Review: "The Hangover" is Simply Fantastic

TRASH IN MY EYE No. 4 (of 2009) by Leroy Douresseaux

The Hangover (2009)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – R for pervasive language, sexual content including nudity, and some drug material
DIRECTOR: Todd Phillips
WRITERS: Jon Lucas and Scott Moore
PRODUCERS: Daniel Goldberg and Todd Phillips
CINEMATOGRAPHER: Lawrence Sher
EDITOR: Debra Neil-Fisher
Golden Globe winner

COMEDY/MYSTERY

Starring: Bradley Cooper, Ed Helms, Zach Galifianakis, Justin Bartha, Heather Graham, Mike Epps, Sasha Barrese, Jeffrey Tambor, Ken Jeong, Rachel Harris, Mike Tyson, Jernard Burks, Rob Riggle, and Cleo King

It may be a cliché in movies and television series to send characters to Las Vegas for a bit of hedonism. Now, it is also a city where families can have fun and where businessmen can get down to business. Still, Las Vegas has long been the go-to place for many pleasure-seeking men.

The new film, The Hangover, from director Todd Phillips (Old School), takes a quartet of middleclass guys to Vegas for a bachelor party. While their plan for an evening of nightmarish debauchery eventually becomes a waking nightmare, their distress and torment are comedy gold for movie audiences.

Two days before his wedding to his bride-to-be, Tracy Garner (Sasha Barrese), Doug Billings (Justin Bartha) and three pals leave Los Angeles and drive to Las Vegas for a blow-out bachelor party that will be so crazy (they hope) they’ll never forget it. Doug’s friends are Phil Wenneck (Bradley Cooper), a good-looking, junior high school teacher, who puts on that married life is killing him. Dentist Stu Price (Ed Helms) is an uptight dweeb, who is made all the more anxious by his controlling girlfriend, Melissa (Rachel Harris). Melissa treats Stu like a slave, and he has to lie to her about the Vegas trip. Finally, there’s Tracy’s deranged brother, Alan Garner (Zach Galifianakis); pudgy, bearded, and dumber than a bag of hammers, Alan may be as dangerous as he is clueless.

After offering a toast to their diabolical plans on the roof of their Caesar’s Palace, the guys head out for an evening of ritualized Vegas fun (gambling, drinking, whoring, etc.). But the next morning, Phil, Stu, and Alan wake up and discover they can’t remember the events of the previous evening. For unknown reasons, they now share their Caesar’s Palace suite with a tiger (in the bathroom) and a six-month-old baby (in the closet). And they can’t find Doug. With no memories of what transpired and only a day before the wedding, the three hung-over men must retrace their hazy steps, follow a handful of clues, and sift through all their bad decisions in order to find Doug and get him back to L.A. in time for his wedding.

In The Hangover, the surprises are everything, and those surprises are the strange people with which our heroes interacted, the shocking places they’ve been, and the outrageous things they’ve done. Some of those specific surprises involve Mike Tyson, a Vegas wedding chapel, and flamboyantly gay Asian gangster (Ken Jeong), and delightful performances given by Heather Graham and Mike Epps in small roles. That’s to say nothing about the riot that is the end-credit montage.

A lot of the fun in this movie is recognizing that the boys, especially Phil, Stu, and Alan, are types as much as they are characters, and that while each often acts as we would expect him to, it’s when they do something out of character that The Hangover hits a high point. Still, it would have been good to have richer character interplay, but there’s isn’t much time for soul searching when all a scene requires is that the character put his face in a hooker’s lap. It’s satisfying that Cooper, Helms, and Galifianakis are so good at making these character types at least seem like great characters.

The fun in this movie is getting the surprises, and The Hangover is all about shocking the viewer. Considering that one expects shocking things to happen when four ordinary guys go to Vegas for a bachelor party, the genius of The Hangover is that it finds a way to make the predictable always unpredictable.

8 of 10
A

Friday, June 19, 2009

NOTES:
2010 BAFTA Awards: 1 nomination: “Best Screenplay – Original” (Jon Lucas and Scott Moore)

2010 Golden Globes: 1 win: “Best Motion Picture - Musical or Comedy”

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VIZ Cinema to Screen "Live from Tokyo" for One Night Only

VIZ CINEMA TAKES AUDIENCES ON A SONIC TRIP TO EXPLORE TOKYO’S UNDERGROUND MUSIC CULTURE IN LIVE FROM TOKYO – PLAYING FOR ONE NIGHT ONLY!

Documentary Blends Live Performances And Interviews To Offer New Insights On Unique Music Culture; VIZ Cinema Screening Event To Feature A Live Simulcast Of Performances By Saijanu, Kirihito, And Others From The Forest Limit Club In Tokyo

VIZ Cinema, the nation’s only movie theatre dedicated to Japanese film, takes audiences on a sonic tour through Tokyo’s vibrant and varied underground music culture in LIVE FROM TOKYO, a new documentary directed by Lewis Rapkin. After a sold out premiere at the Asia Society in New York City, LIVE FROM TOKYO’s San Francisco premiere opens at VIZ Cinema for a one-night-only showing and special event beginning at 7:15pm. Tickets, trailers and more information are available at: www.vizcinema.com.

