Not Enough of "the crazies" in "The Crazies"

TRASH IN MY EYE No. 58 (of 2010) by Leroy Douresseaux

The Crazies (2010)
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for bloody violence and language
DIRECTOR: Breck Eisner
WRITERS: Scott Kosar and Ray Wright (based upon the 1973 film by George A. Romero)
PRODUCERS: Michael Aguilar, Rob Cowan, and Dean Georgaris
CINEMATOGRAPHER: Maxime Alexandre (director of photography)
EDITOR: Billy Fox
COMPOSER: Mark Isham

ACTION/HORROR/THRILLER

Starring: Timothy Olyphant, Radha Mitchell, Joe Anderson, and Danielle Panabaker

Released this past February, The Crazies is a remake of a 1973 film by famed horror movie director, George A. Romero (Dawn of the Dead). Romero’s film was both a thriller and also a satire of military and governmental bureaucracies. The Crazies 2010 is a standard horror movie thriller with the proper horror movie mood. However, the film doesn’t focus on a single, solid adversary or villain, someone or something that would be a steady menacing presence against the heroes.

The story takes place in fictional Ogden Marsh, a picture-perfect, rural American, small town of happy, law-abiding citizens who are farmers and small business owners. Late one afternoon, Pierce County Sheriff David Dutten (Timothy Olyphant) and his deputy, Russell Clank (Joe Anderson), are enjoying a local high school baseball game when one of those happy citizens shows up on the baseball field with a loaded shotgun. David is forced to kill him. Not long afterwards, another man sets his house on fire, burning to death his wife and young son in the process.

David suspects that something is turning the citizens of Ogden Marsh into depraved, blood-thirsty killers who can and will use any instrument to brutally murder their neighbors. The nonsensical violence is escalating and Ogden Marsh is falling apart when a mysterious military force storms into town. As heavily armed soldiers wearing gas masks round up the people of Ogden Marsh, David and Russell gather David’s wife, Judy Dutten (Radha Mitchell), and a young woman named Becca Darling (Danielle Panabaker). The quartet is trying to escape certain death, either caused by the military or at the hands of “the crazies,” the people infected by the mysterious virus, “Trixie.”

The Crazies is a perfectly competent film, but it wants to be two films – a horror movie and an action thriller. The original movie was also like two films – a military drama and an escape movie. The Crazies 2010 is an escape movie focusing on Sheriff Dutton and his three companions as they try to avoid the military (primarily). It is also a kind of zombie movie (secondary) with the crazies as the zombie-like killers. The problem is that the film never gives us enough of either the military or the crazies, with the crazies being the better of the two.

There are some chilling moments involving the military (which is largely faceless), especially early on when the soldiers roundup the citizens. The truly frightening moments, however, are with the crazies, who are like the infected in 28 Days Later, except the crazies aren’t mindless. They’re homicidal and so damn scary, and when they show up, the film delivers some brilliant moments of screen horror. It is fine that this new film is faithful to the 1973 one, but this film does not do what the advertisements for it promised – give us a movie about a small band of survivors fighting to escape the crazies.

And the characters aren’t that interesting. They’re largely stock characters, and the script really doesn’t give any depth even to the ones with potential – David, Judy, Russell, and Becca. The Crazies has the right mood and scary sequences, but as a horror movie, it largely misses the potential of its best assets – the crazies.

5 of 10
C+

Tuesday, July 27, 2010

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Family Guy "Return of the Jedi" Parody Due for Christmas

Feel the Farce as “Family Guy” Skewers Star Wars™ with Its Third Uncensored Satire on Blu-ray and DVD December 21

SAN DIEGO--(BUSINESS WIRE)--Return to the Grffins’ version of that galaxy far, far away as their freakin’ sweet saga continues with “Family Guy: It’s A Trap!” - arriving exclusively on Blu-ray and DVD December 21 from Twentieth Century Fox Home Entertainment. In the third installment of the hilarious Star Wars satire - following 2005’s Family Guy: Blue Harvest and last year’s Family Guy: Something, Something, Something Dark Side - the Griffins reprise their intergalactic roles in an outrageous retelling of Star Wars: Episode VI Return of the Jedi.

