USC Libraries Honor Aaron Sorkin and Ben Mezrich

USC Libraries Friend The Social Network

The writers behind the story of social-networking site Facebook take home the 23rd-annual USC Libraries Scripter Award.

LOS ANGELES--(BUSINESS WIRE)--Author Ben Mezrich and screenwriter Aaron Sorkin were feted with the 23rd-annual USC Libraries Scripter Award for the film The Social Network and the book The Accidental Billionaires: The Founding of Facebook, A Tale of Sex, Money, Genius and Betrayal upon which it was based. Film critic and historian Leonard Maltin announced the winners at the black-tie banquet on Friday, Feb. 4.

“When you get that phone call that Aaron Sorkin is interested in adapting your book, it’s like getting hit by lightning,” Mezrich said.

“I sat down in the movie there and the movie opens. There is that line, ‘dating you is like dating a stairmaster.’ At that moment, I thought, this is the best movie I’ve ever seen,” added Mezrich.

Sorkin, who won multiple Emmy Awards for his work on the NBC program “The West Wing” and is nominated for an Academy Award for his Social Network screenplay, related an incident from early in his career that put entertainment award in perspective.

“Early one morning a few years ago, my father came over to my apartment in New York City where I was living at the time because the Academy Award nominations were being announced and there was some hope that a movie that I wrote that year would be nominated” explained Sorkin. “When it wasn’t, my father turned to me and said ‘Aaron, how many people in the world do you think woke up this morning with even reasonable expectation that something like this might happen.’ That’s when I discovered that for most, people it’s an honor just to be nominated…in my family, it’s an honor just to be overlooked.”

“You can imagine how they and I feel about getting recognition like this, from a group of people like this,” said Sorkin.

The Social Network’s Scripter win adds to its slew of accolades. The film has been named best film by the Boston, Chicago, Los Angeles, New York, and Toronto film critics associations, among others, as well as by the Golden Globes and the National Board of Review. The film is nominated for eight Academy Awards and six BAFTA awards.

The Scripter awards gala, presented by the Friends of the USC Libraries, honors the year’s best cinematic adaptation of the printed word. During the ceremony, one Twitter follower described the Scripter Award as “the most civilized awards show of all.”

With filmmaker and USC alumnus Taylor Hackford (‘67, International Relations) and Academy Award-winning actress Helen Mirren serving as honorary dinner chairs, master of ceremonies Nancy Sinatra welcomed the capacity crowd gathered in Los Angeles Times Reference Room of USC’s historic Edward L. Doheny Memorial Library.

“We know that a great story might transport us, but it’s about more than escapism,” explained Sinatra about the importance of the writing creatively and the unique significance of the Scripter Award. “We know that history comes to us through stories and that storytelling helps us understand ourselves as much as it helps deepen our understanding of the world.”

“The great stories yet to be written will depend on all those that came before...and that’s why a great library is important to the past, present, and future of the creative arts and why we’re here to honor accomplished storytellers,” said Sinatra.

The other finalists for the 2011 Scripter, in alphabetical order by film title, were: screenwriters Danny Boyle and Simon Beaufoy for 127 Hours, adapted from Aron Ralston’s autobiography Between a Rock and a Hard Place; screenwriters Robert Harris and Roman Polanski for The Ghost Writer, adapted from Harris’ novel The Ghost; screenwriters Joel and Ethan Coen for True Grit, based on Charles Portis’ classic Western novel; and screenwriters Debra Granik and Anne Rosellini and author Daniel Woodrell for Winter’s Bone.

Academy Award-nominated and Golden Globe-winning screenwriter Naomi Foner chaired the Scripter selection committee for the fourth consecutive year.

Author Dennis Lehane was named the 4th-annual USC Libraries Scripter Literary Achievement Award recipient for his body of work. Lehane is the author of such books as Gone, Baby, Gone; Moonlight Mile; Shutter Island; The Given Day; and Mystic River for which he received a Scripter Award in 2004.

