Tuesday, April 27, 2010

TokyoScope 3 is "War of the Giant Monsters"


GIANT MONSTERS INVADE SAN FRANCICSO

THE BIGGEST CELEBRITY FROM JAPAN – GODZILLA – CRASHES VIZ CINEMA FOR SPECIAL FILM AND DISCUSSION EVENTS IN MAY

VIZ Cinema Hosts Kaiju Shakedown! Godzillathon! And TokyoScope Talk Vol. 3 Features War Of The Giant Monsters Discussion And Prize Raffle Of New Gamera DVD

NEW PEOPLE and VIZ Cinema welcome the 3rd and latest installment of TokyoScope Talk – War of the Giant Monsters – on Friday, May 7th at 7:00pm. Join Otaku USA Editor-in-Chief Patrick Macias, Eiji Tsuburaya: Master of Monsters author August Ragone, and Japanese film critic Tomohiro Machiyama at the Bay Area’s hottest film venue for a fun and lively discussion on the “kaiju” (monster) movies featuring rare images and clips of Godzilla, Mothra, Gamera and other iconic creatures from classic Japanese sci-fi cinema. General admission tickets are $10.00.

VIZ Cinema invites Bay Area monster fans to a 5-day Kaiju Shakedown: Godzillathon!, running Saturday, May 8th thru Thursday, May 13th. Featured will be rare screenings of the Big G’s 4 most-loved films including Godzilla vs. Hedora (1971), Godzilla vs. Gigan (1972), Godzilla vs. Megalon (1973), and Godzilla vs. Mechagodzilla (1974). Details and screening times at: www.vizcinema.com.

Don’t miss a rare chance to see the beauty and enormity of Godzilla in stunning 35mm prints with English subtitles and a premium THX®-certified sound system! These events may sell-out. Ticket prices: General Admission: $10.00; Senior & Child: $8.00. Advance tickets on sale at: http://www.newpeopleworld.com/films/films-5-2010/#godzillathon

TokyoScope Talk – War of the Giant Monsters will feature a special raffle giveaway of premium monster collectables including the brand new DVD release from Shout! Factory of Gamera: The Giant Monster (1965). The revered classic features the original Japanese version of the film presented with fresh English subtitles and anamorphic widescreen produced from an all-new HD master created from original vault elements.

VIZ Cinema is the nation’s first movie theatre devoted exclusively to Japanese film and anime. The 143-seat subterranean theatre is located in the basement of the NEW PEOPLE building and features plush seating, digital as well as 35mm projection, and a THX®-certified sound system.


About NEW PEOPLE
NEW PEOPLE offers the latest films, art, fashion and retail brands from Japan and is the creative vision of the J-Pop Center Project and VIZ Pictures, a distributor and producer of Japanese live action film. Located at 1746 Post Street, the 20,000 square foot structure features a striking 3-floor transparent glass façade that frames a fun and exotic new environment to engage the imagination into the 21st Century. A dedicated web site is also now available at: www.NewPeopleWorld.com.

Monday, April 26, 2010

Review: Date Night

TRASH IN MY EYE No. 26 (of 2010) by Leroy Douresseaux


Date Night (2010)
Running time: 88 minutes (1 hour, 28 minutes)
MPAA – PG-13 for sexual and crude content throughout, language, some violence and a drug reference
DIRECTOR: Shawn Levy
WRITER: Josh Klausner
PRODUCERS: Shawn Levy and Tom McNulty
CINEMATOGRAPHER: Dean Semler (D.o.P.)
EDITOR: Dean Zimmerman

COMEDY/ACTION/CRIME

Starring: Steve Carell, Tina Fey, Mark Wahlberg, Taraji P. Henson, Jimmi Simpson, Common, Bill Burr, William Fichtner, Kristen Wiig, Mark Ruffalo, James Franco, Mila Kunis, Ray Liotta, and J.B. Smoove

Steve Carell and Emmy-winner Tina Fey, two masters of some of the funniest and smartest television comedies in recent memory, come together for Date Night. Directed by Shawn Levy, Date Night follows a suburban New Jersey couple that comes to Manhattan for an out-of-the-ordinary night of fun and get the extraordinary night of their lives. This movie may not be Fey’s “30 Rock” or Carell’s “The Office” (their NBC television series), but it’s them and that’s enough.