Immediately following the screening, VIZ Cinema and goforaloop Gallery are proud to present a special simulcast of performances from the bands Kirihito, Sajjanu, Yudaya Jazz, and Onnacodomo (all featured in the film), streamed live from the Forest Limit club in Tokyo.

Tokyo’s reputation as a media-saturated hub for global information and cutting-edge innovation makes it the perfect setting for addressing a new outlook on music culture. LIVE FROM TOKYO takes the viewer through the back streets in Shinjuku, the intersections of Shibuya, narrow alleys in Koenji, and all over the city, as it highlights the innovative musicians who create this multi-faceted artistic culture. The film features interviews and live performances by DMBQ, Tenniscoats, Shugo Tokumaru, Nisennenmondai, PARA (ex-Boredoms members), Kirihito, d.v.d., and many more.


Bands and artists featured in Live From Tokyo include:

Saijunu
Sajjanu is a ripping new unit from Tokyo that performs incredibly complex through-composed compositions with few if any repetition. Combining the intensity of the Ruins with the quirkiness of the Boredoms and the compositional integrity of Zappa, Zorn and more, Sajjanu is creating a new Japanese music of infinite possibilities. In addition to releases in Japan, Sajjanu’s album Pechiku!! was released in 2009 on John Zorn’s New York-based Tzadik label.

Kirihito:
"With a reputation for furious, hypnotic live performances, and a sound that evades all attempts to pin it down with the usual genre clichés, Tokyo-based duo Kirihito have gradually carved themselves a position as legends in the underground-music scene." - The Japan Times

Yudaya Jazz:
As a video artist, Yudaya Jazz, juxtaposes multi-media in a way most people cannot imagine. He synchronizes the images and sounds on an audio/visual platform outfitted with a set of turntables, a laptop, video camera, microphone, multiple projectors and sometimes a piano.

Onnacodomo:
"DJ Codomo, Yasuko Seki and Ruka Noguchi perform in real time using a video camera to capture their spontaneous creations. Shimmering projections are created using water, mirrors and an array of lights, while a world of fantastic images is constructed with found photos, kitchen utensils, toys, stationary, and improvised artwork. Kaleidoscopic, absurd and unreal, Onnacodomo takes you into a slightly-unhinged world that is absolutely original in its conception."

d.v.d
This electronic art trio blends Japanese technology and artistic innovation in a band. Visual artist Ymg was a CG game developer for Namco, Itoken has provided soundtracks for popular Playstation video games and Jimanica has been a professional drummer in both Tokyo and New York City. Their interactive “live installation” blurs the borders of visual art and music, leaving audiences wondering if they are at a concert, video arcade or art exhibit.

Shugo Tokumaru
Shugo Tokumaru is a multi-instrumentalist claiming to play over 100 instruments on his most recent release and one of today’s most talked-about Japanese musicians. With three albums under his belt, Shugo made his US debut in September of 2009, touring with the Magnetic Fields and performing with members of the National and Beirut. Shugo has also been featured twice on NPR in an in-studio performance and on the World Café.

NISENNENMONDAI
This all-female rock trio from Tokyo has been making noisy, technically challenging, experimental rock for the past decade. Their efforts have not gone unnoticed, as reputable American bands such as Prefuse 73, Lightning Bolt, Battles, and No Age have all shared the stage and spoken outwardly of their admiration for Nisennenmondai.

DMBQ
Drawing heavily from Western rock and roll, garage and noise influences, DMBQ’s high-energy performances and several international tours have made them one of Tokyo’s most lauded underground acts. They have also appeared in SPIN magazine.

Tenniscoats
Tenniscoats is an avant-garde folk duo made up of Saya and Takashi Ueno. Since 2000, Tenniscoats have released albums and also collaborated with a variety of other artists, both Japanese and foreign. In 2008, Tenniscoats collaborated with US-based Indie band Deerhoof in a project called OneOne. Most recently, Tenniscoats collaborated with long-running Scottish band The Pastels on an album called Two Suns.

Tokyo Pinsalocks
Tokyo Pinsalocks is an all-female electro-pop trio who has toured the UK and US including the 2009 US Anime Fest in Boston. They curate and headline Spoon Market, an event series that features “the coolest of female artists – be they musicians, fashion designers, visual artists, or cooks.”

Other featured acts include: Kuruucrew, PARA, The Lady Spade, Makoto Oshiro, Sexy-Synthesizer, Umi No Yeah!, Samm Bennett, Shintaro Miyazaki, W. David Marx, Dr. Jennifer Matsue, Suishou no Fune, Plugdead + Yudaya Jazz, Secai, Nu Clear Classmate, Kelly Churko, Cal Lyall, Kenichi Fumoto, The Muzenji Monk, Taguchi Fumihito, Tayutau, My Pal Foot Foot, Elevation, The Lady Spade, Makoto Oshiro, Henrytennis, Mahiruno, ECD & DJ Illicit Tsuboi, Uhnellys, The Fadeaways and more...


