Thursday, July 22, 2010

Sam Raimi Adapting "Earp" Comic Book to Film

SAM RAIMI TO DIRECT RADICAL’S EARP

Radical Publishing is proud to announce that director Sam Raimi (Spider-Man, Evil Dead) has signed on to produce and direct the film adaptation of EARP: SAINTS FOR SINNERS, based on Radical Publishing’s miniseries created by Matt Cirulnick and David Manpearl and written by Matt Cirulnick and M. Zachary Sherman. EARP: SAINTS FOR SINNERS will be produced by Mandeville Films partners David Hoberman and Todd Lieberman for DreamWorks with Matt Cirulnick attached to write the screenplay. Radical’s President and Publisher, Barry Levine, and Raimi’s partner at Star Road Entertainment, Josh Donen, will also produce with Radical Studios’ Executive Vice President Jesse Berger, Cirulnick and Manpearl signed on as Executive Producers.

In a world where the American economy has all but collapsed to the levels of the Great Depression, infamous bandits roam the country and the law is as corrupt as the criminals its sworn to stop. Yet one lawman remains a steadfast moral compass for the people: WYATT EARP. Earp has collared more most-wanted men than anyone in history – but after a violent assignment claims the life of his brother, Wyatt sets out to forge a simple life in the only boomtown left: Las Vegas. With gorgeous women and free-flowing money on endless tap, Sin City attracts more people than a modern gold rush. Though Earp no longer wears a U.S. Marshall’s badge, his past is about to catch up to him. With nearly everything to lose, Earp will have to beat the odds stacked against him in order to bring old-fashioned justice to Sin City.

“This is amazing news going into San Diego Comic-Con,” states Levine. “Both Cirulnick and Manpearl have created an exciting setting of Las Vegas in the near future to reinvent the Wyatt Earp legend that will excite fans around the world.”

EARP: SAINTS FOR SINNERS #0 is currently available to purchase for the premiere price of $1.00. A deluxe-sized issue #1 will go on sale in late 2010. Keep checking www.radicalpublishing.com for updates.

Cirulnick will unveil artwork and story details at Radical's creators panel at Comic-Con on Thursday, July 22nd at 2:00 P.M. in room 32AB.

Radical Publishing will also be having a special EARP signing at San Diego Comic-Con booth #3725 on Thursday, July 22nd starting at 5:00 P.M.

Fans are encouraged to visit the Radical Publishing website www.radicalpublishing.com to check out special webisodes and for more information.


About Radical Publishing
Radical Publishing is founded by Barry Levine (producer for Hercules, Caliber, Freedom Formula, Shrapnel, Abattoir, Oblivion, The Last Days of American Crime, Legends, Damaged, Earp: Saints for Sinners and executive producer for the in-development Rex Mundi movie for Warner Bros., written by Jim Uhls and starring Johnny Depp) and entrepreneur Jesse Berger (executive producer for Hercules, Caliber, Freedom Formula, Shrapnel, Abattoir, Oblivion, The Last Days of American Crime, Legends, Damaged and Earp: Saints for Sinners).

For their quality and excellence in 2008, Radical Publishing was granted the Gem Award for “Best New Publisher of the Year” from Diamond Comic Distributors. Radical brings the best writing, storytelling, and fully painted cover and interior art to the global comic book market, from prominent international talents such as Yoshitaka Amano, Keith Arem, Rain Beredo, Marc Bernardin, John Bolton, Darren Lynn Bousman, Ron L. Brinkerhoff, Bing Cansino, Matt Cirulnick, Tomm Coker, Clayton Crain, Lorenzo di Bonaventura, Flint Dille, Marko Djurdjevic, Ian Edginton, Warren Ellis, James Farr, Adam Freeman, E. Max Frye, Antoine Fuqua, Justin Gray, Paul Gulacy, David Hine, Taka Ichise, Joseph Kosinski, Clint Langley, Adam Lawson, David Lapham, Richard Lee, Rob Levin, David Liss, Alex Maleev, Leonardo Manco, David Manpearl, Stephan Martinière, Francesco "Matt" Mattina, Peter Milligan, Steve Moore, Arvid Nelson, Wayne Nichols, Steve Niles, Jimmy Palmiotti, Nick Percival, Troy Peteri, Vincent Proce, Steve Pugh, Patrick Reilly, Rick Remender, Terry Rossio, Luis Royo, Nick Sagan, Kirsi Salonen, Sam Sarkar, Stjepan Sejic, M. Zachary Sherman, Bill Sienkiewicz, Wesley Snipes, Jim Steranko, Arthur Suydam, Patrick Tatopoulos, J.P. Targete, Greg Tocchini, Andree Wallin, Rich Wilkes, Dave Wilkins, Concept Art House, Haberlin Studios, Meduzarts Digital Environment Studio, Weta Workshop, Zombie Studios, and many more.

