Review: "Eclipse" is Best "Twilight" Film... So Far

TRASH IN MY EYE No. 50 (of 2010) by Leroy Douresseaux

The Twilight Saga: Eclipse (2010)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for intense sequences of action and violence, and some sensuality
DIRECTOR: David Slade
WRITER: Melissa Rosenberg (based upon the novel by Stephenie Meyer)
PRODUCERS: Wyck Godfrey and Karen Rosenfelt
CINEMATOGRAPHER: Javier Aguirresarobe
EDITORS: Art Jones and Nancy Richardson
COMPOSER: Howard Shore

FANTASY/DRAMA/ROMANCE with elements of action, horror, and thriller

Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Billy Burke, Ashley Greene, Jackson Rathbone, Nikki Reed, Kellan Lutz, Peter Facinelli, Elizabeth Reaser, Bryce Dallas Howard, Xavier Samuel, Julia Jones, Chaske Spencer, Gil Birmingham, Boo Boo Stewart, and Dakota Fanning

The Twilight Saga: Eclipse, the third film in the Twilight film franchise, arrives with a bang. Like the previous films (Twilight and The Twilight Saga: New Moon), Eclipse is based upon a wildly popular and bestselling novel by Stephenie Meyer and continues the love story of high school student, Bella Swan, and her vampire boyfriend, Edward Cullen. Now, their romance is complicated by a love triangle that comes in the form Native American werewolf, Jacob Black.

As Eclipse begins, Seattle, WA is in an uproar over a string of mysterious killings, which the citizens believe is the work of one or more serial killers. However, the murders are part of diabolical plan hatched by Victoria (Bryce Dallas Howard), a malicious vampire set on destroying Bella Swan. With the help of her pet, Riley Biers (Xavier Samuel), Victoria is building an army of vampire newborns – that are unruly, hungry, and messy in their feeding habits.

In Forks, WA, Edward (Robert Pattinson) continues to broach the topic of marriage with Bella (Kristen Stewart), while she continues to demand that he turn her into a vampire. Bella also tries to repair her friendship with Jacob (Taylor Lautner), but Jacob wants more than friendship, which causes friction between Edward and Jacob who are already natural enemies as a vampire and a werewolf, respectively. As Victoria and her army heads to Forks, the vampire clan, the Cullens, and the werewolves of the La Push are forced to consider a truce in order to confront a common enemy. Meanwhile, Bella faces with the most important decisions of her young life.

The first proclamations regarding Eclipse that I came across said that this was the best Twilight film… thus far. Like the earlier films, this new one does what the series does best – brooding, oh-so-serious, teen melodrama. Bella and Edward’s love has reached an idealized fevered pitch with her willing to go all the way and he ever more determined to protect her. It seems as if Victoria is indeed dangerous to Bella, but not so much as Bella is to herself.

This time Eclipse also offers the audience action that is just as hot as the romance. The battle between Victoria’s wild pack and the Cullen-La Push coalition offer a more elegant version of the Underworld franchise’s vampire/werewolf battles, but are no less invigorating. The battle is so well shot and edited that the audience will lose itself in the reverie of fighting.

Much credit should go to Eclipse director David Slade (Hard Candy, 30 Days of Night), because it isn’t a coincidence that in this film, more than in the first two, the emotions are more potent and much more authentic. There is a scene in the film in which Bella’s father, Forks Police Chief Charlie Swan (Billy Burke), insists on discussing “being safe” and teen pregnancy with his daughter. The conversation is so awkward, but at the same time, it is good-natured with a sense of familiarity that would be expected between parent and child.

That entire sequence with Bella, Edward, and Jacob on a mountain and in a tent is a thing of power and passion, which is what David Slade brings to this movie. If The Twilight Saga: Eclipse is the best of the bunch, it is because of Slade, along with screenwriter Melissa Rosenberg. They took teen angst, horror, supernatural romance, love triangles, and vampires vs. werewolves and squeezed the best out of them and distilled it all into a damn good movie.

8 of 10
A

Sunday, July 04, 2010

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Oliver Stone - Still Pressing Buttons

Oliver Stone has a new documentary film, South of the Border.  You can visit the film's website here.  Apparently, one of the film's key points is that U.S. press coverage of South America is shaped by the needs of the U.S State Department.  One of the targets of the film strikes back.  Truthout has the details and pertinent links in this op-ed from Robert Naiman.