Fans received an early peak of the epic farce at San Diego Comic-Con as Seth MacFarlane previewed 10 minutes of “Family Guy: It’s A Trap!” during the “Family Guy” panel Saturday at 11:00 AM in Ballroom 20. Additionally, San Diego Comic-Con attendees were able to pre-order the Blu-ray and DVD at Fox booth #4313, and pick up past titles in the “Family Guy” Star Wars Saga.

In this spectacular and offensively uproarious final chapter, Luke Skywalker (Chris) and Princess Leia (Lois) must travel to Tatooine to free Han Solo (Peter) by infiltrating the wretched stronghold of Jabba the Hutt (Joe), the galaxy’s most loathsome and dreadful gangster. Once reunited, the Rebels team up with a tribe of Ewoks to combat the Imperial forces on the forest moon of Endor. Meanwhile the Emperor (Carter Pewterschmidt) and Darth Vader (Stewie) conspire to turn Luke to the dark side, and young Skywalker is determined to rekindle the spirit of the Jedi within his father. The Galactic Civil War has never been more outrageous, as the Rebel forces gather to attack the seemingly defenseless and incomplete second Death Star in the battle that will determine the fate of the galaxy. Adding to the fun, “Family Guy: It’s A Trap!” is loaded with hysterical cameo voice spots - including Patrick Stewart and Michael Dorn reprising their roles from “Star Trek: The Next Generation,” Adam West (“Batman”), Carrie Fisher (Star Wars Trilogy) and conservative talk radio juggernaut Rush Limbaugh as the voice of the large carnivorous reptomammal, the Rancor.

“The fan base for “Family Guy” and Star Wars, both enthusiastic, have embraced the first two hilarious spoofs,” said Mike Dunn, President, Twentieth Century Fox Home Entertainment. “Bringing the distinctive storylines together for the trilogy of parodies has been enormously successful and lends itself to create unique home entertainment releases.”

As an added bonus, “Family Guy: It’s A Trap!” will also be available in Blu-ray and DVD triple-packs featuring all the “Family Guy” Star Wars spoofs…the perfect gift for the holiday season.


About TWENTIETH CENTURY FOX HOME ENTERTAINMENT
Twentieth Century Fox Home Entertainment, LLC (TCFHE) is a recognized global industry leader and a subsidiary of Twentieth Century Fox Film Corporation, a News Corporation company. Representing 75 years of innovative and award-winning filmmaking from Twentieth Century Fox, TCFHE is the worldwide marketing, sales and distribution company for all Fox film and television programming, acquisitions and original productions on DVD, Blu-ray Disc Digital Copy, Video On Demand and Digital Download. The company also releases all products globally for MGM Home Entertainment. Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets from mass merchants and warehouse clubs to specialty stores and e-commerce throughout the world.

STAR WARS™ and related properties are trademarks and/or copyrights, in the United States and other countries, of Lucasfilm Ltd. and/or its affiliates. TM & © Lucasfilm Ltd. All rights reserved. All other trademarks and trade names are properties of their respective owners.

Review: George Romero's "The Crazies" Mocks Bureaucracy

TRASH IN MY EYE No. 57 (of 2010) by Leroy Douresseaux

The Crazies (1973)
Running time: 103 minutes (1 hour, 43 minutes)
DIRECTOR/EDITOR: George A. Romero
WRITERS: Paul McCollough and George A. Romero
PRODUCER: A.C. Croft
CINEMATOGRAPHER: S. William Hinzman (director of photography)

ACTION/MILITARY/THRILLER

Starring: Lane Carroll, W.G. McMillan, Harold Wayne Jones, Lloyd Hollar, Lynn Lowry, Richard Liberty, Richard France, Harry Spillman, and Will Disney

The Crazies is a 1973 satirical drama and military thriller from director George A. Romero (Night of the Living Dead). The film, which has some elements from the horror genre, takes place in a small Pennsylvania town. There, the military is trying to contain an outbreak of a manmade virus that causes death or permanent insanity in those it infects.

