TRASH IN MY EYE No. 30 (of 2004) by Leroy Douresseaux
The Pianist (2002)
Running time: 150 minutes (2 hours, 30 minutes)
MPAA – R for violence and brief strong language
DIRECTOR: Roman Polanski
WRITER: Ronald Harwood (based upon the novel by Wladyslaw Szpilman)
PRODUCERS: Robert Benmussa, Roman Polanski, and Alain Sarde
CINEMATOGRAPHER: Pawel Edelman (director of photography)
EDITOR: Hervé de Luze
COMPOSER: Wojciech Kilar
Academy Award winner
DRAMA/WAR
Starring: Adrien Brody, Thomas Kretschmann, Frank Finlay, Maureen Lipman, Emilia Fox, Ed Stoppard, Julia Rayner, Jessica Kate Meyer, and Michal Zebrowski
Director Roman Polanski, writer Ronald Harwood, and actor Adrien Brody all won Oscars® for their work on The Pianist, a film based upon the memoirs of Wladyslaw Szpilman (Adrien Brody), a Polish Jew who survived for five years in the Warsaw ghetto during World War II. It’s arguably the best non-documentary film about the Holocaust and Jewish oppression at the hands of the Germans after Schindler’s List.
Stylistically, The Pianist is similar to Schindler’s List in that both films visually have an atmosphere of classic cinema from the Golden Age of Hollywood film – the late 1930’s and 1940’s. From a technical aspect, the film is beautifully photographed with a gorgeous color palette that looks luscious even when melancholy gray tones are omnipresent. Also of top caliber are the art direction and set decoration, the costume design, and the original music by Wojciech Kilar.
What else can I say? This film, because of its subject matter, is difficult to watch, but from a filmmaking point of view, The Pianist is near perfect. Everyone deserved their awards and nominations, and Polanski cemented his place as a daring filmmaker willing to take chances and making great films when he succeeds.
If there must be one main reason to see this film, Adrien Brody’s performance is it. He plays Szpilman as both an eternal optimist and as a survivor, and the thing that is most uplifting about this film (which is filled with sorrow and tragedy) is that Szpilman survives. When he’s beaten down to being little more than a pitiful animal and a pathetic human skeleton, he nimbly skirts death’s every blow. Add the beautiful musical performances of Chopin and Beethoven, each one exquisitely staged and shot by Polanski and his cinematographer Pawl Edelman, and a great film is even greater.
9 of 10
A+
NOTES:
2003 Academy Awards: 3 wins: “Best Actor in a Leading Role” (Adrien Brody), “Best Director” (Roman Polanski), and “Best Writing, Adapted Screenplay” (Ronald Harwood); 4 nominations: “Best Cinematography” (Pawel Edelman), “Best Costume Design” (Anna B. Sheppard), “Best Editing” (Hervé de Luze), and “Best Picture” (Roman Polanski, Robert Benmussa, Alain Sarde)
2003 BAFTA Awards: 2 wins: “Best Film” (Roman Polanski, Robert Benmussa, and Alain Sarde) and “David Lean Award for Direction” (Roman Polanski); 5 nominations: “Anthony Asquith Award for Film Music” (Wojciech Kilar), “Best Cinematography” (Pawel Edelman), “Best Performance by an Actor in a Leading Role” (Adrien Brody), “Best Screenplay – Adapted” (Ronald Harwood), and “Best Sound” (Jean-Marie Blondel, Dean Humphreys, and Gérard Hardy)
2003 Golden Globes: 2 nominations: “Best Motion Picture – Drama” and Best Performance by an Actor in a Motion Picture – Drama” (Adrien Brody)
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Tuesday, September 7, 2010
Review: "The Pianist" Simply Superb
Labels:
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Monday, September 6, 2010
Lionsgate Releases First Image from Tyler Perry's "For Colored Girls"
This is the first image from Tyler Perry's upcoming film, For Colored Girls.
Pictured are from left to right: Anika Noni Rose (as Yasmine), Kerry Washington (as Kelly), Janet Jackson (as Joanna), Kimberly Elise (as Crystal), Phylicia Rashad (as Gilda), Loretta Devine (as Juanita), Tessa Thompson (Nyla) and Thandie Newton (Tangie) in "For Colored Girls." Photo credit: Patrick Harbron
Lionsgate recently announced that the film's release date has been moved up from the Martin Luther King holiday weekend in 2011 to November 5 2010.
To see this image at a larger size, go here.
