AOL Black Voices' "BV on Movies" is reporting that Oscar-nominated director Lee Daniels will be this year's honoree at the 14th annual American Black Film Festival (ABFF). The festival will be held in Miami from June 23-26. Go here for more information on the festival.
Saturday, May 22, 2010
Friday, May 21, 2010
Review: "Alamo Bay" is Powerful, But is Also Too Angry
TRASH IN MY EYE No. 138 (of 2003) by Leroy Douresseaux
Alamo Bay (1985)
Running time: 98 minutes (1 hour, 38 minutes)
DIRECTOR: Louis Malle
WRITER: Alice Arlen
PRODUCERS: Louis Malle and Vincent Malle
CINEMATOGRAPHER: Curtis Clark
EDITOR: James Bruce
COMPOSER: Ry Cooder
DRAMA
Starring: Amy Madigan, Ed Harris, Ho Nguyen, Donald Moffat, Truyen V. Tran, Rudy Young, Cynthia Carle, and Bill Thurman
When filmmakers tackle difficult subjects, especially subjects dealing with social and class conflict, they often produce films that fail financially or that get lost in the shuffle of the movie making industry. Louis Malle’s (Atlantic City) film, Alamo Bay, is just such a movie. It’s about a clash of two cultures and two different ethnic groups. When one doesn’t understand the other, when one feels threatened by the other, and when has no regard for or cannot understand the other, the result is violent confrontation. This conflict may seem to have an easy solution - a coming together of the two groups to talk through their differences, but the process to joining hands is long, strained, difficult, painful, and often unlikely. The film reflects the absence of an easy solution, so it can be painful to watch.
Shang (Ed Harris, The Right Stuff) is a Vietnam veteran despondent over loosing his livelihood as a shrimp fisherman when he cannot meet his boat payments. He and his fellow townsmen clash with the newly arrived refugees from Vietnam who move to their (fictional) town of Alamo Bay. The Vietnamese immigrants work harder and labor longer hours to catch shrimp. Shang and his cohorts see this as undercutting them. His old girlfriend, Glory (Amy Madigan, Places in the Heart), returns to Alamo Bay further complicates his life, as does her friendship with a newly arrived young immigrant, Dihn (Ho Nguyen).
Malle and screenwriter Alice Arlen don’t spare us the nasty words, ugly confrontations, and brutal bigotry the white townspeople unleash against the immigrants. What the movie sorely lacks is better view of the Vietnamese townsfolk – their feelings, their grudges, and their ethics. Very few of Vietnamese characters speak English in the film, and the Vietnamese dialogue in the film does not come with English subtitles. That does help to create a sense of the immigrants as the other, as well as convey the sense that they have a difficult time communicating with their hostile new neighbors who really don’t want to talk to them. Still, the film felt like it needed more interplay from the new arrivals, because as the film is, it’s mostly about whitey’s anger.
The entire cast is very good. They absorbed their characters without overplaying them. They seemed up to the task, but many of townsfolk were left with little room to maneuver outside of being cardboard bigots or victims. Madigan’s character has dimension, but she spends a lot of time crying and pining over her lost love with Chang and whining in general. Harris is the true star of this film; he passionately takes on his part, and in his eyes, the audience can read a novel’s worth of history and information on this man. Sadly, except for a few snippets, all we get is the angry bigot.
This film is built on anger, and although it gets the emotions and feelings correct, the story itself acts like an outsider, as if it just walked in on the bad situation in the town. It claims to be inspired by real events, but it only snatches up bit and pieces of the whole story. Powerful and visceral, it’s a noble attempt, but it could have been so much more.
