42nd Image Awards Nominees for Writing and Directing in Film and TV

The nominees for the 42nd Annual NAACP Image Awards were recently announced. The press release is long, so I’m breaking it up over several posts:

WRITING

Outstanding Writing in a Comedy Series
• Aaron McGruder - "The Boondocks" -The Fund-Raiser (Cartoon Network)
• Daniel Chun - "The Office" -Nepotism (NBC)
• Kenny Smith - "Pair of Kings" -Where the Wild Kings Are (Disney XD)
• Myra J. - "Tyler Perry's Meet the Browns" -Meet the Racist (TBS)
• Vali Chandrasekaran - "30 Rock" -Khonani (NBC)

Outstanding Writing in a Dramatic Series
• Alexander Woo - "True Blood" - It Hurts Me Too (HBO)
• Janine Sherman Barrois - "Criminal Minds" -Remembrance of Things Past (CBS)
• Judith McCreary - "Law & Order: Special Victims Unit" -Disabled (NBC)
• Leyani Diaz, Vanessa Rojas - "The Event" -Loyalty (NBC)
• Shonda Rhimes - "Private Practice" -Did You Hear What Happened to Charlotte King? (ABC)

Outstanding Writing in a Motion Picture -(Theatrical or Television)
• Mary King, Anna Waterhouse, Joe Shrapnel, Marko King, Jonathan Watters, Cheryl Edwards - "Frankie & Alice" (Freestyle Releasing)
• Michael C. Martin - "Brooklyn's Finest" (Overture Films)
• Michael Elliot - "Just Wright" (Fox Searchlight Pictures)
• Rodrigo Garcia - "Mother and Child" (Sony Pictures Classics)
• Tyler Perry - "Tyler Perry's Why Did I Get Married Too?" (Lionsgate)

DIRECTING

Outstanding Directing in a Comedy Series
• Joe Morton - "Eureka" -Stoned (Syfy)
• Justin Lin - "Community" -Modern Warfare (NBC)
• Ken Whittingham - "30 Rock" -Anna Howard Shaw Day (NBC)
• Kevin Rodney Sullivan - "Modern Family" -Game Changer (ABC)
• Michael Schultz - "Chuck" -Chuck vs. "The Couch Lock" (NBC)

Outstanding Directing in a Dramatic Series
• Felix Alcala - "Southland" -What Makes Sammy Run (TNT)
• Millicent Shelton - "Men of A Certain Age" -Go with the Flow (TNT)
• Paris Barclay - "In Treatment" -Sunil: Week 6 (HBO)
• Seith Mann - "Friday Night Lights" -Injury List (DirecTV/NBC)
• Stephen L. Williams - "Undercovers" -Instructions (NBC)

Outstanding Directing in a Motion Picture -(Theatrical or Television)
• Geoffrey Sax - "Frankie & Alice" (Freestyle Releasing)
• George Tillman, Jr. - "Faster" (CBS Films)
• Tanya Hamilton - "Night Catches Us" (Magnolia Pictures)
• The Hughes Brothers - "The Book of Eli" (Warner Bros. Pictures)
• Tyler Perry - "For Colored Girls" (Lionsgate/34th Street Films)

42nd Image Awards Recording Nominees

RECORDING

Outstanding New Artist
• B.o.B (Rebel Rock/Grand Hustle/Atlantic)
• Bruno Mars (Elektra Records)
• Jason Derulo (Warner Bros. Records)
• Nicki Minaj (Young Money/Cash Money/Universal Motown)
• Willow (Roc Nation/Columbia Records)

Outstanding Male Artist
• Cee Lo Green (Elektra Records)
• Jay-Z (Roc Nation/Def Jam)
• Kanye West (Island Def Jam Music Group)
• Ne-Yo (Island Def Jam Music Group)
• Usher (Laface/Jive Records)

Outstanding Female Artist
• Chrisette Michele (Island Def Jam Music Group)
• Corinne Bailey Rae (Capitol Records)
• Mary J. Blige (Geffen Records/Matriarch)
• Rihanna (Island Def Jam Music Group)
• Sade (Epic Records)