VIZ Cinema is the nation’s only movie theatre devoted exclusively to Japanese film and anime. The 143-seat subterranean theatre is located in the basement of the NEW PEOPLE building and features plush seating, digital as well as 35mm projection, and a THX®-certified sound system.

About NEW PEOPLE
NEW PEOPLE offers the latest films, art, fashion and retail brands from Japan and is the creative vision of the J-Pop Center Project and VIZ Pictures, a distributor and producer of Japanese live action film. Located at 1746 Post Street, the 20,000 square foot structure features a striking 3-floor transparent glass façade that frames a fun and exotic new environment to engage the imagination into the 21st Century. A dedicated web site is also now available at: http://www.newpeopleworld.com/.

Review: "The Incredibles" the Best 3D Animated Superheroes... So Far

TRASH IN MY EYE No. 218 (of 2004) by Leroy Douresseaux

The Incredibles (2004)
Running time: 115 minutes (1 hour, 55 minutes)
MPAA – PG for action violence
WRITER/DIRECTOR: Brad Bird
PRODUCER: John Walker
CINEMATOGRAPHER: Janet Lucroy
EDITOR: Stephen Schaffer
Academy Award winner

ANIMATION/SUPERHERO/COMEDY/FAMILY

Starring: (voices) Craig T. Nelson, Holly Hunter, Samuel L. Jackson, Jason Lee, Spencer Fox, Sarah Vowell, Elizabeth Peña, Wallace Shawn, and Brad Bird

Mr. Incredible (Craig T. Nelson) and Elastigirl (Holly Hunter) are two superheroes that fall in love and eventually marry. Not long after their nuptials, the government forces superheroes into retirement because the citizens that the heroes rescue start suing the government for property damages and personal injuries. Thus Mr. Incredible and Elastigirl assume their civilian or secret identities as husband and wife, Bob and Helen Parr. They go on to have three children together, the shy Violet (Sarah Vowell), the energetic scamp Dashiell or “Dash” (Spencer Fox) and baby Jack Jack.

Bob, however, sorely missed his superhero life, so at night he sneaks outs with his buddy Lucius Best (Samuel L. Jackson), formerly known as Frozone. They done ski masks to hide their identities and rescue citizens from burning buildings and such. Bob soon catches the interest of a sexy female operative named Mirage (Elizabeth Peña). She summons him to a mysterious island and offers him a job paying him three times what he makes an insurance adjuster. The job also allows him to dress up in a superhero uniform and be Mr. Incredible again. However, a mysterious and sinister villain, Syndrome (Jason Lee), with a link to Mr. Incredible’s past arrives on the scene, and his actions bring the whole Parr family from undercover. Elastigirl assumes her old identity, but the eldest Incredible children also have powers. Dash becomes…well, Dash, the boy who can move at incredible speed. Violet becomes Shrinking Violet who can become invisible and generate force field bubbles. Dash and Violet don costumes like mommy and race off to save Daddy, but will The Incredibles and Frozone be able to save the world from the menace of Syndrome.

The Incredibles is the sixth collaboration between Pixar, the gold standard in computer animation studios, and Disney, and it is by no means their best work. However, in terms of the quality of the computer animation, The Incredibles is, to date, technically the best feature length computer animated film. In fact, there is never a moment in the film where The Incredibles really looks like the typical computer animated film. The animation is a cross between hand drawn three-dimensional art, claymation, stop-motion, and marionettes, the characters move with fluidity that is as good as the best second-tier hand drawn animation.

As for the story contents of the film: the super action is as about as good as the action in X2: X-Men United and Spider-Man 2, and that is a testament to the skill of the computer techs and artists at Pixar. It is something of a miracle to get a computer to render dramatic action on that level.

However, The Incredibles lacks the heart of classic Pixar films like the Toy Story series, Monsters, Inc., and Finding Nemo. The drama, the emotional conflicts, the plot, and the poignancy are missing. The Parr family dynamics are a bit cold, about what we’d get from an average TV family sitcom. Elastigirl, although ostensibly the co-lead, feels like a supporting character; writer/director Brad Bird dropped the ball there. The daughter Violet is vague and more of a caricature than a character.

I’m sure I’m not the only one who thinks that Patrick Warburton (who played the title character in Fox’s short-lived TV series, “The Tick” and provided the voice for an animated Superman in a Jerry Seinfeld American Express commercial) should have provided the voice for Mr. Incredible, but Craig T. Nelson is really good. He gives the character extraordinary life and individuality. Nelson truly makes Mr. Incredible one of the top screen superheroes.

