VIZ Media Announces Anime DVDs FOR September and October 2010

VIZ MEDIA ANNOUNCES THE LATEST BLEACH, NARUTO AND VAMPIRE KNIGHT DVD RELEASES FOR SEPTEMBER AND OCTOBER 2010

VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, has announced several new DVD releases scheduled for September and October that expand the company’s popular BLEACH, NARUTO and VAMPIRE KNIGHT animated series.

New BLEACH Releases Include:

BLEACH Volume 32 • Rated ‘T’ for Teens • MSRP: $24.92 U.S. / $35.99 CAN • Available September 21st

Captain Hitsugaya’s advance Soul Reaper troops get involved in some unexpected sidelines during their stay in the World of the Living. When Karin Kurosaki agrees to go up against a tough group of middle school students in a game of soccer, Hitsugaya himself steps in to lend a hand. Then all the top members of Karakura First High School’s kendo team are injured, and Ikkaku is brought in to put the remaining team members through a training regimen from hell! Contains episodes 132 thru 135.

BLEACH UNCUT BOX SET SEASON 6 • Rated ‘T’ for Teens • MSRP: $49.95 U.S. / $71.99 CAN • Available September 28th

Back in the World of the Living, Ichigo Kurosaki has been officially recognized as a Substitute Soul Reaper by the Soul Society. But trouble soon comes to Karakura Town in the form of Visoreds, a group of ex-Soul Reapers that have crossed over into the realm of the Hollows. As they try to recruit Ichigo to their side, it is revealed that former Captain Sosuke Aizen is attempting to create an army of Hollows with Soul Reaper powers called Arrancars. It will take Ichigo and his friends, along with a detachment of Soul Reapers, to keep them from destroying the town. Contains episodes 110 thru 121 (Original and Uncut)

For more information on BLEACH, please visit http://www.bleach.viz.com/.

New VAMPIRE KNIGHT Releases Include:

VAMPIRE KNIGHT Volume 2 • Rated ‘T+’ for Older Teens • MSRP: $19.97 U.S. / $28.99 CAN • Available September 28th

A new teacher arrives at Cross Academy with a hidden identity and possibly deadly connection to Zero, whose suffering is driving him to desperation. Yuki's feelings are torn between Zero and Kaname, and her determination to help Zero may lead her to betray the one she loves most. Contains episodes: 5-8

For more information on VAMPIRE KNIGHT, please visit: http://www.shojobeat.com/

New NARUTO and NARUTO SHIPPUDEN Releases Include:

NARUTO SHIPPUDEN BOX SET 4 SPECIAL EDITION • Rated ‘T+’ for Older Teens • MSRP: $69.97 U.S. / $99.99 CAN • Available October 19th

Team Kakashi's spying mission brings them face to face with the Leaf's most deadly enemy, Orochimaru. Naruto's rage brings forth the Nine-Tailed Fox, but at great risk to both himself and those he cares for the most. With Naruto's rampage quelled, the team continues on to Orochimaru's lair to find Sasuke, but the mysterious Sai has disappeared. Could one of their own be planning the ultimate betrayal?

The Special Edition Box Set contains 14 episodes (episodes 40-53) on 3 discs, and a special limited edition collectible Sasuke figure.

NARUTO SHIPPUDEN BOX SET 4 STANDARD EDITION • Rated ‘T+’ for Older Teens • MSRP: $49.95 U.S. / $71.99 CAN • Available October 19th

DVD-only collection featuring 14 episodes on 3 discs. Limited edition collectible figure not included.

NARUTO UNCUT SEASON 4, PART 1 • Rated ‘T+’ for Older Teens • MSRP: $49.95 U.S. / $71.99 CAN • Available October 26th

In the Hidden Leaf Village there are few things that Naruto and Choji love more than a steaming bowl of Ichiraku ramen. But when the daughter of the noodle shop owner is kidnapped, they’re on the case. Then, missions for the Leaf ninja lead them to the Land of Bears after a fallen meteorite and on to the Land of Greens where the team must protect a princess. When an evil ninja who’s after the princess gets in their way, Naruto puts his life on the line to save her! Contains episodes 164-191.

