"Joyful Noise" Soundtrack Has Dolly Parton, Queen Latifah and More

“Joyful Noise” Soundtrack to Be Released January 10, 2012

Soundtrack Features New Music Performed by Dolly Parton, Queen Latifah, Kirk Franklin, Keke Palmer and Others

BURBANK, Calif.--(BUSINESS WIRE)--WaterTower Music announces the release of the soundtrack to Alcon Entertainment’s and Warner Bros. Pictures’ “Joyful Noise,” a funny and inspirational story of music, hope, love and renewal, which opens in theatres January 13, 2012.

This musically driven story brings together the sounds of gospel, pop, country, rock and R & B with multiple performances by Grammy Lifetime Achievement Award recipient and Oscar® winner Dolly Parton (“Transamerica,” “Steel Magnolias,” “Nine to Five”), Grammy, Oscar®, and Golden Globe Award winner Queen Latifah (“Chicago,” “Hairspray”), and BET and NAACP Award winner Keke Palmer (“True Jackson VP,” “Akeelah and the Bee”). The soundtrack to “Joyful Noise” includes these performances, including renditions of memorable songs originally recorded by a wide range of artists: Chris Brown, Michael Jackson, Paul McCartney, Sly & the Family Stone, Usher, and Stevie Wonder. Additionally, the soundtrack boasts recordings of the three original songs Dolly Parton wrote for the film, “He’s Everything,” “Not Enough” and “From Here to the Moon and Back.”

The collection also includes tracks by some of the finest acts in gospel and R&B. Grammy winner Kirk Franklin wrote and takes the vocal reins on his jubilant new song “In Love,” and award winning gospel vocalist Karen Peck creates harmonic gold on “Mighty High.”

Five-time Grammy winner and 10-time Grammy nominee Mervyn Warren (“Dreamgirls,” “The Preacher’s Wife,” “Sister Act 2”) produced and arranged all songs on the “Joyful Noise” soundtrack. Warren has written arrangements for the likes of Quincy Jones, David Foster and Whitney Houston, and was a member of acclaimed a cappella group Take 6. He is also a recipient of a Soul Train Award and has been recognized by the NAACP Image Awards, Dove Awards, and Stellar Awards.

The “Joyful Noise” soundtrack will see its release at both physical and digital retail on January 10, 2012.

Track List:
1. Not Enough - Dolly Parton and Queen Latifah

2. Man In The Mirror - Keke Palmer

3. Maybe I'm Amazed - Jeremy Jordan and Keke Palmer

4. In Love - Kirk Franklin

5. Fix Me Jesus - Queen Latifah

6. From Here To The Moon And Back - Dolly Parton, Kris Kristofferson and Jeremy Jordan

7. I'm Yours - Keke Palmer, DeQuina Moore and Angela Grovey

8. Mighty High - Karen Peck

9. That's The Way God Planned It - Ivan Kelley, Jr.

10. Higher Medley - Queen Latifah, Dolly Parton, Keke Palmer, Jeremy Jordan, Andy Karl, Angela Grovey, and DeQuina Moore

11. He's Everything - Queen Latifah, Dolly Parton, Keke Palmer, Jeremy Jordan, Andy Karl and DeQuina Moore

12. Joyful Noise Suite - Mervyn Warren

ABOUT THE FILM
Oscar® nominees Queen Latifah (“Chicago,” “Hairspray”) and Dolly Parton (“Transamerica,” “Steel Magnolias,” “Nine to Five”) star in Alcon Entertainment’s and Warner Bros. Pictures’ “Joyful Noise,” a funny and inspirational story of music, hope, love and renewal.

The small town of Pacashau, Georgia, has fallen on hard times, but the people are counting on the Divinity Church Choir to lift their spirits by winning the National Joyful Noise Competition. The choir has always known how to sing in harmony, but the discord between its two leading ladies now threatens to tear them apart. Their newly appointed director, Vi Rose Hill (Latifah), stubbornly wants to stick with their tried-and-true traditional style, while the fiery G.G. Sparrow (Parton) thinks tried-and-true translates to tired-and-old. Shaking things up even more is the arrival of G.G.’s rebellious grandson, Randy (Jeremy Jordan). Randy has an ear for music, but he also has an eye for Vi Rose’s beautiful and talented daughter, Olivia (Keke Palmer), and the sparks between the two teenagers are causing even more friction between G.G. and Vi Rose. If these two strong-willed women can put aside their differences for the good of the people in their town, they—and their choir—may make the most joyful noise of all.

