TRASH IN MY EYE No. 34 (of 2010) by Leroy Douresseaux
Just Wright (2010)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – PG for some suggestive material and brief language
DIRECTOR: Sanaa Hamri
WRITER: Michael Elliot
PRODUCERS: Shakim Compere and Queen Latifah
CINEMATOGRAPHER: Terry Stacey
EDITOR: Melissa Kent
COMPOSERS: Lisa Coleman and Wendy Melvoin
ROMANCE/DRAMA/SPORTS
Starring: Queen Latifah, Common, Paula Patten, James Pickens Jr., Phylicia Rashad, Pam Grier, Laz Alonzo, Mechad Brooks, Michael Landes, Dwight Howard, Dwayne Wade, Jalen Rose, Kenny Smith, Mike Fratello, and Marv Albert
At first glance, the romantic sports drama, Just Wright, is special because it is a screen romance in which both the female and male leads are African-American actors. What makes Just Wright extra special is that it is a Queen Latifah movie. The Queen, with her lovely, open, and joyous film persona, always delivers a good time – even if she has to carry the movie, and she is indeed the leading scorer in this basketball love story.
The film focuses on Leslie Wright (Queen Latifah), a straight-shooting physical therapist; with her, what you see is what you get. Everyone thinks that Leslie is just the bee’s knees, even the men Leslie dates, but none of them will commit to her beyond just being a friend. A diehard fan of the professional basketball team, the New Jersey Nets, Leslie has a chance encounter with the Nets’ NBA All-Star, Scott McKnight (Common). The two surprisingly strike up a friendship, and Scott invites Leslie to his birthday party. At the party, however, Scott is immediately attracted to Leslie’s gorgeous cousin, Morgan Alexander (Paul Patten), who has her sights set on being an NBA trophy wife.
Then, Scott tears ligaments in his knee, threatening the future of his NBA career, and Scott becomes frustrated and withdrawn. Leslie eventually takes the job of helping Scott rehab his knee, but it is a full time job. Leslie begins to have strong feelings for Scott and he for her, but is Leslie destined to be a “best friend” or Scott’s true love?
Just Wright is a formulaic romantic drama. It is kind of a Cinderella story with Queen Latifah’s Leslie Wright as Cinderella, and Paul Patten’s Morgan as Cinderella’s stepsisters wrapped into one radiantly beautiful body. In this scenario, Cinderella is everybody’s best friend, but no one’s true love. The handsome prince is the rich, basketball star, Scott McKnight, who is dazzled by the beauty of the conniving Morgan.
Of course, Just Wright is selling Leslie Wright as being “just right” for Scott, and the film’s script, written by Michael Elliot (Brown Sugar), does everything to make Leslie look better and better as the narrative unfurls and to make Morgan look like a vacuous gold-digger who seems almost sociopathic. Morgan’s character would be a joke except for the fact that the underrated Paula Patten gives the kind of high-quality performance that will make the audience want to see more of Morgan. On the other hand, the script doesn’t do much with Scott McKnight other than make him a good catch as a husband – rich, loyal, and kind-hearted. Even Common, in an awkward and uneven performance, doesn’t make McKnight seem like much more than something nice for a girl to have.
Maybe it is Queen Latifah’s fault. Compared to many rapper-turned-actors, Common is usually good in the movies in which he appears, but screen presence of Queen Latifah (another rapper-turned-actor) often overwhelms her costars’ presence. Whenever she is on television or the big screen, Latifah seems to have a natural sunniness about her, and in comedies, she radiates cheer and poise. She carries herself with confidence and projects that she is comfortable in her own skin. Latifah is Just Wright; the movie clearly exists for her to entertain us. Even Paula Patten and appearances from two wonderful sisters like Phylicia Rashad and Pam Grier cannot change the fact that this is all Latifah, all the time.
When a formula works, it reminds us of why it is a formula; we can rely on it. Just Wright uses the romantic formula with decent if not always good results. But in the end, the lovable Queen Latifah makes it all right.
6 of 10
B
Monday, May 17, 2010
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Monday, May 17, 2010
As Ever, Queen Latifah is "Just Wright"
Labels:
2010,
20th Century Fox,
Black Film,
Black Romance,
Common,
Michael Elliot,
Movie review,
Pam Grier,
Paula Patton,
Phylicia Rashad,
Queen Latifah,
romance,
Sanaa Hamri,
Sports Movie
Sunday, May 16, 2010
Louie Psihoyos Talks "The Cove" - A Bits and Bites Extra
This year's Academy Award winner for "Best Documentary" is a film called The Cove. Directed by renowned National Geographic photographer and first-time filmmaker, Louie Psihoyos, the film documents an annual ritual in a small coastal Japanese town called Taiji, in which thousands of dolphins and porpoises are slaughtered by the residents. The residents even capture dolphins that they sell to U.S. marine mammal parks for upwards of $200,000.
