Review: Superb "Cars" Hydroplanes on Nostalgia

TRASH IN MY EYE No. 127 (of 2006) by Leroy Douresseaux

Cars (2006)
Running time: 116 minutes (1 hour, 56 minutes)
MPAA – G
DIRECTOR: John Lasseter
WRITERS: Dan Fogelman, Philip Loren, and Kiel Murray; additional screenplay material: Robert L. Baird and Dan Gerson; from a story by John Lasseter, Jorgen Klubien, and Joe Ranft
PRODUCER: Darla K. Anderson
EDITOR: Ken Schretzmann
Academy Award nominee

ANIMATION/COMEDY/FAMILY/SPORTS with elements of action, drama, and romance

Starring: (voices) Owen Wilson, Paul Newman, Bonnie Hunt, Larry the Cable Guy, Cheech Marin, Tony Shalhoub, Guido Quaroni, Jenifer Lewis, Paul Dooley, Michael Wallis, George Carlin, Katherine Helmond, John Ratzenberger, Michael Keaton, Richard Petty, Jeremy Piven, Bob Costas, Darrell Waltrip, and Lynda Petty

If that’s possible considering what they’ve already done, Disney/Pixar’s latest computer animated feature film, Cars, is a technical improvement over their previous work. It’s easy to see why so many consider Pixar Animation Studios the gold standard in computer animation. The pity is that the only thing holding this technically and artistically exceptional and pleasurable animated film from greatness is a less than compelling story grounded in dewy-eyed nostalgia.

Lightning McQueen (Owen Wilson) is a hotshot rookie race car trying to win the Piston Cup Championship (similar to NASCAR). On his way to a championship race in California, Lighting makes an unexpected detour down the famous Route 66 and finds himself in the sleepy burg of Radiator Springs, where he meets the town’s eccentric automotive denizens. Self-absorbed and snobby of what he considers lesser cars, Lightning has to repair the town’s only road after he damages it.

The time he spends “prisoner” in Radiator Springs allows him to get to know the other cars, including Doc Hudson (Paul Newman), a 1951 Hudson Hornet with a mysterious past, Mater (Larry the Cable Guy), a rusty tow truck who becomes Lightning’s trusty friend, and Sally (Bonnie Hunt), a snazzy Porsche who at first is Lightning’s rival, but later becomes the friend who helps him see the simple beauty of Radiator Springs. And maybe he’ll learn that there are things more important than championships and fame.

I think many viewers will be shocked to find that the racing sequences, especially the Piston Championship Cup race that opens the film, capture the feel of watching NASCAR-style racing. It has all the ferocity, intensity, organized chaos, the spectacular crashes and wild spins off the course, the rumbling and shaking, etc. However, most of Cars’ narrative takes place in Radiator City. By architecture and design, this small town is like stepping back into the postwar era that roughly covers from about 1945 to 1965. Cars tries to recapture this small town era of neon-lit drive-in diners and spanking new motels just off a highway like Route 66. The Western landscapes and the golden backdrops of desert landscapes, dusty roads, pastoral skies, and marvelous rock formations transport the viewer back to some kind of midwestern idyll. This is the kind of “old America” that Hollywood likes – small towns where things moved slowly and everyone knew everyone.

That’s where the fault in Cars lies. It’s a nostalgia piece; it’s more longing than it is a narrative – a story with a universal message, which Pixar’s previous films have had. For instance, in Finding Nemo, an overprotective father fights unceasingly to save the only thing left of his family, a handicapped son, and learns that he will gradually have to let go as his son grows into his own person. In Cars, Lighting McQueen is just a dumb kid – arrogant, smug, lacking in humility; that is true, but he’s ultimately a dumb harmless kid. What’s compelling about that? The central idea behind Cars is that Lightning must embrace the simple life of a small town as a balance against his celebrity status. Balance is a good message, and that’s cute and all, but ultimately, the storytellers, Pixar, are being nostalgic for a time most of them are probably too young to remember. They’re yearning for a lifestyle that never existed in the ideal fashion it’s usually presented as in pop culture – this romanticized version of mid-century American history.

They try to sell us this wonderful world (that still exists in TV Land) using a variety of ethnic stereotypes blended into a politically-correct collection of townsfolk that couldn’t have lived together in a real small town like Radiator Springs: Italians with heavy accents, a hippie, a taciturn former military officer, a sassy black woman named Flo who sounds like Aretha Franklin (but is voiced by Jenifer Lewis), a flashy Latino, an affable redneck rogue, etc. It’s a multicultural cast of village idiots. Still, Cars actually makes for a very entertaining tale of rustic charm versus the fast life of celebrity. I could certainly feel the old-timey charm tugging at my heart. Only Pixar through the magic of their eye-catching achievements in animation could make such preening nostalgia charming and enjoyable eye candy. Cars has spectacular animation painted in so many vivid colors that it dazzles the eyes just the way a Pixar flick should.

