ASIFA-Hollywood, the Los Angeles, California branch of the International Animated Film Society, presents the Annie Awards. The Annie honors achievements in animation as a whole, including current animated productions, as well as career and lifetime achievements. At the beginning of this week, the group announced the nominations and award recipients for the 39th Annual Annie Awards.
Award recipients will claim their trophies at the 39th Annual Annie Awards. The ceremony is scheduled for Saturday, February 4, 2012 at UCLA's Royce Hall in Los Angeles, California.
PRODUCTION CATEGORIES
Best Animated Feature
• A Cat in Paris – Folimage
• Arrugas (Wrinkles) - Perro Verde Films, S.L.
• Arthur Christmas – Sony Pictures Animation, Aardman Animations
• Cars 2 – Pixar Animation Studios
• Chico & Rita – Chico & Rita Distribution Limited
• Kung Fu Panda 2 – DreamWorks Animation
• Puss In Boots – DreamWorks Animation
• Rango – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Production
• Rio – Blue Sky Studios
• Tintin – Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Annie Award for Best Animated Special Production
• Adventure Time: Thank You – Cartoon Network Studios
• Batman: Year One – Warner Bros. Animation
• Ice Age: A Mammoth Christmas – Blue Sky Studios
• Kung Fu Panda – Secrets of the Masters – DreamWorks Animation
• Prey 2 – Blur Studio
• Star Tours – Industrial Light & Magic
Best Animated Short Subject
• Adam and Dog – Minkyu Lee
• I Tawt I Taw A Puddy Tat – Warner Bros. Animation
• La Luna – Pixar Animation Studios
• (Notes on) Biology – Ornana Films
• Paths of Hate – Platige Image
• Sunday – National Film Board of Canada
• The Ballad of Nessie –Walt Disney Animation Studios
• The Girl and the Fox – Base14
• Wild Life – National Film Board of Canada and Studio GDS
Best Animated Television Commercial
• Audi “Hummingbird” – The Mill
• Geico “Foghorn” – Renegade Animation
• McDonald’s “Apple Tree”– Duck Studios/Kompost
• McDonald’s “Suzi Van Zoom” – Duck Studios/Kompost
• Norton “Stuff”– Psyop
• O2 “Niggles & Narks” –The Mill
• Statoil “Good Night” – Studio AKA
• “The Pirate” – Meindbender
• Twinings “Sea” – Psyop
Best General Audience Animated TV Production
• Archer – FX Productions
• Green Lantern: The Animated Series – Warner Bros. Animation
• Hoops & YoYo Ruin Christmas – Hallmark
• MAD – Warner Bros. Animation
• Mary Shelley’s Frankenhole Season 2 – Starburns Industries, Inc.
• Prep & Landing: Naughty vs. Nice – Walt Disney Animation Studios
• Star Wars: The Clone Wars – Lucasfilm Animation, Ltd.
• The Simpsons – Gracie Films
Best Animated Television Production - Preschool
• Chuggington – Ludorum plc
• Disney Jake and the Never Land Pirates – Disney Television Animation
• Disney Mickey Mouse Clubhouse – Disney Television Animation
• The WotWots Season 2 – Pukeko Pictures
Best Animated Television Production – Children
• Fanboy and Chum Chum – Nickelodeon and Frederator
• Kung Fu Panda – Nickelodeon and DreamWorks Animation
• Penguins of Madagascar – Nickelodeon and DreamWorks Animation
• The Amazing World of Gumball – Cartoon Network in Association with Dandelion Studios, Boulder Media & Studio Soi
Best Animated Video Game
• Bumpy Road – Simogo
• Catherine – Atlus
• Gears of War 3 – Epic Games
• Gesundheit – Konami Digital Entertainment
• Ghost Trick: “Phantom Detective” – Capcom
• Insanely Twisted Shadow Planet – Shadow Planet Productions, Gagne/Fuelcell
• Ratchet and Clank: All 4 One – Insomniac Games
• Rayman Origins – Ubisoft Montpellier
• Uncharted 3: Drake’s Deception – Naughty Dog
INDIVIDUAL ACHIEVEMENT CATEGORIES
Animated Effects in an Animated Production
• Can Yuksel “Puss In Boots” – DreamWorks Animation
• Chase Cooper “Rango” – Industrial Light & Magic
• Dan Lund “Winnie The Pooh” – Walt Disney Animation Studios
• Dave Tidgwell “Kung Fu Panda 2” – DreamWorks Animation
• Eric Froemling “Cars 2” – Pixar Animation Studios
• Jason Mayer “Kung Fu Panda 2” – DreamWorks Animation
• Joel Aron “Star Wars: The Clone Wars” – Lucasfilm Animation, Ltd.
• Jon Reisch “Cars 2” – Pixar Animation Studios
• Kevin Romond “Tintin” – Amblin Entertainment, Wingnut Films and Kennedy/Marshall
• Willi Geiger “Rango” – Industrial Light & Magic
Animated Effects in a Live Action Production
• Branko Grujcic “Pirates of the Caribbean: On Stranger Tides”– Industrial Light & Magic
• Florent Andarra “Transformers: Dark of the Moon” – Industrial Light & Magic
• Gary Wu “Cowboys & Aliens”– Industrial Light & Magic
• Lee Uren “Cowboys & Aliens” – Industrial Light & Magic
Character Animation in a Television Production
• Chad Sellers “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios
• Michael Franceschi “Kung Fu Panda” – Nickelodeon
• Rebecca Wilson Bresee “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios
• Sihanouk Mariona “Mary Shelley’s Frankenhole Season 2” – Starburns Industries, Inc.
• Tony Smeed “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios
Character Animation in a Feature Production
• Andreas Deja “Winnie The Pooh” – Walt Disney Animation Studios
• Dan Wagner “Kung Fu Panda 2” – DreamWorks Animation
• Jeff Gabor “Rio” – Blue Sky Studios
• Mark Henn “Winnie The Pooh” – Walt Disney Animation Studios
• Olivier Staphylas “Puss In Boots” – DreamWorks Animation
• Patrik Puhala “Rio” – Blue Sky Studios
• Pierre Perifel “Kung Fu Panda 2” – DreamWorks Animation
Character Animation in a Live Action Production
• Andy Arnett “HOP” – Rhythm & Hues, Illumination Entertainment
• David Lowry “Paul” – Double Negative Visual Effects for Universal Productions/ Relativity Media/Working Title Films/Big Talk Productions
• Eric Reynolds “Rise of the Planet of the Apes” – 20th Century Fox
• Mike Hull “Paul” – Double Negative Visual Effects for Universal Productions/Relativity Media/Working Title Films/Big Talk Productions
Character Design in a Television Production
• Bill Schwab “Prep & Landing” – Walt Disney Animation Studios
• Carl Raggio “Disney Kick Buttowski” – Disney Television Animation
• Chad Hurd “Archer” – FX Productions
• Chris Battle “Dan Vs.” – Starz Film Roman
• Eric Robles “Fanboy and Chum Chum” – Nickelodeon & Frederator
• Gordon Hammond “TUFF Puppy” – Nickelodeon
• Mike Dougherty “TUFF Puppy” – Nickelodeon
• Robert Ryan Cory “Secret Mountain Fort Awesome” – Cartoon Network Studios
Character Design in a Feature Production
• Jay Shuster “Cars 2” – Pixar Animation Studios
• Mark “Crash” McCreery “Rango” – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Productions
• Patrick Mate “Puss In Boots” – DreamWorks Animation
• Peter de Seve “Arthur Christmas” – Sony Pictures Animation, Aardman Animations
• Sergio Pablos “Rio” – Blue Sky Studios
Directing in a Television Production
• Brian Sheesley “Dan Vs.” – Starz Film Roman
• Chris Savino & Clay Morrow “Disney Kick Buttowski” – Disney Television Animation
• Dan Riba “Ben 10 Ultimate Alien” – Cartoon Network Studios
• Duke Johnson “Community” – 23 D Films, Inc.
