VIZAnime to Simulcast "Nura: Rise of the Yokai Clan"

Press release:

VIZ MEDIA SIMULCASTS EXCLUSIVE NEW ANIME SERIES NURA: RISE OF THE YOKAI CLAN ON VIZANIME.COM

Supernatural Action Adventure Launched Simultaneously In Japan And U.S.; First Episode Available To Stream Now

VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, has announced the launch of a brand new anime series – NURA: RISE OF THE YOKAI CLAN – on VIZAnime.com, the company’s premier website for anime. The first subtitled episode of the new fantasy action-adventure series about a junior high school student that is part human and part yokai (supernatural demon), premiered for free after the series debut in Japan; free new episodes will be simulcast mere hours after it airs in Japan each Monday.

NURA: RISE OF THE YOKAI CLAN, based on the best selling Nurarihyon no Mago manga series in Japan, is being offered under the SHONEN JUMP imprint, home to other exciting properties including BLEACH and NARUTO. While the day belongs to humans, the night belongs to yokai, supernatural creatures that thrive on human fear. Caught between these worlds is Rikuo Nura. He's three-quarters human, but his grandfather is none other than Nurarihyon, the supreme commander of the Nura clan, a powerful yokai consortium. So, Rikuo is an ordinary teenager three quarters of the time, until his yokai blood awakens. Then he transforms into the future leader of the Nura clan, leading a hundred demons.

“We are pleased to expand the line-up on VIZAnime.com with the exclusive simulcast of NURA: RISE OF THE YOKAI CLAN, reaffirming our commitment to bringing the latest series from Japan,” says Ken Sasaki, Senior Vice President & General Manager of VIZ Media. “We are excited for fans to explore the fantastic world of NURA: RISE OF THE YOKAI CLAN, and share their thoughts and start discussions through the social network features of VIZAnime.com!”

VIZAnime.com is a free-to-use web destination that is now the permanent home to some of the company’s best-loved animated series. Over 1,100 episodes are currently available, and new content is added on a weekly basis. Series currently featured on VIZAnime.com include BLEACH, BUSO RENKIN, DEATH NOTE, HONEY AND CLOVER, HIKARU NO GO, INUYASHA, INUYASHA: THE FINAL ACT, KEKKAISHI, NANA, NARUTO, NARUTO SHIPPUDEN, ONE PIECE and THE PRINCE OF TENNIS.

To view subtitled NURA: RISE OF THE YOKAI CLAN animated episodes (rated ‘T’ for Teens) and other VIZ Media animated titles, please visit VIZAnime.com.

Review: "The Dead Sleep" is a Ghost Story

TRASH IN MY EYE No. 51 (of 2010) by Leroy Douresseaux

The Dead Sleep (2010) - DVD
Running time: 94 minutes (1 hour, 34 minutes)
MPAA - not rated
DIRECTOR: Vicki de Mey
WRITER: James A. McLean
PRODUCERS: Vicki de Mey and Tim O’Neill
CINEMATOGRAPHER: Ian S. Takahashi
EDITOR: Jay Boekelheide
COMPOSER: Ryan Leach

FANTASY/DRAMA/MYSTERY with elements of crime and horror

Starring: Chris Armstrong, Sarah Foret, Rob Fente, Tatiana Armstrong, Joshua Close, Jacintha Charles, and Mark Oliviera

The Dead Sleep is an independent, straight-to-video supernatural drama released on DVD sometime this past February. Part twisty ghost story and part mystical crime caper, The Dead Sleep focuses on a dead man breaking all the post-death rules to save his daughter.

Paul Wells (Chris Armstrong) lives a quiet suburban life with his wife, Claire (Tatiana Armstrong), and his teenage daughter, Melanie (Sarah Foret). An accountant, Paul even thinks that his crime against the company for which he works has gone unnoticed, until his coworker and buddy, Del Craine (Rob Fente) informs him otherwise. Now, Paul has to make things right with his new boss, Tim (Joshua Close).