Starring with Latifah and Parton are Keke Palmer (“Akeelah and the Bee”), Courtney B. Vance (“Extraordinary Measures”), Jeremy Jordan (Broadway’s “Bonnie and Clyde”), and Kris Kristofferson (“Dolphin Tale”). Rounding out the main cast are Dexter Darden, Angela Grovey, Paul Woolfolk and Jesse L. Martin.

Todd Graff (“Bandslam”) directed “Joyful Noise” from his original screenplay. The film is produced by Oscar® nominee Michael Nathanson (“L.A. Confidential”), Joseph Farrell, Catherine Paura, and Oscar® nominees Broderick Johnson and Andrew A. Kosove (“The Blind Side”). The executive producers are Timothy M. Bourne, Queen Latifah and Shakim Compere, with Yolanda T. Cochran and Steven P. Wegner serving as co-producers. Five-time Grammy Award winner Mervyn Warren composed the score.

Alcon Entertainment presents a Farrell Paura Productions/O.N.C. Entertainment Production, “Joyful Noise,” being distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. The film opens nationwide on January 13, 2012. This film has been rated PG-13 for some language including a sexual reference. http://www.joyfulnoisethemovie.com/

Review: DiCaprio, Hanks Catch Fire in "Catch Me if You Can" (Happy B'day, Steven Spielberg)

TRASH IN MY EYE No. 96 (of 2003) by Leroy Douresseaux

Catch Me if You Can (2002)
Running time: 141 minutes (2 hours, 21 minutes)
MPAA – PG-13 for some sexual content and brief language
DIRECTOR: Steven Spielberg
WRITER: Jeff Nathanson (based upon the book Catch Me If You Can: The Amazing True Story of the Youngest and Most Daring Con Man in the History of Fun and Profit by Frank W. Abagnale and Stan Redding
PRODUCERS: Walter F. Parkes and Steven Spielberg
CINEMATOGRAPHER: Janusz Kaminski
EDITOR: Michael Kahn
COMPOSER: John Williams
Academy Award nominee

COMEDY/CRIME/DRAMA

Starring: Leonardo DiCaprio, Tom Hanks, Christopher Walken, Martin Sheen, Nathalie Baye, James Brolin, Amy Adams, Nancy Lenehan, Ellen Pompeo, and Jennifer Garner

Steven Spielberg had two directorial works theatrically released in 2002. The first was the fantastic Minority Report (ahead of its time, perhaps), and the second was a box office smash that didn’t really feature any obvious directorial flourishes, Catch Me if You Can. It was as if Spielberg backed off a little (he wasn’t even among the top choices to direct this film), and let the film take a life of its own. Though plagued by a few scenes that could have been excluded (including one by the overrated and unattractive Jennifer Garner), it’s a very good film that relies not so much on the director or even on the intriguing tale (which is based upon a true story), but rather on the talents of its cast, in particular Leonardo DiCaprio, Tom Hanks, and Christopher Walken.

When his parents’ financial security evaporates and causes their marriage to go kaput, 17-year old Frank Abagnale, Jr. (Leonardo DiCaprio) comes up with a way to get his father Frank, Sr. (Christopher Walken) flush in paper again. He becomes a successful con artist, managing to pass himself off as several identities, in particular as an airline pilot, a physician, and an attorney. However, it is his ingenious check fraud schemes that draw the attention of a relentless FBI agent, Carl Hanratty (Tom Hanks), who begins a cross-country and trans-Atlantic chase to catch Frank, Jr.