• Gabe Swarr “Kung Fu Panda” – Nickelodeon
• Ken Bruce “TUFF Puppy” – Nickelodeon
• Kevin Deters & Stevie Wermers-Skelton “Prep & Landing: Naughty vs. Nice”– Walt Disney Animation Studios
• Matthew Nastuk “The Simpsons” – Gracie Films
• Mic Graves & Ben Bocquelet “The Amazing World of Gumball” – Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
• Peter Hausner “Ninjago: Masters of Spinjitzu” – Wil Film
• Steve Loter, Christo Stamboliev, Shaun Cashman, David Knott “Penguins of Madagascar” – Nickelodeon and Technicolor
• Tony Craig “Hoops & YoYo Ruin Christmas” – Hallmark
Directing in a Feature Production
• Carlos Saldahna “Rio” – Blue Sky Studios
• Chris Miller “Puss In Boots” – DreamWorks Animation
• Don Hall & Stephen Anderson “Winnie The Pooh” – Walt Disney Animation Studios
• Gore Verbinski “Rango” – Paramount Pictures and Nickelodeon Movies present a Blind Wink/GK Films Productions
• Jennifer Yuh Nelson “Kung Fu Panda 2” – DreamWorks Animation
• Kelly Asbury “Gnomeo & Juliet” – Touchstone Pictures
Music in a Television Production
• Adam Berry, Bob Schooley, Mark McCorkle “Penguins of Madagascar” – Nickelodeon and Technicolor
• Ben Locket “The Amazing World of Gumball” – Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
• Frederik Wiedmann “Green Lantern The Animated Series” – Warner Bros. Animation
• Grace Potter, Michael Giacchino “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios
• Joel McNeely, Brendan Milburn and Valerie Vigoda “Pixie Hollow Games”– DisneyToon Studios
• Kevin Kliesch “Thundercats” – Warner Bros. Animation and Cartoon Network
• Shawn Patterson, Zeb Wells “Robot Chicken” – ShadowMachine and Stoopid Monkey in association with Adult Swim
Music in a Feature Production
• Henry Jackman “Puss In Boots” – DreamWorks Animation
• John Williams “Tintin” – Amblin Entertainment, Wingnut Films and Kennedy/Marshall
• Mikael Mutti, Siedah Garrett, Carlinhos Brown, Sergio Mendes, John Powell, “Rio” – Blue Sky Studios
• Zooey Deschannel, Kristen Anderson-Lopez, Henry Jackman, Robert Lopez “Winnie The Pooh” – Walt Disney Animation Studios
Production Design in a Television Production
• Mark Bodnar, Chris Tsirgiotis, Sue Mondt and Daniel Elson “Secret Mountain Fort Awesome” – Cartoon Network Studios
• Peter Martin “Hoops & YoYo Ruin Christmas” – Hallmark
Production Design in a Feature Production
• Harley Jessup “Cars 2” – Pixar Animation Studios
• Paul Felix “Winnie The Pooh” – Walt Disney Animation Studios
• Raymond Zilbach “Kung Fu Panda 2” – DreamWorks Animation
• Tom Cardone, Kyle MacNaughton & Peter Chan “Rio” – Blue Sky Studios
Storyboarding in a Television Production
• Barry W. Johnson “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios
• Benton Connor “Regular Show” – Cartoon Network Studios
• Brian Kesinger “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios
• Dave Thomas “TUFF Puppy” – Nickelodeon
• Fred Gonzalez “TUFF Puppy” – Nickelodeon
• Joe Mateo “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios
• Justin Nichols “Fanboy & Chum Chum” – Nickelodeon & Frederator
• Katie Rice “Fanboy & Chum Chum”– Nickelodeon & Frederator
• Rebecca Sugar “Adventure Time” – Cartoon Network Studios
Storyboarding in a Feature Production
• Bob Logan “Puss In Boots” – DreamWorks Animation
• Delia Gosman “Rango” – Paramount Pictures & Nickelodeon Movies present A Blind Wink/GK Films Production
• Gary Graham “Kung Fu Panda 2” – DreamWorks Animation
• Jeremy Spears “Winnie The Pooh” – Walt Disney Animation Studios
• Josh Hayes “Rango” – Paramount Pictures & Nickelodeon Movies present A Blind Wink/GK Films Production
• Kris Pearn “Arthur Christmas” – Sony Pictures Animation, Aardman Animations
• Nelson Yokota “Gnomeo and Juliet” – Touchstone Pictures
• Philip Craven “Kung Fu Panda 2” – DreamWorks Animation
• Scott Morse “Cars 2” – Pixar Animation Studios
Voice Acting in a Television Production
• Carlos Alazraqui as Denzel Crocker “Fairly OddParents” – Nickelodeon
• Dan Harmon as Jekyll “Mary Shelley’s Frankenhole Season 2” – Starburns Industries, Inc.
• Daran Norris as Cosmo “Fairly OddParents” – Nickelodeon
• Dee Bradley Baker as Clone Troopers “Star Wars: The Clone Wars”– Lucasfilm Animation, Ltd.
• Diedrich Bader as Batman “Batman: The Brave and the Bold” – Warner Bros. Animation
• H. Jon Benjamin as Sterling Archer “Archer” – FX Productions
• Jeff Bennett as Kowalski “Penguins of Madagascar” – Nickelodeon and Technicolor
• Jeff B. Davis as Victor Frankenstein “Mary Shelley’s Frankenhole Season 2” – Starburns Industries, Inc.
• Jessica Walter as Malory Archer “Archer” – FX Productions
• Judy Greer as Cheryl Tunt “Archer” – FX Productions
• Logan Grove as Gumball “The Amazing World of Gumball” – Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
• Nika Futterman as Asajj Ventress “Star Wars: The Clone Wars” – Lucasfilm Animation, Ltd.
• Scott Adsit as the Creature “Mary Shelley’s Frankenhole Season 2” – Starburns Industries, Inc.
• Tara Strong as Timmy Turner “Fairly OddParents – Operation: Dinkleberg” – Nickelodeon
Voice Acting in a Feature Production
• Ashley Jensen as Bryony “Arthur Christmas” – Sony Pictures Animation, Aardman Animations
• Bill Nighy as Grandsanta “Arthur Christmas” – Sony Pictures Animation, Aardman Animations
• Gary Oldman as Shen “Kung Fu Panda 2” – DreamWorks Animation
• James Hong as Mr. Ping “Kung Fu Panda 2” DreamWorks Animation
• Jemaine Clement as Nigel “Rio” – Blue Sky Studios
• Jim Cummings as Featherstone “Gnomeo and Juliet” – Touchstone Pictures
• Zach Galifianakis as Humpty Alexander Dumpty “Puss In Boots” – DreamWorks Animation
Writing in a Television Production
• Blake Lemons, William Reiss, C.H. Greenblatt, Derek Evanick, Diana Lafyatis, Neil Graf “Disney Fish Hooks – Fish School Musical” – Disney Television Animation
• Carolyn Omine “The Simpsons -Treehouse of Horror XXII” – Gracie Films
• Dani MIchaeli, Sean Charmatz, Nate Cash, Luke Brookshier, Paul Tibbitt “SpongeBob SquarePants - Patrick’s Staycation” – Nickelodeon
• Josh Weinstein “Futurama - All The President’s Heads” – The Curiosity Company in association with 20th Century Fox Television
• Kevin Sullivan, Will Schifrin, Ray DeLaurentis “TUFF Puppy Thunder Dog” – Nickelodeon
• Matt Maiellaro, Dave Willis “Aqua Unit Patrol Squad 1 – The Creditor” – Williams Street Studios, Adult Swim
• Ray DeLaurentis, Will Schifrin, Kevin Sullivan “Fairly OddParents “Invasion of the Dads” – Nickelodeon
• Steve Wermers-Skelton, Kevin Deters “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios
Writing in a Feature Production
• Andy Riley, Kevin Cecil, Mark Burton, Kathy Greenburg, Emily Cook, Rob Sprackling, John R. Smith, Kelly Asbury, Steve Hamilton “Gnomeo & Juliet” – Touchstone Pictures
• Brian Kesinger, Kendelle Hoyer, Don Dougherty, Clio Chang, Don Hall, Stephen Anderson “Winnie The Pooh” – Walt Disney Animation Studios
• John Logan, Gore Verbinski and James Byrkit “Rango” – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Productions
• Sarah Smith, Peter Baynham “Arthur Christmas” – Sony Pictures Animation, Aardman Animations
• Steve Moffat, Edgar Wright, Joe Cronish “Tintin”– Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Editing in Television Production
• Garret Elkins “Mary Shelley’s Frankenhole Season 2” – Starburn Industries, Inc.
• Hugo Morales, Davrick Waltjen, Adam Arnold “Kung Fu Panda” Nickelodeon
• Jason W.A. Tucker “Star Wars: The Clone Wars” – Lucasfilm Animation, Ltd.
• Paul D. Calder “Futurama” – The Curiosity Company in association with 20th Century Fox Television
• Ted Machold, Jeff Adams, Doug Tiano, Bob Tomlin “Penguins of Madagascar” – Nickelodeon and Technicolor
Editing in a Feature Production
• Clare Knight, A.C.E. “Kung Fu Panda 2” – DreamWorks Animation
• Craig Wood, A.C.E. “Rango” – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Productions
• Eric Dapkewicz “Puss In Boots” – DreamWorks Animation
• Michael Kahn “Tintin”– Amblin Entertainment, Wingnut Films and Kennedy/Marshall
• Stephen Schaffer, A.C.E. “Cars 2” – Pixar Animation Studios
JURIED AWARDS
Winsor McCay Award —Walt Peregoy, Borge Ring, Ronald Searle
June Foray — Art Leonardi
Special Achievement — Depth Analysis
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Wednesday, December 7, 2011
39th Annual Annie Award Nominations - Complete List
Labels:
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Tuesday, December 6, 2011
"Super 8" Not Super, but Wonderfully Evokes Classic Spielberg
TRASH IN MY EYE No. 101 (of 2011) by Leroy Douresseaux
Super 8 (2011)
Running time: 112 minutes (1 hour, 52 minutes)
MPAA – PG-13 for intense sequences of sci-fi action and violence and some drug use
WRITER/DIRECTOR: J.J. Abrams
PRODUCERS: Steven Spielberg, J.J. Abrams and Bryan Burk
CINEMATOGRAPHER: Larry Fong (D.o.P.)
EDITORS: Maryann Brandon and Mary Jo Markey
COMPOSER: Michael Giacchino
SCI-FI/MYSTERY/THRILLER
Starring: Joel Courtney, Kyle Chandler, Elle Fanning, Riley Griffiths, Gabriel Basso, Ryan Lee, Zach Mills, Ron Eldard, Noah Emmerich, David Gallagher, Brett Rice, Richard T. Jones, and Glynn Turman
Super 8 is a 2011 science fiction/mystery/thriller written and directed by J.J. Abrams, perhaps best known as the co-creator of the former ABC television series, Lost. Abrams also co-produced the film with Steven Spielberg. In fact, Super 8 is inspired by Spielberg’s films from the 1970s and 80s, and while Super 8 is fun to watch, it in no way measures up to early Spielberg classics.