Currently, Radical Publishing has production deals with Spyglass Entertainment and Peter Berg’s Film 44 for Hercules, with Johnny Depp's Infinitum Nihil for Caliber, New Regency and Bryan Singer’s Bad Hat Harry Productions for Freedom Formula, Ron Howard and Brian Grazer’s Imagine Entertainment for Legends as well as Dreamworks, Sam Raimi’s Star Road Entertainment and Mandeville Films for Earp: Saints for Sinners. .

Review: "The Bourne Ultimaturm" is Ultimate

TRASH IN MY EYE No. 114 (of 2007) by Leroy Douresseaux

The Bourne Ultimatum (2007)
Running time: 111 minutes (1 hour, 51 minutes)
MPAA – PG-13 for violence and intense sequences of action
DIRECTOR: Paul Greengrass
WRITERS: Tony Gilroy, Scott Z. Burns, and George Nolfi; from a screen story by Tony Gilroy (based upon the novel by Robert Ludlum)
PRODUCERS: Frank Marshall and Paul Sandberg
CINEMATOGRAPHER: Oliver Wood
EDITOR: Christopher Rouse
Academy Award winner

DRAMA/ACTION/THRILLER

Starring: Matt Damon, Julia Stiles, David Strathairn, Scott Glenn, Paddy Considine, Edgar Ramirez, Albert Finney, Joan Allen, Chris Cooper, and Corey Johnson

In The Bourne Identity, he fought to answer the question, “Who am I?” In The Bourne Supremacy, he wanted to know, “Who killed my girlfriend,” and he killed for what was done to him. In The Bourne Ultimatum, Jason Bourne (Matt Damon) remembers everything, and his journey takes him from Europe and North Africa to a trip home to New York City where all the answers will be found.

After he got his revenge for the killing of Marie, Bourne planned to disappear and forget the life that was stolen from him, but a front-page story in a London newspaper speculates about his existence. Bourne sets up a meeting with Simon Ross (Paddy Considine), the journalist who wrote the story, but that meeting makes Bourne a target again. The journalist does give him a lead on two top-secret black operations or black-ops programs, Treadstone and its successor Blackbriar, which may hold the key to Bourne’s past. Bourne’s reemergence also gets him marked for death by Noah Vosen (David Strathairn), the head of a new covert wing of the CIA and the director of Blackbriar. Bourne gains the trust of conflicted agent Nicky Parsons (Julia Stiles) and CIA operative/internal investigator and spy hunter Pamela Landy (Joan Allen), and with their help, he will have his day of reckoning.

Like his previous effort in the Jason Bourne series, The Bourne Supremacy, Oscar-nominated director Paul Greengrass (United 93) delivers mind blowing action, whiplash-paced fighting, and thoughtful plotting. Greengrass does this picture with equal parts humor and brutality, and makes it is as smart as it is stylish.

Matt Damon is Jason Bourne, and he leaves no doubt that it would be nearly impossible for anyone to take his place. His acting chops and screen charisma combined with his physical training for the role invents Bourne as a supernatural covert operative who can kick any ass, go anywhere, break into the most secure locations, and be invisible in a crowd.

The supporting cast may not be A-list actors in terms of star power, but they are A+ list in terms of screen acting. Added to Damon’s work here, they put The Bourne Ultimatum over the top. It’s not just a great espionage thriller; it’s the best thriller of the year and a great film. Whether you’re a Bourne fan, or just a friend, mother, father, etc. going along with a fan, you’ll go home impressed and happy.