My favorite characters in the film were Dash and Frozone. Frozone is sadly too relegated to the sidelines, but he has enough onscreen time to make it clear that Sam Jackson should do more animated voiceover work. Dash is an absolute delight. The quintessential hyperactive kid, he is a bold, confident, and brash young hero that could be the star of his own film. Spencer Fox’s performance and the Pixar artistry make Dash a charming scene-stealer. I wouldn’t mind an all-guys line up of Dash, Mr. Incredible, and Frozone in a follow-up.

On the strength of the high quality of the computer animation art in this film, I’ll call The Incredibles the best animated film of the year. It’s a sheer delight with the suspense, thrills, and action of a good family action film. Too bad the soft drama keeps it from being a truly great film.

8 of 10
A

NOTES:
2005 Academy Awards: 2 wins: “Best Animated Feature Film of the Year (Brad Bird) and “Best Achievement in Sound Editing” (Michael Silvers and Randy Thom); 2 nominations: “Best Achievement in Sound Mixing” (Randy Thom, Gary Rizzo, and Doc Kane) and “Best Writing, Screenplay Written Directly for the Screen” (Brad Bird)

2005 BAFTA Awards: 1 win: “BAFTA Children's Award Best Feature Film” (John Walker and Brad Bird)

2005 Golden Globes: 1 nomination: “Best Motion Picture - Musical or Comedy”

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VIZ Cinema is Passionate This Fall

THE THEMES OF PASSION & PROWESS USHER IN THE FALL SEASON AT VIZ CINEMA

Passion For Spirituality, Food, Music, Love And More Among The Topics Featured In New Films At NEW PEOPLE Movie Theatre This Month

VIZ Cinema makes November’s cinema programming about the theme of prowess. Passion turns into expertise as one's art and expression matures. It could simply save a soul, become a powerful weapon, or even lead a popular movement. Tickets, screening times and complete details for each film are available at: http://www.vizcinema.com/.

The month begins as the theatre proudly presents the opening night of the San Francisco International South Asian Film Festival 2010 on November 3rd with the premiere of Journey from Zanskar, a new film from the producers of Hoop Dreams that follows a group of monks and children across the breath-taking and dangerous Himalayas. Heavy metal comedy is up next with a special one-night-only show on November 4th of Detroit Metal City, to celebrate the film’s brand new DVD release from VIZ Pictures. The New Media Film Festival and S.F. Bay Area Market & Forum will be held this month at the venue, featuring work from innovative creators using the latest technology to develop visionary content.

Then work up an appetite for the premiere of Chef of the South Polar, based on the hilarious autobiographical essay of a chef on an Antarctic research team who brings gourmet cuisine to one of the most inhospitable place on earth. Live From Tokyo next takes audiences to the backstreets of Japan’s capital to sample the city’s burgeoning underground music scene. This screening will be complemented by a simulcast of a live set from the band Sajjunu (also featured in the film) broadcast from the Super Deluxe club in Tokyo. Anime fans won’t want to miss special screenings of Patlabor The Movie, and Patlabor The Movie 2, presented in partnership with Bandai Entertainment, and also a premiere showing of Kamui Gaidan, based on the legendary 1970’s Japanese comic book by Sampei Shirato.

Director Yuki Tanada’s Electric Button then brings erotic flavors to audiences and manages to be as sweet as it is unsentimental, while effortlessly dancing across the lines of comedy, drama, romance and eroticism. And don’t miss the return of the TokyoScope Talk film discussion series as it holds a special Saturday afternoon session on ninja cinema! The month wraps up with a special film retrospective on removed Japanese actor and author Yukio Mishima.

Journey from Zanskar, Wednesday, 11/3 at 7:20pm San Francisco Premiere!
(Directed by Frederick Marx, 2009, 90mins, English, Tibetan, and Hindi with English subtitles)

Oscar-winning filmmaker Frederick Marx follows a group of monks and children across the breath-taking and dangerous Himalayas as they journey from Zanskar, one of the most isolated places on earth, to a Buddhist school in Manali (India).

Detroit Metal City, November 4th 7:00pm, One Night Only!!!
(Directed by Toshio Lee, 2008, 104min, 35mm, Japanese with English Subtitles)

Detroit Metal City takes the zany rock antics inspired by films like Spinal Tap to hilarious new extremes in this story, based on a popular manga comic created by Kiminori Wakasugi that has sold more than 4.5 million copies in Japan and features notable appearances by Gene Simmons from the legendary band, KISS, and Marty Friedman of Megadeth.

In the film, Soichi Negishi (played by Kenichi Matsuyama) is a sweet and shy young man who dreams of becoming a trendy singer songwriter. But for some reason, he is forced into joining the devil worshiping death metal band “Detroit Metal City” (DMC). In full stage make-up and costume, he transforms into Johannes Krauser II the vulgar-mouthed lead vocalist of the band. Against Negishi’s will, DMC rises to stardom. Things get even more complicated when the legendary king of death metal, Jack IL Dark (played by Gene Simmons), challenges DMC to a duel in the film’s climatic finale. What will be the fate of innocent Negishi as he climbs to the top of the death metal world?

