BAFTA Fellowship Goes to Martin Scorsese

Martin Scorsese To Be Honoured With BAFTA Fellowship


On Sunday 12 February 2012, the British Academy of Film and Television Arts will present Martin Scorsese with the Academy Fellowship at the Orange British Academy Film Awards ceremony, at London’s Royal Opera House.

Awarded annually by BAFTA, the Fellowship is the highest accolade bestowed upon an individual in recognition of an outstanding and exceptional contribution to film. Previously honoured Fellows include Charlie Chaplin, Alfred Hitchcock, Steven Spielberg, Sean Connery, Elizabeth Taylor, Stanley Kubrick, Anthony Hopkins, Laurence Olivier, Judi Dench and Vanessa Redgrave. Christopher Lee received the Fellowship at the Film Awards last February.

Tim Corrie, Chairman of BAFTA, said: “Martin Scorsese is a legend in his lifetime; a true inspiration to all young directors the world over. We are delighted to honour his contribution to cinema history and look forward to paying tribute to him in London on 12 February.”

Martin Scorsese added: “It is a great honour to be recognized by the British Academy and to join the ranks of such an esteemed group of industry colleagues and friends.”

With a celebrated career now spanning six decades, Martin Scorsese is one of the most influential filmmakers in cinema history. The acclaimed director, producer and screenwriter has been nominated by BAFTA no fewer than nine times, garnering three wins in 1991 for Goodfellas. A cinematic master, his works also include Taxi Driver, Raging Bull, Casino, Gangs of New York, The Aviator and The Departed. He has continued to delight critics and audiences alike with his most recent work, Hugo, a film that not only marks the director’s first foray into 3D but is also his first adventure film for all the family. Scorsese has also made a number of ground-breaking documentaries including celebrated music films No Direction Home: Bob Dylan, Shine a Light and George Harrison: Living in the Material World.

Demonstrating his passion for film preservation, Scorsese is the founder and chair of two non-profit organizations dedicated to the preservation and protection of motion picture history: The Film Foundation and the World Cinema Foundation.

In December 2010, Scorsese was the subject of a ‘BAFTA A Life in Pictures’ event , where he shared personal insights into his career and his craft and gave invaluable advice to newcomers to the industry. These videos are now available to view on www.bafta.org/guru .

The nominations for the Orange British Academy Film Awards will be announced on Tuesday 17 January. The ceremony, broadcast by the BBC in the UK, will be held on 12 February and hosted by Stephen Fry.


About BAFTA
The British Academy of Film and Television Arts is an independent charity that supports, develops and promotes the art forms of the moving image by identifying and rewarding excellence, inspiring practitioners and benefiting the public. In addition to its Awards ceremonies, BAFTA has a year-round Learning & Events programme that offers unique access to some of the world’s most inspiring talent through workshops, masterclasses, lectures and mentoring schemes, connecting with audiences of all ages and backgrounds across the UK, Los Angeles and New York. BAFTA relies on income from membership subscriptions, individual donations, trusts, foundations and corporate partnerships to support its ongoing outreach work. For further information, visit http://www.bafta.org/ or www.bafta.org/guru.

Florida Film Critics Name "The Descendants" The Best Pic of 2011

The Florida Film Critics Circle (FFCC) was founded in 1996 is comprised of 20 writers from state publications.

Complete list of 2011 winners:

Best Picture: The Descendants

Actor: Michael Fassbender, Shame

Actress: Michelle Williams, My Week with Marilyn

Supporting Actor: Albert Brooks, Drive

Supporting Actress: Shailene Woodley, The Descendants

Director: Martin Scorsese, Hugo

Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash, The Descendants

Original Screenplay: Michael Hazanavicius, The Artist

Cinematography: Emmanuel Lubezki, The Tree of Life

Visual Effects: Rise of the Planet of the Apes

Art Direction/Production Design: Dante Ferretti, Hugo

Foreign Language: The Skin I Live In

Animated: The Adventures of Tintin

Documentary: Project Nim

Breakout: Elizabeth Olsen, Martha Marcy May Marlene

Note: The FFCC did not hand out the "Golden Orange" award this year.

Online Film Critics Society Choose "The Tree of Life" as 2011's Best

The full list of winners of the (2011) 15th Annual Online Film Critics Society Awards:

Best Picture: The Tree of Life

Best Animated Feature: Rango

Best Director: Terrence Malick - The Tree of Life

Best Lead Actor: Michael Fassbender - Shame

Best Lead Actress: Tilda Swinton - We Need to Talk About Kevin

Best Supporting Actor: Christopher Plummer - Beginners

Best Supporting Actress: Jessica Chastain - The Tree of Life

Best Original Screenplay: Midnight in Paris

Best Adapted Screenplay: Tinker Tailor Solider Spy

Best Editing: The Tree of Life

Best Cinematography: The Tree of Life

Best Film Not in the English Language: A Separation

Best Documentary: Cave of Forgotten Dreams

Special Awards (previously announced):

• To Jessica Chastain, the breakout performer of the year

• To Martin Scorsese in honor of his work and dedication to the pursuit of film preservation

For more information, visit the Online Film Critics Society at ofcs.org.

