY EYE No. 70 (of 2005) by Leroy Douresseaux

Dragonslayer (1981)

Running time: 108 minutes (1 hour, 48 minutes)

DIRECTOR: Matthew Robbins

WRITERS: Hal Barwood and Matthew Robbins

PRODUCER: Hal Barwood

CINEMATOGRAPHER: Derek Vanlint

EDITOR: Tony Lawson

Academy Award nominee

FANTASY/DRAMA/ADVENTURE/THRILLER

Starring: Peter MacNicol, Caitlin Clarke, Ralph Richardson, John Hallam, Peter Eyre, Albert Salmi, Sydney Bromely, Chloe Salaman, Emrys James, Roger Kemp, and Ian McDiarmid

To appease Vermithrax Pejorative, an old dragon prone to rampages, Casiodorus Rex (Peter Eyre), the ruler of a small kingdom, sacrifices virgins twice a year during the solstice (winter and fall, I think) to the dragon. A young woman masquerading as a man leads a contingent to visit the sorcerer, Urlich (Ralph Richardson), and ask him to slay the dragon, but Urlich is killed during a test of courage. Urlich’s apprentice, Galen (Peter MacNicol), boldly decides to take his master’s place and slay Vermithrax. The dragon, however, is known to wreaked havoc and much destruction on the human settlements immediately after the numerous unsuccessful attempts to slay him. The film begs three questions: does Galen have what it takes to be a dragon slayer? Can the novice be a wizard and unleash the magic necessary to kill a monster? And did he truly understand his master’s final instructions to him?

Dragonslayer remains an exceptional fantasy film over two decades after its release. The Paramount Pictures/Walt Disney co-production obviously lacks the computer effects that make the monsters and supernatural creatures of today’s films so convincingly real. However, some of the best creature builders and special effects minds of the time worked on the film, and the result is a mechanical dragon that is as scary today as it was in 1981. This is truly a monster and a monster movie that stands out from the pack.

While the acting is wobbly, everything else about Dragonslayer is great. From the locations in Scotland and Wales to the natural lighting used to photograph this film, the technical aspects give a ring of truth to this fantastic film. Co-writer/director Matthew Robbins directs the film at a nice pace that overcomes the shortcomings in the actors’ performance and a script that seems to wander and lacks real dramatic conflict between the characters. There is a lot of potential in this story for conflict that is underplayed or underdeveloped. One thing that the script does do well is emphasize how Christianity slowly encroached on the old pagan ways and belief in magic. There is a strong feeling of authenticity in this film’s depiction of the old ways giving in to the new, and that the light of Christianity has come to dispel the darkness of evil and the black arts. Dragonslayer isn’t high fantasy like The Lord of the Rings, but this is high quality “reality-based” fantasy that hits the spot.

7 of 10

A-

NOTES:

1982 Academy Awards: 2 nominations – “Best Effects, Visual Effects” (Dennis Muren, Phil Tippett, Ken Ralston, and Brian Johnson) and “Best Score” (Alex North)

May 20, 2005

Sherlock Holmes Coming Home

Arriving on DVD is Sherlock Holmes

I reviewed this film for the Comic Book Bin (the Bin's iPhone app). I think Robert Downey, Jr. was excellent as Holmes and Jude Law matched him as Dr. Watson. This was a great time at the movies.

Review: "Zombieland" is Like No Other

TRASH IN MY EYE No. 17 (of 2010) by Leroy Douresseaux

 

Zombieland (2009)

 

Running time: 88 minutes (1 hour, 28 minutes)

MPAA – R for horror violence/gore and language

DIRECTOR: Ruben Fleischer

WRITERS: Rhett Reese and Paul Wernick

PRODUCER: Gavin Polone

CINEMATOGRAPHER: Michael Bonvillain (D.o.P.)

EDITOR: Alan Baumgarten

 

HORROR/COMEDY

 

Starring: Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, Amber Heard, and Bill Murray

 

It is common wisdom that horror comedies do not do well at the box office, but last year’s late summer horror comedy, Zombieland, was a hit. Things seemed to come together for this peculiar zombie flick that mixes the zombie apocalypse genre both with gleeful destruction and with silver-tongued clowning.