NEW MEDIA FILM FESTIVAL SF BAY AREA MARKET & FORUM
Friday, 11/5 & Saturday 11/6

Join as VIZ Cinema brings together several leaders and content creators in film, TV, games, publishing, web, mobile technology and screen mobile, webisodes and mobile series, shorts, animation, and much more. Film screenings include selections from Sundance, Cannes, Los Angeles Film Festival premieres as well as work by the best local Bay Area talent working in New Media. Competition Judges are industry professionals from Industrial Light & Magic, Pixar, Summit Entertainment, Creative Convergence and United Talent Agency.

More details and tickets are available at: www.newmediafilmfestival.com/newmediatickets.php

The Chef of South Polar Monday, 11/ 7 – Thursday, 11/12
(Directed by Shuichi Okita, 2009, 125mins, Japanese with English subtitles)

Based on the hilarious autobiography by the chef of an Antarctic research team!

Eight men join a research expedition to the Dome Fuji Station in Antarctica – an environment so cold that even viruses cannot exist, let alone living creatures. Jun Nishimura’s job is to cook for the members every day. He prepares the meals with the greatest care, sometimes with fine delicacies, and takes pleasure in watching everyone sitting down together and enjoying his food. In far away Japan, Nishimura has a family including a new-born son. The assignment lasts a year and a half and while his thoughts are with his family 14,000 kilometers away, the ultimate mission away from home must continue. Antarctic life is unlike anything in Japan. But as long as there is good food, it gives the team the strength to go on. Though the film is set in the coldest climate in the world, The Chef of South Polar will warm viewers up from the center of their hearts. Good food and human drama, full of laughter and love.

Live From Tokyo; Friday, 11/12 at 7:15pm
(Directed by Lewis Rapkin, 2010, 79min, HDCam, Japanese with English Subtitles,)

“Live From Tokyo” is a documentary film about underground music culture in Tokyo. The city’s reputation as a media-saturated hub for global information and cutting-edge innovation makes it the perfect setting for addressing a new outlook on music culture. This documentary takes the viewer through the back streets in Shinjuku, the intersections in Shibuya, the alleys in Koenji, and all over Tokyo, as it highlights the innovative musicians who create this multi-faceted artistic culture. The film features interviews and performances by DMBQ, Tenniscoats, Shugo Tokumaru, Nisennenmondai, PARA (ex-Boredoms members), Kirihito, d.v.d., and many more.

After the film screening, the band Sajjanu (featured in the film) will simulcast a live performance from Tokyo!

Sajjanu is a ripping new unit from Tokyo that performs incredibly complex through-composed compositions with few if any repetition. Combining the intensity of the Ruins with the quirkiness of the Boredoms and the compositional integrity of Zappa, Zorn and more, Sajjanu is creating a new Japanese music of infinite possibilities. In addition to releases in Japan, Sajjanu’s album Pechiku!! was released in 2009 on John Zorn’s New York-based Tzadik label.

Patlabor The Movie, November 13th (Subtitled) & 14th (Dubbed)
(Directed by Mamoru Oshii, 1989, 99min, Digital, Japanese with English Subtitles)

Set in an alternate 1999 in Tokyo where advanced robotic vehicles called Labors are heavily relied on to reshape the city, a maverick team of the Metropolitan Police force tries to uncover and thwart a devilish computer crime aimed at the heart of the Labor industry. As a powerful typhoon approaches the city and the schemes of a mad genius start to take full effect, time is running out for the team of Special Vehicles Section 2 to act on the offensive, or risk citywide devastation by eight thousand Labors gone berserk!

Patlabor The Movie 2, November 13th (Subtitled) & 14th (Dubbed)
(Directed by Mamoru Oshii, 1993, 113min, Digital, Japanese with English Subtitles)

Set three years after the first film, PATLABOR 2 draws police commanders Ki'ichi Gotoh and Shinobu Nagumo into the hunt for Tsuge, a rogue officer of the Japan Self-Defense Forces connected with an escalating wave of terrorist attacks. But the investigation into the plot is guarded by secrets both personal and political, as the awakening fear of terror in Tokyo is slowly answered by the dream-like fade of democracy into martial law... Ominous, beautiful, suspenseful, and poetic, Patlabor 2 deserves the term visionary in every sense of the word.

Electric Button (Moon & Cherry), Saturday, 11/13 – Thursday, 11/18, San Francisco Premiere!

Recalling the traditional “Pink Film” in form – but radically different in the particulars, Yuki Tanada’s ELECTRIC BUTTON manages to be as sweet as it is unsentimental, while effortlessly dancing across the lines of comedy, drama, romance and eroticism.

21 year-old Kenichi Tadokoro (Tasuku Nagaoka) has finally been accepted into a university after his third try at the entrance exam. One day he is virtually shanghaied into joining an erotic fiction writing club by an odd character who seems much too old to be a proper student (veteran film actor Akira Emoto). The club is populated by an odd assortment of characters, including the sole female member, Hazuki Mayama (Noriko Eguchi), who, under a male nom de porn, is also the club’s only published member. When the group engages in a sexually explicit round of shop talk, Tadokoro regales them with his expertise. Mayama, however, to Tadakoro’s horror, easily identifies him as a virgin – out loud, casually, and in front of everyone.