The film is set in the summer of 1979 in the fictional small town of Lillian, Ohio. The story focuses on Joseph “Joe” Lamb (Joel Courtney), a 14-year-old boy whose mother was recently killed in a workplace accident. Four months after the accident, Joe and his father, sheriff’s Deputy Jackson “Jack” Lamb (Kyle Chandler), are distant from one another. Joe spends his time helping his friend, budding filmmaker Charles Kaznyk (Riley Griffiths), make a low-budget, zombie movie on Super 8 film, with the help of their other friends, a small circle of boys.
The boys are able to convince an attractive teen girl, Alice Dainard (Elle Fanning), who also has access to a car, to play a role in the film. The youngsters head out to an abandoned train depot where they witness a massive train accident. Shockingly, the U.S. Air Force quickly arrives to secure the crash site, but Joe’s father, Jack, thinks that there is more to this crash than the Air Force is telling the locals. Soon people and animals begin to disappear and panic spreads. Separately, Joe and Jack begin to uncover the truth behind a closely guarded mystery that is decades old and hides a fantastic secret.
Anyone who is familiar with Steven Spielberg’s early movies knows that Super 8 is a pastiche of those films. While it is entertaining, Super 8 is dishwater to the champagne that is two particular Spielberg classics, Close Encounters of the Third Kind (1977) and E.T. the Extra-Terrestrial (1982). I found myself entertained by Super 8, but I wouldn’t go so far as to say that it is a classic summer movie, as some have declared. I will say that the one superior thing about it is the score by Oscar-winner Michael Giacchino (Pixar’s Up), which accounts for much of Super 8’s dramatic punch.
For all its plagiarizing of Spielberg, Super 8 has some excellent set pieces, a lot of really good moments, and some good characters, but the characters are where the film goes wrong. They are largely empty and underdeveloped – even under-utilized. There is a potent conflict and wall between Jack Lamb and his son, Joe; in fact, the troubled father-son relationship is a familiar theme in Spielberg films. Here, the father-son rift is just something to tack onto what is essentially just a monster movie. The great moments that are Jack and Alice together are few and far between and largely wasted – for various reasons. Also, for the most part, the characters are shallow, mere window dressing, and are no more than bit players to move us closer to big action scenes and scary moments.
In fact, much of this movie feels empty, yet I found myself endeared to quite a bit of it. It is technically well made, and there is potential in the characters, subplots, and setting for something really great. But the emotions are contrived and stunted (like the father-son reunion in the last act). J.J. Abrams was so busy making a Spielberg movie that he made something that is more a love letter to his idol and than it is a movie. Perhaps, what I like about Super 8 is that it reminds me of the good feelings I had watching Spielberg films when I was a kid.
6 of 10
B
Tuesday, December 06, 2011
Super 8 (2011)
Running time: 112 minutes (1 hour, 52 minutes)
MPAA – PG-13 for intense sequences of sci-fi action and violence and some drug use
WRITER/DIRECTOR: J.J. Abrams
PRODUCERS: Steven Spielberg, J.J. Abrams and Bryan Burk
CINEMATOGRAPHER: Larry Fong (D.o.P.)
EDITORS: Maryann Brandon and Mary Jo Markey
COMPOSER: Michael Giacchino
SCI-FI/MYSTERY/THRILLER
Starring: Joel Courtney, Kyle Chandler, Elle Fanning, Riley Griffiths, Gabriel Basso, Ryan Lee, Zach Mills, Ron Eldard, Noah Emmerich, David Gallagher, Brett Rice, Richard T. Jones, and Glynn Turman
Super 8 is a 2011 science fiction/mystery/thriller written and directed by J.J. Abrams, perhaps best known as the co-creator of the former ABC television series, Lost. Abrams also co-produced the film with Steven Spielberg. In fact, Super 8 is inspired by Spielberg’s films from the 1970s and 80s, and while Super 8 is fun to watch, it in no way measures up to early Spielberg classics.
The film is set in the summer of 1979 in the fictional small town of Lillian, Ohio. The story focuses on Joseph “Joe” Lamb (Joel Courtney), a 14-year-old boy whose mother was recently killed in a workplace accident. Four months after the accident, Joe and his father, sheriff’s Deputy Jackson “Jack” Lamb (Kyle Chandler), are distant from one another. Joe spends his time helping his friend, budding filmmaker Charles Kaznyk (Riley Griffiths), make a low-budget, zombie movie on Super 8 film, with the help of their other friends, a small circle of boys.
The boys are able to convince an attractive teen girl, Alice Dainard (Elle Fanning), who also has access to a car, to play a role in the film. The youngsters head out to an abandoned train depot where they witness a massive train accident. Shockingly, the U.S. Air Force quickly arrives to secure the crash site, but Joe’s father, Jack, thinks that there is more to this crash than the Air Force is telling the locals. Soon people and animals begin to disappear and panic spreads. Separately, Joe and Jack begin to uncover the truth behind a closely guarded mystery that is decades old and hides a fantastic secret.
Anyone who is familiar with Steven Spielberg’s early movies knows that Super 8 is a pastiche of those films. While it is entertaining, Super 8 is dishwater to the champagne that is two particular Spielberg classics, Close Encounters of the Third Kind (1977) and E.T. the Extra-Terrestrial (1982). I found myself entertained by Super 8, but I wouldn’t go so far as to say that it is a classic summer movie, as some have declared. I will say that the one superior thing about it is the score by Oscar-winner Michael Giacchino (Pixar’s Up), which accounts for much of Super 8’s dramatic punch.
For all its plagiarizing of Spielberg, Super 8 has some excellent set pieces, a lot of really good moments, and some good characters, but the characters are where the film goes wrong. They are largely empty and underdeveloped – even under-utilized. There is a potent conflict and wall between Jack Lamb and his son, Joe; in fact, the troubled father-son relationship is a familiar theme in Spielberg films. Here, the father-son rift is just something to tack onto what is essentially just a monster movie. The great moments that are Jack and Alice together are few and far between and largely wasted – for various reasons. Also, for the most part, the characters are shallow, mere window dressing, and are no more than bit players to move us closer to big action scenes and scary moments.
In fact, much of this movie feels empty, yet I found myself endeared to quite a bit of it. It is technically well made, and there is potential in the characters, subplots, and setting for something really great. But the emotions are contrived and stunted (like the father-son reunion in the last act). J.J. Abrams was so busy making a Spielberg movie that he made something that is more a love letter to his idol and than it is a movie. Perhaps, what I like about Super 8 is that it reminds me of the good feelings I had watching Spielberg films when I was a kid.
6 of 10
B
Tuesday, December 06, 2011
Labels:
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Kyle Chandler,
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Paramount Pictures,
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Thrillers
Monday, December 5, 2011
First Six Minutes of "The Dark Knight Rises" Released December 16th
Opening Sequence of “The Dark Knight Rises” Will Be Unwrapped Just in Time for the Holidays
The film’s prologue will be released exclusively in select IMAX® 70mm film theatres.
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ “The Dark Knight Rises”—the epic conclusion to filmmaker Christopher Nolan’s Batman trilogy—is one of the most anticipated films of 2012, but moviegoers won’t have to wait until next year to see the six-minute opening sequence of the film. The film’s prologue will be unveiled exclusively in select 70mm IMAX® theatres worldwide. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.
The Prologue will be released in North America on December 16, and in the UK on December 21, 2011. Additional international dates vary by territory and will be announced soon.
In making the 2008 blockbuster “The Dark Knight,” Nolan was the first to use IMAX® cameras in a major motion picture release, and, as now, audiences were given an advance look at that film’s prologue months prior to the Summer 2008 opening. Nolan employed the extremely high-resolution cameras even more extensively on “The Dark Knight Rises”—including the film’s prologue—to achieve unprecedented crispness and clarity and a truly immersive experience for the moviegoers.
Christopher Nolan stated, “Our experience on ‘The Dark Knight’ shooting and projecting IMAX 15 perf 65mm/70mm film was inspiring. The immersive quality of the image goes beyond any other filmmaking tool available, and in revisiting Gotham, we were determined to shoot even more of the movie in this unique format. Giving the fans an early look at an IMAX sequence is a great way to draw attention to what I believe will be an incredible way to experience our story when it comes out next summer.”