Outstanding Duo, Group or Collaboration
• Diddy-Dirty Money (Bad Boy/Interscope)
• Eminem & Rihanna (Shady/Aftermath/Interscope)
• Herbie Hancock (feat. India.Arie, Chaka Khan and others) (Hancock Music)
• John Legend and The Roots (Columbia Records)
• The Black Eyed Peas (Interscope)

Outstanding Jazz Album
• "Dee Dee Bridgewater Eleanora Fagan (1915-1959): To Billie With Love From Dee Dee" - Dee Dee Bridgewater (EmArcy, Decca Label Group, DDB Records)
• "From Billie Holiday to Edith Piaf - Live in Marciac" -The Wynton Marsalis Quintet & Richard Galliano (The Orchard)
• "Geri Allen & Timeline Live" - Geri Allen & Timeline Live (Motema Music)
• "The Imagine Project" - Herbie Hancock (Hancock Music)
• "VOCAbuLarieS" - Bobby McFerrin (Universal Music Group/Decca/Emarcy)

Outstanding Gospel Album -(Traditional or Contemporary)
• "Gospel According to Jazz, Chapter III" - Kirk Whalum (Rendezvous Music/Mack Avenue Records)
• "Here I Am" - Marvin Sapp (Verity Gospel Music Group)
• "Just Love Deluxe" - Brian Courtney Wilson (Music World Gospel)
• "Master Plan" -Tamela Mann (TillyMann)
• "You Are Not Alone" - Mavis Staples (ANTI Records)

Outstanding World Music Album
• "Hymns for the Rebel Soul" - Rocky Dawuni (Aquarian Records)
• "Oyo" - Angelique Kidjo (Razor & Tie)
• "The Imagine Project" - Herbie Hancock (Hancock Music)
• "The Sound of Sunshine" - Michael Franti (EMI Music)
• "VOCAbuLarieS" - Bobby McFerrin (Universal Music Group/Decca/Emarcy)

Outstanding Music Video
• "Fistful of Tears" - Maxwell (Columbia Records)
• "Soldier of Love" - Sade (Epic Records)
• "Un-thinkable (I'm Ready)" - Alicia Keys (J Records)
• "Whip My Hair" – Willow Smith (Roc Nation/Columbia Records)
• "Why Don't You Love Me" - Beyoncé Knowles (Columbia Records)

Outstanding Song
• "Bittersweet" - Fantasia (J Records)
• "Fistful of Tears" - Maxwell (Columbia Records)
• "Forget You" - Cee-Lo Green (Elektra Records)
• "Soldier of Love" - Sade (Epic Records)
• "Un-thinkable (I'm Ready)" - Alicia Keys (J Records)

Outstanding Album
• "My Beautiful Dark Twisted Fantasy" - Kanye West (Island Def Jam Music Group)
• "Now and Then" - Smokey Robinson (Saguaro Road/Cracker Barrel/Robso Records)
• "Raymond vs. Raymond" - Usher (Laface/Jive Records)
• "Soldier of Love" - Sade (Epic Records)
• "Wake Up!" - John Legend and The Roots (Columbia Records)

42nd Image Award Nominees Announced

The nominees for the 42nd Annual NAACP Image Awards were recently announced. The press release is long, so I’m breaking it up over several posts:

“42ND NAACP IMAGE AWARDS” NOMINEES ANNOUNCED

Special Airs Live Friday, March 4, on FOX

The 42ND NAACP IMAGE AWARDS nominees were announced today during a live press conference from the Paley Center for Media in Beverly Hills, CA. Actresses Kimberly Elise and Sanaa Lathan, actor/rapper Curtis "50 Cent" Jackson, singer/songwriter Smokey Robinson, actor Columbus Short and Actor/Comedian Affion Crockett joined NAACP IMAGE AWARDS chairman Clayola Brown and 42ND NAACP IMAGE AWARDS executive producer Vic Bulluck to announce the categories and nominees.

