Disney's "Lady and the Tramp" Remains Romance Movie Classic

TRASH IN MY EYE No. 62 (of 2006) by Leroy Douresseaux


Lady and the Tramp (1955) – animation
Running time: 76 minutes (1 hour, 16 minutes)
DIRECTORS: Clyde Geronomi, Wilfred Jackson, and Hamilton Luske
WRITERS: Erdman Penner, Joe Rinaldi, Ralph Wright, and Don DaGradi (based upon the story Happy Dan, the Whistling Dog by Ward Greene)
PRODUCER: Walt Disney
EDITOR: Don Halliday
BAFTA Award nominee

ANIMATION/COMEDY/MUSICAL/ROMANCE with elements of drama

Starring: (voices) Peggy Lee, Barbara Luddy, Larry Roberts, Bill Thompson, Bill Baucom, Stan Freberg, Verna Felton, and Lee Millar

Lady and the Tramp is a 1955 animated romantic film from Walt Disney Pictures. It was the 15th full-length animated feature film from Disney and is based in part on a short story originally published in Cosmopolitan Magazine. The film centers on the growing romantic relationship between two dogs, a female American Cocker Spaniel, who is from an upper middle-class family, and a male mutt who is a stray.

Because of drama and turmoil in her owners’ home, Lady (Barbara Luddy), a pampered and sheltered cocker spaniel, wanders away from the safety of her neighborhood and meets Tramp (Larry Roberts), a jolly, freedom-loving, and streetwise mutt with a heart of gold. They share romantic adventures that occasionally imperil their safety while they move towards an inevitable union. Memorable songs (written by Sonny Burke and Peggy Lee) and memorable characters including the twin Pekingese cats, Si and Am (Peggy Lee), highlight this classic, Disney’s fifteenth animated feature.

Lady and the Tramp remains Walt Disney’s signature romantic animated film; although romance often plays a part in their full-length animated films; this is the Disney animated love story. It exemplifies two particular elements that really stand out in a Disney animated features – the art of beauty and technical skills. The character animation is beautifully drawn making even characters meant to be ugly or villainous quite gorgeous and handsome eye candy. The background art, backdrops, and sets are also elegant, even stunning. The technical virtuosity on display is simply dazzling; this is text book work on animating animals. Characters move with such grace and precision that the film looks, on one hand, like museum quality high art, and, on the other hand, has such striking realism in terms of movement and rhythm.

Lady and the Tramp is probably best known for its romantic heart. A melodic score, charming and adorable songs, and the star-crossed pair of Lady and the Tramp make this an animated film that captures the romantic in the hearts of young and old viewers. That’s why this film is so memorable and also well-remembered by adults who first saw it as a child – a true Disney classic.

9 of 10
A+

Sunday, April 2, 2006

NOTES:
1956 BAFTA Awards: 1 nomination: “Best Animated Film” (USA)

2012 Annie Awards Winners - Complete List; "Rango" Wins Best Film

ASIFA-Hollywood, the Los Angeles, California branch of the International Animated Film Society, presents the Annie Awards. The Annie honors achievements in animation as a whole, including current animated productions, as well as career and lifetime achievements. At the beginning of this week, the group announced the nominations and award recipients for the 39th Annual Annie Awards.

Award recipients claimed their trophies at the 39th Annual Annie Awards in ceremony held Saturday, February 4, 2012 at UCLA's Royce Hall in Los Angeles, California.

39th (2012) Annual Annie Awards Winners:

PRODUCTION CATEGORIES

Best Animated Feature
Rango – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Production

Annie Award for Best Animated Special Production
Kung Fu Panda – Secrets of the Masters – DreamWorks Animation

Best Animated Short Subject
Adam and Dog – Minkyu Lee

Best Animated Television Commercial
Twinings “Sea” – Psyop

Best General Audience Animated TV Production
The Simpsons – Gracie Films

Best Animated Television Production - Preschool
Disney Jake and the Never Land Pirates – Disney Television Animation

Best Animated Television Production – Children
The Amazing World of Gumball – Cartoon Network in Association with Dandelion Studios, Boulder Media
& Studio Soi

Best Animated Video Game
Insanely Twisted Shadow Planet – Shadow Planet Productions, Gagne/Fuelcell

INDIVIDUAL ACHIEVEMENT CATEGORIES

Animated Effects in an Animated Production
Kevin Romond “Tintin” – Amblin Entertainment, Wingnut Films and Kennedy/Marshall

