Negromancer News Bits and Bites: Queen Latifah Producing Movie for VH1

According to this article I found at AOL Black Voics "BV on Movies" blog, Queen Latifah is producing a "Movie of the Week" for cable channel VH1 through her productions Flavor Unite Entertainment.

Entitled "Single Ladies," the telefilm will star Lauren London, Lisa Raye, and Stacey Dash and is a comedy and drama about a group of female best friends with different philosophies on sex and relationships.  Single Ladies is set in the city of Atlanta, specifically the city's fashion, music, and celebrity worlds.  The film will be shot in the Atlanta area.

The script for "Single Ladies" is written by Stacey Littlejohn, who will also serve as an executive producer.  Littlejohn has worked on various TV shows, including "All of Us," "Cedric the Entertainer Presents," and "The Hughleys." She will also serve as an executive producer.

Flavor Unit has previoulys produced a number of films including such Queen Latifah vehicles as Beauty Shop and Last Holiday and the upcoming film, Just Wright, starring Latifah and rapper/actor, Common.

Leonard Nimoy, Chris Nolan, Ridley Scott Headline Geek Event

Leonard Nimoy, Christopher Nolan and Ridley Scott Headline Los Angeles Times’ First-Ever Hero Complex Film Festival

June 11-13th Weekend to be Presented by Anime Expo

LOS ANGELES--(BUSINESS WIRE)--The Times Hero Complex, the go-to guide for all things geek, superheroic and sci-fi, enters a new dimension with the first annual Hero Complex Film Festival hosted by pop culture writer Geoff Boucher. The three-day event brings four iconic fan favorites to the big screen with the rare chance to experience live Q&A sessions with their legendary creators.

Leonard Nimoy, Christopher Nolan and Ridley Scott will talk about the making of “Star Trek IV: The Voyage Home;” “The Dark Knight;” and “Blade Runner” & “Alien.” Nimoy has just announced his retirement from acting and Nolan’s “Insomnia” will screen as a bonus-- adding even greater luster to this very special June 11-13 event. Nolan will also discuss the $1 billion box-office success of "The Dark Knight" and give a preview to his film "Inception," one of the most anticipated releases of 2010. Scott will delve into the influence of "Blade Runner," considered by many to be the greatest sci-fi film ever, and discuss his plans to return to the deep-space horror of "Alien" with a prequel.

"The initial idea behind Hero Complex was to write about the pop culture I love: sci-fi, fantasy, superheroes, graphic novels and horror and to cover these fanboy entertainments with sophistication and journalistic standards,” said Boucher. “Now, the festival allows The Times to bring even deeper insight into these vivid sectors of art and entertainment and no three names speak to the cerebral possibilities and creative greatness in these genres more than Ridley Scott, Leonard Nimoy and Christopher Nolan."

The first site by a major mainstream news outlet dedicated to genre-based film, TV and publishing projects, Hero Complex debuted in July 2008 and quickly became a wildly popular must-read. The Online Journalism Awards have named it 2009’s best “Online Blogging/Commentary, Large Site” and the blog has evolved as an emerging franchise for The Times including hosted screenings of upcoming releases, a comics/graphic novel area at the annual Los Angeles Times Festival of Books, an influential presence at the San Diego Comic-Con, featured content in the flagship Calendar section and a weekly page in Brand X.

The Hero Complex Film Festival is being undertaken in association with presenting sponsor Anime Expo.

“The last decade has seen the genre-film explode and we’ve designed the Hero Complex Film Festival to share The Times’ unique access to Hollywood’s top creators and their creations with devoted followers,” said EVP of Advertising and Marketing, John O’Loughlin. “We are continuing to build new experiential arenas around our unique coverage by which our advertising partners can more deeply engage an enthusiastic audience.”

Beginning today, tickets can be purchased for individual days or in a limited number of 3-day packages and the event schedule can be found at http://www.latimes.com/herocomplexfilmfest. Purchasers of the 3-day pass will also receive a limited edition print of the exclusive “Hero Complex Film Festival” poster designed by award-winning graphic novel creator Darwyn Cooke.

