Sunday, December 19, 2010

San Diego Film Critics Not Feeling Sociable; Choose "Winter's Bone"

San Diego Film Critics Society Choose Top Films of 2010

December 14th, the San Diego Film Critics Society announced their film awards for 2010 and surprised everyone by being the first film critics group NOT to choose The Social Network as the best film of the 2010.  The San Diego critics chose hot indie drama, Winter's Bone.

In fact, San Diego was being quite contrary.  Winter's Bone won two acting awards: Best Actress for Jennifer Lawrence and Best Supporting Actor for John Hawkes - both well deserved.  San Diego even went with Colin Farrell as Best Actor for Ondine and not with Colin Firth (The King's Speech) or Jesse Eisenberg (The Social Network), the two names that have dominated film awards thus far.

2010 Awards (Winners in bold and CAPS):

BEST FILM: - WINTER’S BONE
BLACK SWAN
INCEPTION
THE KING’S SPEECH
THE SOCIAL NETWORK

BEST DIRECTOR – Darren Aronofsky, BLACK SWAN
Christopher Nolan, INCEPTION
Danny Boyle, 127 HOURS
David Fincher, THE SOCIAL NETWORK
Debra Granik, WINTER’S BONE

BEST ACTRESS – Jennifer Lawrence, WINTER’S BONE
Carey Mulligan, NEVER LET ME GO
Michelle Williams, BLUE VALENTINE
Natalie Portman, BLACK SWAN
Tilda Swinton, I AM LOVE

BEST ACTOR – Colin Farrell, ONDINE
Aaron Eckhart, RABBIT HOLE
Colin Firth, THE KING’S SPEECH
James Franco, 127 HOURS
Jesse Eisenberg, THE SOCIAL NETWORK

BEST SUPPORTING ACTRESS – Lesley Manville, ANOTHER YEAR
Blake Lively, THE TOWN
Dale Dickey, WINTER’S BONE
Jacki Weaver, ANIMAL KINGDOM
Melissa Leo, THE FIGHTER

BEST SUPPORTING ACTOR – John Hawkes, WINTER’S BONE
Christian Bale, THE FIGHTER
Geoffrey Rush, THE KING’S SPEECH
Jeremy Renner, THE TOWN
John Hurt, 44 INCH CHEST

BEST ORIGINAL SCREENPLAY – Jesse Armstrong, Sam Bain and Chris Morris, FOUR LIONS
Christopher Nolan, INCEPTION
David Seidler, THE KING’S SPEECH
Michael Arndt, TOY STORY 3
Neil Jordan, ONDINE

BEST ADAPTED SCREENPLAY – Aaron Sorkin, THE SOCIAL NETWORK
Debra Granik & Anne Rosellini, WINTER’S BONE
Laeta Kalogridis, SHUTTER ISLAND
Michael Bacall & Edgar Wright, SCOTT PILGRIM VS THE WORLD
Peter Craig & Ben Affleck & Aaron Stockard, THE TOWN

BEST FOREIGN LANGUAGE FILM – I AM LOVE
BIUTIFUL
MOTHER
NO ONE KNOWS ABOUT PERSIAN CATS
THE GIRL WITH THE DRAGON TATTOO

BEST DOCUMENTARY – EXIT THROUGH THE GIFT SHOP
A FILM UNFINISHED
INSIDE JOB
THE TILLMAN STORY
WAITING FOR ‘SUPERMAN’

BEST CINEMATOGRAPHY – Wally Pfister, INCEPTION
Anthony Dod Mantle & Enrique Chediak, 127 HOURS
Eduardo Serra, HARRY POTTER & THE DEATHLY HALLOWS: PART 1
Matthew Libatique, BLACK SWAN
Robert Richardson, SHUTTER ISLAND

BEST ANIMATED FILM – TOY STORY 3
DESPICABLE ME
HOW TO TRAIN YOUR DRAGON
TANGLED
THE ILLUSIONIST

BEST EDITING – Jonathan Amos & Paul Machliss, SCOTT PILGRIM VS THE WORLD
Andrew Weisblum, BLACK SWAN
Angus Wall & Kirk Baxter, THE SOCIAL NETWORK
Jon Harris, 127 HOURS
Lee Smith, INCEPTION