Following is a list of the theatres in North America in which the Prologue of “The Dark Knight Rises” will be revealed on December 16th:
Market-Theatre, City
Austin, TX-IMAX Theater Austin, Austin
Boston, MA-Jordan's IMAX. Natick
Boston, MA-IMAX 3D Theatre in Reading, Reading
Calgary, AB-Scotiabank Theatre Chinook 16 + IMAX, Calgary
Chantilly, VA-Washington, DC-Udvar-Hazy Center IMAX, Chantilly
Chicago, IL-Navy Pier IMAX Theatre, Chicago
Des Moines, IA-SCI IMAX Dome Theater, Des Moines
Detroit, MI-Henry Ford IMAX, Dearborn
Edmonton, AB-Scotiabank Theatre Edmonton + IMAX, Edmonton
Harrisburg, PA-The Whitaker Center for Science & the Arts IMAX, Harrisburg
Houston, TX-Houston Marq*e Stadium 22 + IMAX, Houston
Indianapolis-White River IMAX, Indianapolis
Los Angeles, CA-Irvine Spectrum 20 + IMAX, Irvine
Los Angeles, CA-RAVE 18 + IMAX, Los Angeles
Los Angeles, CA-Ontario Palace Stadium 22 + IMAX, Ontario
Los Angeles, CA-Citywalk Stadium 19 with IMAX, Universal City
Madison, WI-Star 18 Fitchburg with IMAX, Fitchburg
Miami, FL-AutoNation IMAX, Fort Lauderdale
Minneapolis, MN-Great Clips IMAX, Apple Valley
Montreal, QC-Cinema Banque Scotia Montreal + IMAX, Montreal
Nashville,TN-Opry Mills Stadium 20 + IMAX, Nashville
New York, NY-Lincoln Square 13 with IMAX, New York
New York, NY-Palisades IMAX, West Nyack
Omaha, NE-Star Cinema 16 with IMAX, Council Bluffs
Orlando, FL-Pointe Orlando Stadium 20 + IMAX, Orlando
Ottawa, ON-Silvercity Gloucester + IMAX, Gloucester-Ottawa
Palm Springs (Los Angeles)-Desert IMAX Theatre, Cathedral City
Philadelphia, PA-IMAX & the Tropicana, Atlantic City
Philadelphia, PA-Tuttleman IMAX - Franklin Institute, Philadelphia
Phoenix, AZ-Arizona Mills 25 with IMAX, Tempe
Providence, RI-Providence Place 16 with IMAX, Providence
Quebec City, QC-IMAX Le Theatre At Quebec, Quebec City
Sacramento, CA-Esquire IMAX, Sacramento
San Antonio, TX-IMAX at RiverCenter, San Antonio
San Francisco, CA-Metreon 16 with IMAX & ETX, San Francisco
Seattle, WA-Boeing IMAX - Pacific Science Center, Seattle
Tampa, FL-Museum of Science and Industry (MOSI), Tampa
Toronto, ON-Coliseum 12 Mississauga + IMAX, Mississauga
Toronto, ON-Scotiabank Theatre Toronto + IMAX, Toronto
Toronto, ON-Colossus 18 Woodbridge + IMAX, Woodbridge-Vaughan
Vancouver, BC-Colossus Langley + IMAX, Langley
Vancouver, BC-Silvercity Riverport 18 + IMAX, Richmond
Below is a list of the theatres in the UK in which the Prologue of “The Dark Knight Rises” will be revealed on December 21st:
UK-BFI London, London
UK-National Media Museum IMAX Bradford, Bradford
UK-Glasgow Science Centre IMAX Cinema, Glasgow
UK-Odeon Manchester IMAX @ The Printworks, Manchester
Opening on July 20, 2012, “The Dark Knight Rises” features an international all-star cast, led by Oscar® winner Christian Bale (“The Fighter”) in the dual role of Bruce Wayne/Batman. The film also stars Anne Hathaway, as Selina Kyle; Tom Hardy, as Bane; Oscar® winner Marion Cotillard (“La Vie en Rose”), as Miranda Tate; and Joseph Gordon-Levitt, as John Blake. Reprising their roles from both “Batman Begins” and “The Dark Knight,” Oscar® winner Michael Caine (“The Cider House Rules”) plays Alfred; Gary Oldman is Commissioner Gordon; and Oscar® winner Morgan Freeman (“Million Dollar Baby”) plays Lucius Fox.
Nolan directed “The Dark Knight Rises” from a screenplay by Jonathan Nolan and Christopher Nolan, story by Christopher Nolan & David S. Goyer. The film is produced by Emma Thomas, Christopher Nolan and Charles Roven, who previously teamed on “Batman Begins” and the record-breaking blockbuster “The Dark Knight.” Benjamin Melniker, Michael E. Uslan, Kevin De La Noy and Thomas Tull are the executive producers, with Jordan Goldberg serving as co-producer. “The Dark Knight Rises” is based upon characters appearing in comic books published by DC Comics. Batman created by Bob Kane.
“The Dark Knight Rises” will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The prologue has been rated PG-13 by the MPAA for “some violence.” http://www.thedarkknightrises.com/
The film’s prologue will be released exclusively in select IMAX® 70mm film theatres.
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ “The Dark Knight Rises”—the epic conclusion to filmmaker Christopher Nolan’s Batman trilogy—is one of the most anticipated films of 2012, but moviegoers won’t have to wait until next year to see the six-minute opening sequence of the film. The film’s prologue will be unveiled exclusively in select 70mm IMAX® theatres worldwide. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.
The Prologue will be released in North America on December 16, and in the UK on December 21, 2011. Additional international dates vary by territory and will be announced soon.
In making the 2008 blockbuster “The Dark Knight,” Nolan was the first to use IMAX® cameras in a major motion picture release, and, as now, audiences were given an advance look at that film’s prologue months prior to the Summer 2008 opening. Nolan employed the extremely high-resolution cameras even more extensively on “The Dark Knight Rises”—including the film’s prologue—to achieve unprecedented crispness and clarity and a truly immersive experience for the moviegoers.
Christopher Nolan stated, “Our experience on ‘The Dark Knight’ shooting and projecting IMAX 15 perf 65mm/70mm film was inspiring. The immersive quality of the image goes beyond any other filmmaking tool available, and in revisiting Gotham, we were determined to shoot even more of the movie in this unique format. Giving the fans an early look at an IMAX sequence is a great way to draw attention to what I believe will be an incredible way to experience our story when it comes out next summer.”
Following is a list of the theatres in North America in which the Prologue of “The Dark Knight Rises” will be revealed on December 16th:
Market-Theatre, City
Austin, TX-IMAX Theater Austin, Austin
Boston, MA-Jordan's IMAX. Natick
Boston, MA-IMAX 3D Theatre in Reading, Reading
Calgary, AB-Scotiabank Theatre Chinook 16 + IMAX, Calgary
Chantilly, VA-Washington, DC-Udvar-Hazy Center IMAX, Chantilly
Chicago, IL-Navy Pier IMAX Theatre, Chicago
Des Moines, IA-SCI IMAX Dome Theater, Des Moines
Detroit, MI-Henry Ford IMAX, Dearborn
Edmonton, AB-Scotiabank Theatre Edmonton + IMAX, Edmonton
Harrisburg, PA-The Whitaker Center for Science & the Arts IMAX, Harrisburg
Houston, TX-Houston Marq*e Stadium 22 + IMAX, Houston
Indianapolis-White River IMAX, Indianapolis
Los Angeles, CA-Irvine Spectrum 20 + IMAX, Irvine
Los Angeles, CA-RAVE 18 + IMAX, Los Angeles
Los Angeles, CA-Ontario Palace Stadium 22 + IMAX, Ontario
Los Angeles, CA-Citywalk Stadium 19 with IMAX, Universal City
Madison, WI-Star 18 Fitchburg with IMAX, Fitchburg
Miami, FL-AutoNation IMAX, Fort Lauderdale
Minneapolis, MN-Great Clips IMAX, Apple Valley
Montreal, QC-Cinema Banque Scotia Montreal + IMAX, Montreal
Nashville,TN-Opry Mills Stadium 20 + IMAX, Nashville
New York, NY-Lincoln Square 13 with IMAX, New York
New York, NY-Palisades IMAX, West Nyack
Omaha, NE-Star Cinema 16 with IMAX, Council Bluffs
Orlando, FL-Pointe Orlando Stadium 20 + IMAX, Orlando
Ottawa, ON-Silvercity Gloucester + IMAX, Gloucester-Ottawa
Palm Springs (Los Angeles)-Desert IMAX Theatre, Cathedral City
Philadelphia, PA-IMAX & the Tropicana, Atlantic City
Philadelphia, PA-Tuttleman IMAX - Franklin Institute, Philadelphia
Phoenix, AZ-Arizona Mills 25 with IMAX, Tempe
Providence, RI-Providence Place 16 with IMAX, Providence
Quebec City, QC-IMAX Le Theatre At Quebec, Quebec City
Sacramento, CA-Esquire IMAX, Sacramento
San Antonio, TX-IMAX at RiverCenter, San Antonio
San Francisco, CA-Metreon 16 with IMAX & ETX, San Francisco
Seattle, WA-Boeing IMAX - Pacific Science Center, Seattle
Tampa, FL-Museum of Science and Industry (MOSI), Tampa
Toronto, ON-Coliseum 12 Mississauga + IMAX, Mississauga
Toronto, ON-Scotiabank Theatre Toronto + IMAX, Toronto
Toronto, ON-Colossus 18 Woodbridge + IMAX, Woodbridge-Vaughan
Vancouver, BC-Colossus Langley + IMAX, Langley
Vancouver, BC-Silvercity Riverport 18 + IMAX, Richmond
Below is a list of the theatres in the UK in which the Prologue of “The Dark Knight Rises” will be revealed on December 21st:
UK-BFI London, London
UK-National Media Museum IMAX Bradford, Bradford
UK-Glasgow Science Centre IMAX Cinema, Glasgow
UK-Odeon Manchester IMAX @ The Printworks, Manchester
Opening on July 20, 2012, “The Dark Knight Rises” features an international all-star cast, led by Oscar® winner Christian Bale (“The Fighter”) in the dual role of Bruce Wayne/Batman. The film also stars Anne Hathaway, as Selina Kyle; Tom Hardy, as Bane; Oscar® winner Marion Cotillard (“La Vie en Rose”), as Miranda Tate; and Joseph Gordon-Levitt, as John Blake. Reprising their roles from both “Batman Begins” and “The Dark Knight,” Oscar® winner Michael Caine (“The Cider House Rules”) plays Alfred; Gary Oldman is Commissioner Gordon; and Oscar® winner Morgan Freeman (“Million Dollar Baby”) plays Lucius Fox.
