Review: Performances Carry "Thirteen"

TRASH IN MY EYE NO. 174 (of 2004) by Leroy Douresseaux

Thirteen (2003)
Running time – 100 minutes (1 hour, 40 minutes)
MPAA – R for drug use, self destructive violence, language and sexuality – all involving young teens
DIRECTOR: Catherine Hardwicke
WRITERS: Nikki Reed and Catherine Hardwicke
PRODUCERS: Jeffrey Levy-Hinte and Michael London
CINEMATOGRAPHER: Elliot Davis
EDITOR: Nancy Richardson
Academy Award nominee

DRAMA

Starring: Holly Hunter, Evan Rachel Wood, Nikki Reed, Jeremy Sisto, Brady Corbet, and Deborah Kara Unger

Thirteen is the story of Melanie Freeland (Evan Rachel Wood), a 13 year-old girl living with her single mother, Tracy Louise Freeland (Holly Hunter), and her brother, Mason (Brady Corbet). Melanie is an A-student but the pressures of being an L.A. teen surround her and eventually break her down via promiscuous bad girl Evie Zamora (Nikki Reed). Before long Melanie is into sex and drugs, and she becomes so materialistic that she begins to steal people’s purses and such for money. Things rapidly go from bad to worse when Evie invites herself to live with the Freelands, and Melanie falls headlong into reckless teenage abandon and rebellion. When will she hit bottom?

Thirteen is a nice drama about out of control and depressed teens, like Larry Clark’s Kids, but much less graphic and shocking. Still, the film’s portrayal of the hedonistic lives of the youngest teenagers is unsettling. Catherine Hardwicke does a good job keeping her film from being an “ABC After School Special” or some kind of movie of the week melodrama. The script by cast member Nikki Reed (who based the screenplay upon her actual experiences) and Hardwicke focuses more on delineating teenage rebellious atrocities, dangerous youth lifestyles, and other reckless behavior than on plot.

Thus, it’s the performances that really carry this film. Holly Hunter earned an Oscar® nomination for “Best Actress in a Supporting Role” for her performance as the mom Tracy, who does a remarkable job holding things together considering the state of her life. Ms. Hunter does have a habit of wearing her characters’ angst on her sleeve, but here, her Tracy is authentic, and the character centers everyone else’s dysfunctions into a workable system.

Evan Rachel Wood smolders as Melanie, but she clearly isn’t ready to show too much beneath the surface, though she has her gallant moments. It’s the same case with Nikki Reed; her face tells that there is so much more beneath the pouting, the sad eyes, the crassness and the trickery, but she’s not ready to go where the big girl actresses go when they create unforgettable performances.

7 of 10
B+

NOTES:
2004 Academy Awards: “Best Actress in a Supporting Role” (Holly Hunter)

2004 BAFTA Awards: “Best Performance by an Actress in a Supporting Role” (Holly Hunter)

2004 Golden Globes: 2 nominations: “Best Performance by an Actress in a Motion Picture – Drama” (Evan Rachel Wood) and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Holly Hunter)

---------------------------------

Review: "The Big Lebowski" is Surreal, Screwy, Unforgettable

TRASH IN MY EYE No. 130 (of 2003) by Leroy Douresseaux

The Big Lebowski (1998)
Running time: 117 minutes (1 hour, 57 minutes)
MPAA – R for pervasive strong language, drug content, sexuality and brief violence
DIRECTOR: Joel Coen
WRITERS: Ethan Coen and Joel Coen
PRODUCER: Ethan Coen
CINEMATOGRAPHER: Roger Deakins
EDITORS: Tricia Cooke and Roderick Jaynes (Joel and Ethan Coen)
COMPOSER: Carter Burwell

COMEDY/MYSTERY/THRILLER

Starring: Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, David Huddleston, Philip Seymour Hoffman, Tara Reid, Flea, John Turturro, Peter Stormare, Torsten Voges, David Thewlis, Marshall Manesh, Jon Polito, Ben Gazzara, Leon Russom, Ajgie Kirkland, Aimee Mann, and Sam Elliot

For their seventh film together, the Coen Brothers (co-writer/producer Ethan and co-writer/director Joel) tackle the screwball comedy in The Big Lebowski. Coming off their Oscar win for writing the brilliant Fargo, it was a daring project that could have turned off the audiences that were coming as a result of seeing Fargo. I don’t think the Coen’s gave a damn. They have a vision of how to tell a story using film as their medium, and they build a movie around their vision.