They are sensible people Phil (Steve Carell) and Claire Foster (Tina Fey). This loving couple has two kids and a house in suburban New Jersey. Phil and Claire even have their weekly “date night,” a special night, in which they attempt to their dating years, as they dine on fish and potato wedges. Exhausted from their jobs and children, Phil and Claire rarely end their date nights with romance, or even sex. Then, they learn that a couple with whom they are friends is divorcing because the husband and wife started to feel like they were roommates and not really husband and wife.

On a whim, Phil decides a change of their regular date night plans in order to take Claire into Manhattan to the city’s hottest new restaurant, Claw. The Fosters, however, don't have reservations, and, once again on a whim, Phil decides to steal a no-show couple’s reservations. The Fosters are now the Tripplehorns, but the real Tripplehorns live dangerous lives, which the Fosters discover when two thugs, Armstrong (Jimmi Simpson) and Collins (Common), accost them over a flash drive the Tripplehorns apparently have. Soon, Phil and Claire are on the run, and their date night becomes a series of crazy adventures. Never mind saving their marriage; they have to save their lives.

Moviegoers who like Carell and Fey and want everything to turn out good for the Fosters will enjoy Date Night. Obviously, these acclaimed comic actors are the be-all, end-all of this movie. The material, however, is actually good, better than to be expected of Hollywood star vehicle. Screenwriter Josh Klausner has actually presented a rather snappy little scenario of a crime caper, although the way this caper ends is a bit clumsy and too pat. Director Shawn Levy, so adept at finding edge-of-the-seat thrills from practically any concept (see Night at the Museum), has made a film in Date Night that is funnier than most cop/buddy action comedies with action that is just as thrilling and fun to watch.

Steve Carell and Tina Fey don’t deliver their best work, but not for lack of effort. Carell’s wide-eyed mania, double-takes, and babbling are always just in time to strike the right note. Fey’s breezy performance is practically pitch-perfect for this film, an effortless turn from a comic actress flirting with genius. Date Night will likely make much of its audience want another date night with the team of Carell and Fey, but, in the meantime, we can enjoy this night again and again.

7 of 10
B+

Monday, April 26, 2010

Sunday, April 25, 2010

Spike Lee's "Thriller" Movie Set to Go (A Negromancer Bits and Bites Blast)

According to Perez Hilton.com, Spike Lee will release a film entitled, "Brooklyn Loves You, Michael Jackson."  The movie is about Brooklyn residents who throw a concert as a tribute to Michael Jackson, he of Off the Wall, Thriller, Bad, Dangerous, Invincible, etc. The movie is apparently loosely based on a party Lee threw in Brooklyn last summer as a tribute to the late King of Pop. Samuel L. Jackson, who has starred in several of Lee's early films, has signed on to star in the movie.  The most recent film about Michael Jackson, This is It, was hit mere months after the singer's passing last summer.

Saturday, April 24, 2010

Review: "WATCHMEN" Movie is Too Big to Fail, But Fails Anyway

TRASH IN MY EYE No. 25 (of 2010) by Leroy Douresseaux

Watchmen (2009)
Running time: 162 minutes (2 hours, 42 minutes)
MPAA – R for strong graphic violence, sexuality, nudity and language
DIRECTOR: Zack Snyder
WRITERS: David Hayter and Alex Tse (based upon the comic book series by Alan Moore and Dave Gibbons)
PRODUCERS: Lawrence Gordon, Lloyd Levin, and Deborah Snyder
CINEMATOGRAPHER: Larry Fong (director of photography)
EDITOR: William Hoy

SUPERHERO/SCI-FI
/ACTION/DRAMA/FANTASY/MYSTERY

Starring: Malin Ackerman, Billy Crudup, Matthew Goode, Jackie Earle Haley, Jeffrey Dean Morgan, Patrick Wilson, Carla Gugino, Matt Frewer, Stephen McHattie, Laura Mennell, and William Taylor

Watchmen was a 12-issue limited comic book series written by Alan Moore (V for Vendetta) and drawn by Dave Gibbons. Published over 1986 and 1987, DC Comics eventually collected the series into a single volume trade paperback. Afterwards, Watchmen came to be known as a “graphic novel,” eventually being included in TIME magazine’s 2005 list, “ALL TIME 100 Greatest Novels.”

Various Hollywood figures had been plotting since 1986, the year of the comic book’s release, to turn Watchmen into a film. People previously involved with this project include such names as Joel Silver, Terry Gilliam, Darren Aronofsky, and Paul Greengrass. After numerous starts and stops, Watchmen, the movie, finally debuted in March 2009 and amounted to a large, expensive fart. Warner Bros. Pictures called the film’s director, Zack Snyder (300), a visionary, which must be Hollywood parlance for hack.