6 of 10
B
----------------------------------------
Road Runner and Wile E. Coyote to Return in 3D Shorts
Looney Tunes Favorites Road Runner and Wile E. Coyote Resume the Chase in 3D Shorts
Warner Bros. Animation Brings Classic Characters Back to the Big Screen in Three All New Shorts to Be Released with Upcoming Family Features
BURBANK, Calif.--(BUSINESS WIRE)--Road Runner and Wile E. Coyote, two of the most popular Looney Tunes characters of all time, are returning to the big screen in three all-new animated 3D shorts. The studio will attach the cartoon shorts to three of its upcoming family features—all three features to be released this year in 3D. The first short will be seen with “Cats & Dogs: The Revenge of Kitty Galore,” on July 30th; the second with “Legend of the Guardians: The Owls of Ga’Hoole,” on September 24th; and the third with “Yogi Bear,” on December 17th. The announcement was made today by Dan Fellman, Warner Bros. Pictures President of Domestic Distribution.
In the new cartoon shorts, each three minutes in length, Wile E. Coyote is as determined as ever to catch the elusive Road Runner, who continues to leave his hapless nemesis in the dust with a taunting “beep-beep.” However, bringing the classic characters into the 21st century, the resourceful Wile E. will now be employing an arsenal of state-of-the-art ACME gadgets to snag his quarry—with all of the action in stereographic 3D.
In making the announcement, Fellman said, “Audiences have always delighted in Wile E. Coyote’s dogged pursuit of the Road Runner, with hilarious, albeit predictable, results. We are thrilled to be presenting these characters for the first time in 3D, which will heighten the excitement and humor of the chase, not to mention the impact—at least for Wile E. We’re sure these three new adventures will entertain a new generation of fans while reminding us all why these two characters have been beloved for so long.”
Warner Bros. Animation Brings Classic Characters Back to the Big Screen in Three All New Shorts to Be Released with Upcoming Family Features
BURBANK, Calif.--(BUSINESS WIRE)--Road Runner and Wile E. Coyote, two of the most popular Looney Tunes characters of all time, are returning to the big screen in three all-new animated 3D shorts. The studio will attach the cartoon shorts to three of its upcoming family features—all three features to be released this year in 3D. The first short will be seen with “Cats & Dogs: The Revenge of Kitty Galore,” on July 30th; the second with “Legend of the Guardians: The Owls of Ga’Hoole,” on September 24th; and the third with “Yogi Bear,” on December 17th. The announcement was made today by Dan Fellman, Warner Bros. Pictures President of Domestic Distribution.
In the new cartoon shorts, each three minutes in length, Wile E. Coyote is as determined as ever to catch the elusive Road Runner, who continues to leave his hapless nemesis in the dust with a taunting “beep-beep.” However, bringing the classic characters into the 21st century, the resourceful Wile E. will now be employing an arsenal of state-of-the-art ACME gadgets to snag his quarry—with all of the action in stereographic 3D.
In making the announcement, Fellman said, “Audiences have always delighted in Wile E. Coyote’s dogged pursuit of the Road Runner, with hilarious, albeit predictable, results. We are thrilled to be presenting these characters for the first time in 3D, which will heighten the excitement and humor of the chase, not to mention the impact—at least for Wile E. We’re sure these three new adventures will entertain a new generation of fans while reminding us all why these two characters have been beloved for so long.”
Thursday, May 20, 2010
Review: "Fantastic Mr. Fox" Actually Not Fantastic
TRASH IN MY EYE No. 35 (of 2010) by Leroy Douresseaux
Fantastic Mr. Fox (2009)
Running time: 87 minutes (1 hour, 27 minutes)
MPAA – PG for action, smoking and slang humor
DIRECTOR: Wes Anderson
WRITERS: Wes Anderson & Noah Baumbach (based upon the novel by Roald Dahl)
PRODUCERS: Allison Abbate, Wes Anderson , Jeremy Dawson, and Scott Rudin
CINEMATOGRAPHER: Tristan Oliver
EDITOR: Andrew Weisblum (supervising editor)
COMPOSER: Alexandre Desplat
Academy Award nominee
ANIMATION/FANTASY/ADVENTURE/COMEDY/CRIME
Starring: (voices) George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Wally Wolodarsky, Eric Anderson, Michael Gambon, Willem Dafoe, Owen Wilson, Robin Hurlstone, Hugo Guinness Brian Cox, and Adrien Brody
Fantastic Mr. Fox is a 2009 stop-motion animation film from director Wes Anderson (The Royal Tenenbaums
Mr. Fox (George Clooney) is a thief. To feed his family, he steals livestock from three wealthy local farmers, and during one such mission, he is joined by his wife, Mrs. Felicity Fox (Meryl Streep). However, the couple is ensnared in a cage, but escape after Felicity reveals that she is pregnant. Years later, the couple is living an idyllic home life with their sullen son, Ash (Jason Schwartzman), and Mr. Fox’s visiting young nephew, the soft-spoken and talented Kristopherson Silverfox (Eric Chase Anderson).