In the film, Jeffrey Lebowski (Jeff Bridges), known by everyone as The Dude (in fact, that is the name he prefers), receives a visit from a few thugs looking for money owed to their boss by the missus, Bunny (Tara Reid). Truth is they have the wrong Lebowski; there is another Jeffrey Lebowski (David Huddleston), a millionaire, and Bunny is his trophy wife. One of the intruders takes a whiz on The Dude’s rug, so naturally The Dude seeks recompense from Bunny’s hubby, the other Lebowski. This case of mistaken identity ensnares to The Dude in a web of abduction and competing interests with The Dude and his temperamental homeboy, Walter Sobchak (John Goodman), right in the middle.

The Coen’s are without a doubt two of the premiere creators of surreal films. They embrace classic Hollywood style with a post modern skewed view. The Big Lebowski is part Woody Allen and part David Lynch in the brothers’ approach to character and story. The abduction of Bunny uncoils into a delightful mixture of wacky comedy and film noir whodunit. As in all their films, there is always a sense of dread, however small, and as usual Joel can weave a thriller out of the most benign and ordinary events. It’s as if what seems really obvious and ordinary is also the unknown, and the unknown is so far “out there” and potentially dangerous.

Perhaps the thing that really makes a Coen film is the cast. Without good character actors, the brothers couldn’t sell us their strange brews. Amidst a stellar cast of players, Jeff Bridges and John Goodman, especially Bridges, carry this film. They have great chemistry together, and Bridges, one of the finest actors of the last two decades can carry two films at once on the broad back of his immense talent. This movie is almost totally from his point of view, and we have to buy into his character. If we don’t believe that he is who he says he is and that he believes what he believes, The Big Lebowski would be just a failed mainstream pic playing at being indie cool. The Big Lebowski is bravura work from two great American filmmakers, and they once again show their savvy by picking just the right guy to make this movie really soar.

8 of 10
A

------------------------------------------

"The Big Lebowski" Arrives on Limited Edition Blu-ray Tomorrow

EXPERIENCE THE COEN BROTHERS’ CULTURAL PHENOMENON STARRING JEFF BRIDGES NOW ON BLU-RAY™ FOR THE FIRST TIME EVER!

THE BIG LEBOWSKI LIMITED EDITION BLU-RAY™

August 16, 2011

“The Most Worshipped Comedy of Its Generation” – Rolling Stone

Own the Limited Edition Blu-ray™ Featuring All-New Bonus Features, a Digital Copy of the Film and Collectible Hardcover Book Packaging

Universal City, May 24, 2011 – Bowling, nihilists, a stolen rug and the occasional acid flashback have never been funnier when one of the most popular cult classics in history, The Big Lebowski Limited Edition, debuts on Blu-ray™ August 16, 2011 from Universal Studios Home Entertainment. From the Oscar®-winning Coen Brothers (True Grit, Fargo) and starring Academy Award® winner Jeff Bridges (True Grit, Crazy Heart), this acclaimed comedy has been newly remastered in high definition to provide longtime fans and first-time viewers alike with the ultimate Lebowski experience.

Available for a limited time with an all-new 28-page companion book featuring an exclusive interview with Jeff Dowd – the real-life inspiration for The Dude – Jeff Bridges’ personal, on-set photography, a film timeline, trivia and much more, The Big Lebowski Limited Edition Blu-ray™ is a must-own addition to any collection. In addition to all-new features exclusive to the Blu-ray™ release, The Big Lebowski Limited Edition Blu-ray™ also offers a digital copy of the film that can be viewed anywhere at any time on the consumers’ choice of devices including laptops, tablets, smartphones as well as Internet-connected TVs and set-top boxes.