8 of 10
A

Saturday, June 10, 2006

NOTES:
2007 Academy Awards: 2 nominations: “Best Achievement in Music Written for Motion Pictures, Original Song” (Randy Newman for the song "Our Town") and “Best Animated Feature Film of the Year” (John Lasseter)

2007 BAFTA Awards: 1 nomination: “Best Animated Feature Film” (John Lasseter)

2007 Golden Globes: 1 win: “Best Animated Film”

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Review: "RAIDERS OF THE LOST ARK - 30 Years Later, It's Still a Beast

TRASH IN MY EYE No. 52 (of 2011) by Leroy Douresseaux

Raiders of the Lost Ark (1981)
Running time: 115 minutes (1 hour, 55 minutes)
MPAA – PG
DIRECTOR: Steven Spielberg
WRITERS: Lawrence Kasdan; from a story by George Lucas and Philip Kaufman
PRODUCER: Frank Marshall
CINEMATOGRAPHER: Douglas Slocombe (D.o.P.)
EDITOR: Michael Kahn
COMPOSER: John Williams
Academy Award winner

ADVENTURE/ACTION

Starring: Harrison Ford, Karen Allen, Paul Freeman, Ronald Lacey, John Rhys-Davies, Denholm Elliot, Wolf Kahler, Alfred Molina, Fred Sorenson, and George Harris

This month marks the 30th anniversary of the release of Raiders of the Lost Ark to movie theatres (specifically June 12, 1981). The 1981 American adventure film went on to become the top-grossing film of 1981 and spawned four sequels and a short-lived television series. The film introduced the still wildly-popular character, Indiana Jones, portrayed by Harrison Ford (with a few exceptions), to audiences. The creation of director Steven Spielberg and executive producer, George Lucas, Raiders of the Lost Ark showed that a family film didn’t have to be G-rated fare, but could be a movie with nonstop action and quite a bit of violence.

Raiders of the Lost Ark follows archeologist Indiana Jones (Harrison Ford), who braves ancient temples to retrieve archeological relics. After his latest adventure, Army intelligence officers seek Jones help in finding his old mentor, Abner Ravenwood. The officers also inform Jones that the Nazis, in a quest for occult power, are looking for the Ark of the Covenant, the chest the ancient Israelites built to hold the fragments of the original Ten Commandments tablets. Ravenwood is supposedly in possession of the headpiece of the Staff of Ra, an artifact essential in finding the Ark. Ravenwood is also an expert on the ancient Egyptian city of Tanis, where the Ark is believed to be hidden.

Jones discovers that Ravenwood is deceased and that his daughter, Marion Ravenwood (Karen Allen), is now in possession of the headpiece. With Marion in tow and the Nazis hot on their trail, Jones travels to Egypt, where enlists the help of an old friend, Sallah (John Rhys-Davies), a skilled excavator. Meanwhile, Dr. René Belloq (Paul Freeman), Jones’ arch-nemesis who always seems to beat him, has joined forces with the Nazis to find the Ark before Indiana Jones does.

I’m old enough to have seen Raiders of the Lost Ark in a movie theatre, and I also remember how much I loved the movie. I was flat out crazy about Raiders, and, as far as I was concerned, Indiana Jones was the man. I must have watched Raiders more than 20 times within a five year period after it was first released. I watched it a few times in the late 1980s and early 1990s because of the release of Indiana Jones and the Last Crusade (1989). Since then, I’ve watched bits and pieces, but I just recently sat down and watched the entire film. Do I still feel about Raiders of the Lost Ark the way I did after I first saw it and after I watched it countless times over the next decade? Yes.

It’s just a great movie, a magical summer movie. Raiders of the Lost Ark is fun and ingenious, in terms of story and also film technology, in the way only American-made adventure movies are. It has a sense of humor and the droll wit of the characters simply makes Raiders something special – something more than just another action movie with fistfights, gun battles, and chase scenes. The actors’ wit and style make it seem as if they are really into this movie and are determined to make us believe the outlandish, logic defying leaps the action and story often take.

Raiders of the Lost Ark may be an ode to the old movie serials of the 1930s and 40s (especially the ones produced by Republic Pictures), but it is a triumph that has stood the test of time better than the stories that influenced it. Every time I see Raiders of the Lost Ark, I am reminded of how much I love movies, and that makes up for the bad movies.

