Press release:
VIZ MEDIA ANNOUNCES SPECIAL NEW PROMOTION FOR INUYASHA FEATURE FILMS AND TV EPISODES AVAILABLE FROM iTUNES, HULU AND VIZANIME.COM
Offered At Special Prices Only For Limited Time
VIZ Media announces a new promotion for INUYAHSA episodes and feature films (all rated ‘T’ for Teens) available now from the iTunes Store in the U.S. and Canada (www.iTunes.com), as well as the streaming content provider HULU (www.Hulu.com) and VIZAnime.com, the company’s premier website for anime.
iTunes will offer the first three INUYASHA feature films (dubbed) – INUYASHA THE MOVIE: AFFECTIONS TOUCHING ACROSS TIME, INUYASHA THE MOVIE 2: THE CASTLE BEYOND THE LOOKING GLASS, and INUYASHA THE MOVIE 3: SWORDS OF AN HONORABLE RULER, for a special Download-To-Own (DTO) sale price of $4.99 (U.S.) each until August 3rd. Additionally, INUYASHA TV episode 1 is available to download for FREE, and episodes 2-167, covering Seasons 1-7, will be 50% off and available for iTunes users to download for only $0.99 each.
HULU will stream INUYASHA: AFFECTIONS TOUCHING ACROSS TIME (subtitled) for free until August 11th; it will also be available during the same period on VIZAnime.com, the free-to-use interactive web destination that is the permanent home to some of the company’s best-loved animated series.
INUYASHA is a hit TV anime series is based on a massively popular manga (also published by VIZ Media, rated ‘T+’ for Older Teens) by famed creator Rumiko Takahashi, who won the prestigious Shogakukan Manga Award for the series in 2002. Many of Takahashi’s titles have been adapted into other media such as anime, live-action TV series, and film. The INUYASHA anime series ran for 167 episodes in total and has also spawned an exciting finale series, INUYASHA THE FINAL ACT (also available on VIZAnime.com), as well as several successful feature films.
INUYASHA
When an enchanted well draws her into the past, Kagome, an ordinary modern schoolgirl, finds her destiny tied to the doglike half-demon Inuyasha and a mythical gem called the Shikon Jewel, or "Jewel of Four Souls," of which the smallest shard can grant the user unimaginable power. Throughout their quest to restore the shattered Shikon Jewel, Inuyasha and Kagome have never faced an enemy more deadly or more cunning than the demon mastermind Naraku. With the Shikon Jewel nearly whole and in Naraku’s hands, the race to collect the remaining shards intensifies and a battle of epic proportions is brewing on the horizon...
INUYASHA THE MOVIE: AFFECTIONS TOUCHING ACROSS TIME
200 years ago, Inuyasha's father sealed away a powerful demon from a foreign land named Hyoga. A Shikon Jewel shard awakens Hyoga's son, Menomaru, inspiring him to absorb the remains of his father's power to take control of the world! It's now up to Inuyasha and his friends to stop this nearly invincible foe!
INUYASHA THE MOVIE 2: THE CASTLE BEYOND THE LOOKING GLASS
With their greatest foe seemingly defeated, Inuyasha and his friends return to their lives. But their short period of peace is once again shattered as a new enemy begins to emerge. Kaguya, the self-proclaimed Princess from the Moon of legend, begins a plan to plunge the world into a perpetual night of the full moon. Inuyasha, Kagome, Miroku, Sango and Shippo must once again unite to face a new threat.
INUYASHA THE MOVIE 3: SWORDS OF AN HONORABLE RULER
Many years ago, the Great Dog Demon wielded the Three Swords of the Fang. Upon his death, he bequeathed a sword to each of his sons, Inuyasha and Sesshomaru, leaving the third sword, the wrath-filled Sounga, locked away forever. Now that the Sounga's power has been awakened, these two battling brothers must put away their sibling rivalry and face off against the force that spells doom for all mankind.
To learn more about the INUYASHA anime and manga series, please visit VIZAnime.com or ShonenSunday.com.