Review: "Apocalypto" was One of 2006's Best Films

TRASH IN MY EYE No. 250 (of 2006) by Leroy Douresseaux

Apocalypto (2006)
COUNTRY OF ORGIN: USA; Language: Maya
Running time: 139 minutes (2 hours, 19 minutes)
MPAA – R for sequences of graphic violence and disturbing images
DIRECTOR: Mel Gibson
WRITERS: Farhad Safinia and Mel Gibson
PRODUCERS: Bruce Davey and Mel Gibson
CINEMATOGRAPHER: Dean Semler, ASC, ACS (director of photography)
EDITOR: John Wright
Academy Award nominee

ACTION/ADVENTURE/HISTORICAL/THRILLER

Starring: Rudy Youngblood, Raoul Trujillo, Dalia Hernandez, Jonathan Brewer, Morris Bird, Carlos Emilio Baez, Amilcar Ramirez, Israel Contreras Vasquez, Israel Rios, Isabel Diaz, and Gerardo Taracena

It is the end times of the once-great Mayan Civilization (early 16th century). Jaguar Paw (Rudy Youngblood) is the son of Flint Sky (Morris Bird), the chief of their village, which is deep in the jungle, but no that far away from a large Maya city. Jaguar Paw is a young family man with a wife, Seven (Dalia Hernandez), and a son, Turtles Run (Carlos Emilio Baez), and he has another child on the way.

His idyllic life is shattered when an invading force razes his village, killing many and enslaving the remaining adults. Jaguar Paw manages to hide the pregnant Seven and little Turtles Run before the invaders take him captive. Through a twist of fate, Jaguar Paw manages to escape death, and he makes a desperate break both to save his life and to return home to his wife and son. On his trail, however, is a small band of warriors led by the vengeful Zero Wolf (Raoul Trujillo), and they will chase him through the jungle to the bitter end.

Mel Gibson’s new film, Apocalypto, proves that The Passion of the Christ and his Oscar-winning turn as director for Braveheart are no fluke. Gibson is the consummate director skilled at making bold, visceral, thrilling, and thought-provoking movies, and he is as good as any of the elite directors. That includes directors who were making exhilarating blockbusters before Gibson began directing (Steven Spielberg, George Lucas, James Cameron) and filmmakers who became mega-hit makers after Gibson’s began directing (Peter Jackson, The Wachowski Brothers).

Gibson begins Apocalypto by immersing his audience is a lush, abundant jungle world that quickly becomes a harsh geography of struggle and survival. From brutal village raids to torturous jungle tracks; from a decaying city where mind-numbing human sacrifices take place to a bracing and spine-tingling jungle race for survival: Gibson keeps the viewer on edge and sometimes takes them with him over the abyss where death is quick and relentless and only the stubbornly strong and strongly stubborn can survive.

Gibson achieves this with a cast of novice actors and little known performers – all speaking Maya, yet he gets his cast to make us believe in them. We understand them beyond the language they speak because the actors’ physical performances are so rich and textured. I bought into the idea that I was peeking into an ancient world and that these actors were really the people they were portraying. Rudy Youngblood is all youthful determination as Jaguar Paw, and Raoul Trujillo is riveting as the stout leader and gentle, proud father.

With a highly skilled and brilliant creative team (director of photographer, costume designer, set builders, etc.), Gibson gives his cast a convincingly real ancient world in which to play out their small but compelling drama. This team takes all their skills and talents, and instead of resting on their laurels brings a fictional world to life – a setting fit for a drama that is far beyond the ordinary. As the ringleader, Gibson once again dances with perfection and in Apocalypto makes a film in which any flaws are lost in a damn good time of great cinema and dazzling filmmaking. Some have already called Apocalypto “basically an adventure movie,” and that’s like calling Casablanca basically just a love story, when both are something more.