The 42nd NAACP IMAGE AWARDS celebrates the accomplishments of people of color in the fields of television, music, literature and film. The awards also honor individuals or groups who promote social justice through creative endeavors during the two-hour event airing live Friday, March 4 (8:00-10:00 PM ET live/PT tape-delayed) on FOX. ABC and NBC lead the nominees in the TV categories, each with 18 nominations, followed by TBS with 12, CBS with 10, and Lifetime Movie Network with 9. In the recording category, Columbia Records leads with seven nominations, followed by J Records and Island Def Jam Music Group both with six and Epic Records with 5 nominations. Lionsgate/34th Street Films leads with seven nominations, while Fox Searchlight followed with six, and Magnolia Pictures with five in the motion picture category.

Founded in 1909, the National Association for the Advancement of Colored People (NAACP) is the nation’s oldest and largest civil rights organization. The organization’s half-million adult and youth members throughout the United States and the world are the premier advocates for civil rights in their communities and monitor equal opportunity in the public and private sectors.

Event sponsors for the 42nd NAACP Image Awards include FedEx, UAW/Chrysler, Wells Fargo, Anheuser-Busch, Ford Motor Company, Bank of America, and Hyundai.

Review: "A Beautiful Mind" is Beautiful

TRASH IN MY EYE No. 24 (of 2002) by Leroy Douresseaux

A Beautiful Mind (2001)
Running time: 135 minutes (2 hours, 15 minutes)
MPAA – PG-13 for intense thematic material, sexual content and a scene of violence
DIRECTOR: Ron Howard
WRITER: Akiva Goldsman (based upon the book by Sylvia Nasar)
PRODUCERS: Brian Glazer and Ron Howard
CINEMATOGRAPHER: Roger Deakins
EDITORS: Dan Hanley and Mike Hill
Academy Award winner

DRAMA with elements of mystery and romance

Starring: Russell Crowe, Ed Harris, Jennifer Connelly, Christopher Plummer, Paul Bettany, Adam Goldberg, Josh Lucas, Anthony Rapp, Jason Gray-Stanford, and Judd Hirsch

A Beautiful Mind is based upon the real life story of John Forbes Nash, Jr. (Russell Crowe), a math prodigy, who goes on to win the Nobel Prize after years of struggling with schizophrenia. The handsome and arrogant Nash made an astonishing discovery early in his career and also meets his wife Alicia (Jennifer Connelly). On the brink of international fame, his world falls apart when he succumbs to mental illness. With the help of his wife, he struggles to regain his career and his social life and to be a husband and father to his wife and child.

Directed by Ron Howard, A Beautiful Mind is an engaging and riveting biopic that runs the gamut of emotions from elation to revulsion and from despair to hope. It is earnest and intense, playful and romantic, heartbreaking and life affirming. Not a biography in the art house mold, but a wonderful sort of middlebrow picture with a feel-good resolution for the masses, or at least those who are interested in Hollywood product that doesn’t involve SFX and titillation.

The artistry here is the performance of Russell Crowe. Increasingly a controversial figure hounded by the tabloids and infotainment news organizations, he has replaced Kevin Spacey as the actor of the moment. Here, he combines the best of his performances in The Insider (for which he earned an Academy Award nomination) and in Gladiator (for which he won an Academy Award) to portray John Nash – the paranoid hero of the former and the never-say-die leader of the latter. Since Romper Stomper, Crowe has been a mesmerizing screen presence, and he is at full wattage here.

He sells us on this movie, and we buy asking for more. When Nash is the shy boy, we yearn for him to get a woman. We thrill and laugh at Nash’s clumsy arrogance, and we enjoy his success. We cringe at his illness and hope against hope for his recovery. And who couldn’t, at least, almost shed tears when Nash’s peers and the Nobel committee honor him.