BEST PRODUCTION DESIGN – Dante Ferretti, SHUTTER ISLAND
Guy Hendrix Dyas, INCEPTION
Robert Stromberg, ALICE IN WONDERLAND
Stuart Craig, HARRY POTTER & THE DEATHLY HALLOWS: PART 1
Thérèse DePrez, BLACK SWAN

BEST SCORE – Rachel Portman, NEVER LET ME GO
A. R. Rahman, 127 HOURS
Clint Mansell, BLACK SWAN
Danny Elfman, ALICE IN WONDERLAND
Trent Reznor and Atticus Ross, THE SOCIAL NETWORK

BEST ENSEMBLE PERFORMANCE – 44 INCH CHEST
ANOTHER YEAR
THE FIGHTER
THE SOCIAL NETWORK
WINTER’S BONE

BODY OF WORK FOR 2010
Rebecca Hall, (RED RIDING 1974, PLEASE GIVE, THE TOWN)

KYLE COUNTS AWARD
Duncan Shepherd (San Diego Reader film critic)

http://sdfcs.org/2010/12/14/san-diego-film-critics-choose-top-films-of-2010/

Review: "Hero" or "Ying Xiong," by Any Name is Great

Hero (2004)
Original title: Ying Xiong (2002)
COUNTRY OF ORIGIN: China/Hong Kong; Language: Mandarin
Running time: 99 minutes (1 hour, 39 minutes)
MPAA – PG-13 for stylized martial arts violence and a scene of sensuality
DIRECTOR: Yimou Zhang
WRITERS: Feng Li, Bin Wang, and Yimou Zhang
PRODUCERS: Bill Kong and Yimou Zhang
CINEMATOGRAPHER: Christopher Doyle
EDITORS: Angie Lam and Ru Zhai with Vincent Lee
Academy Awards nominee

MARTIAL ARTS/ACTION/DRAMA/ROMANCE

Starring: Jet Li, Tony Leung Chiu Wai, Maggie Cheung, Ziyi Zhang, Daoming Chen, and Donnie Yen

If you liked Crouching Tiger, Hidden Dragon, you may like Ying Xiong, better known by its English title, Hero. However, the two movies aren’t exactly alike. Crouching Tiger is an epic love story in which the romance is intertwined with political intrigue, betrayal and mystery. Hero is both a love story and a revenge tale, but both of those elements are ultimately submerged for a philosophical and spiritual message of national heritage. They are similar in this: I thought Crouching Tiger was by far and away the best film of 2000, and I think Hero is better than the vast majority of films that have been released domestically in the time since Hero first appeared theatrically in China (2002). Hero was also a 2003 Oscar® nominee for Best Foreign Language Film.

In the story, the Nameless Hero (Jet Li) seeks to murder the King of the province Qin (Daoming Chen). Decades earlier, the King’s forces massacred Nameless’ people in the province of Zhao as part of his campaign to unify the lands that would eventually become China. Nameless reaches the Emperor’s palace and shares the story of his journey up to that point. There is, however, another facet to the story. Nameless also takes on the challenge of defeating three swordsmen, Sky (Donnie Yen) and the assassin couple, Snow (Maggie Cheung) and Broken Sword (Tony Leung Chiu Wai), who also plot to kill the Emperor. Or as the Emperor of Qin discovers, is there more to the story of Nameless and three assassins than Nameless is telling the Emperor.

Although Hero will draw comparisons to the aforementioned Crouching Tiger, the film shares more with Akira Kurosawa’s Rashomon in terms of narrative and Wong Kar-Wai’s Ashes of Time in terms of its visual appearance and its spirit. Regardless of what other films it may resemble, Hero is an exemplary feat of filmmaking that is both thrilling and poignant. Awash in colors and emotion, Hero has beauty that will make your head swoon. The writing defines the lead characters so well, and the cast plays them with such furious conviction that you can’t help but live vicariously through them.