Wednesday, July 14, 2010
Review: "Brooklyn's Finest" is Actually Not The Finest
Brooklyn’s Finest (2009)
Wide U.S. release: March 5, 2010
Running time: 132 minutes (2 hours, 12 minutes)
MPAA – R for bloody violence throughout, strong sexuality, nudity, drug content and pervasive language
DIRECTOR: Antoine Fuqua
WRITER: Michael C. Martin
PRODUCERS: Elie Cohn, Basil Iwanyk, John Langley, and John Thompson
CINEMATOGRAPHER: Patrick Murguia
EDITOR: Barbara Tulliver
CRIME/DRAMA
Starring: Richard Gere, Don Cheadle, Ethan Hawke, Wesley Snipes, Brian O’Byrne, Will Patton, Lili Taylor, Ellen Barkin, Jesse Williams, Shannon Kane, Lela Rochon, Ed Moran, Isiah Whitlock, Michael Kenneth Williams, Hassan Iniko Johnson, Jas Anderson and Vincent D’Onofrio
Ever watch a movie that just frustrates you because you want it to be better than it is because it should be better than it is? That’s Brooklyn’s Finest, a crime film from director Antoine Fuqua, an accomplished director of violent action films like Training Day and Tears of the Sun, which are aimed at guys who love violent action.
Brooklyn’s Finest follows three veteran New York cops struggling with right and wrong. Cynical, washed-up Edward “Eddie” Dugan (Richard Gere) stopped caring about the job or the rules years ago. Days from retirement, he finds himself overseeing rookies who will be assigned to tough neighborhoods. Detective Salvatore “Sal” Procida (Ethan Hawke) is desperate for money to support his growing family, so he starts taking money he finds during drug busts. Deeply religious, he struggles to reconcile his criminal deeds with his family’s needs, but with a down payment on a bigger house due, he plots his most dangerous cash-grab yet.
Clarence “Tango” Butler (Don Cheadle) is an undercover narcotics officer who hopes his latest assignment will earn him a promotion to detective and a desk job. However, he must betray Casanova “Caz” Phillips (Wesley Snipes), a prison buddy just released from prison on appeal of his conviction. A vulgar federal agent demands that Tango set up a drug deal that will assure Caz’s return to prison, but that causes Tango to be torn between his conflicting loyalties – the job and his friend. Eddie, Sal, and Tango converge on the Van Dyke housing projects of Brooklyn’s notorious Brownsville section where their lives will change forever.
Brooklyn’s Finest is a sprawling crime drama that offers good characters and a good setup, but it never really develops. The characters are the kind of stock players found in movies dealing with the New York City Police Department and Big Apple crime: cynical cops, dirty cops, vulgar cops, asshole cops, compromised cops, bureaucratic cops, arrogant federal agents, prostitutes, wannabe gangsters, and drug dealers. Plus, there are shootings – lots and lots of shootings. Although Brooklyn’s Finest is his first screenplay, writer Michael C. Martin actually seems as if he is going to do something grand, if not different, with this story and these characters. However, he eventually writes himself into a corner, where violent death is the only resolution, so the movie ends up seeming so predictable. Martin develops everything slowly, as if this were a pilot for a television series, when it really is a movie screenplay. Martin just builds and builds, and before the plot can thicken, it’s time for the story to end. And the only way left to end this is by using good old mister shoot ‘em up.
The performances by the three leads are good, if not great. Richard Gere is so real as the cynical, burned-out Eddie that the character seems weird and out of place. The best acting comes from the supporting players. Wesley Snipes is pitch perfect as the old dog gangsta; Snipes shows it in his face that Caz is tired and out of place among the younger, harder, and more brutal drug dealers. The talented Brian O’Byrne is excellent as the way too underutilized character, Officer Ronny Rosario. Ellen Barkin reminds us how good she is as the ball-busting Federal Agent Smith, a part Barkin plays as if she has a chip on shoulder and dynamite up her ass. Someone should give Smith her own movie because the disappointing Brooklyn’s Finest is not worthy of the character.
