Saturday, February 12, 2011

Review: "Cursed" is an Odd Werewolf Movie (Happy B'day, Christina Ricci)

TRASH IN MY EYE No. 29 (of 2005) by Leroy Douresseaux

Cursed (2005)
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – PG-13 for horror violence/terror, some sexual references, nudity, language, and a brief drug reference
DIRECTOR: Wes Craven
WRITER: Kevin Williamson
PRODUCERS: Marianne Maddalena and Kevin Williamson
CINEMATOGRAPHERS: Robert McLachlan with Don McCuaig
EDITORS: Raúl Dávalos, Gregg Featherman, Patrick Lussier, and Lisa Romaniw

HORROR/MYSTERY with elements of comedy and thriller

Starring: Christina Ricci, Jesse Eisenberg, Milo Ventimiglia, Kristina Anapau, Michael Rosenbaum, Mya, Judie Greer, Jonny Acker, Eric Ladin, Shannon Elizabeth, Scott Baio, Craig Kilborn, Lance Bass, Portia De Rossi, Bambi Allen, and Derek Mears

It’s released delayed over a year, Cursed, the teen/20-something oriented werewolf movie from director Wes Craven and writer Kevin Williamson, the creators of Scream, finally made it to wide release the last weekend of February 2005. The film was not screened for critics and early word on the Net from fans who claimed to have seen it was poor… But I liked it. Cursed is not great and it has some problems; the makers don’t seem sure if they want a horror movie or a comedy, but scares and laughs mix a little better than oil and water in this instance. Thus, we have a new horror sub-genre – comic horror.

In the film, estranged siblings still dealing with their parents’ death (the film is never quite clear how recent they died or if they were killed) are attacked by a werewolf while trying to help a young woman in a car accident. Ellie (Christina Ricci), the sister, is some kind of producer for The Craig Kilborn Show. She’s always busy juggling guests for the show, and she’s hit a rough patch with her boyfriend, Jake (Joshua Jackson). Her younger brother, Jimmy (Jessie Eisenberg), is dealing with trials of high school as painfully shy nerdy kid who gets grief from the jock types, especially after he becomes attracted to Brooke (Kristina Anapau), a jock’s girlfriend.

At first, Ellie is reluctant to believe that a werewolf attacked them, and it deepens the riff between her and her brother, but eventually the physically changes to her body and her strange behavior convinces Ellie of the truth. A sexy gypsy fortuneteller informs Ellie that she is cursed, and that she must find the werewolf that attacked her (whom Ellie and Jimmy assume to be “the master”) and destroy it in order to break the curse of the werewolf or they too will become beasts. As usual, things are a lot more complicated, and there are several suspects, and it seems more than one villain wishes to harm Ellie and Jimmy.

The bad in Cursed: cheesy CGI to create a werewolf. I hate CGI werewolves, and there's a transformation scene in this movie that is more a mixture of live action and animation than it is computer generated imagery. Also, a lot of the acting is flat or is more pretending than acting, and a few cast members seem to be going through the motions or doing a paint-by-numbers version of acting. The characters are mostly a bunch of pretty people who drive expensive, high-end, luxury cars and act dumb. There’s not much to the plot, which the filmmakers stretch almost to the breaking point, and the story is limp. The film also lacks some poignancy, and it too conveniently resolves family and relationship problems.

The good: Christina Ricci and Jessie Eisenberg really buy into the concept. Everything about the duo rings true: their backstory, living situations, social relationships, and plight. They, more than any other element, sell Cursed to the audience. Rick Baker does some stellar makeup and mechanical effects work, but what else can one expect from this master effects man? The film’s atmosphere is also very good. It’s sometimes funny and outrageous and other times pretty scary, and there are also some nice character twists. Drop disbelief and don’t take Cursed too seriously. I had a blast.