Labels:
Anika Noni Rose,
Black Film News,
Janet Jackson,
Kimberly Elise,
Lionsgate,
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Review: "The Expendables" is the Real Kick Ass
TRASH IN MY EYE No. 73 (of 2010) by Leroy Douresseaux -
The Expendables (2010)
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – R for strong action and bloody violence throughout, and for some language
DIRECTOR: Sylvester Stallone
WRITERS: David Callaham and Sylvester Stallone; from a story by David Callaham
PRODUCERS: Kevin King, Avi Lerner, Kevin King Templeton, and John Thompson
CINEMATOGRAPHER: Jeffrey Kimball (director of photography)
EDITORS: Ken Blackwell and Paul Harb
COMPOSER: Brian Tyler
ACTION
Starring: Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren, Mickey Rourke, Eric Roberts, Randy Couture, Steve Austin, David Zayas, Giselle Itié, Charisma Carpenter, Gary Daniels, and Terry Crews with Bruce Willis and Arnold Schwarzenegger
The late summer 2010 box office season has offered one surprising gem, The Expendables, an explosive action film co-written, directed, and starring Sylvester Stallone. Much has been made of this film being a throwback to the old macho, testosterone-fueled action films of the 1980s. Indeed, this movie does have a First Blood and friends, Team Rambo vibe to it. In fact, 80s action stars, Arnold Schwarzenegger and Bruce Willis, swagger (and wheeze a bit) through cameo appearances.
The Expendables, however, isn’t some homage, parody, or sentimental recollection of action movie days gone by. The Expendables is an authentic ass-kicking, ass-stabbing, cap-popped-in-ass action movie, and boy, is it good. [No panty-waists allowed!]
The story focuses on the Expendables, an elite band of mercenaries led by an American named Barney Ross (Sylvester Stallone). The teams consists of Ross’ right-hand man, former Special Air Service soldier, Lee Christmas (Jason Statham); martial artist Yin Yang (Jet Li); sniper Gunner Jensen (Dolph Lundgren); demolitions expert Toll Road (Randy Couture); and weapons specialist Hale Caesar (Terry Crews).
Ross accepts a high-paying assignment from the mysterious “Mr. Church” (Bruce Willis) to assassinate General Garza (David Zayas), the brutal dictator of (fictional) Vilena, a small Caribbean island nation. On a reconnaissance mission, Ross and Christmas learn that Garza is being backed by James Munroe (Eric Roberts) a corrupt ex-CIA agent. With his henchmen, Paine (Steve Austin) and The Brit (Gary Daniels), Munroe manipulates Garza and his military into terrorizing the island’s inhabitants, while Munroe seeks to control the drug trade he once fought as CIA. Inspired by Sandra (Giselle Itié), a beautiful islander, Ross becomes determined to stop Munroe and Garza, even if he has to do it alone – although his Expendables obviously won’t let him.
I don’t remember 80s action movies being quite as violent and as gory as The Expendables, although Die Hard 2 had an equally high body count. The violence, however, is not a problem for me. Movies like the Jason Bourne franchise and the recent Live Free or Die Hard offer so much high-tech gloss that the low-tech, bloody mayhem of The Expendables is like cool, sweet lemonade on a scorching hot summer day. This is a meat and potatoes action movie in which brute force does the ass kicking without computerized weapons.
Of course, the acting is mostly mediocre, but still surprisingly sincere. Watching The Expendables, you might get the idea that these guys had fun making this movie, but still took their work very seriously. Jason Statham is the standout here, and Terry Crews’ Hale Caesar should have had more screen time, while Jet Li’s Yin Yang felt extraneous.
Stallone has surprised everyone and made a real action movie, a man’s man action movie. At his age and after plastic surgery, Stallone is starting to look like Boris Korloff’s Frankenstein. Still, by sticking to his old guns, he and his cinematic kitchen staff have made an action movie meal that sticks to the ribs. Hollywood should ask for The Expendables’ recipe.
7 of 10
B+
Monday, September 06, 2010
The Expendables (2010)
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – R for strong action and bloody violence throughout, and for some language
DIRECTOR: Sylvester Stallone
WRITERS: David Callaham and Sylvester Stallone; from a story by David Callaham
PRODUCERS: Kevin King, Avi Lerner, Kevin King Templeton, and John Thompson
CINEMATOGRAPHER: Jeffrey Kimball (director of photography)
EDITORS: Ken Blackwell and Paul Harb
COMPOSER: Brian Tyler
ACTION
Starring: Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren, Mickey Rourke, Eric Roberts, Randy Couture, Steve Austin, David Zayas, Giselle Itié, Charisma Carpenter, Gary Daniels, and Terry Crews with Bruce Willis and Arnold Schwarzenegger
The late summer 2010 box office season has offered one surprising gem, The Expendables, an explosive action film co-written, directed, and starring Sylvester Stallone. Much has been made of this film being a throwback to the old macho, testosterone-fueled action films of the 1980s. Indeed, this movie does have a First Blood and friends, Team Rambo vibe to it. In fact, 80s action stars, Arnold Schwarzenegger and Bruce Willis, swagger (and wheeze a bit) through cameo appearances.
The Expendables, however, isn’t some homage, parody, or sentimental recollection of action movie days gone by. The Expendables is an authentic ass-kicking, ass-stabbing, cap-popped-in-ass action movie, and boy, is it good. [No panty-waists allowed!]