Watchmen is set in 1985 in an alternate version of the United States. The “Doomsday Clock,” which charts American’s tension with the Soviet Union, is permanently set at five minutes to midnight. Tensions between the two superpowers has escalated to the point that they are on the brink nuclear war. Costumed superheroes are also part of this alternate world. In fact, because of a superhero named Doctor Manhattan (Billy Crudup), the U.S. won the Vietnam War. This allowed Richard Nixon (Robert Wisden) to repeal term limits laws and win a third term as President of the United States. By the 1980s, however, the outpouring of anti-vigilante sentiment caused Congress to outlaw superheroes.

The most famous superheroes are the Watchmen. When one of them, the Comedian (Jeffrey Dean Morgan), is murdered, a colleague, the masked vigilante Rorschach (Jackie Earle Haley), sets out to uncover what he believes is a plot by an unknown “mask killer” to kill former superheroes. What Rorschach uncovers is a wide-ranging conspiracy linked to the other Watchmen: Adrian Veidt/Ozymandias (Matthew Goode), the smartest man in the world who is also self-made super rich; the godlike Dr. Manhattan; his girlfriend, the ass-kicking Laurie Jupiter/Silk Spectre (Malin Ackerman); and Daniel Dreiberg, the Batman-like Nite Owl (Patrick Wilson). It is a conspiracy that could destroy or save the world.

Watchmen is mostly a failure as a drama because it lacks emotional resonance. Except for a few moments of the film – the relationship between Dan Dreiberg and Laurie Jupiter and Laurie’s relationship with her mother Sally Jupiter (Carla Gugino), among them – Watchmen is flat. The characters come across as if they were lead figures being slide across a board game. They are poorly developed and bloated rather than lively.

As an action film, Watchmen lacks the high energy of an action flick because the few action scenes that this movie has feel as if they were dropped in to punch up this contrived screen story. However, such scenes as Nite Owl and Silk Spectre’s rescue at the burning tenement and their mission to free Rorschach from prison are quite good.

Watchmen pretends to have something to say about the human condition, the state of the world, the manifestation of the superhuman in society, the threat of annihilation, etc., but the film lacks any sociological context. In spite of its references to real world events, the film feels empty, as if its references are more about image than substance. Characters meant to have significance – such as Watchmen’s version of Richard Nixon (played by an actor wearing a ridiculous prosthetic nose) and Henry Kissinger – are just stick figures and caricatures occupying the screen until the main Watchmen characters come back. The filmmakers use songs and famous recordings by Nat King Cole, Bob Dylan, Simon & Garfunkel, and the Jimi Hendrix Experience, to convey the appropriate socio-political themes and messages, because the script is too retarded to do that.

Watchmen feels empty. It is like a giant art or creative project that is impressive because of the materials and technical expertise used to make it, but is ultimately devoid of meaning or substance. It is confounding in its emptiness and shallowness and is actually the opposite of cerebral. When it tries to be compelling – especially during the big reveal in the final act – it is laughable. Where Alan Moore and Dave Gibbons original comic book was daring, Watchmen the film is often boring and sadly, disappointingly staged and stuffy. The great original is now an embalmed big budget Hollywood misfire. The few moments of genuine goodness that Watchmen has are not worth watching a movie that is almost three hours long.

3 of 10
C-

Friday, April 23, 2010

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Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).


Friday, April 23, 2010

AMC Presents "Breaking Bad" Interactive Comic

AMC has created a brand new interactive comic based on the plot of their critically acclaimed series, Breaking Bad. The new game The Interrogation follows the series character DEA Agent Hank Schrader as he tries to uncover the motives behind a crime. You choose the questions that Hank asks his suspect.

There's an art to interrogation -- an art that DEA Agent Hank Schrader, for one, has mastered. But how about you? Here's your chance to find out, assuming the role of Hank in this original Breaking Bad Interactive Comic called “The Interrogation:"

http://www.amctv.com/originals/breakingbad/interrogation

Breaking Bad, Sundays 10pm/9C on AMC:
Breaking Bad follows protagonist Walter White (Bryan Cranston), a chemistry teacher who lives in New Mexico with his wife (Anna Gunn) and teenage son (RJ Mitte) who has cerebral palsy.  White is diagnosed with Stage III cancer and given a prognosis of two years left to live. With a new sense of fearlessness based on his medical prognosis, and a desire to secure his family's financial security, White chooses to enter a dangerous world of drugs and crime and ascends to power in this world.