6 of 10
B

Saturday, February 26, 2005

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Friday, February 11, 2011

Review: Wam! Bam! Thank You "Machete"

TRASH IN MY EYE No. 14 (of 2011) by Leroy Douresseaux

Machete (2010)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – R for strong bloody violence throughout, language, some sexual content and nudity
DIRECTORS: Ethan Maniquis and Robert Rodriguez
WRITERS: Robert Rodriguez and Álvaro Rodríguez
PRODUCERS: Elizabeth Avellan, Robert Rodriguez, and Rick Schwartz
CINEMATOGRAPHER: Jimmy Lindsey
EDITORS: Rebecca Rodriguez and Robert Rodriguez

ACTION

Starring: Danny Trejo, Robert De Niro, Jessica Alba, Steven Seagal, Michelle Rodriguez, Jeff Fahey, Cheech Marin, Don Johnson, Shea Whigham, Lindsay Lohan, Daryl Sabara, Gilbert Trejo, and Tom Savini

Robert Rodriguez’s recent hell-raising flick, Machete, first hit the screen as a fake trailer in the 2007 Rodriguez/Quentin Tarantino double feature, Grindhouse. Part tongue-in-cheek action comedy and part exploitation movie, Machete offers deranged fun that includes everything from dismemberment to a mini-race war.

The film focuses on Machete Cortez (Danny Trejo), a former Mexican Federale turned illegal immigrant. Three years after the powerful drug lord, Rogelio Torrez (Steven Seagal) killed his wife and daughter, Machete roams Texas looking for work. A shady businessman named Michael Booth (Jeff Fahey) offers Machete $150,000 to assassinate corrupt Texas State Senator John McLaughlin (Robert De Niro). After he is double-crossed, Machete joins forces with immigration agent Sartana Rivera (Jessica Alba) to take down McLaughlin and a far-ranging conspiracy that includes anti-immigration racists and Machete’s old nemesis, Torrez. Luckily, Machete and Rivera find help in the form of Machete’s brother, the gun-wielding priest, Padre (Cheech Marin), and the taco-truck lady, Luz (Michelle Rodriguez).

I enjoy Robert Rodriguez’s films so very much, and although he has a co-director, Ethan Maniquis, for this film, Machete is true to the spirit of mayhem inherent in movies produced by Troublemaker Studios, Rodriguez’s production company. Machete does seem a bit long, and the narrative is occasionally clunky, but the action sequences have a seamless quality that gives the violence maxim impact upon the viewer.

The cinematic art of beheading, dismemberment, gouging, puncturing, and bladed-weapon-thrusting have rarely looked so good (obviously thanks to computer effects enhancement). Those of us who like that sort of thing will howl with pleasure. The terrific gunfights and pitched gun battles are the giant, juicy, succulent cherry on top of this hack-and-slash fun.

As well-made as this film is from creative and technical points of view, the cast is what assures that Machete manages not to take itself seriously, but also still work as an over-the-top action movie. Of course, Robert De Niro is good; in fact, his spot-on creation of the opportunistic, chauvinistic Senator McLaughlin is gold for this movie. Steve Seagal, Jeff Fahey, and Don Johnson were all, at one point in their careers, B-movie action stars, and they deliver some of their best action flick work here, especially Johnson. The girls are all good here, but Lindsay Lohan effortlessly outshines Jessica Alba and Michelle Rodriguez in a much smaller role.

Machete ultimately relies on Danny Trejo. Seemingly hewn from granite (sans the pretty boy looks), Trejo is an action star with the soul of a thespian. As good as this movie is, there actually isn’t enough of him on screen. Trejo has palatable film presence, and he makes Machete not just a good action movie, but also a good movie, regardless of genre.

7 of 10
A-

Friday, February 11, 2011

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Review: Danny Trejo Revealed in "Champion"

TRASH IN MY EYE No. 13 (of 2011) by Leroy Douresseaux

Champion (2005)
Running time: 81 minutes (1 hour, 21 minutes)
DIRECTOR: Joe Eckardt
WRITER: Cecily Gambrell
PRODUCERS: Joe Eckardt and Cecily Gambrell
CINEMATOGRAPHER: Vitaly Bokser, Dana Gonzales, and Daniel S. Haas
EDITORS: Joe Eckardt and Joseph Lorigo

DOCUMENTARY – Biography/Interview

Starring: Danny Trejo, Cecily Gambrell, Edward Bunker, Steve Buscemi, Dennis Hopper, Val Kilmer, and Robert Rodriguez

His body covered in tattoos, actor Danny Trejo has appeared in such films as Desperado, Con Air, and Spy Kids. Trejo is mostly known for playing tough guys, criminals, and villains. You’ll recognize him when you see him, and you may not be surprised to learn that Trejo has a past that includes substance abuse, drug dealing, and prison.