The story focuses on the Expendables, an elite band of mercenaries led by an American named Barney Ross (Sylvester Stallone). The teams consists of Ross’ right-hand man, former Special Air Service soldier, Lee Christmas (Jason Statham); martial artist Yin Yang (Jet Li); sniper Gunner Jensen (Dolph Lundgren); demolitions expert Toll Road (Randy Couture); and weapons specialist Hale Caesar (Terry Crews).
Ross accepts a high-paying assignment from the mysterious “Mr. Church” (Bruce Willis) to assassinate General Garza (David Zayas), the brutal dictator of (fictional) Vilena, a small Caribbean island nation. On a reconnaissance mission, Ross and Christmas learn that Garza is being backed by James Munroe (Eric Roberts) a corrupt ex-CIA agent. With his henchmen, Paine (Steve Austin) and The Brit (Gary Daniels), Munroe manipulates Garza and his military into terrorizing the island’s inhabitants, while Munroe seeks to control the drug trade he once fought as CIA. Inspired by Sandra (Giselle Itié), a beautiful islander, Ross becomes determined to stop Munroe and Garza, even if he has to do it alone – although his Expendables obviously won’t let him.
I don’t remember 80s action movies being quite as violent and as gory as The Expendables, although Die Hard 2 had an equally high body count. The violence, however, is not a problem for me. Movies like the Jason Bourne franchise and the recent Live Free or Die Hard offer so much high-tech gloss that the low-tech, bloody mayhem of The Expendables is like cool, sweet lemonade on a scorching hot summer day. This is a meat and potatoes action movie in which brute force does the ass kicking without computerized weapons.
Of course, the acting is mostly mediocre, but still surprisingly sincere. Watching The Expendables, you might get the idea that these guys had fun making this movie, but still took their work very seriously. Jason Statham is the standout here, and Terry Crews’ Hale Caesar should have had more screen time, while Jet Li’s Yin Yang felt extraneous.
Stallone has surprised everyone and made a real action movie, a man’s man action movie. At his age and after plastic surgery, Stallone is starting to look like Boris Korloff’s Frankenstein. Still, by sticking to his old guns, he and his cinematic kitchen staff have made an action movie meal that sticks to the ribs. Hollywood should ask for The Expendables’ recipe.
7 of 10
B+
Monday, September 06, 2010
------------------------
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Labels:
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Sunday, September 5, 2010
Third Benchmark Met in "Waiting for 'Superman'" Campaign
Press release:
50,000 PEOPLE PLEDGE TO SEE WAITING FOR "SUPERMAN"
First Book and Houghton Mifflin Harcourt Donate 250,000 New Books to Schools and Programs in Need - Third Benchmark Met on WaitingForSuperman.com "Pledge Progress Meter"
HOLLYWOOD, CA (September 3, 2010) - Paramount Pictures, Participant Media and Walden Media announced today 50,000 people have pledged to see the award-winning documentary film WAITING FOR "SUPERMAN" when it opens this fall, making it the third goal reached on the campaign's "Pledge Progress Meter." As a result, First Book and Houghton Mifflin Harcourt are teaming up to distribute 250,000 new books to schools and programs in low-income communities across the country. The books will be generously provided by Houghton Mifflin Harcourt and distributed through First Book's award-winning book distribution channels. In addition, the duo will donate an additional $100,000 worth of new books once the "Pledge Progress Meter" reaches 60,000.
"We are thrilled that by pledging to see the film, 50,000 people have already started an important dialogue about addressing the needs of America's students," said Kyle Zimmer, President and CEO of First Book. "First Book's mission is to provide the access to educational resources that is proven to be vital in literacy development. We are honored to have the opportunity to celebrate this pledge milestone by distributing 250,000 new books to students who need them most."
WAITING FOR "SUPERMAN" directed by Davis Guggenheim ("An Inconvenient Truth") will be released under the Paramount Vantage banner and distributed by Paramount Pictures. It examines the crisis of public education in the United States through multiple interlocking stories. Designed to start a national conversation, the movie and corresponding "Take the Pledge" campaign aim to inspire everyone to create innovative and long-term solutions to help change the course of our kids' lives for the better.
The "Pledge Progress Meter" launched in May as a way for non-profits, foundations and corporations to match individual pledge levels with powerful action items aimed at helping both students and public schools. First Book was the first organization to take the pledge.
The film opens in New York and Los Angeles on September 24, nationwide in October.
The film is produced by Lesley Chilcott, with Participant Media's Jeff Skoll and Diane Weyermann serving as executive producers. It is written by Davis Guggenheim & Billy Kimball.
For more information about the movie, or to take the pledge go to http://www.waitingforsuperman.com/ or text "PLEDGE" to 77177
To join the conversation visit us on Facebook at http://www.Facebook.com/WaitingForSuperman
What does your school need? Tell us by Tweeting #MySchoolNeeds at http://www.Twitter.com/WaitingSuperman
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group, and Worldwide Television Distribution.