“Since its creation by Ethan and Joel Coen in 1998, The Big Lebowski has transformed from a fan favorite into one of Hollywood’s most celebrated cultural phenomenons,” said Craig Kornblau, President of Universal Studios Home Entertainment. “This spectacular new Limited Edition Blu-ray™ combines the most extensive behind-the-scenes materials to date with the latest Blu-ray™ technology, giving devoted fans and newcomers alike a chance to experience the brilliant all-star cast, outrageous storyline and unforgettable quotes like never before.”

Its now iconic characters and instantly recognizable dialogue have made The Big Lebowski “the number-one cult film of all time,” according to The Boston Globe. Since its release, the Coen Brothers’ affectionately addled riff on film noir has snowballed in popularity, becoming “an undeniable pop-cult force” and even, for many, “a way of life,” in the words of the Los Angeles Times. “A masterpiece of anti-storytelling” according to Entertainment Weekly, The Big Lebowski has become a cultural touchstone for fans around the world.

Starring Bridges as the film’s delightfully unlikely hero, “The Dude,” the hilariously twisted comedy thriller also features unforgettable performances by an all-star cast including Golden Globe® winner John Goodman (“Roseanne”), four-time Oscar® nominee Julianne Moore (The Kids are Alright), Golden Globe® winner Steve Buscemi (“Boardwalk Empire”), Oscar® winner Phillip Seymour Hoffman (Doubt) and Golden Globe® nominee John Turturro (O Brother, Where Art Thou?).

BLU-RAYTM EXCLUSIVE BONUS FEATURES:
· U-CONTROL: Universal’s exclusive feature that lets the viewer access bonus materials without leaving the movie!

o Scene Companion: Watch cast and crew interviews, behind the scenes footage and more during key scenes with this picture-in-picture companion.

o Mark it Dude: This onscreen counter really ties the film together. Keep track of all the “F-Bombs,” “Dudes,” and “Dude-isms” in the film with this ultimate fan guide.

o The Music of The Big Lebowski: Instantly identify the songs heard while watching the film, create a custom playlist of your favorites and even purchase them from iTunes®!
· WORTHY ADVERSARIES: WHAT’S MY LINE TRIVIA: Test your Lebowski knowledge by finishing lines of dialogue during the film. Play as Walter or The Dude or in two-player mode against friends.
· BD-LIVETM: Access the BD-Live™ Center through your Internet-connected player to watch the latest trailers and more.
· pocket BLU™: The groundbreaking pocket BLU™ app uses iPhone®, iPod® touch, Android™, PC and Macintosh to work seamlessly with a network-connected Blu-ray™ player. Also available on the iPad™, owners can enjoy a new, enhanced edition of pocket BLU™ made especially to take advantage of the tablet's larger screen and high resolution display. Consumers will be able to browse through a library of Blu-ray™ content and watch entertaining extras on-the-go in a way that's bigger and better than ever before. pocket BLU™ offers advanced features such as:

o Advanced Remote Control: A sleek, elegant new way to operate your Blu-ray™ player. Users can navigate through menus, playback and BD-Live™ functions with ease.

o Video Timeline: Users can easily bring up the video timeline, allowing them to instantly access any point in the film.

o Mobile-To-Go: Users can unlock a selection of bonus content with their Blu-ray™ discs to save to their device or to stream from anywhere there is a Wi-Fi network, enabling them to enjoy content on the go, anytime, anywhere.

o Browse Titles: Users will have access to a complete list of pocket BLU™-enabled titles available and coming to Blu-ray™ Hi-Def. They can view free previews and see what additional content is available to unlock on their device.

o Keyboard: Entering data is fast and easy with your device’s intuitive keyboard.
· uHEAR™: Never miss another line of dialogue with this innovative feature that instantly skips back a few seconds on your Blu-ray™ disc and turns on the subtitles to highlight what you missed.

