Review: Brad Pitt Shakes Money-Maker in "Troy"

TRASH IN MY EYE No. 84 (of 2004) by Leroy Douresseaux

Troy (2004)
Running time: 163 minutes (2 hours, 43 minutes)
MPAA – R for graphic violence and some sexuality/nudity
DIRECTOR: Wolfgang Petersen
WRITER: David Benioff (inspired by Homer’s The Iliad)
PRODUCERS: Diana Rathbun, Colin Wilson, and Wolfgang Petersen
CINEMATOGRAPHER: Roger Pratt, B.S.C.
EDITOR: Peter Honess, A.C.E.
Academy Award nominee

ACTION/DRAMA/HISTORICAL/WAR with elements of adventure and romance

Starring: Brad Pitt, Eric Bana, Orlando Bloom, Diane Kruger, Brian Cox, Sean Bean, Brendan Gleeson, Peter O’Toole, and Garrett Hedlund

Paris of Troy (Orlando Bloom) steals Helen (Diane Kruger), the wife of the Spartan King, Menelaus (Brendan Gleeson). Agamemnon (Brian Cox), Menelaus’ brother and the king who united the varied Greek kingdoms, suddenly has a reason to invade Troy. Paris’ brother, Hector (Eric Bana) stands ready to defend his kingdom, but that means he may have to face the greatest warrior the world will ever known, Achilles (Brad Pitt). This old tale gets a retelling in Warner Bros.’ Troy.

Anyone who is familiar with the legend of Troy from Homer’s epic poem, The Iliad (or Virgil’s The Aeneid) or countless retellings, documentaries, history lessons, etc. will already know how this film ends. But trust Hollywood to make just enough changes to surprise or, at least, infuriate purists. In my case, I was deeply troubled by a number of issues (especially the absence of the manipulations of the quarrelling Greek gods’ who played a large role in the literary story of Troy), but it wasn’t enough to keep me from enjoying this movie.

Director Wolfgang Petersen’s Troy is an epic war story that is equal parts costume drama and big budget, Hollywood historical epic. It’s goofy, but serious enough to past muster. The dialogue is wooden and stiff, and the speeches will sometimes make you cringe. However, there are enough times when the characters speak with equal measure of weight and pomposity and clarity to sell the story. And at the end of the day, this movie is just fun to watch.

Like those historical epics of the 1950’s and 60’s, Troy has some secret allure to it. For some reason, these crazy dramas, with their high fallutin’ faux Shakesperean-lite speeches, are entertaining. Of course, there are always the battles, and Petersen (another very talented film director who has an impressive filmography of entertaining macho movies) stages the slugfests and bloodshed with brilliance. Granted, I’ve seen the massing of large fleets and armies on the big screen before Troy, but Petersen also smartly focuses on individual, man on man fight scenes, especially those with Achilles.

Regardless of what one might think, there’s no way you cannot not treat yourself to the sight of Brad Pitt throwing it down Greek thug style. I loved his fight scenes, and while he may not be the world’s greatest actor, he may be one of the most sincere. He looks great on screen, and the camera loves him. Pitt throws himself into the role of Achilles with such relish that I can’t help but be awed by him. And no matter what others might say, he more than holds his own in a really nice scene he has with Peter O’Toole. Yes, he may not be the greatest actor, but he’s one of the great movies stars, and he’s a better actor than for which he’s given credit. For him alone, I recommend Troy.

7 of 10
B+

NOTE:
2005 Academy Awards: 1 nomination: “Best Achievement in Costume Design” (Bob Ringwood)

-----------------------

OfficeMax Fulfills Commitment to Waiting for "Superman"

Press release:

40,000 PEOPLE PLEDGE TO SEE WAITING FOR “SUPERMAN”

OfficeMax® Set to Expand Its “A Day Made Better” Program – Second Benchmark Met on WaitingForSuperman.com

HOLLYWOOD, CA (August 23, 2010) – Paramount Pictures, Participant Media and Walden Media announced today 40,000 people have pledged to see the award-winning documentary film WAITING FOR “SUPERMAN” when it opens this fall, making it the second goal reached on the campaign’s “Pledge Progress Meter.” As a result, Chicago-based office supply retailer OfficeMax® is fulfilling its commitment to add 40 deserving U.S. teachers to its “A Day Made Better” program.

