Review: James Bond is Refreshed and Thuggin' Out in "Casino Royale"

TRASH IN MY EYE No. 238 (of 2006) by Leroy Douresseaux

Casino Royale (2006)
Running time: 144 minutes (2 hours, 24 minutes)
MPAA – PG-13 for intense sequences of violent action, a scene of torture, sexual content, and nudity
DIRECTOR: Martin Campbell
WRITERS: Neal Purvis & Robert Wade and Paul Haggis (based upon the novel by Ian Fleming)
PRODUCERS: Michael G. Wilson and Barbara Broccoli
CINEMATOGRAPHER: Phil Méheux, BSC
EDITOR: Stuart Baird, A.C.E.
THEME SONG: “You Know My Name” performed by Chris Cornell (written by Chris Cornell and David Arnold)
BAFTA Award winner

ACTION/DRAMA/THRILLER

Starring: Daniel Craig, Eva Green, and Mads Mikkelsen with Jeffrey Wright and Judi Dench, and Giancarlo Giannini, Caterina Murino, Ivana Milicevic, Simon Abkarian, Sébastien Foucan, and Jesper Christensen

Back in 1995, director Martin Campbell launched the first Pierce Brosnan James Bond film, GoldenEye. Eleven years later, Campbell helms another re-launch of the James Bond franchise with Casino Royale, the 21st James Bond movie. This new film takes Bond back to early in his career, and we get a new actor playing Bond, Daniel Craig (Layer Cake, Munich), who brings a bit of the thug to the venerable secret agent.

In his first big mission as 007 (Double 0 means the agent has a license to kill… but you knew that), James Bond tackles terrorism. M (Judi Dench), the head of British Secret Service, M16, is unsure of her new agent, who tends to leave a pile of bodies in his wake. Still, Bond travels to Madagascar where he engages in a pulse pounding chase of the would-be bomber, Mollaka (Sébastien Foucan). This is the kind of hard work Bond must do to learn that the key figure in a terrorist money laundering scheme is Le Chiffre (Mads Mikkelsen), a banker to the world’s terrorists.

In order to stop Le Chiffre and bring down the terrorist network, Bond eventually has to face Le Chiffre in a high-stakes poker game (Texas Hold ‘em) at Casino Royale (located in an unnamed town in Montenegro). In his corner, Bond has a beautiful British Treasurer official named Vesper Lynd (Eva Green), and of course, their initial disinterest in each other becomes a mutual attraction that goes farther. Meanwhile, dark forces have gathered around Le Chiffre, and Bond is finding that some of his own allies may be on Le Chiffre’s side.

How is Daniel Craig as James Bond? Imagine Sean Connery, but darker, edgier, and much more dangerous. Personally, I like it, but having Bond as a cold, killing machine is a bit off-putting. Still, Craig has an absolutely magnetic screen presence, and it’s hard not to focus on him even in a crowd scene. And he has a rock hard body.

Meanwhile, the overall film is pretty good. Almost gone are the sci-fi elements that have been a staple of Bond films, to one extent or another, since the beginning. Casino Royale is like the Jason Bourne films (The Bourne Identity, The Bourne Supremacy), but darker still. The film has several dry spots, but the narrative makes up for that with several edge-of-the-seat action sequences – each one mesmerizing. Martin Campbell does an excellent job keeping up the heart-pounding thrills by taking us from Europe to Madagascar to the Bahamas to Miami and back to Europe again (to an eventual explosive finale in Venice). In fact, Campbell does an excellent job staging the thrills so quickly and pacing them so well that the bad moments in Casino Royale seem like a figment of the viewer’s imagination. Even the poker game, which makes up the middle act of Casino Royale, is great.

While Craig is quite good, the rest of the cast is mostly average. Eva Green’s Vesper Lynd hardly registers as a Bond girl, and Mads Mikkelsen is a half-menacing and half comic stock villain. Judi Dench, however, has a lot of bite in her as M, and Dench, a truly fine actress, hits the right note in each of her scenes – so much so that her M is missed whenever she leaves.