There is another side to Trejo. His troubled childhood, which included drug addiction, armed robbery, and extensive prison time, eventually led him to a career as a counselor, where his vocation became helping people who are struggling with alcohol, drugs, and gang-banging. That in turn led Trejo into acting, beginning with work in the 1985 film Runaway Train. The 2005 documentary Champion offers an intimate and detailed look at Trejo’s life and journey and includes testimonials from actors Steve Buscemi, Dennis Hopper, and Val Kilmer, among others.

The first hour of Champion mainly deals with Trejo’s troubled youth and a 20-year period from the 1950s to the late 1960s in which Trejo beat up people and/or robbed them, while selling drugs and doing time in juvenile and prison facilities. Although interesting, some of this first hour is repetitive or dry and slows the film. Then, Champion has a Saul-to-St. Paul moment and seems to suddenly open up, revealing the man who has a great big heart and a drive to help people. Champion is not a traditional documentary; in fact, it is essentially one long interview film. What the film ultimately documents is an inspirational story of how far up someone can come from being so down. Watch it and understand why Danny Trejo is indeed a champion.

7 of 10
B+

Friday, February 11, 2011

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2011 Black Reel Awards Nominations List

The Black Reel Awards are scheduled to be handed out tonight.  What are the Black Reel Awards?  These awards annually honor African-Americans in feature, independent and television film. The awards were launched in 2000, and this is the 11th year of the awards.

From what I understand, 60 film critics from television, radio, print and the Internet comprise the voting members of the Black Reel Awards. Voting was conducted from December 10 – 13, 2010. Winners will be announced on Friday, February 11, 2011.

2011 Nominations:

Outstanding Film
The Book of Eli
Brooklyn’s Finest
For Colored Girls
Night Catches Us
Just Wright

Outstanding Actress
Thandie Newton – For Colored Girls
Queen Latifah – Just Wright
Kerry Washington – Night Catches Us
Anika Noni Rose – For Colored Girls
Kimberly Elise – For Colored Girls

Outstanding Actor
Don Cheadle – Brooklyn’s Finest
Denzel Washington – The Book of Eli
Jaden Smith – The Karate Kid
Anthony Mackie – Night Catches Us
Denzel Washington – Unstoppable

Outstanding Supporting Actress
Phylicia Rashad – For Colored Girls
Kerry Washington – For Colored Girls
Viola Davis – Eat Pray Love
Janet Jackson – For Colored Girls
Shareeka Epps – Mother and Child

Outstanding Supporting Actor
Wesley Snipes – Brooklyn’s Finest
Sean Combs – Get Him to the Greek
Samuel L. Jackson – Mother and Child
Brandon T. Jackson – Percy Jackson & The Olympians: The Lightning Thief
Laurence Fishburne – Predators

Outstanding Director
Antoine Fuqua – Brooklyn’s Finest
Sanaa Hamri – Just Wright
Tanya Hamilton – Night Catches
Allen and Albert Hughes – The Book of Eli
Tyler Perry – For Colored Girls

Outstanding Screenplay, Original or Adapted
Tanya Hamilton – Night Catches Us
Michael C. Martin – Brooklyn’s Finest
Michael Elliott – Just Wright
Peter Allen, Gabriel Casseus, John Lussenhop and Avery Duff – Takers
Tyler Perry – For Colored Girls

Outstanding Original Score
The Karate Kid
Brooklyn’s Finest
Night Catches Us
The Book of Eli
For Colored Girls

Outstanding Original Song
Shine (John Legend) - Waiting for Superman
Champion (Queen Latifah) - Just Wright
Run This Town (Jay-Z featuring Rihanna and Kayne West) - Brooklyn’s Finest
Never Say Never (Justin Bieber featuring Jaden Smith) - The Karate Kid
I Know Who I Am (Leona Lewis) - For Colored Girls

Outstanding Ensemble
For Colored Girls
Brooklyn’s Finest
Unstoppable
Night Catches Us
Takers

Outstanding Breakthrough Performance
Omari Hardwick – For Colored Girls
Tessa Thompson – For Colored Girls
Amari Cheatom – Night Catches Us
Zoe Kravitz – It’s Kind of a Funny Story
Yaya DaCosta – The Kids Are All Right

Outstanding Feature Documentary
The Lottery
Why We Laugh: Black Comedians on Black Comedy
Waiting on Superman
My Mic Sounds Nice