Apparently, there have been efforts on the parts of the Japanese government and the U.S. military to ban and cancel screenings of The Cove in Japan. Psihoyos gave an interview to Your Call, a daily radio call-in show broadcast in San Francisco and Santa Cruz, in which he discusses The Cove's success, whaling, and environmental issues. Go here to listen to the interview.
Apparently, there have been efforts on the parts of the Japanese government and the U.S. military to ban and cancel screenings of The Cove in Japan. Psihoyos gave an interview to Your Call, a daily radio call-in show broadcast in San Francisco and Santa Cruz, in which he discusses The Cove's success, whaling, and environmental issues. Go here to listen to the interview.
Labels:
Bits-Bites,
Documentary News,
movie news,
Truthout
"The Spy Next Door" on DVD Tuesday
From Lionsgate:
PROGRAM DESCRIPTION
Acclaimed martial-arts superstar Jackie Chan (The Forbidden Kingdom) is back to kick up the action and bring in the laughs with his latest film, The Spy Next Door, making its way onto a 2-disc Blu-ray Combo Pack – which includes both Blu-ray and DVD – and is also available as a separate DVD and for digital download. From the director of Snow Dogs, the film features a star-studded cast including Amber Valletta (Hitch), Billy Ray Cyrus (Disney’s “Hannah Montana”) and George Lopez (Valentine’s Day), and grossed over $24 million at the box office. This KIDS FIRST!-endorsed action-comedy which also received the Dove Foundation Seal of Approval, contains bonus features the whole family will enjoy – including a blooper reel and two fun featurettes that bring audiences up-close and personal with the cast.
In true Jackie Chan fashion, The Spy Next Door delivers incredible stunts, fast action suspense and hearty family entertainment. When Bob Ho is called to babysit his neighbor’s unruly children, they accidentally blow his cover as a spy by downloading secret codes on his computer. Suddenly Bob has to kick into super agent mode and take the kids on an action-packed adventure that turns suburbia upside down. Bob fights off assassins and arch villains, narrowly escapes traps and outsmarts double-agents while somehow managing to keep the kids out of harm’s way. The film is “High-flying family fun” (movieweb.com) and “Zany action for the whole family” (nycmovieguru.com). The Spy Next Door will be available on Blu-ray Combo pack for the suggested retail price of $39.99 or on DVD for $29.95.
*BLU-RAY COMBO PACK/DVD SPECIAL FEATURES
• “Jackie Chan: Stunt Master and Mentor” featurette
• “Adventures in Acting with the Kids from The Spy Next Door” featurette
• Blooper reel
*subject to change
CAST
Jackie Chan: The Forbidden Kingdom, Rush Hour, Shanghai Noon, The Tuxedo, Rumble in the Bronx
Amber Valletta: Hitch, Gamer, Premonition, Transporter 2, Raising Helen, The Family Man, Duplex
Madeline Carroll: When a Stranger Calls, The Santa Clause 3: The Escape Clause, Swing Vote
Will Shadley: TV’s “Dirty Sexy Money,” Cloudy with a Chance of Meatballs
Magnús Scheving: TV’s “LazyTown”
with Billy Ray Cyrus Hannah Montana: The Movie, Mulholland Drive, Bait Shop, TV’s “Doc” and George Lopez Valentine’s Day, Swing Vote, Balls of Fury, Real Women Have Curves
PROGRAM INFORMATION
Year of Production: 2009
Title Copyright: © 2009 Spy Next Door, LLC. All Rights Reserved.
Type: Theatrical Release
Rating: PG for sequences of action violence and some mild rude humor
Genre: Action/Adventure, Family, Comedy
Closed Captioned: DVD - English Closed Captioned
Blu-ray – English SDH
Subtitles: English and Spanish
DVD Format: 16x9 Widescreen (1.78)
Blu-ray Format: 1080P High Definition 16x9 Widescreen (1.78)
Feature Running Time: 95 minutes
DVD Audio Status: 5.1 and 2.0 Dolby Digital
Blu-ray Disc Audio Status: 5.1 DTS-HD Master Audio
PROGRAM DESCRIPTION
Acclaimed martial-arts superstar Jackie Chan (The Forbidden Kingdom) is back to kick up the action and bring in the laughs with his latest film, The Spy Next Door, making its way onto a 2-disc Blu-ray Combo Pack – which includes both Blu-ray and DVD – and is also available as a separate DVD and for digital download. From the director of Snow Dogs, the film features a star-studded cast including Amber Valletta (Hitch), Billy Ray Cyrus (Disney’s “Hannah Montana”) and George Lopez (Valentine’s Day), and grossed over $24 million at the box office. This KIDS FIRST!-endorsed action-comedy which also received the Dove Foundation Seal of Approval, contains bonus features the whole family will enjoy – including a blooper reel and two fun featurettes that bring audiences up-close and personal with the cast.