Ron Howard does good work here, and Ms. Connelly is pretty good as Alicia Nash, but this is Russell’s show, he can win the audience over. Since the twilight so-called Golden Age of studio pictures in Hollywood, there have been so few real, masculine men in movies. Some of them, post Golden Age are not great actors, and some that are, don’t have the box office draw. Crowe is all man, a fine actor, and a box office draw.

He’s an artist. He attracts the audience to Nash using every part of himself – in his gestures and the way he moves his body. We can believe Crowe is Nash in the way it seems that Crowe really loves mathematics. His face is a tapestry of emotions that are so convincing and so important to selling the scene, so layered and three-dimensional that were transported into the movie. We live and suffer vicariously with Crowe’s Nash.

For the haters out there, the best is yet to come. Things about the real Nash’s past that were left out of this film don’t matter one wit in respect to Crowe’s amazing performance. No disrespect to his collaborators, but A Beautiful Mind is all his.

8 of 10
A

NOTES:
2002 Academy Awards: 4 wins: “Best Picture” (Brian Grazer and Ron Howard), “Best Actress in a Supporting Role” (Jennifer Connelly), “Best Director” (Ron Howard), and “Best Writing, Screenplay Based on Material Previously Produced or Published” (Akiva Goldsman); 4 nominations: “Best Actor in a Leading Role” (Russell Crowe), “Best Editing” (Mike Hill and Daniel P. Hanley), “Best Makeup” (Greg Cannom and Colleen Callaghan), and “Best Music, Original Score” (James Horner)

2002 BAFTA Awards: 2 wins: “Best Performance by an Actor in a Leading Role” (Russell Crowe) and “Best Performance by an Actress in a Supporting Role” (Jennifer Connelly); 3 nominations: “Best Film” (Brian Grazer and Ron Howard), “Best Screenplay – Adapted” (Akiva Goldsman) and “David Lean Award for Direction” (Ron Howard)

2002 Golden Globes: 4 wins: “Best Motion Picture – Drama,” “Best Performance by an Actor in a Motion Picture – Drama” (Russell Crowe), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Jennifer Connelly), and “Best Screenplay - Motion Picture” (Akiva Goldsman); 2 nominations: “Best Director - Motion Picture” (Ron Howard) and “Best Original Score - Motion Picture” (James Horner)

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Halle Berry to Portray Aretha Franklin?

Apparently, Aretha Franklin made a recent appearance on "The Wendy Williams Show" and confirmed that Halle Berry will play Franklin in a long-promised biopic about the legendary Soul and gospel singer.  There may have even been a press release about this floating around since the middle of last year.  I'll keep you updated.
I love Halle, but doesn't this seem like a role better suited for Jennifer Hudson?  Things that make you go, Hmmm, huh?

Museum of The Moving Image Honors David O. Russell

Press release:

FILM DIRECTOR DAVID O. RUSSELL TO RECEIVE RETROSPECTIVE AT MUSEUM OF THE MOVING IMAGE

FILMMAKER TO BE JOINED BY SPIKE JONZE FOR SPECIAL SCREENING OF THE FIGHTER

ASTORIA, NY, January 11, 2011 – David O. Russell will be the subject of the first director retrospective at the newly expanded Museum of the Moving Image. From January 19 through February 6, 2011, Moving Image will screen all five of Russell’s feature films, from his audacious 1994 comedy Spanking the Monkey to his new film, The Fighter, which is a critical and popular success. The retrospective opens on Wednesday, January 19, with a special screening of The Fighter in the Museum’s magnificent new 267-seat Moving Image Theater. Russell will discuss the film in a post-screening conversation moderated by his friend, director Spike Jonze (Being John Malkovich, Where the Wild Things Are).