About Participant Media
Participant Media is a Los Angeles-based entertainment company that focuses on socially relevant, commercially viable feature films, documentaries and television, as well as publishing and digital media. Participant Media is headed by CEO Jim Berk and was founded in 2004 by philanthropist Jeff Skoll, who serves as Chairman. Ricky Strauss is President.
Participant exists to tell compelling, entertaining stories that bring to the forefront real issues that shape our lives. For each of its projects, Participant creates extensive social action and advocacy programs, which provide ideas and tools to transform the impact of the media experience into individual and community action. Participant's films include The Kite Runner, Charlie Wilson's War, Darfur Now, An Inconvenient Truth, Good Night, and Good Luck, Syriana, Standard Operating Procedure, The Visitor, The Soloist, Food, Inc., The Informant!, The Cove, The Crazies, Oceans, Furry Vengeance, CASINO JACK and the United States of Money, Countdown to Zero and Waiting for "Superman."
About Walden Media
Walden Media specializes in entertainment for the whole family. Past award-winning films include: "The Chronicles of Narnia" series, "Journey to the Center of the Earth," "Nim's Island" and "Charlotte's Web." Upcoming films include the third installment in the Narnia series "The Chronicles of Narnia: The Voyage of the Dawn Treader."
About First Book
First Book provides new books to children in need addressing one of the most important factors affecting literacy - access to books. An innovative leader in social enterprise, First Book has distributed 70 million free and low cost books in thousands of communities. First Book has offices in the U.S. and Canada. For more information, please visit www.firstbook.org.
About Houghton Mifflin Harcourt
Boston-based Houghton Mifflin Harcourt Publishing Company is a global education leader and the world's largest publisher of educational materials for pre-K-12 schools. The Company publishes a comprehensive set of best-in-class educational solutions, ranging from research-based textbook programs to instructional technology to standards-based assessments for students and educators. The Company also publishes an extensive line of reference works and award-winning literature for adults and young readers. With origins dating back to 1832, Houghton Mifflin Harcourt combines its tradition of excellence with a commitment to innovation. To learn more about Houghton Mifflin Harcourt, visit www.hmhpub.com.
50,000 PEOPLE PLEDGE TO SEE WAITING FOR "SUPERMAN"
First Book and Houghton Mifflin Harcourt Donate 250,000 New Books to Schools and Programs in Need - Third Benchmark Met on WaitingForSuperman.com "Pledge Progress Meter"
HOLLYWOOD, CA (September 3, 2010) - Paramount Pictures, Participant Media and Walden Media announced today 50,000 people have pledged to see the award-winning documentary film WAITING FOR "SUPERMAN" when it opens this fall, making it the third goal reached on the campaign's "Pledge Progress Meter." As a result, First Book and Houghton Mifflin Harcourt are teaming up to distribute 250,000 new books to schools and programs in low-income communities across the country. The books will be generously provided by Houghton Mifflin Harcourt and distributed through First Book's award-winning book distribution channels. In addition, the duo will donate an additional $100,000 worth of new books once the "Pledge Progress Meter" reaches 60,000.
"We are thrilled that by pledging to see the film, 50,000 people have already started an important dialogue about addressing the needs of America's students," said Kyle Zimmer, President and CEO of First Book. "First Book's mission is to provide the access to educational resources that is proven to be vital in literacy development. We are honored to have the opportunity to celebrate this pledge milestone by distributing 250,000 new books to students who need them most."
WAITING FOR "SUPERMAN" directed by Davis Guggenheim ("An Inconvenient Truth") will be released under the Paramount Vantage banner and distributed by Paramount Pictures. It examines the crisis of public education in the United States through multiple interlocking stories. Designed to start a national conversation, the movie and corresponding "Take the Pledge" campaign aim to inspire everyone to create innovative and long-term solutions to help change the course of our kids' lives for the better.
The "Pledge Progress Meter" launched in May as a way for non-profits, foundations and corporations to match individual pledge levels with powerful action items aimed at helping both students and public schools. First Book was the first organization to take the pledge.
The film opens in New York and Los Angeles on September 24, nationwide in October.
The film is produced by Lesley Chilcott, with Participant Media's Jeff Skoll and Diane Weyermann serving as executive producers. It is written by Davis Guggenheim & Billy Kimball.
For more information about the movie, or to take the pledge go to http://www.waitingforsuperman.com/ or text "PLEDGE" to 77177
To join the conversation visit us on Facebook at http://www.Facebook.com/WaitingForSuperman
What does your school need? Tell us by Tweeting #MySchoolNeeds at http://www.Twitter.com/WaitingSuperman
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group, and Worldwide Television Distribution.
About Participant Media
Participant Media is a Los Angeles-based entertainment company that focuses on socially relevant, commercially viable feature films, documentaries and television, as well as publishing and digital media. Participant Media is headed by CEO Jim Berk and was founded in 2004 by philanthropist Jeff Skoll, who serves as Chairman. Ricky Strauss is President.