4 of 10
C
Tuesday, July 13, 2010
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Tuesday, July 13, 2010
Danny Glover's Short Film "Second Life" Debuts Online
Danny Glover’s Newest Short Film Debuts on The Responsibility Project
“Second Line” Reminds Viewers to “Do the Right Thing”
Directed by Danny Glover and Produced by Moving Parts, Inc.
--(BUSINESS WIRE)--Liberty Mutual Group:
About the Film: A neighbor, a friend or a stranger in need of a small act of kindness often passes by us unnoticed. It’s a decision we make every day — “Am I too busy to lend a moment of my time to another person?” Despite overloaded schedules and the struggle to balance the responsibilities of daily life, it’s important to remember how little time it takes to “do the right thing.”
Danny Glover directs and stars in the latest short film from Liberty Mutual’s Responsibility Project entitled, “Second Line.” Glover portrays a wealthy and frustrated businessman who is forced to walk to work after his car will not start. The man, characterized as being too busy and self-consumed to notice the people and places he passes, rushes through the streets of San Francisco. Viewers join the man on what appears to be an ordinary walk to work. After breezing past others in need, the man arrives at work and finally realizes all that he has missed. A changed expression appears on his face and he suddenly becomes present again as he helps a homeless man on the street. The film ends as the businessman enters his office building, turns around and notices another “lost soul” speeding by.
The four-and-a-half minute short film, “Second Line” was written by Nicole Middleton, directed by Danny Glover and produced by Moving Parts, Inc. The film’s director of photography, Michael Chin, was nominated for an Emmy® in Outstanding Cinematography for “The American Experience,” a series of documentaries on American history. The filmmakers were inspired by the collective spirit of street parades or “second lines,” a long-standing cultural tradition in New Orleans that celebrates family and community. The short film can be found at www.ResponsibilityProject.com.
About the Director:
Danny Glover, who grew up in San Francisco, where “Second Line” was filmed, made his directing debut in 2002 with “Just A Dream.” Glover, a beloved American actor, has produced over 20 films and television productions. He has been nominated for four Emmy® awards and has been recognized for his support of various humanitarian and political causes.
About The Responsibility Project:
The Responsibility Project, created by Liberty Mutual, uses entertainment content to create a forum for people to discuss personal acts of responsibility. Through short films, online content and television programming, The Responsibility Project is a catalyst for examining the decisions that confront people trying to “do the right thing.”
Individuals can participate in online conversations about personal responsibility and also review live-action and animated film shorts on the project’s online community, www.ResponsibilityProject.com.
About Liberty Mutual:
Boston-based Liberty Mutual Group is a diversified global insurer and fifth largest property and casualty insurer in the U.S. based on 2008 direct written premium. The Company also ranks 71st on the Fortune 500 list of largest corporations in the U.S. based on 2009 revenue. As of December 31, 2009, Liberty Mutual Group had $109.5 billion in consolidated assets, $94.9 billion in consolidated liabilities and $31.1 billion in annual consolidated revenue.
Liberty Mutual Group offers a wide range of insurance products and services, including personal automobile, homeowners, workers compensation, commercial multiple peril, commercial automobile, general liability, global specialty, group disability, assumed reinsurance, fire and surety.
Liberty Mutual Group (www.libertymutualgroup.com) employs over 45,000 people in more than 900 offices throughout the world.
Where: “Second Line” is available now on http://www.responsibilityproject.com/.
“Second Line” Reminds Viewers to “Do the Right Thing”
Directed by Danny Glover and Produced by Moving Parts, Inc.
--(BUSINESS WIRE)--Liberty Mutual Group:
About the Film: A neighbor, a friend or a stranger in need of a small act of kindness often passes by us unnoticed. It’s a decision we make every day — “Am I too busy to lend a moment of my time to another person?” Despite overloaded schedules and the struggle to balance the responsibilities of daily life, it’s important to remember how little time it takes to “do the right thing.”