The Crazies has two major storylines. One focuses on how politicians and the military try to contain the outbreak, and the other focuses on the civilians who try to stay alive during the chaos, in particular a quartet led by two former serviceman. The action takes place in and around the small town of Evans City, Pennsylvania. Apparently, a few weeks before the story begins, an army plane crash-landed in the hills near the town. The plane was carrying a biological weapon – a top-secret virus codenamed Trixie.

Heavily-armed U.S. troops (clad in white NBC suits) arrive in Evans City and declare martial law. In an attempt to contain Trixie and see which citizens are infected, the military begins to gather the citizens in a central location, but as the military sets up a quarantine perimeter outside of town to stop the virus from spreading, chaos ensues. Two Vietnam veterans who are now firemen, former Green Beret, David (W.G. McMillan), and infantryman, Clank (Harold Wayne Jones), hatch a plan to leave town. With them are David’s pregnant girlfriend, a nurse named Judy (Lane Carroll); Kathie Fulton (Lynn Lowry), a teenager; and her father, Artie (Richard Liberty). Their escape attempt may be too late for some, as the madness caused by Trixie begins to set in.

Many viewers probably consider The Crazies to be a horror movie, especially because it is directed by George Romero. Much of the film, however, is a pointed satire of military and political bureaucracies, focusing on the intractability of the decision and policy makers and also the general disorganization of institutions that are supposed to be quite organized. This satire is certainly interesting, but it slows the narrative, sometimes to a crawl. Still, Romero’s sly wit and blunt commentary occasionally give birth to some good scenes (like the standoff between the military and the local law).

The best parts of the film involve the quintet trying to escape the madness. These five people exemplify the character traits, personalities, and actions that are typical of characters in Romero films that are trapped in some kind of doomsday scenario. The actors’ good performances bring freshness to these familiar Romero types. W.G. McMillan as David and Lane Carroll as Judy have excellent screen chemistry and seem like a real couple. The Crazies reflected the chaotic times in which it first appeared, but McMillan and Carroll are still the heart of this film. Their characters’ trials and tribulations add drama to this film and make it seem like more than just pointed satire.

6 of 10
B

Monday, July 26, 2010

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Detroit Metal City Live Action Movie Coming to America

VIZ PICTURES LICENSES DETROIT METAL CITY - THE WILDEST, SHOCKINGLY FUNNY JAPANESE ROCK FILM FOR THE NOT SO FAINT OF HEART

Inventive Comedy Is Based On A Popular Manga Series That Has Taken North America By Storm

VIZ Pictures, an affiliate of VIZ Media, LLC that focuses on Japanese live-action film distribution, has announced that it has licensed from Toho Company, Ltd the North American theatrical and DVD distribution rights to the heavy metal live-action comedy, Detroit Metal City. The DVD is scheduled for release later in the fall of this year.

Detroit Metal City takes the zany rock antics inspired by films like Spinal Tap to hilarious new extremes in this film directed by Toshio Lee and based on the popular manga comic created by Kiminori Wakasugi. It features notable appearances by Gene Simmons from the legendary band, KISS, and Marty Friedman of Megadeth, and stars Kenichi Matsuyama, one of the most adored actors in Japan today and known widely for his role as 'L' in the Death Note films (also available from VIZ Pictures).

“We’re extremely excited to announce the license for Detroit Metal City and know it will strike a chord with rock and metal fans as well as followers of the acclaimed manga series,” says Seiji Horibuchi, President and CEO of VIZ Pictures. “Prepare to have your mortal soul devoured by the demonic Johannes Krauser II, front man for Detroit Metal City, the most outrageous death metal band on the Japanese indie rock scene!”