I’m reluctant to compare Casino Royale to other Bond films because it is so different, but judged on its own, this is a fine film. Whether this new direction will stand firm over the long run is a question for the future, but right now, Casino Royale is a good thing.

7 of 10
B+

Tuesday, November 21, 2006

NOTES:
2007 BAFTA Awards: 1 win: “Best Sound” (Chris Munro, Eddy Joseph, Mike Prestwood Smith, Martin Cantwell, and Mark Taylor); 8 nominations: “Alexander Korda Award for Best British Film” (Michael G. Wilson, Barbara Broccoli, Martin Campbell, Neal Purvis, Robert Wade, and Paul Haggis), “Anthony Asquith Award for Film Music” (David Arnold), “Best Achievement in Special Visual Effects” (Steven Begg, Chris Corbould, John Paul Docherty, and Ditch Doy), “Best Actor in a Leading Role” (Daniel Craig), “Best Cinematography” (Phil Meheux), “Best Editing” (Stuart Baird). “Best Production Design” (Peter Lamont and Simon Wakefield), and “Best Screenplay – Adapted” (Neal Purvis, Robert Wade, and Paul Haggis)

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Latest Episodes of Bleach Anime at VIZAnime - FOR FREE!

LATEST EPISODES AIRED IN JAPAN OF POPULAR BLEACH ANIME SERIES TO START STREAMING ON VIZANIME.COM

Fans Are Invited To View New Episodes On VIZAnime.com

Beginning Today For FREE!

VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, continues to generate tremendous momentum for its popular BLEACH series with the announcement that English-subtitled episodes from the most current story arc will begin streaming for free in the U.S. via the company’s premier website for anime, VIZAnime.com. Starting today with Episode 275, VIZAnime.com will stream a new BLEACH episode one week after it has aired in Japan.

BLEACH is one of the most popular Japanese anime and manga properties in the world and this near simulcast schedule is part of VIZ Anime’s ongoing strategy to bring hit animated properties to a national audience via the web.

BLEACH is a popular manga and animated series (both rated ‘T’ for Teens), distributed domestically by VIZ Media, that follows the adventures of Ichigo, a 15-year old student with the ability to see ghosts. When his family is attacked by a Hollow — a malevolent lost soul – Ichigo encounters Rukia, a Soul Reaper, and inadvertently absorbs her powers. Now, he’s dedicating his life to protecting the innocent and helping tortured souls find peace. Episode 275, from the newest story arc in Japan, marks the start of a thrilling storyline and guarantees a series of face-offs that are sure to excite old and new BLEACH fans!

VIZAnime.com is the official online home to some of VIZ Media’s best-loved animated series, and a burgeoning social network for fans to connect and form an interactive community. Over 1,000 episodes are currently available, and new content is added on a weekly basis.

“BLEACH remains one of the most successful and popular anime series in North America, and VIZ Media continues to break down time and distance barriers by making new episodes available within days of their original airing in Japan,” says Ken Sasaki, Sr. Vice President & General Manager, VIZ Media. “VIZAnime.com is the ultimate destination for the many popular VIZ Media animated titles, and currently contains an extensive catalog of hundreds of episodes from popular shows like BLEACH, INUYASHA, NARUTO, THE PRINCE OF TENNIS and more, all offered with accurate, high-quality streaming video that is completely free for viewers!”

BLEACH is a tremendously successful multimedia property internationally. The manga has been licensed in numerous countries around the world and has sold over 2 million copies in the US. In North America, the manga has been a sales hit and the popular animated series is viewed weekly by millions. This success also includes an array of related video games, apparel, action figures and other merchandise.

BLEACH animation can be viewed on Adult Swim and through a variety of other web-based video download and streaming outlets that have partnered with VIZ Media, including iTunes®, Xbox Live, PlayStation Network, Amazon, and HULU. For more information on BLEACH, please visit bleach.viz.com. To view subtitled BLEACH animated episodes, please visit VIZAnime.com.