In true Jackie Chan fashion, The Spy Next Door delivers incredible stunts, fast action suspense and hearty family entertainment. When Bob Ho is called to babysit his neighbor’s unruly children, they accidentally blow his cover as a spy by downloading secret codes on his computer. Suddenly Bob has to kick into super agent mode and take the kids on an action-packed adventure that turns suburbia upside down. Bob fights off assassins and arch villains, narrowly escapes traps and outsmarts double-agents while somehow managing to keep the kids out of harm’s way. The film is “High-flying family fun” (movieweb.com) and “Zany action for the whole family” (nycmovieguru.com). The Spy Next Door will be available on Blu-ray Combo pack for the suggested retail price of $39.99 or on DVD for $29.95.
*BLU-RAY COMBO PACK/DVD SPECIAL FEATURES
• “Jackie Chan: Stunt Master and Mentor” featurette
• “Adventures in Acting with the Kids from The Spy Next Door” featurette
• Blooper reel
*subject to change
CAST
Jackie Chan: The Forbidden Kingdom, Rush Hour, Shanghai Noon, The Tuxedo, Rumble in the Bronx
Amber Valletta: Hitch, Gamer, Premonition, Transporter 2, Raising Helen, The Family Man, Duplex
Madeline Carroll: When a Stranger Calls, The Santa Clause 3: The Escape Clause, Swing Vote
Will Shadley: TV’s “Dirty Sexy Money,” Cloudy with a Chance of Meatballs
Magnús Scheving: TV’s “LazyTown”
with Billy Ray Cyrus Hannah Montana: The Movie, Mulholland Drive, Bait Shop, TV’s “Doc” and George Lopez Valentine’s Day, Swing Vote, Balls of Fury, Real Women Have Curves
PROGRAM INFORMATION
Year of Production: 2009
Title Copyright: © 2009 Spy Next Door, LLC. All Rights Reserved.
Type: Theatrical Release
Rating: PG for sequences of action violence and some mild rude humor
Genre: Action/Adventure, Family, Comedy
Closed Captioned: DVD - English Closed Captioned
Blu-ray – English SDH
Subtitles: English and Spanish
DVD Format: 16x9 Widescreen (1.78)
Blu-ray Format: 1080P High Definition 16x9 Widescreen (1.78)
Feature Running Time: 95 minutes
DVD Audio Status: 5.1 and 2.0 Dolby Digital
Blu-ray Disc Audio Status: 5.1 DTS-HD Master Audio
"Something New" is Quite Cool
TRASH IN MY EYE No. 135 (of 2006) by Leroy Douresseaux
Something New (2006)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – PG-13 for sexual references
DIRECTOR: Sanaa Hamri
WRITER: Kriss Turner
PRODUCER: Stephanie Allain
CINEMATOGRAPHER: Shane Hurlbut
EDITOR: Melissa Kent
Black Reel Award winner
COMEDY/DRAMA/ROMANCE
Starring: Sanaa Lathan, Simon Baker, Wendy Raquel Robinson, Mike Epps, Taraji P. Henson, Donald Faison, Alfre Woodard, Blair Underwood, Golden Brooks, Earl Billings, and Matt Malloy
Kenya Denise McQueen (Sanaa Lathan) has carefully calculated her professional life, and the young African-American accounting executive is up for partner at the firm for which she works. Still, she’s concerned that her personal life doesn’t measure up to her professional success. She accepts a blind date coordinated by a colleague, but the blind date turns out to be a white man named Brian Kelly (Simon Baker). She brushes him off, but that’s not the last she hears from Brian. He also turns out to be the sexy, free-spirited landscape architect a friend recommends. A relationship develops between Kenya and Brian, but though he’s comfortable with her, she can’t get past the fact that he is a white man. She’s later meets the IBM, the Ideal Black Man, a tax attorney named Mark (Blair Underwood), and they seemingly hit it off. Although Mark seems like her dream come true, Kenya’s heart might be somewhere else – regardless of what her friends, family, and the rest of society have to say.
Something New is the latest film about interracial (an absurd term) dating. The best-known recent examples include Spike Lee’s infamous Jungle Fever and the Julia Stiles hit, Save the Last Dance. Something New is not as incendiary as the former, nor does it have the youthful passion of the latter. The film by director Sanaa Hamri and writer Kriss Turner (a TV scribe whose credits include “Whoopi” and “Everybody Hates Chris”) is rather tame, but gets its energy from a willing cast. We know what the film is supposed to be about – unexpected love, but we know what this film is really about – a black girl dating a white guy. The actors grapple with that, and all they have to work with is Turner’s screenplay, which doesn’t know if it’s a love story or a lesson planner. Everything seems a little too loose, in a subject matter that demands structure (although I may be wrong) Still, what Turner’s script and Hamri’s directing offer would be enough to make this a good film. The actors make Something New a little better than just “good.”
One really impressive thing about this is that it showcases so many talented Black actors, whom we’d normally not see, at least not more than once a year. Alfre Woodard is fantastic as Kenya’s mother, Joyce McQueen, and one can only assume that being a Black actress has more often than not been an impediment to her career. Here, she shines as a woman madly wedded to her social status and to the idea that her children should live up to it – or so it seems. Wendy Raquel Robinson is equally good as the friend/voice of reason, Cheryl.