Walken gives a very deep and heartfelt performance as Frank Sr., a man beset by the Internal Revenue Service and marital woes. Tom Hanks is dead on as the determined and stoic G-Man, Hanratty, whose dogged search belies his simple need to bring order where fraud creates chaos. Hank plays the agent as a persistent and by the book official who actually has a wry sense of humor; you have to watch carefully to catch the humor. DiCaprio’s Frank, Jr. is, on the surface, a one-note character, but the actor plays much of the young con beneath the surface. Frank succeeds as a confidence man simply because of his measured self-control. A con survives by not breaking each time he encounters something that threatens to spoil the con game. DiCaprio’s Frank is the legal opposite of Hank’s Hanratty, but, otherwise, they’re about the same in personality. Their insistence to do what they have to do keeps them going. A viewer can’t read that in the script. He has to read that in the actors’ performances: physical and facial and subtly verbal. This is the work of two artists.

Catch Me if You Can waffles between being a drama and comedy while really being neither. It’s not a great film; the set up to Frank’s life of crime is overly long and occasionally dull. Still, Catch Me if You Can is a very good and tremendously entertaining work in which the actors outplay all the other elements of the film. Nothing wrong with that – you can get a fine moving picture when great actors can get to do what they do so well and do it with relative ease.

7 of 10
A-

NOTES:
2003 Academy Awards: 2 nominations: “Best Actor in a Supporting Role” (Christopher Walken) and “Best Music, Original Score” (John Williams)

2003 BAFTA Awards: 1 win: “Best Performance by an Actor in a Supporting Role” (Christopher Walken); 3 nominations: “Anthony Asquith Award for Film Music” (John Williams), “Best Costume Design” (Mary Zophres), and “Best Screenplay – Adapted” (Jeff Nathanson)

2003 Golden Globes: 1 nomination: “Best Performance by an Actor in a Motion Picture – Drama” (Leonardo DiCaprio)

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Detroit Film Critics are Patrons of "The Artist"

According to John Serba, film critic for The Grand Rapids Press and member of the Detroit Film Critics Society, the group has announced its 2011 winners.

The Detroit Film Critics Society Winners for 2011:

Best Picture: “The Artist”

Best Director: Michel Hazanivicius

Best Actor: Michael Fassbender, “Shame”

Best Actress: Michelle Williams, “My Week with Marilyn”

Best Supporting Actor: Christopher Plummer, “Beginners”

Best Supporting Actress: Carey Mulligan, “Shame”

Best Ensemble: “Carnage”

Best Breakthrough Performance: Jessica Chastain, “The Tree of Life,” “Take Shelter,” “The Help”

Best Screenplay: Steven Zaillian and Aaron Sorkin, “Moneyball”

Best Documentary: “Tabloid”
 

"Sherlock Holmes: A Game of Shadows" a Familiar, But Fun Game

TRASH IN MY EYE No. 105 (of 2011) by Leroy Douresseaux


Sherlock Holmes: A Game of Shadows (2011)
Running time: 129 minutes (2 hours, 9 minutes)
MPAA – PG-13 for intense sequences of violence and action, and some drug material
DIRECTOR: Guy Ritchie
WRITERS: Michele Mulroney and Kieran Mulroney (based on the characters created by Arthur Conan Doyle)
PRODUCERS: Susan Downey, Dan Lin, Joel Silver, and Lionel Wigram
CINEMATOGRAPHER: Philippe Rousselot
EDITOR: James Herbert
COMPOSER: Hans Zimmer

ACTION/MYSTERY/THRILLER

Starring: Robert Downey, Jr., Jude Law, Noomi Rapace, Jared Harris, Stephen Fry, Paul Anderson, Kelly Reilly, Rachel McAdams, Geraldine James, and Eddie Marsan

Sherlock Holmes: A Game of Shadows is a 2011 Sherlock Holmes film and action/mystery movie. It is a direct sequel to the 2009 film, Sherlock Holmes, which brought Sir Arthur Conan Doyle’s famous detective back to the big screen as an in-your-face, two-fisted genius. A Game of Shadows finds Holmes taking on his greatest adversary, Professor Moriarty.