Review: Solid Performances, Excellent Directing Shape "UP IN THE AIR"

TRASH IN MY EYE No. 45 (of 2010) by Leroy Douresseaux

Up in the Air (2009)
Running time: 109 minutes (1 hour, 49 minutes)
MPAA – R for language and some sexual content
DIRECTOR: Jason Reitman
WRITERS: Jason Reitman and Sheldon Turner (based on the novel by Walter Kirn)
PRODUCERS: Jeffrey Clifford, Daniel Dubiecki, Ivan Reitman, and Jason Reitman
CINEMATOGRAPHER: Eric Steelberg (director of photography)
EDITOR: Dana E. Glauberman
Academy Award nominee

DRAMA/COMEDY

Starring: George Clooney, Vera Farmiga, Anna Kendrick, Jason Bateman, Amy Morton, Melanie Lynskey, Danny McBride, J.K. Simmons, Sam Elliot, Zach Galifianakis, and Marvin Young (Young MC)

When I first heard all the praise for the 2009 film, Up in the Air, from director Jason Reitman (Juno), I was skeptical. Now, I have finally seen the film, and I like it. I like it a lot. Up in the Air is one of those “movies of the moment” that speak to our times, but this one works because it has excellent actors creating characters the audience will like and some may even love.

Up in the Air focuses on Ryan Bingham (George Clooney), who works for Career Transition Counseling out of Omaha, Nebraska. The job requires him to travel around the country and visit companies where he fires employees so that their bosses don’t have to do it. Ryan loves his life up in the air, and he is on the cusp of reaching ten million frequent flyer miles. Ryan is also a motivational speaker who encourages people to live a life free of relationships and without attachments to things. But change is coming.

First, Ryan’s boss, Craig Gregory (Jason Bateman), hires a new employee, an ambitious recent college grad, Natalie Keener (Anna Kendrick). Natalie proposes that the company ground the employees and conduct layoffs (firings) over the Internet. Secondly, Ryan meets another frequent flyer, Alex Goran (Vera Farmiga), and they begin a casual sexual relationship. Ryan’s younger sister, Julie Bingham (Melanie Lynskey), is getting married, and Ryan’s been invited, although he isn’t really part of his family’s life anymore. Now, Ryan is starting to make connections, but will that be enough to make him give up living a life with nothing and with nobody?

Whatever Up in the Air’s philosophy may be, it relies on good performances and engaging characters to sell it, especially the three major characters: Ryan, Natalie, and Alex. George Clooney is one of the few modern actors who remind me of movie stars from Hollywood’s Golden Age. Like Humphrey Bogart, Clooney seems to be playing himself, but he is so good as an actor that he makes us believe that he can be any character, from a fisherman (The Perfect Storm) to a brilliant con man (Ocean’s Eleven). Clooney sells us Ryan Bingham, and instead of coming across as shallow, Ryan comes across as a solid guy with real motivation and personality.

Vera Farmiga usually delivers deceptively smooth performances that, combined with her unique, not-cookie cutter beauty, make for attractive, even alluring characters. Alex Goran is a mysterious, rich with many layers, and Farmiga makes us want to peel back all those layers. Anna Kendrick also turns Natalie, who could have been an annoyance, into someone charming and engaging. Whenever Natalie walks away from the camera, the movie seems lonesome without her.

Perhaps, the lion’s share of the credit should go to director Jason Reitman, a major new talent. Everything about this movie works, and the director is the one who has to bring out the best in his cast and crew. Up in the Air, with its themes of loneliness, disconnected people, shallow relationships, and corporate callousness could have been a downer. When it depicts people getting fired, the movie seems too close to home, but that is a testament the sense of verisimilitude here. The truth is that Up in the Air is timeless because it tells us a story we recognize, in one way or another, and gives us characters with which we identify, in part or in whole.