Nolan directed “The Dark Knight Rises” from a screenplay by Jonathan Nolan and Christopher Nolan, story by Christopher Nolan & David S. Goyer. The film is produced by Emma Thomas, Christopher Nolan and Charles Roven, who previously teamed on “Batman Begins” and the record-breaking blockbuster “The Dark Knight.” Benjamin Melniker, Michael E. Uslan, Kevin De La Noy and Thomas Tull are the executive producers, with Jordan Goldberg serving as co-producer. “The Dark Knight Rises” is based upon characters appearing in comic books published by DC Comics. Batman created by Bob Kane.
“The Dark Knight Rises” will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The prologue has been rated PG-13 by the MPAA for “some violence.” http://www.thedarkknightrises.com/
Labels:
Batman,
Business Wire,
Christian Bale,
Christopher Nolan,
comic book movies,
David S. Goyer,
event,
Gary Oldman,
Jonathan Nolan,
Michael Caine,
Morgan Freeman,
press release,
Warner Bros
British Independent Film Awards Name "Tyrannosaur" Best Film
WINNERS ANNOUNCED AT THE 14th MOËT BRITISH INDEPENDENT FILM AWARDS
London, Sunday 4th December – There was a spectacular turn out this evening from the very best in British talent for the 14th Moët British Independent Film Awards. The winners were announced at the star-studded ceremony, held at Old Billingsgate which was hosted by actor and comedian Chris O’Dowd and streamed live for the first time ever on LOVEFiLM.
Best British Independent Film was won by Tyrannosaur with Lynne Ramsay picking up Best Director for We Need to Talk About Kevin, Olivia Colman Best Actress for Tyrannosaur and Michael Fassbender Best Actor for Shame. Vanessa Redgrave won Best Supporting Actress for Coriolanus and Michael Smiley Best Supporting Actor for Kill List.
Tyrannosaur won the most awards on the night, picking up three trophies for Best British Independent Film, Best Actress and Paddy Considine was awarded The Douglas HickoxAward for Best Debut Director. Weekend won two awards for Best Achievement in Production and Most Promising Newcomer for Tom Cullen
Joint Directors, The Moët British Independent Film Awards Johanna von Fischer & Tessa Collinson said: “What a fantastic year for British film! This year’s nominees embodied a diverse range of genres and those walking away with awards tonight are representative of the high quality of outstanding talent we have in this country. Congratulations to them all."
As previously announced, Ralph Fiennes was awarded the coveted Richard Harris Award for outstanding contribution by an actor to British film, and Kenneth Branagh the Variety Award. The Special Jury Prize went to Graham Easton.
Elsa Corbineau, Marketing Director for Moët & Chandon, commented: “As the Champagne of film, cinema and celebration, Moët & Chandon is delighted to toast the achievements of the British Film Industry at The Moët British Independent Film Awards. We are thrilled that so many winners and nominees from this years awards have supported ‘Toast for a Cause’, helping raise thousands of pounds for their favourite charities by toasting with mini Moët & Chandon bottles.”
Elliot Grove, Founder Raindance Film Festival and BIFA added: “As always the Moët British Independent Film Awards has been an awesome celebration of the very best of British independent filmmaking. This year demonstrates that the international spotlight is on Britain for quality, innovation and creativity.”
The Moët British Independent Film Awards are proud to announce the following winners for 2011:
BEST BRITISH INDEPENDENT FILM - Sponsored by Moët & Chandon
TYRANNOSAUR
BEST DIRECTOR - Sponsored by The Creative Partnership
Lynne Ramsay – WE NEED TO TALK ABOUT KEVIN
THE DOUGLAS HICKOX AWARD [BEST DEBUT DIRECTOR] - Sponsored by 3 Mills Studios
Paddy Considine – TYRANNOSAUR
BEST SCREENPLAY - Sponsored by BBC Films
Richard Ayoade – SUBMARINE
BEST ACTRESS - Sponsored by M.A.C
Olivia Colman – TYRANNOSAUR
BEST ACTOR
Michael Fassbender – SHAME
BEST SUPPORTING ACTRESS
Vanessa Redgrave – CORIOLANUS
BEST SUPPORTING ACTOR
Michael Smiley – KILL LIST
MOST PROMISING NEWCOMER - Sponsored by STUDIOCANAL
Tom Cullen – WEEKEND
BEST ACHIEVEMENT IN PRODUCTION - Sponsored by Deluxe142
WEEKEND
THE RAINDANCE AWARD - Sponsored by Exile Media
LEAVING BAGHDAD
BEST TECHNICAL ACHIEVEMENT
Maria Djurkovic – Production Design – TINKER TAILOR SOLDIER SPY
BEST DOCUMENTARY
SENNA
BEST BRITISH SHORT
CHALK
BEST FOREIGN INDEPENDENT FILM
A SEPARATION
THE RICHARD HARRIS AWARD (for outstanding contribution by an actor to British Film) - Sponsored by Working Title
Ralph Fiennes
THE VARIETY AWARD
Kenneth Branagh
THE SPECIAL JURY PRIZE
Graham Easton
Now in its 14th year, the Awards were created by Raindance in 1998 and set out to celebrate merit and achievement in independently funded British filmmaking, to honour new talent, and to promote British films and filmmaking to a wider public.
Previous winners of the prestigious Best British Independent Film award include The King’s Speech, Moon, Control, Slumdog Millionaire, The Constant Gardener and This Is England.
Recognised for its quality and prestige, Moët & Chandon is the champagne of choice for celebration at international film festivals. The venerable house has captured the attention of Hollywood’s brightest stars since the birth of the film industry. Generations of legendary actors, actresses, producers and directors have celebrated their achievements with Moët &Chandon at the most significant and exclusive cinema events, including the Oscars & Golden Globes celebrations.
Proud supporters and patrons of The Moët British Independent Film Awards include Mike Figgis, Tom Hollander, Adrian Lester, Ken Loach, Ewan McGregor, Helen Mirren, Samantha Morton, James Nesbitt, Michael Sheen, Trudie Styler, Tilda Swinton, Meera Syal, David Thewlis, Ray Winstone and Michael Winterbottom.
The Moët British Independent Film Awards would like to thank all its supporters, especially: Moët & Chandon, The British Film Institute, 3 Mills Studios, BBC Films, Company 3, The Creative Partnership, Exile Media, M.A.C, Raindance, Soho House, Studiocanal, Swarovski, Variety, Working Title and Zander Creative.
London, Sunday 4th December – There was a spectacular turn out this evening from the very best in British talent for the 14th Moët British Independent Film Awards. The winners were announced at the star-studded ceremony, held at Old Billingsgate which was hosted by actor and comedian Chris O’Dowd and streamed live for the first time ever on LOVEFiLM.
Best British Independent Film was won by Tyrannosaur with Lynne Ramsay picking up Best Director for We Need to Talk About Kevin, Olivia Colman Best Actress for Tyrannosaur and Michael Fassbender Best Actor for Shame. Vanessa Redgrave won Best Supporting Actress for Coriolanus and Michael Smiley Best Supporting Actor for Kill List.
Tyrannosaur won the most awards on the night, picking up three trophies for Best British Independent Film, Best Actress and Paddy Considine was awarded The Douglas HickoxAward for Best Debut Director. Weekend won two awards for Best Achievement in Production and Most Promising Newcomer for Tom Cullen
Joint Directors, The Moët British Independent Film Awards Johanna von Fischer & Tessa Collinson said: “What a fantastic year for British film! This year’s nominees embodied a diverse range of genres and those walking away with awards tonight are representative of the high quality of outstanding talent we have in this country. Congratulations to them all."
As previously announced, Ralph Fiennes was awarded the coveted Richard Harris Award for outstanding contribution by an actor to British film, and Kenneth Branagh the Variety Award. The Special Jury Prize went to Graham Easton.
Elsa Corbineau, Marketing Director for Moët & Chandon, commented: “As the Champagne of film, cinema and celebration, Moët & Chandon is delighted to toast the achievements of the British Film Industry at The Moët British Independent Film Awards. We are thrilled that so many winners and nominees from this years awards have supported ‘Toast for a Cause’, helping raise thousands of pounds for their favourite charities by toasting with mini Moët & Chandon bottles.”
Elliot Grove, Founder Raindance Film Festival and BIFA added: “As always the Moët British Independent Film Awards has been an awesome celebration of the very best of British independent filmmaking. This year demonstrates that the international spotlight is on Britain for quality, innovation and creativity.”