Outstanding Indie Feature Film
Preacher’s Kid
Kings of the Evening
Toe to Toe
Black Venus
Finding God in the City of Angels

Outstanding Indie Short Film
Cred
Stag and Dow
Katrina’s Son

Outstanding Indie Documentary Film
For the Best and For the Onion
One of These Mornings
Gefilte Fish

Outstanding Television Documentary
If God is Willing and Da Creek Don’t Rise
The Black List, Vol. 3
A Small Act

Thursday, February 10, 2011

Marvel Meets Shane Black About "Iron Man 3"

As you may already know, Jon Favreau will not return to direct the third installment Marvel Studio's Iron Man film franchise, after directing the first two movies, which were big hits.  As Marvel interviews prospective directors, a surprising name has come up according to Collider, legendary action movie screenwriter, Shane Black, the man who created Lethal Weapon and The Last Boy Scout.  Black also wrote and directed the excellent Kiss Kiss Bang Bang (I just posted my review of it from a few years back.), which featured the star of the Iron Man movies, Robert Downey, Jr.

According to Collider, Marvel is meeting with a number of directors and the name of one of them is now known: Shane Black.  "Iron Man 3" is set to be released on May 3, 2013.

Review: "Kiss Kiss Bang Bang" is Really Good Good

TRASH IN MY EYE No. 141 (of 2006) by Leroy Douresseaux

Kiss Kiss Bang Bang (2005)
Running time: 103 minutes (1 hour, 43 minutes)
MPAA – R for language, violence, and sexuality/nudity
DIRECTOR: Shane Black
WRITER: Shane Black; from a screen story by Shane Black (based upon the novel, Bodies are Where You Find Them by Brett Halliday)
PRODUCER: Joel Silver
CINEMATOGRAPHER: Michael Barrett
EDITOR: Jim Page

COMEDY/MYSTERY/CRIME with elements of drama and thriller

Starring: Robert Downey, Jr., Val Kilmer, Michelle Monaghan, Corbin Bernsen, Dash Mihok, Larry Miller, Rockmond Dunbar, Shannyn Sossamon, and Angela Lindvall

New York City petty thief, Harry Lockhart (Robert Downey, Jr.) cons his way into an acting audition while running from the police. Before long he’s whisked away to Los Angeles for an even more important audition, this time for a part in a big movie. Harry finds an authentic acting coach in L.A. detective, Perry Van Shrike (Val Kilmer) or "Gay Perry," to help him prepare for his audition. The bright lights of Hollywood pale, however, when Harry, Perry, and Harry’s high school dream girl, Harmony Faith Lane (Michelle Monaghan), find themselves thrust into a murder mystery – one with an increasingly high body count.

Shane Black’s calling card is that he is the screenwriter who created Lethal Weapon, but his name may also be slightly notorious with his connection to Hollywood budget excesses, especially as he once received a then-record $1.75 million for The Last Boy Scout script. He didn’t create the buddy picture, an action sub-genre that remains popular but really ruled in the 1980’s and early 1990’s (one could say that the buddy-cop flick came to life with 48 Hours). Still, Black’s Lethal Weapon screenplay defined the buddy action flick, and Black became one of the most influential writers of action flicks.

Perhaps, we can view Black’s directorial debut, Kiss Kiss Bang Bang, as a send-up of the genre he, more than any other writer, helped send into the stratosphere of big-time movie making. Almost a movie within a movie, Kiss Kiss Bang Bang seems like a satire of the buddy flick. Self-referential to the point of being meta-fiction, the narrator, Robert Downey, Jr.’s Harry Lockhart, never breaks the fourth wall, but he knows he has an audience.

With all the twists, turns, deceptions, betrayal, and romance in its plot, Kiss Kiss Bang Bang is a clever P. I. (private investigator or private eye) farce set in the glamour weird side of Los Angeles – think rich people and Hollywood types. Many of the characters are on the edge of Tinseltown – on the outside looking in. This movie is like Get Shorty, but it’s filtered through Shane Black’s penchant for L.A. crime stories – cops and detectives working a sort of modern day Film-Noir City of Angels – a kind of neo-Noir. This is also like The Last Boy Scout, without the big budget action sequences, but more outlandish and eccentric.