For more information on NARUTO and NARUTO SHIPPUDEN, please visit http://www.naruto.com/


About VIZ Media, LLC
Headquartered in San Francisco, CA, VIZ Media, LLC (VIZ Media), is one of the most comprehensive and innovative companies in the field of manga (graphic novel) publishing, animation and entertainment licensing of Japanese content. Owned by three of Japan’s largest creators and licensors of manga and animation, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media is a leader in the publishing and distribution of Japanese manga for English speaking audiences in North America, the United Kingdom, Ireland, and South Africa and is a global ex-Asia licensor of Japanese manga and animation. The company offers an integrated product line including the popular monthly manga anthology SHONEN JUMP magazine, graphic novels, and DVDs, and develops, markets, licenses, and distributes animated entertainment for audiences and consumers of all ages. Contact VIZ Media at 295 Bay Street, San Francisco, CA 94133; and website at http://www.viz.com/.

Review: "Gone Baby Gone" Superb Directorial Debut for Ben Affleck

TRASH IN MY EYE No. 9 (of 2008) by Leroy Douresseaux

Gone Baby Gone (2007)
Running time: 115 minutes (1 hour, 55 minutes)
MPAA – R for violence, drug content, and pervasive language
DIRECTOR: Ben Affleck
WRITERS: Ben Affleck and Aaron Stockard (from the novel by Dennis Lehane)
PRODUCERS: Ben Affleck, Sean Bailey, Alan Ladd, Jr., and Danton Rissner
CINEMATOGRAPHER: John Toll (D.o.P.)
EDITOR: William Goldenburg
2008 Academy Award nominee

CRIME/DRAMA/MYSTERY/THRILLER

Starring: Casey Affleck, Michelle Monaghan, Morgan Freeman, Ed Harris, John Ashton, Amy Ryan, Amy Madigan, Titus Welliver, Michael K. Williams, Edi Gathegi, and Madeline O’Brien

Like Martin Scorsese did before him in 1973 with Mean Streets, Ben Affleck visits the tough streets of a city in which he’s familiar, Boston, for his film Gone Baby Gone, based upon a Dennis Lehane (Mystic River) novel. There Affleck tells a harrowing tale of shocking crime, brutal violence, and ultimate betrayal set in the seedy underbelly of a lower working class neighborhood.

Patrick Kenzie (Casey Affleck) and Angie Gennaro (Michelle Monaghan), two young private detectives, are hired by grieving aunt, Beatrice “Bea” McCready (Amy Madigan), to take a closer look into the disappearance of her niece, a little girl named Amanda (Madeline O’Brien). Capt. Patrick Doyle (Morgan Freeman), the head of the investigation, and the two senior detectives, Det. Remy Bressant (Ed Harris) and Det. Nick Poole (John Ashton), aren’t happy about Bea and her husband, Lionel McCready (Titus Welliver), bringing in Kenzie and Gennaro, whose specialty is finding missing debtors.

Patrick and Angie take their investigations to the extra mean streets of the Boston neighborhood where the major players, including themselves, live. Patrick and Angie soon trace the child’s disappearance to some kind of deal gone bad involving her mother, a loud and vulgar drug addict/alcoholic named Helene McCready (Amy Ryan, in an Oscar nominated role). Ultimately, Kenzie finds himself risking everything, including his relationship with Gennaro, their sanity and lives, to find Amanda. Nothing is what it seems, and the case is vastly complicated.

If Ben Affleck was known as a pretty boy actor who made bad career choices, now he’s known as an up and coming director to watch. Gone Baby Gone, which Affleck also co-wrote with Aaron Stockard, is a sharp, edgy and morally ambiguous tale. The detective angle of the story is certainly a piece of pulp crackerjack that is as sweet and bitter as dark chocolate, but also as addictive as faerie food. Once you bite into Affleck’s beautiful/accursed confection, you will never leave it, and it won’t leave you.

That’s because the heart of Gone Baby Gone is so frighteningly familiar to viewers – the unsettling notion of a small child stolen by a monstrous human who savages, violates, and ultimately destroys a young life by murder or psychological ruin. However, novelist Dennis Lehane’s tale takes you to even darker regions below the surface of this familiar scenario, and Affleck doesn’t shy from visualizing the story into a film that goes for the vulnerable places on your body and in your mind. It’s the place where the self-righteous find that not only is the road to damnation paved with good intentions but that their justifications make them as bad as the worse people.