In the film, Soichi Negishi (played by Kenichi Matsuyama) is a sweet and shy young man who dreams of becoming a trendy singer songwriter. But for some reason, he is forced into joining the devil worshiping death metal band “Detroit Metal City” (DMC). In full stage make-up and costume, he transforms into Johannes Krauser II the vulgar-mouthed lead vocalist of the band. But he must keep this a secret from his crush, Yuri Aikawa, who despises death metal. What would she think if she found out? But against Negishi’s will, DMC rises to stardom. Things get even more complicated when the legendary king of death metal, Jack ill Dark (played by Gene Simmons), challenges DMC to a duel in the film’s climatic finale. What will be the fate of innocent Negishi as he climbs to the top of the death metal world?

First appearing in the pages of Japan’s Young Animal manga magazine, Detroit Metal City quickly became a national sensation. The series has sold more than 4.5 million copies in Japan and is also published in North America by VIZ Media (rated ‘M’ for Mature Audiences).

For more information on Detroit Metal City or other VIZ Pictures titles, please visit www.viz-pictures.com.


About VIZ Pictures, Inc.:
Based in San Francisco, California, VIZ Pictures, Inc. licenses and distributes selective Japanese live-action films and DVDs, with focus on Japanese "kawaii (cute) and cool" pop culture. VIZ Pictures strives to offer the most entertaining motion pictures straight from the "Kingdom of Pop" for audiences of all ages, especially the manga and anime generation, in North America. Some titles include DEATH NOTE, 20TH CENTURY BOYS, and TRAIN MAN: DENSHA OTOKO. VIZ Pictures is also the producer of NEW PEOPLE, a part of the J-Pop Center Project, a unique entertainment destination bringing Japanese pop culture through film, art, fashion, and retail products. For more information please visit www.viz-pictures.com or www.newpeopleworld.com. © 2009 VIZ Pictures, Inc.

Green Zone Juggles Politics and Action

TRASH IN MY EYE No. 56 (of 2010) by Leroy Douresseaux

Green Zone (2010)
Running time: 115 minutes (1 hour, 55 minutes)
MPAA – R for violence and language
DIRECTOR: Paul Greengrass
WRITER: Brian Helgeland (based on the book Imperial Life in the Emerald City: Inside Iraq's Green Zone by Rajiv Chandrasekaran)
PRODUCERS: Tim Bevan, Eric Fellner, Paul Greengrass, and Lloyd Levin
CINEMATOGRAPHER: Barry Ackroyd
EDITOR: Christopher Rouse

WAR/ACTION/THRILLER

Starring: Matt Damon, Greg Kinnear, Brendan Gleeson, Amy Ryan, Khalid Abdalla, Jason Isaacs, and Yigal Naor

Director Paul Greengrass and actor/movie star Matt Damon came together to produce two of the three Jason Bourne movies (The Bourne Supremacy and The Bourne Ultimatum). They reunited for the film Green Zone, which is not a Jason Bourne movie or anything like that. Green Zone is a movie set at the beginning of the Iraq War. Green Zone is part military action movie, but it also has something to say about the reasons for the Iraq War.

The story focuses on Chief Warrant Officer Roy Miller (Matt Damon) and begins early in the U.S.-led occupation of Baghdad in the spring of 2003. Miller leads a team of U.S. Army inspectors searching for weapons of mass destruction (WMDs) believed to be stockpiled in and around Baghdad. After investigating a series of sites and finding nothing, Miller begins to suspect that the intelligence about Iraq’s weapons of mass destruction is faulty, at best.

Miller’s military superiors and other high-ranking officials dismiss his theories about flawed intelligence, and he comes into conflict with U.S. Defense Intelligence Agent Clark Poundstone (Greg Kinnear) who seems to be guiding much of the American occupation of Iraq. After meeting, Martin Brown (Brendan Gleeson), a Middle East-based CIA officer, Miller stumbles upon an elaborate cover-up of the reasons behind the Iraq War. Now, Miller must navigate the intersecting agendas spun by competing operatives, as he hunts for answers that may clear Iraq’s fallen regime of war crimes or even stop an insurgency from being born.