A year after the events of the first film, Sherlock Holmes (Robert Downey, Jr.), the renowned "consulting detective,” is investigating a seemingly unrelated series of crimes around Europe, including a bombing in London and the murder of prominent physician. Holmes believes the crimes are tied to the criminal mastermind, Professor James Moriarty (Jared Harris), who is just as smart as Holmes and more ruthless. Meanwhile, Holmes’ trusted ally and physician, Dr. John Watson (Jude Law), is set to marry Mary Morstan (Kelly Reilly).

It is Watson’s stag (bachelor) party that brings Holmes into contact with Sim (Noomi Rapace), a gypsy fortune teller marked for death by Moriarty. Holmes and Watson follow Sim to Paris where they discover the far-reaching implications of Moriarty’s plot. With his brother, Mycroft Holmes (Stephen Fry), providing some assistance (from a distance), Holmes tries to stop a possible war. But in Moriarty, Holmes may have met an opponent that even he cannot overcome.

Sherlock Holmes: A Game of Shadow offers the same thrills, chills, laughs, and mind games of the first film, except this new movie is more intense than wry. It is darker, has more action, and plays more on the razor’s edge than the first film, which was clever and loose, whereas this film is cunning and taut. You get the idea that the well-being of the world is on the line if Holmes’ slips up, and Moriarty is so damn formidable, Holmes is often outmaneuvered in this story. The best thing director Guy Ritchie gets out of the script is that the action in this story really matters.

Good performances abound. Watching Robert Downey, Jr. play Holmes, I got the feeling that if his brain were not firing on all cylinders, it was close. Downey’s performance was like mixing a high wire act with juggling and being on the receiving end of a knife-throwing act. Jared Harris is superb as Moriarty; I’ve never been more in awe and more afraid of this villain, and I wish Harris’ take on Moriarty had more screen time. Noomi Rapace makes the most of her role as Sim, a character whose screen time exceeds her importance.

Sherlock Holmes: A Game of Shadows sticks with the winning formula of the first film with some refinement. It delivers glossy, high-caliber entertainment with a clever edge that puts it above the typical Hollywood fast food, movie product. I’m already ready for a third Robert Downey, Jr.-Guy Ritchie Sherlock Holmes movie.

7 of 10
B+

Saturday, December 17, 2011

Las Vegas Film Critics Support "The Artist"

The Las Vegas Film Critics Society is a non-profit organization that describes itself as “progressive” and “dedicated to the advancement and preservation of film.” The LVFCS membership is comprised of “select” print, television and internet film critics in the Las Vegas area. The LVFCS presents its "Sierra" awards each year for the best in film, including The William Holden Lifetime Achievement Award, which is named for the late Academy Award winning actor.

As are many other film critics groups in 2011, Las Vegas film critics are down with The Artist.

2011 Sierra Award winners:

Best Picture
“The Artist”

Best Actor
Jean Dujardin, “The Artist”

Best Actress
Michelle Williams, “My Week with Marilyn”

Best Supporting Actor
Albert Brooks, “Drive”

Best Supporting Actress
Melissa McCarthy, “Bridesmaids”

Best Director
Nicholas Winding Refn, “Drive”

Best Screenplay (Original or Adapted)
Aaron Sorkin & Steve Zaillian, “Moneyball”

Best Cinematography
Emmanuel Lubezski, “Tree of Life”

Best Film Editing
Thelma Schoonmaker, “Hugo”

Best Costume Design
Mark Bridges, “The Artist”

Best Art Direction
Gregory S. Hooper, “The Artist”

Best Visual Effects
“Rise of the Planet of the Apes”

Best Documentary
“Project NIM”

Best Foreign Film
“13 Assassins”

Best Song
“Man or Muppet” - Written by Bret McKenzie

Best Score
Ludovic Bource, “The Artist”

Best Family Film
“Hugo”

Best Animated Film
“Rango”

Youth in Film
Asa Butterfield, “Hugo”

Best DVD (Packaging, Design, and Content)
“Jurassic Park Ultimate Trilogy (Blu-Ray)