To enjoy such thrilling characters that you can’t help but feel their joy and sorrow, their triumph and noble resignation, or feel their boldness for martial confrontation and feel like you are in battle with them is what we ask of great movie characters. And to find such great characters in a movie that lives up to the promise of its players is an infrequent treat. To find a movie that delves into history and sends a message to the present that makes us realize the importance of the past is all the more rare.

10 of 10

NOTES:
2003 Academy Awards: 1 nomination: “Best Foreign Language Film” (China)

2003 Golden Globes: 1 nomination: “Best Foreign Language Film” (China)

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"The Social Network" Leads Chicago Film Critics Nominations

The Chicago Film Critics Association announced their nominations on Friday.  The winners will be named tomorrow (Dec. 20th).  As usual, The Social Network dominates, but the Coen Bros.' True Grit is right behind David Fincher's highly-acclaimed flick:

The nominees are:

BEST PICTURE

Black Swan
Inception
The King’s Speech
The Social Network
Winter’s Bone

BEST DIRECTOR
Darren Aronofsky, Black Swan
David Fincher, The Social Network
Debra Granik, Winter’s Bone
Tom Hooper, The King’s Speech
Christopher Nolan, Inception

BEST ACTOR
Jeff Bridges, True Grit
Jesse Eisenberg, The Social Network
Colin Firth, The King’s Speech
James Franco, 127 Hours
Ryan Gosling, Blue Valentine

BEST ACTRESS
Annette Bening, The Kids Are All Right
Jennifer Lawrence, Winter’s Bone
Lesley Manville, Another Year
Natalie Portman, Black Swan
Michelle Williams, Blue Valentine

BEST SUPPORTING ACTOR
Christian Bale, The Fighter
Andrew Garfield, The Social Network
John Hawkes, Winter’s Bone
Mark Ruffalo, The Kids Are All Right
Geoffrey Rush, The King’s Speech

BEST SUPPORTING ACTRESS
Amy Adams, The Fighter
Helena Bonham Carter, The King’s Speech
Melissa Leo, The Fighter
Hailee Steinfeld, True Grit
Jacki Weaver, Animal Kingdom

BEST ORIGINAL SCREENPLAY
Black Swan, Mark Heyman, Andres Heinz & John McLaughlin
Four Lions, Jesse Armstrong, Sam Bain & Chris Morris
Inception, Christopher Nolan
The Kids Are All Right, Lisa Cholodenko & Stuart Blumberg
The King’s Speech, David Seidler

BEST ADAPTED SCREENPLAY
Rabbit Hole, David Lindsay Abaire
The Social Network, Aaron Sorkin
Toy Story 3, Michael Arndt
True Grit, Joel & Ethan Coen
Winter’s Bone, Debra Granik & Anne Rosellini

BEST CINEMATOGRAPHY
Black Swan, Matthew Libatique
Inception, Wally Pfister
Shutter Island, Robert Richardson
The Social Network, Jeff Cronenweth
True Grit, Roger Deakins

BEST ORIGINAL SCORE
Black Swan, Clint Mansell
I Am Love, John Adams
Inception, Hans Zimmer
The Social Network, Trent Reznor & Atticus Ross
True Grit, Carter Burwell

BEST DOCUMENTARY
Exit Through the Gift Shop
Inside Job
Restrepo
The Tillman Story
Waiting for Superman

BEST FOREIGN-LANGUAGE FILM
Biutiful
The Girl with the Dragon Tattoo
I Am Love
Mother
A Prophet

BEST ANIMATED FEATURE
Despicable Me
How to Train Your Dragon
The Illusionist
Tangled
Toy Story 3

MOST PROMISING PERFORMER
Armie Hammer, The Social Network
Katie Jarvis, Fish Tank
Jennifer Lawrence, Winter’s Bone
Tahar Rahim, A Prophet
Hailee Steinfeld, True Grit

MOST PROMISING FILMMAKER
Bansky, Exit Through the Gift Shop
Derek Cianfrance, Blue Valentine
David Michod, Animal Kingdom
Aaron Schneider, Get Low
John Wells, The Company Men