Danny Glover directs and stars in the latest short film from Liberty Mutual’s Responsibility Project entitled, “Second Line.” Glover portrays a wealthy and frustrated businessman who is forced to walk to work after his car will not start. The man, characterized as being too busy and self-consumed to notice the people and places he passes, rushes through the streets of San Francisco. Viewers join the man on what appears to be an ordinary walk to work. After breezing past others in need, the man arrives at work and finally realizes all that he has missed. A changed expression appears on his face and he suddenly becomes present again as he helps a homeless man on the street. The film ends as the businessman enters his office building, turns around and notices another “lost soul” speeding by.
The four-and-a-half minute short film, “Second Line” was written by Nicole Middleton, directed by Danny Glover and produced by Moving Parts, Inc. The film’s director of photography, Michael Chin, was nominated for an Emmy® in Outstanding Cinematography for “The American Experience,” a series of documentaries on American history. The filmmakers were inspired by the collective spirit of street parades or “second lines,” a long-standing cultural tradition in New Orleans that celebrates family and community. The short film can be found at www.ResponsibilityProject.com.
About the Director:
Danny Glover, who grew up in San Francisco, where “Second Line” was filmed, made his directing debut in 2002 with “Just A Dream.” Glover, a beloved American actor, has produced over 20 films and television productions. He has been nominated for four Emmy® awards and has been recognized for his support of various humanitarian and political causes.
About The Responsibility Project:
The Responsibility Project, created by Liberty Mutual, uses entertainment content to create a forum for people to discuss personal acts of responsibility. Through short films, online content and television programming, The Responsibility Project is a catalyst for examining the decisions that confront people trying to “do the right thing.”
Individuals can participate in online conversations about personal responsibility and also review live-action and animated film shorts on the project’s online community, www.ResponsibilityProject.com.
About Liberty Mutual:
Boston-based Liberty Mutual Group is a diversified global insurer and fifth largest property and casualty insurer in the U.S. based on 2008 direct written premium. The Company also ranks 71st on the Fortune 500 list of largest corporations in the U.S. based on 2009 revenue. As of December 31, 2009, Liberty Mutual Group had $109.5 billion in consolidated assets, $94.9 billion in consolidated liabilities and $31.1 billion in annual consolidated revenue.
Liberty Mutual Group offers a wide range of insurance products and services, including personal automobile, homeowners, workers compensation, commercial multiple peril, commercial automobile, general liability, global specialty, group disability, assumed reinsurance, fire and surety.
Liberty Mutual Group (www.libertymutualgroup.com) employs over 45,000 people in more than 900 offices throughout the world.
Where: “Second Line” is available now on http://www.responsibilityproject.com/.
Monday, July 12, 2010
Review: "Tears of the Sun" Offers Sentiment with Military Action
Tears of the Sun (2003)
Running time: 121 minutes (2 hours, 1 minute)
MPAA – R for strong war violence, some brutality and language
DIRECTOR: Antoine Fuqua
WRITERS: Alex Lasker and Patrick Cirillo
PRODUCERS: Ian Bryce, Mike Lobell, and Arnold Rifkin
CINEMATOGRAPHER: Mauro Fiore
EDITOR: Conrad Buff IV
COMPOSER: Lisa Gerrard and Hans Zimmer
WAR/ACTION/DRAMA with elements of a thriller
Starring: Bruce Willis, Monica Bellucci, Cole Hauser, Eamonn Walker, Charles Ingram, Tom Skerritt, and Malick Bowens
Is Tears of the Sun a good movie? Well, the boy parts: the action, the blood and guts, the special ops intrigue, the shootouts, the male camaraderie, etc. are good There’s lots of that and it’s as good, in that respect as, say, Black Hawk Down. The parts of the film that’s supposed to pass for girl stuff: concerned foreign doctors, martyred priests and nuns, and defenseless refugees are negligible. It’s not that you won’t feel sympathetic to the plight of natives being hunted by genocidal soldiers because there are some touching moments and some very riveting, frightening moments, but they get in the way of a very good movie about a group of brave soldiers.
