Aliens vs Predator is Deranged and Stupid, But Fun

TRASH IN MY EYE No. 145 (of 2007) by Leroy Douresseaux


AVPR: Aliens vs. Predator – Requiem (2007)
Running time: 94 minutes (1 hour, 34 minutes)
MPAA – R for violence, gore, and language
DIRECTORS: The Brothers Strause – Colin and Greg
WRITER: Shane Salerno (based upon the Alien character created by Dan O’Bannon and Ronald Shusett and the Predator character created by Jim & John Thomas)
PRODUCERS: John Davis and Wyck Godfrey
CINEMATOGRAPHER: Daniel C. Pearl
EDITOR: Dan Zimmerman

SCI-FI/ACTION/HORROR

Starring: Steven Pasquale, Reiko Aylesworth, John Ortiz, Johnny Lewis, Ariel Gade, Kristen Hager, Sam Trammell, Robert Joy, David Paetkau, Tom Woodruff, Jr., Ian Whyte, Chelah Horsdal, and Meshach Peters

Picking up where 2004’s AVP: Alien vs. Predator left off, AVPR: Aliens vs. Predator – Requiem finds an Alien infestation aboard the Predator scout ship. A Predator has been impregnated by an Alien face hugger, which results in the birth of an Alien-Predator hybrid, the Predalien (Tom Woodruff, Jr.). The scout ship crashes in the forest outside the small town of Gunnison, Colorado. Soon the entire town is overrun with Aliens – killing, wreaking havoc, and breeding. Ex-con Dallas Howard (Steve Pasquale) leads his brother Ricky (Johnny Lewis) and a small band of locals in a struggle to survive against the Alien infestation. Thrown into the mix, however, is a veteran hunter, Wolf (Ian Whyte), from the Predator home world, and he’s itching to kill Aliens and ready to destroy all evidence of both alien races presence on Earth.

Many bad things can be said about Aliens vs. Predator: Requiem. The acting stinks, except for Woodruff and Whyte who play the lead monsters and who really get into their roles (doing great work under thick costumes and makeup). The blame for the bad acting can be placed on a large ensemble cast that exists only to be bait, food, victims, and breeding stock for the otherworldly monsters that have invaded their town. The storyline eschews common sense in favor of slaughter, but in the hands of the imaginative script writer Shane Salerno, this is a good thing. Take it in with too critical an eye and Aliens vs. Predator: Requiem seems like a bad video game pretending to be a bad movie.

There is, however, much to delight in this cheesy gore-fest for those who won’t view it with the critical eye this film doesn’t deserve. Those same people will have to forget the better parts of the two sci-fi/horror film franchises that spawned “AVP” – Alien (1979), Aliens (1986), and Predator (1987). Directors Colin and Greg Strause and Shane Salerno have fashioned a bloody, stupid monster movie full of rude violence, tasteless shock value, and shamelessly gory displays of human and alien bodies being torn and ripped apart, stabbed, shot, eaten, sexually violated, etc. It’s the kind of joyfully sadistic exhibition that will either be called low art or crass schlock.

I call AVPR: Aliens vs. Predator – Requiem a bloody entertaining monster movie with bucket of blood for every bucket of cheese. It’s the perfect Christmas gift for the guy who wants a bloody mess out of his horror movie.

6 of 10
B

Sunday, December 30, 2007

"Alien vs. Predator" Always Fun to Watch

TRASH IN MY EYE No. 152 (of 2004) by Leroy Douresseaux


AVP: Alien vs. Predator (2004)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – PG-13 for violence, language, horror images, slime and gore
DIRECTOR: Paul W.S. Anderson
WRITERS: Paul W.S. Anderson; from a screen story by Paul W.S. Anderson, Dan O’Bannon, and Ronald Shusett (based upon the Alien character created by Dan O’Bannon and Ronald Shusett and the Predator character created by Jim Thomas and John Thomas)
PRODUCERS: Gordon Carroll, John Davis, David Giler, and Walter Hill
CINEMATOGRAPHER: David Johnson
EDITORS: Alexander Berner