About the Los Angeles Times
The Los Angeles Times is the largest metropolitan daily newspaper in the country, with a daily readership of 2 million and 3 million on Sunday, and a combined print and interactive local weekly audience of 4.5 million. The fast-growing latimes.com draws over 10 million unique visitors monthly.

The Los Angeles Times Media Group businesses and affiliates also include The Envelope, Times Community Newspapers, LA, Los Angeles Times Magazine, Brand X, Hoy, and California Community News and - combined with the flagship Los Angeles Times - reach approximately 5.9 million or 44% of all adults in the Southern California marketplace. The Pulitzer Prize-winning Times has been covering Southern California for over 128 years and is part of Tribune Company, one of the country's leading media companies with businesses in publishing, the Internet and broadcasting. Additional information is available at http://latimes.com/aboutus.

New "Nightmare on Elm Street" Scary for Real

TRASH IN MY EYE No. 29 (of 2010) by Leroy Douresseaux


A Nightmare on Elm Street (2010)
Running time: 95 minutes (1 hour, 35 minutes)
MPAA – R for strong bloody horror violence, disturbing images, terror and language
DIRECTOR: Samuel Bayer
WRITERS: Wesley Strick and Eric Heisserer; from a story by Wesley Strick (based on the story and characters created by Wes Craven)
PRODUCERS: Michael Bay, Andrew Form, and Bradley Fuller
CINEMATOGRAPHER: Jeff Cutter (director of photography)
EDITOR: Glen Scantlebury

HORROR/THRILLER

Starring: Jackie Earle Haley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz, and Clancy Brown

The new film, A Nightmare on Elm Street, is, of course, a remake of the 1984 horror classic of the same title. While people unfamiliar with the original can certainly enjoy this film (and will), I think that it is better if you have seen the original because you can better appreciate the new ideas. The 2010 return to Elm Street is less a remake than it is a re-imagining or retelling of a beloved ghost story in a way that adds fresh fear to boogeyman.

After the peculiar death of a classmate, a group of teenagers in suburban (and fictional), Springwood, Ohio, discover that they have more in common than they ever imagined. First, a horribly disfigured killer is hunting the teens in their dreams. Secondly, he may a mysterious man named Freddy Krueger (Jackie Earle Haley), a dark figure from a shared past they didn’t even know they had. When one of them, Nancy Holbrook (Rooney Mara), discovers that she is of particular interest to Freddy, she joins forces with the smart kid, Quentin Smith (Kyle Gallner), to stop Freddy before he kills them all.

A Nightmare on Elm Street 2010 could have dutifully grinded out the usual thrills of a routine horror movie – people jumping from around corners, monsters suddenly sliding into view from outside the picture frame, pets knocking down knick-knacks to make sounds that chill the blood, etc. This new Nightmare is more thoughtful, and the familiar scare tactics have a delightfully, chilling new edge to them. That’s not just because CGI can exploit the landscape of dreams and nightmares and do things that writer/director Wes Craven could not have done in the original film.

As the new Freddy, Academy Award-nominee Jackie Earle Haley (Little Children) is so malevolent and menacing as Krueger that he actually seems to embody the remorseless killer. Haley is able to do something that the original Freddy, Robert Englund, was probably not allowed to do – make it obvious that Freddy has a hard-on for murder and a taste for slashing up mommy and daddy’s pride and joy. Freddy’s murderous impulses aren’t just about revenge; they’re also about perversion.

This movie feels like everyone involved – the filmmakers, the creative crew, and the cast – really wanted to make a good film. Director Samuel Bayer (who directed the music video for Nirvana’s “Smells Like Teen Spirit,” among many others) explores the range of color, sound, design, movement, staging, etc. and creates a scary moving picture that is genuine unsettling. Bayer’s A Nightmare on Elm Street is like a bad dream that you want to leave because you know that there is absolutely going to be some screwed up stuff happening. If a director wants to get fans off his back about remaking a beloved horror flick, this is the way to do it; give them a brutal bonbon like this new Nightmare.