Now in it’s 4th year, the OfficeMax program helps defray the out-of-pocket expenditures on school supplies by dedicated teachers by awarding 1,000 outstanding teachers with $1,000 in school supplies.

"Thanks to more than 40,000 pledges to see this important documentary film, OfficeMax is pleased to surprise 40 deserving teachers across the country with a total of $40,000 in school supplies on behalf of our national cause called A Day Made Better," said Bill Bonner, senior director of external relations for OfficeMax. "By joining the ‘Take the Pledge’ campaign, we hope to call attention to the issue of teacher out-of-pocket spending, encourage national support and start erasing teacher teacher-funded classrooms."

WAITING FOR “SUPERMAN” directed by Davis Guggenheim (“An Inconvenient Truth”) will be released under the Paramount Vantage banner and distributed by Paramount Pictures. It examines the crisis of public education in the United States through multiple interlocking stories. Designed to start a national conversation, the movie and corresponding “Take the Pledge” campaign aim to inspire everyone to create innovative and long-term solutions to help change the course of our kids’ lives for the better. The “Pledge Progress Meter” launched in May as a way for non-profits, foundations and corporations to match individual pledge levels with powerful action items aimed at helping both students and public schools. First Book was the first organization to take the pledge, by agreeing to donate 250,000 new books to schools and programs in low-income communities across the country once the pledge meter reaches 50,000 pledges.

The film opens in New York and Los Angeles on September 24, nationwide in October.

The film is produced by Lesley Chilcott, with Participant Media’s Jeff Skoll and Diane Weyermann serving as executive producers. It is written by Davis Guggenheim & Billy Kimball.

For more information about the movie, or to take the pledge go to http://www.waitingforsuperman.com/ or text “PLEDGE” to 77177

To join the conversation visit us on Facebook at http://www.Facebook.com/WaitingForSuperman

What does your school need? Tell us by Tweeting #MySchoolNeeds at http://www.Twitter.com/WaitingSuperman


ABOUT PARAMOUNT PICTURES CORPORATION
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group, and Worldwide Television Distribution.

About Participant Media
Participant Media is a Los Angeles-based entertainment company that focuses on socially relevant, commercially viable feature films, documentaries and television, as well as publishing and digital media. Participant Media is headed by CEO Jim Berk and was founded in 2004 by philanthropist Jeff Skoll, who serves as Chairman. Ricky Strauss is President.

Participant exists to tell compelling, entertaining stories that bring to the forefront real issues that shape our lives. For each of its projects, Participant creates extensive social action and advocacy programs, which provide ideas and tools to transform the impact of the media experience into individual and community action. Participant’s films include The Kite Runner, Charlie Wilson’s War, Darfur Now, An Inconvenient Truth, Good Night, and Good Luck, Syriana, Standard Operating Procedure, The Visitor, The Soloist, Food, Inc., The Informant!, The Cove, The Crazies, Oceans, Furry Vengeance, CASINO JACK and the United States of Money, Countdown to Zero and Waiting for “Superman.”

About Walden Media
Walden Media specializes in entertainment for the whole family. Past award-winning films include: “The Chronicles of Narnia” series, “Journey to the Center of the Earth,” “Nim’s Island” and “Charlotte’s Web.” Upcoming films include the third installment in the Narnia series “The Chronicles of Narnia: The Voyage of the Dawn Treader.”

About OfficeMax
OfficeMax Incorporated (NYSE: OMX) is a leader in both business-to-business office products solutions and retail office equipment. The OfficeMax mission is simple. We help our customers do their best work. The company provides office supplies and paper, in-store print and document services through OfficeMax ImPress®, technology products and solutions, and office furniture to businesses and individual consumers. OfficeMax customers are served by more than 30,000 associates through direct sales, catalogs, e-commerce and approximately 1,000 stores. For more information on “A Day Made Better” visit http://www.adaymadebetter.com/.