9 of 10
A+

NOTES:
1982 Academy Awards: 4 wins: “Best Art Direction-Set Decoration” (Norman Reynolds, Leslie Dilley, and Michael Ford), “Best Effects, Visual Effects” (Richard Edlund, Kit West, Bruce Nicholson, and Joe Johnston) “Best Film Editing” (Michael Kahn), “Best Sound” (Bill Varney, Steve Maslow, Gregg Landaker, and Roy Charman) and “Special Achievement Award” (Ben Burtt and Richard L. Anderson for sound effects editing); 4 nominations: “Best Picture” (Frank Marshall), “Best Director” (Steven Spielberg), “Best Cinematography” (Douglas Slocombe), and “Best Music, Original Score” (John Williams)

1982 BAFTA Awards: 1 win: “Best Production Design/Art Direction” (Norman Reynolds); 6 nominations: “Best Film,” “Anthony Asquith Award for Film Music” (John Williams), “Best Cinematography” (Douglas Slocombe), “Best Editing” (Michael Kahn), “Best Sound” (Roy Charman, Ben Burtt, and Bill Varney), and “Best Supporting Artist” (Denholm Elliott)

1982 Golden Globes: 1 nomination: “Best Director - Motion Picture” (Steven Spielberg)

Thursday, June 23, 2011

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178 Get Invitations to Join AMPAS in 2011

Academy Invites 178 to Membership

Beverly Hills, CA (June 17, 2011) - The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 178 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2011 to the Academy’s roster of members.

“These individuals are among the best filmmakers working in the industry today,” said Academy President Tom Sherak. “Their talent and creativity have entertained moviegoers around the world, and I welcome each of them to our ranks.”

The Academy’s membership policies would have allowed a maximum of 211 new members in 2011, but as in other recent years, several branch committees endorsed fewer candidates than were proposed to them. Voting membership in the organization has now held steady at just under 6,000 members since 2003.

In an unprecedented gesture, the list of new members includes documentary filmmaker Tim Hetherington, who was killed in action in Libya in April. Hetherington had been a 2010 nominee for his film “Restrepo,” but died prior to the Academy’s spring meetings to select new members. The Documentary Branch proposed that Hetherington’s name be included among the year’s invitees. The governors agreed.

The 2011 invitees are:

Actors
Russell Brand – "Arthur," "Get Him to the Greek"
Gerard Butler – "The Ugly Truth," "300"
Vincent Cassel – "Black Swan," "Eastern Promises"
Robbie Coltrane – "Harry Potter and the Deathly Hallows Part 1," "Mona Lisa"
Bradley Cooper – "Limitless," "The Hangover"
John Corbett – "Sex and the City 2," "My Big Fat Greek Wedding"
Rosemarie DeWitt – "The Company Men," "Rachel Getting Married"
Peter Dinklage – "Find Me Guilty," "The Station Agent"
David Duchovny – "Things We Lost in the Fire," "The X-Files"
Jesse Eisenberg – "The Social Network," "The Squid and the Whale"
Jennifer Garner – "Arthur," "Juno"
John Hawkes – "Winter's Bone," "The Perfect Storm"
Thomas Jane – "The Mist," "The Thin Red Line"
Nastassja Kinski – "An American Rhapsody," "Tess"
Beyonce Knowles – "Dreamgirls," "Austin Powers in Goldmember"
Mila Kunis – "Black Swan," "Forgetting Sarah Marshall"
Jennifer Lawrence – "Winter's Bone," "The Burning Plain"
Tea Leoni – "Ghost Town," "Spanglish"
Anthony Mackie – "The Hurt Locker," "Million Dollar Baby"
Lesley Manville – "Another Year," "Topsy-Turvy"
Rooney Mara – "A Nightmare on Elm Street," "The Social Network"
Dominic Monaghan – "X-Men Origins: Wolverine," "The Lord of the Rings: The Return of the King"
Connie Nielsen – "Brothers," "Gladiator"
Ellen Page – "Inception," "Juno"
Wes Studi – "Avatar," "The Last of the Mohicans"
Mia Wasikowska – "Jane Eyre," "The Kids Are All Right"
Jacki Weaver – "Animal Kingdom," "Cosi"