“[Dennis Lehane] has said that, were it not for a specific place, he never would have become a writer. He grew up in the Dorchester neighborhood of Boston,” noted USC Libraries Dean Catherine Quinlan in announcing the award. “He has demonstrated again and again his talent for carving convincing, creative landscapes out of words and populating them with intriguing characters and gripping mysteries.”

Lehane, who was unable to attend the ceremony, said in a statement that “It’s an honor to receive this award. My profound gratitude to the Friends of the USC Libraries.”

“It would be disingenuous of me not to note the depth of gratitude I owe the exceptional screenwriters who have adapted my novels for film: Brian Helgeland, Ben Affleck, Aaron Stockard, and most recently, Laeta Kalogridis, whose superb craftsmanship enabled her to take a near-unfilmable novel and turn it into pure cinema,” added Lehane.

Dr. David and Gracie Fermelia were the Premiere Sponsors and Dr. Verna B. Dauterive was the Gold Sponsor of this year’s event.

The USC Libraries welcomed Audi of America as the transportation sponsor for Scripter 2011. A fleet of Audi A8 sedans chauffeured nominees and special guests to the black-tie event.

Final Draft Inc. also has supported Scripter 2011 by providing copies of Final Draft 8 to USC students. The libraries will make the scriptwriting software available through the USC Thomas and Dorothy Leavey Library Multimedia Commons. Final Draft will complement the suite of authoring software the Multimedia Commons offers students and will provide a tool for storytelling and completing coursework while drawing on the riches of the libraries’ collections.

Proceeds from the Scripter gala support the USC Libraries’ Endowed Collections program. For more information about Scripter—including additional images from the ceremony and information on sponsorship opportunities for Scripter 24—visit http://scripter.usc.edu/.

Review: "Collateral" is Flashy, Gritty, and Edgy (Happy B'day, Michael Mann)

TRASH IN MY EYE No. 143 (of 2004) by Leroy Douresseaux

Collateral (2004)
Running time: 120 minutes (2 hours)
MPAA – R for violence and language
DIRECTOR: Michael Mann
WRITER: Stuart Beattie
PRODUCERS: Michael Mann and Julie Richardson
CINEMATOGRAPHER: Dion Beebe (D.o.P.) and Paul Cameron (D.o.P.)
EDITORS: Jim Miller and Paul Rubell
COMPOSER: James Newton Howard
Academy Award nominee

THRILLER/ACTION/CRIME/DRAMA

Starring: Tom Cruise, Jamie Foxx, Jada Pinkett Smith, Mark Ruffalo, Peter Berg, Bruce McGill, Irma P. Hall, Barry Shabaka Henley, Javier Bardem, and Klea Scott

Director Michael Mann is certainly a master of filming deliciously eye candy movies; from his hit 80’s TV series “Miami Vice” to such glossy power ballad films as Last of the Mohicans and Heat, he has delighted us with his visual acumen. His most recent film, Collateral, is, as a visual feast, an absolute delight and, just maybe, a masterpiece, albeit one with a flaw here and there.

A cabby named Max (Jaime Foxx) finds himself the hostage of Vincent (Tom Cruise), an engaging contract hit man, as he uses Max to ferry him around Los Angeles from hit to hit. The screwy duo eventually attracts the attention of Fanning (Mark Ruffalo), a savvy homicide detective. But despite the attention of the police, Max must, on his own, find a way to save himself and the last of five victims, Annie (Jada Pinkett Smith), a federal prosecutor who rode in Max’s cab before Vincent and befriended Max.

Collateral’s success is definitely the product of Michael Mann’s vision and of his cast, especially Cruise and Foxx. Mann’s film feels like his last L.A. blast off, the aforementioned Heat, but don’t mistake his visual flair for lack of substance. Mann’s films are always thrilling, even the character dramas, and they breath with life and vitality. Every frame suggests motivation and conflict, so Mann’s glossiness isn’t the shallowness of the many filmmakers his 1980’s work influenced.

