"The Dark Knight Rises" Trailer Hotter Than Cayenne

Trailer for “The Dark Knight Rises” Shatters Record with More Than 12.5 Million Downloads on iTunes in First Day

BURBANK, Calif.--(BUSINESS WIRE)--The new trailer for Warner Bros. Pictures’ and Legendary Pictures’ “The Dark Knight Rises” smashed the record for most combined downloads through the iTunes Movie Trailers site (www.itunes.com/trailers) and the iTunes Trailers iOS app for iPhone, iPad and iPod touch. The trailer went online at 10:00 Monday morning, December 19, and was viewed more than 12.5 million times in its first 24 hours, breaking the previous record by well over two million. The trailer can be viewed in HD at http://trailers.apple.com/trailers/wb/thedarkknightrises/.

Opening on July 20, 2012, “The Dark Knight Rises” is the much-anticipated epic conclusion to Christopher Nolan’s Batman trilogy. The film’s international all-star cast is led by Oscar® winner Christian Bale (“The Fighter”) in the dual role of Bruce Wayne/Batman. The film also stars Anne Hathaway, as Selina Kyle; Tom Hardy, as Bane; Oscar® winner Marion Cotillard (“La Vie en Rose”), as Miranda Tate; and Joseph Gordon-Levitt, as John Blake. Reprising their roles from both “Batman Begins” and “The Dark Knight,” Oscar® winner Michael Caine (“The Cider House Rules”) plays Alfred; Gary Oldman is Commissioner Gordon; and Oscar® winner Morgan Freeman (“Million Dollar Baby”) plays Lucius Fox.

The film is directed by Nolan from a screenplay by Jonathan Nolan and Christopher Nolan, story by Christopher Nolan & David S. Goyer. The film is produced by Emma Thomas, Christopher Nolan and Charles Roven, who previously teamed on “Batman Begins” and the record-breaking blockbuster “The Dark Knight.” Benjamin Melniker, Michael E. Uslan, Kevin De La Noy and Thomas Tull are the executive producers, with Jordan Goldberg serving as co-producer. “The Dark Knight Rises” is based upon characters appearing in comic books published by DC Comics. Batman created by Bob Kane.

A presentation of Warner Bros. Pictures, in association with Legendary Pictures, “The Dark Knight Rises” will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

"The Artist" Dominates San Diego Film Critics Awards

The members of San Diego Film Critics Society write and/or broadcast for a San Diego County based outlet. The society’s mission statement is “to provide diverse critical opinion about movies, advance film education and awareness, and recognize excellence in cinema.”

2011 San Diego Film Critics winners:

BEST FILM –
WINNER: THE ARTIST

Nominees:
DRIVE
HUGO
MIDNIGHT IN PARIS
THE TREE OF LIFE

BEST DIRECTOR –
Winner: Nicolas Winding Refn, DRIVE

Nominees:
Martin Scorsese, HUGO
Michel Hazanavicius, THE ARTIST
Terrence Malick, THE TREE OF LIFE
Woody Allen, MIDNIGHT IN PARIS

BEST ACTRESS –
Winner: Brit Marling, ANOTHER EARTH

Nominees:
Elizabeth Olsen, MARTHA MARCY MAY MARLENE
Michelle Williams, MY WEEK WITH MARILYN
Tilda Swinton, WE NEED TO TALK ABOUT KEVIN
Viola Davis, THE HELP

BEST ACTOR –
Winner: Michael Shannon, TAKE SHELTER

Nominees:
Brad Pitt, MONEYBALL
Brendan Gleeson, THE GUARD
George Clooney, THE DESCENDANTS
Jean Dujardin, THE ARTIST

BEST SUPPORTING ACTRESS –
Winner: Shailene Woodley, THE DESCENDANTS

Nominees:
Bérénice Bejo, THE ARTIST
Carey Mulligan, SHAME
Jessica Chastain, THE HELP
Mélanie Laurent, BEGINNERS