SCI-FI/ACTION/HORROR/THRILLER with elements of mystery

Starring: Sanaa Lathan, Raoul Bova, Lance Henriksen, Ewen Bremner, Colin Salmon, Tommy Flanagan, Joseph Rye, and Agathe De La Boulaye

For those who have at least a vague idea of what’s going on, AVP: Alien vs. Predator is a dumb, mildly entertaining picture with some genuinely thrilling, scary, and heart-stopping moments. During an archeological expedition in Antarctica, a team scientists and archeologists discover an ancient pyramid beneath the ice and a deadly trap. The team, led by Alexa Woods (Sanaa Lathan), a top expedition and field guide, find themselves caught in the middle of a small war between two legendary movie monsters, the Aliens and the Predators. Only one species will survive, and the numbers don’t look good for the humans.

Alien vs. Predator is a movie-fan movie the way Freddie vs. Jason was a movie for fans of movies. You kinda had to know what’s up with Freddie and Jason to really enjoy that flick (or to at least have a chance of liking the film); thus it is with AVP. Those who have seen the four films of the Alien franchise and the two films in the Predator franchise will best know what’s going on in this story. If not, you may have some trouble, as some of the teenagers who made up most of the audience where I saw this movie. Director Paul W.S. Anderson’s script assumes the viewer is familiar with both the Alien and Predator films, or with the various Alien vs. Predator comic books that Dark Horse Comics has been publishing since 1990 or the AVP video games.

Is this a great film? No. Could it have been a great film? Probably not. Anderson makes a film that lies flat; even when his screenplay has the characters digging through the mysterious circumstances they keep finding themselves in, the story seems to lack an extra dose of oomph. In the end, it is an adequate sci-fi monster thriller. Although the film doesn’t overly rely on CGI, the SFX are actually quite good and for the most part seamlessly blend with the live action.

Even though it’s a simple-minded popcorn movie merely meant to generate cash for a huge, multi-national media corporation, AVP is still a popcorn movie that registers nicely on the interest scale. It’s one of those bump-in-the-dark movies that you can watch over and over again. You don’t have to think, just sit there and wait for the monster to come running out of the shadows, or at least just sit there and laugh at the holes in the plot because this movie often ignores its own internal logic. If you liked the original films that inspired this, you’ve probably been waiting years for the next installment of these franchises (even longer in the case of Predator), and you’ll take anything you can get. AVP is better than the last two Alien films and it’s way better than Predator 2. Call this one a home video monster flick classic.

6 of 10
B

Review: Original "Predator" Still a Thrill

TRASH IN MY EYE No. 7 (of 2004) by Leroy Douresseaux

Predator (1987)
Running time: 107 minutes (1 hour, 47 minutes)
DIRECTOR: John McTiernan
WRITERS: Jim Thomas and John Thomas
PRODUCERS: John Davis, Lawrence Gordon, and Joel Silver
CINEMATOGRAPHER: Donald McAlpine (director of photography)
EDITORS: Mark Helfrich and John F. Link
COMPOSER: Alan Silvestri

ACTION/SCI-FI with elements of horror and thriller

Starring: Arnold Schwarzenegger, Carl Weathers, Elpidia Carrillo, Bill Duke, Jesse Ventura, Sonny Landham, Richard Chaves, R.G. Armstrong, Shane Black, and Kevin Peter Hall

A favorite Arnold Schwarzenegger film is the action movie classic, Predator. The film also introduced moviegoers to the talents of director John McTiernan, who would go on to make a name for himself in big action thrillers featuring lone, tough guy heroes like Die Hard and mega flops like Medicine Man and The Last Action Hero. As much as this is considered a Schwarzenegger film, McTiernan put his stamp on Predator by creating not only good action and fights scenes, but also by creating a palatable air of mystery and suspense to the proceedings. He only let the audience see just enough to keep their appetites going before he finally opens the film up for the big throw down between Arnold and The Predator.

The story is simple. A team of commandos led by Major Dutch (Schwarzenegger) go on a mission in the jungles of Central America for a government operative (Carl Weathers) with whom Dutch has a history. The story behind the mission turns out to be a sham. Worse, an extra-terrestrial warrior (Kevin Peter Hall) is hunting the team and picking them off one at a time.