VIZ Cinema Brings Japanese Superheroes in July

THE EXOTIC AND ACTION PACKED WORLD OF JAPANESE SUPERHEROES IS EXPLORED IN JULY’S INSTALLMENT OF TOKYOSCOPE TALK AT VIZ CINEMA

NEW PEOPLE and VIZ Cinema offer an intriguing exploration of the exotic world of Japanese superheroes in TokyoScope Talk Vol. 5, taking place at the theatre at 7:00pm on Friday July 9th. Host Patrick Macias, Editor of Otaku USA magazine, will be joined by August Ragone (author, Eiji Tsuburaya: Master of Monsters) for an in-depth discussion of Japanese superheroes ranging from Ultraman and Kamen Rider to the Power Rangers.

General admission tickets are $10.00. More details and advance tickets available at: www.newpeopleworld.com/films

These and many other colorful crusaders of justice are now recognized the world over as essential icons of Japanese pop culture. But where did they come from? Who created them? And what is it really like battling rubber monsters and the forces of evil on a regular basis?

“TokyoScope Talk Vol. 5: Japanese Superheroes will explore the fascinating history and origins of the action packed world of celluloid superheroes using rare film clips and images from numerous tokusatsu, sentai, and henshin hero productions including Ultra Seven, Kikaida, Space Sheriff Gavan, and many others,” says Macias. “This will be a fun event for anyone who grew up watching Ultraman and Power Rangers as well as for those who are brand new to this unique genre of Japanese filmmaking. We invite superhero fans of all stripes to check out this comprehensive presentation!”

VIZ Cinema is the nation’s first movie theatre devoted exclusively to Japanese film and anime. The 143-seat subterranean theatre is located in the basement of the NEW PEOPLE building and features plush seating, digital as well as 35mm projection, and a THX®-certified sound system.


About NEW PEOPLE
NEW PEOPLE offers the latest films, art, fashion and retail brands from Japan and is the creative vision of the J-Pop Center Project and VIZ Pictures, a distributor and producer of Japanese live action film. Located at 1746 Post Street, the 20,000 square foot structure features a striking 3-floor transparent glass façade that frames a fun and exotic new environment to engage the imagination into the 21st Century. A dedicated web site is also now available at: www.NewPeopleWorld.com.

Review: "Good Hair" Hilarious, But Fairly Empty

TRASH IN MY EYE No. 49 (of 2010) by Leroy Douresseaux

Good Hair (2009)
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – PG-13 for some language including sex and drug references, and brief partial nudity
DIRECTOR: Jeff Stilson
WRITERS: Lance Crouther, Chris Rock, Chuck Sklar, and Jeff Stilson with Paul Marchand
PRODUCERS: Jenny Hunter, Kevin O'Donnell, Nelson George, and Jeff Stilson
CINEMATOGRAPHERS: Cliff Charles (director of photography) and Mark Henderson
EDITORS: Paul Marchand and Greg Nash
COMPOSER: Marcus Miller

DOCUMENTARY

Starring: Chris Rock, Maya Angelou, Eve, Melyssa Ford, Megan Goode Ice-T, Nia Long, Paul Mooney, Cheryl “Salt” James and Sandra “Pepa” Denton, Rev. Al Sharpton, Raven-Symoné, and Traci Thoms

At the beginning of his documentary, Good Hair, Chris Rock says that his daughter, Lola, came up to him crying and asked, “Daddy, how come I don't have good hair?” Bewildered, the Emmy-winning comedian, talk show host, and actor decided to find out what in African-American culture would put such a question in his little girl’s mind. To find answers, Rock, the film’s star and narrator, crosses continents and oceans. Traveling from New York to Atlanta and from India to Los Angeles, Rock visits a hair show, a scientific lab, a hair products manufacturer, and an Indian temple. Rock also visits numerous hair salons.

Along the way, he explores the way Black hairstyles impact Black people’s lifestyles and activities, pocketbooks, and sexual relationships. He even gets African-American women to talk about how their hair affects their self-esteem. A number of celebrities, entertainment industry figures, and public figures (from Maya Angelou and Rev. Al Sharpton to Ice-T and Salt-N-Pepa) candidly offer their stories and observations about Black hair. He may not get his answers, but Rock will discover that Black hair is a big business that doesn't always benefit the Black community.