Saturday, December 18, 2010

Review: "Pieces of April" is a Potent Thanksgiving Drama (Happy B'day, Katie Holmes)


TRASH IN MY EYE No. 23 (of 2004) by Leroy Douresseaux

Pieces of April (2003)
Running time: 80 minutes (1 hour, 20 minutes)
MPAA – PG-13 for language, sensuality, drug content and images of nudity
WRITER/DIRECTOR: Peter Hedges
PRODUCERS: Alexis Alexanian, John Lyons, and Gary Winick
CINEMATOGRAPHER: Tami Reiker (D.o.P)
EDITOR: Mark Livolsi
Academy Award nominee

DRAMA/FAMILY with some elements of comedy

Starring: Katie Holmes, Patricia Clarkson, Oliver Platt, Derek Luke, Sean Hayes, Alison Pill, John Gallagher, Jr., Alice Drummond, Lillias White, Isiah Whitlock, Jr., and Sisqó

We’re all familiar with Christmas movies or even the generally labeled “holiday movie,” which (I guess) is supposed to cover the entire “holiday season,” ostensibly Thanksgiving to New Years Day. Are there films we can label as genuine Thanksgiving Day films – films dedicated to that day and have little or nothing to do with Christmas?

Now, Peter Hedges’ Pieces of April can join any existent shortlist of great Thanksgiving Day films. It’s the story of April Burns (Katie Holmes), who invites her family to Thanksgiving dinner at her teeny apartment on New York’s Lower East Side. April has a history of bad behavior, petty crimes, and (really) bad boyfriends, but she’s starting to get her act together. Her father, Jim (Oliver Platt), reluctantly gets his family together for the long trip to NYC, perhaps sensing that this is the last time he will have his entire little family together. His wife Joy (Patricia Clarkson, who earned an Academy Award nomination and won several post season film awards for her performance here), is dying of breast cancer, and Joy and her daughter April have a history of terrible confrontations and hard feelings.

Although I didn’t really go for Hedges documentary-style or the film’s grainy, digital camera realism, the technique does bring the audience directly into the actors. It’s a visceral experience to get in so close to them; it takes sharing the emotions of the characters beyond merely being a vicarious experience. The performances are, for the most part, all good (Derek Luke and Sean Hayes are shaky), and makes being so intimate with the characters a rewarding experience. In fact, the actors don’t show their hands. They make the characters so real that you ignore the fact that they’re playing. It’s like being a fly on the wall or an invisible man privy to an intimate and intensely private, personal family drama.

So maybe Hedges (one of the screenwriters on About a Boy), made all the right choices, and whatever one might question about his choice of visual style, it makes what could have been a pedestrian, feel good, disease of the week, family melodrama, TV movie into a fine film.

8 of 10
A

NOTES:
2004 Academy Awards: 1 nomination: “Best Actress in a Supporting Role” (Patricia Clarkson)

2004 Golden Globes: 1 nomination: “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Patricia Clarkson)

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About this Movie: TRON: Legacy



Press release:
 
TRON: LEGACY (In Disney Digital 3D™ and IMAX® 3D)
 
WALT DISNEY PICTURES
Website: Disney.com/TRON
Like us on Facebook: facebook.com/TRON
Follow us on Twitter: twitter.com/TronLegacy
Genre: Action-Adventure
Rating: PG
U.S. Release Date: December 17, 2010

Cast: Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, James Frain, Beau Garrett and Michael Sheen

Director: Joseph Kosinski
Producers: Sean Bailey, Jeffrey Silver, Steven Lisberger
Executive Producer: Donald Kushner
Written by: Eddy Kitsis & Adam Horowitz (credit not final)
Based on characters created by: Steven Lisberger and Bonnie MacBird