Bayer had a good script from which to work. Writers Wesley Strick and Eric Heisserer bring more dark magic to Freddy Krueger, presenting new ideas about how Freddy can stalk and kill even when his victims are not sleeping.

Ultimately, what really sells this movie is the young cast playing the teens. Maybe no one told them that the Screen Actors Guild is unlikely to hand out an “Outstanding Performance by a Cast in a Motion Picture” nomination (let alone a win) to the cast of a horror movie. As an ensemble, however, I believe they were as earnest and as hard working for Bayer as they would be for Martin Scorsese. This is the art of the convincing performance.

I wouldn’t put A Nightmare on Elm Street 2010 next to an outright horror masterpiece like The Exorcist, but this suspenseful, blood-freezing treat is the real deal in horror flicks.

7 of 10
B+

Sunday, May 02, 2010

Oliver Stone Developing Television Drama

Oliver Stone and Bruce Wagner to Develop One Hour Dramatic Series for EPIX

Academy Award winning Stone Latest Talent to Join Standout Creative Roster for EPIX

NEW YORK--(BUSINESS WIRE)--Oscar-winning producer/writer/director Oliver Stone and Bruce Wagner have entered into a development deal with EPIX it was announced today. Their first project will be a one hour scripted dramatic series, “Still Holding,” based on the iconoclastic Wagner’s critically acclaimed novel of the same name. The series will explore the colliding worlds of three disparate people in Los Angeles, and the violent consequences of love and betrayal, of holding on and letting go. Stone and Wagner will serve as executive producers. They previously worked together on the mini-series “Wild Palms.”

Stone is the latest award-winning talent to develop original programming for the multiplatform premium entertainment channel, video-on-demand and online service. "I'm interested in the possibilities in television," Stone explained. "When a company like EPIX comes along, it's a chance to break new ground. They want to make their mark. They want to entertain and provoke; they don't want their drama or comedy watered down. The team at EPIX showed early on they could provide the supportive environment and creative freedom necessary to recognize the vision Bruce and I have for 'Still Holding." EPIX has the two vital organs that are essential to all human endeavors: guts and heart."

Mark Greenberg, President and CEO of EPIX, added: “EPIX offers a unique canvas for talent to fully realize their creative vision across multiple screens on television and online. We’re thrilled that filmmakers and writers have flocked to our network with bold, daring concepts – they truly get what we’re trying to do. To have Oliver and Bruce come to us for his first scripted drama is a validation of what we are trying to do at EPIX -- backing our talent and giving them the creative freedom they deserve.”

Bruce Wagner has been a Pen Faulkner finalist for his novel Chrysanthemum Palace. He alsoco-wrote and produced Tracy Ullman's show “State of the Union” for Showtime and is a frequent contributor to The New York Times, The New Yorker, Vogue and Vanity Fair.

EPIX’s aggressive roster of development projects includes the recently shot “Tough Trade,” a one-hour drama pilot starring Sam Shepherd and Lucas Black with music, by Academy Award winner T-Bone Burnett (“Crazy Heart”) The project, about three generations of a music dynasty set in Nashville, is executive produced by Jenji Kohan, Sean Furst and Bryan Furst, and created by Chris Offutt. Also recently announced was the half hour single camera comedy “iCon” from the legendary Emmy Award-winner Larry Charles (“Seinfeld”, “Entourage”, “Curb Your Enthusiasm”) and Media Rights Capital (MRC). Charles will co-write the script with Dan Lyons, a technology consultant for Newsweek, the creator of the popular Fake Steve Jobs blog and author of “Options: The Secret Life of Steve Jobs” The show is a savage satire centering on a technology tycoon whose ego is a study in power and greed.