Green Zone is a politically engaged film. Using Matt Damon’s Roy Miller as a vehicle, Paul Greengrass and screen writer Brian Helgeland addresses Greengrass’ contentions about the decision to invade Iraq (the country’s alleged possession of WMDs) and subsequent decisions made during the U.S.-led Coalition occupation (in particularly the decision to disband the Iraqi army).

Greengrass’ problems with the Iraq War have also been the subject of many television and theatrical films (both fiction and non-fiction). Making these arguments about Iraq within the framework of a military action thriller actually can result in a movie with an identity crisis, which is the case with Green Zone. Greengrass attempts to make his points about the war, unveiling them during the course of Roy Miller’s investigation, which involves talking to and shooting at people.

The first 55 minutes of the movie mostly sets up the story, and it follows Miller as he gradually makes a series of startling discoveries about the run-up to the Iraq War. This is more dry and dull than interesting. The first half of the film is so slow and awkward that it is almost a disaster. Honestly, Greengrass’ contentions about the Iraq War are only interesting in the context of the movie’s second half. That’s the action/thriller half which has Roy Miller trying to find Iraqi General Mohammed Al-Rawi (Yigal Naor) before a Special Forces unit does. This second half will remind audiences of those breathless action scenes Greengrass and Damon pulled off in their two Jason Bourne movies.

It is cool that a Hollywood movie would confront the controversies of the Iraq War, but the best thing about Green Zone is the tense pacing and smartly constructed action sequences. Unfortunately, the politics are, at best, distracting and, at worst, debilitating to the movie.

5 of 10
B-

Sunday, July 25, 2010

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Dark Horse and TNT Team Up on DreamWork's "Falling Skies"

DARK HORSE AND TNT TEAM UP ON COMIC BOOK PREQUEL "TO FALLING SKIES"

THE EAGERLY ANTICIPATED NEW SERIES STARRING NOAH WYLE, PRODUCED BY DREAMWORKS TELEVISION AND EXECUTIVE PRODUCER STEVEN SPIELBERG WILL APPEAR IN COMIC FORM ONLINE AND IN PRINT!

TNT is teaming up with publisher Dark Horse Comics to create a comic book and webcomic prequel to FALLING SKIES, the eagerly anticipated new series starring Noah Wyle (ER, TNT’s The Librarian movies) and produced by DreamWorks Television and executive producer Steven Spielberg. The comic book and webcomic are slated to be unveiled at New York Comic Con in October. FALLING SKIES, which is set to premiere on TNT in summer 2011, is a gripping drama that envisions a world where aliens have invaded, and the fate of humanity lies in the hands of a few survivors.

During New York Comic Con (Oct. 8-10), TNT and Dark Horse will distribute an exclusive, special-edition 12-14 page comic book that tells the harrowing backstory of the alien invasion. Beginning Nov. 1, fans will be able to download an extended webcomic version through tnt.tv, darkhorse.com and iTunes, with new installments posted every two weeks.

“The FALLING SKIES comic book and webcomic provide a great way for TNT to ramp up excitement for FALLING SKIES, while also providing a thrilling backstory to the series’ intriguing premise and characters,” said Tricia Melton, senior vice president of entertainment marketing for TNT, TBS and Turner Classic Movies (TCM). “We look forward to working with Dark Horse Comics as we begin the FALLING SKIES invasion.”

In addition to the comic book and webcomic, Dark Horse is collaborating with TNT on the FALLING SKIES presence at this month’s Comic-Con International in San Diego. The event will include appearances and autograph sessions with series stars Wyle and Moon Bloodgood (Terminator Salvation), along with co-executive producer and writer Mark Verheiden (Heroes, Battlestar Galactica). On Friday, July 23, from 2-3 p.m. (PT), the three will appear at Dark Horse’s Comic-Con International booth, where they will sign exclusive FALLING SKIES posters. Then from 4:45 p.m. – 5:45 p.m. (PT), Wyle, Bloodgood and Verheiden will participate in a Q&A panel session in Room 6A.