The truth is that Good Hair, directed by Jeff Stilson, is less a documentary than it is like a feature news piece one might see on “20/20” or "Dateline NBC." There is a lot of funny stuff here, some of it quite shocking, but most of this movie really lacks a social or historical context. Rock and his co-writers certainly get close enough. For instance, the film reveals the fact that a large segment of the “black hair industry” is controlled by Asian-Americans who shut out African-American entrepreneurs. Rock touches upon it, but never really delves into that. He just skims the fact that in the 1980s, white-owned corporations like Revlon set out to remove Black-owned companies and corporations from the hair care business, where over 80 percent of the money comes from African-American customers.

No, rather than really examine the lack of Black ownership, Good Hair brings it up and then, it’s on to the next freak show. And that’s what this movie is – a freak show. It is very entertaining – often hugely entertaining, and I’d highly recommend it to anyone who is African-American or is interested in African-American culture. There is even a touch of sadness here, as if the filmmakers were recording an on-going tragedy. Good Hair, sadly, is a documentary that touches upon greatness, but ultimately decides to be little more than a delightful and hilarious puff piece.

7 of 10
B+

NOTES:
2010 Black Reel Awards: 1 win: “Black Reel Best Documentary”

2010 Image Awards: 1 win: “Outstanding Documentary (Theatrical or Television)”

Saturday, July 03, 2010

Dust Settles on Tyler Perry-Boondocks Psuedo-Feud

AOL Black Voices has an update on The Boondocks/Tyler Perry conflagaration here, and apparently some of the rumors are false.  Perry will not sue.  What follows is a recap from Black Voices:

The June 20 episode of his satirical series, titled 'Pause,' features a character named Winston Jerome, a religious playwright-director-actor who also cross-dresses as a no-nonsense grandmother named Ma Dukes in movies and chitlin' circuit plays. The imagery immediately brings thoughts of Perry's star character Madea Simmons to mind. Granddad is cast as Ma Dukes' love interest, and his grandsons, Huey and Riley, break into the a well-guarded compound to rescue their beloved guardian and save him from a homoerotic religious cult.

By the way, this third season is apparently the final season for The Boondocks.

Review: Creepy "Signs" Dances with Fate and Faith

TRASH IN MY EYE No. 127 (of 2004) by Leroy Douresseaux

Signs (2002)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – PG-13 for some frightening moments
WRITER/DIRECTOR: M. Night Shyamalan
PRODUCERS: Frank Marshall, Sam Mercer, and M. Night Shyamalan
CINEMATOGRAPHER: Tak Fujimoto
EDITOR: Barbara Tulliver
COMPOSER: James Newton Howard

DRAMA/SCI-FI/THRILLER with elements of horror

Starring: Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin, Cherry Jones, M. Night Shyamalan, and Patricia Kalember

Farmer and pastor Graham Hess (Mel Gibson) lost his faith when his wife Colleen (Patricia Kalember) was killed in an auto accident, but when he discovers intricate patterns of circles carved into his corn fields (called “crop circles”), he embarks on an path that will alter his life. The mysterious markings cause a media storm and worldwide panic; trapped in his farmhouse with his brother Merrill (Joaquin Phoenix) and his son (Rory Culkin) and daughter (Abigail Breslin), Graham must discover if the crop circles are the signs of an impending invasion or are they part of a larger pattern of fate and predestination.

Signs was hit-making director M. Night Shyamalan’s third big-time studio film, and it was a huge theatrical hit. It’s a very entertaining film, although it is also a bit too serious and moody. In fact, Signs is so somber that it’s almost a chamber music version of solemnity. Still, like Shyamalan’s other best-known films (The Sixth Sense, Unbreakable), Signs is a superbly creepy suspense thriller, a brilliant stroke of quiet, edge-of-your-seat thrills.

The performances and the mood of the film go a long way in dictating how an individual viewer will feel about Signs; those two elements decide the “fate” of the film, as it is. Gibson and Phoenix’s performance are too low-key, so much so that it seems as if they’re stuck in the mud. The children, however, are very good in the film, and young Ms. Breslin manages to be super cute and precious without being annoying; she delivers each of her lines and gives each one maximum impact on both the film and audience reaction. Signs is also an excellent rumination on fate and faith and on how often people mistake the “signs” and the important incidents in life as coincidences. If the film wasn’t so stiff, stuck in the mud, and so deathly deliberate and formal, I’d call it brilliant.