Like Aliens, Predator would go on to influence a generation of comic book creators, game designers, and sci-fi novelists who became enamored with commando units and assorted military special operatives. Many super hero comics and violent video games feature Navy S.E.A.L.s, marine units, and heavily armed soldiers fighting monsters and sundry creatures from other worlds.

But don’t hold that against it. Predator is a good time – a great popcorn movie for the guys. It’s an effective thriller, a textbook example of a simple-minded, macho action movie that works so well. Heck, I’ve seen it countless times.

7 of 10
B+

NOTES:
1988 Academy Awards: 1 nomination: “Best Effects, Visual Effects” (Joel Hynek, Robert M. Greenberg, Richard Greenberg, and Stan Winston)

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Star Wars Insider Magazine Celebrates "The Empire Strikes Back" Anniversary

STAR WARS INSIDER ANNOUNCES COMIC-CON AND CELEBRATION PLANS

To mark the 30th anniversary of The Empire Strikes Back, Titan is releasing a special tribute issue of Star Wars Insider with an exclusive Han Solo in Carbonite cover, available at this year’s San Diego Comic-Con International and Star Wars Celebration V in Orlando, Florida, August 12 to 15.

This 100-page commemorative issue includes interviews with the cast and crew of The Empire Strikes Back, including: George Lucas, (story and executive producer), Irvin Kershner (Director), Harrison Ford (Han Solo), Billy Dee Williams (Lando Calrissian), Anthony Daniels (C-3PO), Kenny Baker (R2-D2), Peter Mayhew (Chewbacca) and Jeremy Bulloch (Boba Fett).

The magazine also features interviews with the team behind Star Wars: The Clone Wars looking back on The Empire Strikes Back, 50 amazing facts about Empire, and an Empire merchandise guide. Plus, much more must-have material for all Star Wars fans.

A special Empire cover, which features Han Solo in Carbonite, is available to purchase at the Titan booth at Comic-Con (stand #5537) and Celebration V (booth. #521, part of the Gentle Giant booth).

Visitors to the Star Wars Insider booth at Comic-Con and Celebration V will receive a FREE exclusive Star Wars Insider bookmark.

Readers can keep up to date with more news and announcements from Star Wars Insider at the official Facebook page: http://www.facebook.com/StarWarsInsider

For more information, visit: http://www.titanmagazines.com/

VIZAnime to Simulcast "Nura: Rise of the Yokai Clan"

Press release:

VIZ MEDIA SIMULCASTS EXCLUSIVE NEW ANIME SERIES NURA: RISE OF THE YOKAI CLAN ON VIZANIME.COM

Supernatural Action Adventure Launched Simultaneously In Japan And U.S.; First Episode Available To Stream Now

VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, has announced the launch of a brand new anime series – NURA: RISE OF THE YOKAI CLAN – on VIZAnime.com, the company’s premier website for anime. The first subtitled episode of the new fantasy action-adventure series about a junior high school student that is part human and part yokai (supernatural demon), premiered for free after the series debut in Japan; free new episodes will be simulcast mere hours after it airs in Japan each Monday.

NURA: RISE OF THE YOKAI CLAN, based on the best selling Nurarihyon no Mago manga series in Japan, is being offered under the SHONEN JUMP imprint, home to other exciting properties including BLEACH and NARUTO. While the day belongs to humans, the night belongs to yokai, supernatural creatures that thrive on human fear. Caught between these worlds is Rikuo Nura. He's three-quarters human, but his grandfather is none other than Nurarihyon, the supreme commander of the Nura clan, a powerful yokai consortium. So, Rikuo is an ordinary teenager three quarters of the time, until his yokai blood awakens. Then he transforms into the future leader of the Nura clan, leading a hundred demons.

“We are pleased to expand the line-up on VIZAnime.com with the exclusive simulcast of NURA: RISE OF THE YOKAI CLAN, reaffirming our commitment to bringing the latest series from Japan,” says Ken Sasaki, Senior Vice President & General Manager of VIZ Media. “We are excited for fans to explore the fantastic world of NURA: RISE OF THE YOKAI CLAN, and share their thoughts and start discussions through the social network features of VIZAnime.com!”