The Moët British Independent Film Awards are proud to announce the following winners for 2011:
BEST BRITISH INDEPENDENT FILM - Sponsored by Moët & Chandon
TYRANNOSAUR
BEST DIRECTOR - Sponsored by The Creative Partnership
Lynne Ramsay – WE NEED TO TALK ABOUT KEVIN
THE DOUGLAS HICKOX AWARD [BEST DEBUT DIRECTOR] - Sponsored by 3 Mills Studios
Paddy Considine – TYRANNOSAUR
BEST SCREENPLAY - Sponsored by BBC Films
Richard Ayoade – SUBMARINE
BEST ACTRESS - Sponsored by M.A.C
Olivia Colman – TYRANNOSAUR
BEST ACTOR
Michael Fassbender – SHAME
BEST SUPPORTING ACTRESS
Vanessa Redgrave – CORIOLANUS
BEST SUPPORTING ACTOR
Michael Smiley – KILL LIST
MOST PROMISING NEWCOMER - Sponsored by STUDIOCANAL
Tom Cullen – WEEKEND
BEST ACHIEVEMENT IN PRODUCTION - Sponsored by Deluxe142
WEEKEND
THE RAINDANCE AWARD - Sponsored by Exile Media
LEAVING BAGHDAD
BEST TECHNICAL ACHIEVEMENT
Maria Djurkovic – Production Design – TINKER TAILOR SOLDIER SPY
BEST DOCUMENTARY
SENNA
BEST BRITISH SHORT
CHALK
BEST FOREIGN INDEPENDENT FILM
A SEPARATION
THE RICHARD HARRIS AWARD (for outstanding contribution by an actor to British Film) - Sponsored by Working Title
Ralph Fiennes
THE VARIETY AWARD
Kenneth Branagh
THE SPECIAL JURY PRIZE
Graham Easton
Now in its 14th year, the Awards were created by Raindance in 1998 and set out to celebrate merit and achievement in independently funded British filmmaking, to honour new talent, and to promote British films and filmmaking to a wider public.
Previous winners of the prestigious Best British Independent Film award include The King’s Speech, Moon, Control, Slumdog Millionaire, The Constant Gardener and This Is England.
Recognised for its quality and prestige, Moët & Chandon is the champagne of choice for celebration at international film festivals. The venerable house has captured the attention of Hollywood’s brightest stars since the birth of the film industry. Generations of legendary actors, actresses, producers and directors have celebrated their achievements with Moët &Chandon at the most significant and exclusive cinema events, including the Oscars & Golden Globes celebrations.
Proud supporters and patrons of The Moët British Independent Film Awards include Mike Figgis, Tom Hollander, Adrian Lester, Ken Loach, Ewan McGregor, Helen Mirren, Samantha Morton, James Nesbitt, Michael Sheen, Trudie Styler, Tilda Swinton, Meera Syal, David Thewlis, Ray Winstone and Michael Winterbottom.
The Moët British Independent Film Awards would like to thank all its supporters, especially: Moët & Chandon, The British Film Institute, 3 Mills Studios, BBC Films, Company 3, The Creative Partnership, Exile Media, M.A.C, Raindance, Soho House, Studiocanal, Swarovski, Variety, Working Title and Zander Creative.
Labels:
Documentary News,
Indie,
International Cinema News,
Kenneth Branagh,
Michael Fassbender,
movie awards,
movie news,
press release,
Ralph Fiennes,
Short Films,
United Kingdom
Sunday, December 4, 2011
Craig Roberts Keeps "Submarine" Bouyant
TRASH IN MY EYE No. 100 (of 2011) by Leroy Douresseaux
Submarine (2011)
Running time: 97 minutes (1 hour, 37 minutes)
MPAA – R for language and some sexual content
DIRECTOR: Richard Ayoade
WRITER: Richard Ayoade (based upon the novel by Joe Dunthorne)
PRODUCERS: Mary Burke, Mark Herbert, and Andy Stebbing
CINEMATOGRAPHER: Erik Alexander Wilson (D.o.P.)
EDITORS: Chris Dickens and Nick Fenton
COMPOSER: Andrew Hewitt
SONGS: Alex Turner
COMEDY/DRAMA
Starring: Craig Roberts, Noah Taylor, Paddy Considine, Yasmin Paige, Sally Hawkins, Darren Evans, and Gemma Chan
Submarine is a 2010 coming-of-age comedy/drama film that was released theatrically earlier this year (2011). The film is based upon the 2008 novel of the same title by author Joe Dunthorne and is also the debut directorial effort from British comedian and actor, Richard Ayoade. Actor/director Ben Stiller is one of the film’s executive producers. Submarine follows the story of a teenaged boy who wants to lose his virginity and to save his parents’ marriage.
Set in Swansea, a coastal city in Wales, United Kingdom, Submarine takes place in 1986 and focuses on 15-year-old Oliver Tate (Craig Roberts). Oliver thinks that he is a genius, although he is actually pretentious and socially alienated. He is in love with a classmate, a straight-talking girl named Jordana Bevan (Yasmin Paige), whom he hopes will relieve him of his virginity.
Oliver is also concerned that his parents’ sex life and, therefore, their marriage are failing. His father, Lloyd Tate (Noah Taylor), a marine biologist, is depressed. His mother, Jill (Sally Hawkins), is apparently flirting with Graham (Paddy Considine), the new age guru who just moved in next door and, surprisingly, was once Jill’s boyfriend. Oliver’s intense concern about his parents’ relationship threatens his own relationship with Jordana, who has troubles of her own at home.
When you think of movies about young men losing (or attempting to lose) their virginity, an insipid or coarse teen comedy might come to mind. Submarine isn’t really about sex, although many descriptions of the film focus on Oliver’s quest to get his cherry popped. Nor is Submarine a typical coming-of-age story; as Oliver says at one point: he doesn’t know if he has come-of-age or just gotten older.
Submarine is a character-driven story and is about a precocious teen who suffers from depression and is also a bit too self-absorbed. However, writer/director Richard Ayoade doesn’t study Oliver so much as he presents him, so the movie doesn’t really delve into the character. It’s as if Ayoade wants us to be amazed by Oliver, rather than dissect him, as much as we might want to dissect him (and I wanted to).
What makes Submarine such a good film is Craig Roberts’ performance as Oliver Tate. Whatever the screenplay may lack in depth, Roberts replaces with self-assuredness as a performer. He makes Oliver seem like an unaffected and authentic teen dealing with the mental wonky-ness brought on by puberty. Yasmin Paige also adds a salty sweet taste and sparklingly brightness to this moody comedy as Jordana.
And yes, Submarine is a comedy. Richard Ayoade pokes fun at how self-absorbed people are and at their obsession with self-gratification. Don’t worry. Submarine offers a happy ending that sparkles with airy magic as if it were a Hollywood romantic comedy.
7 of 10
B+
Tuesday, November 29, 2011
Submarine (2011)
Running time: 97 minutes (1 hour, 37 minutes)
MPAA – R for language and some sexual content
DIRECTOR: Richard Ayoade
WRITER: Richard Ayoade (based upon the novel by Joe Dunthorne)
PRODUCERS: Mary Burke, Mark Herbert, and Andy Stebbing
CINEMATOGRAPHER: Erik Alexander Wilson (D.o.P.)
EDITORS: Chris Dickens and Nick Fenton
COMPOSER: Andrew Hewitt
SONGS: Alex Turner
COMEDY/DRAMA
Starring: Craig Roberts, Noah Taylor, Paddy Considine, Yasmin Paige, Sally Hawkins, Darren Evans, and Gemma Chan
Submarine is a 2010 coming-of-age comedy/drama film that was released theatrically earlier this year (2011). The film is based upon the 2008 novel of the same title by author Joe Dunthorne and is also the debut directorial effort from British comedian and actor, Richard Ayoade. Actor/director Ben Stiller is one of the film’s executive producers. Submarine follows the story of a teenaged boy who wants to lose his virginity and to save his parents’ marriage.
Set in Swansea, a coastal city in Wales, United Kingdom, Submarine takes place in 1986 and focuses on 15-year-old Oliver Tate (Craig Roberts). Oliver thinks that he is a genius, although he is actually pretentious and socially alienated. He is in love with a classmate, a straight-talking girl named Jordana Bevan (Yasmin Paige), whom he hopes will relieve him of his virginity.
Oliver is also concerned that his parents’ sex life and, therefore, their marriage are failing. His father, Lloyd Tate (Noah Taylor), a marine biologist, is depressed. His mother, Jill (Sally Hawkins), is apparently flirting with Graham (Paddy Considine), the new age guru who just moved in next door and, surprisingly, was once Jill’s boyfriend. Oliver’s intense concern about his parents’ relationship threatens his own relationship with Jordana, who has troubles of her own at home.
When you think of movies about young men losing (or attempting to lose) their virginity, an insipid or coarse teen comedy might come to mind. Submarine isn’t really about sex, although many descriptions of the film focus on Oliver’s quest to get his cherry popped. Nor is Submarine a typical coming-of-age story; as Oliver says at one point: he doesn’t know if he has come-of-age or just gotten older.
Submarine is a character-driven story and is about a precocious teen who suffers from depression and is also a bit too self-absorbed. However, writer/director Richard Ayoade doesn’t study Oliver so much as he presents him, so the movie doesn’t really delve into the character. It’s as if Ayoade wants us to be amazed by Oliver, rather than dissect him, as much as we might want to dissect him (and I wanted to).
What makes Submarine such a good film is Craig Roberts’ performance as Oliver Tate. Whatever the screenplay may lack in depth, Roberts replaces with self-assuredness as a performer. He makes Oliver seem like an unaffected and authentic teen dealing with the mental wonky-ness brought on by puberty. Yasmin Paige also adds a salty sweet taste and sparklingly brightness to this moody comedy as Jordana.