7 of 10
B+

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Entire "Ghost in the Shell" Saga at VIZ Cinema in July

VIZ CINEMA PRESENTS THE ENTIRE SAGA OF MOST VENERABLE ANIME FILM FRANCHISE OF ALL TIME, GHOST IN THE SHELL

July Edition Of Sci-Fi Anime Madness Offers Six Feature Films Based On Hit Manga Series Set To Play In A Special Week-Long Anime Film Festival

VIZ Cinema and NEW PEOPLE are proud to present, in association with Bandai Entertainment and Manga Entertainment, Sci-fi Anime Madness Volume 2: Ghost in the Shell Marathon with a very special series of feature film screenings taking place July 3rd – 8th at the theatre located in San Francisco’s Japantown. The creation of veteran anime writer/director/producer Mamoru Oshii, Ghost in the Shell and its subsequent sequels thrilled audiences and inspired a generation of filmmakers to became one of the most revered anime franchises of all times.

Tickets, screening times and more details are available at: www.vizcinema.com.

Ghost in the Shell is based on a popular manga series created by Shirow Masamune and was turned into a feature film in 1995 that went on to become an international smash hit. It was followed by a theatrical film sequel in 2004, Ghost in the Shell 2: Innocence, which was also directed by Mamoru Oshii. The VIZ Cinema marathon will also screen three feature-length film re-cuts including “The Laughing Man,” that features a separate, self-contained storyline based on the Stand Along Complex anime TV series, produced in 2005, as well as “Individual Eleven,” and “Solid State Society, two features based on the second season of the anime television series that was produced in 2006.

Ghost In The Shell (Original Version), July 3rd and also July 5th
(Directed by Mamoru Oshii, 1995, 85min, Digital, English Subtitles)
In 2029 A female government cyber agent and the Internal Bureau of Investigations are hot on the trail of “The Puppet Master,” a computer virus capable of invading cybernetic brains and altering its victims’ memories. This is the acclaimed sci-fi action masterpiece that proclaimed a new era of anime and helped to define the cyber-punk genre.

Ghost In The Shell 2.0 (CGI version), July 3rd and also July 5th
(Directed by Mamoru Oshii, 2008, 85min, Digital, English Subtitles)
This is a new, visually enhanced version of the classic original movie.

Ghost In The Shell 2: Innocence, July 3rd
(Directed by Mamoru Oshii, 2004, 100min, Digital, English Subtitles)
This is the gripping sequel to the original Ghost in the Shell film.

Ghost In The Shell Stand Along Complex: The Laughing Man, July 4th and also July 6th
(Directed by Kenji Kamiyama, 2005, 106min, Digital, English Subtitles)
The feature film adaptation of the Stand Alone Complex series, re-cut to tell the story of a police battle with an evil computer hacker.

Ghost In The Shell: Individual Eleven 161, July 4th and also July 7th
(Directed by Kenji Kamiyama, 2006, 161min, Digital, English Subtitles)
A feature-length OAV feature with a new self-contained story, adapted from Stand Alone Complex: Second Gig, the second season of the Ghost in the Shell broadcast series.

Ghost In The Shell: Solid State Society 108, July 4th and also July 8th
(Directed by Kenji Kamiyama, 2006, 108min, Digital, English Subtitles)
A film adaptation of the Stand Alone Complex: Second Gig, the second season of the Ghost in the Shell broadcast series.

VIZ Cinema is the nation’s only movie theatre devoted exclusively to Japanese film and anime. The 143-seat subterranean theatre is located in the basement of the NEW PEOPLE building and features plush seating, digital as well as 35mm projection, and a THX®-certified sound system.

NEW PEOPLE offers the latest films, art, fashion and retail brands from Japan and is the creative vision of the J-Pop Center Project and VIZ Pictures, a distributor and producer of Japanese live action film. Located at 1746 Post Street, the 20,000 square foot structure features a striking 3-floor transparent glass façade that frames a fun and exotic new environment to engage the imagination into the 21st Century. A dedicated web site is also now available at: www.NewPeopleWorld.com.

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