About A Day Made Better
“A Day Made Better” is a national cause founded by OfficeMax and nonprofit Adopt-A-Classroom to help lead the fight to end teacher-funded classrooms. Throughout the year, 3,500 OfficeMax associates surprise and honor more than 1,000 teachers at Title 1 schools across the country each with an award and $1000 in classroom supplies. Nominated by their principals, teachers recipients receive this honor for their exceptional contributions as educators. By recognizing and rewarding some of the nation’s most dedicated teachers, the cause seeks to call attention to the issue of teacher out-of-pocket spending and motivate widespread support for teachers nationwide. “A Day Made Better” was first conducted in October 2007 and has since funded over 3,500 classrooms and attracted donations for more than 10,000 classrooms through Adopt-A-Classroom.

Vampire Knight Volume 1 DVD Offers Few Frills But Anime is Cool

TRASH IN MY EYE No. 70 (of 2010) by Leroy Douresseaux


VAMPIRE KNIGHT Volume 1 (2010)
• Rated ‘T+’ for Older Teens • MSRP: $19.97 US / $28.99 CAN • Available Now
DVD Release Date: July 20, 2010
Studio: VIZ Media
Format: Animated, Color, DVD, NTSC (Aspect Ratio: 1.33:1)
Number of discs: 1
Language: English and Subtitles: English
Region: Region 1 (U.S. and Canada only)
Running time: 96 minutes; Rating: Not Rated
ASIN: B003JSSPU2

Contents: Vampire Knight anime – Episodes 1-4

The recent DVD release, Vampire Knight, Vol. 1, presents four episodes of the Japanese animated series, Vampire Knight. This is a cool take on the vampire similar to such Young Adult literature vampire delights as the Twilight and Vampire Kisses series.

Vampire Knight is a manga (Japanese comics) written by manga artist Matsuri Hino. It was first published in January 2005 in the Japanese comics magazine, LaLa, and the series continues as of this writing. Vampire Knight, which is a shojo manga (comics for teen girls), received an English publication in 2006 via Shojo Beat magazine, and VIZ Media currently releases collected volumes of the series every few months.

Vampire Knight is set at Cross Academy, a private boarding school. Cross Academy has two classes: the Day Class (the human students) and the Night Class (the vampire students). At twilight, the Day Class students return to their dorms and cross paths with the Night Class on its way to school. The Day Class doesn’t know the school’s dark secret that the Night Class students are vampires, but the Day Class girl students are madly in love with the boys of the Night Class

The story focuses on Yuki Cross, the adopted daughter of Headmaster Cross. She partners with Zero Kiryu, a human student who struggles with the vampire’s thirst, and the two are the Guardians of the school, patrolling the hallways and school grounds to protect the Day Class students from the vampires. Yuki and Zero form a kind of love triangle with Kaname Kuran, a pure blood vampire who is basically the unquestioned leader of the Night Class. The series follows various intrigues related to the conflict between human and vampire, and the story also delves into the pasts of the three leads.

Japan’s Studio Deen adapted Vampire Knight into anime (Japanese animation), and the series debuted on Japanese television in the April 2008. The recent DVD release, Vampire Knight, Vol. 1 collects the first four episodes of Season One of the anime: #1 “Night of Vampires,” #2 “Memories of Blood,” #3 “The Fang of Penitence,” and #4 “Trigger of Condemnation.”

These episodes introduce the plot, setting, characters, and mythology of Vampire Knight in such an easy and friendly way. It will not be long into the first episode that the viewer will believe that she is well on her way to knowing and then loving these characters. The series favors the Night Class over the Day Class, which seems to exist to praise and worship the Night Class. The vampires are beautiful, sexy, and sassy; their air of confidence is infectious. The Day Class cast is mostly dull.

The star, of course, is Yuki Cross. In a series like Vampire Knight, what is needed is a character that is probably more nosy than curious and also brave enough to go where others won’t go. That will make viewers want to follow her quest and investigations, and Yuki will have the viewers hanging onto her. The two male interests, Zero Kiryu and the vampire Kaname Kuran, are also quite good. Their aloof, cocky natures are attractive, and if it is possible for an animated character to have a screen presence, they have that.

The quality of the animation is good. It emphasizes style and stylishness over movement and features vivid colors, lush background details, and elegant sets. This look is perfect for the gothic moodiness and romantic melodrama that defines the look of Vampire Knight.