9 of 10
A+

Friday, December 15, 2006

NOTES:
2007 Academy Awards: 3 nominations: “Best Achievement in Makeup” (Aldo Signoretti and Vittorio Sodano), “Best Achievement in Sound Editing” (Sean McCormack and Kami Asgar), and “Best Achievement in Sound Mixing” (Kevin O'Connell, Greg P. Russell, and Fernando Cámara)

2007 BAFTA Awards: 1 nomination: “Best Film not in the English Language” (Mel Gibson and Bruce Davey)

2007 Golden Globes: 1 nomination: “Best Foreign Language Film”

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"Bend it Like Beckham" is Something Different and Nice

TRASH IN MY EYE No. 131 (of 2003) by Leroy Douresseaux


Bend it Like Beckham (2002)
U.S. release: 2003
Running time: 112 minutes (1 hour, 52 minutes)
MPAA – PG-13 for language and sexual content
DIRECTOR: Gurinder Chadha
WRITERS: Paul Mayeda Berges, Guljit Bindra, and Gurinder Chadha
PRODUCERS: Gurinder Chadha and Deepak Nayar
CINEMATOGRAPHER: Lin Jong (D.o.P.)
EDITOR: Justin Krish

COMEDY/DRAMA/SPORTS

Starring: Parminder K. Nagra, Keira Knightley, Jonathan Rhys-Myers, Anupam Kher, Archie Punjabi, Shaznay Lewis, Frank Harper, Juliet Stevenson, Shaheen Kahn, Ameet Chana, and Shaznay Lewis

Bend it Like Beckham is a 2002 comedy/drama and sports movie from director Gurinder Chadha. The film is set in West London and focuses on a young woman who rebels against her orthodox Sikh parents to join a football (soccer) team.

If you’ve never heard of David Beckham, the “Beckham” in Bend it Like Beckham, that’s okay. He’s currently the world’s most famous soccer player or footballer, and soccer still has a long way to go in the States. Still, Beckham, the movie about a young woman who battles her parents Old World ways to forge her own future is not only a really good “feel good” film, but also unique because it’s Asian/Sikh cast makes it very different from the all-white family films that we usually get.

Jesminder Bhamra or Jess (Parminder K. Nagra), who has loved soccer since she was a little girl, gets an offer from her new friend Juliette Paxton (Keira Knightley) to join an girls soccer team that is part of an all-female team. Jess’s parents, Mr. and Mrs. Bhamra (Anupam Kher and Shaheen Kahn) detest their daughter’s interest in soccer although she excels at it, seeing it as an affront to their orthodox Sikh ways, especially as their daughter Pinky’s (Archie Punjabi) wedding day approaches. Jess, however, rebels against them; she concocts elaborate lies that usually fall apart, but her biggest sin is when she joins her team for a big tournament in Germany.

Although the story touches on a number of family issues, including obligation and tradition, the script approaches ideas as frivolously as a sitcom. There is a serious clash of cultures going on here, and although the film is a laundry list of conflicts, the screenwriters never treat any of it seriously. For instance, during a soccer match, an opponent throws Jess to the ground and calls her a “paki,” which is a sadly popular ethnic slur against many Asians in England. When Jess retaliates, the referee throws her out of the game, but not the bigoted ho. This directly ties into the experiences Mr. Bhamra had when he moved to England, but the director brushes past the trauma of racism and just moves onto the next funny scene.

Bend it Like Beckham is light, frothy entertainment. It is funny, and though a bit of a chill tempers its warmth, I credit it for being quite entertaining in spite of a few warts.

6 of 10
B

NOTES:
2003 BAFTA Awards: 1 nomination: “Alexander Korda Award for Best British Film” (Deepak Nayar and Gurinder Chadha)

2004 Golden Globes: 1 nomination: “Best Motion Picture - Musical or Comedy)

2004 Image Awards: 1 nomination: “Outstanding Motion Picture”

Austin Film Critics Name Scorsese's "Hugo" Best Film

The Austin Film Critics Association (AFCA) describes itself as “a group dedicated to supporting the best in film, whether at the international, national, or local level.” The group includes Austin-based members who write for such publications, television media, and websites as Ain't It Cool News, the Austin American-Statesman, the Austin Chronicle, CNN, Fandango, Film.com, Film School Rejects, Fox News, MSN Movies, Movies.com, among others.

2011 AFCA Awards:

Best Film:
Hugo

Top 10 Films:
1. Hugo
2. Drive
3. Take Shelter
4. Midnight in Paris
5. Attack the Block
6. The Artist
7. Martha Marcy May Marlene
8. I Saw the Devil
9. 13 Assassins
10. Melancholia

Best Director:
Nicolas Winding Refn, Drive

Best Actor:
Michael Shannon, Take Shelter

Best Actress:
Tilda Swinton, We Need to Talk About Kevin

Best Supporting Actor:
Albert Brooks, Drive

Best Supporting Actress:
Jessica Chastain, Take Shelter

Best Original Screenplay:
Midnight in Paris, Woody Allen

Best Adapted Screenplay:
Drive, Hossein Amini

Best Cinematography:
The Tree of Life, Emmanuel Lubezki

Best Original Score:
Attack the Block, Steven Price

Best Foreign Language Film:
I Saw the Devil, South Korea: Jee-woon Kim – director