A special operations commander, A.K. Waters (Bruce Willis), leads his team into remote Nigeria to rescue an American doctor (Monica Bellucci). However, Dr. Lena Hendricks refuses to leave without her village friends whom she calls “my people.” When Waters gets to feeling that he can’t leave Lena’s people behind to be slaughtered by vicious rebel troops, he puts himself and his men on a perilous journey through the thick Nigerian jungles to bring the doctor and her people to safe harbor. Not only does escorting civilians slow the team down, but there’s a horde of vicious killers on their trail.
Director Antoine Fuqua has a deft touch with the military scenes. They’re exciting and invigorating; he has the infinite patience to let his camera soak in the special operatives stealth work and also the vigor to grasp the sudden and rapid violence of a firefight. In Training Day, Fuqua wasn’t good with the film’s few sentimental and romantic moments. They might have been important in establishing Training Day’s characters, but the sentiment took a back seat to the conflict between the lead characters.
Here, the soft moments, those moments when the film focuses on the plight of the refugees and the hideous, soul wrenching horror of post-colonial Africa, are boring and they hamper the film. Unlike Training Day, sentiment is important to Tears. I just didn’t care about that in this film, although I do care when I’m not busy demanding blood and gore from my entertainment. The special ops guys mesmerized me: their camaraderie, their bravery, their sense of humanity and kindness even in the face of long odds, and their believe in the team that makes them do even the things upon which individuals disagree. All this machismo in a movie makes for effective war propaganda.
The quality of the acting ranges from very good to average. Willis is himself, a bit of ham at the most inopportune moments, and Ms. Bellucci’s succeeds in making an annoying character quite annoying and self-righteous. The actors who make up Waters team including Cole Hauser are excellent; they carry the film and make it worth seeing. And that’s the recommendation, Tears of the Sun is an entertaining film with edge of your seat action and scenes that skirt your nerves along the razor’s edge, very similar to Black Hawk Down, albeit a lower rent version, but still a good film.
6 of 10
B
NOTES:
2004 Black Reel Awards: 1 nomination: “Film: Best Director” (Antoine Fuqua)
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Sunday, July 11, 2010
Halle Berry Headed for the Great White Way? (Negromancer New Bits & Bites)
I found this news at AOL's Black Voices: Halle Berry is apparently close to being cast in a Broadway production of The Mountaintop, a play about the final hours of Dr. Martin Luther King, Jr.'s final hours, written by Katori Hall. Of course, I'll being watching for more news on this.
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Review: Denzel Washington Blew Minds with "Training Day"
TRASH IN MY EYE No. 12 (of 2001) by Leroy Douresseaux
Training Day (2001)
Running time: 122 minutes (2 hours, 2 minutes)
MPAA – R for brutal violence, pervasive language, drug content and brief nudity
DIRECTOR: Antoine Fuqua
WRITER: David Ayer
PRODUCERS: Bobby Newmyer and Jeffrey Silver
CINEMATOGRAPHER: Mauro Fiore (director of photography)
EDITOR: Conrad Buff
Academy Award winner
DRAMA/CRIME/THRILLER
Starring: Denzel Washington, Ethan Hawke, Scott Glenn, Tom Berenger, Harris Yulin, Raymond J. Barry, Cliff Curtis, Dr. Dre, Snoop Dogg, Macy Gray, Charlotte Ayanna, and Eva Mendes
After not winning the Oscar for Best Actor 1999 for his portrayal of the noble but controversial Rubin “Hurricane” Carter (to the worthy Kevin Spacey), Denzel Washington may likely not earn even an Oscar nomination for his portrayal of the thoroughly evil and corrupted L.A. cop Alonzo Harris in Training Day. [Actually, after I wrote this, Washington did earn both an Oscar nomination and a win for his portrayal of Harris – Leroy 2010/7/10.]
Training Day begins with Jake Hoyt (Ethan Hawke), a young cop of 19 months, earns an assignment to the narcotics division under the tutelage of Harris. From the get go, Harris is rude and crude to Hoyt, and before long Harris takes Hoyt on a whirlwind tour of the seamy underbelly of L.A. County: gang neighborhoods, slums, drug dealing, and police corruption. But a recent miscue haunts Harris, and his attempt to get from under the cloud his carelessness has earned him brings the movie to its abrupt, brutal, and violent end. All the while, Hoyt struggles to maintain his law-abiding nature.