9 of 10
A+

Sunday, August 12, 2007

NOTES:
2008 Academy Awards: 3 wins: “Best Achievement in Editing” (Christopher Rouse), “Best Achievement in Sound” (Scott Millan, David Parker, and Kirk Francis), and “Best Achievement in Sound Editing” (Karen M. Baker and Per Hallberg)

2008 BAFTA Awards: 2 wins: “Best Editing” (Christopher Rouse) and “Best Sound” (Kirk Francis, Scott Millan, David Parker, Karen M. Baker, and Per Hallberg); 4 nominations: “Best British Film” (Frank Marshall, Patrick Crowley, Paul Sandberg, Paul Greengrass, Tony Gilroy, Scott Z. Burns, and George Nolfi), “Best Cinematography” (Oliver Wood), “Best Director” (Paul Greengrass), and “Best Special Visual Effects” (Peter Chiang, Charlie Noble, Mattias Lindahl, and Joss Williams)

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New Line Begins Production on "Horrible Bosses"

“Horrible Bosses” Shooting in Los Angeles with an All-Star Cast

LOS ANGELES--(BUSINESS WIRE)--Principal photography is underway on New Line Cinema’s comedy “Horrible Bosses,” starring Jason Bateman (“Couples Retreat”), Charlie Day (TV’s “It’s Always Sunny in Philadelphia,” upcoming “Going the Distance”), Jason Sudeikis (TV’s “Saturday Night Live,” upcoming “Going the Distance”), Jennifer Aniston (“He’s Just Not That Into You”), Colin Farrell (“Crazy Heart”), Academy Award® winner Jamie Foxx (“Ray”), two-time Academy Award® winner Kevin Spacey (“American Beauty,” “The Usual Suspects”), Julie Bowen (TV’s “Modern Family”) and veteran actor Donald Sutherland. The production is filming in Los Angeles, under the direction of Seth Gordon.

For Nick, Kurt and Dale, the only thing that would make the daily grind more tolerable would be to grind their intolerable bosses into dust. Quitting is not an option, so, with the benefit of a few-too-many drinks and some dubious advice from a hustling ex-con, the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers…permanently. There’s only one problem: even the best laid plans are only as foolproof as the brains behind them.

Bateman, Sudeikis and Day play the three hapless workers, while Spacey, Farrell and Aniston are their unbearable bosses. Foxx appears as the con, whose street cred is priced on a sliding scale.

Seth Gordon (“Four Christmases,” “The King of Kong: A Fistful of Quarters”) directs “Horrible Bosses” from an original screenplay by Michael Markowitz, with revisions by Jonathan Goldstein & John Francis Daley. Brett Ratner and Jay Stern are producing the film, with Richard Brener, Michael Disco, Sam Brown and Diana Pokorny serving as executive producers. John Cheng, John Rickard and Mary Rohlich are co-producers.

Slated for a Summer 2011 release, New Line Cinema’s “Horrible Bosses,” a Rat Entertainment Production, will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.


About New Line Cinema
New Line Cinema continues to be one of the most successful independent film companies. For more than 40 years, its mission has been to produce innovative, popular, profitable entertainment in the best creative environment. A pioneer in franchise filmmaking, New Line produced the Oscar-winning “The Lord of the Rings” trilogy, which is a landmark in the history of film franchises. New Line Cinema is a division of Warner Bros.

Wednesday, July 21, 2010

"Black Dynamite" is Dy-No-Mite!

TRASH IN MY EYE No. 55 (of 2010) by Leroy Douresseaux

Black Dynamite (2009)
Running time: 84 minutes (1 hour, 24 minutes)
MPAA – R for sexuality/nudity, language, some violence and drug content
DIRECTOR: Scott Sanders
WRITERS: Michael Jai White, Byron Minns, and Scott Sanders; from a story by Michael Jai White and Byron Minns
PRODUCERS: Jenny Wiener Steingart and Jon Steingart
CINEMATOGRAPHER: Shawn Maurer
COMPOSER/EDITOR: Adrian Younge

ACTION/MARTIAL ARTS

Starring: Michael Jai White, Salli Richardson-Whitfield, Tommy Davidson, Kevin Chapman, Byron Minns, Richard Edson, Myketli Williamson, Kim Whitley, Tucker Smallwood, Cedric Yarbrough, John Salley, Brian McKnight, Bokeem Woodbine, Miguel Nunez, Roger Yuan, James McManus, Nicole Sullivan, and Arsenio Hall

Mel Brook’s 1974 comedy, Blazing Saddles, was a successful spoof of Hollywood Westerns because it looked and acted like a real Western. Black Dynamite, the recent parody of blaxploitation movies, ends up being brilliant because it acts like a blaxploitation movie and still manages to skewer every convention of the violent action movies featuring African-American anti-heroes that appeared in the 1970s.