About EPIX
EPIX, a joint venture between Viacom Inc. (NYSE: VIA and VIA.B), its Paramount Pictures unit, Metro-Goldwyn-Mayer Studios Inc. (MGM) and Lionsgate (NYSE: LGF), is a next-generation premium entertainment channel, video-on-demand and online service launched on October 30, 2009. With access to more than 15,000 motion pictures spanning the vast libraries of its partners and other studios, EPIX provides a powerful entertainment experience with more feature films on demand and online and more HD movies than any other service. It is the only premium service providing its entire monthly line-up of new Hollywood titles, classic feature films, original series, music and comedy specials through the linear channel, video-on-demand and online at EpixHD.com, the leading online destination for movies. EPIX has made the commitment to deliver the industry’s most expansive online collection of movies, making more than 3,000 titles available online to subscribers via its enhanced service, EPIX Megaplex, on www.EpixHD.com. The service is available to over 30 million homes nationwide through carriage agreements with Verizon FiOS, DISH Network, Cox Communications, Mediacom, Charter Communications and NCTC.

For more information about EPIX, go to http://www.epixhd.com/.

Second Elm Street, "Freddy's Revenge," Poor Follow-up to Classic

TRASH IN MY EYE No. 127 (of 2003) by Leroy Douresseaux


A Nightmare on Elm Street 2: Freddy’s Revenge (1985)
Running time: 87 minutes (1 hour, 27 minutes)
DIRECTOR: Jack Shoulder
WRITER: David Chaskin (based on the characters created by Wes Craven)
PRODUCER: Robert Shaye
CINEMATOGRAPHER: Jacques Haitkin and Christopher Tufty
EDITORS: Bob Brady and Arline Garson

HORROR

Starring: Robert Englund, Mark Patton, Kim Meyers, Robert Rusler, Clu Gulager, Hope Lange, Marshal Bell, Melinda O. Free, and Tom McFadden

With Freddy Krueger, the boogeyman of the A Nightmare on Elm Street films, set to arise again in the upcoming Freddy Vs. Jason, I thought I should see one of the two “Elm Street” films that I hadn’t seen, A Nightmare on Elm Street 2: Freddy’s Revenge. In this the first of many sequels, Jesse Walsh (Mark Patton) and his family move into the home that Freddy’s (Robert Englund) evil spirit haunted in the original film. Freddy’s uses Jesse’s body as his new conduit into the real world where he can get at a fresh batch of Elm Street teens. You see it was the parents of those Elm Street kiddies who, in an act of vigilante justice, murdered Krueger, a child killer who’d evaded the law. Years later, Freddy, the embodiment of evil, comes back as a malevolent spirit who haunts the dreams of his murderers’ offspring and kills them in their sleep.

Freddy’s Revenge isn’t so much an entire movie as it is part of a movie. As an entry in a long running series, it’s barely a chapter. The movie begins with a lot of poorly constructed setup. It’s boring because we don’t need to know the history of Elm Street. The audience knows Freddy will come; drop the bull and bring on the bad guy. Instead, we get a lot of scenes of Jesse having difficulty adjusting to school and to life as a teen, although he does have a girlfriend. Jesse’s role as a teenage misfit is mostly boring, and I couldn’t care less about the rest of the cretins who populate his high school world. The show doesn’t really start jumping until you-know-who shows up, but by the time Freddy really busts out, the movie is about over.

Clearly the writer and the director of Freddy’s Revenge didn’t have a grasp of the character like original writer/director and Freddy creator Wes Craven did. They did keep Freddy carefully cloaked in the inky darkness of night, his face mostly hidden in shadows, a creepy and convincing bogeyman (gleefully played by Englund), but they didn’t let Freddy run amuck enough. The great thing about the original was that Freddy really got to let loose. He was a truly frightening monster, especially when we couldn’t see him, but we knew he was there. There are some interesting moments here, mostly to do with Freddy. I must say that this film isn’t as bad as I expected it to be, but it’s really a clunky film. It’s feels like what it is – a sequel the studio rushed out to catch some of the good buzz left over from the first film. It’s cynical, cheap, and sad, because if they’d taken their time, the filmmakers had enough good ideas to at least make a really good scary movie.