After 12 years of domesticity, Mr. Fox feels his wild animal instincts coming to the fore, and this bucolic existence starts to bore him. With the help of his pal, an unassuming opossum named Kylie (Wallace Wolodarsky), Mr. Fox soon slips back into his old ways as a sneaky and highly successful thief stealing chickens, turkeys, and apple cider from the wealthy farmers, Franklin Bean (Michael Gambon), Walter Boggis (Robin Hurlstone), and Nathan Bunce (Hugo Guinness). Doing this endangers not only his beloved family, but also the whole animal community, when Bean leads a vicious, total war campaign to capture Mr. Fox. Trapped underground and without enough food to go around, will the animals band together or will they turn Mr. Fox over to the farmers?
Fantastic Mr. Fox is what happens when quirky drowns whimsical. Instead of a fanciful animal fable, what Wes Anderson gives us with this stop-motion animated film is weird and peculiar. It is sometimes entertaining, even delightful, but still weird and peculiar. The script by Anderson and Noah Baumbach tries to impart wisdom, but much of it is lost in the idiosyncratic visual vibe of this film.
There are some good voice performances, especially Wallace Wolodarsky as Kylie. Because their performances, Jason Schwartzman as Ash and Eric Chase Anderson as Kristopherson end up being the best pairing in the film – the most interesting team.
Fantastic Mr. Fox is a sometimes fun ride, although much of it seems awkward. The strange textures of the animation are a mixed bag. Fantastic Mr. Fox looks like a Tim Burton stop-motion animation picture done with tattered puppets and shabby sets. Ultimately, I find myself sitting on the fence about this film because it entertains and perplexes in equal measure.
5 of 10
B-
NOTES:
2010 Academy Awards: 2 nominations: “Best Achievement in Music Written for Motion Pictures, Original Score” (Alexandre Desplat) and “Best Animated Feature Film of the Year” (Wes Anderson)
2010 BAFTA Awards: 2 nominations: “Best Animated Film” (Wes Anderson) and “Best Music” (Alexandre Desplat)
2010 Golden Globes: 1 nomination: “Best Animated Feature Film”
Thursday, May 20, 2010
--------------
New Book Unveils the History of "Shrek" Film
New Book Says Shrek Was Close to Never Being Made
NEW YORK--(BUSINESS WIRE)--According to a new book, The Men Who Would Be King: An Almost Epic Tale of Moguls, Movies, and a Company Called DreamWorks (Houghton Mifflin Harcourt) by Nicole LaPorte, Shrek almost did not happen. LaPorte, who covered DreamWorks, the company founded by Steven Spielberg, Jeffrey Katzenberg, and David Geffen, for Variety, details many of the fascinating decisions that changed movie history in this new book.
As LaPorte writes, before Shrek, the company was floundering financially, largely because none of the studio’s previous animated films were working. Shrek was DreamWorks’s first, all-out blockbuster; it grossed $484 million worldwide. The fourth installment of the Shrek franchise releases on Friday, May 21.