Watching this film, one has to wonder why it works. Robert Downey, Jr. seems slightly miscast, but he’s such a fine actor that he makes this part his own. Val Kilmer is quite good in a part that seems a bit short for what both the character and actor can bring to the film. Michelle Monaghan also seems miscast, but she has excellent comic sensibilities and over the long haul of the picture makes a very good, if not perfect, fit.

For all the style and ambience Black and his cast bring to this movie, what ultimately makes Kiss Kiss Bang Bang an exceptional film is how shrewdly written it is. Black has astutely filled his script with the kind of off-the-wall dialogue, situations, and scenes that hooks an audience ever deeper into the film, very similar to what Quentin Tarantino did in Pulp Fiction. It’s a cunning move that both keeps an audience with a short attention span engaged while putting a nimble move on the detective genre that makes even the jaded sit up and take notice. Kiss Kiss Bang Bang isn’t everyone’s cup of tea, but it is the droll comedy of 2005. It is also one of the most inventive comic turns on the detective flick (that doesn’t have to rely on parody) in decades.

8 of 10
A

Friday, June 30, 2006

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Review: Too Much Nancy Drew in "Nancy Drew" (Happy B'day, Emma Roberts)

TRASH IN MY EYE No. 14 (of 2008) by Leroy Douresseaux

Nancy Drew (2007)
Running time: 99 minutes (1 hour, 39 minutes)
MPAA – PG-13 for mild violence, thematic elements, and brief language
DIRECTOR: Andrew Fleming
WRITERS: Andrew Fleming and Tiffany Paulsen; from a story by Tiffany Paulsen (based upon the characters created by Mildred Wirt Benson writing as Carolyn Keene)
PRODUCER: Jerry Weintraub
CINEMATOGRAPHER: Alexander Gruszynski (D.o.P.)
EDITOR: Jeff Freeman

MYSTERY/FAMILY

Starring: Emma Roberts, Josh Flitter, Max Thieriot, Rachael Leigh Cook, Tate Donovan, Marshall Bell, Daniella Monet, Kelly Vitz, Krystle Hernandez, Barry Bostwick, Adam Clark, and Laura Harring (Screen appearances with no screen credit: Bruce Willis, Chris Kattan, and Eddie Jemison)

The 2007 film, Nancy Drew, is a return to the big screen by the famous girl detective.

When her father Carson Drew (Tate Donovan) heads to Los Angeles to take on some high paying temporary legal work, Nancy Drew (Emma Roberts, Julia Roberts’ niece), the resourceful teen detective, is right behind him. She’s leaving her friendly hometown of River Heights for life at Hollywood High School. Nancy’s uncanny intelligence and smarts, as well as her retro manners (including her perfect picnic lunches and penny loafers), earn her some enemies. The less-than-warm reception from reigning fashionistas Inga (Daniella Monet) and Trish (Kelly Vitz) might bother the average new girl, but not Nancy, who has more important things to think about, in particular a brand new mystery.

Nancy promised her worried Dad that she'd quit “sleuthing,” but it isn't long before she gets a lead on one of Hollywood’s greatest unsolved cases of all time: the mysterious circumstances surrounding the death of famous actress Dehlia Draycott (Laura Harring). Nancy happened to make sure that the Drews’ temporary L.A. home is the former Draycott mansion. With Inga’s little brother, Corky (Josh Flitter), tagging along, and a surprise appearance from her hometown sleuthing partner, Ned Nickerson (Max Thieriot), Nancy combs the long-reputed haunted mansion to solve the Draycott mystery, but some shadowy and dangerous figures aren’t happy about that.

The modernization of Nancy Drew took a character known mostly for existing in a rural, small town setting and placed her in the fast-paced and more dangerous big city. This is not necessarily a bad thing, nor is the movie bad. The script sets the supposedly unsophisticated Nancy against the Byzantine urban world, but Nancy ends up looking super sophisticated, while L.A./Hollywood seems to be a world full of narcissistic and selfish morons. It’s fun to watch Nancy basically run roughshod over a world determined to keep her in her place.

It’s a shame that the film has so many good supporting characters, but simply drops them here and there, some with no rhyme or reason. This is a Nancy Drew film that is just too Nancy-centric. Still, in spite of its limitations, Nancy Drew is likeable. It lacks the snappy freshness of the Bonita Granville Nancy Drew movie series made in the late 1930s, but this new Nancy Drew is fun on its own.

6 of 10
B

Saturday, March 15, 2008

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