Friday, November 12, 2010

Review: "The Devil Wears Prada" is Still Devilish Fun (Happy B'day, Anne Hathaway)


TRASH IN MY EYE No. 156 (of 2006) by Leroy Douresseaux

The Devil Wears Prada (2006)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – PG-13 for some sensuality
DIRECTOR: David Frankel
WRITER: Aline Brosh McKenna (based upon the novel by Lauren Weisberger)
PRODUCER: Wendy Finerman
CINEMATOGRAPHER: Florian Ballhaus
EDITOR: Mark Livosi, A.C.E.
Academy Award nominee

COMEDY

Starring: Meryl Streep, Anne Hathaway, Stanley Tucci, Simon Baker, Emily Blunt, Adrian Grenier, Tracie Thoms, Rich Sommer, and Daniel Sanjata

Fresh out of college with her journalism degree, Andy Sachs (Anne Hathaway) has decided to go to New York City to pursue her dream of serious writing, although her parents would have preferred Stanford Law School. Her impressive college resume lands her job at Runway Magazine, the fashion bible of NYC. Andy’s job is to be the assistant to Emily (Emily Blunt), who is in turn the assistant to the fearsome Miranda Priestly (Meryl Streep), Runway’s editor-in-chief and the most powerful woman in fashion. This is a job, as Nigel (Stanley Tucci), one of Miranda’s employees, tells Andy, a job that a thousand other girls would kill for. However, Andy isn’t much on fashion, and her wardrobe is more off-the-rack drab than haute couture. She’s really wrong for the job, and Miranda is a prickly, domineering, ice queen who quickly dismissed the two assistants prior to Andy. Still, Andy begins to like her new job, and that’s when it conflicts with her circle of friends, especially her boyfriend, Nate (Adrian Grenier). Now, Andy has to balance a burgeoning profession career with her personal life, even while’s she finds herself drawn closer to the dragon fire that is Miranda Priestly.

The Devil Wears Prada relies on two basic and familiar storylines – the fish out of water story and the career girl’s adventures, and the movie does both well because of its star. Meryl Streep’s name may be first on the marquee, and she gives a tour-de-force performance (as is her want), but this is Anne Hathaway’s movie. The girlish looks and charms she showed in Disney’s The Princess Diaries franchise and the dramatic chops she showed in Brokeback Mountain both come to play in The Devil Wears Prada, the former more than the latter. Her Andy Sachs is both spunky and serious, and Anne shows so much of that in her highly emotive facial expressions – done with exquisite subtly.

Of course, much of this film’s attention is on Streep’s flashy and brassy turn as Miranda Priestly, but ever the consummate professional and actor-as-artist, Streep’s theatrics are completely in the context of the film. She doesn’t stop the film cold when she turns on Miranda’s cold. Streep’s performance allows for this movie to have something that successful films need – great scenes. Great movies have several great scenes, and while The Devil Wears Prada isn’t great, it is easily the top comedy of 2006. Streep anchors the great scenes (or even builds them) that make this movie a must-see for movie lovers.

The Devil Wears Prada is one of those flicks that deserves and has earned such film critics’ clichés as “devilishly clever,” deliciously wicked,” “fiendishly clever,” etc., and even “scrumptious.” That’s because the script allows us to tag along on a crafty romp through the fashion world the movie has fashioned. As snarky as the comedy about the fashion industry in this movie may be, the ultimate treat is two outstanding performances by Streep and Hathaway. Their chess match, or test of wills, as it may be, is the pillar of this ingeniously constructed comedy.