Animated Effects in a Live Action Production
Florent Andorra “Transformers: Dark of the Moon” – Industrial Light & Magic

Character Animation in a Television Production
Tony Smeed “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios

Character Animation in a Feature Production
Jeff Gabor “Rio” – Blue Sky Studios

Character Animation in a Live Action Production
Eric Reynolds “Rise of the Planet of the Apes” – 20th Century Fox

Character Design in a Television Production
Bill Schwab “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios

Character Design in a Feature Production
Mark “Crash” McCreery “Rango” – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Production

Directing in a Television Production
Matthew Nastuk “The Simpsons” – Gracie Films

Directing in a Feature Production
Jennifer Yuh Nelson “Kung Fu Panda 2” – DreamWorks Animation

Music in a Television Production
Grace Potter, Michael Giacchino “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios

Music in a Feature Production
John Williams “Tintin” – Amblin Entertainment, Wingnut Films and Kennedy/Marshall

Production Design in a Television Production
Mark Bodnar, Chris Tsirgiotis, Sue Mondt and Daniel Elson “Secret Mountain Fort Awesome” – Cartoon Network Studios

Production Design in a Feature Production
Raymond Zibach “Kung Fu Panda 2” – DreamWorks Animation

Storyboarding in a Television Production
Brian Kesinger “Prep & Landing: Naughty vs. Nice” – Walt Disney Animation Studios

Storyboarding in a Feature Production
Jeremy Spears “Winnie The Pooh” – Walt Disney Animation Studios

Voice Acting in a Television Production
Jeff Bennett as Kowalski “Penguins of Madagascar” – Nickelodeon and DreamWorks Animation

Voice Acting in a Feature Production
Bill Nighy as Grandsanta “Arthur Christmas” – Sony Pictures Animation, Aardman Animations

Writing in a Television Production
Carolyn Omine “The Simpsons -Treehouse of Horror XXII” – Gracie Films

Writing in a Feature Production
John Logan, Gore Verbinski and James Byrkit “Rango” – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Productions

Editing in Television Production
Ted Machold, Jeff Adams, Doug Tiano, Bob Tomlin “Penguins of Madagascar” – Nickelodeon and DreamWorks Animation

Editing in a Feature Production
Craig Wood, A.C.E. “Rango” – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Production

JURIED AWARDS
Winsor McCay Award —Walt Peregoy, Borge Ring, Ronald Searle

June Foray — Art Leonardi

Special Achievement — Depth Analysis

Review: "In America" is Powerful and Heartfelt (Happy B'day, Jim Sheridan)

TRASH IN MY EYE No. 77 (of 2004) by Leroy Douresseaux

In America (2003)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – R for sexuality and brief language
DIRECTOR: Jim Sheridan
WRITERS: Jim Sheridan, Naomi Sheridan, and Kirsten Sheridan
PRODUCERS: Arthur Lappin and Jim Sheridan
CINEMATOGRAPHER: Declan Quinn
EDITOR: Naomi Geraghty
COMPOSERS: Gavin Friday and Maurice Seezer
Academy Award nominee

DRAMA

Starring: Paddy Considine, Samantha Morton, Sarah Bolger, Emma Bolger, Djimon Hounsou, Merrina Millsapp, Juan Hernandez, and Ciaran Cronin

In America is a 2003 semiautobiographical drama from director Jim Sheridan. This Irish/British film tells the story of an immigrant Irish family’s struggle to survive in New York City, with the story told through the eyes of the older daughter. Although gritty and dark, In American is actually an enchanting story about the bonds of family.

An out of work Irish actor takes his family to America for a fresh start. Johnny (Paddy Considine) and his wife Sarah (Samantha Morton, who received an “Best Actress” Oscar® nomination for this role) leave Ireland with their two daughters, Christy (Sarah Bolger) and Ariel (Emma Bolger), in toe and head for New York City via Canada. While Johnny pursues his acting career and Sarah works at an ice cream parlor, the children take in their new world with eyes that may be innocent, but are also world weary. When things seem most down for them, the family gets help from one of Sarah’s co-workers and Mateo (Djimon Hounsou, received an “Best Actor, Supporting Role” Oscar® nomination) an artist dying of AIDS, who brings magic and hope to the family.