That’s a lot going on for a man whose body has been in the grave for five years. Now, Paul wanders the largely silent boundary between life and death, trying to figure a way to save his daughter from a fate similar to his own. As he witnesses the consequences of his transgressions, Paul realizes that he may have to die all over again to save his family.

The Dead Sleep has some similarities to the work of screenwriter Bruce Joel Rubin, specifically Ghost and Jacob’s Ladder. However, Paul Wells is not the kind of unreliable, dead lead character of films like Jacob’s Ladder, Marc Forster’s Stay (2005) or The Sixth Sense. Director Vicki de Mey and screenwriter James A. McLean seem determined to play it fairly straight in spite of the script’s shifts in time and down-the-rabbit-hole moments. The Dead Sleep, regardless of it supernatural and fantastical elements, is ultimately a story about a man and his dedication to his family.

As a low-budget, independent, fantasy flick, The Dead Sleep could have been a disaster because of poor special effects, but with a little imagination, some clever blocking, and savvy location shooting, this film presents a surprisingly quiet and unspectacular, but unsettling ghost world. Add in a few shimmering “collectors,” and the film has the requisite boogeyman that keeps the audience on edge because they never know when a monster will jump out from around a corner.

At times, The Dead Sleep seems like a semi-professional production. The story is too slow in developing and the pacing is not smooth. The acting is uneven, and the lead, Chris Armstrong, and supporting actor, Rob Fente, give performances that are often awkward, although sometimes surprisingly affecting. What ultimately elevates this movie is that the story, which sells the idea that Paul Wells is indeed dedicated to doing anything to save his daughter, Melanie. In their scenes together, we can believe that Melanie is precious to Paul and that he is his daughter’s hero.

In spite of its inherent flaws, The Dead Sleep proves that a ghost story doesn’t have to go bump in the night to get at a viewer’s heart.

5 of 10
B-

http://www.fathom-one.com/Fathom-One/Home.html

Tuesday, July 06, 2010

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Walt Disney Pictures Holds Special Event for "The Sorcerer's Apprentice"

Press release:

The Sorcerer’s Apprentice: A Night of Magic and Music in Midtown Manhattan

Walt Disney Studios and Jerry Bruckheimer Films Celebrate the Release of “The Sorcerer’s Apprentice” with Special Event in Bryant Park on Tuesday, July 6, 2010

Musical Performances by OneRepublic and Alpha Rev

Q&A Session with the Film’s Stars & Filmmakers

Entire Event to be Streamed Live on MySpace, Powered by Ustream

BURBANK, Calif.--(BUSINESS WIRE)--The mystical masters behind the blockbuster “National Treasure” franchise, Walt Disney Pictures and Jerry Bruckheimer Films, are celebrating their latest big screen incarnation, “The Sorcerer’s Apprentice,” with a special music event in the heart of Manhattan. Since this epic comedy adventure about a sorcerer and his hapless apprentice was filmed entirely on location in New York City, it is a “super” natural fit to honor the film’s impending July 14 release by throwing a party in iconic Bryant Park featuring performances by OneRepublic and Alpha Rev, plus appearances from the movie’s stars and filmmakers, including Nicolas Cage, Jay Baruchel, Alfred Molina, Toby Kebbell, Teresa Palmer, director Jon Turteltaub and producer Jerry Bruckheimer.

By tapping into entertainment powerhouse, MySpace, the festivities go global as fans around the world can watch the musical performances LIVE via Ustream and get the chance to interact with the film’s talent by posting comments and questions to the page. The event, emceed by Z100’s JJ, is free to the public. Bryant Park lawn is open to the general public starting at 7:00 p.m. and the streaming goes live at 8:15 p.m. on July 6, 2010 at www.myspace.com/SorcerersApprentice.

Sorcery & Songs
OneRepublic will perform a short set, including “Secrets,” a song featured prominently in the film, as well as their multi platinum breakthrough single and internet sensation, “Apologize.”

Alpha Rev, a MySpace.com #1 ranked indie band from Texas, will perform their song from the film, “Phoenix Burn.”