In FALLING SKIES, Wyle stars as a former college professor who becomes the leader of a group of soldiers and civilians struggling against an occupying alien force. Bloodgood co-stars as Anne Glass, a therapist who works with the surviving children to help them cope with the traumatic situation. The series also stars Drew Roy (Lincoln Heights) as Hal and Maxim Knight (Brothers & Sisters) as Matt, Tom’s two sons; and Seychelle Gabriel (Weeds) as Lourdes, an orphaned teenager who helps run the group’s commissary. Will Patton (Armageddon, TNT’s Into the West) plays a fierce leader of the resistance.

FALLING SKIES is executive-produced by Steven Spielberg, along with DreamWorks Television heads Justin Falvey and Darryl Frank and screenwriter Robert Rodat. Rodat, who earned an Oscar® nomination for his screenplay for Saving Private Ryan, wrote the pilot from an idea he co-conceived with Spielberg. Verheiden and Greg Beeman (Heroes, Smallville) are co-executive producers. The pilot was directed by Carl Franklin (One False Move, Out of Time).


About Dark Horse Comics
Since 1986, Dark Horse Comics has proven to be a solid example of how integrity and innovation can help broaden a unique storytelling medium and establish a small, homegrown company as an industry giant. The company is known for the progressive and creator friendly atmosphere it provides for writers and artists. In addition to publishing comics from top talent like Frank Miller, Mike Mignola, Neil Gaiman, Gerard Way, Will Eisner, and bestselling prose author, Janet Evanovich, Dark Horse has developed such successful characters as The Mask, Timecop, and SpyBoy. Additionally, their highly successful line of comics and products based on popular properties includes Star Wars, Indiana Jones, Buffy the Vampire Slayer, Aliens, Conan, Mass Effect, Tim Burton, Serenity and Domo. Today, Dark Horse Comics is the largest independent comic-book publisher in the United States and is recognized as both an innovator in the cause of creator rights and the comics industry's leading publisher of licensed material.

About TNT
TNT, one of cable’s top-rated networks, is television’s destination for drama. Seen in 99.6 million households, the network is home to such original series as The Closer, starring Kyra Sedgwick; Leverage, starring Timothy Hutton; and Dark Blue, starring Dylan McDermott; Rizzoli & Isles, starring Angie Harmon and Sasha Alexander; Memphis Beat, with Jason Lee; Men of a Certain Age, with Ray Romano, Andre Braugher and Scott Bakula; and Southland, from Emmy®-winning producer John Wells (ER). TNT also presents such powerful dramas as Bones, Supernatural, Las Vegas, Law & Order, CSI: NY, Cold Case and Numb3rs; broadcast premiere movies; compelling primetime specials, such as the Screen Actors Guild Awards®; and championship sports coverage, including NASCAR and the NBA. The NCAA men’s basketball tournament will appear on TNT beginning in 2011. TNT is available in high-definition.

Turner Broadcasting System, Inc., a Time Warner company, creates and programs branded news, entertainment, animation and young adult media environments on television and other platforms for consumers around the world.

"United 93" Excellent Docudrama and Thriller

TRASH IN MY EYE No. 257 (of 2006) by Leroy Douresseaux

United 93 (2006)
Running time: 111 minutes (1 hour, 51 minutes)
MPAA – R for language, and some intense sequences of terror and violence
WRITER/DIRECTOR: Paul Greengrass
PRODUCERS: Tim Bevan & Eric Fellner, Lloyd Levin, and Paul Greengrass
CINEMATOGRAPHER: Barry Akroyd, BSC
EDITOR: Clare Douglas, Christopher Rouse, and Richard Pearson
Academy Award nominee

