Review: "Underworld: Unrated Extended Cut" is For Hardcore Fans (Happy B'day, Kate Beckinsale)

TRASH IN MY EYE No. 17 (of 2005) by Leroy Douresseaux

Underworld (2003)
2 Disc Unrated Extended Cut – May 25, 2004
Running time: 134 minutes (2 hours,14 minutes)
DIRECTOR: Len Wiseman
WRITERS: Danny McBride; from a story by Kevin Grevioux and Danny McBride Len Wiseman
PRODUCERS: Tom Rosenburg, Gary Lucchesi, and Richard Wright
CINEMATOGRAPHER: Tony Pierce-Roberts, BSC
EDITOR: Martin Hunter

ACTION/DRAMA/FANTASY/HORROR/THRILLER

Starring: Kate Beckinsale, Scott Speedman, Michael Sheen, Shane Brolly, Bill Nighy, Erwin Leder, Sophia Myles, Robby Gee, Wentworth Miller, and Kevin Grevioux

In the 2003 film, Underworld, there has been a war between the Vampire and Lycan (Werewolf) clans for about 1000 years. The film focuses on Selene (Kate Beckinsale), a young vampire warrior known as a Death Dealer. The Death Dealers are the ones who hunt, track, and kill Lycans. During a hunt at the beginning of the film, she discovers two Lycans following a young American medical intern, Michael Corvin (Scott Speedman). Michael is the key to the Lycan leader, Lucian’s (Michael Sheen), plot to unite the two warring species, but Selene discovers that Michael is also advertently a link to a centuries-old conspiracy between Lucian and the Vampire’s current leader, Kraven (Shane Brolly). As the web of conspiracy broadens, Selene must use her resourcefulness and martial skills to save her clan and Michael.

Underworld (2 Disc Unrated Extended Cut) contains 12 minutes of extra footage, which amounts to more backstory on Michael Corvin and the Lycans, a new battle scene at the end, and a subplot involving the sexy and catty, Erika (Sophia Myles). There is also 11 minutes of recut or “replacement footage.” According to Wiseman’s commentary, this is not a “director’s cut,” because he cut the 12 minutes in the original film for pacing, and as he says, you’ll hardly notice the difference, as I didn’t.

I liked the film the first time I saw it and I like it even more the second time. The movie is a blend of Blade, The Crow, and The Matrix. Conceptually, it borrows from the Blade franchise, but visually, it’s takes from The Crow and absolutely leans on and loots The Matrix. However, it is a superbly made bit of fluff that is divinely tasty eye candy. Although the concept and script are full of holes, it’s kind of like a gorgeous looking high-concept music video with much more story than music video normally have. By the way, “unrated” doesn’t mean we get to see skin from Ms. Beckinsale. This is a must-have for hardcore fans of the film, even if it means dumping the first DVD edition.

7 of 10
A-

NOTES:
DVD includes a 48-page Underworld comic book and a 16-page production sketch booklet, which contains several storyboard-to-screen comparisons. Disc 1 contains the extended cut of the film with (1) director and cast (Ms. Beckinsale and Speedman) commentaries; (2) outtakes; (3) the American Movie Classic (AMC) television special “Fang vs. Fiction”; (4) two TV spots; (4) and previews of four (then) upcoming movies distributed by Sony Pictures. Disc 2 has several features including a music video by the band Finch (“Worms of the Earth”) and several looks at designing the look and sounds of the film.

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Critic Not Sure Why He Likes "I Am Number Four"

TRASH IN MY EYE No. 63 (of 2011) by Leroy Douresseaux


I Am Number Four (2011)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – PG-13 for intense sequences of violence and action, and for language
DIRECTOR: D.J. Caruso
WRITERS: Alfred Gough and Miles Millar, and Marti Noxon (based on the novel by Jobie Hughes and James Frey writing as Pittacus Lore)
PRODUCER: Michael Bay
CINEMATOGRAPHER: Guillermo Navarro
EDITORS: Vince Filippone and Jim Page
COMPOSER: Trevor Rabin

SCI-FI/FANTASY/ACTION/DRAMA with elements of romance

Starring: Alex Pettyfer, Timothy Olyphant, Teresa Palmer, Dianna Argon, Callan McAuliffe, Kevin Durand, Jake Abel, and Jeff Hochendoner

I Am Number Four is a science fiction teen drama released earlier this year, distributed by Walt Disney Pictures and produced by DreamWorks. The film is based upon the bestselling novel of the same name and follows an alien teenager living on Earth and hiding from another alien race bent on killing him and others like him.