BEST SUPPORTING ACTOR –
Winner: Nick Nolte, WARRIOR

Nominees:
Albert Brooks, DRIVE
Andy Serkis, RISE OF THE PLANET OF THE APES
Christopher Plummer, BEGINNERS
Max von Sydow, EXTREMELY LOUD AND INCREDIBLY CLOSE

BEST ORIGINAL SCREENPLAY –
Winner: Woody Allen, MIDNIGHT IN PARIS

Nominees:
Michel Hazanavicius, THE ARTIST
Mike Mills, BEGINNERS
Thomas McCarthy, WIN WIN
Will Reiser, 50/50

BEST ADAPTED SCREENPLAY –
Winner: Steve Zaillian and Aaron Sorkin, MONEYBALL

Nominees:
Alexander Payne, Nat Faxon and Jim Rash, THE DESCENDANTS
Hossein Amini, DRIVE
John Logan, HUGO
Steve Kloves, HARRY POTTER AND THE DEATHLY HALLOWS: PART 2

BEST FOREIGN LANGUAGE FILM –
Winner: LE QUATTRO VOLTE

Nominees:
A SOMEWHAT GENTLE MAN
HAPPY HAPPY
OF GODS AND MEN
THE DOUBLE HOUR


BEST DOCUMENTARY –
Winner: PROJECT NIM

Nominees:
BUCK
CAVE OF FORGOTTEN DREAMS
INTO THE ABYSS
PAGE ONE: INSIDE THE NEW YORK TIMES

BEST CINEMATOGRAPHY –
Winner: Emmanuel Lubezki, THE TREE OF LIFE

Nominees:
Adam Stone, TAKE SHELTER
Guillaume Schiffman, THE ARTIST
Newton Thomas Sigel, DRIVE
Robert Richardson, HUGO

BEST ANIMATED FILM –
Winner: ARTHUR CHRISTMAS

Nominees:
HAPPY FEET TWO
KUNG FU PANDA 2
RANGO
WINNIE THE POOH

BEST EDITING –
Winner: Oliver Bugge Coutté, BEGINNERS

Nominees:
Anne-Sophie Bion & Michel Hazanavicius, THE ARTIST
Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, & Mark Yoshikawa, THE TREE OF LIFE
Mat Newman, DRIVE
Thelma Schoonmaker, HUGO

BEST PRODUCTION DESIGN –
Winner: Dante Ferretti, HUGO

Nominees:
Anne Seibel, MIDNIGHT IN PARIS
Jack Fisk, THE TREE OF LIFE
Laurence Bennett, THE ARTIST
Stuart Craig, HARRY POTTER AND THE DEATHLY HALLOWS: PART 2

BEST SCORE –
Winner: Alexandre Desplat, HARRY POTTER & THE DEATHLY HALLOWS: PART 2

Nominees:
Alexandre Desplat, EXTREMELY LOUD AND INCREDIBLY CLOSE
Alexandre Desplat, THE TREE OF LIFE
Howard Shore, HUGO
Ludovic Bource, THE ARTIST

BEST ENSEMBLE PERFORMANCE –
Winner: HARRY POTTER AND THE DEATHLY HALLOWS: PART 2

Nominees:
CARNAGE
MARGIN CALL
MIDNIGHT IN PARIS
THE HELP

BODY OF WORK FOR 2011
Winner: Jessica Chastain

KYLE COUNTS AWARD
Lee Ann Kim, San Diego Asian Film Foundation

Hanks and Roberts Shine in Winning "Larry Crowne"

TRASH IN MY EYE No. 107 (of 2011) by Leroy Douresseaux


Larry Crowne (2011)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for brief strong language and some sexual content
DIRECTOR: Tom Hanks
WRITERS: Tom Hanks and Nia Vardalos
CINEMATOGRAPHER: Philippe Rousselot (D.o.P.)
EDITOR: Alan Cody
COMPOSER: James Newton Howard

COMEDY/DRAMA/ROMANCE

Starring: Tom Hanks, Julia Roberts, Cedric the Entertainer, Taraji P. Henson, Gugu Mbatha-Raw, Wilmer Valderrama, Bryan Cranston, Pam Grier, Rami Malek, Maria Canals Barrera, Rita Wilson, George Takei, Ian Gomez, and Rob Riggle

Larry Crowne is a 2011 romantic comedy and college film directed by Tom Hanks and is the first film Hanks has directed since That Thing You Do! (1996). The film focuses on a middle-aged man, downsized from a big-box company, who decides to attend college for the first time. In a landscape full of movies that are full of unbelievable things, Larry Crowne is level-headed, real, and, for me, a great !@#$%& movie.