Leads Sanaa Lathan and Simon Baker do have screen chemistry, mostly because they play their characters so well, knowing exactly what to give their characters respective to the needs of the story. It’s their performances, in particularly Sanaa Lathan’s that gives this film its juice. Lathan practically emanates career obsession and embodies the hard-working, professional black woman tightly holding it together in all the ways it takes to climb the corporate ladder. At times, it is uncanny how true she makes Kenya’s reactions to people and situations. Her acting in the Starbucks’ scene when Kenya first meets Brian is uncommonly good – the art of verisimilitude with an attention to detail that gives this scene a documentary feel. It’s everything she does. Kenya’s vainly subtle ticks when she’s in public with Brian seem like painful compromises with strangers so that they won’t sneer at her for being with a white man. Those things that Lathan does make this a genuinely moving picture.
Baker is perfect as the laid-back, free spirit who just won’t hide his disdain for social hang-ups. In the end, he tips the balance and makes this movie seem, if not quite real, honest in its intentions. Something New makes its points in a gentle way while offering several entertaining supporting characters and then occasionally gives the viewer a hard nudge thanks to fine situational acting. Something New is the good choice for those wishing to either make that leap to the other side or just see how cool things could be if we all just got along… or at least the few of us who get along no matter what the hell the others have to say
7 of 10
B+
Saturday, June 24, 2006
Something New (2006)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – PG-13 for sexual references
DIRECTOR: Sanaa Hamri
WRITER: Kriss Turner
PRODUCER: Stephanie Allain
CINEMATOGRAPHER: Shane Hurlbut
EDITOR: Melissa Kent
Black Reel Award winner
COMEDY/DRAMA/ROMANCE
Starring: Sanaa Lathan, Simon Baker, Wendy Raquel Robinson, Mike Epps, Taraji P. Henson, Donald Faison, Alfre Woodard, Blair Underwood, Golden Brooks, Earl Billings, and Matt Malloy
Kenya Denise McQueen (Sanaa Lathan) has carefully calculated her professional life, and the young African-American accounting executive is up for partner at the firm for which she works. Still, she’s concerned that her personal life doesn’t measure up to her professional success. She accepts a blind date coordinated by a colleague, but the blind date turns out to be a white man named Brian Kelly (Simon Baker). She brushes him off, but that’s not the last she hears from Brian. He also turns out to be the sexy, free-spirited landscape architect a friend recommends. A relationship develops between Kenya and Brian, but though he’s comfortable with her, she can’t get past the fact that he is a white man. She’s later meets the IBM, the Ideal Black Man, a tax attorney named Mark (Blair Underwood), and they seemingly hit it off. Although Mark seems like her dream come true, Kenya’s heart might be somewhere else – regardless of what her friends, family, and the rest of society have to say.
Something New is the latest film about interracial (an absurd term) dating. The best-known recent examples include Spike Lee’s infamous Jungle Fever and the Julia Stiles hit, Save the Last Dance. Something New is not as incendiary as the former, nor does it have the youthful passion of the latter. The film by director Sanaa Hamri and writer Kriss Turner (a TV scribe whose credits include “Whoopi” and “Everybody Hates Chris”) is rather tame, but gets its energy from a willing cast. We know what the film is supposed to be about – unexpected love, but we know what this film is really about – a black girl dating a white guy. The actors grapple with that, and all they have to work with is Turner’s screenplay, which doesn’t know if it’s a love story or a lesson planner. Everything seems a little too loose, in a subject matter that demands structure (although I may be wrong) Still, what Turner’s script and Hamri’s directing offer would be enough to make this a good film. The actors make Something New a little better than just “good.”
One really impressive thing about this is that it showcases so many talented Black actors, whom we’d normally not see, at least not more than once a year. Alfre Woodard is fantastic as Kenya’s mother, Joyce McQueen, and one can only assume that being a Black actress has more often than not been an impediment to her career. Here, she shines as a woman madly wedded to her social status and to the idea that her children should live up to it – or so it seems. Wendy Raquel Robinson is equally good as the friend/voice of reason, Cheryl.
Leads Sanaa Lathan and Simon Baker do have screen chemistry, mostly because they play their characters so well, knowing exactly what to give their characters respective to the needs of the story. It’s their performances, in particularly Sanaa Lathan’s that gives this film its juice. Lathan practically emanates career obsession and embodies the hard-working, professional black woman tightly holding it together in all the ways it takes to climb the corporate ladder. At times, it is uncanny how true she makes Kenya’s reactions to people and situations. Her acting in the Starbucks’ scene when Kenya first meets Brian is uncommonly good – the art of verisimilitude with an attention to detail that gives this scene a documentary feel. It’s everything she does. Kenya’s vainly subtle ticks when she’s in public with Brian seem like painful compromises with strangers so that they won’t sneer at her for being with a white man. Those things that Lathan does make this a genuinely moving picture.