I Am Number Four is a movie meant to appeal to the young audiences that love the Twilight movies. I Am Number Four is not as good as any of the Twilight films, but it is a better than average action fantasy that has familiar, but likeable characters.

Early in the film, we meet an extraordinary teen going by the name Daniel Jones. He was born on the planet, Lorien, and like eight other children from this planet, he has special powers and is part of a group known as the Garde. He and the other eight children had to leave Lorien in order to escape an invading race, the Mogadorians. Daniel lives in hiding on Earth with a Warrior/Guardian named Henri (Timothy Olyphant).

Circumstances force Henri to take his young charge to a new home in Paradise, Ohio. Once there, Henri changes Daniel’s name to John Smith (Alex Pettyfer). Although he is supposed to stay quiet and not get noticed, John falls for amateur photographer and fellow high school student, Sarah Hart (Dianna Argon), and he befriends a UFO conspiracy theorist, Sam Goode (Callan McAuliffe). John also draws the ire of local football stud, Mark James (Jack Abel), who once dated Sarah and bullies Sam.

John’s high school drama becomes complicated when he begins to make connections with people who share his destiny and when the Mogadorians get closer to finding him. The Mogadorians must kill members of the Garde in a particular sequence, and they’ve already killed the first three. John Smith is Number Four.

Hackneyed plot, clunky pacing, clichéd characters, and an overall story that seems familiar: that is how I can describe I Am Number Four. Still, I liked it. For the comparisons it may draw to Twilight, I Am Number Four belongs more to the boy-savior genre and is closer to the Harry Potter franchise. I also found the movie to be longer than it needed to be. Not only are the characters clichés, but the actors act as if they are determined to deliver clichéd characters.

Still, for some reason, however, I liked this movie. Perhaps, it is the action movie pyrotechnics, which make alien characters here seem like quasi- superheroes and super villains. Maybe, it is the screen charisma and natural charm that Alex Pettyfer exudes. I liked I Am Number Four, and can’t really tell you, dear reader, why. My enjoyment is why I give this mediocre to sometimes barely above-average film this particular grade.

6 of 10
B

Friday, July 22, 2011

1990s Animated "Conan the Adventurer" Series Now on DVD

Animated Adventures For The Whole Family!

CONAN THE ADVENTURER: SEASON ONE

Featuring Over Five Hours of Content in a 2-DVD Set

IN STORES NATIONWIDE FROM SHOUT! FACTORY ON JULY 26, 2011

By Crom! Let the acolytes of Conan rejoice as the fiercest Barbarian to ever roam the Earth arrives in this complete Season One DVD release! Join in the fray as Conan and his fellow adventurers — Jezmine, Snagg, Needle, Greywolf and Zula — quest to rescue Conan’s family from an evil spell cast by the Serpent Man wizard Wrath-Amon. Armed with a powerful sword forged from Star Metal and faith in his god Crom, Conan will not stop until his family is safe and the evil wizard is reimprisoned in the mystical Abyss!

On July 26, 2011, Shout! Factory, in collaboration with Hasbro, Inc., will unleash Conan The Adventurer: Season One in a 2-DVD set, featuring all 13 action-packed episodes. Featuring the legendary warrior well-known from books, comics and movies, Conan The Adventurer: Season One is a must-have. This DVD set promises to keep you on the edge of your seat with exciting exploits and is priced to own at $19.93 SRP.

Produced by Sunbow, the 1980s animation giant behind Hasbro’s Transformers and G.I. JOE: A Real American Hero, Conan The Adventurer originally aired in Saturday morning syndication beginning in 1992 transitioning to a daily airing throughout 1993 in the second season.