Ben Affleck also found his film gifted with a number of high quality performances, including some from Michelle Monaghan, Morgan Freeman, Ed Harris, and Amy Madigan, among others. The stand outs are the director’s brother, Casey Affleck, and Amy Ryan. Affleck, playing the little tough guy, is a bubbling cauldron as he takes his Patrick Kenzie from the sweet guy who really cares to the tough guy/bad ass detective who can take on the most dangerous on mean street.

Amy Ryan is superb as Helene McCready. Simply put, the audience has no reason to believe that Helene is not a real-life breathing person with an ugly past, a pathetic present, and a loser future. Ryan makes you believe that Helene is both lost in an addictive personality and a totally lousy mother. This is the richness of Ben Affleck’s Gone Baby Gone.

9 of 10
A+

NOTES:
2008 Academy Awards: 1 nomination: “Best Performance by an Actress in a Supporting Role” (Amy Ryan)

2008 Golden Globes: 1 nomination: “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Amy Ryan)

Saturday, February 23, 2008

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Spike TV's "Deadliest Warrior" Heading to the Big Screen

Press release:

PARAMOUNT BRINGS SPIKE TV’S “DEADLIEST WARRIOR” TO THE BIG SCREEN

HOLLYWOOD, CA (September 14, 2010) – Paramount Pictures announced today it has made a deal for Shawn Levy's 21 Laps Entertainment to do a big-screen adaptation of sister company Spike TV's original hit series "Deadliest Warrior." The announcement comes on the heels of the show’s Season 2 finale, which brought about exceptional ratings for the network. Spike TV has renewed the series for a third season.

This partnership by Paramount and Spike TV marks the first time that the Viacom (NYSE: VIA, VIA.B) owned companies have worked together. “Spike has some of the most innovative and forward-thinking content on television today, “Deadliest Warrior” being no exception. The property has proven its ability to engage audiences across multiple platforms,” said Paramount Film Group President Adam Goodman. “We hope this is the first of much future collaboration with Spike.”

"Deadliest Warrior" pits history's greatest warriors against one another to determine who reigns supreme. Along with the use of 21st century science and the latest in CGI technology, the series enlists world-class fighters, historians and weapons experts to provide insight into the unique history and style of these combatants which culminates in a head-to-head final fight between two warriors to declare which one would have been the deadliest. The first two seasons showed such memorable battles as Spartan vs. Ninja, Viking vs. Samurai, Pirate vs. Knight, Yakuza vs. Mafia and Comanche vs. Mongol.

The film's storyline is being kept under wraps.

Shawn Levy and 21 Laps President Dan Levine will produce the film, with the possibility that Levy may direct. The property fits within Levy and 21 Laps’ ongoing expansion from family comedies to event action movies, following the “Night and the Museum” franchise and Levy’s current action drama “Real Steel” with Hugh Jackman for DreamWorks.


ABOUT PARAMOUNT PICTURES CORPORATION
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group, and Worldwide Television Distribution.

ABOUT SPIKE TV
Spike TV http://www.spike.com is available in 98.6 million homes and is a division of MTV Networks. A unit of Viacom (NYSE: VIA, VIA.B), MTV Networks is one of the world's leading creators of programming and content across all media platforms. Spike TV's Internet address is www.spike.com and for up-to-the-minute and archival press information and photographs, visit Spike TV's press site at http://www.spike.com/press.

ABOUT "DEADLIEST WARRIOR"
“Deadliest Warrior,” which just completed its second season in late July, is Spike TV’s most successful original franchise. The series is a hit with the network’s male fan base, ranking #2 in its timeslot on Tuesday nights with Men 18-34 on cable. “The Deadliest Warrior” Xbox LIVE Arcade game has been a top-selling title on Xbox LIVE Marketplace, selling over 190,000 units within the first month of its July 14 release. Season three premieres on Spike TV next summer with all new legends of the battlefield and unprecedented matchups. Richard “Mack” Machowicz, a Navy SEAL joins the cast for the new season, which includes Geoff Desmoulin and Dr. Armand Dorian.

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Jake Gyllenhaal on Prince of Persia

Jake Gyllenhaal, who plays Prince Dastan, talks about PRINCE OF PERSIA: THE SANDS OF TIME in this interview provided by Disney:

QUESTION: You and Gemma Arterton have great chemistry on screen in Prince Of Persia: The Sands Of Time. That must have helped in the scenes where your characters banter together?