The film focuses on the title character, Black Dynamite (Michael Jai White), a gun-toting, nunchuck-wielding street hero. This self-styled ladies man and soul brother is also a Vietnam veteran and former CIA agent. After his brother Jimmy is murdered, Black Dynamite is reinstated into the CIA to keep him from seeking revenge by himself. After learning that local orphanages for black children are being filled with heroin, he goes after the drug dealers to clean up the streets. However, Black Dynamite discovers a more diabolical conspiracy against the Black man that will take Black Dynamite from the ghetto streets to Kung Fu Island and finally to the Honky House (the White House).

Like Keenen Ivory Wayan’s I’m Gonna Get You Sucka (1988), Black Dynamite is a mock blaxploitation movie that also works as a black action movie, although Black Dynamite is the more convincing of the two as an action movie. Because he is apparently a professional martial artist and has a big muscular body, Michael Jai White can pull off the moves, attitude, and looks of an ass-kicking black superhero. Using his pumped up star, Black Dynamite director Scott Sanders constructs an action movie built on the physicality of his star, and it works. Black Dynamite is like Shaft meets Bruce Lee.

Comedy is Black Dynamite’s calling card. It minds blaxploitation films for laughs more than it makes fun of genre. The filmmakers are nostalgic for those black action movies of the 1970s. How else could they and Michael Jai White capture the language and the feel of blaxploitation so well? Plus, there are several appearances by comic actors in small and cameo roles (Arsenio Hall, Reno 911’s Cedric Yarbrough, MadTV’s Nicole Parker, among them) that add to this movie’s many delights.

Black Dynamite has also given me a new appreciation of Michael Jai White. This actor, who had the title role in the comic book movie, Spawn, and a flashy small part as a crime boss in The Dark Knight, has genuine screen charisma. Hopefully, we’ll see him more often. In the meantime, we have Black Dynamite. Maybe, many people won’t get this flick if they aren’t well versed in the characteristics of black exploitation films, which is unfortunate for them. Those of us who get it get a really good time.

7 of 10
A-

NOTES:
2010 Black Reel Awards: 2 nominations: “Best Director” (Scott Sanders) and “Best Screenplay, Original or Adapted” (Scott Sanders, Michael Jai White, and Byron Minns

2010 Image Awards: 1 nomination: “Outstanding Directing in a Motion Picture (Theatrical or Television)” (Scott Sanders)

Wednesday, July 21, 2010

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Tuesday, July 20, 2010

"Arthur" Remake Begins Production in NYC

Russell Brand, Helen Mirren and Greta Gerwig to Star in Romantic Comedy “Arthur,” Now in Production in New York City

BURBANK, Calif.--(BUSINESS WIRE)--Principal photography is now underway on location in New York City for the romantic comedy “Arthur,” starring Russell Brand (“Get Him to The Greek”), Academy Award® winner Helen Mirren (“The Queen”) and Greta Gerwig (“Greenberg”). The film will be directed by Jason Winer, a 2010 Directors Guild Award recipient for the hit ABC comedy “Modern Family.”

Brand stars as Arthur Bach, a man who has always relied on two things to get by: his limitless fortune and the good sense of lifelong nanny Hobson (Mirren) to keep him out of trouble. Now he faces his biggest challenge, choosing between an arranged marriage that will ensure his lavish lifestyle or an uncertain future with the one thing money can’t buy—Naomi (Gerwig), the only woman he has ever loved. With Naomi’s inspiration and some unconventional help from Hobson, Arthur will take the most expensive risk of his life and finally learn what it means to become a man, in this re-imagining of the 1981 classic.