7 of 10
A-

Thursday, July 20, 2006

NOTES:
2007 Academy Awards: 2 nominations: “Best Performance by an Actress in a Leading Role” (Meryl Streep) and “Best Achievement in Costume Design” (Pat Field)

2007 BAFTA Awards: 5 nominations: “Best Actress in a Leading Role” (Meryl Streep), “Best Actress in a Supporting Role” (Emily Blunt), “Best Costume Design” (Pat Field), “Best Make Up & Hair” (Nicki Ledermann and Angel De Angelis), and “Best Screenplay – Adapted” (Aline Brosh McKenna)

2007 Golden Globes: 1 win: “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Meryl Streep); 2 nominations: “Best Motion Picture - Musical or Comedy” and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Emily Blunt)

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Kung Fu Panda 2 Set For May 27 2011



Press release:
 
DreamWorks Animation Presents
 
KUNG FU PANDA 2
 
Cast: Jack Black, Angelina Jolie, Dustin Hoffman, Jackie Chan, Seth Rogen, Lucy Liu, David Cross, James Hong, Gary Oldman, Michelle Yeoh, Jean-Claude Van Damme, Victor Garber

Filmmakers: Produced by Melissa Cobb, Directed by Jennifer Yuh Nelson

Synopsis: In KUNG FU PANDA 2, Po is now living his dream as The Dragon Warrior, protecting the Valley of Peace alongside his friends and fellow kung fu masters, The Furious Five. But Po’s new life of awesomeness is threatened by the emergence of a formidable villain, who plans to use a secret, unstoppable weapon to conquer China and destroy kung fu. He must look to his past and uncover the secrets of his mysterious origins; only then will Po be able to unlock the strength he needs to succeed.

Release: May 27, 2011

This film has not yet been rated -CREDITS NOT FINAL AND SUBJECT TO CHANGE

VISIT THE OFFICIAL SITE: http://www.kungfupanda.com/

Review: Third Time is Not a Charm for Washington/Scott in "Deja Vu"

TRASH IN MY EYE No. 251 (of 2006) by Leroy Douresseaux

Déjà vu (2006)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG-13 for intense sequences of violence and terror, disturbing images and sensuality
DIRECTOR: Tony Scott
WRITERS: Bill Marsilii and Terry Rossio
PRODUCER: Jerry Bruckheimer
CINEMATOGRAPHER: Paul Cameron
EDITOR: Chris Lebenzon
Black Reel Award nominee

SCI-FI/THRILLER/MYSTERY with elements of action

Starring: Denzel Washington, Val Kilmer, Paula Patton, Adam Goldberg, and Jim Caviezel, Bruce Greenwood, Erika Alexander, Matt Craven, and Elden Henson

Doug Carlin (Denzel Washington), ATF agent, is investigating a cataclysmic explosion of a New Orleans ferry that is possibly a terrorist attack. Carlin also happens upon the homicide of a young woman named Claire Kuchever (Paula Patton) that may be tied to the ferry bombing, and that’s when Carlin begins to believe that he has some kind of emotional connection to Claire. It’s déjà vu – that unsettling feeling that he knows someone he’s never met and recognizes a place he’s sure he’s never been.

Then, Carlin meets FBI Agent Andrew Pryzwarra (Val Kilmer) and a small team of physicists who have apparently opened a window through which they can view the past. That’s when Carlin falls down the rabbit hole (or through a wormhole, so to speak) that will point him to the identity of the bomber and bring he and Claire closer. But by tampering with the past, will Doug Carlin save Claire’s life or will he cost them both their lives?

Déjà Vu is the third collaboration between Oscar-winning actor Denzel Washington and director Tony Scott (after Crimson Tide and Man on Fire), and because they have such a good rapport, this preposterous sci-fi, mystery thriller manages to be a tasty popcorn flick in spite of the holes in the plot. The film is by-the-book Scott and Washington. Déjà Vu looks like Scott’s usual work, complete with burnished photography and lots of fancy editing and camera cutting. Washington does his usual determined, confident, cocky-but-sensitive law enforcement/military type. This movie isn’t Oscar bait; it’s a Denzel Washington action/thriller vehicle helmed by a director and producer (Jerry Bruckheimer) who both know how to do action/thriller vehicles for A-list movie stars.

