On Gary Coleman (1968-2010)

Gary Coleman, the former child star, best known for the late 1970s and 1980s television series, Diff'rent Strokes, died Friday, May, 28, 2010.  This AP article via Yahoo is a good place for readers to go.

I felt sorry for Coleman, mainly because Hollywood ignored him after "Diff'rent Strokes," which surprised me.  I always thought he had a persona tailored may to entertain us on TV and in film for decades, but that never happened.  I must say that I was shocked to learn that "Diff'rent Strokes" ran for 8 seasons (7 on NBC and the last on ABC), from 1978 to 1986.  I thought that it had only lasted a few seasons.

Anyway, Coleman was 42 years old.

Review: Perfect for Memorial Day Weekend: "THE BEST YEARS OF OUR LIVES"

TRASH IN MY EYE No. 25 (of 2004) by Leroy Douresseaux

The Best Years of Our Lives (1946)
Running time: 172 minutes (2 hours, 52 minutes)
DIRECTOR: William Wyler
WRITER: Robert E. Sherwood (from the novel by MacKinlay Kantor)
PRODUCER: Samuel Goldwyn
CINEMATOGRAPHER: Gregg Toland
EDITOR: Daniel Mandell
Academy Award winner

DRAMA/ROMANCE

Starring: Myrna Loy, Fredric March, Dana Andrews, Teresa Wright, Virginia Mayo, Cathy O’Donnell, Hoagy Carmichael, Harold Russell, Gladys George, Roman Bohnen, Ray Collins, Minna Gombell, Walter Baldwin, and Steve Cochran

The Best Years of Our Lives is a quasi-epic film about three veterans who return from World War II to small-town America and discover that the war irreparably changed their lives and their families. The three vets didn’t know each other before the war, but they meet and become associates then friends, bonded by the horrors they experienced in overseas.

Al Stephenson (Fredric March) is an alcoholic who returns to his bank job and finds that adjusting to civilian life only fuels his addiction. Fred Derry (Dana Andrews) has trouble obtaining gainful employment. Homer Parrish (Harold Russell) is a Navy man who lost both his arms in an on-ship explosion while he was below deck. Adding to the melodrama, Fred’s wife’s Marie (Virginia Mayo) is a good-time gal, and she refuses to give up the loose and carefree life she had while Fred was at war. Bruised by Marie’s surface-only interest in him, Fred begins a fling or light affair with Al’s daughter, much to Al and his wife’s chagrin. Homer’s old girlfriend Wilma Cameron (Cathy O’Donnell) is still in love with him, but he won’t marry her because he thinks that she feels sorry for him, as he thinks all his family does. Thus, in a fit of pride, he won’t marry Wilma and does whatever he can to discourage the young woman.

The Best Years of Our Lives won several “best film of the year awards” awards including the “Best Picture” Oscar®, one of its seven Academy Award wins. Other Oscars® wins included Best Actor for Fredric March and Best Director for William Wyler (his second of three wins and his sixth of 12 nominations). For his role as the handicapped vet, Homer Parrish, Harold Russell won for Best Actor in a Supporting Role, and he was awarded an Honorary Oscar® for bringing hope to other veterans through his role. See, Russell’s handicap was real; he’d lost both his hands and lower arms when TNT exploded in his hands when he was training paratroopers while stationed in the United States. Ironically, the accident occurred on D-Day.

The film is nearly perfect, from direction to acting (except for a little histrionics and melodrama from some of the actresses). Wyler makes the drama palatable without making it overwrought; it’s a masterful job of subtly. The actors easily convey the veterans’ sense of confusion and sadness, as well as the misunderstandings that come from their readjustment to civilian life. The film is hard-hitting; it doesn’t flinch from stating quite bluntly how much the veterans sacrificed only to return to America and find that most people show no special consideration for them. The country won’t adjust to them or their physical and psychological wounds; the veterans have to adjust and make their own way. It’s because of the help of people who care that they make it, if the vets are willing to reach out and meet their concerned loved ones half the way.

The Best Years of Our Lives is a great American film – timeless in its portrayal of postwar civilian life. I heartily recommend it.