3 of 10
C-

Original "Nightmare on Elm Street" IS a Classic

TRASH IN MY EYE No. 28 (of 2010) by Leroy Douresseaux


A Nightmare on Elm Street (1984)
Running time: 91 minutes (1 hour, 31 minutes)
WRITER/DIRECTOR: Wes Craven
PRODUCER: Robert Shaye
CINEMATOGRAPHER: Jacques Haitkin
EDITORS: Pat McMahon and Rick Shaine

HORROR

Starring: Heather Langenkamp, John Saxon, Ronee Blakley, Amanda Wyss, Nick Corri, Johnny Depp, Charles Fleischer, and Robert Englund

Originally released in 1984, A Nightmare on Elm Street was a film written and directed by legendary horror auteur, Wes Craven (Scream). A low-budget horror flick, A Nightmare on Elm Street launched a film franchise, a television series, merchandising, and imitators, but the film is a classic scary movie because of its penchant for blurring the border between dreams and reality. Most importantly, A Nightmare on Elm Street introduced one of the very best screen villains ever, Freddy Krueger.

Tina Gray (Amanda Wyss) has a dream in which she is stalked by a mutilated man with a second distinctive feature, razor-sharp knives attached to the fingers on his right hand. Her friend, Nancy Thompson (Heather Langenkamp), has experienced a similar dream involving the same sinister figure. Even Tina’s estranged boyfriend, Rod Lane (Nick Corri), has dreamed of this creepy man.

After Tina is murdered and Rod is blamed, Nancy discovers that Fred Krueger (Robert Englund), a child murderer killed by a mob of angry parents, is the man in her dreams. Krueger has returned to haunt the children of his killers, using their dreams to get his revenge from beyond the grave. When local teens fall asleep, Krueger attacks and kills them in their dreams, which also kills them in the real world. Nancy and her boyfriend, Glen Lantz (Johnny Depp, in his screen debut), hatch a plan to drag Krueger into the real world, but will that help them or make things worse?

In spite its low budget, A Nightmare on Elm Street delivers the thrills, chills, and scares of a movie with many times its budget. This first installment of the franchise has a high creepy factor because the narrative muddles reality with surreal moments in which imagination and the dream world intrude on everyday reality. One could make an argument that all or most of the movie is a dream, and that neither the narrative nor its characters are reliable.

Plus, in Fred (eventually Freddy) Krueger, A Nightmare on Elm Street has a villain who can terrorize his victims in their dreams and occasionally wreak havoc in the real world, which strengthens this story’s unsettling atmosphere. He is a bloodthirsty demon with a wicked sense of humor, and his glove, with its sharp knives, is one of the great weapons in horror movie history and in cinematic history, in general. Practically all the credit for Freddy Krueger’s fame belongs to character actor, Robert Englund, who achieved a rare feat – creating movie monster whose fame spans generations and who has international appeal.

The film’s target audience – the audience that first saw it back in the mid-80s – and likely many that see it now, can identify with Nancy and her friends. Adults don’t take them or their fears and concerns seriously, leaving them at Krueger’s mercy, which is ironic considering that the adults killed Krueger in order to protect their children. The teens are on their own, unable to discern the shifty reality that has become their existence. Like them, we are left alone to figure out this crazy, scary dream world, and A Nightmare on Elm Street delivers. It is the real deal in scary movies, and Freddy is a fictional serial killer who seems almost real.

7 of 10
A-

Saturday, May 01, 2010

Review: Sandra Bullock Shines in Winning "The Blind Side"

TRASH IN MY EYE No. 27 (of 2010) by Leroy Douresseaux

The Blind Side (2009)
Running time: 129 minutes (2 hours, 9 minutes)
MPAA – PG-13 for one scene involving brief violence, drug and sexual references
DIRECTOR: John Lee Hancock
WRITER: John Lee Hancock (based on the book The Blind Side: Evolution of a Game by Michael Lewis)
PRODUCERS: Broderick Johnson, Andrew A. Kosove, and Gil Netter
CINEMATOGRAPHER: Alar Kivilo (director of photography)
EDITOR: Mark Livolsi
COMPOSER: Carter Burwell
Academy Award winner

DRAMA/SPORTS

Starring: Sandra Bullock, Tim McGraw, Quinton Aaron, Jae Head, Lily Collins, Ray McKinnon, Kim Dickens, Adriane Lenox, and Kathy Bates

Michael Oher is a professional football player for the Baltimore Ravens of the National Football League (NFL), and he was also a college All-American at Ole Miss. Oher spent much of his youth living in foster homes or being homeless. During his high school years, Leigh Anne and Sean Tuohy, a couple with a daughter and a son at Oher’s school, took Oher into their home and eventually adopted him. Oher’s story became a book by Michael Lewis, The Blind Side: Evolution of a Game, which was adapted into the 2009 Best Picture nominee, The Blind Side. This film will likely be remembered as the movie for which Sandra Bullock won her “Best Actress” Oscar.