Season One Episode List:

Disc 1
The Night Of Fiery Tears
Blood Brother
Star Of Shadizar
Conan The Gladiator
The Heart Of Rakkir
Men Of Stone
The Terrible Torrinon

Disc 2
Greywolf Of Xanthus
Shadow Walkers
The Claw Of Heaven
The Serpent Riders Of Set
Windfang’s Eyrie
Seven Against Stygia


About HASBRO
Hasbro, Inc. (NASDAQ: HAS) is a branded play company providing children and families around the world with a wide-range of immersive entertainment offerings based on the Company’s world class brand portfolio. From toys and games, to television programming, motion pictures, video games and a comprehensive licensing program, Hasbro strives to delight its customers through the strategic leveraging of well-known and beloved brands such as TRANSFORMERS, LITTLEST PET SHOP, NERF, PLAYSKOOL, MY LITTLE PONY, G.I. JOE, MAGIC: THE GATHERING and MONOPOLY. The Hub, Hasbro’s multi-platform joint venture with Discovery Communications (NASDAQ: DISCA, DISCB, DISCK) launched on October 10, 2010. The online home of The Hub is www.hubworld.com. The Hub logo and name are trademarks of Hub Television Networks, LLC. All rights reserved. Come see how we inspire play through our brands at http://www.hasbro.com. © 2011 Hasbro, Inc. All Rights Reserved.

About Shout! Factory
Shout! Factory is a diversified entertainment company devoted to producing, uncovering and revitalizing the very best of pop culture. Founders Richard Foos, Bob Emmer and Garson Foos have spent their careers sharing their music, television and film faves with discerning consumers the world over. Shout! Factory’s DVD offerings serve up classic, contemporary and cult TV series, riveting sports programs, live music, animation and documentaries in lavish packages crammed with extras. The company’s audio catalogue boasts GRAMMY®-nominated box sets, new releases from storied artists, lovingly assembled album reissues and indispensable “best of” compilations. These riches are the result of a creative acquisitions mandate that has established the company as a hotbed of cultural preservation and commercial reinvention. Shout! Factory is based in Santa Monica, California. For more on Shout! Factory, visit shoutfactory.com.

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"Captain America: The First Avenger" a Fun Adventure Film

TRASH IN MY EYE No. 62 of 2011 by Leroy Douresseaux


Captain America: The First Avenger (2011)
Running time: 125 minutes (2 hours, 5 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence and action
DIRECTOR: Joe Johnston
WRITERS: Christopher Markus and Stephen McFeely (based upon the comic books by Joe Simon and Jack Kirby)
PRODUCERS: Kevin Feige and Amir Madani
CINEMATOGRAPHER: Shelly Johnson
EDITORS: Robert Dalva and Jeffrey Ford with Michael McCusker
COMPOSER: Alan Silvestri

SUPERHERO/SCI-FI/ACTION/WAR

Starring: Chris Evans, Hayley Atwell, Tommy Lee Jones, Hugo Weaving, Sebastian Stan, Dominic Cooper, Richard Armitage, Stanley Tucci, Samuel L. Jackson, Toby Jones, Neal McDonough, Derek Luke, Kenneth Choi, JJ Field, Bruno Ricci, Lex Shrapnel, Michael Brandon, and Martin T. Sherman

Captain America is a superhero character created by Joe Simon and Jack Kirby. The character first appeared in Captain America Comics #1 (cover dated March 1941), which was published by Timely Comics (the predecessor of Marvel Comics). Over the seven decades of his existence, Captain America has appeared in comic books, a 1944 movie serial, a 1990 film, and live action and animated television series.

Captain America returns to the big screen in Captain America: The First Avenger, the fifth film produced by Marvel Studios (a sister company of Marvel Comics). The film follows the adventures of a young man deemed unfit for military service during World War II who becomes a superhero dedicated to defending America’s ideals.

The story begins in March 1942, a time of momentous events, obviously with World War II being the main event. In Europe, Nazi officer, Johann Schmidt AKA the Red Skull (Hugo Weaving), has stolen a mysterious cube-like tesseract, which he believes will provide the power to make him and his terrorist organization, HYDRA, more powerful that Hitler and the Third Reich. Meanwhile, across the Atlantic in New York City, Brooklyn native, Steve Rogers (Chris Evans), a short, scrawny, sickly young man, is rejected for military service as 4F for the fifth time. Rogers’ best friend, Sgt. James “Bucky” Barnes (Sebastian Stan), tries to comfort him, but Rogers won’t be consoled and is desperate to serve his country.