Vampire Knight, Vol. 1 will reveal some secrets, expose Zero’s affliction, and give viewers a shocking look at a kind of vampire that isn’t a sexy, laid back student. While aimed at young women, Vampire Knight is a surprisingly engaging melodrama and will please anyone interested in soap operas – with vampires.

A-

EXTRAS: This is a no frills DVD without any extras, although viewers are offered the option of watching episodes in Japanese with English subtitles or dubbed versions with voice actors providing English dialogue.

Guillermo del Toro Book Signing at Forbidden Planet in October

GUILLERMO DEL TORO SIGNING AT FORBIDDEN PLANET

Diary Date: Wednesday 6th, October 6 – 7pm

Forbidden Planet is pleased to announce a signing by top Hollywood director Guillermo del Toro. He will be signing his new novel The Fall at the Forbidden Planet Megastore, 179 Shaftesbury Avenue, London, WC2H 8JR, on Wednesday 6th October 6 – 7pm.

In this fantastic sequel to The Strain, humans have been displaced at the top of the food chain, and now understand what it is to be not the consumer, but the consumed. Ephraim Goodweather, director of the New York office of the Centers for Disease control, is one of the few humans who understands what is really happening. Vampires have arrived in New York City, and their condition is contagious. If they cannot be contained, the entire world is at risk of infection. As the Biblical origins of the Ancient ones are gradually revealed, Eph learns that there is a greater, more terrible plan in store for the human race – worse even than annihilation…

Guillermo del Toro came to prominence with cult horror movies such as Chronos and The Devil’s Backbone and made his Hollywood directorial debut with the classic Blade II. Rapidly followed by the box office and critical hit Hellboy and the Oscar-winning Pan’s Labyrinth, del Toro has established himself as one of the leading directors in the genre.

Forbidden Planet is the largest store of its kind in the world. Some of the biggest names in Sci-Fi, Fantasy, Comics and Cult Entertainment have come to our London Megastore for signing events, including: Neil Gaiman, Terry Pratchett, Terry Gilliam, Simon Pegg, William Gibson, Mark Millar, Brian Froud and Stephen King.

For more news about our signings please go to: http://www.forbiddenplanet.com/Signings.html

Review: Excellent "Dogma" Falters Badly in Last Act

TRASH IN MY EYE No. 20 (of 2002) by Leroy Douresseaux

Dogma (1999)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – R for strong language including sex-related dialogue, violence, crude humor and some drug content
WRITER/DIRECTOR: Kevin Smith
PRODUCER: Scott Mosier
CINEMATOGRAPHER: Robert Yeoman (director of photography)
EDITOR: Scott Mosier and Kevin Smith
COMPOSER: Howard Shore

COMEDY/FANTASY

Starring: Matt Damon, Ben Affleck, Linda Fiorentino, Chris Rock, Janeane Garofalo, George Carlin, Jason Lee, Alan Rickman, Salma Hayek, Alanis Morrissette, Jason Mewes, and Kevin Smith

Bethany Sloane (Linda Fiorentino) is the last known descendant of Jesus Christ. Metatron the voice of God (Alan Rickman) sends her on a quest to stop two renegade angels from exploiting a loophole in Roman Catholic law to regain entry into heaven, an act that will cause existence to cease. Joining her on her quest are Jay (Jason Mewes) and Silent Bob (the director Kevin Smith), and the forgotten black 13th Apostle, Rufus (Chris Rock). The two angels, Bartleby (Ben Affleck) and Loki (Matt Damon), are encouraged in their destructive quest by a fallen angel/muse, Azrael (Jason Lee).

Directed by Kevin Smith (Clerks.), Dogma is meant to be satire of or, at least, poke fun, at Roman Catholic Dogma, and it succeeds at pointing out some of the Church’s eccentricities, although many of the complaints could be applied to Christianity in general, or most other faiths, for that matter. Dogma’s points are mostly complaints that one could hear from any armchair observer or frustrated Sunday mass-goer. The real pleasure of this film, and there are, surprisingly, many pleasures, is the execution of the film and raucous comedy.

Despite moments of long-winded and awkward soliloquies, the dialogue is pointed and funny. Often harsh and abrasive, it ranges from being hilarious and uproarious to smart and dead on in some of the film’s more opinionated moments. Dogma is an unusual film, a comedy that is very much steeped in the fantastique. However, its witty and ribald repartee engages the viewers and draws him through some of the film’s quirkier moments.