JAKE GYLLENHAAL: Oh definitely! Those scenes I think were the best written and the most fun to play. They came so naturally and we shot them so fast. It was unfortunate that the ended so quickly. We might spend a month on an action scene and half a day on that scene (with Gemma). We would nail it and move on. She and I had a sort of tit for that thing. The first time we met she looked at me as though she was unimpressed and I looked at her like…’You should be! Why aren’t you?’…(joked). So that was it from the beginning, there was no acting required.

QUESTION: The weather in Morocco during filming was supposed to be so hot and sandy that it was almost like having sand in your mouth all the time?

JAKE GYLLENHAAL: It was not that bad. It was ok. It was hot but it was fun. The desert is really cleansing…the sand exfoliates your skin….and there is a nice warm dry sun and you are sweating.

QUESTION: You must have been conditioned by Jarhead?

JAKE GYLLENHAAL: I was. I make a lot of movies about turning back time and a lot of movies in the desert. It’s a very strange thing.

QUESTION: You have been Spider Man and Batman. Now in Prince Of Persia: The Sands Of Time you have become a sort of super hero?

JAKE GYLLENHAAL: No! I am a video game adaptation. (jokes)

QUESTION: So how does it feel to finally have your own action figure?

JAKE GYLLENHAAL: That is like fulfilling the dreams that I had when I was eight years old. When he is playing with an action figure what young boy doesn’t think that maybe one day…You personify anyway as the action figure character that you are playing with, so to be one is incredible. If you were to go back to the eight year old me and say that one day you will be playing in a movie that looks a little like Indiana Jones, or The Goonies and a couple of other things and it is the video game that you are actually playing called the Prince Of Persia…I think that my head would have exploded.

QUESTION: What was your inspiration for the movie?

JAKE GYLLENHAAL: My primary resource was the video game. There were also books and different paintings of that time that were real inspirations. After I read the script I had a meeting with Jerry Bruckheimer and asked him what the movie was going to look like. Was it going to look like a video game or how I might imagine a typical Disney film? For instance, I wondered if I was to be wearing the red outfit for the whole movie. Jerry handed me this book (The Orientalist) and said that was how he wanted it to look. But apart from that there was not a lot of research. There was some research into weaponry and things like that. But I looked on it more like it was based on a fantasy world that was based on reality.

QUESTION: What is it like to make a big expensive special effects film like Prince Of Persia: The Sands Of Time?

JAKE GYLLENHAAL: The thing about a movie like this that is interesting is that people tend to only associate it with commerce. For me it was always that it was so much fun. It is differentiating the actor with the businessman and the actor who says that he wants to be a kid again and have a good time. It was so exciting! Every day I would drive to work and it was like going to a sporting event when you are the captain of the team. There were thousands of cars lined up along the road for five miles and there was an army of film crew and then the sets were 100 feet high – all built with perfect detail. I don’t think you see that any more on a film set. So often it is green screen effects that are done later. But we could shoot anywhere because the details were extraordinary and there were thousands of extras. And some more were added in later – to make it even bigger! I would get in there and every day I did feel like a kid.

QUESTION: After working with you in this film, Sir Ben Kingsley says you have the ability to seemingly be doing very little in front of the camera and yet it’s just right?

JAKE GYLLENHAAL: With this movie I always looked at it like I was reading a children’s book to a child. It was that kind of style of acting. Because of his years of theatrical work and his history of Shakespeare, Sir Ben has an attitude that there is a sense of telling a story clearly and even theatrically. At on point I told him I felt as though I was speaking to a child and he said….exactly! I always feel that if a movie is good then an actor should have to do very little.

QUESTION: What would you say was the greatest challenge, the physicality of it or speaking in a British accent?

JAKLE GYLLENHAAL: No doubt speaking in a British accent, that was the hardest part for me. It’s daunting trying to do any service as an American to such a beautiful fluid speech pattern that you all have. For me, it did help being surrounded by a primarily British cast and somewhat British crew. So I would speak every day, I would get out of the car and I’d have the accent on all day. And I would sort of journey from region to region around England with each different person I would talk to, I would mimic them and sometimes I would sound like them in takes and Mike [Newell] would say [adopts posh British accent and shouts]… ‘Dear boy! You don’t sound right! Do it again! Smashing!’. That’s my favorite line. ‘CUT!’. That’s when you know he was excited about a take. So yeah, I would say the accent was much more daunting, particularly in front of the British press.