Participant exists to tell compelling, entertaining stories that bring to the forefront real issues that shape our lives. For each of its projects, Participant creates extensive social action and advocacy programs, which provide ideas and tools to transform the impact of the media experience into individual and community action. Participant's films include The Kite Runner, Charlie Wilson's War, Darfur Now, An Inconvenient Truth, Good Night, and Good Luck, Syriana, Standard Operating Procedure, The Visitor, The Soloist, Food, Inc., The Informant!, The Cove, The Crazies, Oceans, Furry Vengeance, CASINO JACK and the United States of Money, Countdown to Zero and Waiting for "Superman."
About Walden Media
Walden Media specializes in entertainment for the whole family. Past award-winning films include: "The Chronicles of Narnia" series, "Journey to the Center of the Earth," "Nim's Island" and "Charlotte's Web." Upcoming films include the third installment in the Narnia series "The Chronicles of Narnia: The Voyage of the Dawn Treader."
About First Book
First Book provides new books to children in need addressing one of the most important factors affecting literacy - access to books. An innovative leader in social enterprise, First Book has distributed 70 million free and low cost books in thousands of communities. First Book has offices in the U.S. and Canada. For more information, please visit www.firstbook.org.
About Houghton Mifflin Harcourt
Boston-based Houghton Mifflin Harcourt Publishing Company is a global education leader and the world's largest publisher of educational materials for pre-K-12 schools. The Company publishes a comprehensive set of best-in-class educational solutions, ranging from research-based textbook programs to instructional technology to standards-based assessments for students and educators. The Company also publishes an extensive line of reference works and award-winning literature for adults and young readers. With origins dating back to 1832, Houghton Mifflin Harcourt combines its tradition of excellence with a commitment to innovation. To learn more about Houghton Mifflin Harcourt, visit www.hmhpub.com.
Labels:
Davis Guggenheim,
Documentary News,
movie news,
Paramount Pictures,
Participant Media,
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Review: Inventive "Resident Evil: Apocalypse" is Sadly Sad
TRASH IN MY EYE No. 180 (of 2004) by Leroy Douresseaux
Resident Evil: Apocalypse (2004)
Running time: 94 minutes (1 hour, 34 minutes)
MPAA – R for non-stop violence, language, and some nudity
DIRECTOR: Alexander Witt
WRITER: Paul W.S. Anderson
PRODUCERS: Jeremy Bolt, Don Carmody, and Anderson
CINEMATOGRAPHERS: Derek Rogers and Christian Sebaldt
EDITOR: Eddie Hamilton
ACTION/HORROR with elements of sci-fi
Starring: Milla Jovovich, Sienna Guillory, Oded Fehr, Thomas Kretschmann, Sophie Vavasseur, Raz Adoti, Jared Harris, Mike Epps, Sandrine Holt, Matthew G. Taylor, and Zack Ward
After barely surviving the zombie infestation/lab tragedy in Resident Evil, Alice (Milla Jovovich) wakes up in a Raccoon City hospital. Outside, Raccoon City is now a city of the stalking dead, as the T-virus that turned man and beast into the flesh-eating ghouls of the first film has escaped from the Hive into the city, and most of the residents are now zombies. Alice and a band of survivors of the new outbreak must find the daughter of a Hive scientist if they want his help to escape the city. However, Alice must also face Nemesis (Matthew G. Taylor), a creature/super soldier created by Hive scientists using the T-virus as a catalyst. They apparently also experimented on Alice in between her escape from the Hive and her waking up in a hospital. And now, Alice is quite the super girl, but will it be enough to save her and the other survivors?
Resident Evil: Apocalypse is not nearly as good as the first film, and it almost falls into the category of awful movies based upon video games. However, Apocalypse is what the first film was: a very scary zombie movie that might make someone jump from his seat. The creatures are quite effective. Who knew that a little makeup would make so many actors and extras be such convincing flesh-eating ghouls. The action scenes are warmed over video game sequences and retread action movie clichés. It is, however, nice to see Milla Jovovich and her stunt doubles flying around and kicking behinds, and the Nemesis character is actually pretty cool. Luckily, the genuinely funny Mike Epps is on hand to add some really nice comic relief. Would that he performed more house calls like this for many lame action movies.
4 of 10
C
Resident Evil: Apocalypse (2004)
Running time: 94 minutes (1 hour, 34 minutes)
MPAA – R for non-stop violence, language, and some nudity
DIRECTOR: Alexander Witt
WRITER: Paul W.S. Anderson
PRODUCERS: Jeremy Bolt, Don Carmody, and Anderson
CINEMATOGRAPHERS: Derek Rogers and Christian Sebaldt
EDITOR: Eddie Hamilton
ACTION/HORROR with elements of sci-fi
Starring: Milla Jovovich, Sienna Guillory, Oded Fehr, Thomas Kretschmann, Sophie Vavasseur, Raz Adoti, Jared Harris, Mike Epps, Sandrine Holt, Matthew G. Taylor, and Zack Ward
After barely surviving the zombie infestation/lab tragedy in Resident Evil, Alice (Milla Jovovich) wakes up in a Raccoon City hospital. Outside, Raccoon City is now a city of the stalking dead, as the T-virus that turned man and beast into the flesh-eating ghouls of the first film has escaped from the Hive into the city, and most of the residents are now zombies. Alice and a band of survivors of the new outbreak must find the daughter of a Hive scientist if they want his help to escape the city. However, Alice must also face Nemesis (Matthew G. Taylor), a creature/super soldier created by Hive scientists using the T-virus as a catalyst. They apparently also experimented on Alice in between her escape from the Hive and her waking up in a hospital. And now, Alice is quite the super girl, but will it be enough to save her and the other survivors?