The acting is good from top bill to supporting cast, and they all manage to be quite convincing even when choking on mouthfuls of the verbose Smith’s dialogue. The characters Jay and Silent Bob are as funny as ever, and the make excellent sidekicks to the main players and story. Ms. Fiorentino makes a dramatic, but wry, turn as the downtrodden Bethany, she of shaky faith; she is surprisingly good although, at first glance, she seems an odd choice for a Kevin Smith film. Chris Rock also makes a rather nice appearance as Rufus; he manages to both be true to his shtick and to the film.

For all it’s fun, Dogma falls apart in the end. The last half hour’s violence is careless and special effects are not impressive seem a little cheap. Alanis Morissette’s appearance as God is the final straw in the film’s dismal closing chapter.

Oh, well. They almost had it. Watch Dogma for all its fun, especially if you’re familiar with Kevin Smith’s brand of comedy, but expect to pay for the fun with a poor ending.

5 of 10
B-

------------------

62nd Primetime Emmy Awards - Creative Arts Emmys

2010 Emmys Creative Arts: Winners list
(Thanks Gold Derby)

Best Casting of a Drama Series: "Mad Men"

Best Casting of a Movie/Mini: "The Pacific"

Best Casting of a Comedy Series: "Modern Family" (announced by Jane Lynch of "Glee," a losing nominee)

Best Prosthetic Makeup for Series, Movie or Mini: "The Pacific"

Best Makeup for Movie or Mini (Non-Prosthetic): "The Pacific"

Best Makeup for a Single-Camera Series, Movie, Mini or Special (Non-Prosthetic): "Grey's Anatomy"

Best Makeup/ Multi-Camera (Non-Prosthetic): "Saturday Night Live"

Best Guest Actress in a Comedy: Betty White, "Saturday Night Live" (not present to accept)

Best Costumes for Movie/Mini: "Return to Cranford"

Best Costumes for a Series: "The Tudors"

Best Music Direction: "Olympic Games"

Best Choreography: Mia Michaels, "So You Think You Can Dance"

Best Music Score: "24"

Best Music Score for Movie/Mini: "Temple Grandin"

Best Music and Lyrics: "Monk"

Best Art Direction for Variety or Nonfiction Program: "Academy Awards"

Best Art Direction for Movie/Mini: "The Pacific"

Best Art Direction for a Single-Camera Series: "The Tudors"

Best Picture Editing for Comedy Series: "Modern Family"

Best Picture Editing for Drama Series (Single Camera): "Lost"

Best Picture Editing for Movie/Mini (Single Camera): "Temple Grandin"

Best Short Form Picture Editing: "Late Night with Jimmy Fallon"

Best Picture Editing for Nonfiction Program: "By the People: Election of Barack Obama"

Best Picture Editing for Reality Program: "Intervention"

Best Animated Program: "Disney Prep and Landing"

Best Short Form Animated Program: "Robot Chicken"

Best Voiceover Performance: Anne Hathaway, "The Simpsons"

Best Stunt Coordination: "Flash Forward"

Best Visual Effects in a Series: "CSI"

Best Visual Effects in a Movie/Mini/Special: "The Pacific, Part 5"

Best Main Titles Design: "Bored to Death"

Best Main Title Theme Music: "Nurse Jackie"

Best Guest Actor in a Drama Series: John Lithgow, "Dexter" (he accidentally thanked HBO instead of Showtime!)

Best Sound Mixing for a Comedy or Drama Series: "Glee"

Best Sound Mixing for a Mini/Movie: "The Pacific, Part 2"

Best Sound Mixing for Half-Hour Series (Tie): "Entourage" and "Modern Family"

Best Sound Mixing for Music Series or Special (tie): "Grammy Awards" and "Rock and Roll Hall of Fame Concert"

Best Tech Direction for a Series: "Dancing with the Stars"

Best Tech Direction for a Mini/Special: "Rock and Roll Hall of Fame Concert"

Best Cinematography for Nonfiction: "Life"

Best Cinematography for Movie/Mini: "Return to Cranford"

Best Cinematography for One-Hour Show: "CSI"

Best Cinematrophy for Half-Hour Series: "Weeds"