Larry Crowe (Tom Hanks) has just been fired from his job at the retail giant, UMart. The divorced, middle-aged man is drowning in a six-figure mortgage and suddenly cannot find another job. His neighbors, Lamar (Cedric the Entertainer) and B’Ella (Taraji P. Henson), suggest that he attend college, so Larry enrolls at East Valley Community College where he even joins a scooter club.

One of the members, the free-spirited Talia (Gugu Mbatha-Raw), befriends Larry, renames him “Lance Corona,” and turns him into her makeover project. Larry thrives in an economics class with a peculiar instructor, Dr. Ed Matsutani (George Takei). In a public-speaking class, Larry develops an unexpected crush on his teacher, the taciturn Mercedes “Mercy” Tainot (Julia Roberts), who has lost her passion for teaching and is in the midst of a personal crisis. Both are about to discover a new reason for living.

I saw a quote from a review of Larry Crowne that described it as bland and conventional. On the surface, Larry Crowne may seem so, but it actually isn’t. Ostensibly a romantic comedy, this film is really about two people, Larry Crowne and Mercedes Tainot, in full midlife crisis. In those roles, Hanks and Roberts, respectively, give their best performances of recent years. The shock and grief Hanks portrays early in the film when Larry is fired is palatable, so much so that I nearly burst into tears (having undergone a similar experience).

Roberts’ turn as the burnt-out professor, Tainot, is equally inspired. She fashions Mercy as a sarcasm addict whose suffer-no-fools attitude actually hides a generous soul. Roberts does what Hanks does – uses every moment of screen time to build her character into something a bit deeper than what can be described in 20 words or less. Crowne and Tainot are more than my brief descriptions imply.

The supporting characters are mostly types and are not fully realized characters. They are in this movie to add laughs and to give the film some zest and odd flavors. Why else have Cedric the Entertainer, Wilmer Valderrama, Bryan Cranston, Pam Grier, George Takei, Ian Gomez, and Rob Riggle in throw-away parts if not to give the film different essences from unique characters?

However, it is the relaxed chemistry between Hanks and Roberts and also their robust performances that make Larry Crowne surprisingly not conventional and certainly not bland. It’s one of the best romantic comedies of the year, if not the best.

8 of 10
A

Monday, December 26, 2011

2011 Phoenix Film Critics Society Award Nominations - Complete List

The Phoenix Film Critics Society announced the slate of nominees for their 2011 Annual Awards. The winner in each category will be announced on Tuesday, December 27, 2011. The Best Picture will be chosen from the Top Ten Films of 2011.

Phoenix Film Critics Society 2011 Award Nominations:

TOP TEN FILMS OF 2011 (in alphabetical order)
"The Artist”
"The Descendants"
"Drive"
"The Help"
"Hugo"
"Midnight in Paris"
"Moneyball"
"My Week With Marilyn"
"Super 8"
"The Tree of Life"

BEST DIRECTOR
Woody Allen, “Midnight in Paris”
Michael Hazanavicius, "The Artist"
Alexander Payne, “The Descendants”
Martin Scorsese, "Hugo"
Tate Taylor, "The Help"

BEST ACTOR IN A LEADING ROLE
George Clooney, "The Descendants"
Jean Dujardin, "The Artist
Michael Fassbender, “Shame”
Gary Oldman, "Tinker Tailor Soldier Spy"
Brad Pitt, "Moneyball"

BEST ACTRESS IN A LEADING ROLE
Glenn Close, "Albert Nobbs"
Viola Davis, "The Help"
Elizabeth Olsen, "Martha Marcy May Marlene"
Meryl Streep, "The Iron Lady"
Michelle Williams, "My Week with Marilyn"