As for the science fiction (time travel) behind Déjà Vu: it’s the kind material we get from movies on the Sci-Fi Channel. The difference is Déjà Vu has a bigger budget and big Hollywood names behind it instead of the usual Sci-Fi Channel suspects: some minor character actors and a team of filmmakers that generally works on the periphery of the movie industry. Déjà Vu gives lots of thrills and edge-of-your-seat suspense, but it all seems so predictable and ill conceived that it might well be a made-for-TV sci-fi movie that got lucky and received a theatrical run. In the end, this movie may be remembered for its absurd and outlandish sci-fi concept and not much else. Otherwise, Déjà Vu is a Denzel Washington movie that even Washington fans can wait for on DVD.

5 of 10
C+

Saturday, December 16, 2006

NOTES:
2007 Black Reel Awards: 1 nomination: “Best Breakthrough Performance” (Paula Patton)

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Thursday, November 11, 2010

All-Stars Join Steven Soderbergh for "Contagion"

Press release:
An All-Star Ensemble Cast Begins Filming on Warner Bros. Pictures’ “Contagion” under the Direction of Steven Soderbergh

BURBANK, Calif.--(BUSINESS WIRE)--Principal photography is underway on Warner Bros. Pictures’ global thriller “Contagion,” being directed by Academy Award® winner Steven Soderbergh (“Traffic”).

The film brings together a stellar international ensemble cast, including Academy Award® winner Marion Cotillard (“La Vie en Rose,” “Inception”); Academy Award® winner Matt Damon (“Good Will Hunting,” the “Bourne” films); Oscar® nominee Laurence Fishburne (“What’s Love Got to Do With It,” “The Matrix”); Oscar® nominee Jude Law (“Cold Mountain,” “Sherlock Holmes”); Academy Award® winner Gwyneth Paltrow (“Shakespeare in Love,” “Iron Man”); and Academy Award® winner Kate Winslet (“The Reader,” “Titanic”).

“Contagion” follows the rapid progress of a lethal airborne virus that kills within days. As the fast-moving epidemic grows, the worldwide medical community races to find a cure and control the panic that spreads faster than the virus itself. At the same time, ordinary people struggle to survive in a society coming apart.

The original screenplay is written by Scott Z. Burns (“The Bourne Ultimatum,” “The Informant!”). “Contagion” is being produced by Michael Shamberg, Stacey Sher (“World Trade Center”), and Gregory Jacobs (“The Informant!”).

Collaborating with Soderbergh behind the scenes are production designer Howard Cummings (“Percy Jackson & the Olympians: The Lightning Thief”), Oscar®-winning editor Stephen Mirrione (“Traffic”), and costume designer Louise Frogley (“Quantum of Solace,” “Ocean’s Thirteen”).

Filming will take place on location around the world, including sites in Hong Kong, Macao, Chicago, Atlanta, San Francisco, Abu Dhabi, London and Geneva.

“Contagion” will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The film is slated for release in October 2011.

Review: "Man on Fire," the Second Tony Scott-Denzel Washington Joint



TRASH IN MY EYE No. 58 (of 2004) by Leroy Douresseaux

Man on Fire (2004)
Running time: 146 minutes (2 hours, 26 minutes)
MPAA – R for language and strong violence
DIRECTOR: Tony Scott
WRITER: Brian Helgeland (from the novel by A.J. Quinnell)
PRODCUERS: Lucas Foster, Arnon Milchan, Tony Scott
CINEMATOGRAPHER: Paul Cameron (D.o.P.)
EDITOR: Christian Wagner
Image Award nominee

DRAMA/CRIME/THRILLER with elements of action

Starring: Denzel Washington, Dakota Fanning, Marc Anthony, Radha Mitchell, Christopher Walken, Giancarlo Gianni, Rachel Ticotin, Jesús Ochoa, Mickey Rourke, and Angelina Peláez

The new Tony Scott-directed Denzel Washington-starrer, Man on Fire, is not two movies disguised as one film, nor is it simply a revenge film, as many have said early in the film’s release. It’s as much a drama about a man fighting for something and someone he loves as it is a pay-back-the-bastards flick.