But DreamWorks Animation’s biggest, most lucrative franchise ironically almost didn’t get made and struggled along for years. As LaPorte writes, in the beginning (way back in 1994) when the project was just being discussed, Jeffrey Katzenberg hired four recent college grads, dubbed the “Propellerheads” who were experimenting with 3-D. The group, which included J.J. Abrams (who would eventually be called the “next Steven Spielberg”), Rob Letterman, Loren Soman, and Andy Waisler. After months of working on the film, their one-minute test so underwhelmed Katzenberg that he shut down production and threatened to scrap the project. Several millions in development costs were written off. As the movie floundered in oblivion, animators began referring to working on Shrek as being sent to “the Gulag.” Several writers (Ted Elliott Terry Rossio, Joe Stillman, Roger Schulman) and directors (Henry Selick) gave Shrek a shot but when Andrew Adamson took over, the film was finally set on the right path. At that point, Jeffrey Katzenberg had far less to do with the film, than with other movies he had micromanaged, such as Prince of Egypt
and The Road to El Dorado
--both flops.
Saturday Night Live actor Chris Farley was originally cast as the voice of Shrek. The animators relied heavily on Farley’s own looks and Tommy Boy hairstyle to draw the early versions of the ogre. After Farley’s death, Mike Myers was brought on to replace him. Myers decided near the end of production to give Shrek a Scottish accent and could not be dissuaded, which meant $4 million in reanimation for the ogre’s mouth and facial expressions.
The film also served as DreamWorks’ biggest ammunition in its battle against Disney. Shrek is essentially the anti-Disney movie, taking beloved characters like Snow White and the Gingerbread Man and turning them on their heads. And Lord Farquaad's pointed resemblance to Michael Eisner was icing on the cake for Katzenberg who was in a heated legal battle with Eisner. Eisner had once called Katzenberg a “little midget” publically during the trial, and as an inside joke, the Farquaad character was made to be very short.
About the Author
Nicole LaPorte is a former film reporter for Variety, where she covered the Hollywood movie industry for several years. She also wrote "The Rules of Hollywood" column for the Los Angeles Times Magazine, and has written for the New Yorker, New York Times, Los Angeles Times, New York Observer, Sunday Telegraph Magazine, and W Magazine. LaPorte is currently the West Coast Reporter for Daily Beast. She lives in Venice, California.
NEW YORK--(BUSINESS WIRE)--According to a new book, The Men Who Would Be King: An Almost Epic Tale of Moguls, Movies, and a Company Called DreamWorks (Houghton Mifflin Harcourt) by Nicole LaPorte, Shrek almost did not happen. LaPorte, who covered DreamWorks, the company founded by Steven Spielberg, Jeffrey Katzenberg, and David Geffen, for Variety, details many of the fascinating decisions that changed movie history in this new book.
As LaPorte writes, before Shrek, the company was floundering financially, largely because none of the studio’s previous animated films were working. Shrek was DreamWorks’s first, all-out blockbuster; it grossed $484 million worldwide. The fourth installment of the Shrek franchise releases on Friday, May 21.
But DreamWorks Animation’s biggest, most lucrative franchise ironically almost didn’t get made and struggled along for years. As LaPorte writes, in the beginning (way back in 1994) when the project was just being discussed, Jeffrey Katzenberg hired four recent college grads, dubbed the “Propellerheads” who were experimenting with 3-D. The group, which included J.J. Abrams (who would eventually be called the “next Steven Spielberg”), Rob Letterman, Loren Soman, and Andy Waisler. After months of working on the film, their one-minute test so underwhelmed Katzenberg that he shut down production and threatened to scrap the project. Several millions in development costs were written off. As the movie floundered in oblivion, animators began referring to working on Shrek as being sent to “the Gulag.” Several writers (Ted Elliott Terry Rossio, Joe Stillman, Roger Schulman) and directors (Henry Selick) gave Shrek a shot but when Andrew Adamson took over, the film was finally set on the right path. At that point, Jeffrey Katzenberg had far less to do with the film, than with other movies he had micromanaged, such as Prince of Egypt
and The Road to El Dorado--both flops. Saturday Night Live actor Chris Farley was originally cast as the voice of Shrek. The animators relied heavily on Farley’s own looks and Tommy Boy hairstyle to draw the early versions of the ogre. After Farley’s death, Mike Myers was brought on to replace him. Myers decided near the end of production to give Shrek a Scottish accent and could not be dissuaded, which meant $4 million in reanimation for the ogre’s mouth and facial expressions.