VIZAnime.com is a free-to-use web destination that is now the permanent home to some of the company’s best-loved animated series. Over 1,100 episodes are currently available, and new content is added on a weekly basis. Series currently featured on VIZAnime.com include BLEACH, BUSO RENKIN, DEATH NOTE, HONEY AND CLOVER, HIKARU NO GO, INUYASHA, INUYASHA: THE FINAL ACT, KEKKAISHI, NANA, NARUTO, NARUTO SHIPPUDEN, ONE PIECE and THE PRINCE OF TENNIS.

To view subtitled NURA: RISE OF THE YOKAI CLAN animated episodes (rated ‘T’ for Teens) and other VIZ Media animated titles, please visit VIZAnime.com.

Review: "The Dead Sleep" is a Ghost Story

TRASH IN MY EYE No. 51 (of 2010) by Leroy Douresseaux

The Dead Sleep (2010) - DVD
Running time: 94 minutes (1 hour, 34 minutes)
MPAA - not rated
DIRECTOR: Vicki de Mey
WRITER: James A. McLean
PRODUCERS: Vicki de Mey and Tim O’Neill
CINEMATOGRAPHER: Ian S. Takahashi
EDITOR: Jay Boekelheide
COMPOSER: Ryan Leach

FANTASY/DRAMA/MYSTERY with elements of crime and horror

Starring: Chris Armstrong, Sarah Foret, Rob Fente, Tatiana Armstrong, Joshua Close, Jacintha Charles, and Mark Oliviera

The Dead Sleep is an independent, straight-to-video supernatural drama released on DVD sometime this past February. Part twisty ghost story and part mystical crime caper, The Dead Sleep focuses on a dead man breaking all the post-death rules to save his daughter.

Paul Wells (Chris Armstrong) lives a quiet suburban life with his wife, Claire (Tatiana Armstrong), and his teenage daughter, Melanie (Sarah Foret). An accountant, Paul even thinks that his crime against the company for which he works has gone unnoticed, until his coworker and buddy, Del Craine (Rob Fente) informs him otherwise. Now, Paul has to make things right with his new boss, Tim (Joshua Close).

That’s a lot going on for a man whose body has been in the grave for five years. Now, Paul wanders the largely silent boundary between life and death, trying to figure a way to save his daughter from a fate similar to his own. As he witnesses the consequences of his transgressions, Paul realizes that he may have to die all over again to save his family.

The Dead Sleep has some similarities to the work of screenwriter Bruce Joel Rubin, specifically Ghost and Jacob’s Ladder. However, Paul Wells is not the kind of unreliable, dead lead character of films like Jacob’s Ladder, Marc Forster’s Stay (2005) or The Sixth Sense. Director Vicki de Mey and screenwriter James A. McLean seem determined to play it fairly straight in spite of the script’s shifts in time and down-the-rabbit-hole moments. The Dead Sleep, regardless of it supernatural and fantastical elements, is ultimately a story about a man and his dedication to his family.

As a low-budget, independent, fantasy flick, The Dead Sleep could have been a disaster because of poor special effects, but with a little imagination, some clever blocking, and savvy location shooting, this film presents a surprisingly quiet and unspectacular, but unsettling ghost world. Add in a few shimmering “collectors,” and the film has the requisite boogeyman that keeps the audience on edge because they never know when a monster will jump out from around a corner.

At times, The Dead Sleep seems like a semi-professional production. The story is too slow in developing and the pacing is not smooth. The acting is uneven, and the lead, Chris Armstrong, and supporting actor, Rob Fente, give performances that are often awkward, although sometimes surprisingly affecting. What ultimately elevates this movie is that the story, which sells the idea that Paul Wells is indeed dedicated to doing anything to save his daughter, Melanie. In their scenes together, we can believe that Melanie is precious to Paul and that he is his daughter’s hero.

In spite of its inherent flaws, The Dead Sleep proves that a ghost story doesn’t have to go bump in the night to get at a viewer’s heart.