DRAMA/THRILLER/HISTORICAL

Starring: Opal Alladin, David Alan Basche, Christian Clemenson, Gary Commock, Cheyenne Jackson, Corey Johnson, JJ Johnson, and Khalid Abdalla, Lewis Alsamari, Omar Berdouni, and Jamie Harding

Directed by Paul Greengrass (Bloody Sunday, The Bourne Supremacy), United 93 is a fictional account of the incidents aboard United Airlines Flight 93, the fourth hijacked plane on September 11, 2001, the day of the worst terrorist attacks on American soil. This docu-drama follows the boarding of a Boeing 757 – United Flight 93 – for an ordinary flight to San Francisco. Then, it moves back and forth from flight control centers in Boston, Cleveland, and New York and the Herndon Command Centers back to 93 as the 9/11 attacks begin. The second half of the film finds the crew and passengers of United 93 realizing with dawning horror that America is under attack and that their flight, which has been hijacked by four men, is part of that attack. Some of the passengers and crew resolve to fight in a desperate attempt to take back control of the plane.

Quality action thrillers reward their viewers with exhilarating highs and even the occasional wallop to the old midsection. United 93 (2006 New York Film Critics Circle Award for “Best Picture”) does just that. This film, however, is really more than just an action movie; it is a memorial to the real events of 9/11. That it also manages to be a harrowing, heartbreaking, and ultimately masterful bit of filmmaking is a triple bonus.

Still, as director Paul Greengrass (2006 Los Angeles Film Critics Association Awards winner for “Best Director”) has admitted, no one really knows what happened aboard United 93 from the time it left Boston until it crashed in Shanksville, Pennsylvania. Phone calls from the passengers and crew are all that the public and storytellers have to piece together a probable timeline of the events. For the best storytellers, that is just enough material to tell a story that captures the popular imagination the way real history does.

This lean, mean fighting machine of movie can be harsh at times, but Greengrass makes us care no matter how desperate the situation is for the passengers and crew. Too bad, the first 50 minutes of this story is so antiseptic. Greengrass switches back and forth from United flight 93 to several command centers as various officials, bureaucrats, and authority types try to figure out what’s going on the day passengers planes were used to terrorize America. He’s clinical and occasionally bland in his attempt to nail down the technical details and reproduce history via digital photography. Why then is the first half so dull? It’s like watching an ordinary TV documentary on the Discovery or History Channels. It’s downright anal the way Greengrass creates verisimilitude in the first half, and his fidelity to what alleged facts he has about the real United 93 is admirable, although that all makes for a great dullness.

It’s in the second half of the film when Greengrass has to deal with speculation, myth, and a lack of facts that United 93 flirts with being a truly great film. As harsh as it is at times, United 93 makes us care about the characters, the place, and the situation no matter how painful it might be to watch. It’s as if we’re there with the characters and rooting for them – maybe, even begging that they survive. No one knows what happened when hijackers took over United Airlines Flight 93, but Paul Greengrass makes a darn good yarn out of speculation. United 93 is the art of making film myth out of history just as Oliver Stone did 15 years earlier with JFK.

8 of 10
A

Wednesday, December 27, 2006

NOTES:
2007 Academy Awards: 2 nominations: “Best Achievement in Directing” (Paul Greengrass) and “Best Achievement in Editing” (Clare Douglas, Richard Pearson, and Christopher Rouse)

2007 BAFTA Awards: 2 wins: “Best Editing” (Clare Douglas, Christopher Rouse, and Richard Pearson) and “David Lean Award for Direction” (Paul Greengrass); 4 nominations: “Alexander Korda Award for Best British Film” (Tim Bevan, Lloyd Levin, and Paul Greengrass), “Best Cinematography” (Barry Ackroyd), “Best Screenplay – Original” (Paul Greengrass), and “Best Sound” (Chris Munro, Mike Prestwood Smith, Doug Cooper, Oliver Tarney, and Eddy Joseph)