The film also served as DreamWorks’ biggest ammunition in its battle against Disney. Shrek is essentially the anti-Disney movie, taking beloved characters like Snow White and the Gingerbread Man and turning them on their heads. And Lord Farquaad's pointed resemblance to Michael Eisner was icing on the cake for Katzenberg who was in a heated legal battle with Eisner. Eisner had once called Katzenberg a “little midget” publically during the trial, and as an inside joke, the Farquaad character was made to be very short.
About the Author
Nicole LaPorte is a former film reporter for Variety, where she covered the Hollywood movie industry for several years. She also wrote "The Rules of Hollywood" column for the Los Angeles Times Magazine, and has written for the New Yorker, New York Times, Los Angeles Times, New York Observer, Sunday Telegraph Magazine, and W Magazine. LaPorte is currently the West Coast Reporter for Daily Beast. She lives in Venice, California.
Review: "Shrek the Third" is Disappointing
Shrek the Third (2007)
Running time: 93 minutes (1 hour, 33 minutes)
MPAA – PG for some crude humor, suggestive content, and swashbuckling action
DIRECTOR: Chris Miller with Raman Hui
WRITERS: Jeffrey Price & Peter S. Seaman and Chris Miller & Aron Warner
PRODUCER: Aron Warner
EDITOR: Michael Andrews
ANIMATION/COMEDY/FANTASY/ACTION/FAMILY
Starring: (voices) Mike Myers, Eddie Murphy, Cameron Diaz, Antonio Banderas, Ruper Everett, Justin Timberlake, Julie Andrews, John Cleese, Eric Idle, Cheri Oteri, Amy Poehler, Maya Rudolph, Amy Sedaris, John Krasinski, Larry King, Susanne Blakeslee, and Ian McShane
Smelly ogre Shrek (Mike Myers) returns in Shrek the Third, and finds himself in a bit of a fix. When he married Princess Fiona (Cameron Diaz), he never realized that the union would put him in line to become the next King of Far, Far Away, so when his father-in-law, King Harold (John Cleese), dies, Shrek and Fiona are facing the very real possibility of being the new King and Queen.
Determined to remain an ordinary ogre and return to his peaceful life in the swamp, Shrek sets off with reliable pals Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) on a long journey to find Fiona’s long lost cousin, Artie (Justin Timberlake), an underachieving high school slacker. Making the rebellious Artie accept the throne proves to be a bigger challenge than Shrek suspected.
Meanwhile, Shrek’s old nemesis, Prince Charming (Rupert Everett), has returned to Far, Far Away with an army composed of some of classic fairytales most infamous villains, including Captain Hook (Ian McShane) and his crew and the Evil Queen (Susanne Blakeslee) from “Snow White.” It’s up to Fiona and her band of princesses: Cinderella (Amy Sedaris), Rapunzel (Maya Rudolph), Sleeping Beauty (Cheri Oteri), Snow White (Amy Poehler) and, of course, Doris (Larry King), to fight until Shrek and crew return to the country for the final battle with Charming.
Considering the box office success of Shrek and Shrek 2 and the fact that they were actually very good films, Shrek the Third’s mediocrity is shocking. It’s only mildly amusing, and there’s nothing distinguishing about the animation, which actually looks really bad (in terms of character movement and design) in several places. There are too many characters, and not enough of Eddie Murphy’s Donkey who is every bit the star of this franchise that Mike Myers’ Shrek is. Any future installments need a significant overhaul because Shrek the Third looks like the franchise is showing tired, old legs.