Rogers’ convictions capture the attention of Dr. Abraham Erskine (Stanley Tucci), an immigrant scientist working for the U.S. government’s Strategic Science Reserve. Erskine’s secret project is a serum that he hopes will create super soldiers, and Erskine wants to test it on Rogers. With the help of military inventor, Howard Stark (Dominic Cooper), Erskine finds success and the serum turns Rogers into a tall, muscular marvel.

After a very public battle with enemy agents, Rogers dons a colorful costume and begins selling War Bonds, but he wants to do more for the good old U.S. of A. While touring Europe, fate gives Rogers a chance to be a hero again and Captain America (Chris Evan) is born. Now, only Captain America and a small band of soldiers can save the world from the Red Skull and HYDRA.

At times, Captain America: The First Avenger is intensely violent, thus its PG-13 rating. Besides that, the film is really a family action adventure that blends the superhero and war movie genres. It cleverly mixes light-hearted, golden nostalgia for Depression and World War II era America with good old two-fisted tales of American fighting men. For the most part, director Joe Johnston seamlessly blends the period film elements with the action set pieces featuring red-bloodied American men kicking evil, Euro-trash ass. In fact, Captain America: The First Avenger reminds me of Johnston’s underrated 1991 Depression-era flick, The Rocketeer (which was also adapted from a comic book).

Although the acting is mostly good, Chris Evans as Steve Rogers and Captain America is the clear standout. Evans is so good that you soon forget the special effects that transform this strapping young actor into the small, frail kid that Steve Rogers is before the super soldier serum turns him into beefcake.

The last third of the film lacks the punch and humor of the first two-thirds. By the end, Captain America’s square-jawed optimism and the film’s gentle humorous tone are replaced by a Captain America that is a fighting machine and by standard action stuff. Still, Captain America: The First Avenger is not really like most superhero movies. It’s a different-looking fantasy action adventure and a fun one, at that.

6 of 10
B

Saturday, July 23, 2011

Harry Potter Film Series Passes $7 Billion in Worldwide Box Office

Harry Potter Film Franchise Surpasses $7 Billion Milestone

The finale continues to break global box office records, as it further solidifies the series’ standing as the top-grossing franchise of all time.

BURBANK, Calif.--(BUSINESS WIRE)--With “Harry Potter and the Deathly Hallows – Part 2” still in the first week of its record-breaking run, the Harry Potter film franchise has now crossed the $7 billion mark worldwide, and counting. The announcement was made today by Jeff Robinov, President, Warner Bros. Pictures Group.

“Harry Potter and the Deathly Hallows – Part 2” has earned an astounding $640.2 million worldwide in its initial week, encompassing $214.9 million domestically and $425.3 million at the international box office.

In addition, the success of the movie has propelled Warner Bros. Pictures’ combined 2011 domestic box office past $1 billion for an eleventh consecutive year, which is an industry record.

Robinov stated, “It is an extraordinary privilege for everyone at Warner Bros. to share in this piece of cinema history. We are extremely grateful to the Harry Potter fans, who have remained loyal to the movies for more than a decade. We also want to congratulate the amazing roster of actors and filmmakers, whose artistry and talent is evident in every frame of every film. But special thanks must go to the woman whose incomparable imagination literally changed the world, Jo Rowling.”

Sue Kroll, Warner Bros. Pictures President of Worldwide Marketing, noted, “Each film has inspired us creatively and it has been exciting to watch the evolution through eight remarkable movies. It has truly been the movie event of a generation, as Harry Potter fans who were there from the beginning have been joined by new fans over the years, and their enthusiasm—as well as our own—has never waned.”

Dan Fellman, Warner Bros. Pictures President of Domestic Distribution, said, “Becoming a $7 billion-plus franchise is a stunning achievement, which is shared by everybody involved in any or all of the Harry Potter films. On the domestic side, the studio is also thrilled to have reached the billion-dollar benchmark for an unprecedented eleventh year in a row. We thank everyone at Warner Bros. whose hard work and dedication have contributed so much to our success.”

Veronika Kwan-Rubinek, Warner Bros. Pictures President of International Distribution, added, “It is a rare pleasure to have an opportunity to be a part of a global event of this magnitude. For ten years, the Harry Potter films have delighted audiences, bridging across countries and continents. We applaud all the actors and filmmakers who have given us the true definition of movie magic.”