Cruise is, of course, a delight to watch; he merely takes his usual film persona and turns of the heat to super intensity and makes Vincent a cold, ruthless machine – a machine that simultaneously has disdain for life and how we live it and a fascination with existence and how we understand it. This performance by Foxx is likely another hint that he is a comic who will reinvent himself as dramatic star much the way Robin Williams and Steve Martin did, but with the success of the former. Foxx’s Max is a troubled man, dealing with the failures and disappointments of life with a mixture of weariness and hope, cynicism and optimism, and stoicism and passion.

But Mann, Cruise, and Fox can’t do it alone. Ms. Smith and Mark Ruffalo are excellent supporting performers, and Ruffalo’s Fanning would himself make an excellent lead character in his own film. Stuart Beattie’s script is also good, especially in creating Vincent, part cipher and intriguing mystery man, but an inviting character who leaves us wanting more. The script did seem a little soft on really fleshing out Foxx’s Max, but overall, the script is a tightly-crafted short story that Mann was able to turn into a thrilling, short, dangerous crime tale that is both gritty and glorious. Collateral may be somewhat lacking in substance, but it’s just about the best confection you can have.

8 of 10
A

NOTES:
2005 Academy Awards: 2 nominations: “Best Achievement in Editing” (Jim Miller and Paul Rubell) and “Best Performance by an Actor in a Supporting Role” (Jamie Foxx)

2005 BAFTA Awards: 1 win: “Best Cinematography” (Dion Beebe and Paul Cameron); 5 nominations: “Best Editing” (Jim Miller and Paul Rubell), “Best Performance by an Actor in a Supporting Role” (Jamie Foxx), “Best Screenplay – Original” (Stuart Beattie), “Best Sound” (Elliott Koretz, Lee Orloff, Michael Minkler, and Myron Nettinga) and “David Lean Award for Direction” (Michael Mann)

2005 Black Reel Awards: 1 win “Best Supporting Actor” (Jamie Foxx) and 1 nomination: “Best Supporting Actress” (Jada Pinkett Smith)

2005 Golden Globes: 1 nomination: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Jamie Foxx)

2005 Image Awards: 3 nominations: “Outstanding Motion Picture,” “Outstanding Supporting Actor in a Motion Picture” (Jamie Foxx) and “Outstanding Supporting Actress in a Motion Picture” (Jada Pinkett Smith)

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Season 2 "Naruto Shippuden" Episodes Available for Download

DOWNLOAD THE LATEST NARUTO SHIPPUDEN ANIME EPISODES THE DAY AFTER THEY AIR ON THE DISNEY XD NETWORK

iTunes, PlayStation® Network, Xbox LIVE, and Amazon To Offer The Latest Action Packed Adventures Beginning February 3rd

VIZ Media has announced the availability to Download-to-Own/Download-to-Rent new NARUTO SHIPPUDEN Season 2 anime episodes from leading online content providers iTunes, PlayStation® Network, Xbox LIVE, and Amazon Video On Demand the day after being broadcast on the Disney XD television network beginning Thursday, February 3rd.

Fans are invited to visit these outlets to download the latest NARUTO installment, Episode 66 (dubbed), for FREE between February 3rd and March 7th. Subsequent new installments will be only $1.99 per episode for Download-to-Own, while Download-to-Rent costs are only $0.99.

In the newest episodes of NARUTO SHIPPUDEN, the rogue ninja Furido attempts to use the Lightning Style Jutsu of the Guardian Shinobi to rain destruction upon the Leaf Village. To make matters worse, the ninja are running out of chakra. Does Naruto have enough power to save his village? Then, the Akatsuki are working their way from one Jinchuriki to another, and it's only a matter of time until they get to Naruto!

Created by Masashi Kishimoto, NARUTO was first introduced in Weekly Shonen Jump magazine in Japan in 1999 and quickly became that country’s most popular ninja manga targeting tweens and teens with more than 100 million copies in circulation to-date. The manga series (rated ‘T’ for Teens) and animated counterpart (NARUTO rated ‘T’ for Teens, and NARUTO SHIPPUDEN rated ‘T+’ for Older Teens) are among VIZ Media’s most successful properties and have captivated millions of fans across North America, Europe and South America.