“Arthur” also stars Jennifer Garner as Susan, Arthur’s appointed bride and keeper of the family fortune, and Nick Nolte as his imposing future father-in-law, Burt.

Winer will direct from a screenplay by Peter Baynham and Jared Stern. The film’s producers are Larry Brezner, Kevin McCormick, Chris Bender and Michael Tadross. J.C. Spink, Scott Kroopf, Russell Brand and Nik Linnen will serve as executive producers.

The creative behind-the-scenes team includes director of photography Uta Briesewitz (“Walk Hard: The Dewey Cox Story,” HBO’s “The Wire”), production designer Sarah Knowles (“Dan in Real Life,” “Invincible”), editor Brent White (“Knocked Up”) and costume designer Juliet Polcsa (“Brooklyn’s Finest”).

“Arthur” will film on location in Manhattan and in other areas of New York City. It will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.


Monday, July 19, 2010

Review: "Meet the Browns" Movie Needs More Browns

TRASH IN MY EYE No. 54 (of 2010) by Leroy Douresseaux


Tyler Perry’s Meet the Browns (2008)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – PG-13 for drug content, language including sexual references, thematic elements, and brief violence
DIRECTOR: Tyler Perry
WRITER: Tyler Perry (based upon his play)
PRODUCERS: Tyler Perry and Reuben Cannon
CINEMATOGRAPHER: Sandi Sissel
EDITOR: Maysie Hoy

DRAMA/COMEDY

Starring: Angela Bassett, David Mann, Tamela J. Mann, Lance Gross, Chloe Bailey, Mariana Tolbert, Rick Fox, Sofia Vergara, Irma P. Hall, Frankie Faison, Margaret Avery, Jenifer Lewis, Lamman Rucker, Phillip Edward Van Lear, and Tyler Perry

Tyler Perry’s Meet the Browns is a 2008 film based upon a 2004 play written by Perry (like many of his films). The film was later spun off into a cable television series of the same name.

The film focuses on Brenda Brown (Angela Bassett), a single mother living in inner city Chicago, with her three children: daughters Tosha (Chloe Bailey) and Lena (Mariana Tolbert), and her oldest child, Michael (Lance Gross), a talented high school basketball player. Struggling for years to make ends meet and keep her three kids off the street, Brenda loses her job when her company shuts down (on pay day!). Brenda is feeling very down when a letter from Georgia arrives announcing the death of the father she has never met.

Looking for a chance to get away, Brenda takes her family to an unnamed small town in Georgia for the funeral. Nothing could have prepared her, however, to meet the Browns, her long lost relatives. Crass and fun loving, this Southern clan welcomes Brenda and her children to raucous family get-togethers and lavish meals of traditional Southern fare. Brenda also once again encounters Harry Belton (Rick Fox), a basketball recruiter interested in Michael’s future who first visited the family in Chicago, but Brenda is suspicious of Harry’s intentions both towards her and her son. Meanwhile, back in Chicago, Michael is determined to help alleviate the family’s financial problems and begins to consider becoming a drug dealer. Should Brenda stay and fight it out in Chicago or return to her strange, new family in Georgia?

Like Tyler Perry’s Daddy’s Little Girls, Meet the Browns is a drama with some humor. In a way, it also seems to be two movies – one focusing on Brenda and her family’s trials and tribulations in Chicago, and the other (the shorter of the two) focusing on Brenda’s small town relatives, the Browns. The parts of the film that take place in Chicago feature Perry’s usual besieged, single-parent melodrama, but it isn’t as good as what was in Daddy’s Little Girls. Frankly, except for a few sequences, the only part of Brenda-in-Chicago that I enjoyed was the delightful comic performance by Sofia Vergara as Brenda’s coworker and friend, Cheryl.

Meet the Browns is at its best when we are meeting the Browns, especially the wonderful Mr. Brown (David Mann), who is the main character of the spin-off television series. Jenifer Lewis also gives a salty comic turn as Vera Brown, and this film would have been better had Lewis had a bigger role. Former Los Angeles Laker, Rick Fox, gives an average performance, a bit stiff and dry, about what one would expect from former professional athletes taking up acting.