Best Cinematography for Nonfiction: "Survivor"

Best Lighting: Winter Olympics Opening

Best Guest Actor in a Comedy Series: Neil Patrick Harris, "Glee"

Best Direction for Nonfiction: "My Lai"

Best Writing for Nonfiction: "National Parks"

Exceptional Merit in Nonfiction Filmmaking: "Nerakhoon (The Betrayal)"

Best Nonfiction Special: "Teddy: In His Own Words"

Best Nonfiction Series: "National Parks: America's Best Idea"

Best Special Class Program: "Tony Awards" (NHP said at the podium, "I just want to thank Boomer from The Envelope or I wouldn't have gotten this!" then he gave Boomer double thumbs up! -- CONGRATS BOOMER!)

Best Creative Achievement Interactive: "Star Wars Uncut"

Best Creative Achievement in Interactive: "The Jimmy Fallon Digital Experience"

Best Direction of Variety: "Saturday Night Live"

Best Children's Program: "Wizards of Waverly Place: The Movie"

Best Variety Special: "Kennedy Center Honors"

Best Variety Writing: "Colbert Report"

Best Children's Nonfiction Program: "Nick News With Linda Ellerbee - The Face Of Courage: Kids Living With Cancer"

Best Commercial: "The Man Your Man Could Smell Like • Old Spice Body Wash"

Best Reality Program: "Jamie Oliver's Food Revolution"

Best Reality Host: Jeff Probst, "Survivor"

Best Guest Actress in a Drama Series: Ann-Margret, "Law and Order: SVU" (she receives the only standing ovation of the night)

Visit the Emmy.tv website or view this PDF press which goes into details about each award and names the actual winner or winners of the trophy in each category.

Review: God Awful = "Mallrats"

TRASH IN MY EYE No. 182 (of 2004) by Leroy Douresseaux

Mallrats (1995)
Running time: 94 minutes (1 hour, 34 minutes)
MPAA – R for strong language, including sexual dialogue, and for some scenes of sexuality and drug content
WRITER/DIRECTOR: Kevin Smith
PRODUCERS: Sean Daniel, James Jacks, and Scott Mosier
CINEMTOGRAPHER: David Klein
EDITOR: Paul Dixon

COMEDY

Starring: Shannen Doherty, Jeremy London, Jason Lee, Claire Forlani, Ben Affleck, Joey Lauren Adams, Renee Humphrey, Jason Mewes, Ethan Suplee, Stan Lee, Michael Rooker, and Kevin Smith

Kevin Smith hit the almost inevitable sophomore slump with his awful film Mallrats. It the tale of two buddies, both dumped by their girlfriends on the same day. Brodie Bruce (Jason Lee) is a slacker comic book collector who lives in his mom’s basement, and his girl, Rene Mosier (Shannen Doherty), just can’t put up with being mostly ignored by Brodie for comics and videogames. T.S. Quint (Jeremy London) is an aimless college student who always fights with his girl, Brandi (Claire Forlani).

So Brodie and T.S. seek solace at the local mall, but they can’t get away from their girlfriends. Rene is there and has found a new boy toy in the form of Shannon Hamilton (Ben Affleck), a salesman at an upscale men’s clothing store, who is a bully to both friend and foe. Brandi is a replacement contestant on her father’s game show, an episode of which is filming at the mall, so Brodie and T.S. plot to ruin shoot. Meanwhile, Jay (Jason Mewes) and Silent Bob (Kevin Smith) are lurking about the mall, looking to cause mischief.

The dialogue that was so riotously funny in Clerks. turns to crap in Mallrats. It’s just line after line of meaningless filler that when spoken sounds awkward and unnatural. The actors are game and give it their best shot to make Smith’s words seem cool and witty, but it just comes out as noise. The script is so bad that it actually keeps the cast, for the most part, from being able to act at a professional level.

Smith is at his best when he takes a group of characters and gives them funny, insightful, and outrageous things to say. The moment he tries to construct a plot around the dialogue the scenario begins to crumble. And the more he tries to fit it into a plot or the more he tries to create a situation around the talking heads, the worse the movie gets, especially when the repartee is really more important than the plot. Smith began to solve this problem in his later films, but Mallrats is still trash.

2 of 10
D

----------------------------