ADDITIONAL BONUS FEATURES:
· JEFF BRIDGES PHOTO BOOK: For more than 30 years, Jeff Bridges has been snapping pictures on movie sets. The accomplished photographer presents exclusive shots taken on the set of The Big Lebowski providing personal commentary on each photo.
· THE DUDE’S LIFE: Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi and John Turturro take a look back at their performances and their delivery of the Coen Brothers’ dialogue that became classic movie lines.
· THE DUDE ABIDES: THE BIG LEBOWSKI TEN YEARS LATER: A freewheeling conversation with the cast about the film’s decade-long reign as a cult classic, including a discussion about what ever happened to the “little Lebowski” that the Dude and Maude made that fateful night!
· THE LEBOWSKI FEST: AN ACHIEVER’S STORY: An in-depth look at the popular Lebowski Festival, formed by the legion of fans in honor of the film.
· FLYING CARPETS & BOWLING PIN DREAMS: THE DREAM SEQUENCES OF THE DUDE: From aerial flights over Los Angeles with his bowling ball chasing Maude on a flying carpet, to the large scale “Busby Berkley” dance sequences as The Dude goes flying through the legs of all the bowling pin headed dancers, this piece examines how these “ahead of their time” scenes were constructed.
· THE MAKING OF THE BIG LEBOWSKI: A behind the scenes look featuring interviews with the Coen Brothers.
· PHOTO GALLERY: Slideshow of Jeff Bridges’ on-set photography.
· INTERACTIVE MAP: Take a tour of the locations of The Big Lebowski, then and now.
· AN INTRODUCTION: Featuring Mortimer Young, a practitioner of “non-uptight” film preservation. His restoration of the famous “toe scene” will blow your mind.

SYNOPSIS:
From the Academy Award®-winning Coen brothers, The Big Lebowski is a hilariously quirky comedy about bowling, a severed toe, White Russians and a guy named…The Dude. Jeff “The Dude” Lebowski doesn’t want any drama in his life…heck, he can’t even be bothered with a job. But, he must embark on a quest with his bowling buddies after his rug is destroyed in a twisted case of mistaken identity. Starring Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Philip Seymour Hoffman and John Turturro, experience the cultural phenomenon of The Dude in the “#1 cult film of all time!” (The Boston Globe)

CAST AND FILMMAKERS:
Cast: Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, David Huddleston, Philip Seymour Hoffman, John Turturro

Directed By: Joel Coen
Written By: Ethan Coen, Joel Coen
Executive Producers: Tim Bevan, Eric Fellner
Producer: Ethan Coen
Co-Producer: John Cameron
Director of Photography: Roger Deakins
Production Designer: Rick Heinrichs
Edited By: Ethan Coen, Joel Coen, Tricia Cooke
Casting By: John S. Lyons
Costume Designer: Mary Zophres
Original Music By: Carter Burwell

TECHNICAL INFORMATION:
Street Date: August 16, 2011
Copyright: 2011 Universal Studios. All Rights Reserved.
Selection Number: 61115274
Running Time: 1 hour, 59 minutes
Layers: BD-50
Picture Format: Widescreen
Aspect Ratio: 1:85:1
Rating: R for pervasive strong language, drug content, sexuality and brief violence
Languages/Subtitles: English SDH, Spanish, French
Sound: English DTS-HD Master Audio 5.1, French (EU) DTS Surround 5.1, English Dolby Digital 2.0/2.0 DTS Express

Universal Studios Home Entertainment is a unit of Universal Pictures, a division of Universal Studios http://www.universalstudios.com/.  Universal Studios is a part of NBCUniversal , one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.

----------------------------------------

Review: "Good Will Hunting" Maintains Itself (Happy B'day, Ben Affleck)

TRASH IN MY EYE No. 8 (of 2001) by Leroy Douresseaux

Good Will Hunting (1997)
Running time: 126 minutes (2 hours, 6 minutes)
MPAA – R for strong language, including some sex-related dialogue
DIRECTOR: Gus Van Zant
WRITERS: Matt Damon and Ben Affleck
PRODUCER: Lawrence Bender
CINEMATOGRAPHER: Jean Yves Escoffier (D.o.P.)
EDITOR: Pietro Scalia
COMPOSER: Danny Elfman
Academy Award winner

DRAMA

Starring: Matt Damon, Robin Williams, Ben Affleck, Stellan Skarsgård, Minnie Driver, Casey Affleck, and Cole Hauser.