And yes, Submarine is a comedy. Richard Ayoade pokes fun at how self-absorbed people are and at their obsession with self-gratification. Don’t worry. Submarine offers a happy ending that sparkles with airy magic as if it were a Hollywood romantic comedy.
7 of 10
B+
Tuesday, November 29, 2011
Labels:
2011,
Ben Stiller,
book adaptation,
Drama,
Movie review,
United Kingdom
Saturday, December 3, 2011
2011 British Independent Film Awards Nominations Complete List
Created in 1998, The British Independent Film Awards, by its own description, celebrates merit and achievement in independently funded British filmmaking, honor new film talent, and promote British films and filmmaking to a wider public.
The Moët British Independent Film Awards announce the following nominees for this year’s awards (which well be announced Sunday, December 4th 2011):
BEST BRITISH INDEPENDENT FILM - Sponsored by Moët & Chandon
SENNA
SHAME
TINKER TAILOR SOLDIER SPY
TYRANNOSAUR
WE NEED TO TALK ABOUT KEVIN
BEST DIRECTOR - Sponsored by The Creative Partnership
Ben Wheatley – KILL LIST
Steve McQueen – SHAME
Tomas Alfredson – TINKER TAILOR SOLDIER SPY
Paddy Considine – TYRANNOSAUR
Lynne Ramsay – WE NEED TO TALK ABOUT KEVIN
THE DOUGLAS HICKOX AWARD [BEST DEBUT DIRECTOR] - Sponsored by 3 Mills Studios
Joe Cornish – ATTACK THE BLOCK
Ralph Fiennes – CORIOLANUS
John Michael McDonagh – THE GUARD
Richard Ayoade – SUBMARINE
Paddy Considine – TYRANNOSAUR
BEST SCREENPLAY - Sponsored by BBC Films
John Michael McDonagh – THE GUARD
Ben Wheatley, Amy Jump – KILL LIST
Abi Morgan, Steve McQueen – SHAME
Richard Ayoade – SUBMARINE
Lynne Ramsay, Rory Kinnear – WE NEED TO TALK ABOUT KEVIN
BEST ACTRESS - Sponsored by M.A.C
Rebecca Hall – THE AWAKENING
Mia Wasikowska – JANE EYRE
MyAnna Buring – KILL LIST
Olivia Colman – TYRANNOSAUR
Tilda Swinton – WE NEED TO TALK ABOUT KEVIN
BEST ACTOR
Brendan Gleeson – THE GUARD
Neil Maskell – KILL LIST
Michael Fassbender – SHAME
Gary Oldman – TINKER TAILOR SOLDIER SPY
Peter Mullan – TYRANNOSAUR
BEST SUPPORTING ACTRESS
Felicity Jones – ALBATROSS
Vanessa Redgrave – CORIOLANUS
Carey Mulligan – SHAME
Sally Hawkins – SUBMARINE
Kathy Burke – TINKER TAILOR SOLDIER SPY
BEST SUPPORTING ACTOR
Michael Smiley – KILL LIST
Tom Hardy – TINKER TAILOR SOLDIER SPY
Benedict Cumberbatch – TINKER TAILOR SOLDIER SPY
Eddie Marsan – TYRANNOSAUR
Ezra Miller – WE NEED TO TALK ABOUT KEVIN
MOST PROMISING NEWCOMER - Sponsored by STUDIOCANAL
Jessica Brown Findlay – ALBATROSS
John Boyega – ATTACK THE BLOCK
Craig Roberts – SUBMARINE
Yasmin Paige – SUBMARINE
Tom Cullen – WEEKEND
BEST ACHIEVEMENT IN PRODUCTION - Sponsored by Deluxe142
KILL LIST
TYRANNOSAUR
WEEKEND
WILD BILL
YOU INSTEAD
BEST TECHNICAL ACHIEVEMENT
Chris King, Gregers Sall – Editing – SENNA
Sean Bobbitt – Cinematography – SHAME
Joe Walker – Editing – SHAME
Maria Djurkovic – Production Design – TINKER TAILOR SOLDIER SPY
Seamus McGarvey – Cinematography – WE NEED TO TALK ABOUT KEVIN
BEST DOCUMENTARY
HELL AND BACK AGAIN
LIFE IN A DAY
PROJECT NIM
SENNA
TT3D: CLOSER TO THE EDGE
BEST BRITISH SHORT
0507
CHALK
LOVE AT FIRST SIGHT
RITE
ROUGH SKIN
BEST FOREIGN INDEPENDENT FILM
ANIMAL KINGDOM
DRIVE
PINA
A SEPARATION
THE SKIN I LIVE IN
THE RAINDANCE AWARD - Sponsored by Exile Media
ACTS OF GODFREY
BLACK POND
HOLLOW
LEAVING BAGHDAD
A THOUSAND KISSES DEEP
THE RICHARD HARRIS AWARD (for outstanding contribution by an actor to British Film) - Sponsored by Working Title
To Be Announced
THE VARIETY AWARD
To Be Announced
THE SPECIAL JURY PRIZE
Announced at the Moët British Independent Film Awards on Sunday 4 December.
Proud supporters and patrons of The Moët British Independent Film Awards include Mike Figgis, Tom Hollander, Adrian Lester, Ken Loach, Ewan McGregor, Helen Mirren, Samantha Morton, Michael Sheen, Trudie Styler, Tilda Swinton, Meera Syal, David Thewlis, Ray Winstone and Michael Winterbottom.
The Moët British Independent Film Awards would like to thank all its supporters, especially: Moët & Chandon, The British Film Institute, 3 Mills Studios, BBC Films, Deluxe142, The Creative Partnership, Exile Media, M.A.C, Raindance, Soho House, Studiocanal, Swarovski, Variety, Working Title and Zander Creative.
About BIFA
Created in 1998, The British Independent Film Awards set out to celebrate merit and achievement in independently funded British filmmaking, to honour new talent, and to promote British filmmaking and British talent to a wider public.
In recognition of Moët & Chandon’s generous contribution as headline sponsor, the 2011 event is referred to as The MOËT British Independent Film Awards.
For further information on BIFA, visit http://www.bifa.org.uk/
The Moët British Independent Film Awards announce the following nominees for this year’s awards (which well be announced Sunday, December 4th 2011):
BEST BRITISH INDEPENDENT FILM - Sponsored by Moët & Chandon
SENNA
SHAME
TINKER TAILOR SOLDIER SPY
TYRANNOSAUR
WE NEED TO TALK ABOUT KEVIN
BEST DIRECTOR - Sponsored by The Creative Partnership
Ben Wheatley – KILL LIST
Steve McQueen – SHAME
Tomas Alfredson – TINKER TAILOR SOLDIER SPY
Paddy Considine – TYRANNOSAUR
Lynne Ramsay – WE NEED TO TALK ABOUT KEVIN
THE DOUGLAS HICKOX AWARD [BEST DEBUT DIRECTOR] - Sponsored by 3 Mills Studios
Joe Cornish – ATTACK THE BLOCK
Ralph Fiennes – CORIOLANUS
John Michael McDonagh – THE GUARD
Richard Ayoade – SUBMARINE
Paddy Considine – TYRANNOSAUR
BEST SCREENPLAY - Sponsored by BBC Films
John Michael McDonagh – THE GUARD
Ben Wheatley, Amy Jump – KILL LIST
Abi Morgan, Steve McQueen – SHAME
Richard Ayoade – SUBMARINE
Lynne Ramsay, Rory Kinnear – WE NEED TO TALK ABOUT KEVIN
BEST ACTRESS - Sponsored by M.A.C
Rebecca Hall – THE AWAKENING
Mia Wasikowska – JANE EYRE
MyAnna Buring – KILL LIST
Olivia Colman – TYRANNOSAUR
Tilda Swinton – WE NEED TO TALK ABOUT KEVIN
BEST ACTOR
Brendan Gleeson – THE GUARD
Neil Maskell – KILL LIST
Michael Fassbender – SHAME
Gary Oldman – TINKER TAILOR SOLDIER SPY
Peter Mullan – TYRANNOSAUR
BEST SUPPORTING ACTRESS
Felicity Jones – ALBATROSS
Vanessa Redgrave – CORIOLANUS
Carey Mulligan – SHAME
Sally Hawkins – SUBMARINE
Kathy Burke – TINKER TAILOR SOLDIER SPY
BEST SUPPORTING ACTOR
Michael Smiley – KILL LIST
Tom Hardy – TINKER TAILOR SOLDIER SPY
Benedict Cumberbatch – TINKER TAILOR SOLDIER SPY
Eddie Marsan – TYRANNOSAUR
Ezra Miller – WE NEED TO TALK ABOUT KEVIN
MOST PROMISING NEWCOMER - Sponsored by STUDIOCANAL
Jessica Brown Findlay – ALBATROSS
John Boyega – ATTACK THE BLOCK
Craig Roberts – SUBMARINE
Yasmin Paige – SUBMARINE
Tom Cullen – WEEKEND
BEST ACHIEVEMENT IN PRODUCTION - Sponsored by Deluxe142
KILL LIST
TYRANNOSAUR
WEEKEND
WILD BILL
YOU INSTEAD
BEST TECHNICAL ACHIEVEMENT
Chris King, Gregers Sall – Editing – SENNA
Sean Bobbitt – Cinematography – SHAME
Joe Walker – Editing – SHAME
Maria Djurkovic – Production Design – TINKER TAILOR SOLDIER SPY
Seamus McGarvey – Cinematography – WE NEED TO TALK ABOUT KEVIN
BEST DOCUMENTARY
HELL AND BACK AGAIN
LIFE IN A DAY
PROJECT NIM
SENNA
TT3D: CLOSER TO THE EDGE
BEST BRITISH SHORT
0507
CHALK
LOVE AT FIRST SIGHT
RITE
ROUGH SKIN
BEST FOREIGN INDEPENDENT FILM
ANIMAL KINGDOM
DRIVE
PINA
A SEPARATION
THE SKIN I LIVE IN
THE RAINDANCE AWARD - Sponsored by Exile Media
ACTS OF GODFREY
BLACK POND
HOLLOW
LEAVING BAGHDAD
A THOUSAND KISSES DEEP
THE RICHARD HARRIS AWARD (for outstanding contribution by an actor to British Film) - Sponsored by Working Title
To Be Announced
THE VARIETY AWARD
To Be Announced
THE SPECIAL JURY PRIZE
Announced at the Moët British Independent Film Awards on Sunday 4 December.