Teeming with life, Russell’s acclaimed film The Fighter is at once assured and powerful, a cinematic experience that doesn’t fit neatly into any one genre. His debut, Spanking the Monkey, is a coming-of-age story that ventures into mother-son incest without sacrificing emotional honesty or comedy. Flirting with Disaster is a screwball family comedy that cheerfully explores adoption, adultery, and many other loaded subjects. Three Kings uses wild humor to attack the absurdity of modern warfare. And I Heart Huckabees is a playful, irreverent comedy that is completely serious in its exploration of profound existential questions. “In short, Russell has firmly established himself as one of the most consistently original and inventive contemporary filmmakers. With all the attention surrounding his latest film, this is a good time to take a look at his remarkable and unconventional career,” said David Schwartz, the Museum’s chief curator, who organized the retrospective.

The Films of David O. Russell
January 15–February 20, 2011

Special screening: The Fighter
Wednesday, January 19, 7:00 p.m.

A CONVERSATION WITH DAVID O. RUSSELL AND SPIKE JONZE
2010, 115 mins. Paramount Pictures. With Mark Wahlberg, Christian Bale, Melissa Leo, Amy Adams. Russell’s vibrant new film is a true-life boxing drama and a family drama about the rivalry between two brothers and between a controlling mother-manager and her son’s girlfriend. Gaining atmosphere from its Lowell, Massachusetts setting, this film features four of the year’s most indelible performances. A labor of love for producer/star Wahlberg, the film is also a dazzling comeback of sorts for Russell, making his first feature film in six years.

TICKETS: $15 public / $10 Museum members / Free for Silver Screen members and above. Order online at movingimage.us or call 718 777 6800.

Spanking the Monkey
Friday, January 21, 7:30 p.m.

1994, 100 mins. With Jeremy Davies. In his impressive debut, which won the Audience Award at Sundance, Russell brings deadpan humor and emotional complexity to what could have been very lurid subject matter: the improper relationship that develops over a summer between a housebound mother and her college-age son.

Flirting with Disaster
Saturday, January 29, 6:00 p.m.

1996, 92 mins. With Ben Stiller, Tea Leoni. Madcap road movie meets screwball romance meets dysfunctional family comedy in Russell’s wild and assured film about an adopted man who decides to track down his biological father. Russell’s sophomore film is filled with surprises and great acting from an ensemble that includes George Segal, Lily Tomlin, Patricia Arquette, Richard Jenkins, and Josh Brolin.

Three Kings
Saturday , February 5, 6:00 p.m.

1999, 114 mins. With George Clooney, Mark Wahlberg, Ice Cube. An audacious, satirical movie and one of the few Hollywood films set during the first Gulf War, Three

Kings, about a group of cynical American soldiers tracking down a pile of gold stolen by Saddam Hussein, was described by Roger Ebert as “some kind of weird masterpiece, a screw-loose war picture that sends action and humor crashing head-on into each other and spinning off into political anger.”

I Heart Huckabees
Sunday , February 6, 5:30 p.m.

2004, 107 mins. With Dustin Hoffman, Lily Tomlin, Jason Schwartzman. A down-on-his-luck poet/activist enlists the help of an existential detective agency to help solve some cosmic questions in Russell’s brilliant one-of-a-kind philosophical comedy about nothing less than the meaning of life and the nature of reality. Russell’s most provocative and unpredictable movie is also his most personal.

MUSEUM INFORMATION
Hours (beginning January 15, 2011): Tuesday-Thursday, 10:30 a.m. to 5:00 p.m. Friday, 10:30 to 8:00 p.m. Saturday-Sunday, 10:30 a.m. to 7:00 p.m. Holiday Openings: Monday, January 17 (Martin Luther King, Jr. Day, and Monday, February 21 (Washington’s Birthday), 10:30 a.m. to 5:00 p.m. (Closed on Monday except for holiday openings).

Film Screenings: See schedule above for schedule.

Museum Admission: $10.00 for adults; $7.50 for persons over 65 and for students with ID; $5.00 for children ages 5-18. Children under 5 and Museum members are admitted free. Admission to the galleries is free on Fridays, 4:00 to 8:00 p.m. Paid admission includes film screenings (except for special ticketed events and Friday evenings) Tickets for special screenings and events may be purchased in advance online at movingimage.us or by phone at 718.777.6800.