Animators
Geefwee Boedoe – "Let's Pollute," "Monsters, Inc."
Alessandro Carloni – "How to Train Your Dragon," "Over the Hedge"
Sylvain Chomet – "The Illusionist," "The Triplets of Belleville"
Jakob Hjort Jensen – "How to Train Your Dragon," "Flushed Away"
Biljana Labovic – "The Cow Who Wanted to Be a Hamburger," "Idiots and Angels"
Tomm Moore – "The Secret of Kells," "Backwards Boy"
Teddy Newton – "Day & Night," "Ratatouille"
Bob Peterson – "Up," "Finding Nemo" (also invited to the Writers Branch)
Javier Recio Gracia – "The Lady and the Reaper," "The Missing Lynx"
Andrew Ruhemann – "The Lost Thing," "City Paradise"
Kristof Serrand – "How to Train Your Dragon," "Sinbad: Legend of the Seven Seas"
Shaun Tan – "The Lost Thing," "Dr. Seuss' Horton Hears a Who!"
Simon Wells – "Mars Needs Moms," "The Prince of Egypt"

Art Directors
Anahid Nazarian – "The Virgin Suicides," "The Godfather, Part III"
Lauren E. Polizzi – "Cowboys & Aliens," "Transformers: Revenge of the Fallen"

At-Large
George Aguilar
Barry Bernardi
Christopher Dodd
Ted Gagliano
James L. Honore
Dawn Hudson
Beverly Pasterczyk
Randall Poster
Ric Robertson
David Schnuelle
Randy Spendlove
Beverly Joanna Wood

Casting Directors
Nina Gold – "The King's Speech," "Jane Eyre"
Jina Jay – "The Reader," "Layer Cake"
Lora Kennedy – "The Town," "Syriana"

Cinematographers
Frank Byers – "Illegal Tender," "Boxing Helena"
Patrick Cady – "Lottery Ticket," "Broken Bridges"
Danny Cohen – "The King's Speech," "Pirate Radio"
Lukas Ettlin – "The Lincoln Lawyer," "Middle Men"
Steven Fierberg – "Love & Other Drugs," "Secretary"
Barry Markowitz – "Crazy Heart," "Sling Blade"
Charles Minsky – "Valentine's Day," "Pretty Woman"
Lawrence Sher – "The Hangover," "Garden State"
Eric Steelberg – "Up in the Air," "(500) Days of Summer"

Costume Designers
Odile Dicks-Mireaux – "An Education," "The Constant Gardener"
Sarah Edwards – "Salt," "Michael Clayton"
Danny Glicker – "Up in the Air," "Milk"

Directors
Gregg Araki – "Kaboom," "Nowhere"
Susanne Bier – "In a Better World," "After the Wedding"
Neil Burger – "Limitless," "The Illusionist"
Lisa Cholodenko – "The Kids Are All Right," "Laurel Canyon" (also invited to the Writers Branch)
Debra Granik – "Winter's Bone," "Down to the Bone" (also invited to the Writers Branch)
Tom Hooper – "The King's Speech," "The Damned United"
John Cameron Mitchell – "Rabbit Hole," "Shortbus"
Yojiro Takita – "Departures," "Himitsu"

Documentary
Jon Alpert – "China's Unnatural Disaster: The Tears of Sichuan Province," "Lock-up: The Prisoners of Rikers Island"
Amir Bar-Lev – "The Tillman Story," "Fighter"
Lesley Chilcott – "Waiting for 'Superman'," "It Might Get Loud"
Carl Deal – "Capitalism: A Love Story," "Trouble the Water"
Charles Ferguson – "Inside Job," "No End in Sight"
Tim Hetherington – "Restrepo" (posthumous)
Sebastian Junger – "Restrepo"
Thomas Lennon – "The Warriors of Qiugang," "The Blood of Yingzhou District"
Diane Weyermann – "Waiting for 'Superman'," "Food, Inc."
Ruby Yang – "The Blood of Yingzhou District," "The Warriors of Qiugang"

Executives
William J. Damaschke
Richard M. Fay
Donna Langley
Leslie Moonves
Vanessa L. Morrison
Bill Pohlad
Rich Ross
Jeff Small
Thomas Tull

Film Editors
Tariq Anwar – "The King's Speech," "American Beauty"
Naomi Geraghty – "Limitless," "Reservation Road"
Jon Harris – "127 Hours," "Layer Cake"
Darren Holmes – "How to Train Your Dragon," "The Iron Giant"
Pamela Martin – "The Fighter," "Little Miss Sunshine"
Joel Negron – "Transformers: Dark of the Moon," "The Karate Kid"
Terilyn A. Shropshire – "Jumping the Broom," "Eve's Bayou"
Angus Wall – "The Social Network," "The Curious Case of Benjamin Button"
Andrew Weisblum – "The Black Swan," "The Wrestler"

Live Action Short Films
Luke Matheny – "God of Love," "Earano"