9 of 10
A+

NOTES:
2010 Academy Awards: 6 nominations: “Best Motion Picture of the Year” (Daniel Dubiecki, Ivan Reitman, and Jason Reitman), “Best Achievement in Directing” (Jason Reitman), “Best Performance by an Actor in a Leading Role” (George Clooney), “Best Performance by an Actress in a Supporting Role” (Vera Farmiga), “Best Performance by an Actress in a Supporting Role” (Anna Kendrick), “Best Writing, Screenplay Based on Material Previously Produced or Published: (Jason Reitman and Sheldon Turner)

2010 BAFTA Awards: 1 win: “Best Screenplay – Adapted” (Jason Reitman and Sheldon Turner); 5 nominations: “Best Editing” (Dana E. Glauberman), “Best Film” (Ivan Reitman, Jason Reitman, and Daniel Dubiecki), “Best Leading Actor” (George Clooney), “Best Supporting Actress” (Vera Farmiga), “Best Supporting Actress” (Anna Kendrick)

2010 Golden Globes: 1 win: “Best Screenplay - Motion Picture” (Jason Reitman and Sheldon Turner); 5 nominations: “Best Director - Motion Picture” (Jason Reitman), “Best Motion Picture – Drama,” “Best Performance by an Actor in a Motion Picture – Drama” (George Clooney), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Vera Farmiga), and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Anna Kendrick)

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"Bleach" Anime Stars to Appear at Anime Expo 2010

Anime Expo® 2010 Announces Musical Group, RSP, and Voice Actor, Masakazu Morita, as Official Guests of Honor

LOS ANGELES--(BUSINESS WIRE)--Anime Expo® is pleased to announce today that Japanese musical group, RSP, and voice actor, Masakazu Morita, will be official Guests of Honor at its July convention. Anime Expo, North America’s largest anime and manga convention, is scheduled for July 1 – 4, 2010, at the Los Angeles Convention Center. RSP and Masakazu Morita come to Anime Expo to celebrate their respective involvement with the popular anime, BLEACH.

Musical group RSP is scheduled to perform live in Nokia Plaza L.A. Live on July 1, at 1:00 p.m. RSP, or Real Street Performance, is a Japanese pop group made of members Ai and Saki. The group has released several fan-favorite singles, including A Street Story and the female version of Lifetime Respect. RSP also recorded two ending songs for BLEACH – Kansha and Tabidatsu Kimi e.

Famous voice actor Masakazu Morita is most known for his role as Ichigo Kurosaki in BLEACH. He has also lent his talents to the anime titles Final Fantasy X as Tidus, Gundam Seed Destiny as Auel Neider, and Sengoku Basara as Maeda Keiji. In addition, Mr. Morita was featured as the voice of Troy Bolton in the wildly popular Japanese version of High School Musical 1 and 2.

RSP and Masakazu Morita join Anime Expo’s 2010 guest line-up along with singer BENI; voice actresses Yui Horie and Eri Kitamura; Internet sensation Danny Choo; musical artists Megumi Nakajima and May’n; manga artist Rei Hiroe; musical artist MELL; supergroup AKB48; voice actor Katsuyuki Konishi; Eden of the East trio Kenji Kamiyama, Satoru Nakamura and Tomohiko Ishii; voice actor Kyle Hebert; animation director Toshihiro Kawamoto; seiyuu Yuu Asakawa; J-rock band Sophia; and anime director Shinichi “Nabeshin” Watanabe.

To register for Anime Expo 2010, please visit the event's website.


About Anime Expo®
Anime Expo is located in Los Angeles and is the nation’s largest anime and manga convention. The Expo serves to foster trade, commerce and the interests of the general public and animation industry. This event serves as a key meeting place for the general public to express their interest and explore various aspects of both anime and manga, as well as for members of the industry to conduct business. AX 2010 will be held July 1 – July 4, 2010, at the Los Angeles Convention Center in Southern California. More information can be found at www.anime-expo.org.