BEST ACTOR IN A SUPPORTING ROLE
Kenneth Branagh, "My Week with Marilyn"
Albert Brooks, "Drive"
John Hawkes, "Martha Marcy May Marlene"
Jonah Hill, "Moneyball"
Christopher Plummer, "Beginners"

BEST ACTRESS IN A SUPPORTING ROLE
Berenice Bejo, "The Artist"
Bryce Dallas Howard, "The Help"
Jessica Chastain, "The Help"
Octavia Spencer, "The Help"
Shailene Woodley, "The Descendants"

BEST ENSEMBLE ACTING
"Bridesmaids"
"Contagion"
"Margin Call"
"Midnight in Paris"
"Super 8"

BEST SCREENPLAY – ORIGINAL
"The Artist"
"Beginners"
"Midnight in Paris"

BEST SCREENPLAY – ADAPTATION
"Descendants"
"The Help"
"Hugo"

BEST LIVE ACTION FAMILY FILM
"Dolphin Tale"
"Hugo"
"The Muppets"
"We Bought a Zoo"

THE OVERLOOKED FILM OF THE YEAR
"A Better Life"
"The Conspirator"
"Texas Killing Fields"

BEST ANIMATED FILM
"The Adventures of Tintin"
"Rango"
"Winnie the Pooh"

BEST FOREIGN LANGUAGE FILM
"Incendies"
"Point Blank"
"The Skin I Live In"

BEST DOCUMENTARY
"African Cats"
"The Greatest Movie Ever Sold"
"Page One: Inside the New York Times"
"Project Nim"

BEST ORIGINAL SONG
"I Believe In You, "Johnny English Reborn"
"Life's a Happy Song, "The Muppets"
"The Living Proof, "The Help"
"Star Spangled Man, "Captain America"

BEST ORIGINAL SCORE
"The Artist"
"Extremely Loud and Incredibly Close"
"Moneyball"
"Super 8"

BEST CINEMATOGRAPHY
"The Artist"
"Hugo"
"Tree of Life"

BEST FILM EDITING
"The Artist"
"Super 8"
"Tree of Life"

BEST PRODUCTION DESIGN
"The Artist"
"Harry Potter and the Deathly Hallows: Part 2"
"Hugo"

BEST COSTUME DESIGN
"The Artist"
"Hugo"
"Jane Eyre"

BEST VISUAL EFFECTS
"Harry Potter and the Deathly Hallows: Part 2"
"Hugo"
"Rise of the Planet of the Apes"

BEST STUNTS
"Drive"
"Fast Five"
"Harry Potter and the Deathly Hallows: Part 2"

BREAKTHROUGH PERFORMANCE ON CAMERA
Elle Fanning, "Super 8"
Thomas Horn, "Extremely Loud and Incredibly Close"
Elizabeth Olsen, "Martha Marcy May Marlene"
Shailene Woodley, "The Descendants"

BREAKTROUGH PERFORMANCE BEHIND THE CAMERA
Sean Durkin, "Martha Marcy May Marlene"
Michael Hazanavicius, "The Artist"
Tate Taylor, "The Help"

BEST PERFORMANCE BY A YOUTH IN A LEAD OR SUPPORTING ROLE – MALE
Asa Butterfield, “Hugo"
Joel Courtney, "Super 8"
Thomas Horn, "Extremely Loud and Incredibly Close"

BEST PERFORMANCE BY A YOUTH IN A LEAD OR SUPPORTING ROLE – FEMALE
Elle Fanning, "Super 8"
Amara Miller, "The Descendants"
Chloe Grace Moretz, "Hugo"
Saoirse Ronan, "Hanna"

Review: Woody Allen's "Midnight in Paris" is Magical and One of the Year's Best Films

TRASH IN MY EYE No. 106 (of 2011) by Leroy Douresseaux

Midnight in Paris (2011)
Running time: 94 minutes (1 hour, 34 minutes)
MPAA – R for some sexual references and smoking
WRITER/DIRECTOR: Woody Allen
PRODUCERS: Letty Aronson, Jaume Roures, and Stephen Tenenbaum
CINEMATOGRAPHERS: Darius Khondji with Johanne Debas
EDITOR: Alisa Lepselter