 

The United States of America is no more. The world is no more. All there is left is Zombieland. Columbus (Jessie Eisenberg) is an easily spooked guy and, in general, a big wuss, but he has managed to stay alive using his book of rules. He joins forces with a wild man named Tallahassee (Woody Harrelson), a gun-toting, zombie-slaying badass whose primary goal is to find the last Twinkie on earth. Together, they fight for survival in a world virtually taken over by freakish zombies.

 

Columbus and Tallahassee eventually meet two others survivors, Wichita (Emma Stone) and Little Rock (Abigail Breslin), who have a unique way surviving the zombie mayhem. These young ladies are traveling west to a supposedly-safe, abandoned amusement park, Pacific Playland. As they join forces, these four people will have to determine which is worse: trusting each other or succumbing to the undead hordes.

 

Zombieland does work as a zombie movie simply because the zombies are convincingly dangerous and frightful. The film even has that air of doom, desperation, and forlorn resignation that permeates most zombie movies. Although it is clearly a descendant George Romero’s Night of the Living Dead, while also borrowing the fast zombies from 28 Days Later, Zombieland is most closely aligned with the 2004 zombie horror comedy, Shaun of the Dead.

 

As a comedy, Zombieland is not particularly sarcastic, snarky, or even edgy. It is, however, witty and has a wry sense of humor. The film feels so strange because the humor is absolutely at odds with the terror of the zombie death lurking around every corner. The comedy seems most dry and droll when the cast is killing zombies, and there is nothing like deadpan humor in the face of bile- and blood-drooling monsters.

 

The performances are good, with Jesse Eisenberg pitch perfect as the hapless, virginal everyman, Columbus. Woody Harrelson is brilliant, and the proof of his exceptional talents is that he brings the same skill and dedication to this zombie movie that he does to his more serious (if you will) dramatic work. Director Ruben Fleischer, a veteran of late-night television and reality shows (Rob & Big, “Jimmy Kimmel Live!”), creates the right tone for practically every scene, seeming to know when the movie should be comic, gross, scary, poignant, or just odd. Screenwriters Rhett Reese and Paul Wernick have created a concept, story, and characters that give the impression of being brand spanking new, while managing to make their influences practically not obvious.

 

Zombieland is a fine zombie movie. It is a distinctive horror comedy with inimitable style. I don’t know why it works, but I love this strange new film feast made from old genre ingredients.

 

7 of 10

A-

 

Saturday, March 27, 2010 

 

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Review: "Shaun of the Dead" is a Great Zombie Movie

TRASH IN MY EYE No. 248 (of 2004) by Leroy Douresseaux on Patreon

Shaun of the Dead (2004)

COUNTRY OF ORIGIN: UK

Running time: 99 minutes (1 hour, 39 minutes)

MPAA – R for zombie violence/gore and language

DIRECTOR: Edgar Wright

WRITERS: Simon Pegg & Edgar Wright

PRODUCER: Nira Park

CINEMATOGRAPHER: David M. Dunlap

EDITOR: Chris Dickens

COMEDY/HORROR/THRILLER

Starring: Simon Pegg, Kate Ashfield, Nick Frost, Lucy Davis, Dylan Moran, Nicola Cunningham, Penelope Wilton, Peter Serafinowicz, Jessica Stevenson, and Bill Nighy

Shaun’s (Simon Pegg) life is moribund, and he’d rather spend time with his best friend, Ed (Nick Frost), much to his girlfriend Liz’s (Kate Ashfield) chagrin. Tired of his lack of motivation and lameness in the romance department, Liz dumps Shaun. Shaun’s desperate to win back Liz and to reconcile his relationship with his mother Barbara (Penelope Wilton), so he’s initially ignorant of the fact that the recently dead have suddenly returned to life. However, when his community seems to fall apart, Shaun not only tries to win back his girlfriend, he also tries to save his pals from the dead who have come back to eat the living.

Shaun of the Dead is one of the best zombie movies I’ve ever seen, and it’s also a damn fine comedy. That might be difficult for some people to reconcile, but Shaun of the Dead is exceptionally hilarious, and it’s certainly a goose-flesh raising horror thriller. Anyone who likes zombie movies will surely like this, and it’s hard not to be stunned by how funny this movie is considering its subject matter. Imagine something akin to a Monty Python zombie movie.