“TRON: Legacy” is a 3D high-tech adventure set in a digital world that’s unlike anything ever captured on the big screen. Sam Flynn (Garrett Hedlund), a rebellious 27-year-old, is haunted by the mysterious disappearance of his father Kevin Flynn (Oscar®- and Golden Globe®-winner Jeff Bridges), a man once known as the world’s leading video-game developer. When Sam investigates a strange signal sent from the old Flynn’s Arcade—a signal that could only come from his father—he finds himself pulled into a digital world where Kevin has been trapped for 20 years. With the help of the fearless warrior Quorra (Olivia Wilde), father and son embark on a life-and-death journey across a visually-stunning cyber universe—a universe created by Kevin himself that has become far more advanced with never-before-imagined vehicles, weapons, landscapes and a ruthless villain who will stop at nothing to prevent their escape. Presented in Disney Digital 3D™ and scored by Grammy® Award-winning electronic music duo Daft Punk, “TRON: Legacy” hits U.S. theaters on Dec. 17, 2010, in Disney Digital 3D™ and IMAX® 3D.

Notes:
· Producer Steven Lisberger co-wrote and directed the original “TRON” (1982).

· Jeff Bridges, winner of both the Oscar® and Golden Globe® for his role in “Crazy Heart,” reprises the role of Kevin Flynn, which he originated in “TRON” (1982).

· Bruce Boxleitner reprises the roles of Alan Bradley and Tron, which he originated in “TRON” (1982).

· Grammy® Award-winning Daft Punk is composing the music for “TRON: Legacy.”

· “TRON: Legacy” forges a new frontier in filmmaking with its avant-garde, cutting-edge technology—set to blow away today’s audiences. Among the film’s firsts: it is the first 3D movie to integrate a fully digital head and body based upon an existing actor, creating the younger version of Jeff Bridges’ character; it’s the first movie to make extensive use of self-illuminated costumes; it’s the first movie to create molded costumes using digital sculpture exclusively, creating molds directly from computer files using CNC (Computer Numerical Cutting) technology; it’s the first 3D movie shot with 35mm lenses and full-35mm chip cameras; and it’s the first movie to record uncompressed HD Video to Hard Drive.

· The world of “TRON: Legacy” has an exciting, pulsing vibe that sets its lifestyle apart from any other on or off the planet. From electric light suits to state-of-the-art hair and makeup, elements of the trend-setting world of “TRON: Legacy” are showing up on fashion runways, and companies such as Hurley, adidas, Oakley and Burton are featuring “TRON”-inspired lines targeted for the young male consumer in collaboration with Disney Consumer Products.

“TRON: Legacy” is a 3D high-tech adventure about a father and son (Jeff Bridges, Garrett Hedlund) who embark on a life-and-death journey of escape across a visually-stunning cyber universe that has become far more advanced and exceedingly dangerous.

Friday, December 17, 2010

Hit Movie "Despicable Me" is Now a Home Entertainment Hit

Press release:

Minion Madness Explodes Across The Country as Despicable Me Dominates on Blu-ray and DVD Ringing In $25 Million its First Day in Stores

Universal’s $500 Million Comedy Sensation is on Track to Become the Second- Biggest Animated Home Entertainment Release of 2010

Universal City, California, December 15, 2010 – The world’s funniest evil genius saw his plans for world domination come true when Despicable Me made off with first-day sales on Blu-ray, DVD and digital download of nearly $25 million on December 14. Fueled by the exclusive debut of three all-new mini-movies on DVD Double Pack, Blu-ray Combo Pack and 3D Combo Pack starring the film’s wildly popular Minions, the mega-hit animated family comedy sold well over one million units to consumers (excluding rentals) in its first 24 hours of release and is poised to become the second biggest-grossing animated home entertainment title of the year.

“Despicable Me is one of the most creative, beloved and successful animated features of all time, as evidenced by its resounding critical acclaim and extraordinary global box-office earnings of over half a billion dollars,” said Craig Kornblau, President, Universal Studios Home Entertainment. “In providing consumers with exceptional all-new mini-movies and the greatest choice of platforms across DVD, Blu-ray and Blu-ray 3D, Despicable Me has rocketed to the top of everyone’s gift list and has assumed the coveted position as the must-own release of the holiday season.”