Washington is shocking, brilliant and intense as the dirty cop Harris. Known for playing clean policemen, upright detectives, and uplifting African-American heroes, Washington’s turn as a villain will wake people up to this artistic diverse resume. That he is one of the great actors of the last 15 years in not debatable. The passion that he brought to his role in The Hurricane, he brings here, and one can see passion in his eyes, in his gestures, and in the way he carries himself. It is the most invigorating character Washington has played since The Hurricane.
Hawke remains a player of mostly melancholy characters for which one can feel the deepest sympathy. He is an everyman with matinee idol good looks and charm, although it’s hard to accept his character late in the movie as Hoyt vengefully stalks Harris. He isn’t miscast; the movie just goes slightly awry, focusing on Harris’s evil rather than Hoyt’s coming of age as a policeman.
Antoine Fuqua (the director of the clumsy The Replacement Killers) brings the eye he used as a director of music videos to the film, but with the sensibility to follow a longer, more coherent story than is usually found in videos. Training Day’s pace is steady and breezy, and doesn’t start to stumble until the last quarter.
This isn’t entirely his fault. David Ayer, a rising screen writing star (U-571, The Fast and the Furious) convinces us until the last fifteen minutes or so of this film that Harris will get away with it. Harris’s ideology isn’t entirely unacceptable to mainstream audiences. If his believe system works and keeps the streets clean, most citizens would be happy as long as the could keep their hands clean and the truth buried so that they never have to deal with him and look the other way. It must be Ayers’s goody-two shoes nature that resolves things in the direction in which he does. It is sometimes nice when a movie eschews a happy ending, and the happy ending is usually positive, even when negative would have been more believable. This time the happy ending would have been the ugly truth, and this movie deserved a happy ending.
Not to reveal too many things, but with a deadline looming to save his life, Harris wouldn’t have stopped for a dalliance.
An entertaining cop flick, Training Day is good look at excellent work from a very talented actor, Washington. It may come across as harsh for those who like him as a romantic, good guy leading man, but it’s great for those who want a tour de force from a screen artist.
7 of 10
A-
NOTES:
2002 Academy Awards: 1 win: “Best Actor in a Leading Role” (Denzel Washington); 1 nomination: “Best Actor in a Supporting Role” (Ethan Hawke)
2002 Golden Globes: 1 nomination: “Best Performance by an Actor in a Motion Picture – Drama” (Denzel Washington)
2002 Black Reel Awards: 3 wins: “Black Reel Theatrical - Best Actor” (Denzel Washington), “Theatrical - Best Director” (Antoine Fuqua), and “Theatrical - Best Film;” 1 nominations: “Best Song” (Nelly for the song "#1")
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"Harold & Kumar 3" Goes into Production
Mandate Pictures and New Line Begin Production on the Third Harold & Kumar Comedy
John Cho and Kal Penn Head the Ensemble Cast in the First 3-D Installment of the Comedy Franchise
BURBANK, Calif.--(BUSINESS WIRE)--The ensemble cast has been set for Mandate Pictures’ and New Line Cinema’s third installment of the Harold & Kumar film franchise, which began with the 2004 cult hit “Harold & Kumar Go to White Castle.” John Cho (“Star Trek,” TV’s “Flash Forward”) and Kal Penn (“Superman Returns,” TV’s “House”) reprise their title roles in the holiday-themed comedy, which recently began principal photography on location in Michigan.
The first of the Harold & Kumar comedies to be shot in 3-D, the film is being directed by Todd Strauss-Schulson, marking his major feature film directorial debut. Academy Award®-winning producer Greg Shapiro (“The Hurt Locker”) and Mandate president Nathan Kahane return as producers. The screenplay is by Jon Hurwitz and Hayden Schlossberg, who wrote the previous two movies and directed the second, “Harold and Kumar Escape from Guantanamo Bay.” They are also serving as co-producers, together with Nicole Brown, who is overseeing the project on behalf of Mandate.