Washington is John Creasy, a burnt out alcoholic counter insurgency, military type who takes a job protecting Pita (Dakota Fanning), the young daughter of a wealthy man in Mexico City. The city has seen a wave of kidnappings of rich people, where upon the kidnappers extort millions of dollars from the victims’ families. But Creasy and Pita are ambushed; the kidnappers shoot Creasy and escape with the child. After the money drop off is botched, the kidnappers claim to have killed the girl in retaliation. Still recovering from his wounds, Creasy goes on a mission to find everyone involved in the kidnapping, from top to bottom, and kill them all.

In the early part of the film, we meet Creasy, but learn very little about him. Director Tony Scott quickly shows us just enough of the growing relationship between Creasy and Pita in hopes of getting us to believe that the soldier of fortune becomes attached to the precocious child he’s supposed to protect. If their bonding, we’ll also buy that Creasy is going to become an angel of death to all those involved in harming Pita. Scott, who has a history of directing flashy action pictures like Top Gun, True Romance, and Crimson Tide, actually succeeds in weaving a fairly touching short story of a killer bonding with innocence. It’s the rest of the cast that gets in the way.

From the parents to the cops, it’s a parade of characters who are just barnacles on the interplay between the veteran Washington and the newcomer Fanning’s character interplay. Sometimes, it also seems as if the story either can’t live up to its premise or to the fact that the leads can pull off the story.

The second half of the film, the alleged revenge movie, is not so much on fire as it is on simmer. It’s a cool burn with some very effective scenes, and Man on Fire is at this point probably one of the quietest intense thrillers in a decade. As fancy as the camera work and film editing is, Washington makes the “man on a mission” part of the film work. The photographic tricks and effects are just the icing on Denzel’s cake. He plays his character as quiet and patient, but also relentless and ruthless. He’s surprises and shocks. It’s fun to watch an actor work a post-MTV revenge flick like a cool 70’s Eastwood payback movie. If you can’t get into what he’s doing in this film, you’re jaded.

6 of 10
B

NOTES:
2005 Image Awards: 2 nominations: “Outstanding Actor in a Motion Picture” (Denzel Washington) and “Outstanding Motion Picture”

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Wednesday, November 10, 2010

Free Ultra-Maniac Anime



VIZ Media announces the launch of ULTRA MANIAC (rated TV-14) available now from the iTunes Store in the U.S. and Canada (http://www.itunes.com/), as well as the streaming content provider HULU (http://www.hulu.com/) and VIZAnime.com, the company’s premier website for anime.
Starting today, iTunes will offer the first part of ULTRA MANIAC season one (dubbed episodes 1-13) for the Download-To-Own (DTO) price of $1.99 (U.S.) each, and a Download-To-Rent (DTR) price of $0.99 (U.S.) each. As a special treat for viewers, ULTRA MANIAC episode 1 is available to download for FREE until November 23rd. Beginning December 6th, ULTRA MANIAC season one part two (episodes 14-26) will also be available for DTO and DTR.

VIZAnime.com and HULU will stream FREE episodes 1-5 of ULTRA MANIAC (subtitled). Two additional new episodes will launch each Monday.

ULTRA MANIAC is based on the popular shojo manga of the same name (also published by VIZ Media, rated ‘A’ for All Ages) by creator Wataru Yoshizumi. Ayu Tetsushi is in her second year of junior high and is known as the cool popular tennis club girl that all the girls idolize. Then, Ayu meets Nina, a transfer student whose strange personality leaves Ayu a little perplexed. Soon, Ayu discovers that Nina is a witch that came from the Kingdom of Magic to study abroad!

To learn more about ULTRA MANIAC anime and manga series, please visit VIZAnime.com or ShojoBeat.com.