Resident Evil: Apocalypse is not nearly as good as the first film, and it almost falls into the category of awful movies based upon video games. However, Apocalypse is what the first film was: a very scary zombie movie that might make someone jump from his seat. The creatures are quite effective. Who knew that a little makeup would make so many actors and extras be such convincing flesh-eating ghouls. The action scenes are warmed over video game sequences and retread action movie clichés. It is, however, nice to see Milla Jovovich and her stunt doubles flying around and kicking behinds, and the Nemesis character is actually pretty cool. Luckily, the genuinely funny Mike Epps is on hand to add some really nice comic relief. Would that he performed more house calls like this for many lame action movies.
4 of 10
C
Labels:
2004,
Horror,
Mike Epps,
Milla Jovovich,
Movie review,
Paul W.S. Anderson,
Resident Evil,
Screen Gems,
videogame adaptation
TV is Dreaming of "The Sandman"
"Heat Vision," a blog at The Hollywood Reporter's website, is reporting that "The Sandman," the beloved comic book series written by Neil Gaiman, is in the early stages of being developed as a television series.
The blog entry also notes that Eric Kripke, the creator of The CW television series, "Supernatural," is the top name on the list of writer/producers Warner Bros. TV is considering to adapt the DC Comics/Vertigo comic book to the small screen.
The blog entry also notes that Eric Kripke, the creator of The CW television series, "Supernatural," is the top name on the list of writer/producers Warner Bros. TV is considering to adapt the DC Comics/Vertigo comic book to the small screen.
Labels:
DC Comics,
Neil Gaiman,
TV news,
Warner Bros
Saturday, September 4, 2010
Review: "Dreamgirls" a Delightful Spin on Music History (Happy B'day, Beyonce)
TRASH IN MY EYE No. 77 (of 2007) by Leroy Douresseaux
Dreamgirls (2006)
Running time: 131 minutes (2 hours, 11 minutes)
MPAA – PG-13 for language, some sexuality, and drug content
DIRECTOR: Bill Condon
WRITER: Bill Condon (based upon the original Broadway Production Book and Lyrics by Tom Eyen)
PRODUCER: Laurence Mark
CINEMATOGRAPHER: Tobias Schliessler
EDITOR: Virginia Katz, A.C.E.
Academy Award winner
MUSICAL/DRAMA
Starring: Jamie Foxx, Beyoncé Knowles, Eddie Murphy, Danny Glover, Anika Noni Rose, Keith Robinson, Jennifer Hudson, Sharon Leal, and Hinton Battle
Writer/director Bill Condon wrote the screenplay that brought the famous musical Chicago to the screen in 2002, and the film went onto to win six Academy Awards including "Best Picture" in 2003. Condon, who won an Oscar for writing his 1998 film Gods and Monsters, takes on the movie musical again with Dreamgirls, a film adaptation of the beloved 1981 Tony Award-winning musical of the same name. Condon uses music (featuring the score of Henry Krieger, who also scored the original musical) and song to drive this film into a memorable musical experience that recreates a particular period in American music.
In 1960's Detroit, an African-American singing trio, the Dreamettes - Deena Jones (Beyoncé Knowles), Lorrell Robinson (Anika Noni Rose), and lead singer Effie White (Jennifer Hudson), are trying to make it to the big time. They arrive at a big talent show in their cheap wigs and homemade dresses. The Dreamettes perform songs written by Effie's brother, C.C. (Keith Robinson), who also choreographs their dancing.
They get their big break when they meet Curtis Taylor, Jr. (Jaime Foxx), an ambitious car salesman determined to make his mark on the music industry. He wants to form his own record label and get its music heard on mainstream radio stations - meaning white-owned - in a time when the Civil Rights movement is still struggling to get a foothold and when black recording artists are mostly marginalized. He sees the Dreamettes as the right angle to make that move to the mainstream. They've got the right talent and could be the right product to sell - if Curtis can shape it all the way he sees fit.