Will Hunting (Matt Damon), a charismatic, brilliant young man has spent, or rather wasted, the first 20 years of his life when an MIT math professor discovers Will’s mathematical gifts. When Will is arrested after a street fight, Professor Lambeau (Stellan Skarsgard, Breaking the Waves) takes custody of Will determined to nurture Will’s rare genius so that it is not wasted.

Will runs through a gamut of psychiatrists as part of his court ordered treatment until he meets a grieving, career impaired shrink named Sean Maguire (Robin Williams). Maguire is from Will’s old neighborhood, and he recognizes some of the young man’s difficulties with a society so different from their ‘hood. He tries to reach the young man as Will continually enforces a wall around himself, a wall he has had since childhood to protect himself from a world seemingly always out to hurt him.

Will also meets and falls in love with Skylar (Minnie Driver, Grosse Point Blank), a pretty, young pre-med student, who eventually demands a commitment of love that Will is reluctant to give. If he embraces a new life, Will may have to abandon the impoverished, but familiar life he knows, including his childhood friend, Chuckie (Ben Affleck).

Good Will Hunting is a beautiful, moving story that pulls not too gently on the heartstrings. Affleck and Damon won the Oscar for Best Original Screenplay of 1997 for the film’s script. They crafted simple, yet evocative characters for both themselves and the rest of the cast. Hunting is the most complex of the lot, but he isn’t difficult to understand. He’s been hurt, so he lashes out at the world. He’s made a safe little hovel in which he can live, and he doesn’t intend to venture far from it. He knows it and he feels safe in it, only occasionally peeking his head out of his hole to delight people with his brilliance and wit.

Williams’s portrayal of Sean Maguire earned him a long overdue Oscar for Best Actor in a Supporting Role. Like his Dr. Malcolm Sayer in Awakenings and Parry in the Fisher King, Maguire is a man in pain. You can feel a great building up in the shell, that these men have created for themselves, ready to break out and violently splash the world. In the end, they learn to gradually release their pent up pain and emotion and to reach a sense of balance. The parts that Williams usually take are usually so flamboyant and loud, begging for attention, like Williams himself. When he takes a part like Maguire, he has to control himself, and we can feel, along with him, the struggle to remain in his containment unit. To see him so controlled may have attracted Academy voters to his cause.

Good Will Hunting isn’t a smart movie. Damon and Affleck are occasionally stiff and forced in their parts, and there is still a rough edge to their acting abilities, especially Affleck’s. Driver is good, but the script only allows hints at her personality. Skylar’s one outburst about her troubled past piques the interest, but is gone as suddenly as it came.

Gus Van Zant does a credible job here, but one mostly gets the sense that he was just following a sort of paint by numbers plan. This is more about Damon, Affleck, and Williams than the director. But Van Zant assists them in bringing some tears forward; it’s a empathic, feel sad movie with a tacked on feel good ending. But done well, it’s worth repeated viewings.

7 of 10
A-

NOTES:
1998 Academy Awards: 2 wins: “Best Actor in a Supporting Role” (Robin Williams) and “Best Writing, Screenplay Written Directly for the Screen” (Matt Damon and Ben Affleck); 7 nominations: “Best Picture” (Lawrence Bender), “Best Actor in a Leading Role” (Matt Damon), “Best Actress in a Supporting Role” (Minnie Driver), “Best Director” (Gus Van Sant), “Best Film Editing” (Pietro Scalia), “Best Music, Original Dramatic Score” (Danny Elfman), and “Best Music, Original Song” (Elliott Smith for the song "Miss Misery")

1998 Golden Globes: 1 win: “Best Screenplay - Motion Picture” (Matt Damon and Ben Affleck); 3 nominations: “Best Motion Picture – Drama,” (Best Performance by an Actor in a Motion Picture – Drama” (Matt Damon), and “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Robin Williams)