Proud supporters and patrons of The Moët British Independent Film Awards include Mike Figgis, Tom Hollander, Adrian Lester, Ken Loach, Ewan McGregor, Helen Mirren, Samantha Morton, Michael Sheen, Trudie Styler, Tilda Swinton, Meera Syal, David Thewlis, Ray Winstone and Michael Winterbottom.
The Moët British Independent Film Awards would like to thank all its supporters, especially: Moët & Chandon, The British Film Institute, 3 Mills Studios, BBC Films, Deluxe142, The Creative Partnership, Exile Media, M.A.C, Raindance, Soho House, Studiocanal, Swarovski, Variety, Working Title and Zander Creative.
About BIFA
Created in 1998, The British Independent Film Awards set out to celebrate merit and achievement in independently funded British filmmaking, to honour new talent, and to promote British filmmaking and British talent to a wider public.
In recognition of Moët & Chandon’s generous contribution as headline sponsor, the 2011 event is referred to as The MOËT British Independent Film Awards.
For further information on BIFA, visit http://www.bifa.org.uk/
Labels:
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Review: "Deliverance" Still Delivers (In Memoriam, Bill McKinney)
TRASH IN MY EYE No. 179 (of 2006) by Leroy Douresseaux
Deliverance (1972)
Running time: 109 minutes (1 hour, 49 minutes)
MPAA – R
PRODUCER/DIRECTOR: John Boorman
WRITER: James Dickey (based upon his novel)
CINEMATOGRAPHER: Vilmos Zsigmond (director of photography)
EDITOR: Tom Priestly
Academy Award nominee
DRAMA/ADVENTURE/THRILLER
Starring: Jon Voight, Burt Reynolds, Ned Beatty, Ronny Cox, Bill McKinney, Hebert “Cowboy” Coward, Billy Redden, and James Dickey
Four suburban friends: Ed Gentry (Jon Voight), Lewis Medlock (Burt Reynolds), Bobby Trippe (Ned Beatty), and Drew Ballinger (Ronny Cox) take a canoeing trip down the Cahulawasse River in Georgia at the behest of Lewis who wants them to see what’s going to be destroyed in the name of progress (The river’s being dammed to produce electricity). What began as a fun adventure, however, turns horrific when redneck locales (alternately referred to as “crackers” or “hillbillies”) descend on the quartet and brutalizes one of the party and threatens to kill the rest. [The most memorable is the “Mountain Man” (Bill McKinney) who demands that Bobby Trippe “squeal like a pig.”] Before long the river trip becomes a race to escape this heart of darkness, and one of them learns that he must kill or be killed if they’re to make it back to civilization.
Director John Boorman’s 1972 film, Deliverance, carries with a bit of infamy due to a particular assault that occurs just before the film’s midpoint. It remains, however, one of the great American films about survival. Based upon the novel by James Dickey, who also wrote the film’s screenplay, Deliverance covers all the classic conflicts: man vs. man, man vs. nature, man vs. himself, and, in the end, even approaches a bit of man vs. society. One could also view the film as a battle of the New Man against the Old Man – American modern versus American primeval.
Regardless of how the viewer approaches conflict, Deliverance is the razor’s edge of storytelling about the struggle to survive and those battles against interior doubts and physical weakness that impede the struggle to survive. The film’s main stars: Voight, Reynolds, Beatty, and Cox personify this struggle in their characters, and through each one we watch the logical outcomes of how different men approach their dilemmas and to what extend they win, lose, or draw. The pivotal performance is Voight’s. Of the four characters, only Ed Gentry is directly connected to each of his three partners, and the others are strangers to one another. So much of this movie’s philosophy and plot line run through him, and Voight carries it well with a subtle, layered performance.
It’s a testament to Boorman’s direction and Dickey’s script that they allowed the actors to largely tell us this story. For all its intensity, Deliverance is free of theatrics, but rich in human drama, which comes when good actors take the plot and setting and construct a great story.
8 of 10
A
NOTES:
1973 Academy Awards: 3 nominations: “Best Picture” (John Boorman), “Best Director” (John Boorman), and “Best Film Editing” (Tom Priestley)
1973 BAFTA Awards: 3 nominations: “Best Cinematography” (Vilmos Zsigmond), “Best Film Editing” (Tom Priestley), and “Best Sound Track” (Jim Atkinson, Walter Goss, and Doug E. Turner)
1973 Golden Globes: 5 nominations: “Best Director - Motion Picture” (John Boorman), “Best Motion Picture – Drama,” “Best Motion Picture Actor – Drama” (Jon Voight), “Best Original Song” (Arthur Smith-music, Steve Mandel-adaptation, and Eric Weissberg-adaptation for the song "Dueling Banjos") and “Best Screenplay” (James Dickey)
2008 National Film Preservation Board: National Film Registry
Deliverance (1972)
Running time: 109 minutes (1 hour, 49 minutes)
MPAA – R
PRODUCER/DIRECTOR: John Boorman
WRITER: James Dickey (based upon his novel)
CINEMATOGRAPHER: Vilmos Zsigmond (director of photography)
EDITOR: Tom Priestly
Academy Award nominee
DRAMA/ADVENTURE/THRILLER
Starring: Jon Voight, Burt Reynolds, Ned Beatty, Ronny Cox, Bill McKinney, Hebert “Cowboy” Coward, Billy Redden, and James Dickey
Four suburban friends: Ed Gentry (Jon Voight), Lewis Medlock (Burt Reynolds), Bobby Trippe (Ned Beatty), and Drew Ballinger (Ronny Cox) take a canoeing trip down the Cahulawasse River in Georgia at the behest of Lewis who wants them to see what’s going to be destroyed in the name of progress (The river’s being dammed to produce electricity). What began as a fun adventure, however, turns horrific when redneck locales (alternately referred to as “crackers” or “hillbillies”) descend on the quartet and brutalizes one of the party and threatens to kill the rest. [The most memorable is the “Mountain Man” (Bill McKinney) who demands that Bobby Trippe “squeal like a pig.”] Before long the river trip becomes a race to escape this heart of darkness, and one of them learns that he must kill or be killed if they’re to make it back to civilization.
Director John Boorman’s 1972 film, Deliverance, carries with a bit of infamy due to a particular assault that occurs just before the film’s midpoint. It remains, however, one of the great American films about survival. Based upon the novel by James Dickey, who also wrote the film’s screenplay, Deliverance covers all the classic conflicts: man vs. man, man vs. nature, man vs. himself, and, in the end, even approaches a bit of man vs. society. One could also view the film as a battle of the New Man against the Old Man – American modern versus American primeval.
Regardless of how the viewer approaches conflict, Deliverance is the razor’s edge of storytelling about the struggle to survive and those battles against interior doubts and physical weakness that impede the struggle to survive. The film’s main stars: Voight, Reynolds, Beatty, and Cox personify this struggle in their characters, and through each one we watch the logical outcomes of how different men approach their dilemmas and to what extend they win, lose, or draw. The pivotal performance is Voight’s. Of the four characters, only Ed Gentry is directly connected to each of his three partners, and the others are strangers to one another. So much of this movie’s philosophy and plot line run through him, and Voight carries it well with a subtle, layered performance.
It’s a testament to Boorman’s direction and Dickey’s script that they allowed the actors to largely tell us this story. For all its intensity, Deliverance is free of theatrics, but rich in human drama, which comes when good actors take the plot and setting and construct a great story.
8 of 10
A
NOTES:
1973 Academy Awards: 3 nominations: “Best Picture” (John Boorman), “Best Director” (John Boorman), and “Best Film Editing” (Tom Priestley)
1973 BAFTA Awards: 3 nominations: “Best Cinematography” (Vilmos Zsigmond), “Best Film Editing” (Tom Priestley), and “Best Sound Track” (Jim Atkinson, Walter Goss, and Doug E. Turner)
1973 Golden Globes: 5 nominations: “Best Director - Motion Picture” (John Boorman), “Best Motion Picture – Drama,” “Best Motion Picture Actor – Drama” (Jon Voight), “Best Original Song” (Arthur Smith-music, Steve Mandel-adaptation, and Eric Weissberg-adaptation for the song "Dueling Banjos") and “Best Screenplay” (James Dickey)
2008 National Film Preservation Board: National Film Registry
--------------------
Labels:
1972,
BAFTA nominee,
book adaptation,
Burt Reynolds,
Drama,
Golden Globe nominee,
Movie review,
National Film Registry,
Oscar nominee,
Thrillers
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