5 of 10
B-

http://www.fathom-one.com/Fathom-One/Home.html

Tuesday, July 06, 2010

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Walt Disney Pictures Holds Special Event for "The Sorcerer's Apprentice"

Press release:

The Sorcerer’s Apprentice: A Night of Magic and Music in Midtown Manhattan

Walt Disney Studios and Jerry Bruckheimer Films Celebrate the Release of “The Sorcerer’s Apprentice” with Special Event in Bryant Park on Tuesday, July 6, 2010

Musical Performances by OneRepublic and Alpha Rev

Q&A Session with the Film’s Stars & Filmmakers

Entire Event to be Streamed Live on MySpace, Powered by Ustream

BURBANK, Calif.--(BUSINESS WIRE)--The mystical masters behind the blockbuster “National Treasure” franchise, Walt Disney Pictures and Jerry Bruckheimer Films, are celebrating their latest big screen incarnation, “The Sorcerer’s Apprentice,” with a special music event in the heart of Manhattan. Since this epic comedy adventure about a sorcerer and his hapless apprentice was filmed entirely on location in New York City, it is a “super” natural fit to honor the film’s impending July 14 release by throwing a party in iconic Bryant Park featuring performances by OneRepublic and Alpha Rev, plus appearances from the movie’s stars and filmmakers, including Nicolas Cage, Jay Baruchel, Alfred Molina, Toby Kebbell, Teresa Palmer, director Jon Turteltaub and producer Jerry Bruckheimer.

By tapping into entertainment powerhouse, MySpace, the festivities go global as fans around the world can watch the musical performances LIVE via Ustream and get the chance to interact with the film’s talent by posting comments and questions to the page. The event, emceed by Z100’s JJ, is free to the public. Bryant Park lawn is open to the general public starting at 7:00 p.m. and the streaming goes live at 8:15 p.m. on July 6, 2010 at www.myspace.com/SorcerersApprentice.

Sorcery & Songs
OneRepublic will perform a short set, including “Secrets,” a song featured prominently in the film, as well as their multi platinum breakthrough single and internet sensation, “Apologize.”

Alpha Rev, a MySpace.com #1 ranked indie band from Texas, will perform their song from the film, “Phoenix Burn.”

MySpace hosts the exclusive live stream of the event at www.myspace.com/SorcerersApprentice, powered by Ustream. Viewers around the world can experience the event first-hand, see exclusive backstage interviews with talent and interact by posting comments and questions to the page.

Ustream, the leader in live interactive video on the web, powers the live webcast of the event. Also to watch, interact or embed the live stream, visit ustream.tv/WaltDisneyStudios.

This special celebration marks the 1st live streaming event on Disney.com

Advance tickets for “The Sorcerer’s Apprentice” can be purchased now through Disney.com/Sorcerer.


ABOUT “THE SORCERER’S APPRENTICE”
Walt Disney Studios, producer Jerry Bruckheimer and director Jon Turteltaub, the team behind the “National Treasure” franchise, present “The Sorcerer’s Apprentice”— an innovative and epic comedy adventure about a sorcerer and his hapless apprentice who are swept into the center of an ancient conflict between good and evil.

Balthazar Blake (Nicolas Cage) is a master sorcerer in modern-day Manhattan trying to defend the city from his arch-nemesis, Maxim Horvath (Alfred Molina). Balthazar can't do it alone, so he recruits Dave Stutler (Jay Baruchel), a seemingly average guy who demonstrates hidden potential, as his reluctant protégé. The sorcerer gives his unwilling accomplice a crash course in the art and science of magic, and together, these unlikely partners work to stop the forces of darkness. It'll take all the courage Dave can muster to survive his training, save the city and get the girl as he becomes “The Sorcerer’s Apprentice.” The screenplay is by Matt Lopez and Doug Miro & Carlo Bernard from a screen story by Lawrence Konner & Mark Rosenthal and Matt Lopez. In theaters July 14, 2010. Disney.com/Sorcerer; like us on Facebook: facebook.com/SorcerersApprentice; follow us on Twitter: twitter.com/DisneyPictures.

ABOUT MYSPACE
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