10 of 10

NOTES:
1947 Academy Awards: 7 wins: “Best Picture,” “Best Actor in a Leading Role” (Fredric March), “Best Actor in a Supporting Role” (Harold Russell), “Best Director” (William Wyler), “Best Film Editing” (Daniel Mandell), “Best Music, Scoring of a Dramatic or Comedy Picture” (Hugo Friedhofer), and “Best Writing, Screenplay” (Robert E. Sherwood); 1 nomination: “Best Sound, Recording” (Gordon Sawyer-Samuel Goldwyn SSD); 1 Honorary Award (Harold Russell for bringing hope and courage to his fellow veterans through his appearance in The Best Years of Our Lives)

1948 BAFTA Awards: 1 win: “Best Film from any Source”

1947 Golden Globes: 1 win: “Best Motion Picture – Drama” and 1 Special Award (Harold Russell for Best Non-Professional Acting)

1989 National Film Preservation Board, USA: National Film Registry

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Warner Bros Announces "Something Borrowed"

Warner Bros. Pictures Press Release:

ALCON ENTERTAINMENT'S "SOMETHING BORROWED" BEGINS PRODUCTION IN NEW YORK

ROMANTIC COMEDY, BASED ON BEST-SELLING NOVEL, STARS GINNIFER GOODWIN, KATE HUDSON AND JOHN KRASINSKI

BURBANK, CA - May 26, 2010 - Production has begun in New York on Alcon Entertainment's romantic comedy "Something Borrowed," starring Ginnifer Goodwin ("He's Just Not That Into You," HBO's "Big Love"), Academy Award(R) nominee Kate Hudson ("Almost Famous," "Nine"), Colin Egglesfield (TV's "Melrose Place"), Steve Howey ("Bride Wars") and John Krasinski (TV's "The Office," "It's Complicated").

Rachel (Ginnifer Goodwin) is a talented attorney at a top New York law firm, a generous and loyal friend, and, unhappily, still single...as her engaged best friend Darcy (Kate Hudson) is constantly reminding her. But after one drink too many at her 30th birthday party, perpetual good girl Rachel unexpectedly ends up in bed with the guy she's had a crush on since law school, Dex (Colin Egglesfield)...who just happens to be Darcy's fiance. When Rachel and Darcy's lifelong friendship collides with true love, it leads to unexpected complications and potentially explosive romantic revelations.

Krasinski plays Ethan, who has been Rachel's constant confidante and sometimes conscience, and who has been harboring a secret of his own. Howey plays Marcus, an irrepressible womanizer, who can't keep his mind out of the gutter or his hands off any girl within reach.

"Something Borrowed" is being directed by Luke Greenfield ("The Girl Next Door"), from a screenplay written by Jennie Urman, Jennie Snyder and Jordan Roberts, adapted from the best-selling novel of the same name by Emily Giffin.

The film is being produced by Alcon Entertainment principals Broderick Johnson and Andrew Kosove, who just earned a Best Picture Oscar® nomination for "The Blind Side"; Molly Smith ("The Blind Side," "P.S. I Love You"); two-time Oscar®-winning actress Hilary Swank ("Million Dollar Baby," "Boys Don't Cry"); Pamela Schein Murphy ("Purple Violets"); and Aaron Lubin ("The Groomsmen"). Ellen H. Schwartz ("The Princess Diaries 2: Royal Engagement") is serving as executive producer.

Collaborating with Greenfield behind the scenes are director of photography Charles Minsky ("Valentine's Day"), production designer Jane Musky ("The Bounty Hunter"), editor John Axelrad ("Crazy Heart"), and costume designer Gary Jones ("Valentine's Day").

"Something Borrowed" is shooting entirely in New York, with locations in New York City, the Hamptons and on Long Island.

Slated for release in Summer 2011, "Something Borrowed" will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

Review: Nicholson, Keaton Sparkle in Excellent "Something's Gotta Give"

TRASH IN MY EYE No. 176 (of 2003) by Leroy Douresseaux

Something’s Gotta Give (2003)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG-13 for sexual content, brief nudity and strong language
WRITER/DIRECTOR: Nancy Meyers
PRODUCERS: Bruce A. Block and Nancy Meyers (uncredited)
CINEMATOGRAPHER: Michael Ballhaus (director of photography)
EDITOR: Joe Hutshing
COMPOSER: Hans Zimmer
Academy Award nominee

COMEDY/ROMANCE with elements of drama

Starring: Jack Nicholson, Diane Keaton, Amanda Peet, Keanu Reeves, Frances McDormand, Jon Favreau, and Paul Michael Glaser