MySpace hosts the exclusive live stream of the event at www.myspace.com/SorcerersApprentice, powered by Ustream. Viewers around the world can experience the event first-hand, see exclusive backstage interviews with talent and interact by posting comments and questions to the page.

Ustream, the leader in live interactive video on the web, powers the live webcast of the event. Also to watch, interact or embed the live stream, visit ustream.tv/WaltDisneyStudios.

This special celebration marks the 1st live streaming event on Disney.com

Advance tickets for “The Sorcerer’s Apprentice” can be purchased now through Disney.com/Sorcerer.


ABOUT “THE SORCERER’S APPRENTICE”
Walt Disney Studios, producer Jerry Bruckheimer and director Jon Turteltaub, the team behind the “National Treasure” franchise, present “The Sorcerer’s Apprentice”— an innovative and epic comedy adventure about a sorcerer and his hapless apprentice who are swept into the center of an ancient conflict between good and evil.

Balthazar Blake (Nicolas Cage) is a master sorcerer in modern-day Manhattan trying to defend the city from his arch-nemesis, Maxim Horvath (Alfred Molina). Balthazar can't do it alone, so he recruits Dave Stutler (Jay Baruchel), a seemingly average guy who demonstrates hidden potential, as his reluctant protégé. The sorcerer gives his unwilling accomplice a crash course in the art and science of magic, and together, these unlikely partners work to stop the forces of darkness. It'll take all the courage Dave can muster to survive his training, save the city and get the girl as he becomes “The Sorcerer’s Apprentice.” The screenplay is by Matt Lopez and Doug Miro & Carlo Bernard from a screen story by Lawrence Konner & Mark Rosenthal and Matt Lopez. In theaters July 14, 2010. Disney.com/Sorcerer; like us on Facebook: facebook.com/SorcerersApprentice; follow us on Twitter: twitter.com/DisneyPictures.

ABOUT MYSPACE
MySpace is a technology company connecting people through personal expression, content, and culture. MySpace empowers its global community to experience the Internet through a social lens by integrating personal profiles, photos, videos, mobile, messaging, games, and the world's largest music community. MySpace is a division of News Corporation (NASDAQ: NWS, NWSA; ASX: NWS, NWSLV). For more information please visit http://www.myspace.com/pressroom.

Review: "Eclipse" is Best "Twilight" Film... So Far

TRASH IN MY EYE No. 50 (of 2010) by Leroy Douresseaux

The Twilight Saga: Eclipse (2010)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for intense sequences of action and violence, and some sensuality
DIRECTOR: David Slade
WRITER: Melissa Rosenberg (based upon the novel by Stephenie Meyer)
PRODUCERS: Wyck Godfrey and Karen Rosenfelt
CINEMATOGRAPHER: Javier Aguirresarobe
EDITORS: Art Jones and Nancy Richardson
COMPOSER: Howard Shore

FANTASY/DRAMA/ROMANCE with elements of action, horror, and thriller

Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Billy Burke, Ashley Greene, Jackson Rathbone, Nikki Reed, Kellan Lutz, Peter Facinelli, Elizabeth Reaser, Bryce Dallas Howard, Xavier Samuel, Julia Jones, Chaske Spencer, Gil Birmingham, Boo Boo Stewart, and Dakota Fanning

The Twilight Saga: Eclipse, the third film in the Twilight film franchise, arrives with a bang. Like the previous films (Twilight and The Twilight Saga: New Moon), Eclipse is based upon a wildly popular and bestselling novel by Stephenie Meyer and continues the love story of high school student, Bella Swan, and her vampire boyfriend, Edward Cullen. Now, their romance is complicated by a love triangle that comes in the form Native American werewolf, Jacob Black.

As Eclipse begins, Seattle, WA is in an uproar over a string of mysterious killings, which the citizens believe is the work of one or more serial killers. However, the murders are part of diabolical plan hatched by Victoria (Bryce Dallas Howard), a malicious vampire set on destroying Bella Swan. With the help of her pet, Riley Biers (Xavier Samuel), Victoria is building an army of vampire newborns – that are unruly, hungry, and messy in their feeding habits.