About the Society for the Promotion of Japanese Animation
The Society for the Promotion of Japanese Animation (SPJA) is a non-profit organization whose mission is to popularize and educate the American public about anime and manga, as well as provide a forum to facilitate communication between professionals and fans. This organization is more popularly known by its entertainment property, Anime Expo®. More information can be found at www.spja.org.

Review: Aaron Eckhart Lights it Up in "Thank You for Smoking"

TRASH IN MY EYE No. 229 (of 2006) by Leroy Douresseaux

Thank You for Smoking (2005)
Running time: 93 minutes (1 hour, 43 minutes)
MPAA – R for language and some sexual content
DIRECTOR: Jason Reitman
WRITER: Jason Reitman (based upon the novel by Christopher Buckley)
PRODUCER: David O. Sacks
CINEMATOGRAPHER: Jason Whitaker (director of photography)
EDITOR: Dana E. Glauberman
Golden Globes nominee

COMEDY with elements of drama

Starring: Aaron Eckhart, Maria Bello, Cameron Bright, Sam Elliot, Katie Holmes, David Koechner, Rob Lowe, William H. Macy, J.K. Simmons, and Robert Duvall, Kim Dickens, Adam Brody, and Todd Louiso

As Vice-President of the Academy of Tobacco Studies, Nick Naylor (Aaron Eckhart) is the main lobbyist and primary spin doctor for Big Tobacco. Naylor is on a mission to make the country forget the dangers and health risks of smoking cigarettes. However, his mission gets tougher with health advocates and the opportunistic Senator Ortolan K. Finistirre (William H. Macy) determined to put a new poison label (in the form of an image of the skull & bones) on cigarette packs. Naylor goes on the PR offensive with a strategy to get big Hollywood actors to smoke on screen, as the movie stars of yesteryear did in the Golden Age of Hollywood movies. Nick enlists, Jeff Megall (Rob Lowe), a Hollywood super-agent, to help him get smoking on screen again.

However, Nicky’s newfound notoriety does not go unnoticed by Big Tobacco’s head honcho, The Captain (Robert Duvall), who gives his blessing to Nick’s Hollywood plan. Nick’s activities also get the attention of a beautiful, young investigative reporter, Heather Halloway (Katie Holmes), who is willing to use her body to get Nick to tell her his secrets. Even with a busy schedule, Nick still finds time to hold forth with two comrades – two other lobbyists for industries also facing public backlash: Polly Bailey (Maria Bello) of the alcohol industry and Bobby Jay Bliss (David Koechner) of the gun industry. Together, the three of them are the Merchants of Death or M.O.D. Squad. Nick’s also a father, and he’s trying to remain a role model to his young, impressionable son, Joey Naylor (Cameron Bright), who thinks his dad is a god, but Nick’s ex-wife, Jill Naylor (Kim Dickens), isn’t sure a tobacco lobbyist is the best dad material.

Jason Reitman, the son of famed comedy director, Ivan Reitman (Ghostbusters), has a more cerebral approach to film comedy than his father, and that’s clearly evident in the clever, offhand satire, Thank You for Smoking, which Reitman adapted from the novel by Christopher Buckley. The film comes across as a savage satire of the tobacco industry, but Reitman directs the film with such elegance that Thank You for Smoking sometimes comes across as glib and soulless. In his attempt to impale Big Tobacco, and also throw sand in the face of shallow Hollywood, opportunistic big media, and shameless Congress, Reitman’s movie ends up gabby and has no real villains. This is a satire that comes across as if it’s teasing its targets rather than criticizing them.

While Thank You for Smoking holds up the characters and subject matter for detached scrutiny, the cast isn’t afraid to get down and dirty. The actors take delight in revealing the characters for all their oily selfishness. They’re all out for their own interests, and what little guilt they feel merely adds a light pungent flavor to the characters. The best performance is delivered, of course, by Aaron Eckhart as the film’s protagonist/quasi-villain, Nick Naylor. A character actor who can play an amazing range of lead characters, Eckhart gives Thank You for Smoking its gift of gab. Eckhart’s screen chemistry with Cameron Bright, the young actor who plays Nick’s son, Joey, is supernaturally real. It’s like a real father and son duo.