The collective Harry Potter films are the highest-grossing franchise of all time, a global record it has held since the success of the sixth film, 2009’s “Harry Potter and the Half-Blood Prince.” Individually, the worldwide grosses for the previous films stand as: “Harry Potter and the Sorcerer’s Stone” at $974,755,371; “Harry Potter and the Chamber of Secrets” at $878,979,634; “Harry Potter and the Prisoner of Azkaban” at $796,688,549; “Harry Potter and the Goblet of Fire” at $896,911,078; “Harry Potter and the Order of the Phoenix” at $939,885,929; “Harry Potter and the Half-Blood Prince” at $934,416,487; and “Harry Potter and the Deathly Hallows – Part 1” at $955,417,476.

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film is being released in select IMAX® theatres. The film has been digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® through proprietary IMAX DMR® technology.

Opened nationwide on July 15, the film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/

Review: "Deathly Hallows - Part 2" is a Dark, Epic Harry Potter Finale

TRASH IN MY EYE No. 61 (of 2011) by Leroy Douresseaux

Harry Potter and the Deathly Hallows: Part 2 (2011)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for some sequences of intense action violence and frightening images
DIRECTOR: David Yates
WRITER: Steve Kloves (based upon the novel by J.K. Rowling)
PRODUCERS: David Barron and David Heyman and J.K. Rowling
CINEMATOGRAPHER: Eduardo Serra
EDITOR: Mark Day
COMPOSER: Alexandre Desplat

FANTASY/DRAMA/ACTION

Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters, George Harris, and Bonnie Wright

Harry Potter and the Deathly Hallows was the seventh (and final) novel in the Harry Potter book series. Warner Bros. Pictures is releasing the film adaptation of the book as two films. The first film, Harry Potter and the Deathly Hallows: Part 1, arrived in theatres in November 2010. Now, the final film, Harry Potter and the Deathly Hallows: Part 2, has hit theatres with a bang. It’s an excellent film, fun as usual, but sad because this is an ending.

Harry Potter (Daniel Radcliffe) and his closest friends, Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson), embarked on a quest to find and destroy the Horcruxes, which hold the secret of the immortality of Lord Voldemort (Ralph Fiennes). They’re down to the last few Horcruxes, and one of them is hidden at Hogwarts School of Witchcraft and Wizardry.

The trio must return to Hogwarts, where they are no longer welcomed and will need the help of friends to enter. Meanwhile, Voldemort and his army of followers march on the school, and a pitched battle between the defenders of the school and Voldemort’s forces ensues. Now, the Dark Lord and boy wizard prepare for their final showdown.

By turning Harry Potter and the Deathly Hallows the novel into two movies, Warner Bros. Pictures is able to make a more faithful adaptation of the book or, at least, an adaptation that has more of the book in it. Harry Potter and the Deathly Hallows: Part 1 and Part 2 can be viewed as one larger movie, but with each movie having its own distinctive tone and style. Deathly Hallows: Part 1 is contemplative, tense, and suspenseful like an espionage or psychological thriller. Deathly Hallows: Part 2 is darker in tone, but has the look and scope of a grand epic.

Harry Potter and the Deathly Hallows: Part 2 is an action movie, one filled with gritty conflict, soaring flights, hair-raising missions, and desperate bids for escape. Occasionally, the film does stumble; the pace becomes awkward, it’s rhythm out of step. At those times, Deathly Hallows: Part 2 seems more about tying up loose ends than about being the grand finale it should be, but those moments don’t dominate the film.

Deathly Hallows: Part 2 is as thrilling and as visually dazzling as the previous films, but this one has a dragon flight that, for me at least, surpasses any other scene of magically-powered flight in this film franchise. This scene looks natural, more plausible, seeming to capture how a dragon, if such a thing existed, would move. It’s a sequence that should earn Deathly Hallows: Part 2 a best visual effects Oscar nomination, at least.