In his new film, Something’s Gotta Give, Jack Nicholson plays Harry Langer, a 63 year-old New York City music executive with a taste for younger (than 30) women. He follows his latest trophy, Marin (Amanda Peet), to her mother’s East Hampton beach house, where he meets her 50-something mother, Erica Barry (Diane Keaton), who takes an immediate disliking to him. However, Harry’s world is turned upside down when he suffers a mild heart attack. When Marin goes back to the city, she leaves Harry at the beach house in the care of her mother and his doctor, Julian (Keanu Reeves). Soon Harry and Julian are competing with each other for Erica’s affections. For Harry, it’s a new stress in his life, as he’s never dated a woman Erica’s age, and Erica hasn’t loved in the decade since her divorce. Awkwardness and hijinks ensue as Jack’s film becomes Jack and Diane’s film.

Simply put, this is a fantastic film, and I enjoyed nearly every minute in; in fact, there are very few missteps in this film. Nancy Meyers, who directed the smash hit What Women Want, has proved herself to have a deft touch with romantic comedies made for the adult sensibilities. Her script is confident and exudes the assurance of a writer who knows exactly where she’s going. You can see the ending coming, but the trip there is a hoot. When it all wraps up, SGG will still surprise you with how it closes the curtain on this very nice love story amongst the senior set.

Jack Nicholson gives yet another of his great performances as an actor. This isn’t one of those times when “Jack’s being Jack.” He really tries to bring a character to life and yet still color it with the charm of his film personality. The surprise is a surprise that she’s a surprise – Diane Keaton. When it comes down to it, this is her film, and the character and situation are very similar to Woody Allen’s Annie Hall, which earned Keaton a Best Actress Oscar. She grabs Erica by the hair and gives it her all – funny, charming, witty, self-deprecating, smart, strong, vulnerable, and human.

Amanda Peet and Frances McDormand are very funny. Peet’s character is more or less just a vehicle to get the leads together, but Ms. Peet makes herself a strong presence in every scene in which she appears. The biggest pity is that Ms. McDormand could have made this film great; not only is she a fine actress, but her character is strong enough to steal scenes no matter who else is around. Each time she’s in the film, she leaves you wanting more. As for Keanu, he is what he is – a pretty face that tries hard, but fails half the time. It’s a good thing that his part is small; there’s no way he could have kept up with Nicholson and Ms. Keaton.

Something’s Gotta Give is a fine romantic comedy filled with love, loss, confusion, passion, and redemption. It’s about the surprises life, both painful and pleasurable, that life has. It’s a fun film for people with grown up minds.

8 of 10
A

NOTES:
2004 Academy Awards: 1 nomination: “Best Actress in a Leading Role” (Diane Keaton)

2001 Golden Globes: 2 nominations: “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Diane Keaton) and “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Jack Nicholson)

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"Just Another Day" Features Stars from "The Wire"

I learned from AOL Black Voices blog, "BV on Movies" about a recent film reuniting stars from The Wire.

Jamie Hector (who played the drug kingpin Marlo Stanfield) and Wood Harris (who played the drug kingpin Avon Barksdale), two actors who appeared on HBO's critically acclaimed series, The Wire, are reunited in Just Another Day, a Hip-Hop film coming to home video on July 20.


Just Another Day, which is directed by Peter Spirer, focuses on two men – one struggling at the top and the other struggling at the bottom of the volatile hip-hop scene. Their paths cross over the course of 24 hours.

Hector plays Young Eastie, a rapper who is willing to do anything to get his first record deal. Young Eastie hopes to get a deal through his hero, the legendary A-Maze (Harris), who believes that he is losing his own place at the top of the Hip-Hop industry. A-Maze will use anyone to stay on top, to hold onto his notoriety – even Young Eastie.

Rappers Trick Daddy, Lil Scrappy, Ja Rule and Petey Pablo also appear in the film.