William Holden Lifetime Achievement Award for 2010:
Albert Brooks


http://www.lvfcs.org/lvfcs/Home.html

Review: New "Fright Night" is Sexy and Mean

TRASH IN MY EYE No. 104 (of 2011) by Leroy Douresseaux

Fright Night (2011)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – R for bloody horror violence, and language including some sexual references
DIRECTOR: Craig Gillespie
WRITERS: Marti Noxon; from a story by Tom Holland (based upon the film, Fright Night, written by Tom Holland)
PRODUCERS: Michael De Luca and Alison R. Rosenzweig
CINEMATOGRAPHER: Javier Aguirresarobe
EDITOR: Tatiana S. Riegel
COMPOSER: Ramin Djawadi

HORROR/COMEDY/ACTION

Starring: Colin Farrell, Anton Yelchin, Toni Collette, David Tennant, Imogen Poots, Christopher Mintz-Plasse, Dave Franco, Sandra Vergara, and Chris Sarandon

Fright Night is a 2011 comic horror film. It is also a remake of the 1985 film of the same name from writer/director Tom Holland. Like the original film, the new Fright Night is about a teen boy who believes that his new next door neighbor is a vampire and tries to stop the monster’s killing spree.

Charley Brewster (Anton Yelchin) has a new neighbor, Jerry Dandrige (Colin Farrell), who claims to work construction at night. Charley doesn’t like the way Jerry looks at his mother, Jane Brewster (Toni Collette), and his girlfriend, Amy Peterson (Imogen Poots). Charley’s former best friend, Edward “Evil Ed” Lee (Christopher Mintz-Plasse), claims that Jerry is the reason people have been disappearing from all over the Las Vegas suburb where they live… because Jerry is a vampire. After Ed disappears, Charley realizes that he needs help, so he turns to Las Vegas magician, Peter Vincent (David Tennant), whose Vegas stage show, Fright Night, chronicles his vampire-hunting adventures. But can the reluctant Vincent really help Charley fight a powerful vampire?

I like to distinguish how movies mix laughs and chills. A horror comedy is a comedy that tries to act and look like a horror movie. A comedy horror is a horror movie that desperately wants to have it both ways – be funny and scary, usually with disastrous results. The best is the comic horror film. This type of movie is truly a horror movie. It looks and acts like a horror movie because it is a horror movie. It is scary, violent, and thrilling, but there is humor of some type: sarcasm, satire, slapstick, and camp. Successful comic horror films include a classic, The Evil Dead, and the more recent Zombieland, and of course, the vampire send-up, the original Fright Night.

The new Fright Night is a superb comic horror film. In fact, it’s batshit crazy with its gleefully vicious villain and its hero – some kid trying to be the protector, rescuer, and savior. I like how screenwriter Marti Noxon re-imagines the original film into a story of a large transient and disconnected population that is easy prey to the monster next door. It’s as if these people don’t notice that their friends, neighbors, classmates, and sometimes even entire households have seemingly disappeared into thin air (or that there is a small war going on between a vampire and a kid). I cannot help but believe that this film is a biting commentary of our foreclosure and alienation society.

Director Craig Gillespie offers so many exciting action set pieces, and he imaginatively stages some of the wackier elements of the screenplay in ways that create a comic edge vampire films rarely have. The action in this film is also aggressive. In the first Fright Night, the part of the plot that dealt directly with the vampire was like a mystery story, and the villain was a suave ladies’ man. In the new film, there is little pretense about what Jerry Dandrige is; thus, the conflict between boy hero and vampire becomes practically a small war. In this way, Fright Night 2011 is more visceral than the original. It is a wild, bloody ride with generous helpings of jest and sarcasm.

This comic horror film has a few key, droll and witty performances, but first, I have a complaint. Christopher Mintz-Plasse as the new “Evil Ed” is an insult to Stephen Geoffreys as the original. It’s not Mintz-Plasse’s fault; the new version doesn’t seem to care much for the character, and it seems as if Ed is included out of a sense of obligation. Conversely, David Tennant’s loutish spin on the Peter Vincent character is a winner; early in the film, this interpretation seems as if it will be a disaster, but, by the end of the film, I wanted more.