For more information on NARUTO please visit the official NARUTO website at http://www.naruto.com/.

Review: "The Cave" is B-Movie Fun

TRASH IN MY EYE No. 9 (of 2006) by Leroy Douresseaux

The Cave (2005)
Running time: 97 minutes (1 hour, 37 minutes)
MPAA – PG-13 for intense creature violence
DIRECTOR: Bruce Hunt
WRITERS: Michael Steinberg and Tegan West
PRODUCERS: Gary Lucchesi, Andrew Mason, Michael Ohoven, Tom Rosenberg, and Richard Wright
CINEMATOGRAPHER: Ross Emery
EDITOR: Brian Berdan

HORROR/ACTION/THRILLER with elements of sci-fi

Starring: Cole Hauser, Morris Chestnut, Eddie Cibrian, Daniel Dae Kim, Rick Ravanello, Marcel Iures, Kieran Darcy-Smith and Lena Heady and Piper Perabo

Deep in the Romanian forest, scientists have discovered the ruins of a 13th century abbey. What they don’t know is that 30 years earlier, the abbey was till intact when a group of mercenaries entered it to find something the scientists are now about to discover for themselves. The abbey was built over the entrance to a giant underground cave system.

Local biologists hire seasoned cave explorers, led by the enigmatic Jack (Cole Hauser), to guide them on what should be a routine deep-cave dive and expedition of this cave system beneath the Carpathian Mountains. The expedition suddenly turns deadly when the cavern they’re surveying collapses. Being trapped isn’t the end of the world for this team, as the explorers themselves would rank as the number one rescue party were a similar thing to happen to some other group. However, getting out becomes complicated when they discover that weird and monstrous creatures occupy the cave and these beasts have an evil hunger for human flesh.

Savaged by critics and reviews, The Cave may have in the minds of many moviegoers the reputation of being something really awful. The truth is that it’s a rather thrilling monster movie. Think of it as Alien set in the alien world that is the world of deep caverns, but without the cinematic pedigree. The film’s producers hired a many actual cave explorers as consultants for the film, so the characters, their equipment, and technology ring as true. The film is also dimly lit and awash in a drowning world of blackness and deep shadows in which even strong light can’t make much of a dent. That really adds to our sense of dread for the characters. We hear the growls, roars, and assorted noise of the monsters. We hear the characters running and searching for a way out, but it is often hard to see key moments clearly. Director Bruce Hunt uses that to create an exciting and invigorating sense of paranoia.

But all that really needs to be said is that The Cave is a fun monster movie. It has more scares and thrills than cheese, and the filmmakers took their project seriously enough to make a surprisingly effective horror movie. For those who like the idea of monstrous animals creeping in the shadows our world and waiting to eat us, this is for you.

6 of 10
B

Saturday, January 14, 2006

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VIZ Cinema Announces Anime and Drama at New People for February

NEW PEOPLE PRESENTS SPECIAL THEATRICAL EVENTS FOR THE GARDEN OF SINNERS, KIM KI-DUK’S BREATH AND GANTZ IN FEBRUARY

 

VIZ Cinema at NEW PEOPLE, the nation’s only movie theatre dedicated to Japanese and Asian film, presents a trio of special movie events taking place at the venue in February. Trailers, screening times and tickets are available at www.VIZCinema.com. The venue is located inside NEW PEOPLE at 1746 Post Street in San Francisco’s Japantown.

The month begins as Aniplex of America, Inc. and NEW PEOPLE present the U.S. premiere of the anime feature film, THE GARDEN OF SINNERS, on February 5th, to be followed by a discussion panel with key members of the movie’s production staff. This one-day-only event will celebrate the highly anticipated release of the film’s Blu-ray Box Set which will be released in North America on February 8th (a week after the Japanese release).

Also slated to screen on February 19th will be the acclaimed Korean director Kim Ki-duk’s romantic prison drama, BREATH, which will be followed by a reception with The Red Lantern: Bay Area Asian Cinephiles, based in San Francisco and the world's largest Meetup group for Asian films - http://www.meetup.com/sf-asian-film.