Makeup Artists and Hairstylists
Judy Chin – "Black Swan," "Requiem for a Dream"
Kathrine Gordon – "3:10 to Yuma," "Ocean's Eleven"
Trefor Proud – "W.," "Topsy-Turvy"
Cindy Jane Williams – "Burlesque," "Hancock"
Wesley Wofford – "Big Mommas: Like Father, Like Son," "A Beautiful Mind"

Music
Terence Blanchard – "Inside Man," "Malcolm X"
Fernand Bos – "Crazy Heart," "Cold Mountain"
Graeme Revell – "Darfur Now," "Lara Croft: Tomb Raider"

Producers
Iain Canning – "Oranges and Sunshine," "The King's Speech"
Cean Chaffin – "The Social Network," "Fight Club"
Kevin Feige – "Thor," "Iron Man"
Gary Goetzman – "Where the Wild Things Are," "Mamma Mia!"
Sisse Graum Jorgensen – "In a Better World," "After the Wedding"
Jeffrey Levy-Hinte – "The Kids Are All Right," "Laurel Canyon"
Todd Lieberman – "The Fighter," "The Proposal"
Robert Lorenz – "Letters from Iwo Jima," "Mystic River"
Celine Rattray – "The Kids Are All Right," "Grace Is Gone"
Emile Sherman – "The King's Speech," "Candy"
Emma Thomas – "Inception," "The Dark Knight"
Gareth Unwin – "The King's Speech," "Exam"

Production Designers
Howard Cummings – "I Love You, Beth Cooper," "John Grisham's The Rainmaker"
Therese DePrez – "Black Swan," "How to Lose a Guy in 10 Days"
Guy Hendrix Dyas – "Inception," "The Brothers Grimm"
Jess Gonchor – "True Grit," "Capote"
Jane Musky – "Something Borrowed," "Finding Forrester"
Eve Stewart – "The King's Speech," "Topsy-Turvy"

Public Relations
Susan Ciccone
Alissa Grayson
Jeffrey Hall
Jill Ann Jones
Mark Markline
Carmelo Pirrone
Ira Rubenstein
David Schneiderman
Loren Schwartz
Lance Volland

Set Decorators
Judy Farr – "The King's Speech," "Death at a Funeral"
Gene Serdena – "The Fighter," "House of Sand and Fog"

Sound
Andrew DeCristofaro – "Hall Pass," "Crazy Heart"
Joe Dorn – "The Wolfman," "Spider-Man 3"
Marc Fishman – "Bridesmaids," "Crash"
Lora Hirschberg – "Inception," "The Dark Knight"
Chris Jargo – "Robin Hood," "American Gangster"
John Midgley – "The King's Speech," "Star Wars Episode I: The Phantom Menace"
Ed Novick – "Inception," "The Dark Knight"
Hammond Peek – "King Kong," "The Lord of the Rings: The Return of the King"
Brian Vessa – "Nemesis," "Lambada"
Mark Weingarten – "The Social Network," "The Curious Case of Benjamin Button"

Visual Effects
Tim Alexander – "Rango," "Harry Potter and the Goblet of Fire"
Rob Bredow – "Cloudy with a Chance of Meatballs," "The Polar Express"
Tim Burke – "Harry Potter and the Deathly Hallows Part 1," "Gladiator"
Peter Chesney – "No Country for Old Men," "Men in Black"
Paul Franklin – "Inception," "The Dark Knight"
Kevin Tod Haug – "The Twilight Saga: Eclipse," "Quantum of Solace"
Florian Kainz – "Mission: Impossible III," "The Perfect Storm"
Marshall Krasser – "Iron Man 2," "Titanic"
Sean Phillips – "Alice in Wonderland," "The Polar Express"
Peter G. Travers – "Watchmen," "The Matrix Reloaded"
Brian Van't Hul – "Coraline," "I, Robot"
Mark H. Weingartner – "Sex and the City 2," "Inception"

Writers
Stuart Blumberg – "The Kids Are All Right," "Keeping the Faith"
Lisa Cholodenko – "The Kids Are All Right," "Laurel Canyon" (also invited to the Directors Branch)
Debra Granik – "Winter's Bone," "Down to the Bone" (also invited to the Directors Branch)
Karen McCullah Lutz – "The Ugly Truth," "Legally Blonde"
Aline Brosh McKenna – "27 Dresses," "The Devil Wears Prada"
Bob Peterson – "Up," "Finding Nemo" (also invited to the Short Films and Feature Animation Branch)
David Rabe – "The Firm," "Casualties of War"
Anne Rosellini – "Winter's Bone"
David Seidler – "The King's Speech," "The King & I"
Scott Silver – "The Fighter," "8 Mile"
Kirsten Smith – "The Ugly Truth," "Legally Blonde"
Aaron Sorkin – "The Social Network," "A Few Good Men"
Daniel Waters – "Batman Returns," "Heathers"

Additionally, the Academy invited John Coffey, Risa Gertner and Robert C. Rosenthal to Associate membership. Associate members are not represented on the Board and do not have Academy Awards® voting privileges.