Best Documentary:
Senna: Asif Kapadia – director

Best Animated Feature:
Rango: Gore Verbinski – director

Robert R. "Bobby" McCurdy Memorial Breakthrough Artist Award:
Jessica Chastain for her appearances in the films: Take Shelter, The Tree of Life, The Help, The Debt, Coriolanus, and Texas Killing Fields

Best First Film:
Attack the Block: Joe Cornish – director

Austin Film Award:
Take Shelter: Jeff Nichols – director

http://austinfilmcritics.org/

Nicholas Brothers, Hannibal Lecter Make 2011 National Film Registry

2011 National Film Registry More Than a Box of Chocolates

“Forrest Gump,” “Bambi,” “Stand and Deliver” Among Registry Picks

"My momma always said, ‘Life was like a box of chocolates. You never know what you're gonna get.’" That line was immortalized by Tom Hanks in the award-winning movie "Forest Gump" in 1994. Librarian of Congress James H. Billington today selected that film and 24 others to be preserved as cultural, artistic and historical treasures in the National Film Registry of the Library of Congress.

Spanning the period 1912-1994, the films named to the registry include Hollywood classics, documentaries, animation, home movies, avant-garde shorts and experimental motion pictures. Representing the rich creative and cultural diversity of the American cinematic experience, the selections range from Walt Disney’s timeless classic "Bambi" and Billy Wilder’s "The Lost Weekend," a landmark film about the devastating effects of alcoholism, to a real-life drama between a U.S. president and a governor over the desegregation of the University of Alabama. The selections also include home movies of the famous Nicholas Brothers dancing team and such avant-garde films as George Kuchar’s hilarious short "I, an Actress." This year’s selections bring the number of films in the registry to 575.

Under the terms of the National Film Preservation Act, each year the Librarian of Congress names 25 films to the National Film Registry that are "culturally, historically or aesthetically" significant. "These films are selected because of their enduring significance to American culture," said Billington. "Our film heritage must be protected because these cinematic treasures document our history and culture and reflect our hopes and dreams."

Annual selections to the registry are finalized by the Librarian after reviewing hundreds of titles nominated by the public (this year 2,228 films were nominated) and conferring with Library film curators and the distinguished members of the National Film Preservation Board (NFPB). The public is urged to make nominations for next year’s registry at NFPB’s website (www. loc.gov/film).

In other news about the registry, "These Amazing Shadows," a documentary about the National Film Registry, will air nationally on the award-winning PBS series "Independent Lens" on Thursday, Dec. 29, at 10 p.m (check local listings). Written and directed by Paul Mariano and Kurt Norton, this critically acclaimed documentary has also been released on DVD and Blu-ray and will be available through the Library of Congress Shop (www.loc.gov/shop/).

For each title named to the registry, the Library of Congress Packard Campus for Audio Visual Conservation works to ensure that the film is preserved for future generations, either through the Library’s massive motion-picture preservation program or through collaborative ventures with other archives, motion-picture studios and independent filmmakers. The Packard Campus is a state-of-the-art facility where the nation’s library acquires, preserves and provides access to the world’s largest and most comprehensive collection of films, television programs, radio broadcasts and sound recordings (www.loc.gov/avconservation/). .

The Packard Campus is home to more than six million collection items, including nearly three million sound recordings. It provides staff support for the Library of Congress National Film Preservation Board, the National Recording Preservation Board and the National Registries for film and recorded sound.

Founded in 1800, the Library of Congress is the nation’s oldest federal cultural institution. It seeks to spark imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs and exhibitions. Many of the Library’s rich resources can be accessed through its website at www.loc.gov and via interactive exhibitions on a personalized website at myLOC.gov.

Films Selected to the 2011 National Film Registry:

Allures (1961)

Bambi (1942)

The Big Heat (1953)

A Computer Animated Hand (1972)

Crisis: Behind A Presidential Commitment (1963)

The Cry of the Children (1912)

A Cure for Pokeritis (1912)

El Mariachi (1992)

Faces (1968)

Fake Fruit Factory (1986)

Forrest Gump (1994)

Growing Up Female (1971)

Hester Street (1975)

I, an Actress (1977)

The Iron Horse (1924)

The Kid (1921)

The Lost Weekend (1945)

The Negro Soldier (1944)

Nicholas Brothers Family Home Movies (1930s-40s)

Norma Rae (1979)

Porgy and Bess (1959)

The Silence of the Lambs (1991)

Stand and Deliver (1988)

Twentieth Century (1934)

War of the Worlds (1953)