Eckhart humanizes Naylor, and makes the viewer like him and want to engage him. Thank You for Smoking is well-written and well-directed (considering the inexperience of the director), and the technical aspects are pretty good. But it’s Aaron Eckhart who makes Thank You for Smoking something more than just another satirical film essay. He makes it memorable.

7 of 10
B+

Monday, November 06, 2006

NOTES:
2007 Golden Globes: 2 nominations: “Best Motion Picture - Musical or Comedy” and “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Aaron Eckhart)

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Indie Horror Flick, "The Dead Sleep" Now on DVD

Fathom-One Releases Independent Feature Film The Dead Sleep

Paul Wells broke the rules in life and it got him killed. To save his daughter, he’ll break the rules in death.

SAN JOSE, Calif.--(BUSINESS WIRE)--Fathom-One and Anthem Pictures releases The Dead Sleep, a new feature film available on DVD from Netflix, Amazon, and other video outlets. The film is not rated.

Shot entirely in the San Francisco Bay Area, The Dead Sleep is a supernatural thriller about Paul Wells, a father in a desperate race to save his daughter’s life. Having made transgressions during his life, Paul plans to makeup for those mistakes by twisting the boundary between the living and the dead.

"In addition to my first impression of The Dead Sleep as a compelling supernatural thriller, the film has an deeply emotional pull, especially for any parent. As a father, I could empathize with the main character's single-minded focus on saving his daughter. I appreciate a film that depicts the strength of family relationships, even transcending life and death," said Barnaby Dallas, Producer at San Jose’s Spartan Film Studios.

The Dead Sleep features Chris Armstrong as Paul Wells, Sarah Foret as Melanie Wells, Tatiana Armstrong as Claire Wells, Robert Fente as Del Craine, and Joshua Close as Tim Days.

Fathom-One is planning a screening of The Dead Sleep July 15, 2010 at 7PM at the BlueLight Cinemas in Cupertino. Further details will be shared via www.fathom-one.com and through the film’s Facebook group and fan pages.

“Stories that deal with the intricacies of life, death and dreams have always fascinated me and that's what initially drew me to James’s script for The Dead Sleep. But this story centers on a father's love for his daughter and that spoke to me not only as a filmmaker but also as a daughter. My father was a strong influence on me and I'm happy I could make this film in his memory,” said Vicki de Mey, Director and Producer of The Dead Sleep and Partner at Fathom-One.

Vicki de Mey has been making films since 2003. Her feature film credits include Unit Production Manager on Drifting Elegant, Producer on Generic Thriller and Producer/Director on The Dead Sleep. She is currently Producer on two Bay Area short films - Project Arbiter and Dearly Departed – and preparing to direct a short film in the fall. Vicki is also a Partner at r&r studios, a Bay Area production and post-production services company.

Tim O’Neill, Fathom-One’s Partner & CEO, has two decades of corporate experience to complement his 4 years as a film producer. His feature film credits as Producer include The Dead Sleep and Blur (www.blur-movie.com), which has yet to be released. Tim is assisting Vicki as Marketing Director on the short film Project Arbiter.


About Fathom-One
Fathom-One is an independent film production and development company based in San Jose, CA. More information on Fathom-One is available at www.fathom-one.com.

About Anthem Pictures
Anthem Pictures is the North American Distributor for The Dead Sleep. More information on Anthem Pictures is available at www.anthemdvd.com.

About Circus Road Films
Circus Road Films is the Producer’s Representative for The Dead Sleep. More information on Circus Road Films is available at www.circusroadfilms.com.