Baker is perfect as the laid-back, free spirit who just won’t hide his disdain for social hang-ups. In the end, he tips the balance and makes this movie seem, if not quite real, honest in its intentions. Something New makes its points in a gentle way while offering several entertaining supporting characters and then occasionally gives the viewer a hard nudge thanks to fine situational acting. Something New is the good choice for those wishing to either make that leap to the other side or just see how cool things could be if we all just got along… or at least the few of us who get along no matter what the hell the others have to say
7 of 10
B+
Saturday, June 24, 2006
Labels:
2006,
Alfre Woodard,
Black Film,
Black Reel Awards winner,
Black Romance,
Blair Underwood,
Donald Faison,
Mike Epps,
Movie review,
romance,
Sanaa Hamri,
Sanaa Lathan,
Taraji P. Henson
Saturday, May 15, 2010
Twilight News: Regal Theatres Has "Eclipse" Tickets on Sale
Regal Entertainment Group Announces Tickets Now On Sale for The Twilight Saga: Eclipse
Midnight Shows Preceded by Regal Encore Presentations of ‘Twilight’ and ‘New Moon’
KNOXVILLE, Tenn.--(BUSINESS WIRE)--Regal Entertainment Group, a leading motion picture exhibitor owning and operating the largest theatre circuit in the United States, announced today that tickets are on sale for Twilight Saga: Eclipse opening on Wednesday, June 30. Fans of this popular series can also see the first two films in the series at a special double-feature price of $10 with Twilight showing at 6:30PM and Twilight Saga: New Moon at 9:00PM on Tuesday, June 29. This Regal Encore Presentation of the two earlier films will then be followed by the first 12:01AM screening of Twilight Saga: Eclipse.
“We are excited to celebrate the latest release from this movie franchise based on Stephenie Meyer's blockbuster book series. Our moviegoers will be amongst the first to see Eclipse at our special midnight showings and fans will also have the opportunity to enjoy the extremely popular first and second films again on the big screen,” stated Dick Westerling, Senior Vice President of Marketing and Advertising for Regal Entertainment Group.
Twilight Saga: Eclipse opens Wednesday, June 30 in traditional 35mm format, digital projection and The IMAX Experience®. Eclipse is rated PG-13 for intense sequences of action and violence, and some sensuality. Tickets for the new film are sold separately from the $10 double feature ticket for Twilight and Twilight Saga: New Moon.
In Twilight Saga: Eclipse, Bella (Kristen Stewart) once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward (Robert Pattinson) and her friendship with Jacob (Taylor Lautner) knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life.
Regal Encore Presentations of Twilight and Twilight Saga: New Moon both rated PG-13, are available at 441 Regal Entertainment Group theatres.
Visit www.REGmovies.com for updated information about ticket sales, showtimes and locations.
About Regal Entertainment Group:
Regal Entertainment Group (NYSE: RGC) is the largest motion picture exhibitor in the United States. The Company's theatre circuit, comprising Regal Cinemas, United Artists Theatres and Edwards Theatres, operates 6,739 screens in 545 locations in 38 states and the District of Columbia. Regal operates theatres in 43 of the top 50 U.S. designated market areas. We believe that the size, reach and quality of the Company's theatre circuit not only provide its patrons with a convenient and enjoyable movie-going experience, but is also an exceptional platform to realize economies of scale in theatre operations. Additional information is available on the Company's Web site at www.REGmovies.com.
Midnight Shows Preceded by Regal Encore Presentations of ‘Twilight’ and ‘New Moon’
KNOXVILLE, Tenn.--(BUSINESS WIRE)--Regal Entertainment Group, a leading motion picture exhibitor owning and operating the largest theatre circuit in the United States, announced today that tickets are on sale for Twilight Saga: Eclipse opening on Wednesday, June 30. Fans of this popular series can also see the first two films in the series at a special double-feature price of $10 with Twilight showing at 6:30PM and Twilight Saga: New Moon at 9:00PM on Tuesday, June 29. This Regal Encore Presentation of the two earlier films will then be followed by the first 12:01AM screening of Twilight Saga: Eclipse.
“We are excited to celebrate the latest release from this movie franchise based on Stephenie Meyer's blockbuster book series. Our moviegoers will be amongst the first to see Eclipse at our special midnight showings and fans will also have the opportunity to enjoy the extremely popular first and second films again on the big screen,” stated Dick Westerling, Senior Vice President of Marketing and Advertising for Regal Entertainment Group.
Twilight Saga: Eclipse opens Wednesday, June 30 in traditional 35mm format, digital projection and The IMAX Experience®. Eclipse is rated PG-13 for intense sequences of action and violence, and some sensuality. Tickets for the new film are sold separately from the $10 double feature ticket for Twilight and Twilight Saga: New Moon.