QUESTION: How dangerous is it working with ostriches?

JAKE GYLLENHAAL: The ostrich scene was where I was the most terrified in the entire shoot. They are terrifying animals. Even in their innocence, they can tear out your eyeballs and rip out your heart. They seem like they have eyes similar to mine but they really don’t. They can really do dangerous stuff to you.

QUESTION: How much of the stunt work did you do and were you in the best shape of your life for this movie?

JAKE GYLLENHAAL: It depends what you mean by ‘best shape’. I cycle and I run long distances…10 or 12 miles. But I am not able to do that when I am the shape I was for the movie. I remember seeing lance Armstrong on the cover of a magazine and he was saying ‘I’m ripped!’ He was skinny and really gaunt but that was him ready for the tour. So that is being in shape in another way. But I was fit for doing almost any sport. I could avoid serious injury because I was strong and flexible enough. I am pretty athletic so I always feel pretty good and healthy.

QUESTION: What sort of injuries did you get?

JAKE GYLLENHAAL: My shoulders got pretty big so I couldn’t always grab on to something and sometimes there was a little pulling and tearing of tendons. There were some little muscle things and bruises and cuts…but no big deal. I accepted that aches and pains are part of the job. I want to go after the things that I want to do or I am inspired by

QUESTION: Did you feel you were chosen for Prince Of Persia: The Sands Of Time, not just for how you look but because you can handle deeper stuff?

JAKE GYLLENHAAL: I hope so. I hope that is why people choose actors. Obviously I know they don’t always do that. But I believe that you earn your stripes. I don’t believe that there is necessarily an order and that doing a bigger movie means you have to do a smaller movie. But I do feel that when you are cast in a movie you should have earned that thing – whether it is from an audition or other work you’ve done, or whether you have behaved well in a certain way or that you also do good work. Those things are important. Jerry [Bruckheimer] said he thought I was a good actor and [director] Mike Newell too. Mike had worked with my sister and had seen and respected my work. He didn’t just pick me out of the blue. I worked to gain their confidence and I feel that is how it should be.

QUESTION: As a child was it always the case that you would become an actor?

JAKE GYLLENHAAL: There is a very early entry in my diary, from when I was six years old. It says…Soccer is my life! I played AYSO soccer – school soccer. It became my obsession. Which position did I play? I played all sorts of positions. When you are playing soccer at five years old there isn’t really a position. You run after the ball, basically.

QUESTION: There are several Prince Of Persia stories. So how prepared are you to do another film as Dastan?

JAKE GYLLENHAAL: With a movie of this size that is something that becomes contractual even before you start it. There have been many movies in which I have been involved when there has been the potential for something else and it hasn’t happened. Or it has happened actually. But the thing is, I am totally game. I love the character and his world. I think it is super fun.

QUESTION: You must be pleased with your English accent in Prince Of Persia: The Sands Of Time because it is spot on.

JAKE GYLLENHAAL: Thank you very much. I worked really hard on it. It was planned from the very beginning to use an English accent. Jerry Bruckheimer said that he thought an English accent seemed to legitimize any time period. Particularly if it is in the past but even if it is in the future. It’s sort of strange but there is something about the accent. I don’t know what it is. There is an ancient quality and the Shakespearean theatrical thing that people can unconsciously relate to. Also since Mike Newell was shooting it in Britain, he wanted primarily to cast British. So the actor who was to play the part of Dastan would have to fit in.

QUESTION: How have you coped with fame? Have you become more comfortable as you have got older?

JAKE GYLLENHAAL: Up until now I have had an interesting perspective because I haven’t been so clear about all the things that I want to do or who I was. Now I think I feel much more comfortable with it because I am more comfortable with what I want to do and who I am and what I care about. A lot of this stuff is great fun, I have a good sense of humor and I enjoy laughing. I want to make movies that are like that and spend time with good people. This is our day so you should have a good time doing it. That is my perspective on it now.

PRINCE OF PERSIA: THE SANDS OF TIME is now vailable on DVD and Blu-ray.