Finally, by popular demand, VIZ Cinema at NEW PEOPLE will offer a special one-night-only screening on February 19th of the live-action sci-fi thriller GANTZ (in Japanese with English subtitles). GANTZ is based on the smash hit manga and anime series and was world-premiered at 334 theatres nationwide in January.

THE GARDEN OF SINNERS
Saturday, 2/5 at 1:30pm – ONE DAY ONLY! Tickets: $15.00
(Directed by Ei Aoki, Takuya Nonaka, Shinsuke Takizaw, Japan, 49min, 58min, and 119min, Digital, Japanese with English subtitles)

After spending two years in a coma caused by a traffic accident, Shiki Ryougi awakens with amnesia. Inexplicably, she finds that she has also obtained the “Mystic Eyes of Death Perception” in which she can see the invisible lines of mortality that hold every living and non-living thing together. Working for a small independent agency, Shiki attempts to unravel the baffling mystery behind a series of abnormal, horrifying incidents, but are they a foreshadowing that leads to something even more tragic and ominous? Things are not what they appear to be on the surface, but what dark revelations lie underneath? This is a modern occult-action thriller where Shiki must tackle supernatural incidents with her special abilities while searching for a reason to live.

This screening will be immediately followed by a special discussion session with key members of the movie’s production staff.

BREATH
Saturday, 2/19 at 5:00pm – ONE NIGHT ONLY! Tickets: $12.00
(Directed by Kim Ki-duk, Korea, 83min, 2007, Digital, Korean with English subtitles)

On a cold winter day, after learning her husband has found a new woman, Yeon absent-mindedly heads for a prison where an inmate name Jin is confined. Although she doesn’t know him personally, repeated news of his suicide attempts on TV have subconsciously grown in her mind which now is leading her to seek him. Jin has no visitors and normally would not agree to meet a complete stranger, but hearing that it’s a woman, he accepts her request out of curiosity. Their first encounter is awkward. Yeon treats Jin like an old friend whereas Jin doesn’t open up so easily. To Jin’s surprise, Yeon comes back for a second visit…One day her husband follows her to the prison and witnesses an intimate exchange between Yeon and Jin. The jealous husband drags her home and tries to separate the new couple. While forced to be apart, time winds down for Jin’s execution. But the two are already attached to one another more than her husband assumed – more than life and death. And desperate Yeon finds a way to elude her husband and help Jin out of his misery.

GANTZ (English Subtitled Version)
Saturday, 2/19 at 7:15pm – ONE NIGHT ONLY!
Tickets: $12.00 (attendees will also receive a special GANTZ poster)
(Directed by Shinsuke Sato, Japan, 129min, 2011, Digital, Japanese with English subtitles)

GANTZ is based on a hit manga series created by Hiroya Oku and stars leading Japanese actors Kazunari Ninomiya (Letters from Iwo Jima) and Kenichi Matsuyama (Death Note, Detroit Metal City). The film tells the story of two childhood friends that are accidentally killed while trying to save another man’s life. Rather than find themselves in the hereafter, however, they awaken in a strange apartment in which they find a mysterious black orb they come to know as “GANTZ.” Along with similar abductees, they are provided with equipment and weaponry and manipulated into playing a kind of game in which they are sent back out to the greater world to do battle with alien beings, all while never quite knowing whether this game is an illusion or their new reality.

VIZ Cinema at NEW PEOPLE is the nation’s only movie theatre devoted exclusively to Japanese film and anime. The 143-seat subterranean theatre is located in the basement of the NEW PEOPLE building and features plush seating, digital as well as 35mm projection, and a THX®-certified sound system.