In Twilight Saga: Eclipse, Bella (Kristen Stewart) once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward (Robert Pattinson) and her friendship with Jacob (Taylor Lautner) knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life.
Regal Encore Presentations of Twilight and Twilight Saga: New Moon both rated PG-13, are available at 441 Regal Entertainment Group theatres.
Visit www.REGmovies.com for updated information about ticket sales, showtimes and locations.
About Regal Entertainment Group:
Regal Entertainment Group (NYSE: RGC) is the largest motion picture exhibitor in the United States. The Company's theatre circuit, comprising Regal Cinemas, United Artists Theatres and Edwards Theatres, operates 6,739 screens in 545 locations in 38 states and the District of Columbia. Regal operates theatres in 43 of the top 50 U.S. designated market areas. We believe that the size, reach and quality of the Company's theatre circuit not only provide its patrons with a convenient and enjoyable movie-going experience, but is also an exceptional platform to realize economies of scale in theatre operations. Additional information is available on the Company's Web site at www.REGmovies.com.
Movie Review: "Brown Sugar" Was Much Needed
TRASH IN MY EYE No. 62 (of 2003) by Leroy Douresseaux
Brown Sugar (2002)
Running time: 109 minutes (1 hour, 49 minutes)
MPAA – PG-13 for sexual content and language
DIRECTOR: Rick Famuyiwa
WRITERS: Michael Elliot and Rick Famuyiwa, from a story by Michael Elliot
PRODUCER: Peter Heller
EXECUTIVE PRODUCER: Earvin “Magic” Johnson
CINEMATOGRAPHER: Jeff Barnett and Enrique Chediak (director of photography)
EDITOR: Dirk Westervelt
Black Reel Award winner
ROMANCE with elements of drama
Starring: Taye Diggs, Sanaa Lathan, Mos Def, Nicole Ari Parker, Boris Kodjoe, and Queen Latifah
National Basketball Association legend Earvin “Magic” Johnson entered the world of filmmaking as executive producer in what 20th Century Fox billed as a hip-hop romance, Brown Sugar. The truth of the matter is that the hip-hop has very little to do with the romance other than being window dressing. The fact of the matter is that Brown Sugar is actually a nice romance.
Dre (Taye Diggs) and Sidney (Sanaa Lathan, Love & Basketball) have been friends since childhood. Dre is a successful record executive and Sidney wrote articles on hip-hop music for the Los Angeles Times before moving on to run XXL magazine. They’re each other’s best friend, sharing the good times and the bad and sharing gossip and the intimate secrets of their lives. They only once came close to consummating their deep friendship as serious love, but avoided it. However, when Dre rushes into marriage with Reese (Nicole Ari Parker, Remember the Titans), a high society money girl that he hasn’t known very long, Sidney has mixed feelings, and her deeper love for Dre begins to surface.
Director Rick Famuyiwa (The Wood) and co-writer Michael Elliot seemed determined to make a film that’s simply about romance in which hip-hop is as important to the story as the romance is. Both characters are obviously big fans of hip-hop; both their careers are built around it. The writers even have the characters mouth platitudes about how great hip-hop is. But no matter how much they talk about hip-hop, rap music, or whatever you want to call it, the story of the film is about two friends finally succumbing to the love they have for each other that they both denied for so long, a denial that has one in a bad marriage and the other about to enter into one. The hip-hop love jones is strained and forced, and it severely hampers the romantic center of this movie; the love story is natural and flows.
This film may not be as well known as more “mainstream” and “traditional” romantic films like Sleepless in Seattle or When Harry Met Sally, but Brown Sugar is good. It’s not perfect, but when I was growing up, films like this simply didn’t exist. They couldn’t; racist Hollywood didn’t want to make them, and the beast always claimed that there was no audience for such a film. Well, there’s always an audience for good films; it may not be as large as the audience for Titanic, but people will find a good movie.
I must say that the performances outshine the film. Taye Diggs is a good actor, and he has the stature and emotional range to play a leading man. Can’t you just see how much fun he would have been in something like Boomerang? Ms. Lathan is new to me, but I like what she has to offer. She easily skates through her character of this soft script, managing to be a comedian, a heroine, and a lovelorn professional gal just looking for true love. Queen Latifah adds spark to this film, although her part is quite small, but her hip-hop colleague, Mos Def, is another find. He played the sidekick very well, and he manages to be “real” as a hip-hop artist without once calling a bitch a ho or threatening to peal a nigga’s cap back. He’s a natural, quite comfortable on screen, and I hope to see more of him.
If Magic Johnson has more films like Brown Sugar up his sleeves, by all means, he should go to fewer Laker games and more studio briefings.