Curtis talks the girls into allowing him to become their manager, and he gets them a gig singing backup for James "Thunder" Early (Eddie Murphy), a pioneer of the new Detroit sound that blends soul music and rock 'n' roll. Early, however, is stuck singing on the "Chitlin' Circuit," which, at the time, meant mostly black-owned clubs. Curtis promises Early to move him into the mainstream, replacing Early's original manager, Marty Madison (Danny Glover), but that's not the only changes Curtis plans on making. He changes the Dreamettes name to the Dreams, and moves to replace Effie as the lead singer. As a new musical age dawns and Curtis' new sound takes hold, some people are fading away and others are finding that their dreams have come true, but at a high price.
Dreamgirls is indeed a movie musical, pretty much in the fine tradition of Hollywood musicals, except that its major characters are all black. It's an absolutely lovely film. In terms of the film's creative staff (art direction, costumes, cinematography, etc.), Dreamgirls is as good as any in recent memories, and the Dreams' costumes seem right out of a musical dream. Tobias Schliessler's cinematography creates a crystal clear heavenly aura of color that mixes the hyper-reality of the music world with the harsh reality of failure and betrayal.
The acting is quite good, but the singing is what makes these performances so memorable. As an actress, Jennifer Hudson isn't yet as skilled as some she beat out for the Oscar she earned for this film, but film performances aren't always built just on dialogue and physical movement. What put her over the top were those extraordinary pipes. Watching this film, it's easy to see why she amazed people with both her powerful, booming voice and her ability to interpret songs. Coming from a novice actress, she impressed enough awards voters to win all the big prizes.
In fact, so much of this movie's narrative and characterization is done through song. Jaime Foxx and Beyoncé Knowles who are professional singers sound better than they ever have. Eddie Murphy who has recorded albums using a voice that imitated other singers, but was on its own not distinctive, sounds better than I thought it was possible. Anika Noni Rose, as Lorrell, is a classically trained actress, Broadway veteran, and Tony Award winner, and she sounds great in a part that puts her character in the shadow of Knowles and Hudson's.
Condon deserves so much of the credit for bringing actors singing and singers acting together to create an ensemble cast that brings this colorful fantasy to life. Dreamgirls is a musical, but it is also a musical revue and music-filled overview of a time when African-American music was trying to break into the mainstream. In that, Dreamgirls is an intimate look at the lives of black artists, entertainers, musicians, singers, composers, and businessmen. The songs may unite the audience, but the experience of the African-American struggle to be accepted in the wider society and culture may seem foreign to so many. Still, Condon's colorful song-filled, dreamy myth making of real musical history will delight many for a long time to come.
10 of10
NOTES:
2007 Academy Awards: 2 wins: "Best performance by an actress in a supporting role" (Jennifer Hudson) and "Best achievement in sound mixing" (Michael Minkler, Bob Beemer, and Willie D. Burton); 6 nominations: "Best performance by an actor in a supporting role" (Eddie Murphy), "Best achievement in art direction" (John Myhre-art direction and Nancy Haigh-set decorator), "Best achievement in costume design" (Sharen Davis), and 3 nominations for "Best achievement in music written for motion pictures, original song" ("Listen" Henry Krieger and Scott Cutler-music and Anne Preven-lyrics; "Love You I Do" Henry Krieger-music and Siedah Garrett-lyrics; and "Patience" Henry Krieger-music and Willie Reale-lyrics)
2007 BAFTA Awards: 1 win: “Best Actress in a Supporting Role” (Jennifer Hudson); 1 nomination: “Anthony Asquith Award for Film Music” (Henry Krieger)
2007 Golden Globes: 3 wins: “Best Motion Picture - Musical or Comedy, “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Eddie Murphy), and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Jennifer Hudson); 2 nominations: “Best Original Song - Motion Picture” (Beyoncé Knowles, Henry Krieger, Anne Preven, and Scott Cutler for the song "Listen"), and “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Beyoncé Knowles)
Dreamgirls (2006)
Running time: 131 minutes (2 hours, 11 minutes)
MPAA – PG-13 for language, some sexuality, and drug content
DIRECTOR: Bill Condon
WRITER: Bill Condon (based upon the original Broadway Production Book and Lyrics by Tom Eyen)
PRODUCER: Laurence Mark
CINEMATOGRAPHER: Tobias Schliessler
EDITOR: Virginia Katz, A.C.E.
Academy Award winner
MUSICAL/DRAMA
Starring: Jamie Foxx, Beyoncé Knowles, Eddie Murphy, Danny Glover, Anika Noni Rose, Keith Robinson, Jennifer Hudson, Sharon Leal, and Hinton Battle
Writer/director Bill Condon wrote the screenplay that brought the famous musical Chicago to the screen in 2002, and the film went onto to win six Academy Awards including "Best Picture" in 2003. Condon, who won an Oscar for writing his 1998 film Gods and Monsters, takes on the movie musical again with Dreamgirls, a film adaptation of the beloved 1981 Tony Award-winning musical of the same name. Condon uses music (featuring the score of Henry Krieger, who also scored the original musical) and song to drive this film into a memorable musical experience that recreates a particular period in American music.