------------------------

Review: Strong Performances Carry "21 Grams" (Happy B'day, Alejandro González Iñárritu)

TRASH IN MY EYE No. 98 (of 2004) by Leroy Douresseaux

21 Grams (2003)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – R for language, sexuality, some violence and drug use
DIRECTOR: Alejandro González Iñárritu
WRITER: Guillermo Arriaga
PRODUCERS: Alejandro González Iñárritu and Robert Salerno
CINEMATOGRAPHER: Rodrigo Prieto
EDITOR: Stephen Mirrione
COMPOSER: Gustavo Santaolalla
Academy Award nominee

DRAMA

Starring: Sean Penn, Naomi Watts, Benicio Del Toro, Eddie Marsan, Clea DuVall, Danny Huston, Melissa Leo, and Paul Calderon

In the heavy drama, 21 Grams, the lives of a former drug addict, Cristina Peck (Naomi Watts), a terminally ill mathematics professor, Paul Rivers (Sean Penn), and a spiritual ex-convict, Jack Jordan (Benicio Del Toro), intersect tragically and hopefully after a car accident. Jordan kills Cristina’s husband Michael (Danny Hutson) and her two daughters in a hit and run accident. After receiving Michael’s heart in a transplant operation, Rivers seeks and woos Cristina at the cost of his already deteriorating marriage.

The film by rising directorial star Alejandro González Iñárritu and screenwriter Guillermo Arriaga (the duo who collaborated on Academy Award nominee Amores Perros) is wrought with unpleasant circumstances in the lives of the characters. That’s not bad, but too much heartache and tragedy can become tragicomic. Verisimilitude becomes stark reality, and the drama is spoiled by harsh realism. The audience prefers the staged reality of drama to heavily dramatized reality. Iñárritu and Arriaga deliver the pain and suffering with the precision of sledgehammer blows, and it all becomes too much and can disengage the viewer from the characters.

That’s a pity, too, because the cast gives such good performances that make the viewer care about the characters, really get into their lives, and root for them. For this film, Ms. Watts earned an Oscar® nomination for “Best Actress in a Leading Role,” and Del Toro earned a nomination for “Best Actor in a Supporting Role.” Had Sean Penn not earned an Oscar nod for Mystic River in 2003 (which he later won), he certainly would have received a nomination for his work here.

21 Grams is worth a look for people who love to see exceptional acting, especially the kind delivered by the leads, but the supporting players also do some standout work.

6 of 10
B

NOTES:
2004 Academy Awards: 2 nominations: “Best Actor in a Supporting Role” (Benicio Del Toro) and “Best Actress in a Leading Role” (Naomi Watts)

2004 BAFTA Awards: 5 nominations: “Best Editing” (Stephen Mirrione), “Best Performance by an Actor in a Leading Role” (Benicio Del Toro), “Best Performance by an Actor in a Leading Role” (Sean Penn), “Best Performance by an Actress in a Leading Role” (Naomi Watts), “Best Screenplay – Original” (Guillermo Arriaga)

-----------------------------

Disney's D23 Expo Starts Friday, August 19th

THE WALT DISNEY STUDIOS TAKES FANS BEHIND THE SCENES AT DISNEY’S D23 EXPO, AUGUST 19-21

Exclusively at Disney’s D23 Expo August 19-21 at the Anaheim Convention Center, Disney film fans will go behind the scenes to explore the exciting roster of projects on the horizon at The Walt Disney Studios, with a variety of panel discussions, sneak peeks and exhibits.

On Saturday, August 20, Rich Ross, chairman, The Walt Disney Studios; Sean Bailey, president, production, The Walt Disney Studios; John Lasseter, chief creative officer, Walt Disney and Pixar Animation Studios; and Kevin Feige, producer and president, Marvel Studios, will present a not-to-be-missed look at The Walt Disney Studios’ upcoming film slate, which includes Disney’s The Muppets, John Carter, Disney•Pixar’s Brave, Marvel’s The Avengers, Tim Burton’s Frankenweenie, Oz The Great and Powerful and more.