6 of 10
B
Brown Sugar (2002)
Running time: 109 minutes (1 hour, 49 minutes)
MPAA – PG-13 for sexual content and language
DIRECTOR: Rick Famuyiwa
WRITERS: Michael Elliot and Rick Famuyiwa, from a story by Michael Elliot
PRODUCER: Peter Heller
EXECUTIVE PRODUCER: Earvin “Magic” Johnson
CINEMATOGRAPHER: Jeff Barnett and Enrique Chediak (director of photography)
EDITOR: Dirk Westervelt
Black Reel Award winner
ROMANCE with elements of drama
Starring: Taye Diggs, Sanaa Lathan, Mos Def, Nicole Ari Parker, Boris Kodjoe, and Queen Latifah
National Basketball Association legend Earvin “Magic” Johnson entered the world of filmmaking as executive producer in what 20th Century Fox billed as a hip-hop romance, Brown Sugar. The truth of the matter is that the hip-hop has very little to do with the romance other than being window dressing. The fact of the matter is that Brown Sugar is actually a nice romance.
Dre (Taye Diggs) and Sidney (Sanaa Lathan, Love & Basketball) have been friends since childhood. Dre is a successful record executive and Sidney wrote articles on hip-hop music for the Los Angeles Times before moving on to run XXL magazine. They’re each other’s best friend, sharing the good times and the bad and sharing gossip and the intimate secrets of their lives. They only once came close to consummating their deep friendship as serious love, but avoided it. However, when Dre rushes into marriage with Reese (Nicole Ari Parker, Remember the Titans), a high society money girl that he hasn’t known very long, Sidney has mixed feelings, and her deeper love for Dre begins to surface.
Director Rick Famuyiwa (The Wood) and co-writer Michael Elliot seemed determined to make a film that’s simply about romance in which hip-hop is as important to the story as the romance is. Both characters are obviously big fans of hip-hop; both their careers are built around it. The writers even have the characters mouth platitudes about how great hip-hop is. But no matter how much they talk about hip-hop, rap music, or whatever you want to call it, the story of the film is about two friends finally succumbing to the love they have for each other that they both denied for so long, a denial that has one in a bad marriage and the other about to enter into one. The hip-hop love jones is strained and forced, and it severely hampers the romantic center of this movie; the love story is natural and flows.
This film may not be as well known as more “mainstream” and “traditional” romantic films like Sleepless in Seattle or When Harry Met Sally, but Brown Sugar is good. It’s not perfect, but when I was growing up, films like this simply didn’t exist. They couldn’t; racist Hollywood didn’t want to make them, and the beast always claimed that there was no audience for such a film. Well, there’s always an audience for good films; it may not be as large as the audience for Titanic, but people will find a good movie.
I must say that the performances outshine the film. Taye Diggs is a good actor, and he has the stature and emotional range to play a leading man. Can’t you just see how much fun he would have been in something like Boomerang? Ms. Lathan is new to me, but I like what she has to offer. She easily skates through her character of this soft script, managing to be a comedian, a heroine, and a lovelorn professional gal just looking for true love. Queen Latifah adds spark to this film, although her part is quite small, but her hip-hop colleague, Mos Def, is another find. He played the sidekick very well, and he manages to be “real” as a hip-hop artist without once calling a bitch a ho or threatening to peal a nigga’s cap back. He’s a natural, quite comfortable on screen, and I hope to see more of him.
If Magic Johnson has more films like Brown Sugar up his sleeves, by all means, he should go to fewer Laker games and more studio briefings.
6 of 10
B
Labels:
2002,
Black Film,
Black Reel Awards winner,
Black Romance,
Boris Kodjoe,
Magic Johnson,
Michael Elliot,
Mos Def,
Movie review,
Queen Latifah,
Rick Famuyima,
romance,
Sanaa Lathan,
Taye Diggs
Friday, May 14, 2010
Review: "Daybreakers" Breaks Vampire Mold... Sort of
TRASH IN MY EYE No. 33 (of 2010) by Leroy Douresseaux
Daybreakers (2009)
Release date: January 8, 2010
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for strong bloody violence, language and brief nudity
DIRECTORS: Michael Spierig and Peter Spierig
WRITERS: The Spierig Brothers
PRODUCERS: Chris Brown, Bryan Furst, and Sean Furst
CINEMATOGRAPHER: Ben Nott
EDITOR: Matt Villa
HORROR/SCI-FI/ACTION
Starring: Ethan Hawke, Willem Dafoe, Claudia Karvan, Michael Dorman, Isabel Lucas, Vince Colosimo, Jay Laga’aia, Christopher Kirby, and Sam Neill
Daybreakers mixes new flavors and ingredients into the old blood that is vampire apocalypse movies. This U.S./Australian co-production has some fresh ideas and some bite to it, but ultimately, the filmmakers, The Spierig Brothers (Undead), seemed content to make another action movie, or at least focus on action.
In the film: by the year 2019, a vicious plague has transformed most of Earth’s population into vampires. With the human population down to five percent, the world is losing what is now its most precious resource – blood. Edward Dalton (Ethan Hawke) is a vampire and also a researcher for the corporation, Bromley Marks. Dalton is trying to create a blood substitute to answer the growing vampire food crisis because of the shrinking blood supply.