Michael Oher (Quinton Aaron) is a homeless African-American youngster who has lived with different foster families. The father of one of his friends gets Oher enrolled in an exclusive Christian school. There, Michael, called “Big Mike,” befriends a younger boy named Sean Tuohy, Jr. or SJ (Jae Head). SJ’s mother, Leigh Anne Tuohy (Sandra Bullock), a fiery interior designer, takes notice of Michael with her son. After a pre-holiday Thanksgiving school event, Leigh Anne sees Michael walking in the rain and offers to let him spend the night at her home. That leads to Michael spending Thanksgiving with Leigh Anne, her husband, Sean Tuohy (Tim McGraw), her daughter, Collins (Lily Collins), and SJ.

Michael begins to thrive in his new environment with the Tuohys, and his presence leads the Tuohys to some insightful self-discoveries of their own. However, this new life offers a new set of challenges for Michael. Leigh Anne also decides to make her and Sean Michael’s legal guardians, but that means delving into Michael’s troubled past. Suddenly Leigh Anne, her family, and their latest addition, Michael, find road blocks on the way to their happy ending.

I imagine that most viewers will feel very good after watching The Blind Side. This movie is the real deal because it is more than just another heartwarming story about Black people and White people coming together. Writer/director John Lee Hancock makes The Blind Side different from most inspirational sports drama by actually not contriving phony explanations for why the characters make the peculiar and surprising choices they do in relating to other people. He simply dazzles us with the Tuohys’ stunning generosity and the spirit of Christianity displayed by many of the characters. We don’t have to ask why they do it, but accept on faith that they are doing it for the right reasons.

As the spitfire Leigh Anne Tuohy, Sandra Bullock is certainly deserving of her Academy Award. Bullock not only embodies the fierce stubbornness of a modern Southern woman; she also personifies the inscrutable nature of humans. Sandra allows us to see Leigh Anne’s care and concern for Michael’s well-being and future, as well as her don’t-stand-in-my-way attitude, but shuts us out of what really goes on in Leigh Anne’s head. In reality, neither Bullock nor the audience knows why the real or fictional Leigh Anne does what she does, but in this movie that is not important. We’re supposed to be blind sided by people’s actions, especially Leigh Anne’s, because we don’t see them coming, as Leigh Anne is blind sided by her own feelings for Michael.

While much is made of Bullock’s performance (and rightfully so), Quinton Aaron gives a calm, but powerful performance as Michael Oher. In his quiet way, Aaron actually makes “Big Mike” that much more interesting, attracting the viewer to the character. Every time Aaron is on screen, he has the viewer trying to dig into Oher. As SJ, young Jae Head is a lovable scene-stealer, and the young actor makes SJ solidly the third most interesting character after Leigh Anne and Michael Oher. Consider him the adorable extra in The Blind Side, one of the great sports movies and fine family drama.

8 of 10
A

NOTES:
2010 Academy Awards: 1 win: “Best Performance by an Actress in a Leading Role” (Sandra Bullock); 1 nomination: “Best Motion Picture of the Year” (Gil Netter, Andrew A. Kosove, and Broderick Johnson)

2010 Golden Globe: 1 win for “Best Performance by an Actress in a Motion Picture – Drama” (Sandra Bullock)

2010 Black Reel Awards: 4 nominations: “Black Reel Best Actor” (Quinton Aaron), “Best Breakthrough Performance” (Quinton Aaron), “Best Film,” and “Best Screenplay, Original or Adapted” (John Lee Hancock)

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