The final Harry Potter film may also surpass the others in the actors’ performances because Deathly Hallows: Part 2 is powerfully acted. As the series went along, the characters’ became more complex, moving from familiar archetypes to complicated people with shifting motivations and personalities and also becoming darker. In Deathly Hallows: Part 2, the characters, from Harry and Voldemort on down, are either made vulnerable or become more vulnerable than they ever were. Ralph Fiennes’s turn as Voldemort is layered and textured; suddenly, the Dark Lord is made tragic… even sympathetic. Fiennes will make you love as well as love-to-hate this great villain.

In the end, Daniel Radcliffe, Rupert Grint, and Emma Watson, our beloved star trio, don’t disappoint. Their ability to perform together and their screen chemistry affirm that this story was never just about Harry Potter alone. I don’t need to spend too many more words on Harry Potter and the Deathly Hallows: Part 2. That last scene of Harry, Ron, and Hermione together embodies the magic that this series offered and why we are sad that the story is ending, for now…

8 of 10
A

Thursday, July 21, 2011

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Captain Planet Now in the Hands of Transformers Movie Producer

Cartoon Network Signs with Angry Filmworks to Develop CAPTAIN PLANET Live-Action Feature Film

Producer of Transformers Film Trilogy Tapped to Create Movie Based on World’s First Eco-Hero

ATLANTA--(BUSINESS WIRE)--Cartoon Network has signed a development agreement with action-adventure producer Don Murphy and partner Susan Montford and their company Angry Filmworks to develop a live-action motion picture based on the groundbreaking, environment-saving animated hero, Captain Planet and the Planeteers, it was announced today by Stuart Snyder, president and COO of Turner Broadcasting System Inc.’s Animation, Young Adults and Kids Media division (AYAKM). The agreement gives Murphy and his company the exclusive rights to develop and package the property and advance it towards production.

Murphy and Angry Filmworks are most notably credited for the highly successful action-adventure franchise, Transformers (2007), Transformers: Revenge of the Fallen (2009) and Transformers: Dark of the Moon (2011). Murphy and Montford together produced the upcoming Hugh Jackman blockbuster Real Steel with Executive Producer Steven Spielberg. The company also is responsible for such action-oriented films as Shoot ‘Em Up (2007), The League of Extraordinary Gentlemen (2003), Apt Pupil (1998) and Natural Born Killers (1994). Angry Filmworks formed in 1998.

“The messages of Captain Planet are even more relevant today,” said Snyder. “We feel this team can bring the world’s first eco-hero to life in a powerful motion picture that is not only pertinent but entertaining.”

“We are extremely excited about bringing the good Captain back to life,” said Murphy. “His adventures are known worldwide and he is recognized across generations. We expect to make a spectacular series of films with the amazing team at Cartoon Network.”

“With the earthquakes, tornadoes, melting icebergs and all the other problems threatening the world right now, Earth really needs her greatest defender,” said Montford.

In an effort to inform younger viewers about serious environmental issues, legendary cable entrepreneur Ted Turner partnered with DIC Enterprises in 1990 to create the world’s first animated environmental series, Captain Planet and the Planeteers. The series was about a group of young people who combine their special powers (The Planeteers) to summon Captain Planet, an environmental superhero, to battle the world’s worst eco-villains.

Captain Planet and the Planeteers premiered in fall 1990, airing domestically and internationally in syndication and on cable networks TBS and TNT. Six full seasons of the series were produced in the original run of the series, featuring the voice talents of multiple guest celebrities, including Whoopi Goldberg (Gaia), Meg Ryan (Dr. Blight), Martin Sheen (Sly Sludge), Edward Asner (Hoggish Greedly), James Coburn (Looten Plunder), Dean Stockwell (Duke Nukem) and Sting (Zarm). Winning multiple Environmental Media Awards across its production, Captain Planet and the Planeteers also scored several Daytime Emmy nominations.

Cartoon Network (CartoonNetwork.com), currently seen in more than 99 million U.S. homes and 166 countries around the world, is Turner Broadcasting System, Inc.’s ad-supported cable service now available in HD offering the best in original, acquired and classic entertainment for youth and families. Nightly from 9 p.m. to 6 a.m. (ET, PT), Cartoon Network shares its channel space with Adult Swim, a late-night destination showcasing original and acquired animated and live-action comedy programming for young adults 18-34.

Turner Broadcasting System, Inc., a Time Warner company, creates and programs branded news; entertainment; animation and young adult; and sports media environments on television and other platforms for consumers around the world.