Co-writer Edgar Wright’s directorial effort is a superb melding of dark comedy and convincing horror thrills, and his script, co-written by star Simon Pegg, breathlessly and shamelessly borrows from a host of genre films, mostly horror, in particular the gold standards of zombie films, Night of the Living Dead (1968) and Dawn of the Dead (1978). The script and resultant film are brilliant renditions of those two horror classics, but with move overt comedy. Shaun of the Dead is film heaven for the smart horror movie fan.

9 of 10

A+

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Box Office Blockbuster "Avatar" Gets DVD Release Dates

Twentieth Century Fox Home Entertainment Announces AVATAR Blu-Ray Disc and DVD Global Release Dates

Much-Anticipated Blu-ray and DVD Launch of James Cameron’s History-Making Epic Begins April 22 - Coinciding with the 40th Anniversary of Earth Day

LOS ANGELES--(BUSINESS WIRE)--Twentieth Century Fox Home Entertainment today announced that it will launch director James Cameron’s history-making motion picture AVATAR on Blu-ray Disc and DVD on Thursday, April 22.

AVATAR on Blu-ray presents the ultimate high definition experience for home viewing audiences. Fans around the world will soon be able to discover every detail and relive every moment of James Cameron’s AVATAR in the comfort of their own home. Blu-ray is recognized for presenting optimal picture and sound, and now AVATAR’s masterful cinematography, art direction and visual effects will lend itself to awe-inspiring clarity when you become absorbed in the extraordinary all-encompassing experience in the living room.

Since its global theatrical release last December, AVATAR has continued to make motion picture history. Written by James Cameron and produced with his long-time collaborator Jon Landau, AVATAR stars Sam Worthington, Zoë Saldana, Sigourney Weaver, Stephen Lang, Michelle Rodriguez, Giovanni Ribisi, Joel David Moore, CCH Pounder, Wes Studi and Laz Alonso.

Oscar® and Golden Globe® winning epic is the highest grossing film of all time, taking in over $2.6 billion in worldwide box office. Director James Cameron takes audiences to a spectacular world beyond imagination, where a reluctant hero embarks on a journey of redemption and discovery as he leads a heroic battle to save a civilization. AVATAR delivers a fully immersive cinematic experience of a new kind, where the revolutionary technology invented to make the film disappears into the emotion of the characters and the epic nature of the story.

AVATAR will be available on Blu-ray Disc and DVD everywhere in the United States and Canada on Earth Day, April 22. Please see below for additional release dates around the world:

FRANCE – April 21
BELGIUM – April 21
NETHERLANDS – April 21
SPAIN – April 21
CHINA – April 22
BRAZIL – April 22
RUSSIA – April 22
NORTH AMERICA – April 22
GERMANY – April 23
JAPAN – April 23
SWITZERLAND – April 23
MEXICO – April 23
UK – April 26
DENMARK – April 27
NORWAY – April 28
SWEDEN – April 28
NEW ZEALAND – April 28
AUSTRALIA – April 29
FINLAND – April 30
ITALY – May 6

About Twentieth Century Fox Home Entertainment
A recognized global industry leader, Twentieth Century Fox Home Entertainment LLC (TCFHE) is the worldwide marketing, sales and distribution company for all Fox film and television programming on DVD, Blu-ray Disc (BD) and Digital Copy as well as acquisitions and original productions. The company also releases all products around the globe for MGM Home Entertainment. Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets -- from mass merchants and warehouse clubs to specialty stores and e-commerce - throughout the world. Twentieth Century Fox Home Entertainment LLC is a subsidiary of Twentieth Century Fox Film Corporation, a News Corporation company.

Kip Williams to Direct Paranormal Activity Sequel

At the Paranormal Activity website, Oren Peli, the creator of Paranormal Activity, announced the new director for Paranormal Activity 2. It's Kip Williams, whose best known film to date may be The Door in the Floor, a 2004 film starring recent Oscar-winner Jeff Bridges and Kim Basinger.