With projects from Disney, Pixar Animation Studios and Marvel Studios, this special presentation will feature never-before-seen footage and all-star appearances by Jason Segel, Kermit and Miss Piggy (Disney’s The Muppets), Taylor Kitsch, Lynn Collins and Willem Dafoe (John Carter), Kelly Macdonald and Kevin McKidd (Brave), Jennifer Garner (The Odd Life of Timothy Green), Jack McBrayer and Sarah Silverman (Wreck-It Ralph), cast members from Marvel’s The Avengers and other surprise guests.

In celebration of 25 years of moviemaking magic, five sessions will be devoted to the artistry and technical wizardry of Pixar:

* A Conversation with the Pixar Creative Team – Enjoy a rare opportunity to spend some time with the key figures responsible for Pixar’s unprecedented success, including John Lasseter (chief creative officer, Walt Disney and Pixar Animation Studios), Jim Morris (general manager, Pixar Animation Studios), Pete Docter (director, Monsters, Inc., Up), Andrew Stanton (director, Finding Nemo, WALL-E), Bob Peterson (co-director, Up), Lee Unkrich (director, Toy Story 3), Mark Andrews (director, Brave) and Dan Scanlon (director, Monsters University).

* The Characters of Monsters University – Director Dan Scanlon and Production Designer Ricky Nierva discuss how they combine hair, horns and a lot of heart to bring the wonderful Monsters University characters to life.

* Michael Giacchino’s Music of Pixar – In this musical presentation, award-winning composer Michael Giacchino explores his early influences through the creation of modern-day classic scores from Ratatouille, Up and Cars 2.

* The Art of Brave – Production Designer Steve Pilcher and Shading Art Director Tia Kratter show how they and their team put paint to canvas and fingers to computer keys to create the stunning visuals of Scotland for Disney•Pixar’s upcoming film Brave.

* Pixar Shorts – This retrospective screening of the animation studio’s legendary short films will be followed by a panel discussion with several of the filmmakers, including Ralph Eggleston (director, For the Birds), Andy Jimenez (director, One Man Band), Angus MacLane (director, BURN-E), Pete Sohn (director, Partly Cloudy), Teddy Newton (director, Day & Night), and Enrico Casarosa (director, La Luna).

Expo attendees will also have access to advance screenings of an all-new 3D version of The Lion King, presented by RealD 3D, coming to theaters and homes this fall, and the upcoming ABC holiday special Prep & Landing: Naughty vs. Nice from Walt Disney Animation Studios.

Out on the Expo floor, fans can explore the world of The Walt Disney Studios at their leisure with comprehensive exhibits, including:

* Walt Disney Studios Animation Pavilion – Experience the art, technology, culture and legacy of Walt Disney Animation Studios with filmmaker demonstrations, drawing classes, book signings, meet-and-greets and art exhibits.

* Walt Disney Studios In-Home Entertainment Pavilion – Dive into cutting-edge home entertainment technology and learn what the future holds for Disney movie fans, with sneak peeks of upcoming films in breathtaking high-definition Blu-ray 3D™ and more.

* Inside Tides: Pirates of the Caribbean Film Prop Collection – Get an up-close look at an exclusive collection of detailed set pieces, props and costumes from the billion-dollar blockbuster Pirates of the Caribbean: On Stranger Tides.

Tickets to the D23 Expo are available at http://www.d23expo.com/. Admission includes access to all experiences and entertainment at the D23 Expo, including the Disney Legends Ceremony, and can be purchased for single days or for the full three days of festivities. Admission is $47 for a one-day adult ticket and $37 for children 3-12. Three-day passes are $136 for adults and $106 for children. Members of D23: The Official Disney Fan Club will receive a discount for up to four admissions, as well as early entry to each day of the D23 Expo for themselves and their guests.


About D23 Expo 2011
The D23 Expo—The Ultimate Disney Event for Fans and Families—brings the entire world of Disney under one roof at the Anaheim Convention Center, providing guests with unprecedented access to Disney films, television and theme parks.