The title’s explosive first-day sales were also aided by Universal’s groundbreaking “Minion Madness” promotion, a points-based reward and social media program spotlighting the film’s beloved mischief-makers, the Minions. Fans can register to participate in creative interactive activities that earn points toward prizes ranging from gift cards to all-expense-paid vacations. To date, registered users have earned more than one million minion points and shared thousands of pieces of fan art, fan photos and more at http://www.minionmadness.com/. Running through January 2011, “Minion Madness” will award more than 15,000 prizes to registered users.

Despicable Me is the hilarious tale of Gru, the self-proclaimed “World’s Greatest Villain,” whose plot to pull off the craziest crime of the century is turned upside down by three adorable orphans. The latest film from producer Chris Meledandri (Ice Age, Dr. Seuss’ Horton Hears a Who!), it features an unforgettably funny all-star voice cast including Steve Carell, Jason Segel, Miranda Cosgrove, Academy Award® winner Julie Andrews, Russell Brand, Kristen Wiig, Will Arnett, Danny McBride, Jack McBrayer and Jemaine Clement.


Universal Studios Home Entertainment is a unit of Universal Pictures, a division of Universal Studios (http://www.universalstudios.com/). Universal Studios is a part of NBC Universal, one of the world's leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. Formed in May 2004 through the combining of NBC and Vivendi Universal Entertainment, NBC Universal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBC Universal is 80%-owned by General Electric, with 20% owned by Vivendi.


Review: "Greenberg" is an Excellent Character Study

TRASH IN MY EYE No. 103 (of 2010) by Leroy Douresseaux

Greenberg (2010)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – R for some strong sexuality, drug use, and language
DIRECTOR: Noah Baumbach
WRITERS: Noah Baumbach; from a story by Jennifer Jason Leigh and Noah Baumbach
PRODUCERS: Jennifer Jason Leigh and Scott Rudin
CINEMATOGRAPHER: Harris Savides (D.o.P.)
EDITOR: Tim Streeto

DRAMA

Starring: Ben Stiller, Greta Gerwig, Rhys Ifans, and Jennifer Jason Leigh

Greenberg is the most recent film from filmmaker Noah Baumbach, the writer/director of the Oscar-nominated films, The Squid and the Whale and Margot at the Wedding. Greenberg focuses on a New Yorker returning to Los Angeles, the place where he grew up, to figure out some things.

Fresh out of a mental institution, 40-year-old Roger Greenberg (Ben Stiller) travels to L.A. to housesit for his brother, 15 years after he left the city. At a crossroads in his life, Roger, a carpenter, hopes to fix his wreck of life, while he fixes some things around his brother’s house. Roger meets his brother’s personal assistant, Florence Marr (Greta Gerwig), a sweet and considerate, but naïve 20-something. Roger needs Florence because he doesn’t drive, and the two begin an awkward relationship. Roger, however, has a quick temper, over-analyzes everything, and does not have a sense of humor when it comes to himself. Can Roger really fix himself?

Greenberg seems more like an extended chapter in a longer story than it does a self-contained film narrative. I have to give Baumbach credit for presenting a character like Greenberg who seems broken beyond repair and who is also funny, but mostly unlikable. I give him even more credit for writing a script and creating a visual narrative that makes Roger Greenberg so interesting and then dares to tackle his complicated ways.

Ben Stiller seems to shape his performance as Greenberg in a way to make readers always want to know more about the character, including his past and even his future. Stiller really sells the idea that Greenberg is broken and in need of repair. Greta Gerwig and Rhys Ifans are also quite good, creating engaging characters whose own stories matter well beyond their connections to the lead, Greenberg.

Like Baumbach’s other films, Greenberg is inimitably human, balancing the fragile with the sturdy and the mundane with the humorous. Baumbach and Stiller give us a wild adventure into the personality and connectivity turmoil of a complicated, complex character. The only problem is that sometimes, writer/director and lead actor hide too much of Greenberg’s nature and thoughts behind a wall of eccentric behavior and petulance. Still, such an all-too-human character in the cinematic world of vapid characters is welcomed.

7 of 10
B+

Friday, December 17, 2010

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