Another problem with this movie is that the lead actress, Angela Bassett, often seems out of place. There are moments when Bassett’s turn as Brenda Brown is pitch-perfect and poignant, but there are indeed moments when Bassett overacts and Brenda comes across as shrill. It is a testament to her skill that those bad moments don’t overwhelm the entire performance, as well as the movie

Audiences that enjoy Tyler Perry’s usual mixture of moralizing, affection, and forgiveness mixed with boisterous comedy and mockery will enjoy Meet the Browns, although as Perry films go, it is not one of his better films.

5 of 10
B-

Monday, July 19, 2010


Alien Anthology Arrives on Blu-ray October 25

ALIEN ANTHOLOGY: The Ultimate Collection Featuring All Four ALIEN Films Hatches On Blu-ray from October 25 With Never-Before-Seen Bonus Material And The Debut Of The Exclusive and Groundbreaking Interactive Experience, MU-TH-UR Mode

ON BLU-RAY, EVERYONE WILL HEAR YOU SCREAM

Fans Have A Chance To Board The Nostromo During Comic-Con At Booth #3528 And Enter The Hibernation Chamber Of The Doomed Intergalactic Crew

LOS ANGELES--(BUSINESS WIRE)--Sometimes, the scariest things come from within. Twentieth Century Fox Home Entertainment presents one of the most successful and terrifying film franchises of all time when the ALIEN ANTHOLOGY debuts on Blu-ray for the first time ever from October 25 internationally and on October 26 in North America. All four ALIEN films have been reinvigorated for an intense Blu-ray high-definition viewing experience. The release also marks the debut of MU-TH-UR Mode, a fully interactive companion that takes the extensive materials in the ALIEN ANTHOLOGY and puts them in the user’s hand – connecting fans to special features on all six discs and instantly providing an index of all available ALIEN content, including over 60 hours of special features and over 12,000 images.

The ALIEN ANTHOLOGY is a truly unique home entertainment experience. For the first time ever, the studio has united the material from every home video release of the ALIEN saga including the 1991/1992 laserdisc releases, the 1999 “Legacy” release and 2003’s groundbreaking ALIEN QUADRILOGY release into one complete Blu-ray collection. The set also includes two versions of each film and over four hours of previously unreleased exclusive material such as original screentests of Sigourney Weaver prior to filming the original ALIEN, unseen deleted scenes, thousands of still photographs from the Fox archives, the previously unseen original cut of “Wreckage and Rage: The Making of ALIEN3,” and much, much more.

The ALIEN ANTHOLOGY will be available for a suggested retail price of $139.99 U.S. / $179.99 Canada. Prebook is September 22.

The ALIEN ANTHOLOGY is just one aspect of Twentieth Century Fox Home Entertainment’s yearlong campaign to honor the studio’s 75th birthday. This year the division will debut several select fan-favorites on Blu-ray for the first time ever including The Rocky Horror Picture Show, William Shakespeare’s Romeo + Juliet, Moulin Rouge!, The Last of the Mohicans1 and The Sound of Music.

DISC ONE: ALIEN
1979 Theatrical Version
2003 Director’s Cut with Ridley Scott Introduction
Audio Commentary by Director Ridley Scott, Writer Dan O’Bannon, Executive Producer Ronald Shusett, Editor Terry Rawlings, Actors Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton and John Hurt
Audio Commentary (for Theatrical Cut only) by Ridley Scott
Final Theatrical Isolated Score by Jerry Goldsmith
Composer’s Original Isolated Score by Jerry Goldsmith
Deleted and Extended Scenes
MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream

DISC TWO: ALIENS
1986 Theatrical Version
1991 Special Edition with James Cameron Introduction
Audio Commentary by Director James Cameron, Producer Gale Anne Hurd, Alien Effects Creator Stan Winston, Visual Effects Supervisors Robert Skotak and Dennis Skotak, Miniature Effects Supervisor Pat McClung, Actors Michael Biehn, Bill Paxton, Lance Henriksen, Jenette Goldstein, Carrie Henn and Christopher Henn
Final Theatrical Isolated Score by James Horner
Composer’s Original Isolated Score by James Horner
Deleted and Extended Scenes
MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream

DISC THREE: ALIEN3
1992 Theatrical Version
2003 Special Edition (Restored Workprint Version)
Audio Commentary by Cinematographer Alex Thomson, B.S.C., Editor Terry Rawlings, Alien Effects Designers Alec Gillis and Tom Woodruff, Jr., Visual Effects Producer Richard Edlund, A.S.C., Actors Paul McGann and Lance Henriksen
Final Theatrical Isolated Score by Elliot Goldenthal
Deleted and Extended Scenes
MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream

DISC FOUR: ALIEN RESURRECTION
1997 Theatrical Version
2003 Special Edition with Jean-Pierre Jeunet Introduction
Audio Commentary by Director Jean-Pierre Jeunet, Editor Hervé Schneid, A.C.E., Alien Effects Creators Alec Gillis and Tom Woodruff, Jr., Visual Effects Supervisor Pitof, Conceptual Artist Sylvain Despretz, Actors Ron Perlman, Dominique Pinon and Leland Orser
Final Theatrical Isolated Score by John Frizzell
Deleted and Extended Scenes
MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream

DISC FIVE: MAKING THE ANTHOLOGY
In addition to over 12 hours of candid, in-depth documentaries, you now have the ability to go even deeper into Alien Anthology history with nearly five hours of additional video Enhancement Pods created exclusively for this collection, presenting behind-the-scenes footage, raw dailies and interview outtakes from all four films. At topical points in the documentaries, you may access these pods to enhance your experience, or watch them on their own from the separate Enhancement Pod index.

The Beast Within: Making ALIEN
Star Beast: Developing the Story
The Visualists: Direction and Design
Truckers in Space: Casting
Fear of the Unknown: Shepperton Studios, 1978
The Darkest Reaches: Nostromo and Alien Planet
The Eighth Passenger: Creature Design
Future Tense: Editing and Music
Outward Bound: Visual Effects
A Nightmare Fulfilled: Reaction to the Film
Enhancement Pods
Superior Firepower: Making ALIENS
57 Years Later: Continuing the Story
Building Better Worlds: From Concept to Construction
Preparing for Battle: Casting and Characterization
This Time It’s War: Pinewood Studios, 1985
The Risk Always Lives: Weapons and Action
Bug Hunt: Creature Design
Beauty and the Bitch: Power Loader vs. Queen Alien
Two Orphans: Sigourney Weaver and Carrie Henn
The Final Countdown: Music, Editing and Sound
The Power of Real Tech: Visual Effects
Aliens Unleashed: Reaction to the Film
Enhancement Pods
Wreckage and Rage: Making ALIEN3
Development Hell: Concluding the Story
Tales of the Wooden Planet: Vincent Ward’s Vision
Stasis Interrupted: David Fincher’s Vision
Xeno-Erotic: H.R. Giger’s Redesign
The Color of Blood: Pinewood Studios, 1991
Adaptive Organism: Creature Design
The Downward Spiral: Creative Differences
Where the Sun Burns Cold: Fox Studios, L.A. 1992
Optical Fury: Visual Effects
Requiem for a Scream: Music, Editing and Sound
Post-Mortem: Reaction to the Film
Enhancement Pods
One Step Beyond: Making ALIEN RESURRECTION
From the Ashes: Reviving the Story
French Twist: Direction and Design
Under the Skin: Casting and Characterization
Death from Below: Fox Studios, Los Angeles, 1996
In the Zone: The Basketball Scene
Unnatural Mutation: Creature Design
Genetic Composition: Music
Virtual Aliens: Computer Generated Imagery
A Matter of Scale: Miniature Photography
Critical Juncture: Reaction to the Film
Enhancement Pods
MU-TH-UR Mode Interactive Experience to Access and Control Enhancement Pods

DISC SIX: THE ANTHOLOGY ARCHIVES
ALIEN
Pre-Production
First Draft Screenplay by Dan O’Bannon
Ridleygrams: Original Thumbnails and Notes
Storyboard Archive
The Art of Alien: Conceptual Art Portfolio
Sigourney Weaver Screen Tests with Select Director Commentary
Cast Portrait Gallery
Production
The Chestbuster: Multi-Angle Sequence with Commentary
Video Graphics Gallery
Production Image Galleries
Continuity Polaroids
The Sets of Alien
H.R. Giger’s Workshop Gallery
Post-Production and Aftermath
Additional Deleted Scenes
Image & Poster Galleries
Experience in Terror
Special Collector’s Edition LaserDisc Archive
The Alien Legacy
American Cinematheque: Ridley Scott Q&A
Trailers & TV Spots