"Die Another Day" Mixes Bond Tradition with Loud Action

TRASH IN MY EYE No. 35 (of 2002) by Leroy Douresseaux


Die Another Day (2002)
Running time: 133 minutes (2 hours, 9 minutes)
MPAA – PG-13 for action violence and sexuality
DIRECTOR: Lee Tamahori
WRITERS: Neal Purvis and Robert Wade
PRODUCERS: Barbara Broccoli and Michael G. Wilson
CINEMATOGRAPHER: David Tattersall (director of photography)
EDITORS: Andrew MacRitchie and Christian Wagner
SONG: “Die Another Day” by Madonna-music/lyrics and Mirwais Ahmadzaï-music
Golden Globe nominee

ACTION/ADVENTURE/THRILLER

Starring: Pierce Brosnan, Halle Berry, Toby Stephens, Rosamund Pike, Rick Yune, Judi Dench, John Cleese, Michael Madsen, Will Yun Lee, Kenneth Tsang, Samantha Bond, and Madonna (no screen credit)

Die Another Day, Pierce Brosnan’s fourth outing as James Bond, Agent 007, is the twentieth film version of Ian Fleming’s classic secret agent/super spy, and many think that the venerable character is showing his age and signs of wear. The issue is merely one of competition. Over the years stunt coordination and computer technology advanced so much that Bond’s low-fi action looked dated next to bigger and louder explosions of other action heroes, secret agents, and troubleshooters.

By the late Eighties, pumped up action thrillers had run Bond out of town; The Living Daylights and License to Kill were not hits and Bond needed a makeover. Post James Cameron’s True Lies, Brosnan became Bond and his first outing, Goldeneye, exploded out of the gate. It wasn’t very good, being more action movie cum video game than secret agent/spy thriller. Maybe the concept is dated and the character a bit long in the tooth, but the producers can still find away to make an exciting action hit.

Die Another Day is high-octane action movie, and it is better than The World is Not Enough and almost as good as Tomorrow Never Dies, the third and second Brosnan Bond films respectively.

The first half is closer in tone to the old Bond. North Korea captures and tortures Bond for 14 months. After his captors work a deal to free him, his masters at M6 cut him loose because they believe the North Koreans broke him during interrogation. Separated from his future tech arsenal and his agency, Bond has to rely on his wits, his smarts, and his experience. The viewer gets to see just how good Bond is and how dangerous a rogue he can be even without an agency to back him. Brosnan was always convincing as Bond. He could be the suave lover and charming chameleon that he needs to be in order to get into places and into people’s heads. Brosnan could also instantly become the ruthless killing machine that is the mark of an agent with a double “O” license.

Bond also meets a mysterious American, Jinx, played to full sexual tilt by Academy Award winner Halle Berry (Monster’s Ball). Together they pursue the pompous Gustav Graves (Toby Stephens), a wealthy jetsetter with the usual world beating schemes. Graves is actually a very good and charming villain, and he has a dangerous sidekick, Zao (Rick Yune).

Much of the second half of the film is borderline, pure sci-fi, but in the hands of Lee Tamahori (Along Came a Spider), the action is intense and has the wall-to-wall ferocity of anime (Japanese animated films) and mania of a comic book. The script by Neal Purvis and Robert Wade, the screenwriters of The World is Not Enough, is well written and does a good job straddling two film genres – espionage and action. Though the movie runs a bit long, the thrills of the second half are well choreographed and relentless.

Die Another Day has some excellent small parts: John Cleese, in his best outing as Q, Judi Dench as the dour M, and Michael Madsen, always a welcome sight as a tough guy, who should have had a bigger part.

The movie is part secret agent thriller and part loud cartoon. I would like to see more of the former, but, on the whole, it is a very entertaining film and a near perfect film for people who just love loud action movies.

7 of 10
B+

NOTES:
2003 Golden Globes: 1 nomination: “Best Original Song - Motion Picture” (Madonna-music/lyrics and Mirwais Ahmadzaï-music for the song "Die Another Day")
2003 Black Reel Awards: 1 nomination: “Theatrical - Best Supporting Actress” (Halle Berry)