Individuals invited to join multiple branches must select one branch upon accepting membership.

New members will be welcomed into the Academy at an invitation-only reception in September.

"Horrible Bosses" Soundtrack Hits Digital Retailers July 5th

“Horrible Bosses” Soundtrack Set for July 5th Release

Features Mike McCready (Pearl Jam), Stefan Lessard (Dave Matthews Band), Money Mark (Beastie Boys)

BURBANK, Calif.--(BUSINESS WIRE)--WaterTower Music will release “Horrible Bosses: The Original Motion Picture Soundtrack” at all digital retailers on July 5, 2011. This audio companion to New Line Cinema’s irreverent comedy “Horrible Bosses” will offer a unique and exciting musical experience to the listener. Grammy Award Winner and Emmy Award nominated composer Christopher Lennertz (Ozomatli, Supernatural, Lemonade Mouth) has assembled an all-star collection of artists to collaborate on the soundtrack. Bringing together Mike McCready of Pearl Jam, Stefan Lessard of Dave Matthews Band, and Money Mark – a long time Beastie Boys collaborator - to join forces and record with musicians Matt Chamberlain, David Levita, Aaron Kaplan, Victor Indrizzo, Chris Chaney, and Davey Chegwidden, Lennertz has created a wildly funky musical journey to the film.

“I was pretty stoked when Christopher asked me to play guitar on some of these tracks and to collaborate and brainstorm with all these amazing players,” says McCready of the project.

Adds Lessard, “Chris has such a wonderful vibe. It was a pleasure to work on this film and with all these guys and I had a lot of fun throwing down these bass lines.”

In the comedy “Horrible Bosses,” Jason Bateman (“Couples Retreat”), Charlie Day (“Going the Distance”) and Jason Sudeikis (“Hall Pass”) star as three hapless workers who realize that the only way to make their daily grind more tolerable would be to grind their intolerable bosses into dust. Quitting is not an option so, with the benefit of a few-too-many drinks and the dubious advice of a hustling ex-con, the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers…permanently. But, even the best laid plans are only as foolproof as the brains behind them, Jennifer Aniston (“He’s Just Not That Into You”), Colin Farrell (“Crazy Heart”) and two-time Oscar® winner Kevin Spacey (“American Beauty,” “The Usual Suspects”) star as the unbearable bosses and Oscar® winner Jamie Foxx (“Ray”) stars as the plotters’ unlikely mentor. The main cast also includes veteran actor Donald Sutherland and Julie Bowen (TV’s “Modern Family”).

“Horrible Bosses” is directed by Seth Gordon (“Four Christmases,” “The King of Kong: A Fistful of Quarters”) and produced by Brett Ratner and Jay Stern. The screenplay is by Michael Markowitz and John Francis Daley & Jonathan Goldstein, story by Markowitz. Toby Emmerich, Richard Brener, Michael Disco, Samuel J. Brown and Diana Pokorny serve as executive producers, with John Rickard and John Cheng as co-producers. The creative filmmaking team includes director of photography David Hennings; production designer Shepherd Frankel; editor Peter Teschner; costume designer Carol Ramsey; and composer Christopher Lennertz. Dana Sano is the music supervisor. It is rated R for crude and sexual content, pervasive language and some drug material.

“Horrible Bosses” opens nationwide on Friday, July 8, 2011.

http://www.horriblebossesmovie.com/

Review: "Health Inspector" Still the Best Larry the Cable Guy Movie

TRASH IN MY EYE No. 69 (of 2006) by Leroy Douresseaux

Larry the Cable Guy: Health Inspector (2006)
Running time: 89 minutes (1 hour 29 minutes)
MPAA – PG-13 for crude and sexual content, and for language
DIRECTOR: Trent Cooper
WRITERS: Jonathan Bernstein and James Greer
PRODUCERS: Alan C. Blomquist and J.P. Williams
CINEMATOGRAPHER: Kim Marks
EDITOR: Gregg Featherman

COMEDY

Starring: Larry the Cable Guy, Iris Bahr, Bruce Bruce, Megyn Price, Tom Wilson, Joanna Cassidy, David Koechner, Tony Hale, Lisa Lampanelli, and Joe Pantoliano with Kid Rock and Jerry Mathers

Larry (Larry the Cable Guy) is big city health inspector who is happy with his usual beat of greasy spoon diners, low-rent ethnic restaurants, and food stands where his good-old boy charm and down home attitude solves health problems better than a writing a citation. His easygoing job suddenly takes a turn for the worse when his boss, Bart Tatlock (Thomas F. Wilson) who hates him saddles Larry with a rookie partner, Amy Butlin (Iris Bahr), and a new beat.