In Forks, WA, Edward (Robert Pattinson) continues to broach the topic of marriage with Bella (Kristen Stewart), while she continues to demand that he turn her into a vampire. Bella also tries to repair her friendship with Jacob (Taylor Lautner), but Jacob wants more than friendship, which causes friction between Edward and Jacob who are already natural enemies as a vampire and a werewolf, respectively. As Victoria and her army heads to Forks, the vampire clan, the Cullens, and the werewolves of the La Push are forced to consider a truce in order to confront a common enemy. Meanwhile, Bella faces with the most important decisions of her young life.

The first proclamations regarding Eclipse that I came across said that this was the best Twilight film… thus far. Like the earlier films, this new one does what the series does best – brooding, oh-so-serious, teen melodrama. Bella and Edward’s love has reached an idealized fevered pitch with her willing to go all the way and he ever more determined to protect her. It seems as if Victoria is indeed dangerous to Bella, but not so much as Bella is to herself.

This time Eclipse also offers the audience action that is just as hot as the romance. The battle between Victoria’s wild pack and the Cullen-La Push coalition offer a more elegant version of the Underworld franchise’s vampire/werewolf battles, but are no less invigorating. The battle is so well shot and edited that the audience will lose itself in the reverie of fighting.

Much credit should go to Eclipse director David Slade (Hard Candy, 30 Days of Night), because it isn’t a coincidence that in this film, more than in the first two, the emotions are more potent and much more authentic. There is a scene in the film in which Bella’s father, Forks Police Chief Charlie Swan (Billy Burke), insists on discussing “being safe” and teen pregnancy with his daughter. The conversation is so awkward, but at the same time, it is good-natured with a sense of familiarity that would be expected between parent and child.

That entire sequence with Bella, Edward, and Jacob on a mountain and in a tent is a thing of power and passion, which is what David Slade brings to this movie. If The Twilight Saga: Eclipse is the best of the bunch, it is because of Slade, along with screenwriter Melissa Rosenberg. They took teen angst, horror, supernatural romance, love triangles, and vampires vs. werewolves and squeezed the best out of them and distilled it all into a damn good movie.

8 of 10
A

Sunday, July 04, 2010

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Oliver Stone - Still Pressing Buttons

Oliver Stone has a new documentary film, South of the Border.  You can visit the film's website here.  Apparently, one of the film's key points is that U.S. press coverage of South America is shaped by the needs of the U.S State Department.  One of the targets of the film strikes back.  Truthout has the details and pertinent links in this op-ed from Robert Naiman.

VIZ Cinema Brings Japanese Superheroes in July

THE EXOTIC AND ACTION PACKED WORLD OF JAPANESE SUPERHEROES IS EXPLORED IN JULY’S INSTALLMENT OF TOKYOSCOPE TALK AT VIZ CINEMA

NEW PEOPLE and VIZ Cinema offer an intriguing exploration of the exotic world of Japanese superheroes in TokyoScope Talk Vol. 5, taking place at the theatre at 7:00pm on Friday July 9th. Host Patrick Macias, Editor of Otaku USA magazine, will be joined by August Ragone (author, Eiji Tsuburaya: Master of Monsters) for an in-depth discussion of Japanese superheroes ranging from Ultraman and Kamen Rider to the Power Rangers.

General admission tickets are $10.00. More details and advance tickets available at: www.newpeopleworld.com/films

These and many other colorful crusaders of justice are now recognized the world over as essential icons of Japanese pop culture. But where did they come from? Who created them? And what is it really like battling rubber monsters and the forces of evil on a regular basis?

“TokyoScope Talk Vol. 5: Japanese Superheroes will explore the fascinating history and origins of the action packed world of celluloid superheroes using rare film clips and images from numerous tokusatsu, sentai, and henshin hero productions including Ultra Seven, Kikaida, Space Sheriff Gavan, and many others,” says Macias. “This will be a fun event for anyone who grew up watching Ultraman and Power Rangers as well as for those who are brand new to this unique genre of Japanese filmmaking. We invite superhero fans of all stripes to check out this comprehensive presentation!”