Review: Remembering "4 Little Girls"

TRASH IN MY EYE No. 76 (of 2010) by Leroy Douresseaux

4 Little Girls (1997)
Running time: 102 minutes (1 hour, 42 minutes)
DIRECTOR: Spike Lee
PRODUCERS: Spike Lee and Sam Pollard
CINEMATOGRAPHER: Ellen Kuras
EDITOR: Sam Pollard
COMPOSER: Terence Blanchard
Academy Award nominee

DOCUMENTARY/HISTORY

Starring: Maxine McNair, Chris McNair, Alpha Robertson, Janie Gaines, Dianne Braddock, Shirley Wesley King, Bill Baxley, James Bevel, Bill Cosby, Walter Cronkite, Ossie Davis, Jesse Jackson, Coretta Scott King, Fred Shuttlesworth, Reggie White, and Andrew Young

4 Little Girls is Spike Lee’s 1997 documentary film about the 1963 16th Street Baptist Church bombing. Located in Birmingham, Alabama, this African-American church was a hub of the city’s Civil Rights movement in the 1950s and 60s.

On the Sunday morning of September 15, 1963, four members of a Ku Klux Klan group planted a box of dynamite with a time delay under the steps of the church near the basement. Killed in the ensuing explosion were 14-year-old Addie Mae Collins, 11-year-old Denise McNair, 14-year-old Carole Robertson, and 14-year-old Cynthia Wesley – the titular 4 little girls of the film.

4 Little Girls recounts the days leading to the bombing, the state of the Civil Rights movement in Birmingham at the time, and the aftermath, specifically the girls’ funerals. Lee interviewed the people who knew the girls, including surviving parents, siblings, neighbors, relatives, and friends, among others. For the film, Lee also interviewed a number of Civil Rights luminaries, social activists, and other famous figures, including Andrew Young, Bill Cosby, Ossie Davis, and Coretta Scott King. The film is filled with archival footage, most of it coming from televised news, which presents other key participants, including Dr. Martin Luther King and the bombing plot’s ringleader, Robert “Dynamite Bob” Chambliss.

The film begins with Joan Baez singing “Birmingham Sunday” a song that chronicled the events and aftermath of the bombing. The song, written by Richard and Mimi Farina (Joan Baez’s sister), is a haunting theme throughout 4 Little Girls.

In the first hour of the film, Spike Lee does a superb job in presenting the state of affairs in Birmingham and connecting it to the overall Civil Rights movement. Lee deftly builds to the bombing like a slow train gradually building speed to the terrible event. He does this by getting the girls’ families and friends to remember details (including one woman’s prophetic dream) that are startling in their intimacy.

The scenes that recount the actual bombing are as riveting as anything found in the best movie thrillers. Using interviews and archival footage, Lee presents the shock, grief, and anger in a way that still resonates and even seems to jump off the screen and into your gut. It may be too much for some. The recollections of the girls’ family and friends and also the funeral are tear generators, although the post-mortem photos of the girls may be a bit much for some (cause they were for me).

After the scenes depicting the funerals, Lee’s film falters. The movie’s focus on the grief is morbid and obsessive. Of course, there is nothing wrong with depictions of grieving family. However, the bombing, which was clearly a racially motivated terrorist attack, was meant to halt the integration that was already occurring in Birmingham (due to negotiations between African-American leaders and moderate whites). Lee’s film only mentions that in passing. Lee also fails to present the ways in which the 16th Street Baptist Church bombing affected the move for equality in America. The deaths of those four girls gave energy to a Civil Rights movement that, at the time, apparently needed reinvigoration.

I don’t fault the film for taking such a deeply personal look at how the girls’ deaths affected those around them. Their deaths had a larger meaning; they were essentially a sacrifice, one that directly led to improving the lives of all oppressed people, not just African-Americans, in the United States. 4 Little Girls is an excellent film and a wonderful document of the lives of four innocents. It is one of Lee’s best and most powerful works, but he missed something back when he made this film – the larger context of how the bombing changed us and our country.

Seeing the sacrifice as at least equal to the focus on the victims may be a cold equation, but it was and is a reality in the fight for equality.