Larry suddenly has to investigate a mysterious outbreak of food poisoning at the city’s swankiest restaurants that leaves patrons vomiting up their meals or heading for the toilets. Poor Larry only gets so far in his investigation as to infuriate chic restaurateurs and baffle his partner, Amy, but he still finds time to woo a waitress, Jane Whitley (Megyn Price), into a budding romance. However, when his failure to uncover the origin of the mystery illness endangers his job and reputation, Larry goes undercover to solve the crime in the most hilarious ways.

Many viewers know standup comedian Larry the Cable Guy (whose government name is Dan Whitney) from Jeff Foxworthy’s Blue Collar Comedy Tour, or have seen him on the Comedy Central, seen his hit DVD, and/or have heard one or more of his three hit comedy albums. Now, Larry, like numerous characters from “Saturday Night Live,” has a movie, Larry the Cable Guy: Health Inspector.

The film is vulgar, occasionally vile, and relentlessly and shamelessly cheap and tasteless. It opens with a shot of the crack of Larry’s butt and of him peeing in the shower, yet Larry the Cable Guy: Health Inspector is also one of the funniest movies I’ve seen in months. It’s not a romantic comedy. It’s a coarse raunchy comedy starring a comedian who has made a point of being as politically incorrect as possible. If you like Larry the Cable Guy, you’ll like this. If you don’t like Larry’s act, you will utterly hate this… unless you’re willing to give him a chance, and I think it’s worth the reward to give good old Larry a chance.

Health Inspector’s plot is convoluted, but the script is the perfect comic vehicle for a film that has to focus on a stage comic’s particular act. It has enough of the trappings of the crime genre to be a whodunit the way Scooby-Doo cartoons are detective stories. And since Larry the Cable Guy isn’t trying to become Larry the romantic comedy guy, a light crime story gives him room to clown and be himself. The entire mystery that this movie presents moves only as Larry’s act moves it, and that’s okay. Larry is a funny guy.

I’m not going to pretend that Larry the Cable Guy: Health Inspector is high quality filmmaking, but this is certainly a textbook example of giving the audience what it expects – lots and lots of raucous Larry. Flatulence, toilet humor, redneck jokes, country humor, gay jokes, ethnic stereotypes that will make you cringe, gross out humor, juvenile escapades: Larry does it all with a good-natured wink and a nudge. I’d love a sequel.

6 of 10
B

Saturday, April 8, 2006

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Review: "The Last Boy Scout" is Still Cool (Happy B'day, Tony Scott)

TRASH IN MY EYE No. 13 (of 2006) by Leroy Douresseaux

The Last Boy Scout (1991)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – R
DIRECTOR: Tony Scott
WRITERS: Shane Black; from a story by Shane Black and Greg Hicks
PRODUCERS: Joel Silver and Michael Levy
CINEMATOGRAPHER: Ward Russell
EDITORS: Stuart Baird, Mark Goldblatt, and Mark Helfrich

ACTION/CRIME/DRAMA with elements of comedy

Starring: Bruce Willis, Damon Wayans, Noble Willingham, Chelsea Field, Taylor Negron, Danielle Harris, Halle Berry, Bruce McGill, Chelcie Ross, Joe Santos, Bill Medley, Verne Lundquist, Dick Butkus, Lynn Swann, Billy Blanks, Morris Chestnut, Badja Djola, and Eddie Griffin

As the 1990’s opened, the skyrocketing budget of Hollywood film productions was the story about which the entertainment news media couldn’t stop talking. The Bruce Willis headliner, The Last Boy Scout, was the talk of the town from the moment screenwriter, Shane Black, became the first person to sell a script for one million dollars, which he did with The Last Boy Scout Script. After the Hudson Hawk debacle, which saw that super expensive flick, also starring Willis, become a box office dud (although it’s one of my favorite movies), The Last Boy Scout looked like another over-priced dud. However, released during the 1991 holiday season, it became a modest hit, grossing just under $60 million against an estimated production budget of about that much.