VIZ Cinema is the nation’s first movie theatre devoted exclusively to Japanese film and anime. The 143-seat subterranean theatre is located in the basement of the NEW PEOPLE building and features plush seating, digital as well as 35mm projection, and a THX®-certified sound system.


About NEW PEOPLE
NEW PEOPLE offers the latest films, art, fashion and retail brands from Japan and is the creative vision of the J-Pop Center Project and VIZ Pictures, a distributor and producer of Japanese live action film. Located at 1746 Post Street, the 20,000 square foot structure features a striking 3-floor transparent glass façade that frames a fun and exotic new environment to engage the imagination into the 21st Century. A dedicated web site is also now available at: www.NewPeopleWorld.com.

Review: "Good Hair" Hilarious, But Fairly Empty

TRASH IN MY EYE No. 49 (of 2010) by Leroy Douresseaux

Good Hair (2009)
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – PG-13 for some language including sex and drug references, and brief partial nudity
DIRECTOR: Jeff Stilson
WRITERS: Lance Crouther, Chris Rock, Chuck Sklar, and Jeff Stilson with Paul Marchand
PRODUCERS: Jenny Hunter, Kevin O'Donnell, Nelson George, and Jeff Stilson
CINEMATOGRAPHERS: Cliff Charles (director of photography) and Mark Henderson
EDITORS: Paul Marchand and Greg Nash
COMPOSER: Marcus Miller

DOCUMENTARY

Starring: Chris Rock, Maya Angelou, Eve, Melyssa Ford, Megan Goode Ice-T, Nia Long, Paul Mooney, Cheryl “Salt” James and Sandra “Pepa” Denton, Rev. Al Sharpton, Raven-Symoné, and Traci Thoms

At the beginning of his documentary, Good Hair, Chris Rock says that his daughter, Lola, came up to him crying and asked, “Daddy, how come I don't have good hair?” Bewildered, the Emmy-winning comedian, talk show host, and actor decided to find out what in African-American culture would put such a question in his little girl’s mind. To find answers, Rock, the film’s star and narrator, crosses continents and oceans. Traveling from New York to Atlanta and from India to Los Angeles, Rock visits a hair show, a scientific lab, a hair products manufacturer, and an Indian temple. Rock also visits numerous hair salons.

Along the way, he explores the way Black hairstyles impact Black people’s lifestyles and activities, pocketbooks, and sexual relationships. He even gets African-American women to talk about how their hair affects their self-esteem. A number of celebrities, entertainment industry figures, and public figures (from Maya Angelou and Rev. Al Sharpton to Ice-T and Salt-N-Pepa) candidly offer their stories and observations about Black hair. He may not get his answers, but Rock will discover that Black hair is a big business that doesn't always benefit the Black community.

The truth is that Good Hair, directed by Jeff Stilson, is less a documentary than it is like a feature news piece one might see on “20/20” or "Dateline NBC." There is a lot of funny stuff here, some of it quite shocking, but most of this movie really lacks a social or historical context. Rock and his co-writers certainly get close enough. For instance, the film reveals the fact that a large segment of the “black hair industry” is controlled by Asian-Americans who shut out African-American entrepreneurs. Rock touches upon it, but never really delves into that. He just skims the fact that in the 1980s, white-owned corporations like Revlon set out to remove Black-owned companies and corporations from the hair care business, where over 80 percent of the money comes from African-American customers.

No, rather than really examine the lack of Black ownership, Good Hair brings it up and then, it’s on to the next freak show. And that’s what this movie is – a freak show. It is very entertaining – often hugely entertaining, and I’d highly recommend it to anyone who is African-American or is interested in African-American culture. There is even a touch of sadness here, as if the filmmakers were recording an on-going tragedy. Good Hair, sadly, is a documentary that touches upon greatness, but ultimately decides to be little more than a delightful and hilarious puff piece.

7 of 10
B+

NOTES:
2010 Black Reel Awards: 1 win: “Black Reel Best Documentary”

2010 Image Awards: 1 win: “Outstanding Documentary (Theatrical or Television)”

Saturday, July 03, 2010