Dalton encounters a covert group of humans and their charismatic leader, Lionel “Elvis” Cormac (Willem Dafoe) and his right-hand woman, Audrey Bennett (Claudia Karvan). They are working on a way to turn vampires back into humans and have already made a remarkable discovery which may save the human race. However, Bromley Marks CEO, Charles Bromley (Sam Neill), has plans of his own for the future of the blood supply, and he is using Dalton’s brother, Frankie (Michael Dorman), as his thug.
As a narrative, Daybreakers comes together quite well. For what is essentially a vampire, B-movie, this film is thoughtfully shot and staged. It also has pretensions to be socially relevant and offers commentary on the current state of world affairs. Daybreakers’ vampire plague and Bromley Marks’ response to it are metaphors for corporate exploitation of human suffering and also all-consuming greed. Still, this movie often feels disjointed because the thoughtful character and social drama clash with the brutal fight scenes, fierce action scenes, and the occasional bloodshed, which comes in abrupt splatters like rude ejaculations.
Visually, that is OK for a science fiction film that emphasizes sudden violence and brutality, but the Spierig Brothers should have taken advantage of the complicated and well-conceived family dynamics they obviously took the time to create. Playing up the Dalton brothers’ relationship even more would have better served this film than some of the gunfight and vampire attack scenes.
On the other hand, a movie that is so unromantic about vampires can’t be all that bad. Plus, Daybreakers stars three actors that I have always thought have an alluring screen presence: Ethan Hawke, Willem Dafoe, and Sam Neill, and they didn’t disappoint me here. Daybreakers is fun and thoughtful; too bad it subverts its new ideas for old ideas – bloody violence piled upon more blood and violence.
5 of 10
B-
Friday, May 14, 2010
Daybreakers (2009)
Release date: January 8, 2010
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for strong bloody violence, language and brief nudity
DIRECTORS: Michael Spierig and Peter Spierig
WRITERS: The Spierig Brothers
PRODUCERS: Chris Brown, Bryan Furst, and Sean Furst
CINEMATOGRAPHER: Ben Nott
EDITOR: Matt Villa
HORROR/SCI-FI/ACTION
Starring: Ethan Hawke, Willem Dafoe, Claudia Karvan, Michael Dorman, Isabel Lucas, Vince Colosimo, Jay Laga’aia, Christopher Kirby, and Sam Neill
Daybreakers mixes new flavors and ingredients into the old blood that is vampire apocalypse movies. This U.S./Australian co-production has some fresh ideas and some bite to it, but ultimately, the filmmakers, The Spierig Brothers (Undead), seemed content to make another action movie, or at least focus on action.
In the film: by the year 2019, a vicious plague has transformed most of Earth’s population into vampires. With the human population down to five percent, the world is losing what is now its most precious resource – blood. Edward Dalton (Ethan Hawke) is a vampire and also a researcher for the corporation, Bromley Marks. Dalton is trying to create a blood substitute to answer the growing vampire food crisis because of the shrinking blood supply.
Dalton encounters a covert group of humans and their charismatic leader, Lionel “Elvis” Cormac (Willem Dafoe) and his right-hand woman, Audrey Bennett (Claudia Karvan). They are working on a way to turn vampires back into humans and have already made a remarkable discovery which may save the human race. However, Bromley Marks CEO, Charles Bromley (Sam Neill), has plans of his own for the future of the blood supply, and he is using Dalton’s brother, Frankie (Michael Dorman), as his thug.
As a narrative, Daybreakers comes together quite well. For what is essentially a vampire, B-movie, this film is thoughtfully shot and staged. It also has pretensions to be socially relevant and offers commentary on the current state of world affairs. Daybreakers’ vampire plague and Bromley Marks’ response to it are metaphors for corporate exploitation of human suffering and also all-consuming greed. Still, this movie often feels disjointed because the thoughtful character and social drama clash with the brutal fight scenes, fierce action scenes, and the occasional bloodshed, which comes in abrupt splatters like rude ejaculations.
Visually, that is OK for a science fiction film that emphasizes sudden violence and brutality, but the Spierig Brothers should have taken advantage of the complicated and well-conceived family dynamics they obviously took the time to create. Playing up the Dalton brothers’ relationship even more would have better served this film than some of the gunfight and vampire attack scenes.
On the other hand, a movie that is so unromantic about vampires can’t be all that bad. Plus, Daybreakers stars three actors that I have always thought have an alluring screen presence: Ethan Hawke, Willem Dafoe, and Sam Neill, and they didn’t disappoint me here. Daybreakers is fun and thoughtful; too bad it subverts its new ideas for old ideas – bloody violence piled upon more blood and violence.
5 of 10
B-
Friday, May 14, 2010
----------------------------
Labels:
2010,
Australia,
Ethan Hawke,
Horror,
Lionsgate,
Movie review,
Sam Neill,
sci-fi,
Spierig Brothers,
vampire,
Willem Dafoe
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