Colin Farrell’s Jerry Dandrige is part bully, part predator, and pure carnivore. Farrell is funny, and this performance testifies to his largely untapped talent. Farrell’s Dandrige is similar to a description of baseball pitcher Roger Clemens by a commentator: a big white Republican who believes that he can do whatever he wants – damn the rules.

However, the new Fright Night hinges on Anton Yelchin, and he is fantastic. In the new Charley Brewster, Yelchin creates a complex, layered teen. When the story focuses on Brewster as the reformed nerd, his stubborn determination to be the cool kid, no matter the cost to his soul, to say nothing of the cost to his former friends, is painfully realistic. That is why Brewster’s transformation into teen warrior also rings true. The new Fright Night is a delight, and the reasons are many for this well-made film – with Yelchin being the most important one.

7 of 10
A-

Friday, December 16, 2011

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"Death Race 3" Begins Production

The Stakes Are Higher Than Ever For the Ultimate Road Warrior In An All-New Deadly Race

DEATH RACE 3 Currently Filming in South Africa

Death Race 3, the latest heart-pounding entry in the high-octane franchise, is currently filming in and around Cape Town, South Africa. In this all-new original feature film from Universal 1440 Entertainment, hardened criminalsrace for their freedom in vicious new vehicles and face-off in the ultimateblood sport, when the popular Death Race is transported across the globe to the unforgiving and rugged terrain of South Africa. Forced against his will to participate in this global TV spectacle, Frankenstein - the greatest Death Race driver of all time - takes on this ultimate challenge to not only save himself, but his pit crew as well.

Inspired by Roger Corman’s cult classic thrill ride, Death Race 3 marks the return of Luke Goss (Death Race 2, Hellboy 2: The Golden Army, Blade 2), Danny Trejo (Death Race 2, Machete, “Sons of Anarchy”), Ving Rhames (Death Race 2, Mission: Impossible franchise, Pulp Fiction), Fred Koehler (Death Race 1 & 2, “Lost”), Robin Shou (Death Race 1 & 2, Mortal Kombat) and Tanit Phoenix (Death Race 2, “Femme Fatales”). Also, joining the action are Dougray Scott (Mission: Impossible II, “Heist”) and Hlubi Mboya (How to Steal 2 Million).

“Universal’s first two Death Race films have garnered an ardent global following that is eagerly awaiting a new chapter in this riveting saga,” says Glenn Ross,General Manager and Executive Vice President, Universal 1440 Entertainment. “Death Race 3 will exceed their expectations with even more explosive action, elaborately outfitted cars, inventive weaponry and death-defying stunts that have made the franchise such a huge fan favorite.”

Director Roel Reiné (Death Race 2, Scorpion King 3) once again takes the wheel of the explosive, action-thrill ride. Death Race 3 is produced by Mike Elliott (Death Race 2, Smokin’ Aces 2: Assassins Ball), with Paul W.S. Anderson and Jeremy Bolt serving as executive producers. The screenplay is by Tony Giglio (Death Race 2). The film is an official South African/German Co-Production between Universal Pictures Productions GmbH and Moonlighting DR3 Production (Pty) Ltd, shot in South Africa and co-produced by Genevieve Hofmeyr, Marvin Saven, and Ralph Tuebben. The film’s stellar production team includes director of photography John Shields (The Last House on the Left).

SYNOPSIS:
Convicted cop-killer Carl Lucas, aka Frankenstein, is a superstar driver in the brutal prison yard demolition derby known as Death Race. Only one victory away from winning freedom for himself and his pit crew, Lucas is plunged into an all-new competition more vicious than anything he has experienced before. Pitted against his most ruthless adversaries ever, Lucas fights to keep himself and his team alive in a race in South Africa’s infernal Kalahari Desert. With powerful forces at work behind the scenes to ensure his defeat, will Lucas’ determination to win at all costs mean the end of the road for him?


Universal 1440 Entertainment is a production entity of Universal Studios Home Entertainment (USHE). Universal Studios Home Entertainment is a unit of Universal Pictures, a division of Universal Studios (http://www.universalstudios.com/). Universal Studios is a part of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stationsgroup and world-renowned theme parks.Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.