Review: Emily Blunt Powers Tasty "Young Victoria"

TRASH IN MY EYE No. 38 (of 2010) by Leroy Douresseaux

The Young Victoria (2009)
COUNTRY OF ORIGIN: UK/USA
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG for some mild sensuality, a scene of violence, and brief incidental language and smoking
DIRECTOR: Jean-Marc Vallée
WRITER: Julian Fellowes
PRODUCER: Sarah Ferguson, Tim Headington, Graham King, and Martin Scorsese
CINEMATOGRAPHER: Hagen Bogdanski (director of photography)
EDITOR: Jill Bilcock and Matt Garner
Academy Award winner

DRAMA/HISTORICAL/ROMANCE

Starring: Emily Blunt, Rupert Friend, Paul Bettany, Miranda Richardson, Jim Broadbent, Thomas Kretschmann, Mark Strong, Jesper Christensen, Harriet Walter, Jeanette Hain, Julian Glover, Michael Maloney, and Michiel Huisman

Some period dramas are classy affairs. They are pretty to look at because of the lush production values, from sumptuous costumes to lavish sets. They can also be quite boring. Then, there are period dramas like the Oscar-winning Dangerous Liaisons and Shakespeare in Love, which are beautiful and lavish productions. They are also highly entertaining. Seeing them is to understand why some critics and reviewers sometimes describe movies as “delicious.”

The Young Victoria is one of those tasty period dramas. This film boasts an impressive list of producers, including Martin Scorsese, Graham King, and Sarah, Duchess of York (among others). It is a romantic dramatization and partly fictional account of the events preceding and following the coronation of Queen Victoria.

The 18-year old British royal, Victoria (Emily Blunt), is destined to ascend to the throne because her three uncles, the sons of King George III, do not have any surviving legitimate children. As her uncle, King William IV (Jim Broadbent), nears death, people plot to control Victoria. Victoria’s mother, Duchess of Kent (Miranda Richardson), and her private secretary, Sir John Conroy (Mark Strong), bully Victoria to allow them to form a regency government, which would put them in control, but she resists.

Meanwhile, her uncle, King Leopold I of Belgium (Thomas Kretschmann), plots to influence the future queen by marrying her to one of his nephews, Prince Albert (Rupert Friend), who is also Victoria’s cousin. Albert is willing to court Victoria solely for political motives, but he soon finds himself falling for her. However, Victoria is determined to rule as her own woman, but a constitutional crisis forces her to reconsider her feelings for Albert.

When Emily Blunt delivered her acclaimed performance as “Emily Charlton,” the snide assistant to Miranda Priestly in The Devil Wears Prada, many thought she was a star in the making. Blunt, certainly a fine actress, delivers on that promise in The Young Victoria, and she depicts all sides of the young Queen with aplomb and skill. Blunt’s performance is rich, and she gives Victoria such depth, presenting the young royal as playful, petulantly, brave, grim, and even romantic as Victoria finds her heart ensnared by Prince Albert.

Director Jean-Marc Vallée relies on Blunt because it is her performance that sells the political intrigue. Although the romance between Victoria and Albert is nice, The Young Victoria is really about palace intrigue, political machinations, and the lust for power. Vallée deftly uses all the scheming offered by Julian Fellowes’ screenplay to transform what could have been a staid period drama into a rollicking costume drama. Laugh at the scandal; gasp at the political scheming, and cry at the romance and reconciliation.

Marked by good performances throughout – especially Paul Bettany as Lord Melbourne and Miranda Richardson as Duchess of Kent, The Young Victoria relies less on subtlety and more on power – the power of the darker side of human nature – lust and wanting after power and control. The Young Victoria reveals that royalty is just like rabble. Both will stab you in the back; the royals are just better dressed. Yes, being bad looks so good on film.

8 of 10
A

NOTES:
2010 Academy Awards: 1 win: “Best Achievement in Costume Design” (Sandy Powell); 2 wins: “Best Achievement in Art Direction” (Patrice Vermette-art director and Maggie Gray-set decorator) and “Best Achievement in Makeup” (John Henry Gordon and Jenny Shircore)

2010 BAFTA Awards: 2 win: “Best Costume Design” (Sandy Powell) and “Best Make Up & Hair” (Jenny Shircore)

2010 Golden Globes: 1 nomination: “Best Performance by an Actress in a Motion Picture – Drama” (Emily Blunt)

Wednesday, May 26, 2010

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Khalil Kain in Typer Perry's "For Colored Girls"

AOL Black Voices' "BV on Movies" blog has the following exclusive:  Khalil Kain is to appear in Tyler Perry's upcoming "For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf."

Kain played "Raheem Porter," the murder victim shot by Tupac's "Rolland Bishop", in the 1992 film, Juice.  Kain was also a series regular on the late sitcom, Girlfriends.  According to the blog, Kain's character will be paired with a character played by Anika Noni Rose of Dreamgirls and Walt Disney's The Princess and the Frog.