Kamui Gaidan, Friday, 11/19 – Wednesday, 12/1, San Francisco Premiere!
(Directed by Yoichi Sai, 2009, 120min, Digital, Japanese with English subtitles)

Based on the legendary 1970’s Japanese comic book by Sampei Shirato, Kamui Gaidan boasts one of the largest budgets in the history of Japanese film history. Taking you on a journey by land and by sea, Kamui Gaidan is sure to capture the attention of audiences world-wide with its amazing action and colorful story. Set in 17th Century Japan, Kamui Gaidan tells the story of Kamui, an outcast from society who dreams of someday escaping his miserable existence. Feeling that he is left with no alternative, Kamui trains to become a deadly Ninja, killing just to survive. A life of that revolves around kill after kill starts to get to the warrior. Kamui grows to despise the lethal rules that govern the Ninja, prompting him to leave the only world he knows. Now a fugitive from his former clan, Kamui goes on the run towards an uncertain future. The Ninja’s view on life changes after an incident brings him to a fisherman’s family. It is there he finally starts to open up to other people. Meanwhile, those hunting him are setting their trap.

TokyoScope Talk, Vol. 7 – NINJA ATTACK! Saturday, 11/20 at 12:15pm

The ninja – Japan’s famed shadow warriors of legend – are the subject of the next TokyoScope Talk film event.

Presented by host Patrick Macias (Editor, Otaku USA) and produced in association with Matt Alt, co-author of the new book Ninja Attack! True Tales of Assassins, Samurai, and Outlaws (published by Kodansha International), this presentation will explore the historical and pop culture legacy of the original men (and women!) in black.

Gasp in amazement as rare clips from assorted movies, anime, and TV programs such as Shinobi no Mono, Red Mask, Shogun Assassin, Dagger of Kamui, and Alien vs. Ninja reveal the over-the-top skills, weapons, and deadly techniques of these fearsome martial artists!

All attendees will be entered into a raffle to win free copies of the Ninja Attack! book!

Mishima Retrospective: 11/26 Fri – 12/1 Wed
To honor the 40th anniversary of the death of renowned actor Yukio Mishima on November 25th, 1970, VIZ Cinema proudly presents the Mishima Retrospective which showcases three films inspired by his novel, his life and his work as an actor.

Ken
Directed by Kenji Misumi, 1964, 94min, Japanese with English subtitles)

Based on Yukio Mishima's short story published in 1963, the story revolves around the story of the captain of a university kendo club – Kokubu – and his relationships with other members of the club, his family, women, and modern society in general.

Mishima: A Life in Four Chapters
(Directed by Paul Schrader, 1985, 120min, Japanese with English subtitles)

A visually stunning, collage-like portrait of acclaimed Japanese author and playwright Yukio Mishima (played by Ken Ogata), this film investigates the inner turmoil and contradictions of a man who attempted an impossible harmony between self, art, and society. Taking place on Mishima’s last day, when he famously committed public seppuku, the film is punctuated by extended flashbacks to the writer’s life as well as by gloriously stylized evocations of his fictional works.

Afraid to Die
(Directed by Yasuzo Masumura, 1960, 96min, Japanese with English subtitles)

Yukio Mishima stars in this New Wave cult film playing the role of Takeo, a youthful yakuza who turns back to his criminal ways after leaving prison. Takeo finds himself embroiled in the business of assassinations, revenge and violence, and must struggle to keep alive for the love of his family and girlfriend, Yoshie.

VIZ Cinema is the nation’s only movie theatre devoted exclusively to Japanese film and anime. The 143-seat subterranean theatre is located in the basement of the NEW PEOPLE building and features plush seating, digital as well as 35mm projection, and a THX®-certified sound system.


About NEW PEOPLE
NEW PEOPLE offers the latest films, art, fashion and retail brands from Japan and is the creative vision of the J-Pop Center Project and VIZ Pictures, a distributor and producer of Japanese live action film. Located at 1746 Post Street, the 20,000 square foot structure features a striking 3-floor transparent glass façade that frames a fun and exotic new environment to engage the imagination into the 21st Century. A dedicated web site is also now available at: http://www.newpeopleworld.com/.