Location: 35 Avenue at 37 Street in Astoria.

Subway: R or M trains (R on weekends) to Steinway Street. N or Q trains to 36 Avenue.

Program Information: Telephone: 718.777.6888; Website: http://movingimage.us

The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit http://movingimage.us/.

I Heart "I Heart Huckabees"

TRASH IN MY EYE No. 41 (of 2005) by Leroy Douresseaux

I Heart Huckabees (2004)
Also known as I ♥ Huckabees
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – R for language and a sex scene
DIRECTOR: David O. Russell
WRITERS: Jeff Baena and David O. Russell
PRODUCERS: Gregory Goodman, Scott Rudin, and David O. Russell
CINEMATOGRAPHER: Peter Deming
EDITOR: Robert K. Lambert

COMEDY/MYSTERY

Starring: Jason Schwartzman, Dustin Hoffman, Lily Tomlin, Jude Law, Mark Wahlberg, Naomi Watts, Isabelle Huppert, Angela Grillo, Ger Duany, Jean Smart, Talia Shire, Bob Gunton, and Shania Twain

A “mid-life crisis” is an example of an “existential crisis.” Other examples can be summed up by such laments as “What am I doing with my life?” “my life has been a mistake?” or “my life is a joke.” These are the kind of issues David O. Russell (Flirting with Disaster and Three Kings) tackles in his inventive and daring film, I Heart Huckabees (or I ♥ Huckabees).

Husband and wife existential detectives, Vivian (Lily Tomlin) and Bernard Jaffe (Dustin Hoffman), solve the mysteries that are made of a maze of emotions. Their first client, Albert Markovski (Jason Schwartzman), comes to them to learn why he keeps running into a tall African named Steve Nimieri (Ger Duany). However, the Jaffes discover that Albert’s problems are rooted in his work for the Open Spaces Coalition. It is an environmental organization that is fighting a giant retail chain, Huckabees, over the corporation’s plans to build a new mall in a marshland and wooded area.

The Jaffes’ work with Albert brings them other clients: Brad Stand (Jude Law), a PR guy for Huckabees who is feigning interest in Albert’s organization as a ploy to remove the troublesome do-gooder Albert as an obstacle to Huckabees building plans and Dawn Campbell (Naomi Watts), the beautiful face and spokesmodel of Huckabees, who is also Brad’s girlfriend and to whom Brad won’t commit. Meanwhile, Albert encounters a soul mate, Tommy Corn (Mark Wahlberg), an existential fireman who introduces Albert to Caterine Vauban (Isabelle Huppert), a French radical philosopher and former student of the Jaffes, who he claims will help Albert more than the Jaffes. It all adds to one big existential meltdown.

Admittedly, I Heart Huckabees is hard to follow. There is way more existential discussion in this film than practically any other film financed by a mainstream American studio. While I found Russell’s Three Kings to be off-putting at times, I Heart Huckabees totally engaged me. Not only is the script the most ingenious screenplay written outside of anything by written by Charlie Kaufman (Being John Malkovich), it is also witty and captivating. And the next best thing Russell does is allow his cast to have fun with their parts.

There are no great characters in this film. What is there is greatly played characters. Schwartzman, Hoffman, Ms. Tomlin, Law, and Wahlberg really dig into these roles and give them life, and they had to or the movie would collapse into utter nonsense. The characters aren’t deep or special, for that matter. They’re dealing with deep and weighty matters, and the actors seem to understand that. So their performances are not about chewing scenery or showing off their chops, but rather about playing ordinary people trying to deal with extraordinary and plaguing questions. The only really wacky characters are the Jaffes, and Hoffman and Lily Tomlin make them appealing to ordinary people, in spite of their sometimes creepy intrusiveness.

This film isn’t for everyone, but viewers who’ve tackled the work of David Lynch and Spike Jonze should be able to handle I Heart Huckabees. Liking it, however, is a whole ‘nother thing. Except for a few rough patches, I think this is brilliant and hilarious.

10 of 10