Willis is Joseph Cornelius Hallenbeck, Joe for short, a disgraced Secret Service agent who now moonlights as a private detective – a down and out, cynical private dick. Damon Wayans is James Alexander Dix, Jimmy Dix for short, a disgraced former MVP quarterback for the pro football team, the L.A. Stallions, thrown out of the league because he gambled. They meet when Joe accepts a job acting as a bodyguard for Jimmy’s girl friend Cory (Halle Berry), a stripper who dates rich men.

When Cory is murdered in a gangland style hit and a friend of Joe’s is killed by a car bomb, the two come together to solve the murders. What they discover is that both their former employers: Senator Calvin Baynard (Chelcie Ross) who got Joe fired and Sheldon “Shelly” Marcone (Noble Willingham) who owns the Stallions, are united in a shady and deadly deal to legalize gambling on professional football. What Joe and Jimmy find themselves in is a deadly game of life and death that is as bone-crushing and bruising as any football game, and it’s a game that also comes with bullets flying.

The script by Shane Black, who reinvented the cop-buddy action flick with his script for Lethal Weapon, penned a script for The Last Boy Scout that is all over the place. Set in Los Angeles, it shows his love for Raymond Chandler’s private eye stories, but this is more a crime drama than a film noir-ish detective tale. It’s a violent action comedy, and buddy action flick like 48 Hours, in which two men are forced into the situation of being partners and have a hard time warming up to one another.

Besides, it’s genre pedigree, the script is mostly haphazard, as it tries to shoehorn serious human drama into a violent detective/conspiracy framework. The movie jumps around a lot. Sometimes, it’s a melodramatic tale of a broken family. Sometimes, it’s a high-octane action comedy. Sometimes, it’s a shootout picture. Then, it’s a drama again, but a few minutes later, someone has to be shot in the head. A few minutes later, everyone has jokes.

What makes this movie work, ultimately, is director Tony Scott. Riding high off such late 80’s action hits as Top Gun and Beverly Hills Cop II, he was one of Hollywood’s very top action directors, but he was (and still is) an all-around, very skilled filmmaker. Scott is the one who makes just about every one of Black’s genre conventions work. The film comes together slowly, but when it does, it’s with a bang. By the end, The Last Boy Scout is fun and exciting, with a lot of tongue-in-cheek humor because Black is somewhat spoofing the sub-genre he helped to create. Shamelessly and gratuitously violent, it’s the gun violence that keeps this from being an exceptional film.

Willis and Wayans have tolerable film chemistry, and like the film, it takes a bit for them to warm up to each other and get in synch. When all comes together, it’s a doozy – rollicking, hilarious fun for men who love movies. Their performances, like this movie, aren’t worthy of a long-cinematic memory, but when the appetite calls for an action flick, there are worse choices… much worse.

6 of 10
B

Wednesday, January 18, 2006

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Third "Transformers" Movie Has Special 3D and IMAX Advanced Showings

“TRANSFORMERS: DARK OF THE MOON” TO OPEN EXCLUSIVELY IN 3D AND IMAX AT 9PM ON TUESDAY, JUNE 28TH

HOLLYWOOD, CA (June 17, 2011) – Paramount Pictures announced today it will open Michael Bay’s TRANSFORMERS: DARK OF THE MOON exclusively at 3D and IMAX locations across the country beginning at 9PM local time on Tuesday, June 28th, allowing moviegoers nationwide to be among the first to see the latest installment in the hit franchise, and the first to be shot in 3D. The movie will open wide beginning at 12AM on June 29th.

“Michael Bay has created an incredibly engaging and immersive 3D experience with this latest movie, one that will undoubtedly be among the most entertaining movie going experiences of the summer,” said Paramount’s Vice Chairman Rob Moore. “Providing fans an opportunity to see it early in 3D is a great way to kick off the movie’s opening.”

TRANSFORMERS: DARK OF THE MOON is directed by Michael Bay, written by Ehren Kruger and produced by Don Murphy & Tom DeSanto, Lorenzo di Bonaventura and Ian Bryce. The executive producers are Steven Spielberg, Michael Bay, Brian Goldner and Mark Vahradian. When a mysterious event from Earth’s past erupts into the present day it threatens to bring a war to Earth so big that the Transformers alone will not be able to save us. The movie stars Shia LaBeouf, Josh Duhamel, John Turturro, Tyrese Gibson, Rosie Huntington-Whiteley, Patrick Dempsey, Kevin Dunn, Julie White with John Malkovich and Frances McDormand. © 2011 Paramount Pictures Corporation. All Rights Reserved.

HASBRO, TRANSFORMERS and all related characters are trademarks of Hasbro. © 2011 Hasbro. All Rights Reserved.

For more information, go to http://www.transformersmovie.com/

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About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group and Paramount Television & Digital Distribution.