ALIENS
Pre-Production
Original Treatment by James Cameron
Pre-Visualizations: Multi-Angle Videomatics with Commentary
Storyboard Archive
The Art of Aliens: Image Galleries
Cast Portrait Gallery
Production
Production Image Galleries
Continuity Polaroids
Weapons and Vehicles
Stan Winston’s Workshop
Colonial Marine Helmet Cameras
Video Graphics Gallery
Weyland-Yutani Inquest: Nostromo Dossiers
Post-Production and Aftermath
Deleted Scene: Burke Cocooned
Deleted Scene Montage
Image Galleries
Special Collector’s Edition LaserDisc Archive
Main Title Exploration
Aliens: Ride at the Speed of Fright
Trailers & TV Spots

ALIEN3
Pre-Production
Storyboard Archive
The Art of Arceon
The Art of Fiorina
Production
Furnace Construction: Time-Lapse Sequence
EEV Bioscan: Multi-Angle Vignette with Commentary
Production Image Galleries
A.D.I.’s Workshop
Post-Production and Aftermath
Visual Effects Gallery
Special Shoot: Promotional Photo Archive
Alien3 Advance Featurette
The Making of Alien3 Promotional Featurette
Trailers & TV Spots

ALIEN RESURRECTION
Pre-Production
First Draft Screenplay by Joss Whedon
Test Footage: A.D.I. Creature Shop with Commentary
Test Footage: Costumes, Hair and Makeup
Pre-Visualizations: Multi-Angle Rehearsals
Storyboard Archive
The Marc Caro Portfolio: Character Designs
The Art of Resurrection: Image Galleries
Production
Production Image Galleries
A.D.I.’s Workshop
Post-Production and Aftermath
Visual Effects Gallery
Special Shoot: Promotional Photo Archive
HBO First Look: The Making of Alien Resurrection
Alien Resurrection Promotional Featurette
Trailers & TV Spots

ANTHOLOGY
Two Versions of Alien Evolution
The Alien Saga
Patches and Logos Gallery
Aliens 3D Attraction Scripts and Gallery
Aliens in the Basement: The Bob Burns Collection
Parodies
Dark Horse Cover Gallery
Patches and Logos Gallery
MU-TH-UR Mode Interactive Experience


About Twentieth Century Fox Home Entertainment
Twentieth Century Fox Home Entertainment, LLC (TCFHE) is a recognized global industry leader and a subsidiary of Twentieth Century Fox Film Corporation, a News Corporation company. Representing 75 years of innovative and award-winning filmmaking from Twentieth Century Fox, TCFHE is the worldwide marketing, sales and distribution company for all Fox film and television programming, acquisitions and original productions on DVD, Blu-ray Disc Digital Copy, Video On Demand and Digital Download. The company also releases all products globally for MGM Home Entertainment. Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets from mass merchants and warehouse clubs to specialty stores and e-commerce throughout the world.

ALIEN ANTHOLOGY

Street Date: October 26, 2010
Prebook Date: September 22, 2010
Screen Format:
ALIEN: Widescreen 2.35:1
ALIENS: Widescreen 1.85:1
ALIEN3: Widescreen 2.35:1
ALIEN RESURRECTION: Widescreen 2.35:1

Audio:
ALIEN: English 5.1 DTS-HD Master Audio, English 4.1 Dolby Surround, English Dolby Surround, French 5.1 DTS, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital

ALIENS: English 5.1 DTS-HD Master Audio, English 4.1 Dolby Surround, English Dolby Surround, French 5.1 DTS, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital

ALIEN3: English 5.1 DTS-HD Master Audio, English, French 5.1 DTS, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital

ALIEN RESURRECTION: English 5.1 DTS-HD Master Audio, English, French 5.1 DTS, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital

Subtitles: English, French, Spanish, Portuguese
U.S. Rating: R
Total Run Time: 1020 Minutes
Closed Captioned: Yes

1 North America only.