In 1960's Detroit, an African-American singing trio, the Dreamettes - Deena Jones (Beyoncé Knowles), Lorrell Robinson (Anika Noni Rose), and lead singer Effie White (Jennifer Hudson), are trying to make it to the big time. They arrive at a big talent show in their cheap wigs and homemade dresses. The Dreamettes perform songs written by Effie's brother, C.C. (Keith Robinson), who also choreographs their dancing.
They get their big break when they meet Curtis Taylor, Jr. (Jaime Foxx), an ambitious car salesman determined to make his mark on the music industry. He wants to form his own record label and get its music heard on mainstream radio stations - meaning white-owned - in a time when the Civil Rights movement is still struggling to get a foothold and when black recording artists are mostly marginalized. He sees the Dreamettes as the right angle to make that move to the mainstream. They've got the right talent and could be the right product to sell - if Curtis can shape it all the way he sees fit.
Curtis talks the girls into allowing him to become their manager, and he gets them a gig singing backup for James "Thunder" Early (Eddie Murphy), a pioneer of the new Detroit sound that blends soul music and rock 'n' roll. Early, however, is stuck singing on the "Chitlin' Circuit," which, at the time, meant mostly black-owned clubs. Curtis promises Early to move him into the mainstream, replacing Early's original manager, Marty Madison (Danny Glover), but that's not the only changes Curtis plans on making. He changes the Dreamettes name to the Dreams, and moves to replace Effie as the lead singer. As a new musical age dawns and Curtis' new sound takes hold, some people are fading away and others are finding that their dreams have come true, but at a high price.
Dreamgirls is indeed a movie musical, pretty much in the fine tradition of Hollywood musicals, except that its major characters are all black. It's an absolutely lovely film. In terms of the film's creative staff (art direction, costumes, cinematography, etc.), Dreamgirls is as good as any in recent memories, and the Dreams' costumes seem right out of a musical dream. Tobias Schliessler's cinematography creates a crystal clear heavenly aura of color that mixes the hyper-reality of the music world with the harsh reality of failure and betrayal.
The acting is quite good, but the singing is what makes these performances so memorable. As an actress, Jennifer Hudson isn't yet as skilled as some she beat out for the Oscar she earned for this film, but film performances aren't always built just on dialogue and physical movement. What put her over the top were those extraordinary pipes. Watching this film, it's easy to see why she amazed people with both her powerful, booming voice and her ability to interpret songs. Coming from a novice actress, she impressed enough awards voters to win all the big prizes.
In fact, so much of this movie's narrative and characterization is done through song. Jaime Foxx and Beyoncé Knowles who are professional singers sound better than they ever have. Eddie Murphy who has recorded albums using a voice that imitated other singers, but was on its own not distinctive, sounds better than I thought it was possible. Anika Noni Rose, as Lorrell, is a classically trained actress, Broadway veteran, and Tony Award winner, and she sounds great in a part that puts her character in the shadow of Knowles and Hudson's.
Condon deserves so much of the credit for bringing actors singing and singers acting together to create an ensemble cast that brings this colorful fantasy to life. Dreamgirls is a musical, but it is also a musical revue and music-filled overview of a time when African-American music was trying to break into the mainstream. In that, Dreamgirls is an intimate look at the lives of black artists, entertainers, musicians, singers, composers, and businessmen. The songs may unite the audience, but the experience of the African-American struggle to be accepted in the wider society and culture may seem foreign to so many. Still, Condon's colorful song-filled, dreamy myth making of real musical history will delight many for a long time to come.
10 of10
NOTES:
2007 Academy Awards: 2 wins: "Best performance by an actress in a supporting role" (Jennifer Hudson) and "Best achievement in sound mixing" (Michael Minkler, Bob Beemer, and Willie D. Burton); 6 nominations: "Best performance by an actor in a supporting role" (Eddie Murphy), "Best achievement in art direction" (John Myhre-art direction and Nancy Haigh-set decorator), "Best achievement in costume design" (Sharen Davis), and 3 nominations for "Best achievement in music written for motion pictures, original song" ("Listen" Henry Krieger and Scott Cutler-music and Anne Preven-lyrics; "Love You I Do" Henry Krieger-music and Siedah Garrett-lyrics; and "Patience" Henry Krieger-music and Willie Reale-lyrics)
2007 BAFTA Awards: 1 win: “Best Actress in a Supporting Role” (Jennifer Hudson); 1 nomination: “Anthony Asquith Award for Film Music” (Henry Krieger)
2007 Golden Globes: 3 wins: “Best Motion Picture - Musical or Comedy, “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Eddie Murphy), and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Jennifer Hudson); 2 nominations: “Best Original Song - Motion Picture” (Beyoncé Knowles, Henry Krieger, Anne Preven, and Scott Cutler for the song "Listen"), and “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Beyoncé Knowles)
Labels:
2006,
Anika Noni Rose,
BAFTA winner,
Beyonce,
Bill Condon,
Danny Glover,
Eddie Murphy,
Golden Globe winner,
Jamie Foxx,
Jennifer Hudson,
Movie review,
Musical,
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