About D23
The name "D23" pays homage to the wonder and excitement that began in 1923 when Walt Disney opened his fledgling studio in Hollywood. D23 is the first official community for fans in Disney's 88-year history. D23 gives its members a greater connection to the entire world of Disney by placing them in the middle of the magic through its quarterly publication Disney twenty-three; a rich website at www.Disney.com/D23; a collectibles line, The Walt Disney Archives Collection; and special events for D23 Members throughout the year, highlighted by the D23 Expo in Anaheim, California, August 19-21, 2011.

Fans can join D23 at www.Disney.com/D23, select shops at Disneyland Resort and Walt Disney World Resort and www.DisneyStore.com/D23. To keep up with all the latest D23 news and events, follow us "DisneyD23" on Twitter, YouTube and Facebook.

Review: "Gothika" is Creepy and Crazy (Happy B'day, Halle Berry)

TRASH IN MY EYE No. 168 (of 2003) by Leroy Douresseaux

Gothika (2003)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for violence, brief language and nudity
DIRECTOR: Mathieu Kassovitz
WRITER: Sebastian Gutierrez
PRODUCERS: Susan Levin, L. Levin, Joel Silver, and Robert Zemeckis
CINEMATOGRAPHER: Matthew Libatique (D.o.P.)
EDITOR: Yannick Kergoat
COMPOSER: John Ottman
HORROR/THRILLER

Starring: Halle Berry, Robert Downey, Jr., Charles S. Dutton, John Carroll Lynch, Bernard Hill, Penélope Cruz, Bronwen Mantel, and Kathleen Mackey

Gothika is a 2003 supernatural thriller and movie vehicle for Halle Berry. It is a ghost story about a female psychiatrist who awakens to fins herself a patient in the very asylum where she works.

Miranda Grey (Halle Berry) is psychiatrist who deals with really crazy people everyday at a prison for the criminally insane. A respected colleague, Dr. Douglas Grey (Charles Dutton), is her husband. One night she leaves work during a driving rainstorm. After taking a detour, a girl suddenly appears on the road ahead of her and forces Miranda to drive her vehicle off the road. When she goes to the girl who obviously seems to be in some kind of distress, something really strange happens. When Miranda awakens, she finds herself locked in the same institution where she worked, and she’s been accused of committing a horribly gruesome crime of which she has no memory.

Quite a few critics have given it bad reviews. One even called it trash – glorious trash, but Gothika is a very entertaining movie. Like a lot of films, it’s really absent of new ideas, and it seems to borrow heavily from What Lies Beneath and The Ring (2002). It is, however, an effective and entertaining horror film and a nicely made thriller. It has some genuinely creepy moments, and at the theatre where I saw it, one girl immediately screamed after a nice “bump in the night” moment.

French director Mathieu Kassovitz is a hot property, and he has the makings of good director, although I don’t see much that would make him stand out from a whole pack of qualified professionals. There are moments in the film, when Kassovitz makes Gothika a bit too mannered and cold. With an asylum for the criminally insane as a setting and a shocking murder upon which the plot turns, Kassovitz needed to make his film get down and dirty. Instead, Gothika is overdressed and over designed, and the cinematography is too slick and glossy.

But you know what? I love watching Halle Berry, and she gets better practically with each film she does. She sells us this film, even when her costar Ms. Cruz seems to be hanging around only to lend her tabloid star presence and her accent. Like the great actresses and stars, Ms. Berry takes us inside the character with her, forcing us to share the extreme terror that comes from loosing one’s memory, place in society, and, most fearsome of all, loosing one’s mind. We can believe that there is a horrible crime hanging over her head, and that she doesn’t remember it and doesn’t want to because it means admitting and learning horrific things. Have fun, and go see this movie.

6 of 10
B

NOTES:
2004 Black Reel Awards: 1 nomination: “Film: Best Actress” (Halle Berry)

2004 Image Awards: 2 nominations: “Outstanding Actress in a Motion Picture” (Halle Berry) and “Outstanding Supporting Actor in a Motion Picture” (Charles S. Dutton)

----------------------------