5 of 10
C+
Saturday, June 09, 2007
NOTES:
2008 BAFTA Awards: 1 nomination: “Best Animated Film” (Chris Miller)
Wednesday, May 19, 2010
Third "20th Century Boys" DVD Arrives June 1st
VIZ Pictures Releases DVD Of 20TH CENTURY BOYS 3: REDEMPTION
VIZ Pictures, an affiliate of VIZ Media, LLC that focuses on Japanese live-action film distribution, concludes the epic sci-fi film trilogy based on Naoki Urasawa’s acclaimed manga, 20TH CENTURY BOYS, with the release of the final film, 20TH CENTURY BOYS 3: REDEMPTION, on DVD on June 1st. The film, which will be distributed by VIZ Media in North America, will carry an MSRP of $24.92 U.S. / $35.99 CAN.
VIZ Pictures celebrates the release with a film screening of 20TH CENTURY BOYS 3: REDEMPTION for one-night-only at VIZ Cinema in San Francisco on Thursday, May 20th at 7:00pm. VIZ Cinema is the nation’s only movie theatre devoted exclusively to Japanese film and is located at 1746 Post St., in the heart of the city’s Japan-town. Tickets to attend the movie-only are: $10.00; or attend the film and take home the brand new DVD, a 20TH CENTURY BOYS poster, and more for only $25.00. Trailers and more details are available at: www.vizcinema.com.
Directed by Yukihiko Tsutsumi and presented in partnership with Nippon Television, the 20TH CENTURY BOYS saga begins in 1969 when a young boy named Kenji and his friends write “The Book of Prophecy.” In the book, they write about a future where they fight against an evil organization trying to take over the world and bring about Doomsday. Years later in 1997, a mysterious cult being led by a man only known as “Friend” has emerged and gained strong influence over society. A series of catastrophic events begin to occur, mirroring the prophecies made up by the young Kenji.
In the final film, the year is Friend Era Year 3 (2017 A.D.) and the World President, Friend, rules humanity. After a deadly virus ravages Tokyo, a wall is built around the city and inhabitants’ lives have been severely restricted. Friend tells everyone that on August 20th, aliens will destroy mankind and only those who believe in him will be saved. But a movement to stop Friend is in motion. Is protagonist Kenji really still alive? What is Friend’s plan for August 20th? Will the mystery behind the true identity of Friend be uncovered? All of the prophecies, schemes and plans will be finally revealed in the saga’s exciting concluding chapter.
“Fateful prophecies reach an exciting climax in the final chapter of the 20TH CENTURY BOYS saga,” says Seiji Horibuchi, President and CEO of VIZ Pictures. “Our film screening on May 20th at VIZ Cinema will give fans a special opportunity to catch all the frenetic action on the big screen, and we invite audiences to explore all of the 20TH CENTURY BOYS films as well as the manga series that inspired them. There is also a brief recap of previous stories on the very beginning of the movie, so people who haven’t watched Chapters 1 and 2 can catch up on the story.”
The 20TH CENTURY BOYS trilogy is based on the critically-acclaimed manga series created by Naoki Urasawa (also published by VIZ Media, rated ‘T+’ for Older Teens) and was a national phenomenon in Japan, selling over 24 million copies.
For more information on 20TH CENTURY BOYS or other VIZ Pictures titles, please visit www.viz-pictures.com.
About VIZ Pictures, Inc.:
Based in San Francisco, California, VIZ Pictures, Inc. licenses and distributes selective Japanese live-action films and DVDs, with focus on Japanese "kawaii (cute) and cool" pop culture. VIZ Pictures strives to offer the most entertaining motion pictures straight from the "Kingdom of Pop" for audiences of all ages, especially the manga and anime generation, in North America. Some titles include DEATH NOTE, 20TH CENTURY BOYS, and TRAIN MAN: DENSHA OTOKO. VIZ Pictures is also the producer of NEW PEOPLE, a part of the J-Pop Center Project, a unique entertainment destination bringing Japanese pop culture through film, art, fashion, and retail products. For more information please visit www.viz-pictures.com or www.newpeopleworld.com. © 2009 VIZ Pictures, Inc.
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