Review: "Toy Story" Was and Still is the Best Picture of 1995

TRASH IN MY EYE No. 89 (of 2010) by Leroy Douresseaux

Toy Story (1995)
Running time: 80 minutes (1 hour, 20 minutes)
MPAA – G
DIRECTOR: John Lasseter
WRITERS: Joss Whedon, Andrew Stanton, Joel Cohen, and Alec Sokolow; from a story by John Lasseter, Pete Docter, Andrew Stanton, and Joe Ranft
PRODUCERS: Bonnie Arnold and Ralph Guggenheim
EDITORS: Robert Gordon and Lee Unkrich
COMPOSER: Randy Newman
Academy Award winner

ANIMATION/FANTASY/ADVENTURE/COMEDY/FAMILY

Starring: Tom Hanks, Tim Allen, Don Rickles, Jim Varney, Wallace Shawn, John Ratzenberger, Annie Potts, John Morris, Laurie Metcalf, and R. Lee Emery

Released in 1995, Disney/Pixar’s Toy Story is remembered as the first feature-length, computer-animated film (or 3D animation). Being the first film made entirely with computer-generated imagery (CGI) may be Toy Story’s main claim to fame, but it is also a superb film. Its sophisticated screenplay is full of wit and rich characterization, and the film challenges the notion that only Oscar-caliber films can deliver mature drama and complex storytelling.

Toy Story is set in a world where toys come to life when their owners are not present. The story focuses on a traditional, pull-string, talking cowboy doll named Woody (Tom Hanks). Woody is the leader of a group of toys belonging to a six-year-old boy named Andy Davis (John Morris). Woody has also long enjoyed a place of honor as the favorite among Andy’s menagerie of toys. Woody is prepping the others toys for the Davis family’s big move to a new home. In the meantime, Andy is having his party a week before his actual birthday, so the toys stage a reconnaissance mission to discover what new presents Andy will receive.

It turns out that Andy’s favorite birthday gift is a new action figure – a space ranger Buzz Lightyear (Tim Allen). Buzz is an impressive toy that has lots of things on it that light up and make noise, and even has pop-up wings. Disappointed and resentful because he believes Buzz has taken his place, Woody plots to get rid of Buzz. His plan, however, backfires, and both Woody and Buzz end up on an adventure that might cost them their happy home and their very survival.

Toy Story is full of charming and funny characters, and they will be especially appealing to people who remember owning a toy that was their very best friend. The characters are what make this movie. Even though Toy Story marked the dawn of a new era of movie animation, it would be merely a technical achievement without such winning characters.

In fact, one cannot help but marvel at how fully-realized Woody and Buzz are. We watch each character grow and also see what seems like a real friendship blossom. It all feels real because Woody and Buzz’s personalities are revealed through the story’s action. Conflict and dilemma challenge the characters within the film, and how the two react tells the audience more about them.

It seems as if 3D animation has created a strange, almost real world that looks as if it is somewhere between animation and reality. This is what Toy Story introduced to movie audiences, but it would all seem flat without the characters. Toy Story has exceptional characters in a special story, and so it is more than just a landmark technical achievement.

10 of 10

NOTES:
1996 Academy Awards: 1 win: “Special Achievement Award” (John Lasseter – For the development and inspired application of techniques that have made possible the first feature-length computer-animated film.); 3 nominations: “Best Music, Original Musical or Comedy Score” (Randy Newman), “Best Music, Original Song” (Randy Newman for the song "You've Got a Friend"), and “Best Writing, Screenplay Written Directly for the Screen” (Joss Whedon-screenplay, Andrew Stanton-screenplay/story, Joel Cohen-screenplay, Alec Sokolow-screenplay, John Lasseter-story, Pete Docter-story, and Joe Ranft-story)

1996 Golden Globes: 2 nominations: “Best Motion Picture - Comedy/Musical” and “Best Original Song - Motion Picture” (Randy Newman for the song "You Got a Friend in Me")

1997 BAFTA Awards: 1 nomination: “Best Achievement in Special Visual Effects” (Eben Ostby and William Reeves)

Monday, November 01, 2010

 

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Harry Potter and the Deathly Hallows Soundtrack Due November 16

Press release:

WaterTower Music Announces November 16 Release Date for the Soundtrack to Harry Potter and the Deathly Hallows – Part 1

Limited Edition Soundtrack Collector’s Set Also Unveiled

BURBANK, Calif.--(BUSINESS WIRE)--WaterTower Music is excited to announce the release of the original motion picture soundtrack for Harry Potter and the Deathly Hallows – Part 1, the latest installment of the Harry Potter film franchise. The album will be available everywhere Tuesday, November 16. Featuring 26 compositions by Golden Globe winner and Oscar- and Grammy Award-nominated composer Alexandre Desplat, the soundtrack provides the listener with over 70 minutes of new music from the film. All fans who purchase the CD will also receive a free download of the entire soundtrack in 5.1 Surround Sound Audio.

Additionally, a special limited collector’s edition of the soundtrack will be made available. Each numbered collector’s set features the full soundtrack, a bonus CD with extra music, an exclusive poster, picture disc vinyl, a DVD including video interviews and the soundtrack in 5.1 Surround Sound Audio, original Harry Potter film cells, autographed sheet music, and a numbered certificate of authenticity. This special set will be made available at retail stores in time for Christmas and is available by pre-order now at online retail. More details are available at www.deathlyhallowssoundtrack.com.

Desplat composed the captivating score, which was recorded by the London Symphony Orchestra at the famed Abbey Road Studios. “I’m thrilled to be involved with the magical world of Harry Potter,” declared the composer. “It’s an extraordinary story of extraordinary people, which allows me to play with a world of extraordinary sounds.”