Jim Sheridan and his daughters, Naomi and Kirsten, received “Best Screenplay, Screenplay Written Directly for the Screen” Oscar® nominations for writing In America, one of the best films of 2003. While the financial plight and wellness of the parents are riveting (although I found Considine and Ms. Morton’s performances a bit flat at times), the film is the daughters’ story. Christy narrates while Ariel steals one scene after another, and, in doing this, the Bolger girls (especially little Emma) give two of the best performances by young artists in the last year or so.

Although In America is a gritty tale, in a lot of ways it is told as if it came from a children’s book (albeit a dark, downbeat children’s book). Through Christy’s eyes we see the real world, but we see it through a character determined to survive and make the best of things. In Emma, the supernatural, the fantastic, and magic are possible; their presence in the real world isn’t an intrusion. It’s the just the way things are; they belong. I heartily recommend this beautiful and heartfelt drama. In America is a little more magical than it is honest, but to see Jim Sheridan weave loveliness from all this despair and sorrow is itself magic.

9 of 10
A+

NOTES:
2004 Academy Awards: 3 nominations: “Best Actor in a Supporting Role” (Djimon Hounsou, “Best Actress in a Leading Role” (Samantha Morton), and “Best Writing, Original Screenplay” (Jim Sheridan, Naomi Sheridan, and Kirsten Sheridan)

2004 Golden Globes: “Best Original Song - Motion Picture” (Bono, Gavin Friday, and Maurice Seezer for the song "Time Enough for Tears") and “Best Screenplay - Motion Picture” (Jim Sheridan, Naomi Sheridan, and Kirsten Sheridan)

2004 Black Reel Awards: 1 win: “Black Reel Film: Best Supporting Actor” (Djimon Hounsou)

2004 Image Awards: 1 nomination: “Outstanding Supporting Actor in a Motion Picture” (Djimon Hounsou)

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Review: "North Dallas Forty" is Proud to Be a Muck-Racking Drama

TRASH IN MY EYE No. 122 (of 2006) by Leroy Douresseaux

North Dallas Forty (1979)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – R
DIRECTOR: Ted Kotcheff
WRITERS: Peter Gent, Frank Yablans, and Ted Kotcheff (from the novel by Peter Gent)
PRODUCER: Frank Yablans
CINEMATOGRAPHER: Paul Lohmann
EDITOR: Jay Kamen

DRAMA/SPORTS with elements of comedy

Starring: Nick Nolte, Mac Davis, Charles Durning, Dayle Haddon, Bo Svenson, John Matuszak, Steve Forrest, G.D. Spradlin, and Dabney Coleman

North Dallas Forty is a 1979 sports movie that is set in the world of 1970s professional football. The film is based on the 1973 novel of the same name by former NFL-player turned novelist, the late Peter Gent.

Phillip “Phil” Elliot (Nick Nolte) is a pro football player – specifically a wide receiver on the Dallas franchise (a thinly veiled version of the NFL’s Dallas Cowboys). Elliot smokes marijuana, sleeps around with sports groupies, drinks a lot, but he plays through injuries. His rebellious attitude and his tendency to ask the kind of questions that the team management doesn’t want to answer have him in hot water. His coach, B.A. Strothers (G.D. Spradlin), won’t put him in the starting lineup, and his best friend, Seth Maxwell (Mac Davis), the team’s star quarterback, thinks that Phil should just shut up sometimes. There’s a big game coming up in Chicago that will decide if Dallas gets in the playoffs, and it just may also decide Phil’s future.

North Dallas Forty remains a gritty football flick, a gridiron classic that is timeless in its portrayal of the Machiavellian front office maneuvering, favoritism, and politics of big-time professional football. This film’s unvarnished look and its rough portrayal of football life may not resemble the glitzy pro football that the NFL and its media cohorts sell us, but North Dallas Forty is about the NFL’s brand of football.

The acting isn’t all that great, but works in the context of this movie; the film also gets preachy towards the end. However, the film’s portrayal of how the players strive to win and the gut-wrenching physical pain they endure to keep playing makes North Dallas Forty a riveting sports flick. When you see team owners and management bullying and extorting players to take dangerous drugs and horrid shots of painkillers so that they can play through pain and injury (which actually makes it worse), you’ll know that you’re watching honest-to-goodness, in-your-face, muck-racking cinema.

7 of 10
B+

Friday, June 02, 2006

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Happy Anniversary, Jay and Megan

Two years already!

Black Film Critics Circle Choose "The Help" as the Best of 2011

When I posted my monthly welcome a few days ago, I mentioned that February was Oscar month.  It's also Black History Month.  How could I miss that? (Girl, he ain't nothin' but a Tom).  Anyway, this month I'll also post old reviews I wrote of Black Films.  In the spirit of Negro-centricness, I discovered another film critics of color group.