Tuesday, November 9, 2010

Review: Frank Darabont's Take on "Stephen King's The Mist" Has a Sh*tty Ending

TRASH IN MY EYE No. 138 (of 2007) by Leroy Douresseaux

Stephen King’s The Mist (2007)
Running time: 127 minutes (2 hours, 7 minutes)
MPAA – R for violence, terror, gore, and language
DIRECTOR: Frank Darabont
WRITER: Frank Darabont (based upon the novella by Stephen King)
PRODUCER: Frank Darabont and Liz Glotzer
CINEMATOGRAPHER: Ronn Schmidt
EDITOR: Hunter M. Via

HORROR/DRAMA with elements of sci-fi

Starring: Thomas Jane, Marcia Gay Harden, Laurie Holden, Andre Braugher, Toby Jones, William Sadler, Jeffrey DeMunn, Frances Sternhagen, Alexa Davalos, Chris Owen, Sam Witwer, Robert C. Treveiler, David Jensen, and Nathan Gamble

Writer/director Frank Darabont has previously adapted two Stephen King works of fiction into movies: the multiple Oscar-nominated films, The Shawshank Redemption and The Green Mile. His latest King-to-film work is the horror flick, Stephen King’s The Mist, and it’s the kind of horror film that will still be on your mind quite a while after you leave the theatre, if not for a good long time afterwards.

The setting of The Mist is a pretty, Maine village populated by simple, rustic folks, but it is also the home of wealthy New Yorkers seeking a pastoral refuge from the hustle and bustle of the city life that has done well by them. Following a violent thunderstorm, a peculiar white mist creeps towards the small town community. Artist David Drayton (Thomas Jane) and his son, Billy (Nathan Gamble), are getting emergency supplies at a grocery store in the local shopping center when this unnatural mist moves in to cover the entire area.

Unusual as the mist is, the store’s occupants soon discover that there may be something monstrous prowling inside the thick, white mess. The customers barricade themselves inside the grocery story, and Drayton and a small band of customers plot survival and eventually escape after creatures in the mist start attacking the store. However, Drayton and company soon find themselves in a test of wills and a small war with Mrs. Carmody (Marcia Gay Harden), a local self-proclaimed psychic, who insists that only a blood sacrifice to the “God of Israel” will save them all. Her congregation of fear, formed out of the customers who have fallen under her sway, is all too willing to kill for her. Then, there’s the enemy outside that they can’t even see and that is attacking with increasing frequency.

The Mist, the film, is like “The Mist, the novella upon which is based (and which first appeared in the 1980 horror fiction anthology, Dark Forces), is about more about the conflicts among the occupants of the grocery store than it is about the supernatural boogeymen waiting in the mist outside. The monsters certainly are terrifying, even when their CGI creators make them look somewhat comical, perhaps, because Darabont maintained an element about which King was clear in the original story – these beasts hiding in that thick, mean mist are so very lethal. Their constant attacks on the grocery store’s structural integrity make this slightly two-hour-plus film actually seem lean, mean, and spry.

However, Darabont captures the most delicious aspect of King’s story and transforms his film from yet-another-King-adaptation into something memorable – a brutish and shockingly pessimistic human drama. Darabont suggests that the humans are just as capable of being killers as the creatures outside are. What can bring about the change? It’s fear, because as the movie’s tagline says – “Fear changes everything.”

All the mist does is quickly peel back the thin veneer of civility and civilization to reveal the ugly side of people just waiting to show itself the first time the comforts of modern life – utilities and machines – stop working. Whether it is the hellfire, hellfire, and more hellfire with a side of brimstone Mrs. Carmody and her demands for expiation (making amends to God via blood sacrifice) or Andre Braugher’s loud-mouthed NYC attorney, many of the characters take their fears and insecurities and use that to separate the customers into two groups, “them” and “us.”

The only thing really disappointing about the movie (well, besides the really downer of an ending) is not the execution of the movie. It is the fact that when a disaster, natural or supernatural, starts to break down institutions like the family, local authority, community bonds, etc., then, many of us will act pretty much the way the characters in this gem of a horror flick do  And that's not the movie's fault, is it?

7 of 10
B+

Sunday, November 25, 2007

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