It would not be a “Harold & Kumar” film without Neil Patrick Harris, who reunites with Cho and Penn in the cast. Returning “Harold & Kumar” cast members also include Paula Garcés (TV’s “The Shield”) as Maria; Danneel Harris (TV’s “One Tree Hill”) as Vanessa; Bobby Lee (“Pineapple Express”) as Kenneth Park; and Eddie Kaye Thomas (“American Pie,” HBO’s “How to Make It in America”) as Rosenberg.
Joining the “Harold & Kumar” ensemble are Tom Lennon (“17 Again,” TV’s “Reno 911”) and Danny Trejo (“Grindhouse”). Rounding out the new film cast are Amir Blumenfeld (TV’s “Pranked,” CollegeHumor.com), David Burtka (TV’s “How I Met Your Mother”), Fred Melamed (“A Serious Man”), Patton Oswalt (“The Informant!”) and Richard Riehle (“Halloween II”).
Harold and Kumar were introduced in the first film of the series, “Harold and Kumar Go to White Castle,” which follows two post-college friends on their search for the best pot and snacks that suburban New Jersey has to offer. The second film, “Harold and Kumar Escape from Guantanamo Bay,” found them being mistaken for terrorists and having to clear their names—with the help of old friend Neil Patrick Harris.
The new “Harold & Kumar” comedy picks up six years after the duo’s last adventure. After years of growing apart, Harold Lee (John Cho) and Kumar Patel (Kal Penn) have replaced each other with new best friends and are preparing for their respective Christmas celebrations. But when a mysterious package arrives at Kumar’s door, his attempt to deliver it to Harold’s house ends with him inadvertently burning down Harold’s father-in-law’s prize Christmas tree. With his in-laws out of the house for less than a day, Harold decides to cover his tracks rather than come clean, and reluctantly embarks on another ill-advised but hilarious journey with Kumar, taking them through New York City on Christmas Eve in search of the perfect Christmas tree.
Collaborating with Todd Strauss-Schulson behind the scenes are: director of photography Michael Barrett (“You Don’t Mess with the Zohan,” “Bedtime Stories”); production designer Rusty Smith (the “Austin Powers” movies, “Elf”), editor Eric Kissack (“Brüno,” “Role Models”), and costume designer Mary Claire Hannan (“Into the Wild”).
The film is a production of Mandate Pictures and New Line Cinema and will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
ABOUT MANDATE PICTURES:
Mandate Pictures is a multifaceted film production and financing company with a distinguished reputation and proven track record of success and profitability. Acquired by Lionsgate (NYSE: LGF) in 2007, Mandate continues to operate as an independent brand delivering acclaimed commercial and independent films worldwide. Under President Nathan Kahane, Mandate has carved out a unique position in the film industry, having the creative autonomy and capital to finance, develop, package and produce theatrical films, including the Academy Award®-nominated film “Juno,” directed by Jason Reitman, written by Diablo Cody, and starring Ellen Page, Michael Cera, Jennifer Garner and Jason Bateman.
ABOUT NEW LINE CINEMA:
New Line Cinema continues to be one of the most successful independent film companies. For more than 40 years, its mission has been to produce innovative, popular, profitable entertainment in the best creative environment. A pioneer in franchise filmmaking, New Line produced the Oscar®-winning “The Lord of the Rings” trilogy, which is a landmark in the history of film franchises. New Line Cinema is a division of Warner Bros.
John Cho and Kal Penn Head the Ensemble Cast in the First 3-D Installment of the Comedy Franchise
BURBANK, Calif.--(BUSINESS WIRE)--The ensemble cast has been set for Mandate Pictures’ and New Line Cinema’s third installment of the Harold & Kumar film franchise, which began with the 2004 cult hit “Harold & Kumar Go to White Castle.” John Cho (“Star Trek,” TV’s “Flash Forward”) and Kal Penn (“Superman Returns,” TV’s “House”) reprise their title roles in the holiday-themed comedy, which recently began principal photography on location in Michigan.