8 of 10
A

NOTES:
1998 Academy Awards: 1 nomination: “Best Documentary, Features” (Spike Lee and Samuel D. Pollard)

1999 Image Awards: 1 win: “Outstanding News, Talk or Information Special”

Tuesday, September 14, 2010

The Black Cauldron Trailer; Now on DVD

The Black Cauldron is now available on DVD and Blu-ray.  Here is the trailer for the "Special Edition" home release:

Detroit Metal City Film to Premiere at J-Pop Summit 2010

VIZ PICTURES PREMIERES THE ZANY HEAVY METAL HIJINKS OF DETROIT METAL CITY FOR J-POP SUMMIT FESTIVAL 2010

Live Air Guitar Performance, Special Cosplay Award and Panel Discussion Highlight The VIZ Cinema Theatrical Premiere Of Live Action Comedy That Features Appearances By Gene Simmons And Marty Friedman

VIZ Pictures brings the zany heavy metal comedy of Detroit Metal City (DMC) for an exclusive theatrical premiere at VIZ Cinema at 7:00pm during the J-Pop Summit Festival, taking place next Saturday, September 18th. Tickets for the premiere are $15.00 and are available at www.vizcinema.com or the theatre box office. A pre-show reception with snacks and beverages will be held in the cinema lobby beginning at 6:00pm.

To further celebrate the J-POP Summit Fest premiere event, at 5:00pm on the outdoor NEW PEOPLE stage, VIZ Pictures will stage a performance by San Francisco air guitar champion Matthew "Cold Steel Renegade" Feldstein and also invites fans to a “Let’s Talk DMC” panel discussion led by Patrick Macias, Editor of Otaku USA magazine, and two other special guests.

A cos-play contest hosted by San Francisco anime convention Anime On Display will award free tickets for the premiere to contestants dressed as a Detroit Metal City character.

The Top DMC cos-players will each win a free ticket to the movie premiere at 7:00pm, and the Top 2 DMC cos-players will re-appear on the NEW PEOPLE stage at 5:00pm to battle for a Grand Prize package that includes a $50 gift card to VIZ Cinema, a Death Note Collection Blu-ray and more. Fans may pre-register for contest at www.aodsf.org or simply visit the Animation On Display booth at the J-Pop Summit Festival.

Detroit Metal City takes the zany rock antics inspired by films like Spinal Tap to hilarious new extremes in this film directed by Toshio Lee and based on the popular manga comic created by Kiminori Wakasugi. It features notable appearances by Gene Simmons from the legendary band, KISS, and Marty Friedman of Megadeth, and stars Kenichi Matsuyama, one of the most adored actors in Japan today and also known widely for his role as 'L' in the Death Note films (also available from VIZ Pictures).

In the film, Soichi Negishi (played by Kenichi Matsuyama) is a sweet and shy young man who dreams of becoming a trendy singer songwriter. But for some reason, he is forced into joining the devil worshiping death metal band “Detroit Metal City” (DMC). In full stage make-up and costume, he transforms into Johannes Krauser II the vulgar-mouthed lead vocalist of the band. But he must keep this a secret from his crush, Yuri Aikawa, who despises death metal. What would she think if she found out? But against Negishi’s will, DMC rises to stardom. Things get even more complicated when the legendary king of death metal, Jack IL Dark (played by Gene Simmons), challenges DMC to a duel in the film’s climactic finale. What will be the fate of innocent Negishi as he climbs to the top of the death metal world?

Detroit Metal City will continue to play at VIZ Cinema until September 30th. Tickets are $10.

Please visit http://www.dmcthemovie.com/ or VIZ-Pictures.com for more information about the film.


About VIZ Pictures, Inc.:
Based in San Francisco, California, VIZ Pictures, Inc. licenses and distributes selective Japanese live-action films and DVDs, with focus on Japanese "kawaii (cute) and cool" pop culture. VIZ Pictures strives to offer the most entertaining motion pictures straight from the "Kingdom of Pop" for audiences of all ages, especially the manga and anime generation, in North America. Some titles include DEATH NOTE, 20TH CENTURY BOYS, and TRAIN MAN: DENSHA OTOKO. VIZ Pictures is also the producer of NEW PEOPLE, a part of the J-Pop Center Project, a unique entertainment destination bringing Japanese pop culture through film, art, fashion, and retail products. For more information please visit http://www.viz-pictures.com/ or http://www.newpeopleworld.com/.
The J-Pop Summit Festival 2010 presents a variety of fun Japanese pop-inspired attractions including fashion shows, a theatrical film premiere, live art performances, and mini-concerts by some of Japan’s hottest bands. Innovative artists and companies from the Bay area and Japan will join in with an array of products for sale in open air displays on both sides of Post Street and a food court highlighting Japanese cuisine will further complement the celebration. More details are available at: http://www.j-pop.com/.