Review: Angelina Jolie's "Salt" is Good For You

TRASH IN MY EYE No. 11 (of 2011) by Leroy Douresseaux

Salt (2010)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – PG-13 for intense sequences of violence and action
DIRECTOR: Phillip Noyce
WRITER: Kurt Wimmer
PRODUCERS: Lorenzo di Bonaventura and Sunil Perkash
CINEMATOGRAPHER: Robert Elswit
EDITOR: Stuart Baird, John Gilroy, and Steven Kemper
COMPOSER: James Newton Howard
Academy Award nominee

ACTION/THRILLER

Starring: Angelina Jolie, Liev Schreiber, Chiwetel Ejiofor, Daniel Olbrychski, August Diehl, Hunt Block, Andre Braugher, and Olek Krupa

Written by Kurt Wimmer, the writer/director of the film Equilibrium, Salt was originally about a male character named “Edwin A. Salt,” and Tom Cruise initially wanted to play the character. A little more than half a decade later, the character became a woman, now played by Angelina Jolie. The resultant film is, in the hands of the supremely skilled director, Philip Noyce, one of 2010’s best movies.

Salt focuses on Evelyn Salt (Angelina Jolie), a CIA agent recently released from a North Korean prison. Salt’s plans to celebrate her wedding anniversary with her husband, arachnologist Michael Krause (August Diehl), is interrupted by a sudden turn of events at the CIA. Vassily Orlov (Daniel Olbrychski), a Russian defector, arrives with shocking secrets. During Salt’s interrogation of him, Orlov reveals details about “Day X,” a Russian plot to destroy the United States by using highly-trained, English-speaking, Russian sleeper agents. And Orlov claims that Salt is one of those sleeper agents.

Suddenly, a rogue CIA agent, Salt is on the run, and she uses every tactic, accent, and disguise she knows to elude her pursuers, clear her name, and find her now-missing husband. Her CIA supervisor, Ted Winter (Liev Schreiber), believes that she may not be an enemy, but U.S. counter-intelligence agent, Peabody (Chiwetel Ejiofor), absolutely believes that Salt is an enemy. To save herself, however, Salt may end up doing the very things Orlov said she would.

Salt has two stellar supporting actors in the talented Liev Schreiber and Chiwetel Ejiofor, who both deliver their usual good work in this film. Outside of Asian cinema, no one is capable of delivering terrific work in both dramatic films and action movies the way Angelina Jolie does. Jolie makes Evelyn Salt the kind of secret agent/spy who is every bit the man James Bond or Jason Bourne is.

Salt is a magnificent CIA/spy film, however, because of the work of director Phillip Noyce (Dead Calm, Clear and Present Danger). The Australian director is a master of the thriller: action thriller, historical thriller, political thriller, social thriller, suspense thriller, and thriller thriller. From the beginning of Salt, it was as if Noyce threw a rope around me and dragged me along for a ride, and what a great ride Salt was. Its action is so visceral and its narrative so visually powerful that you might choose to ignore the set pieces that seem way, way farfetched. I can find very little about which to complain or criticize.

At times, Salt is like a comic book superhero story, and it occasionally seems as much a fantasy as it is a CIA thriller. Noyce took his more-than-capable dramatic action star, Angelina Jolie, and spun what will hopefully be the beginning of a beautiful new spy thriller franchise.

8 of 10
A

NOTE:
2011 Academy Awards: 1 nomination: “Best Achievement in Sound Mixing” (Jeffrey J. Haboush, William Sarokin, Scott Millan, and Greg P. Russell)

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"The Dark Knight Rises" Adds Joseph Gordon-Levitt

Quite a bit of info and news has been trickling out about Christopher Nolan's third Batman movie, "The Dark Knight Rises," which is due July 2012.  Deadline is reporting that Joseph Gordon-Levitt, who appeared in Nolan's Oscar-nominated Inception, is in talks to join the new Batman flick.  No word on what role Gordon-Levitt will play.
At the Santa Barbara Film Festival, Nolan revealed that DKR will start shooting in May of this year and that he and David Goyer had been working on the script for "a long time."

At /Film, in a short article Christopher Nolan's Director of Photographer Wally Pfister says that DKR's script is phenomenal.  He gave no details, but did talk about plans for photographing the film.