ROMANCE/COMEDY/DRAMA/FANTASY

Starring: Owen Wilson, Rachel McAdams, Marion Cotillard, Kurt Fuller, Mimi Kennedy, Michael Sheen, Nina Arianda, Carla Bruni, Corey Stoll, Alison Pill, Tom Hiddleston, Yves Heck, Kathy Bates, Marcial Di Fonzo Bo, Adrien Brody, Sonia Rolland, Adrien de Van, and Léa Seydoux

Midnight in Paris is a 2011 romantic comedy/drama and fantasy film written and directed by Woody Allen. The film focuses on a struggling novelist who has magical experiences in Paris which begin each night at midnight. Midnight in Paris is the first high-quality Woody Allen film since Match Point (2005), and it is his best film since the early to mid 1990s, certainly the best since Bullets Over Broadway (2004).

Gil Pender (Owen Wilson) is a successful Hollywood screenwriter, but he hates the kind of movies with which he is usually involved. He travels to Paris with his fiancée, Inez (Rachel McAdams), and her wealthy, conservative parents, John (Kurt Fuller) and Helen (Mimi Kennedy), for a vacation. Gil is struggling to finish his first novel, and he believes a permanent move to Paris would be a good thing. Inez, who wants to live in Malibu, sees this desire as a foolish romantic notion, and this disagreement is but one of many of the couple’s divergent goals.

One night, a drunken Gil wanders the streets of Paris. At the stroke of midnight, an antique car pulls up and the passengers, who are dressed in 1920s clothing, beckon Gil to join them. Gil soon finds himself in a bar enjoying a performance by Josephine Baker (Sonia Rolland), watching Cole Porter (Yves Heck) sing and play the piano, having a meeting of the minds with Ernest Hemingway (Corey Stoll), and chatting up Zelda (Allison Pill) and F. Scott Fitzgerald (Tom Hiddleston). Gil realizes that he has been transported back to Paris of the 1920s, an era he idolizes. He visits the home of Gertrude Stein (Kathy Bates), where he meets Pablo Picasso (Marcial Di Fonzo Bo) and Picasso’s mistress, a young woman named Adriana (Marion Cotillard). Gil and Adriana are quickly attracted to each other, but their strange romance also reveals their unhappiness with their current personal situations.

In a broad sense, Midnight in Paris specifically deals with nostalgia as a theme, especially people’s nostalgia for a time that existed before they were born – a golden age. For instance, Gil yearns for the 1920s, which occurred decades before he was born. Allen’s script allows Gil to revel in his ability to go back into the past, which is perhaps the only way for Gil to come to grips both with reality and with his idealization of a time in which he didn’t live. Allen resolves this in a way both sensible and satisfying.

On a personal and character drama level, Midnight in Paris plays with themes of denial and cognitive dissonance. The characters have desires and find ways to sabotage or sully their desires when they find them difficult to obtain or perhaps too costly. Both in his script writing and directing, Allen subtly tells us that only those who are honest with themselves about what they want can be happy.

Beyond that, I have to say that Midnight in Paris is just an utterly magical film. There are fantasy films that only feel like Hollywood action movie product and lack a sense of enchantment. Then, there are others that, when you watch them, you can feel the magic emanating and oozing from the screen. That’s how Midnight in Paris is, and Darius Khondji’s shimmering, golden-hued, ember-infused cinematography is a big reason why Midnight in Paris looks like one big enchanted holiday. This movie moves, sounds, looks, and feels like a romantic film.

I am a big fan of Woody Allen and have been for nearly 30 years. I love his films that take place in the past, like Radio Days (1987), which is set in a period when my parents would have been small children or toddlers. I also like his films that are infused with magic, like Alice (1990). For me, Midnight in Paris is the best of both those worlds. A lot of people may dismiss Allen, but they would have to be honest after seeing this film. Few feel-good movies feel better than Midnight in Paris.