The series explores how a fatal diagnosis such as White's releases a typical man from the daily concerns and constraintsof normal society and follows his transformation from mild family man to a kingpin of the drug trade.

John Singleton to Adapt Kevin Grevioux Graphic Novel for Television

The following Negro movie news comes from an article at AOL Black Voices "BV on Movies" blog:

John Singleton is reportedly going to direct a television miniseries for EPIX TV, a premium movie channel owned by Studio 3 Partners, a joint venture between Paramount Pictures, MGM and Lionsgate.  The series is called "The Gray Men" and is based on a new graphic novel by actor Kevin Grevioux.


Grevioux wrote the original screenplay for the 2003 film, Underworld, although Grevioux was excluded from contributing to the screenplays for the Underworld sequels.  Grevioux played the werewolf, Raze, in the original film.  Grevioux also writes comic books for his own line of comics and also for Marvel Comics, including the series, New Warriors and Adam: Legend of the Blue Marvel.  As of this writing, "The Gray Men" has not been published.
"The Gray Man" is apparently a period piece set in the 1960s, and looks at a time when the government was recruiting young African-American college students to infiltrate radicals groups, including the Black Panthers.

Grevioux reportedly has another film, "I, Frankenstein," in pre-production.  Scheduled to start shooting this summer, "I, Frankenstein" is based on the comic book series from Darkstorm Comics and features Frankenstein's monster, Dracula, Dr. Jekyll and Mr. Hyde, among others.  Patrick Tatopoulos, who directed Underworld: Rise of the Lycans, will helm this live-action feature with Grevioux, Robert Sanchez, and Lakeshore Entertainment (which produced Underworld) serving as producers.

Final DVD Collecting 1990s X-Men Cartoon Arrvies Soon

X-MEN: Volume 5 2-Disc DVD FACT SHEET


COMPLETE YOUR COLLECTION WITH THE FINAL VOLUME !

Studio: Buena Vista Home Entertainment

Synopsis: The original tales of Marvel comic books come to life in Volume 5 of the X-men collection. Relive the action of the popular animated series in this collectible compilation of the X-men adventures. The X-men must turn to their arch-nemesis, Magneto, in an effort to save the life of Professor Xavier! Watch the action unfold in the final episode, “Graduation Day, “ and don’t miss a moment of X-men excitement in this 2-disc set, complete with 14 riveting episodes. Complete your X-men collection with this must-own final installment of this great animated series.

X-men stars voice talents Iona Morris (Law and Order, Spider-man, Fantastic Four, The Wayans Bros), Lenore Zann (Law and Order, Dragon Tales) and Alison Seasly-Smith (Honey, Degrassi: The Next Generation, M.V.P: The Secret Lives of Hockey Wives) and is executive produced by Stan Lee (Spider-Man, Iron Man, The Fantastic Four, The Ultimate Avengers II), Scott Thomas (Gargoyles: The Goliath Chronicles) and Will Meugniot (Teenage Mutant Ninja Turtles, X-Men: Evolution, Silver Surfer).

EPISODE LIST:

Disc 1
Episode 63 The Phalanx Covenant (Part 1)
Episode 64 The Phalanx Covenant (Part 2)
Episode 65 A Deal With The Devil
Episode 66 No Mutant Is An Island
Episode 67 Longshot
Episode 68 Bloodlines

Disc 2
Episode 69 Storm Front (Part 1)
Episode 70 Storm Front (Part 2)
Episode 71 Jubilee's Fairy Tale Theatre
Episode 72 The Fifth Horseman
Episode 73 Old Soldiers
Episode 74 Descent
Episode 75 Hidden Agendas
Episode 76 Graduation Day

STREET DATE: May 4, 2010
Suggested retail price: $23.99 US; $29.99 Canada
Rated: TV – Y7
Run time: 308 minutes
DVD aspect ratio: 4:3
Sound: Dolby Digital Surround Sound, Spanish and French Language
Tracks & Subtitles

© MARVEL, X-MEN, and all related characters and their distinctive likenesses thereof are trademarks of Marvel Entertainment, Inc. and its subsidiaries and are used with permission. © 2010 Marvel Entertainment, Inc. and its subsidiaries. © Buena Vista Home Entertainment, Inc.