The first of the Harold & Kumar comedies to be shot in 3-D, the film is being directed by Todd Strauss-Schulson, marking his major feature film directorial debut. Academy Award®-winning producer Greg Shapiro (“The Hurt Locker”) and Mandate president Nathan Kahane return as producers. The screenplay is by Jon Hurwitz and Hayden Schlossberg, who wrote the previous two movies and directed the second, “Harold and Kumar Escape from Guantanamo Bay.” They are also serving as co-producers, together with Nicole Brown, who is overseeing the project on behalf of Mandate.
It would not be a “Harold & Kumar” film without Neil Patrick Harris, who reunites with Cho and Penn in the cast. Returning “Harold & Kumar” cast members also include Paula Garcés (TV’s “The Shield”) as Maria; Danneel Harris (TV’s “One Tree Hill”) as Vanessa; Bobby Lee (“Pineapple Express”) as Kenneth Park; and Eddie Kaye Thomas (“American Pie,” HBO’s “How to Make It in America”) as Rosenberg.
Joining the “Harold & Kumar” ensemble are Tom Lennon (“17 Again,” TV’s “Reno 911”) and Danny Trejo (“Grindhouse”). Rounding out the new film cast are Amir Blumenfeld (TV’s “Pranked,” CollegeHumor.com), David Burtka (TV’s “How I Met Your Mother”), Fred Melamed (“A Serious Man”), Patton Oswalt (“The Informant!”) and Richard Riehle (“Halloween II”).
Harold and Kumar were introduced in the first film of the series, “Harold and Kumar Go to White Castle,” which follows two post-college friends on their search for the best pot and snacks that suburban New Jersey has to offer. The second film, “Harold and Kumar Escape from Guantanamo Bay,” found them being mistaken for terrorists and having to clear their names—with the help of old friend Neil Patrick Harris.
The new “Harold & Kumar” comedy picks up six years after the duo’s last adventure. After years of growing apart, Harold Lee (John Cho) and Kumar Patel (Kal Penn) have replaced each other with new best friends and are preparing for their respective Christmas celebrations. But when a mysterious package arrives at Kumar’s door, his attempt to deliver it to Harold’s house ends with him inadvertently burning down Harold’s father-in-law’s prize Christmas tree. With his in-laws out of the house for less than a day, Harold decides to cover his tracks rather than come clean, and reluctantly embarks on another ill-advised but hilarious journey with Kumar, taking them through New York City on Christmas Eve in search of the perfect Christmas tree.
Collaborating with Todd Strauss-Schulson behind the scenes are: director of photography Michael Barrett (“You Don’t Mess with the Zohan,” “Bedtime Stories”); production designer Rusty Smith (the “Austin Powers” movies, “Elf”), editor Eric Kissack (“Brüno,” “Role Models”), and costume designer Mary Claire Hannan (“Into the Wild”).
The film is a production of Mandate Pictures and New Line Cinema and will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
ABOUT MANDATE PICTURES:
Mandate Pictures is a multifaceted film production and financing company with a distinguished reputation and proven track record of success and profitability. Acquired by Lionsgate (NYSE: LGF) in 2007, Mandate continues to operate as an independent brand delivering acclaimed commercial and independent films worldwide. Under President Nathan Kahane, Mandate has carved out a unique position in the film industry, having the creative autonomy and capital to finance, develop, package and produce theatrical films, including the Academy Award®-nominated film “Juno,” directed by Jason Reitman, written by Diablo Cody, and starring Ellen Page, Michael Cera, Jennifer Garner and Jason Bateman.
ABOUT NEW LINE CINEMA:
New Line Cinema continues to be one of the most successful independent film companies. For more than 40 years, its mission has been to produce innovative, popular, profitable entertainment in the best creative environment. A pioneer in franchise filmmaking, New Line produced the Oscar®-winning “The Lord of the Rings” trilogy, which is a landmark in the history of film franchises. New Line Cinema is a division of Warner Bros.
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