9 of 10
A+

Sunday, December 25, 2011

It's a Very Merry (Negromancer) Christmas

Be good to each other.  Happy Holidays! Remember the less fortunate.

Merry Christmas!

"Joyeux Noel" or "Merry Christmas" a Great Film by Any Name

TRASH IN MY EYE No. 244 (of 2006) by Leroy Douresseaux


Joyeux Noël (2005)
COUNTRY OF ORIGIN: Belgium/France/Germany/UK/Romania; Language: French, Germany, English, and Latin
Running time: 116 minutes (1 hour, 56 minutes)
MPAA – PG-13 for war violence and a brief scene of sexuality/nudity
WRITER/DIRECTOR: Christian Carion
PRODUCER: Christophe Rossignon
CINEMATOGRAPHER: Walther Vanden Ende
EDITOR: Andrea Sedlackova
Academy Award nominee

WAR/DRAMA/HISTORICAL

Starring: Diane Kruger, Benno Fürmann, Guillaume Canet, Gary Lewis, Dany Boon, and Daniel Bruhl, Lucas Belvaux, Alex Ferns, Bernard, Lo Coq, and Steven Robertson

Joyeux Noël (Merry Christmas) is based upon a true story, on an event that occurred during World War I on Christmas Eve 1914. That night, soldiers walked out onto the “no man’s land” between their entrenchments and shared songs and friendship. Joyeux Noël (Merry Christmas), nominated for a 2006 “Best Foreign Language Film of the Year” Oscar as a representative of France, is a fictionalized account of that momentous event.

The outbreak of war during the lull of summer 1914 surprised millions of men, especially as the conflict pulled them in its wake. The first Christmas arrives, but the snow and multitude of parcels and presents from their families and their armies can’t really lift the men’s spirits. However, on Christmas Eve, a momentous event begins with songs and Christmas lights. Anna Sörenson (Diane Kruger), a soprano, and her singing partner, Nikolaus Sprink (Benno Fürmann), an exceptional German tenor; Palmer (Gary Lewis), an Anglican priest from Scotland who followed the men of his parish into the war; and Audebert (Guillaume Canet), a French lieutenant who left behind his pregnant wife when he went to war, become the major players in a miraculous event that changes their own lives and destinies.

On December 24, 1914, French, German, and Scottish soldiers come out of their trenches for an impromptu concert of Christmas carols and also for a Christmas Eve mass. For a few days, their hellish existence stops, and the soldiers swap food, wine, and stories and even play football (soccer). Not everyone, however, likes this strange turn of events.

Joyeux Noël is, make no doubt about it, an anti-war film, but director Christian Carion helms his film with such grace and subtlety. He makes his point by telling a story of the brotherhood of man, removing nationality and whatever divides humanity and going towards what made these soldiers alike. These men long for their families and homes, and amidst all the carnage, death, and destruction, they find an eye in the storm where they can relax, at least a little. For a while, they’re carefree boys again. Carion also juxtaposes these grunts in the trenches with the fat cat politicians, rulers, and officers who dine and entertain in warmth and comfort for in the rear.

Carion’s cast is as earnest as he is, but their determinism carries over to the story, revealing the characters to be people merely determined to have at least a little control over their lives and to be able to object to their situation even if they must ultimately submit. Scottish actor Gary Lewis is a standout as the brave and devout Anglican priest, Palmer, who calmly takes on that which tests his faith. Diane Kruger and Benno Fürmann as the opera singers give the film a humanizing romantic subplot that actually works. Guillaume Canet as Audebert and Dany Boon as Audebert’s valet, Ponchel, provide a nice subplot about a friendship that grows stronger once the men go to war. It’s these small stories that Carion weaves so well together that makes Joyeux Noël a Great War movie, and an ever greater Christmas film.

9 of 10
A+

NOTES
2006 Academy Awards: 1 nomination: “Best Foreign Language Film of the Year” (France)

2006 BAFTA Awards: 1 nomination for “Best Film not in the English Language” (Christophe Rossignon and Christian Carion)

2006 Golden Globes: 1 nomination for “Best Foreign Language Film” (France)