The Black Film Critics Circle (BFCC) was founded in 2010 and is a membership organization comprised of film critics of color from daily newspapers, weekly newspapers, magazines, radio, television and qualifying on-line publications.

2011 Black Film Critics Circle Awards:

Best Picture: "The Help"

Best Director: Dee Rees, "Pariah"

Best Actor: Olivier Litondo, "The First Grader"

Best Actress: Viola Davis, "The Help"

Best Supporting Actor: Albert Brooks, "Drive"

Best Supporting Actress: Octavia Spencer, "The Help"

Best Independent Film: "Pariah"

Best Adapted Screenplay: "The Help"

Best Original Screenplay: "Pariah"

Best Animated Film: "Rango"

Best Documentary: "Being Elmo: A Puppeteer's Journey"

Best Ensemble: "The Help"

Pioneer Award: Harry Belafonte

Rising Star Award: Adepero Oduye

Special Mention: "Attack the Block"

Top 10 Films (in order):
1. "The Help"
2. "The Artist"
3. "Pariah"
4. "Drive"
5. "The Descendants"
6. "Attack the Block"
7. "The Tree of Life"
8. "Hugo"
9. "The Girl with the Dragon Tattoo"
10. "Warrior"

Review: "Creepshow" is Still Fun (Happy B'day, George Romero)

TRASH IN MY EYE No. 165 (of 2005) by Leroy Douresseaux

Creepshow (1982)
Running time: 120 minutes (2 hours)
DIRECTOR: George A. Romero
WRITER: Stephen King (also partly based upon the short stories “The Crate” and “Weeds” by Stephen King)
PRODUCER: Richard P. Rubinstein
CINEMATOGRAPHER: Michael Gornick
EDITORS: Pasquale Buba, Paul Hirsch, and Michael Spolan with George A. Romero (segment “The Tide”)

HORROR/COMEDY/SCI-FI/FANTASY

Starring: Hal Holbrook, Adrienne Barbeau, Fritz Weaver, Leslie Nielsen, Carrie Nye, E.G. Marshall, Viveca Lindfors, Ed Harris, Ted Danson, Stephen King, Warner Shook, Robert Harper, Gaylen Ross, and Tom Savini with Tom Atkins

Inspired by the legendary E.C. horror comics of the 1950’s, director George A. Romero and international best-selling horror novelist Stephen King created the horror movie anthology, Creepshow. Five tales of terror: “Father’s Day,” “The Lonesome Death of Jordy Verrill,” “Something to Tide You Over,” “The Crate,” and “They’re Creeping Up on You,” make up the film, and a framing sequence (prologue/epilogue) bridges the five tales.

In “Father’s Day,” a family patriarch comes back from the grave (literally) on the seventh anniversary of his murder, by his daughter, Bedelia’s (Viveca Lindfors) hand, and he’s looking for his birthday cake. In “The Lonesome Death of Jordy Verrill, Jordy Verrill (Stephen King), a country bumpkin cursed by bad luck, finds a recently fallen meteor, and it affects shocking change upon Jordy’s body. In “Something to Tide You Over,” Richard Vickers (Leslie Nielsen) takes a gruesome revenge upon his wife Becky (Gaylen Ross) and her lover, Harry Wentworth (Ted Danson), but revenge is a two-way street and comes back from a watery grave for Richard.

In “The Crate,” Professor Henry Northrup (Hal Holbrook) takes advantage of a murderous ape-like beast found in a 150-year old crate to deal with his bestial nag of a wife, Wilma “Billie” Northrup (Adrienne Barbeau). In the closing tale, “They’re Creeping Up on You,” a wicked, wealthy man, Upson Pratt (E.G. Marshall) with a fear of germs and bugs gets his comeuppance when he goes against thousands of cockroaches.

Creepshow is delightful horror fun – a combination of thrills, chills, and cheese. Two of the tales, “Something to Tide You Over” and “The Crate” are excellent revenge tales, but all of the shorts capture the spirit of the old E.C. comics with their shock and surprise endings. Director George A. Romero (Dawn of the Dead) and screenwriter Stephen King knew exactly what they were going for and how to get it. Makeup effects artist Tom Savini ably creates the gruesome denizens that make this film sparkle, and the production elements are the finishing touch in capturing the right look and mood.

6 of 10
B

Monday, October 31, 2005

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