Alexandre Desplat is a three-time Academy Award® nominee for his scores for Fantastic Mr. Fox, The Curious Case of Benjamin Button and The Queen. He also won a Golden Globe Award for The Painted Veil. His additional work includes the scores to Twilight Saga: New Moon, Julie & Julia, Syriana and Birth.

Harry Potter and the Deathly Hallows – Part 1, which opens nationwide on Friday, November 19, begins the seventh and final adventure in the Harry Potter film series, the much-anticipated motion picture event to be told in two full-length parts. Part 2 opens nationwide on July 15, 2011.

Warner Bros. Pictures presents a Heyday Films Production, a David Yates Film, Harry Potter and the Deathly Hallows – Part 1. The film is directed by David Yates, and produced by David Heyman, David Barron, and J.K. Rowling. Steve Kloves adapted the screenplay, based on the book by Rowling. Lionel Wigram is the executive producer. Daniel Radcliffe, Rupert Grint and Emma Watson reprise the roles of Harry Potter, Ron Weasley and Hermione Granger. Harry Potter and the Deathly Hallows – Part 1 will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence, frightening images and brief sensuality.

http://www.harrypotter.com/

Review: Well, at Least I Liked "Connie and Carla" (Happy B'day, Toni Collette)

TRASH IN MY EYE No. 198 (of 2004) by Leroy Douresseaux

Connie and Carla (2004)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for thematic elements, sexual humor, and drug references
DIRECTOR: Michael Lembeck
WRITER: Nia Vardalos
PRODUCERS: Gary Barber, Roger Birnbaum, Jonathan Glickman, Tom Hanks, and Rita Wilson
CINEMATOGRAPHER: Roger Greatrex
EDITOR: David Finfer

COMEDY/MUSIC

Starring: Nia Vardalos, Toni Collette, David Duchovny, Stephen Spinella, Alec Mapa, Christopher Logan, Robert Kaiser, Ian Gomez, Nick Sandow, Dash Mihok, Robert John Burke, and Boris McGiver with Debbie Reynolds

Connie and Carla was a box office dud, but I wanted to see the movie the first time I saw a commercial for it. Having finally seen the comedy/faux musical, I enjoyed it as much as I thought I would. It’s a good old fashion fish-out-of-water and mistaken identity comedy, and it has two exceptional leads in Nia Vardalos and Toni Collette.

In the film, Connie (Nia Vardalos) and Carla (Toni Collette) are two struggling Chicago dinner theatre performers, making a living where they can, in this case, at an airport bar. They witness their boss’ murder at the hands of Rudy (Robert John Burke), a Russian mobster. Unfortunately, when their boss knew he was in trouble, he slipped a kilo of cocaine that belonged to Rudy in Carla’s bag. Now, Rudy wants his coke and the girls dead, so Connie and Carla head out to the place no one would think of looking for them because it has no dinner theatre, Los Angeles.

After unsuccessfully hunting for work, they pretend to be drag queens and begin a drag musical act that is so popular, it lifts the status of the club where they perform. The local drag queens and the straight community embrace them, and they turn their new boss, Stanley’s (Ian Gomez), bar into a very hot dinner theatre club. Connie also falls for Jeff (David Duchovny), the straight brother of one of the drag queens, but Jeff thinks Connie is a man, much to her chagrin. However, they left Connie’s dumb boyfriend, Al (Nick Sandow), and Carla’s equal dumb squeeze, Mikey (Dash Mihok), behind in Chicago. Before long Al and Mikey and Rudy and his musical theatre-loving henchman, Tibor (Boris McGiver) come looking for the girls. Can they save their own lives and keep the fact that they’re women pretending to be men pretending to be women secret?

Nia Vardalos’s script combines the best elements of films like Sister Act, Some Like it Hot, and Victor/Victoria, and director Michael Lembeck puts together a comedy that mixes slap stick and poignant political correctness into entertainment. It’s the most feel-good drag queen movie from a major Hollywood studio that I’ve seen, mainly because it treats it subject matter in a glossy way. The film assumes that if you’re a good guy, you accept drag queens even if you’re not 100% OK with their culture and lifestyle.

Sociology aside, the lead actresses make this film. Ms. Vardalos is just plain funny; she has a face and personality made for broad, goofy, dumb, obvious comedies. If it’s a farce or a tale about different cultures and groups thrown together, she can milk it for lots of yucks. Ms. Vardalos is also blessed with an excellent co-star in Toni Collette. Although many remember her as the put upon mother in The Sixth Sense, Ms. Collette is a fine actress who is an exceptionally good comedic character actress; she’s a pleasure to watch.

If one isn’t uptight about drag queens or gays, if one is secure with one’s sexual orientation, and if one isn’t a religious bigot, Connie and Carla is light-hearted fun. It’s not the smartest movie, but between the music, show tunes, dance routines, and broad drag queen humor, it’s darn funny.

7 of 10
B+

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